Best Bits: JUST THE BITS

This part of the podcast is just the best 7 bits from the show this week that Morgan counts down from 7 to 1. This weekend includes some investments, a controversial dating day, and much more! You’ll be able to listen to them uninterrupted with just a few intros!

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:01):
It's the Best Bits of the week with Morgan number two.

Speaker 2 (00:06):
What's up everybody?

Speaker 3 (00:07):
It is best Bits, just the bits time before we
dive in.

Speaker 2 (00:10):
Please check out Part.

Speaker 3 (00:11):
One and part two this weekend. I have Scuba Steve
on with me. Not only do we answer listener questions,
but we also dove deep into signs and things that
Scuba Steve has seen before. And he gave me some
live advice before I turn thirty. So all good stuff
up there on part one and part two, So that's
get going.

Speaker 2 (00:30):
Amy shared a story.

Speaker 3 (00:31):
About her dad possibly showing up as an orb over
an old desk that she has of his in her house,
and some of the show was supportive over this and
some were not. You could probably guess who is what,
But I think it's possible. I think there's possible of
signs in anything, So it's super cool to think about that.
That's a possibility that this is the way he has

(00:52):
chosen to communicate with her.

Speaker 4 (00:54):
Number sevens Woman one about two hundred thousand bucks.

Speaker 5 (00:57):
She says it's a gift from heaven and the lottery
because she used the set of numbers related.

Speaker 4 (01:01):
To her husband who had died. Wow.

Speaker 5 (01:04):
The Missouri Lottery said that the Springfield One bought a
ticket August sixteenth. The ticket turned out to be a
one hundred and ninety nine thousand dollars Winter quote. I
lost my husband several years ago, and the numbers are all.

Speaker 6 (01:13):
Related to him.

Speaker 4 (01:14):
I think I'm still in shock. It was like a
gift from heaven.

Speaker 5 (01:16):
Love it from UPI now probably just happened to work
out that way. And there are probably a lot of
people playing dead people's numbers and it's not working out.

Speaker 4 (01:23):
But we caught one here a message from a bow.
No that's not that's not what I could be. It
couldn't be.

Speaker 5 (01:29):
Absolutely, I can't. I can't prove it's not. Maybe can't
prove no not.

Speaker 4 (01:33):
I got me, I agree got him. But I'm doing
probabilities here.

Speaker 5 (01:37):
There are a lot of people with dead loved ones
who they're not numbers, aren't winning.

Speaker 4 (01:40):
But good for her. I'm glad. I hope if she
needed it, she got it. But Lunchbox, when you hear
this happen to somebody, how does that make you feel?

Speaker 7 (01:47):
It starts making me go through my life and think, Okay,
what dead people do I know who in my life
has died? And so I need to start playing like
maybe the day they died, maybe their birth day, or
how many years they've been dead.

Speaker 5 (02:02):
Okay, that's so I would do that with your next one.
Figure that out and run it.

Speaker 7 (02:07):
So yeah, well, I mean that's the only way to
go about it. If this it worked for this lady,
why would it not work for me?

Speaker 5 (02:13):
Well, it probably hasn't worked for ninety nine point nine
nine nine nine percent of people who have tried it,
but I liked it. That's where your mind goes.

Speaker 7 (02:18):
Because I bet you most people play birthdays. They don't
play death days. That would that would be my guest,
Like Scuba plays birthdays, he doesn't play death days.

Speaker 5 (02:27):
So I don't think we really remember death days like
I mean, I guess I have to recall it specifically
I get to it.

Speaker 4 (02:33):
But a birthday, like I just know it like a
death day. I'm like, well she died, oh yeah, but
that is the day they went to heaven. So I
mean that's kind of that kind of works rebirthday. Yeah.

Speaker 8 (02:45):
Yeah, man, maybe that's their sign.

Speaker 4 (02:48):
We've all been waiting to some death days. We've always been.

Speaker 7 (02:50):
Talking about, like, oh, send me a sign from above,
And they're like, well, idiot, play the day.

Speaker 5 (02:54):
I died signs Amy saw or I forgot about this?
Didn you see, like your dad?

Speaker 9 (03:00):
Well, I was taking a video and I saw there
was a blue orb in the in the room.

Speaker 7 (03:05):
Why are you saying, oh boy, life like you don't
believe it when you just get I know, I know
I'm contradicting myself right now, but get.

Speaker 4 (03:11):
Out of here.

Speaker 9 (03:12):
Was also it was also in the room that my dad,
you know, lived in for like a day before he
you know, it was put on life support. So that
was all very very weird. But it's literally in that room.
The orb was above his desk that I inherited.

Speaker 5 (03:27):
Let's pause, where were you exactly? What exactly did you see?
What time of day was it?

Speaker 9 (03:31):
Nighttime? I was sitting in a chair across the room,
and my cat was laying on top of my dad's desk,
and I was like, oh, I need to get a
video over she looks so cute, and my friend and
I are in there and she was like, oh yeah.
So I start taking it and I see the cat,
but then I see this blue orb like hovering all around,
and then I kind of go over to this other
part of the room with my camera and no, no orb.

(03:53):
But above the desk floating around was a blue orb.
And it was a blue which what kind of bird is?
My dad?

Speaker 4 (04:01):
Do you have a video of it? Can I see it?

Speaker 10 (04:03):
Yeah?

Speaker 4 (04:03):
But why is it always on video? Why can't we
see the orb? That to me is more believable.

Speaker 5 (04:08):
But it's like we can't see certain colors that animals
can see. I can't see colors that you can see
because I'm color very, very color blind.

Speaker 4 (04:14):
So we hear differ frequencies, we see diffrequencies.

Speaker 11 (04:16):
But I think the ORB usually comes with the camera
lens because that's what it creates.

Speaker 5 (04:21):
And that wasn't a bug I'm watching. There's a blue
But I mean, are you that's bizarre?

Speaker 4 (04:27):
What do you see bones?

Speaker 8 (04:29):
Are you sure like that?

Speaker 5 (04:30):
No?

Speaker 4 (04:31):
You didn't flick the light on? No, I see it.
It is weird.

Speaker 5 (04:34):
I don't know what it is. It looks like a
giant shoe, Eddy and lunchbox. It looks like a giant
blue moth. It's not It's like a humongous blue moth.

Speaker 4 (04:43):
This is the desk. There's no laser pointer in the room.

Speaker 11 (04:47):
Oh yeah, that's that's a light. It's a reflection of
the light. Yeah, totally. Yeah, because the light's on this
side the same place, and.

Speaker 4 (04:55):
What that big because that's wherever you're pointed is where
the it's not sure. She moves off of it, I know,
and then it goes away. I don't know why I'm
fighting for the orb. It looked weird. It looks like
it might be him. That looks like the UFOs that
I saw from my house. Prove it's not him.

Speaker 9 (05:13):
Yeah, whatever, I don't know. It's kind of crazy.

Speaker 4 (05:17):
Do you think it was a light coming from something else?

Speaker 9 (05:19):
Well, now that, I mean, there is a lamp over there, so.

Speaker 12 (05:22):
I'll have to go.

Speaker 9 (05:22):
Maybe I'll go see it. But he may not always
be around.

Speaker 4 (05:26):
The lamp, will though, And that the orbill show And
he saw UFO once, but it was actually the light
from his phone, my wife's phone on the on the sure.
It's the best bits of the week with Morgan.

Speaker 3 (05:38):
Number two Lunchbox was at the beach again and you
guessed it. He brought back some SPF audio, his sunburn
Protection Foundation. Gosh, that's a tongue twister. He brought back
their organization going out. Well, I say, there, but it's
his trying to get strangers to apply sunscreen to his back,

(05:59):
and vice versa.

Speaker 2 (06:01):
Some did it and some didn't. Some really did not.

Speaker 4 (06:05):
Number six, about half of the men are uncomfortable putting
sunscreen on another man's back. They asked a bunch of
dudes and they did an Uncomfortable Things poll and about
half of the men period, so that they are not
comfortable putting that on another man.

Speaker 9 (06:18):
So what about y'all? Are you okay?

Speaker 4 (06:20):
I don't really like lotions on anybody. I'm not a
lotion or at all.

Speaker 9 (06:24):
What do you mean like you wouldn't put you don't
you don't like putting lotion on Caitlin's back?

Speaker 4 (06:28):
Do I like it?

Speaker 13 (06:28):
No?

Speaker 4 (06:28):
Oh wow, I don't like lotion. I just don't like
lotion on my hands. I don't like that.

Speaker 5 (06:31):
I don't like that the feeling. I don't do lotion.
I don't, but I will, and she'll be like, hey,
can you help me?

Speaker 4 (06:36):
Yes? But I just don't love it. But I don't
think I wouldn't like If Eddie was like put I
would do it. What I would never ask that for sunscreen? No? No,
I got god, I'll do it myself.

Speaker 8 (06:47):
But well, how can you put it on your back?

Speaker 11 (06:49):
I squeeze it to squeeze it right over the let
it drip my shoulder.

Speaker 4 (06:52):
Is it a big deal? It's I don't want to do.
It's a weird feeling, like I don't want you rub
in my back.

Speaker 7 (06:56):
I'm with you, I'll do if it's a spray. I
don't mind spraying your back, but I ain't rubbing. I'm
not doing you get.

Speaker 4 (07:03):
A massage from a guy. No, No, I'm good.

Speaker 5 (07:06):
Okay, what if you're injured and the physical therapist is a.

Speaker 4 (07:09):
Dude, that's different. That's different.

Speaker 11 (07:12):
Yeah, if I'm injured, so it's chance. Yeah, sure, some block,
Like I'm not, I'm good. I'm good with some block
that happened. You'd want me to rub some block on
your back?

Speaker 4 (07:22):
It's not that I would want it.

Speaker 5 (07:23):
Like if I get to request anybody in the whole world,
it's not going to be you at top of my list,
But I wouldn't care be like any would you.

Speaker 4 (07:28):
Mind putting this on me? I don't care?

Speaker 6 (07:31):
Right right.

Speaker 4 (07:32):
It's like when Ray was like, can dudes FaceTime other dudes?
That was dumb. No, that's not dumb. I feel like
this is kind of that too.

Speaker 9 (07:38):
Well, how does Ray feel about Son?

Speaker 4 (07:40):
Ray?

Speaker 3 (07:40):
Son?

Speaker 4 (07:41):
Sons on a guy. All do it, but they're all
sprays now, not all, not at all.

Speaker 9 (07:46):
There are some creamy let's say you only have lotion
available and.

Speaker 5 (07:49):
It's and it's Lunchbox and he's like, will you put
this on my middle middle to lower back?

Speaker 4 (07:53):
Yeah? Would you do it?

Speaker 6 (07:54):
Yeah?

Speaker 4 (07:54):
Yeah, no issue at all? Whatsoever? Well, you'd have to.
I can't touch my backs.

Speaker 13 (08:00):
I can't do it.

Speaker 4 (08:01):
He just has a big burn on his back. That's true.

Speaker 5 (08:03):
So Lunchbox did go out and do a little more
SPF though, because the Sunburned Protection Foundation is back.

Speaker 4 (08:09):
But this time there's a twist, right, Yeah.

Speaker 7 (08:10):
Instead of me offering them sunscreen, I asked them to
rub sunscreen on my back. Okay, random stranger and one
the beat, where were you? I was in California, and so.

Speaker 4 (08:22):
You just walked out to the beach, walk out to.

Speaker 7 (08:23):
The beach, walk up and down the beach and say
find some lucky people and say, hey, you know.

Speaker 4 (08:27):
What I mean.

Speaker 7 (08:28):
I'm here by myself, but can you I think my
back's getting a little red. I'm by myself, so I
didn't know if you could rub any on my back or.

Speaker 4 (08:35):
Is that a little weird? And then a little.

Speaker 7 (08:37):
Weird, but not not too weird where you won't do
it right, I get a protection way.

Speaker 4 (08:43):
I understand. I haven't put it in put it.

Speaker 9 (08:47):
On my back.

Speaker 4 (08:48):
Oh I'll put it on your back and.

Speaker 9 (08:49):
You put it online.

Speaker 4 (08:50):
Thank you? Oh man? All right, man, well thanks, enjoy
the beach.

Speaker 7 (08:55):
But if I get sunburned, I'm gonna I'm gonna think
about you later. I don't want to think.

Speaker 4 (09:00):
Of a man.

Speaker 10 (09:02):
What's that.

Speaker 4 (09:03):
Yeah, that's a little more weird. That would be a
little more real. So yeah, so no shot, all right?
That guy's in the half. I think it's weird. Yeah.
Also the stranger part of it too makes it a
little weird too, like some random person guy or girl.
And also it's like I feel like you wanted to

(09:23):
beat him up.

Speaker 8 (09:24):
He was a short I mean he was filled dude.

Speaker 4 (09:26):
Like kind of oh did he kind of get up
on you?

Speaker 7 (09:29):
He was kind of like starting to flex his muscles
like get on it, have a good day.

Speaker 4 (09:34):
Yeah, I don't think about me. Lator ain't that guy.
Don't think about me later, all right? Next one, you
got the dog.

Speaker 7 (09:40):
If you need me to rub sunscreen on your back,
I'm by myself. You can rub some sunscreen on my back. Okay,
I mean, I just I didn't want you to get
too red. You know, I had to put my shirt
back on because I didn't have anybody to rub sunscreen
on me.

Speaker 4 (09:51):
But yeah, I mean I can oh oh sorry, dog.
I mean if I could hold the dog.

Speaker 7 (09:55):
With the leaves, you could rub it on my back,
and then you know, you can hold the dog and
I could rub it on your back if you need
me too.

Speaker 4 (10:00):
I'm okay, you sure, I appreciate it. All right, you
have a good day.

Speaker 13 (10:04):
All right?

Speaker 4 (10:04):
Thank you?

Speaker 10 (10:04):
Man?

Speaker 4 (10:05):
You sure that you get out all right? That fourth
you sure makes me cringing? You sure? Like what do
they change their mind?

Speaker 1 (10:14):
Like?

Speaker 4 (10:14):
What are they like something? They're like, oh, yeah, you
know what, I'll do it.

Speaker 11 (10:17):
And why why Slunchbok's trying to do that like I
rub your back, you revind.

Speaker 4 (10:20):
I think he's just trying to do a social experiment,
like I'm trying to make him think it's not just
all about me, right yeah, selfish, selfish lovey. I mean,
all right, here you go, excuse me, could you do
me a solid? I'm by myself if.

Speaker 7 (10:32):
I took my shirt offcause you're rusting sunscreen on my back,
like not not no weird way.

Speaker 4 (10:35):
Not no weird way. You know what I'm saying, Like
like it's so awkward to ask, you know what I mean.

Speaker 7 (10:40):
But I'm like I had to put my shirt back
on because that sun is roasting me.

Speaker 4 (10:44):
You know what I mean.

Speaker 7 (10:46):
Oh, I don't mind you rubbing it like like I
mean if you want to rub some of mine, you know,
like your hands look nice enough, like not like in
a creepy way, you know.

Speaker 4 (10:55):
What I mean, Like, oh, thank you so much? Oh yeah,
oh right, there's go yeah.

Speaker 7 (11:00):
Start it's a little sweaty whoa yeah, and there's some
moles ipopolize about the moles. Yeah, I'm trying, but I
mean I don't want to get roasted.

Speaker 4 (11:11):
Thank you so much for your hands are great.

Speaker 7 (11:14):
Oh stop, Like I have a sunscreen business where you
just rub it off people. I think you would make
a lot of money, not in a creepy.

Speaker 4 (11:21):
Way, thank you. I think general rule of life if
you ever have to say non in the creepyway more
than once, it's creepy, right, No, I think that makes
me feel more comfortable when you keep.

Speaker 7 (11:31):
Saying, hey, it's not creepy, it's not creepy, your hands
are so pretty.

Speaker 4 (11:34):
And he apologized about the moles. He apologized you, I
think I apologize. Also, the only one who did it
was a woman. Yeah, if you notice the guy who
didn't wan anything to do with.

Speaker 7 (11:43):
It because she had a girlfriend with her, So I
think she felt comfortable, uh like it?

Speaker 8 (11:46):
Well, she wasn't by herself.

Speaker 4 (11:48):
Wait, she had a girlfriend, like hurt, like she was
a partner or just a throw like two girls got it.
Dudes won't do it. Dudes didn't want anything to do
with that. Girls.

Speaker 5 (11:57):
There are some other guy ones to forty five percent
of men run comfortable saying I love you to another guy.

Speaker 4 (12:02):
Yeah, I like that one.

Speaker 7 (12:04):
I mean it's a little weird. Like my brother and
I like, I don't ever say to him, but you.

Speaker 9 (12:09):
Kiss your dad on the list.

Speaker 8 (12:10):
Yeah, but I say that this physical.

Speaker 7 (12:12):
I say to my sister, like, I'll say I love
you when I talk to her, but I don't say
it to my brother.

Speaker 11 (12:16):
You got to follow up with a man, yeah, or dude,
I love you, dude, Hey, love you man, love you man.

Speaker 7 (12:21):
Yeah, that makes it easier maybe, But if it's like
I do love you, love you man.

Speaker 4 (12:25):
If it's like Bobby, I love you, hey man, I
love you, hey, not in a creepy way.

Speaker 5 (12:30):
Your hands are pretty Seventeen percent of men uncomfortab hugging
a male friend.

Speaker 4 (12:35):
Yeah, no issue there.

Speaker 5 (12:37):
There was another one eight percent of men are uncomfortable
sharing a bed just to sleep.

Speaker 4 (12:43):
I've done that with Eddie, no problem, I'll do it again.
I'll do it right now. Dear me, I don't you
don't have to. I don't have to, dare you weird?
And four percent of men are uncofortable going to a
restaurant with a male friend just like two dudes. That's
so weird. These are guys who just I don't know
if it's that they're not secure or they've been taught
like some conditioned wild mask lanity rules.

Speaker 5 (13:04):
They just aren't true. There's just inaccurate. But there you go, Lunchbox,
thank you for your son.

Speaker 4 (13:09):
Block. You're welcome. We spind the will whoever lands on
has to blather them up oh full body. Oh no, no,
let's not do that. That's play this. Thank you, guys.

Speaker 1 (13:20):
It's the best bits of the week. With Morgan number.

Speaker 3 (13:23):
Two, we got an update in the bet going down
between Eddie and Scuba.

Speaker 2 (13:29):
Steve with their hair.

Speaker 3 (13:30):
Right now, Scuba Steve is totally growing his out, and
the committee voted he has to keep growing it out.
He can't shave it yet. We still need to see
more hair. And if he fulfills this, which I have
no doubt, Scuba Steve will Eddie will have to shave
his head completely bald and not wear a hat or
anything like that next year. So it's getting really intense
over here. But more importantly, what happened in this bit

(13:52):
is it took a turn. And it when I say
took a turn, not in a better way. It took
a turn for the show roasting each other. So I'm
just gonna let you hear it. Maybe get a good
laugh out or not.

Speaker 4 (14:03):
Number five, our executive producer, Scuba Steve is in the studio.
Let's do it. It's time for Scuba Steve. All right,
we do whatever bet he wants. This is mostly a
follow up because we made the hair bet Scuba hat.
Oh my god, look show them. So Scuba has always
shaved his head bald. Look at that, and oh that's

(14:24):
why this he's throwing out. He's growing his ring out
around his bald head. Hilarious. I forgot forget what's the bet?

Speaker 14 (14:35):
So the bet is that if I grow mine out
to December thirty first, or the jury, which is Mike
the Morgan and Race is a too distracting, then Eddie
at the beginning of the year will shave his head fall.

Speaker 8 (14:46):
And Edie won't be allowed to wear a hat to work.

Speaker 14 (14:48):
Yes, because I can't wear a hat, and I'm wearing
around like guests and people and executives and you guys,
it's weird.

Speaker 4 (14:54):
It's weird to see his hair like that.

Speaker 14 (14:55):
How do you feel I'm twenty years older, I look
like in my sixties easily.

Speaker 4 (15:00):
You don't know, you guys would be nice. Quit patronizing me.
I look terrible. We're not known for nice. We're honest
with each other. Okay, So it's.

Speaker 9 (15:09):
But I did wonder. I was like, what, what's something
different about?

Speaker 4 (15:13):
You know?

Speaker 9 (15:14):
No, I knew what was different, and I thought, gosh,
this is everything. Okay, Like I thought maybe he'd not
have a lot of time right now or.

Speaker 5 (15:21):
Yeah, So how do you feel did you hope a
little bit that it would grow back in the place
that's been bald When you let a girl.

Speaker 14 (15:27):
I knew it was gonna do. What it was gonna
do where I get a few random strands on the top.
But I was hopeful that maybe something would pop for
when I could even it out come over anything. But
there is not even enough hair to even calmb over
to create something or some sort of look.

Speaker 4 (15:40):
Yeah that ring things growing looks back?

Speaker 3 (15:44):
Yeah?

Speaker 4 (15:45):
Gee, so the bed is I forgot now I remember
he grows it out to the end of the year.
Eddie has to shave his head bald like his dad.
But it makes no sense, like, how does that? But
it was the bet. I don't know, dude, he came
up with it. It's so weird. But you agreed to it. Yeah,
you want to do it. I mean, I'm not backing out.
Can we checking with the jury to see if it's
distracting at any point?

Speaker 5 (16:02):
It's not, because we need it to be a lot
more distracting. Let's check with the jury. Guys, should Scuba
Steve stop growing his hair?

Speaker 4 (16:09):
To be honest, I didn't even notice, of course you didn't.

Speaker 2 (16:12):
No, we still need more.

Speaker 4 (16:13):
Yeah, could you have headphones on? You can't really see? Well,
I have headphones on, can you see? Yes, and I'm
walking down the hallway.

Speaker 14 (16:18):
Can you see when guests come in.

Speaker 4 (16:21):
You look like your name should be Bob.

Speaker 15 (16:23):
Yeah.

Speaker 14 (16:23):
I look at a big event next week in Las Vegas.
I hear ready Music festival. I'm seeing all these kinds
of people.

Speaker 4 (16:29):
The top hat in a monocle.

Speaker 9 (16:32):
Yeah, can he get like an exemption from iheartfested? Wear
a hat?

Speaker 14 (16:35):
No, like no outside here, outside of here. But it
gets hot and sweaty, and then I'm sweating underneath the hat.

Speaker 4 (16:43):
It's uncomfortable. Well, thank you for the update. You're welcome.
It's time for what was the other thing about music
you were talking about? Because yes, if you play music,
even if you're bad at it, you like it's relaxing. Exactly.
Any musical instrument whatever, be even bad, it relieves stress
and you play well. I try to play.

Speaker 14 (17:04):
I tend to play the drums, and I know I'm
terrible at it. I can keep a beat. I'm okay,
I'm but you're a drum kit a kid. I have
a kid at home. My son plays and we play
on it together. We mess around, but I'm not like
professional or anything fantastic, but I can play. Do you
guys have anything that you do that you know you're
remarkably bad at but you do it anyways and you
don't really care, like lunch box your job.

Speaker 4 (17:28):
I don't do anything particularly. I was actually solid. You
write that on your notes.

Speaker 8 (17:35):
No, I just thought about it was good to give
your credit.

Speaker 4 (17:38):
Bench press, like lifting out, Yeah, working out? Speaking? I
have a speaker.

Speaker 5 (17:45):
Yeah, I mean I don't talk well. I know it's
different because I do this show. But still do you
do anything?

Speaker 8 (17:51):
Oh, Eddie being a dad.

Speaker 4 (17:53):
That's true. This is just to do that's true, though
I don't know what I'm doing being married, rude. I
wasn't gonna just say that. I want good. I thought it.
I thought it, but then I was like, I to
go instead of Amy.

Speaker 7 (18:07):
Abby singing, Okay, Ray being tall, Oh my god.

Speaker 4 (18:13):
Bobby being a man. There we go. Go okay, all right,
go Moregan being in a relationship. You be holding that
one in Amy and Morgan driving.

Speaker 6 (18:39):
Stupid you guys.

Speaker 4 (18:44):
Man, Ray, do you want to say anything?

Speaker 13 (18:47):
No?

Speaker 4 (18:47):
I thought it was funny. Anybody could jump in the
mix here, Amy, do you want to mix it up
at all?

Speaker 16 (18:53):
Man?

Speaker 3 (18:54):
Oh?

Speaker 4 (18:54):
Man, I could go hard.

Speaker 9 (18:56):
It's fine. What else could he?

Speaker 4 (18:58):
What you want me to do it? No, don't say
why would you? I would invite him to it.

Speaker 2 (19:05):
He's so ridiculous.

Speaker 4 (19:06):
He wants hate up up. You want me to say, yeah,
getting pregnant? No? Too far?

Speaker 11 (19:20):
Wow?

Speaker 4 (19:22):
Wow? Is that what you wanted? Scuba?

Speaker 10 (19:24):
No?

Speaker 17 (19:24):
Wow?

Speaker 4 (19:25):
Scuba yeah wow?

Speaker 9 (19:29):
Years ago?

Speaker 4 (19:30):
Wow?

Speaker 7 (19:31):
Okay, Hey Bobby meeting your dad having a dad?

Speaker 4 (19:40):
You guys, you guys said you wanted it. It's asked you,
do you want me to say it? And you said yes. No,
actually she said yes. I said you don't want that?

Speaker 9 (19:49):
I didn't Well, honestly I didn't think. But but also
that never crossed my mind.

Speaker 4 (19:55):
What was the question? All right, there you go, hit
that right, It's time for.

Speaker 1 (20:06):
It's the Best Bits of the Week with Morgan Number two.

Speaker 3 (20:12):
This week, I shared something that happened in my dating life.

Speaker 2 (20:15):
I went on two dates in.

Speaker 3 (20:17):
One day and it was pretty controversial, which I did
not anticipate. But not only that, I also shared a
very controversial update on hot Rodney.

Speaker 2 (20:26):
And I say controversial because I was not expecting it.

Speaker 3 (20:29):
Like, what you think I'm gonna update on hot Rodney
is not what you would have guessed happened. So here's
the latest with my train wreck of a dating life.

Speaker 5 (20:39):
Number four, Talk to Morgan she's dating now, not one
specific person, but she went on two dates and one
day with two different dudes.

Speaker 4 (20:48):
Now, how do we I've been there? What how do
we How do we feel about that?

Speaker 7 (20:53):
If a guy did it, you guys would say we're
dirty that.

Speaker 9 (20:58):
What just going?

Speaker 4 (21:01):
Do you want to ask you about the dates?

Speaker 6 (21:02):
First?

Speaker 9 (21:02):
Yeah?

Speaker 4 (21:02):
So what did you do on these dates? And what
time of the day.

Speaker 2 (21:04):
So one of them was in the morning.

Speaker 3 (21:06):
It was a breakfast brunch date and we walked around
afterwards kind of like we held hands in the town square?

Speaker 4 (21:12):
You held hands on a first date?

Speaker 3 (21:14):
Yeah, he asked, and I didn't really know.

Speaker 5 (21:17):
He asked to hold hands? Yeah, you either grab the
hand or you don't. We don't ask wait.

Speaker 9 (21:21):
Did you want to?

Speaker 3 (21:22):
I mean yeah, it was fine, Like it was a
good date, but it definitely felt weird him asking, And
I was like, you just like grab.

Speaker 4 (21:29):
It right too? Either do it or no? But that's
what Yeah? Can I hold your hand? Not anymore? Asked? Okay,
but it was good. Fine, Yeah, it was fine. And
did you already have both dates planned that day?

Speaker 1 (21:40):
Yeah?

Speaker 3 (21:41):
So I had originally had to go to dinner like
with this other guy on the Thursday night before but
work stuff came up, so I was like, hey, I
got a reschedule, and he was like Saturday night and
I was like, well, I guess we're pulling a double dater.
So it wasn't originally the planet just so happened that way.

Speaker 4 (21:56):
Do you find it's hard to remember what stories you've
told who?

Speaker 3 (22:00):
Yeah, so during the second day I may or may
not have like said, oh, yeah, you remember me telling you.

Speaker 4 (22:03):
I was like, oh, that.

Speaker 2 (22:06):
Was from the first date.

Speaker 4 (22:08):
That's hard. It's a lot of having to remember stuff.
So did you smooch both guys? That'd be awesome?

Speaker 3 (22:13):
No, just one obviously, one help hands and then the
other kiss.

Speaker 5 (22:17):
Dang the guy who asked for the handhold didn't even
get to smooth Dan, but you would.

Speaker 4 (22:20):
Have smooched him.

Speaker 16 (22:21):
I don't know.

Speaker 2 (22:22):
I mean, I can't tell now. Maybe in the moment
I would have.

Speaker 4 (22:25):
Yeah, So what's the point.

Speaker 7 (22:27):
I'm just saying, like, wow, smooching two dudes one day,
I mean.

Speaker 4 (22:32):
That would be I'm the bachelor, right right. No, I'm
saying it's no problem.

Speaker 7 (22:36):
But if if a guy would do that, you would say, oh,
that's so gross, Like if you found out that dude
that you went out with went out with two chicks
that day, you'd be like, oh, I'm not going back
out with him.

Speaker 4 (22:46):
That's a that's a point like to further evaluate true
or foss.

Speaker 9 (22:50):
I don't.

Speaker 2 (22:50):
I don't know that I would.

Speaker 3 (22:51):
I mean, if he took them home, yes, I would
definitely be like, Okay, that's too much.

Speaker 4 (22:56):
But what if he held hands? I want to kis another.

Speaker 2 (22:58):
I don't know that I would be offended. We don't
know each other well enough for me to be offended
by that.

Speaker 9 (23:02):
But you know each other well, I know what it gives.

Speaker 3 (23:04):
I mean, you got to figure it out, you got
to figure out the attractions there.

Speaker 4 (23:09):
I don't think there's anything for you to worry about.
It's actually your you're dadating. It's better than not dating
two in a day.

Speaker 5 (23:14):
Though, if it were some a dude, yes, they'd be
given a hard time. But I think you're good. I
think if you wanted to make out both of them,
it's fine. You're an adult, adults to adult things.

Speaker 4 (23:26):
That's right, as long as you're not lying to anyone
or brush your teeth in between. And so they paid
for both of them free meals too, free meals.

Speaker 2 (23:33):
Yeah, So I got for free.

Speaker 4 (23:35):
So how do you end up breakfast date though, do you?

Speaker 3 (23:37):
I was just like, hey, you know, I really got
to go home.

Speaker 12 (23:40):
I got some stuff to do, like go in my hand.

Speaker 4 (23:41):
I need to go home.

Speaker 9 (23:42):
I need to go get ready for my next day.

Speaker 5 (23:44):
So what's the update on hot Rodney though, Because Lunchbox
had a guy for you named hot Rodney and it's
pretty good looking.

Speaker 13 (23:50):
Dude.

Speaker 4 (23:50):
Oh yeah, you're gonna set Morgan up. But you keep
like kicking the ball down the field. No, no, I'm
not kicking there's no kicking the ball down the field.

Speaker 3 (23:57):
Man.

Speaker 7 (23:57):
I've been talking to hot Rodney sending the number over
to More said, hey, go ahead, girl, get on that.

Speaker 4 (24:03):
So you give her the number and say she has
to go get it.

Speaker 7 (24:06):
Yeah, Because he was like, look, I mean, I don't
know if this comes some kind of joke and if
she's not comfortable with me texting her.

Speaker 4 (24:11):
Like you have my number? If he said that okay?
And did you text him? Yes?

Speaker 3 (24:15):
I did, okay, And so he texted him and I
was like hey, and I explained like this is Morgan,
Lunchbox his friend. And he writes back He's like, hey,
I'm I'm not sure if Lunchbox told you, but I
have a girlfriend.

Speaker 12 (24:30):
Why what's wrong with you?

Speaker 9 (24:32):
Oh my god, that's so awkward.

Speaker 4 (24:34):
What why would you give her his number and say
text him when you know he has a girlfriend. My
belief is, but you know this is already bull crap,
go ahead.

Speaker 7 (24:45):
No, My belief is like, hey, you got to still
give him the option. Maybe he is wanting away, I
tell her.

Speaker 8 (24:52):
Maybe, because then she went and text it.

Speaker 4 (24:53):
Yeah, because he has a girlfriend, right.

Speaker 7 (24:55):
But maybe he's looking for a way out and he
just doesn't know it. And then when that text comes in,
he realizes it and like, you know what, Like this
is a sign I needed?

Speaker 5 (25:03):
That is he set you up for failure? There, Morgan,
he did, And that's embarrassing.

Speaker 3 (25:08):
That's embarrassing, vulnerable, And I feel bad for the girlfriend.

Speaker 2 (25:11):
She probably has no idea why this random.

Speaker 4 (25:13):
Girl is texting I didn't know about the text.

Speaker 8 (25:15):
And then here's also the other thing.

Speaker 7 (25:17):
That way, if they do break up, guess what he
can help Morgan, Hey, I'm single.

Speaker 4 (25:21):
Now he has the number.

Speaker 7 (25:22):
Now like they've already communicated, they've opened the line of communications.

Speaker 4 (25:25):
She told her. He told her, it is interesting.

Speaker 11 (25:27):
I give me the rebound It's interesting that Lunchbox told
hot Rodney hey about Morgan, and then hot Rodney still
texted Morgan to say, hey, I got a girlfriend.

Speaker 4 (25:36):
How running didn't tell Lunchbox? Did hot Rodney tell you?
I already knew man what he knew?

Speaker 5 (25:45):
Why did you tell all that if he had a girlfriend.
I mean, I was just like, how long they've been together?

Speaker 4 (25:50):
About a year and a half? A new girlfriend?

Speaker 15 (25:55):
No?

Speaker 4 (25:56):
Why would you put everybody through that? I just know
there was some I know there was some times, but lady,
there was a time.

Speaker 8 (26:05):
That there was turbulence.

Speaker 9 (26:06):
Turbulence in the mean you probably just caused more to
so I was.

Speaker 7 (26:10):
Like, maybe they both are kind of it's on shaky ground,
you know what I mean, like an earthquake starting and
this is just the volcano erupting.

Speaker 4 (26:17):
You should have told her, though, Ray, what happened with
your guy?

Speaker 10 (26:20):
Yeah?

Speaker 18 (26:20):
So I got Sam and Houston my buddy. He wants
to know what his next move needs to be. So
he hits me up and he goes, what do I do?
And I just keep telling him. Name of the game
is lay low, and he goes, how low do I lay?
And I go, it's super low.

Speaker 4 (26:31):
Let's have a girlfriend and being a different relationship low.

Speaker 18 (26:34):
So it's really up to Morgan if she wants to
talk to him or he I can give him your number,
whatever you.

Speaker 4 (26:39):
Want to do.

Speaker 2 (26:40):
I did follow him on Instagram.

Speaker 5 (26:41):
Okay, so he now has permission to text her. Okay,
but I she shouldn't have to text him first. If
he wants to go out with her or just even
establish communication, he should text her.

Speaker 4 (26:51):
And I got a backup to that too.

Speaker 18 (26:52):
So if that doesn't work out, we already got justin
in Boston, so.

Speaker 4 (26:56):
We have it's Ray trading out for YouTube TV for
days and Morgan, Yeah, I feel like he is.

Speaker 18 (27:01):
No. I just realized I got all these single friends,
and I'm like, I guess I actually should be a
decent dude and try to hook them up with an
attractive girl that I work with that would probably be
a good date for them.

Speaker 5 (27:09):
Okay, so tell Sam Houston Sam to text Morgan. And
you're sure Sam doesn't have a girlfriend or a wife. No,
he isn't gay or it's like does it like you know?

Speaker 18 (27:19):
Now they both said they think Morgan is attractive.

Speaker 4 (27:22):
So but he told me.

Speaker 5 (27:23):
That hot Rodney can think that too, but he's got
a girlfriend, right, watch Fox. I can't believe you knew
he had a girlfriend. You still went through all that.

Speaker 4 (27:29):
Yeah, that was a mistake, man, I tried. I was
just making sure that, Oh, what's your belief?

Speaker 7 (27:33):
My belief was you have to give them the option
because when you go to a restaurant, they have a
lot of things on the menu. You may have your
mind made up, but you see something on the menu,
You're like, I like that better.

Speaker 4 (27:44):
Hey, interesting something on the menu and you didn't even
get picked. Yeah, that's cool. It's really exciting for me.

Speaker 5 (27:50):
All right, Lunchbox, Thanks buddy, yep, never let us down,
my belief.

Speaker 4 (27:55):
It's the Best Bits of the Week with Morgan.

Speaker 3 (27:59):
Number two, an anonymous show member reported on another show
member for something that happened in the studio with an artist. Yes,
you heard that right, basically a spelling them of the tea,
but anonymous version. And if you listen to the anonymous voice,
I bet you could figure out who it is. I'm
just saying by the way that they talk. And if
you listen to Best Bits Part one, we did clear

(28:20):
up that it isn't one person, but that's just one
out of nine of us that are here, so it's
still a mystery, but that will at least help you
in your journey to figuring out.

Speaker 2 (28:31):
Who is anonymous.

Speaker 5 (28:32):
Number three, the person on the show wants to remain anonymous,
but they have a concern for the show, so they
didn't want to make it about them. They just wanted
to express what they were concerned about, so we took
the voice changer and changed their voice, so you can't
tell who it is. And here is that person saying
what they're worried about with the show.

Speaker 13 (28:51):
I would like to report Amy for cornering artists when
they leave the studio. She has a habit of doing this.
I've seen it on numerous occasions. They go into the.

Speaker 4 (29:02):
Green room or somewhere in the hallway.

Speaker 13 (29:04):
And Amy is there and talks and talks and talks.
Please keep this anonymous. I just want you to know
what's going on, and I want you to put a
stop to it.

Speaker 4 (29:16):
I know exactly who that is.

Speaker 5 (29:17):
Hey, we'll keeping an anonymous and away they're talking, keeping
an anonymous Amy.

Speaker 9 (29:22):
This does not happen on the regular at all, whatsoever.
I think what they're ahead if this is about the
other day, I was getting content something for women of
my heart country that we needed to do, were wanted
to do this.

Speaker 5 (29:34):
Anonymous person was talking about what artists do you think I.

Speaker 9 (29:37):
Believe they're talking about Ashley McBride.

Speaker 11 (29:39):
Okay, And was it clear through Ashley McBride's people to
do that it is?

Speaker 4 (29:43):
Is it?

Speaker 12 (29:43):
Eddie?

Speaker 3 (29:44):
Was it?

Speaker 12 (29:44):
You like it?

Speaker 4 (29:45):
Trust me?

Speaker 13 (29:46):
Wasn't me?

Speaker 4 (29:46):
Yeah?

Speaker 5 (29:46):
Okay, So you're saying that didn't happen. It wasn't what
the anonymous No.

Speaker 9 (29:51):
I don't corner artists. A lot of times I stay
there in my dead well.

Speaker 4 (29:55):
There's another message.

Speaker 9 (29:55):
Okay.

Speaker 13 (29:56):
If you're hearing this, it's because Amy denies it happened.
I know she's going to deny it happened, but it
really did. Ashley McBride was in the green room packing
up when Amy entered the room and placed herself between
the door and Ashley McBride. So Ashley McBride had nowhere
to go. She had her back up against the cabinet

(30:16):
where the snacks are. Amy had the door blocked, and
Amy proceeded to talk and talk and talk and talk.
There was nowhere for Ashley to go. She was stuck
and Amy had her claws on her and wasn't going
to let her go. And by clause I mean her
voice of just talking and talking and rambling. I was

(30:38):
a witness and I just want to say it wasn't
a good look. Don't deny it, Amy, don't deny it, Amy,
just say it. Admit it.

Speaker 4 (30:46):
You did it, okyous out of the game.

Speaker 9 (30:49):
I said it was Ashley McBride, and I said why
And there's no way I was standing between Ashley and
the door.

Speaker 4 (30:56):
Well, I just want to keep that totally anonymous. Yeah,
it's crazy.

Speaker 11 (30:59):
Amy can't anything anymore because anonymous just covered everything.

Speaker 4 (31:02):
He even called it. You're going to deny everything.

Speaker 9 (31:04):
But he's wrong.

Speaker 16 (31:05):
I did it.

Speaker 9 (31:07):
That's wrong.

Speaker 4 (31:10):
What are we talking about? It's lunchbox. Maybe how we
keep it anonymous.

Speaker 9 (31:17):
Here some of the word choices, like how he spoke
is how lunchbox speaks.

Speaker 4 (31:23):
So you're a detective.

Speaker 9 (31:25):
Yeah, I was listening.

Speaker 5 (31:26):
For the anonymous listener. Jess said, we should watch out
for you.

Speaker 4 (31:29):
And if you say you didn't do it, you didn't
do it, but just be aware of it.

Speaker 9 (31:32):
Out of the gate, I told you it's I know
what they're talking about Ashon McBride. And then the next
clip is him saying I'm going to deny it and
not say it. And it wasn't a cornered situation.

Speaker 4 (31:42):
Amen. Good, we're all aware now, right, So what's what's
a we're gonna do. She's gonna start that you. I
just needed to be aware that somebody anonymous is worried
about it.

Speaker 9 (31:49):
Okay, got it.

Speaker 1 (31:52):
It's the best bits of the week with Morgan number two.

Speaker 3 (32:01):
We all brought an investment idea to the show. Everybody
had different ideas for what this was supposed to look like.

Speaker 2 (32:08):
And I will keep saying.

Speaker 3 (32:10):
That my ice cream bike idea was brilliant and we
would have made so much money, but it didn't get
chosen for any investments.

Speaker 2 (32:18):
And you know what, that's fine.

Speaker 3 (32:20):
If anybody decides to get an ice cream bike and
they make a whole lot of money, please call on
the show a year from now and tell us how
much you made and say that my investment was totally
worth it. And that's all I will say about mine.
I'm still disappointed we're not gonna have an ice cream bike,
mostly because I want ice cream in.

Speaker 2 (32:37):
The studio all the time. He was like a double
benefit here.

Speaker 3 (32:40):
But some things did get invested on and we had
to finally give our money to the investments we talked about,
and some people owed a whole lot of money.

Speaker 2 (32:50):
I mean, I'm talking in the thousands.

Speaker 4 (32:52):
Okay, number two.

Speaker 5 (32:53):
There are no rules, just something in pop culture that
we can buy that we can sell back in a
year and make a profit on.

Speaker 6 (33:01):
Now.

Speaker 5 (33:01):
The idea came after a handwritten letter from George Washington
from seventeen eighty nine that the person bought for like
ten thousand bucks. It's hold for two hundred and thirty
seven thousand dollars. Now what we can't we can't? All right, Well,
that bloods too.

Speaker 4 (33:12):
It's for us, right, it's a lot of money. But
we're going to combine in here.

Speaker 5 (33:15):
And it looks like there are three, six or eight
people involved in this, So there's eight of us who
want to get in. Let's go around the room and
see what we've brought to the show here, and I'm
gonna go to you first. What is your item you
want us to buy together?

Speaker 9 (33:26):
Okay, mine is an antique nineteenth cent for your something
I don't know, vampire hunter slang kit.

Speaker 4 (33:35):
What's the purpose is that real?

Speaker 9 (33:39):
It happens or we need this?

Speaker 4 (33:42):
Oh no, it's not worth anything, is it?

Speaker 9 (33:44):
It's gonna be worth more when the end of times
are here.

Speaker 4 (33:47):
I'm gonna wait that long. We're gonna have to root
for the end of times in order to sell it.

Speaker 13 (33:52):
I don't know.

Speaker 4 (33:52):
I don't want roots for the end of time.

Speaker 9 (33:53):
Well, a dagger, a holy water bottle, a bible, a crucifix.

Speaker 4 (33:58):
If we could buy all that stuff separately, doll Yeah,
and if it was actually from Twilight the movie, maybe
how do you know?

Speaker 9 (34:04):
It's an a letter of authenticity of such kits were
popular in the nineteenth century and people would use it
when they would travel. It's a collectible.

Speaker 4 (34:13):
I'm gonna pass on this one.

Speaker 9 (34:14):
Whatever watches be worth the most money.

Speaker 4 (34:17):
Watch it, and I won't. I won't be watching it
because I know what you or for vampire fans. Much
as it's going for right now.

Speaker 9 (34:23):
It's affordable right now. Four hundred bucks.

Speaker 4 (34:26):
That's just for the supplies. That's a lot.

Speaker 9 (34:28):
There's so many people bidding on it.

Speaker 5 (34:30):
I'm going to pass so many. Okay, twelve, well, okay, lunchbox,
what do you have?

Speaker 7 (34:35):
My thing is only going to cost us five hundred
and twenty five dollars. Guys, we're going to buy a
wholesale palate. That's right, it's a palette. You don't know
what's in it. It's shrink wrapping exactly.

Speaker 4 (34:46):
You don't know what a gamble baby.

Speaker 7 (34:48):
They have game consoles tools support it.

Speaker 4 (34:52):
They don't want to. I'll get in with you on
this and five hundred and twenty five dollars. It is
shrink wrapped, a whole palette toll. Who knows what's in it?

Speaker 13 (34:59):
Though?

Speaker 7 (35:00):
It's I guess the people that wrapped in I don't know,
but it said I won't they buy it. Their business
is it's overflows stock and so they put a bunch
of it on.

Speaker 4 (35:09):
So I mean we go sidebar on where's it from?
We don't have everybody doesn't have to get in? But
who wants it? About this one? Who wants in on
this one? How much is it? I'm in? I'm going twice.
It might be we might lose all our money. We
might lose all our money again, going once, going twice,
heads out, Okay, it's five Mike's six in. Okay, okay,

(35:33):
even better, even better, six people are in. I mean
write that down us six mic on this one are
going out on this one? Whole zelp out and they're
just just south of town.

Speaker 9 (35:41):
I'm gonna laugh if it's a palateful of Vampire Hunter.

Speaker 4 (35:44):
But you're in, you want to make money, we can.
We can immediately end up buying it anyway, let's go. Yeah,
this is the old mc gamble. We have no idea,
So this is one investment. We're gonna keep going. We're
gonna keep going. All right, let's go. Okay, next up Eddie.
All right, guys, hear me out. It's not cheap, but
hear me out.

Speaker 11 (36:02):
It's a stage concert warn bandana that belonged to Willie
Nelson that he wore in nineteen eighty six.

Speaker 4 (36:09):
How do we know he wore it? That one?

Speaker 5 (36:10):
There's pictures letter of authenticity I believe, so, okay, how much?

Speaker 4 (36:16):
Then here's the thing. It's one three and ninety nine dollars.
But if we all go in and sold before I don't,
I don't. How do I find that out? You do
the research before you bring it to the show.

Speaker 7 (36:27):
Can I just say something. If we don't have a
letter of authenticity, there's no chance we buy it.

Speaker 8 (36:32):
But if there is, I'm in.

Speaker 4 (36:33):
Because here's the deal, because he's If there's a letter
of authenticity. I'm in and guys and guys, the investment's quick,
like I don't want to don't say it. Okay, we
know what you're saying. You know what I'm saying. But
I need leather of audens. Look if there's a leather
of authenticity, okay, let me do some more. We're gonna
come back. If so. If there is a letter of authenticity,
raise your hand. If you're in on this one, you're

(36:54):
in three whoa, whoa. That's a lot of money. But sisters,
three of us crazy. Those kind things are not valuable
to me. I'm out to you. There's three of us in.

Speaker 13 (37:05):
I don't want that.

Speaker 4 (37:06):
Okay, all right, I think we can keep notes on these.

Speaker 7 (37:09):
Okay, well there's been rejected, Morgan, Okay, I really want
us to invest in an ice cream bike.

Speaker 3 (37:17):
It's a bicycle and it has an ice cream refrigerator.
And this is great because it can beget the Bobby
Bone Show pop culture moment.

Speaker 2 (37:24):
We wrap it and Bobby Bone.

Speaker 3 (37:25):
Show stuff, all the artists sided that stopped by.

Speaker 9 (37:27):
And we can take it out on the streets.

Speaker 2 (37:28):
We can bring it places with us.

Speaker 4 (37:30):
How do we make money off of it?

Speaker 6 (37:31):
Though?

Speaker 2 (37:31):
You sell ice cream from it.

Speaker 4 (37:32):
It has a little we're gonna do that. We gotta
pay somebody will Where do you get that? You're gonna sell?
You're gonna go and drive the bike and sell ice cream?

Speaker 3 (37:38):
What a great stream if you constant segments happening from
this ice cream bike?

Speaker 4 (37:42):
Though I could ride a bike.

Speaker 2 (37:45):
It's twenty seven hundred dollars.

Speaker 4 (37:46):
That's a lot of money. I get to Will Bands
for that.

Speaker 2 (37:49):
I mean, we can off to make our own. We
can have Eddie make one too.

Speaker 4 (37:51):
What what am I doing? I'm gonna pass on this one. Okay,
who wants in the ice cream bike? What would be
so cool? I mean we could here here. Let me
help your business out, Morgan.

Speaker 11 (38:03):
I can buy a regular but I put a mask
on and just want to ride the bike.

Speaker 7 (38:06):
No, no, I'm not not gonna want to ride a mikini.

Speaker 9 (38:09):
Put a microphone.

Speaker 7 (38:11):
We set up shop in front of the building and
we tell the listeners, Hey, we're gonna be here on
Thursday afternoon from two to four.

Speaker 4 (38:16):
I mean it'll sell out.

Speaker 5 (38:18):
Good stabbing time to me, Morgan, I'm sorry that's not
gonna work.

Speaker 18 (38:25):
Yeah, I have a two inch piece of tungsten cube.
It's more valuable than silver, gold, bronze, whatever that crap is.
It's the densest and heaviest metal on earth. That's why
it's so valuable. Right now, you can get it for
five hundred they say in the next year it'll double.
Here is a picture, and if we get this two
inch cube, they're gonna give us one inch cube for free.

Speaker 4 (38:46):
Okay. I'm out when they're doing giving away free stuff
because as soon as it's bibe one get one free,
it's not legit. So I don't go vogo with investments. No,
have you take advantage of this right now? That's all
miss thing I ever heard? You had me, you had
me listening. Yeah, yeah, always a scam involved. It's always.

(39:09):
It's probably something he has in his house if he
wants to spy. Is anybody that was right?

Speaker 9 (39:14):
No?

Speaker 4 (39:14):
Okay, that's called by it all right. Don't give me
a one centimeter one for scuba Steve, go ahead, What
do you have Scuba Stey for us to invest in?

Speaker 14 (39:23):
Oh man, that's by the script idea that I'm working
over for ten years and I'm just kidding on any
investments in that.

Speaker 4 (39:27):
So there's this company in town.

Speaker 14 (39:29):
They're a tow company and once a month they do
an auction and there's cars that have been seized by
drug dealers and all kinds of stuff, and they have
an auction coming up on Wednesday. So I think it's
great audio for the show. We can try to get
lunch Box a car, but I want to find a
car for us to buy and flip because the new
car market is still tough to buy new cars.

Speaker 4 (39:47):
People are still buying used cars way above value.

Speaker 14 (39:50):
It's a quick turnaround, a quick few thousand dollars TVD.

Speaker 4 (39:53):
I'm gonna need to hear how much money there? You're
not giving us how much? Well, it's an auction.

Speaker 14 (39:56):
I call the guy that go between five hundred dollars
twenty thousand dollars depending what kind of.

Speaker 4 (40:00):
Car you get. I'm in. So we go in with
a budget, knowing what our budget is, and we'll talk
about the budget off the air.

Speaker 5 (40:04):
Okay, I'm I'm open to discussing it, but not that
part right here. Okay, we can say what it is
on the air, but after we get it. But I'm okay,
we'll talk. We should talk about.

Speaker 4 (40:12):
That, okay, all right? Who's always in on the car dealers?
Don pantamon.

Speaker 8 (40:16):
I'm saying, who's interested.

Speaker 4 (40:17):
I'm interested? Yeah, who's interested? Interested? We're interested? Okay, good,
thank you. We have a couple of there's a lot
of money, abby. Okay.

Speaker 10 (40:30):
So mine is an original vintage perfume bottle from Paris,
and antique perfume bottles can bring in thousands, if not
tens of thousands of dollars.

Speaker 4 (40:40):
Okay, And how much is Harris Hilton? No, Harris like
an antique? Okay, I didn't. I wish you making sure
because go ahead.

Speaker 10 (40:48):
Well, so right now, it's going for eighty five dollars,
but it's saying it can be it can go up
to ten thousand, like if you resell it, I.

Speaker 4 (40:55):
Doubt it's gonna jump an antique, you never know. I
already brought bottles to you and they're worth nothing.

Speaker 9 (41:00):
But those weren't perfume.

Speaker 10 (41:01):
Like if you look up perfume bottles, they are going
for they can be resold for tens of thousands.

Speaker 4 (41:07):
And you're in on this one.

Speaker 10 (41:08):
Yeah, it's only eighty five dollers.

Speaker 4 (41:10):
I'll go in with you. I'll go in with you,
and if nobody else wants to go, we'll just play
forty eighty okay, okay, so forty for me, forty anybody
went in with us, I'm not missing out. I'm in. Yeah.
If you guys are rich, I will go on once,
I'll put it in. Okay, yeah, okay twice. Oh yeah, we
were buying this stupid bottle exactly.

Speaker 12 (41:28):
No, it's not stupid.

Speaker 6 (41:29):
There you go.

Speaker 4 (41:29):
Good, that'll be twenty bucks months. All right, let's I'm stupid,
Mike d go ahead. I have the next best thing
in collectible.

Speaker 19 (41:36):
So Disney just dropped their first ever card collecting game.
So think if you could go back to the nineties
and by Pokemon cards that are now worth thousands of dollars.
This is what this is going to be. It's called
Disney Lorcana. The first pack already dropped and they're completely
sold out. There were fifty bucks. Now they're selling for
one hundred and twenty five on eBay.

Speaker 4 (41:53):
So how much are the ones that you want us
to buy?

Speaker 19 (41:56):
One hundred and twenty five for the big packs?

Speaker 4 (41:58):
Well okay, well the big box.

Speaker 19 (42:00):
Yeah, it's a big box of them, and this first
one is already sold out. There's another one dropping soon, So.

Speaker 4 (42:05):
How do we get one of those sold out ones?

Speaker 13 (42:06):
Though?

Speaker 8 (42:07):
That's you gotta get.

Speaker 19 (42:07):
A money bait, because then once these are gone, they're
going to be so exclusive.

Speaker 5 (42:12):
So that first edition of the box that's there with
those are the ones we're buying.

Speaker 19 (42:16):
Yeah, people are already reselling them, so if you buy
them now, they're going to go up in value.

Speaker 4 (42:19):
One twenty five. Everybody, raise your went, two, three, four, five, six.
We should do two of them, Yeah we do, we can, Yeah,
we can do as many as you want. Okay, twenty
five each, at least we got so we all pay
one hundred and twenty five dollars eight by.

Speaker 6 (42:33):
Eight of them a lot.

Speaker 4 (42:35):
Let's spend that much money.

Speaker 6 (42:36):
Oh, whoa, whoa.

Speaker 12 (42:36):
Relax.

Speaker 4 (42:37):
If you guys wanted best, let's in best.

Speaker 7 (42:39):
Let's play games, like if you guys want to play
little at the playground, go to the playground and go
back to elementary school.

Speaker 4 (42:43):
We are we are the big dogs here. Dude. Just
sign us up for two two boxes, two bockses one
to fifty one DI buy that out?

Speaker 12 (42:48):
All right?

Speaker 4 (42:49):
Okay, finally it's like ten dollars these guys. Yeah we
did five four that's fifty bucks each. The guy didn't
spend it one to spend a dollar or anything. But
he's like, I found a pallet. We don't know what's
in it? All right, last one, So you guys aren't
gonna want to fit on this. What what come on?

Speaker 5 (43:09):
How we're doing this? You're not gonna want to bid
on this one. This is Elvis Presley's first house.

Speaker 4 (43:12):
I'm just kidding. Oh dude, I was like, what are
you talking?

Speaker 5 (43:16):
So this here, it is a dunder Mifflin box filled
with paperwork with a certificate of authenticity from the office
that was used on the show. It says dunder Mifflin
and so it's a screen, it's a prop from the
TV show. It was stan Lee's box on the show.
And again it comes with the CoA and there's a
lot of paperwork from the show. You'll find paperwork from Diversity,

(43:37):
David episode memo from Dwight. You can see all the photos.
It's eighteen hundred dollars. Okay, so it's expensive.

Speaker 4 (43:44):
Oh man, how long you think we got to hold
onto that thing? I don't know. Here's the thing.

Speaker 11 (43:50):
There are a lot of office fans that'll pay a
lot of money for stuff like that.

Speaker 5 (43:55):
So eighteen hundred bucks, there'd have to be enough of
us to get in this one, because I wouldn't want
to get in it for two or three people.

Speaker 4 (44:02):
So who do want to get who? Who's interested? I'm
in one. I'm not missing out, guys, but nobody's in
though I'm not even in. I'm not missing out.

Speaker 11 (44:10):
Okay, so right, so he'll he'll do it by himself,
So lunchbocks can do it by myself.

Speaker 4 (44:16):
We're here to play games. Come on to play games.
But just two. I'm not gonna spend nine hundred bucks,
so nobody else can. Okay, we'll move on. No, no, no,
I'll do a thousand, do eight hundred. Then where do
you have this money? You don't buying a car? You
don't have a car. I don't know.

Speaker 8 (44:29):
I'll find it, man, find it, that's what you gotta do.

Speaker 4 (44:32):
No, i'm out. Wait what you just said. You don't
want to spend nine hundred, so I let you spend
eight hundred. I'm out.

Speaker 5 (44:39):
I thought we if we all got in it be good.
But if not all of us aren't, that's too much money,
too rich for my blood.

Speaker 11 (44:43):
And I only worried there's gonna be three of us
if I'm in. Well, that's still a lot of money.

Speaker 4 (44:47):
But I would I do it for that? You would
do it if do it for six hundred? All right,
I'm in sill. She doesn't even know about this. But
what are you can do it? How you gin't that money?
I don't know. We'll figure it out. Like Lunchbock said,
we'll find it. So say, is what you do when
you're the best. We're in six hundred bucks each? Anybody
else want to ask it? Lowers it. If a fourth
person jumps in, Wow, scuba, what are you doing? It's

(45:07):
more it's a prop scuba. But to me it's worth
a thousand dollars. We can we bargain with the guy going,
we can try. Sure, Yeah, we can get it down
to a thousand dollars.

Speaker 3 (45:16):
I'm in.

Speaker 4 (45:16):
Oh, there's no way you won't drop fifty percent. Oh,
I can get him done. Okay, let them bring it
down and we'll do it.

Speaker 5 (45:22):
Okaying you in as it is as it in us?
Theories EP for six but we'll see what's up?

Speaker 4 (45:27):
Amy? What are you doing? I'm good where I guess.

Speaker 9 (45:32):
I'm then on the whatever you're in for?

Speaker 4 (45:34):
What you're in for? Scared money? Don't make money. We'll
get all the notes. Together. We'll Readdress Whoes What later? Okay,
I owe a lot of money.

Speaker 7 (45:41):
I know, I mean too in everything and except for
the witch doctor in the Vampire, it's the best.

Speaker 4 (45:49):
Bits of the week with Morgan.

Speaker 3 (45:52):
Number two, Dan and chased out by the studio this
week to talk new music and what's going on in
their career right now after having such a really hard
time between the two of them and almost.

Speaker 2 (46:03):
Breaking up, but obviously they didn't. They worked everything out.

Speaker 3 (46:06):
They're releasing new music, they're going on tour, so many
exciting things happening, and of course we talked about that,
but we also had a bopp It challenge with them
and they gave their thoughts on Abby Lee Anderson aka
Phone's Hereer, Abby's new song Hey, their hometown.

Speaker 2 (46:21):
So all good stuff there with Dan and Shay.

Speaker 3 (46:24):
They're always great guests to stop by the studio. If
you want to check out their full interview, that's what
you're hearing right now.

Speaker 2 (46:29):
But if you want to watch.

Speaker 3 (46:30):
Bop It go down, you can go to YouTube Bobby
Bone Show and you can watch it because they got
pretty competitive in the studio.

Speaker 4 (46:37):
Number one, so Bobby Bones Show interviews.

Speaker 5 (46:40):
In case you didn't know so much happening for these guys,
Dan and Shaye. They've got nine number ones. Let me
just pick one at random. Here is I should.

Speaker 4 (46:48):
Probably go to bed, so I should probably go to
pit Jam. They got a new album out today. The
album is called Bigger Houses. Their new song is called
save Me the Trouble, Don't Youse keet those pretty all

(47:09):
talk tour, We'll talk songs. We gotta bop it in
here Dan and Shaye right now Bobby Bone Show the
Friday Morning Conversation with They.

Speaker 5 (47:19):
Have a neue album that is out today. The album
is called Bigger Houses. They are here, both of them
are here. We're lucky today we get to both. Do
you guys have a role that you have to both
do it if it's a Dan and Shay thing, or
you don't do it at all, meaning could can only
Dan represent or only Shaye represent it.

Speaker 4 (47:35):
To depends on what it is.

Speaker 17 (47:36):
I feel like, you know we've done like the Bobby cast,
who've done that kind of separately, if it's that kind
of conversation, but something like this, like the boys, you know,
we gotta hang.

Speaker 4 (47:44):
We gotta especially for like an album or.

Speaker 17 (47:46):
For you know, anything that we're promoting as Dan and
Shay wouldn't really make sense if just one of us
was there.

Speaker 4 (47:50):
But you could do double try, you can do double
the work you send one here there.

Speaker 16 (47:54):
I feel like old Dominion could go crazy. Absolutely, they
could be killing.

Speaker 5 (47:57):
All of them, but with no one to do a crowd.
He didn't have anything to say because he's like, what's
quiet back there? The rest of them?

Speaker 16 (48:03):
For sure?

Speaker 4 (48:03):
You guys?

Speaker 13 (48:04):
Good?

Speaker 4 (48:04):
Do you feel good?

Speaker 12 (48:04):
I feel great? Gould to be with you guys again. Man,
it's been a minute.

Speaker 4 (48:07):
So what we're gonna do is we're gonna do a
little gambling first. This is called a pop it, twist it,
pull it, push it, pop it, shove it. I don't
think Pompet's I don't think that we can even air
any of this. I feel like we were pretty dialed
in right there.

Speaker 13 (48:19):
That was good.

Speaker 4 (48:19):
This is the Friday Morning cancelation. So lunchbox, who do
you have your money on? Do you know which ones? Which?

Speaker 3 (48:27):
Oh?

Speaker 4 (48:28):
That's hilarious. You know which one's Dan? Incredible? Honestly do
you know? Yeah?

Speaker 13 (48:33):
I do you do?

Speaker 4 (48:34):
Which one's Dan?

Speaker 10 (48:35):
Uh?

Speaker 4 (48:35):
The one on the left?

Speaker 6 (48:36):
Yeah?

Speaker 12 (48:36):
Okay, yeah, yeah, thanks dude.

Speaker 4 (48:39):
He's because he cut his hair because you guys talk
about his hair being long, and if that were the case, well,
if you wouldn't talk about his hair, you always say
Dan has long hair, Yeah, I don't always say that.

Speaker 12 (48:49):
I guess is still longer hair than Shad's.

Speaker 4 (48:51):
Yea, yeah, but you talk about how his Let's say
they both that hats on. You couldn't see hair at all.
Would you know the difference in them?

Speaker 13 (48:57):
Yeah?

Speaker 4 (48:57):
Because one short, one's tall.

Speaker 12 (48:58):
Yeah, Dan's shorter and I'm a little taller.

Speaker 4 (49:01):
Yeah. So but what if what if they were sitting
the same like now, just faces, that would be tough.
You would know the difference. But because I'm always like
man the singer of them, I'm was like, which one
is the singer? Do you think this this one?

Speaker 12 (49:18):
He almost said that little guy up there, little guy
he was thinking of.

Speaker 4 (49:22):
If you saw them out individually, would you know which
one to go up to and call him?

Speaker 5 (49:25):
What name?

Speaker 4 (49:26):
I just call him Dan and Shay. So let's say no,
let's say you see I'm one of them. When I'm
walking in the suit and then the grocery store, you
come to me, what do you.

Speaker 8 (49:33):
Say, Dan and Shay?

Speaker 7 (49:35):
I'm marre with Dan and Shay and I'm like no,
and they'd be like because reaction would be like, no,
it's just Shaye.

Speaker 8 (49:42):
That's what they would say. I would hope they would
say their name.

Speaker 12 (49:45):
I'll tell you what.

Speaker 16 (49:45):
That happens a lot, Like somebody would come up to
us like, wherever are you Dan and Shay?

Speaker 17 (49:49):
No?

Speaker 4 (49:50):
No, no, no, not really kind of, but he's mad
seven hundred times.

Speaker 9 (49:53):
Yeah, person like for the last ten years.

Speaker 4 (49:56):
Yeah, longer than most of.

Speaker 12 (49:57):
My family really invested a lot of times.

Speaker 4 (49:59):
Yeah, I mean, I mean yes, I mean I got it.
I'm good with them. Yeah, you say you has a
cool Yeah.

Speaker 7 (50:04):
Like I know their names. I know, I mean, I've
learned names. I've gotten better.

Speaker 5 (50:10):
What's the lead singer of Old Dominion's name, Matt Ramsey Boom, Yeah,
it's good. Who was the third member of Dana J
that was kicked out when they first moved to town.

Speaker 4 (50:19):
No, I know this one go ahead doing solo. Now
he's solo.

Speaker 5 (50:22):
Now he was a rapper though I thought, yes, well
rapperant singer. But it was with Dan and Sha, But
who is that third person?

Speaker 4 (50:28):
It was like, God, you got this, you got it,
PD Pablo, It was on them. Yeah, who is the
third member, Pete Poplos, North Carolina. Man, it wasn't pet
you have no no, guess no. I think Brett Elders
was here before them.

Speaker 12 (50:46):
Big Smo around the same time.

Speaker 4 (50:48):
Oh, Big Smoke, Big Yeah.

Speaker 16 (50:51):
Yeah, you probably told this story on air before. You
stole a painting a Big Smoll from Warner when we
first got signed.

Speaker 13 (50:56):
I did do that.

Speaker 12 (50:56):
We're gonna lose our record.

Speaker 4 (50:57):
Why did you kick him out of the group?

Speaker 12 (50:58):
Guess he got super fit and it didn't really fit
with what we were doing.

Speaker 4 (51:04):
There was no other member of Dan and Chair two people.

Speaker 17 (51:06):
Oh but I did still. I did still a picture
of Big Smoke though one time at Warner. Yeah, and
it was not malicious, but we did get caught.

Speaker 13 (51:13):
Uh.

Speaker 17 (51:14):
It was one of those late night deals and Warner
has all those things, has all like the pictures on
the wall at Warner.

Speaker 4 (51:19):
You know, it was a thing, and I just thought
it'd be funny to take one in the airports. Warner
had the airport big ed with all your faces on it.

Speaker 6 (51:26):
Yep.

Speaker 4 (51:27):
Yeah, And that's how I knew what they looked like.

Speaker 5 (51:29):
I remember that, But also I knew them people, so
that also, and we hung out yeah, and we also
were friends.

Speaker 16 (51:35):
I feel like those things are just like a big,
like muscle flex contest between the labels. Like when I
walk through the airport, now, yeah, see twenty five Southwest
Gate is where we always fly out of. And you
see that big Sony one. You've got Caane Brown Luke
Combs up there. I'm like, oh, I just want to be.

Speaker 4 (51:50):
Wait you guys fly out of the regular airport.

Speaker 16 (51:52):
Oh yeah, dude, Yeah, And we're always at C twenty five,
the farthest gate. It's always that last one. It's just
chaos that they would know they're rich.

Speaker 4 (51:59):
Dude, But richie, you got to say, you gotta keep money.
That's it, that's it. That's the key. He thinks you
got to spend it immediately. You have to if you're rich,
have to prove you're rich immediately. I figure when they're
that big, they don't want to waste time at an airport.

Speaker 5 (52:14):
Can we just break into some of their new music
rights we're doing this interview. If I point out, you
just hit a song, Okay, here's breaking up with a broken.

Speaker 10 (52:20):
Heart, breaking up broken, taking a vaish into a brand
new time.

Speaker 4 (52:30):
So being rich, how's that? How's it? Going, I don't know, Bobby,
you're telling us all about it. Well it's different, man,
I tell you, But you you don't think that they
would fly commercial at all.

Speaker 7 (52:41):
No, I'd be shocked if I saw them at the airport.
I mean because I see some at the airport and
I'm like, oh, okay, I get that.

Speaker 4 (52:47):
You know, like who, like what artists do you feel
like is associated with?

Speaker 7 (52:53):
Like I'm trying to think, who have I seen at
the airport? Carly Pearce, I get it, But also I
saw like I saw a little bit, but I saw
who the blonde hair from a little big town and
she was at the regular a report shocked that. I'm like,
your big time, you're a big town.

Speaker 4 (53:12):
Yeah yeah.

Speaker 7 (53:13):
And maybe because she was going somewhere with her family
that she wasn't going to a gig that she flew regular.

Speaker 8 (53:19):
But I figure, if they're a group, they're going Privy.

Speaker 4 (53:21):
Here saved me the trouble from Danny Jay. Why don't choose.

Speaker 5 (53:28):
This is the best way to do music here, like
you do idiot content and play new songs at the
same time.

Speaker 7 (53:34):
Pretty so another one legit Okay, Hunter Hayes see him
at the regular report get it.

Speaker 8 (53:41):
Like he hadn't been, you know what I mean, like
he was he said, get.

Speaker 4 (53:44):
It, why I've been. I mean i've't seen a hundred
long time, I know, but.

Speaker 7 (53:47):
Sometimes I just we used to have a plaque them
in the hallway, and just I've seen it sitting in
the storage room the other.

Speaker 4 (53:52):
Day and I was like, I don't work.

Speaker 5 (53:54):
Hey, we don't need to talk about that. And who
do you think you think fly should fly? Private artists
should hit that level? Dan obviously, Tim.

Speaker 7 (54:05):
McGraw for sure, Sam Hunt, Kane Brown, Carrie Miranda.

Speaker 12 (54:12):
That's a good company.

Speaker 7 (54:13):
I take it because I mean like when they played
at that festival that was at the Nissan, Yes, that one, Yes,
I mean I mean.

Speaker 4 (54:22):
The crowd, So they have big crowds now, so it's
like they're.

Speaker 8 (54:26):
On that level. Luke Combs, Yeah, Luke Comb's.

Speaker 12 (54:30):
But King Combs.

Speaker 9 (54:31):
Carly Pearce yeah, but she played at CES on the
main stage.

Speaker 4 (54:35):
Ye, yes, yeah, and she doesn't have the crowd.

Speaker 16 (54:39):
Here's the thing. A private plane is so expensive, it's
coming out of your pocket. From here from Nashville to
LA and back is like on a small plane, an
eight seater like sixty grand.

Speaker 4 (54:47):
That's awesome.

Speaker 12 (54:48):
It's crazy.

Speaker 4 (54:49):
That's a lot of.

Speaker 16 (54:53):
I drive a Camra that I bought for like twenty
two thousand dollars.

Speaker 4 (54:57):
I do.

Speaker 16 (54:58):
Oh yeah.

Speaker 9 (54:58):
I was about to bring up like how big.

Speaker 4 (55:00):
Sure you are?

Speaker 12 (55:01):
It's like an acre.

Speaker 4 (55:02):
That's pretty nice. But I'll tell you what.

Speaker 12 (55:04):
Yeah, it's not that. That's pretty nice. That's for the dogs. Yeah,
pretty wild.

Speaker 5 (55:09):
Okay, Look, Dania chaff new album out today. Let's do
a little bit of Heartbreak on the map, right.

Speaker 4 (55:20):
It could be cut out she with Me out until
that's it.

Speaker 5 (55:30):
We played a little bit of Save Me the Trouble
a second ago. If I'm right about this. That was
the biggest of all the massive hits that you guys
have had in the Grammys and we could do that,
but that was the biggest song to ever hit, Like
already it'll be like we want.

Speaker 4 (55:41):
To play this immediately?

Speaker 12 (55:42):
Is that true?

Speaker 6 (55:43):
Yeah?

Speaker 12 (55:43):
That was our biggest ad date of our career.

Speaker 16 (55:45):
I think we had one hundred and thirty over one
hundred thirty adds first week, which is crazy. We're super grateful,
especially ten years into our career, to have that much
support from country radio out of the gate and it's
flying up the charts man.

Speaker 5 (55:56):
You guys want to play it now, Dana chair here,
We're gonna come back talk about the record and if
anything else on much Boxes of Mind, I guess we'll
get to it.

Speaker 4 (56:03):
Yeah.

Speaker 7 (56:03):
I think I saw one time. I think I saw
Dustin Lynch on a Southwest flight and I was like,
I see that, you see that?

Speaker 4 (56:09):
Like, okay, another one.

Speaker 9 (56:12):
Keith's been on Southwest.

Speaker 4 (56:13):
I've never seen him.

Speaker 8 (56:14):
I've heard the story, but I've never seen him in mine.

Speaker 4 (56:17):
Let's do for the both of us, Jesus mine, you
can trust I've heard of You guys are so smart.
That's a father daughter song.

Speaker 12 (56:31):
We're trying to get the next Butterfly Kisses.

Speaker 4 (56:33):
That's it. And it's such a good song too.

Speaker 5 (56:36):
I don't even have a daughter yet, but I want
to go and get my wife pregnant and have a
daughter just to have that song.

Speaker 12 (56:40):
That's the only quote we need right there.

Speaker 6 (56:41):
I heard.

Speaker 4 (56:43):
Yeah, that's such a good song.

Speaker 5 (56:44):
You guys are also very smart, and you know who
you are, and you know what has built a lot
of your foundation, which is you know, you guys have
a lot of songs about relationships, not even just love,
but just relationships in general. Which I think country music
is a lot of just real relationship music. But the
wedding thing you guys have on lock. You can have
no jobs forever and just go to Brandson and do

(57:07):
Weddings's that's it.

Speaker 4 (57:09):
That's the plan. Actually, like that's the insurance and greatest
insurance policy.

Speaker 17 (57:11):
I've ever heard of, the greatest insurance policy we've ever had.
It was, I mean, it's crazy, we right about what
we know, and I feel like songs like from the
ground up my side of the fence, speechless, all these
wedding songs that have just been i mean, people relate
to love, you know. And it was kind of, you know,
something that Dan and I were going through with our
wives obviously, kind of you know, new relationships in the
beginning and growing families, and we just kind of fell

(57:33):
into that, which was a huge blessing for us because
I feel like we've got to do some amazing weddings.
We've got to play you know, celebrities weddings and things
like that, and you'll, you'll always everybody's always getting married.

Speaker 4 (57:44):
So I feel like we kind of have that security.
Never a shortage of marriages.

Speaker 17 (57:47):
Yeah, So we had to kind of finish that that
wedding you know, have a few more wedding hits we
got you know, we should get married now. Is like
after we do the first dance song, you know, everybody's
running the dance floor. Got got one of those songs.
But uh, I feel like that I've never heard that perspective.
I'm sure it's been done at some point before. I
was gonna say the same thing. Yeah, I never had
heard it in that way before, which is cool, and.

Speaker 4 (58:07):
I love it.

Speaker 5 (58:07):
I mean that the melody, the hook, it's such a
good song, but also the father daughter part of it too,
that's such an interesting angle. And you feel like maybe
and maybe you guys did or didn't feel like this
damn when you wrote it, like is it too niche?
But then you realize, Okay, it's a niche, but it's
a massive niche.

Speaker 16 (58:21):
Everybody's got a father daughter Well, I feel like it's
Domino's you know what I mean. If you sing about
that perspective, then the mom's gonna cry, then the daughter's
gonna cry. Everybody's going to be crying. The dad's obviously
going to cry. And it's just a different perspective to have,
you know, to to express love for the girl instead
of doing it person in person.

Speaker 4 (58:37):
Can you name it? Three songs of theirs that they
haven't mentioned? Tequila?

Speaker 12 (58:41):
Yeah, say.

Speaker 7 (58:45):
Is that it?

Speaker 4 (58:47):
Can you name any of them? They even just mentioned Nope,
like they just mentioned said ago. Yeah, what's on his
computer right now? Cruz? No, I was a email Spurs. No,
it's called Immaculate Grid.

Speaker 12 (59:02):
That's actually one of our songs.

Speaker 4 (59:06):
You have listened to the idea it's a dollar. If
you can get another one a dollar, I'll double it.
He goes, yeah, five seconds that. Oh no, it's on
Justin Bieber. They did Baber one one, Me and Bieber,
Me and Bieber and me and Beaver. You guys still

(59:32):
time to Biber.

Speaker 12 (59:34):
You know, I think he changed his number.

Speaker 5 (59:37):
We still gotta bop it off. We're gonna gam but
I got lost. I got lost in their record.

Speaker 4 (59:43):
Let's do it.

Speaker 9 (59:44):
But did what we're supposed to? Guess who was gonna
do it? Because my money is on Dan.

Speaker 4 (59:48):
You taking Dan, appreciate it, Amy, I'll take. She had
so confident, like it was, brought it back up. I
was trying to get back to the record. She's like,
I would like to bet on Dan and humiliate Shade,
you want to let it be know we have I'm.

Speaker 9 (01:00:00):
Going to know because here's my reasoning, Shan, You've never
do you even.

Speaker 4 (01:00:06):
Know who we are? Do you ever think about that
as the band named we had until now.

Speaker 9 (01:00:16):
On that sh never like missed to beat vocally ever?

Speaker 4 (01:00:22):
Ever?

Speaker 9 (01:00:23):
Has anybody ever heard Shane not beyond right?

Speaker 4 (01:00:26):
I don't So what does that question?

Speaker 12 (01:00:28):
I'm looking around like, Yeah, so.

Speaker 9 (01:00:31):
Damn we know how meticulous he is and when it
comes to the producing and the details and all of that.
So I feel like when it comes to bop it,
he's going to be very like he's.

Speaker 4 (01:00:45):
Music who's ever played it? I guess this is a
bad time to mention that I'm a six time world player.

Speaker 12 (01:00:51):
It's okay, you just put your money on dad, and
I feel fine about it.

Speaker 4 (01:00:55):
Again, take I'll take shape, let me represent Let's do uh.

Speaker 9 (01:01:01):
Then again, Dan, I need a little more company, Then again,
then again.

Speaker 4 (01:01:06):
And me send stealing cases on sunny. There's a few
of the things down.

Speaker 5 (01:01:18):
That if Jesus, we've never walked a whole record with
an artist before, we're about to do every song.

Speaker 4 (01:01:24):
We're going through this whole record here because of the torture.
We're putting you to through, right, go ahead, bop it,
you know, so, so here's we'll bop it here. Dan,
you can go first.

Speaker 12 (01:01:33):
We need to quick five on rules breakdown here.

Speaker 4 (01:01:35):
The rule is you'll pull this and then you just
hit it.

Speaker 6 (01:01:39):
All right, here we go.

Speaker 8 (01:01:40):
So you might say it might be better standing up.

Speaker 4 (01:01:42):
I don't know if you've ever played that before. Dan
hates games, so this is making me so happy. I
love it so much. Okay, all right, okay, now hit
the bop it action.

Speaker 6 (01:01:52):
Here we go, Bobby, Bobby, Here we go.

Speaker 17 (01:02:06):
Holly, Holly, Holly.

Speaker 4 (01:02:13):
Bobby, Hoy Bobby Bobby. Twenty points total. I didn't you great? Okay,
all right, so maybe I take your money. And so
let's say when you hold his microphone and kind of

(01:02:35):
hold it near the bopit what amy you?

Speaker 7 (01:02:37):
You?

Speaker 13 (01:02:37):
You made?

Speaker 4 (01:02:38):
You made your bed.

Speaker 12 (01:02:39):
That's good, I'll reimburse you.

Speaker 9 (01:02:41):
It's okay, sh Shay, I know how you like to
save your money. It's okay, Shay. Have you played this before?

Speaker 16 (01:02:49):
Okay?

Speaker 15 (01:02:49):
Good?

Speaker 5 (01:02:50):
Okay, ready, And and Dan's got the boppit microphone, so
if you just hold it near the bop it here,
we got it here we got.

Speaker 9 (01:02:56):
This stand and bop it.

Speaker 4 (01:02:58):
Go MICUs up there, Dan, I'll get a chance.

Speaker 15 (01:03:02):
Twisty, Holy Bobby, Twisty Holly Twisty, Holy Twisty Bobby.

Speaker 5 (01:03:19):
Dan and Shaye playing bop it right now, right now,
Shay is going Holy Bobby.

Speaker 15 (01:03:26):
Holy Twisty, twisted Holly Bobby, Holly Twisty Bobby, Bobby.

Speaker 4 (01:03:42):
That Yeah, he won something. Now that's the high King
of Bobbettville. Wow.

Speaker 13 (01:03:50):
Wow.

Speaker 4 (01:03:51):
Putting on the eighteenth of the Masters were like, come on, baby,
but quieter. You were the horre nerve wracking. It was
a whole body. I'm wake now, here's heaven and back
from They.

Speaker 5 (01:04:11):
Have a new record out today. We're gonna come back
do one more segment with Dan and Jay. The record
is called Bigger Houses. The single has saved Me the trouble.
The record's called Bigger Houses. And you two are sitting
on a house the imagery.

Speaker 16 (01:04:22):
Why well, obviously we were naming the house or the
album Bigger Houses. That that song is just a super
special song, super close to our hearts. We actually we
wrote that with our buddy Andy Albert. I feel like
we shout out Andy in every interview, every discussion, we
ever have.

Speaker 12 (01:04:34):
I lived with Andy.

Speaker 16 (01:04:35):
I moved to Nashville with him over ten years ago,
and we were kind of a band together doing the
thing found a house on Craigslist. We've all heard that
story a million times. But Andy's just a super close friend.
He wrote about half the songs on this album with us,
and we were sitting down we had like already turned
it into the album and the record label. We thought
we were done, and we were just hanging out writing songs,
to write a song, and he was like, I got

(01:04:55):
this idea.

Speaker 12 (01:04:56):
It's like kind of different, kind of weird.

Speaker 4 (01:04:57):
He's like, Abby.

Speaker 16 (01:04:58):
They had just bought a house Autum Nashville, beautiful, beautiful house,
just had their second kid, got two dogs, huge, huge
life milestone for them. You know how it is when
you've got a new house. Somebody comes over. You're making
all the apologies, Well we're gonna saw the grass here,
we're gonna do this, or like we're gonna fix the
crack in the driveway. I think they were saying something
we're going to finish this room or do this. And
Abby was like, guys, like you guys should be so

(01:05:19):
proud of this house. It's such a beautiful place. You
should be so happy. And you know, we all get
caught up in this, you know, this race. We're always
talking about bigger houses, moor yard whatever. And Andy, like,
you know, being the brilliant songwriter that he is, he
wrote down bigger houses and he was like, I got
this idea when we came to to write that day
and he was like, the thing about happiness I've found
is that don't live in bigger houses. And he was like,

(01:05:40):
that actually came from something that Abby said. And I
was like, well, the song's kind of already written. You
come in with a hook line like that, you just
fill in the blanks. And that was a special song.
We knew we needed to record it, and it felt
like the right title for the album because I feel
like that's exactly where we are in our lives right now.
You know, we've gone through a lot, a lot of
highs and lows in the last few years, and it
just felt a pro and I felt like that song

(01:06:02):
felt representative of the project as a whole.

Speaker 12 (01:06:04):
So it was a good thing, you know, point point
our arrow towards on the album.

Speaker 16 (01:06:08):
And I just sketched it out one day, like this
little house Bigger House is written up top Dan and
Shy at the bottom, and I just felt like the
symmetry of that on the cover of an album would
be I don't know, it felt like iconic to me.
I could see that standing in the test of time.
And I didn't think we were actually going to build
a house like that. I thought we were maybe going
to do a facade or like a bench and you know,
photoshop and fill it in. We got out there and

(01:06:29):
they had built the whole house fully three D, fully
wired electricity, the whole deal lights inside. It was insane
and we went to sit on it and I was like,
is this thing going to fall down? The guy's like nope.
So we jumped up, sat on that little awning the
roof of the house and it's thirty It's.

Speaker 4 (01:06:43):
A real house.

Speaker 12 (01:06:44):
You could live in it.

Speaker 4 (01:06:45):
Two things. One, I want to play bigger houses. This
it's the last track on the record. Here you go.
You can never build an empty CuPy for you. God's
till nighty enough.

Speaker 5 (01:06:55):
The thing about happiness I found is I could dawn
living bigger houses.

Speaker 4 (01:07:02):
Damn boys. It's a good one.

Speaker 12 (01:07:04):
Thank you.

Speaker 3 (01:07:04):
Yeah.

Speaker 4 (01:07:04):
And then the other thing I was gonna say is
I could hear from one another.

Speaker 5 (01:07:07):
I could hear your OCD in that last story you
told he's like the symmetry see, and I'm like, I
felt that, dude.

Speaker 4 (01:07:12):
I felt. I don't know ifybe else can hear's OCD,
but I can hear it right now.

Speaker 16 (01:07:15):
I spend hours in photoshop on the cemetry getting it
absolutely perfect because it's tough and there's two people like
obviously you get the symmetry in the.

Speaker 4 (01:07:21):
House times too. It's that meme where the Russell crow
is doing the got that.

Speaker 16 (01:07:25):
Yes, I feel like you center up the door perfectly,
and then it's like, well, crap, I'm a little further
off the awning of the house and shades.

Speaker 12 (01:07:30):
Do we center up our heads? And then you get
it's a hole?

Speaker 9 (01:07:33):
So what do they do with that house?

Speaker 4 (01:07:35):
It exists? It exists. Can we buy it close?

Speaker 12 (01:07:37):
You could buy it?

Speaker 4 (01:07:38):
Well, no, quick, but it's but it's like three foot tall,
four foot tall.

Speaker 12 (01:07:42):
I think it's probably like seven or eight feet tall.

Speaker 4 (01:07:44):
Who has it?

Speaker 16 (01:07:45):
It's in storage right now. It kind of breaks down,
but you own it. We own it, yeah, we had
it built, but it's crazy. We thought like this is
going to be great. We'll pop up at promo. We'll
throw it like in the front yard of Warner you know,
on music Row. And we have to have a guy
come in from Atlanta to build the house. We're doing
like a couple promo events. It's around little.

Speaker 4 (01:08:01):
We don't want that. I was going to try to
buy it from you. Once you erect house.

Speaker 12 (01:08:05):
Once it's erected, then it's chilling. He said in there.

Speaker 4 (01:08:09):
My kids, like they see they watch Bigger House.

Speaker 17 (01:08:12):
It's like their favorite song and video and like we
want to watch Daddy's song, and so they watch it
at night for the video for that song, and they
ask about the house every single night, like Daddy wins
that house. When are we getting that house? Because they
want it in the backyard. It's like a playhouse. Because
I like joking, it's like maybe we could get it
to the house. And now they took that as testament.
So I'm gonna have to try to feel it in
the houses. And it's actually in smaller houses, smaller houses. Yes,

(01:08:35):
we're gonna do two things here because we got to.
I'm gonna roll through the next four songs. We've never
been through every track on our album. And the artist
in the history of our show.

Speaker 12 (01:08:41):
Go.

Speaker 5 (01:08:41):
So now we're so close, I want to do it.
Here is what took you so long? From their new record,
it's called Bigger Houses. Here is missing someone No you
mean use me.

Speaker 4 (01:09:02):
Lacklely drag. So you guys are on the voice. It's
judges to two people, two chairs, but it turns at
one time.

Speaker 12 (01:09:11):
Yes, two chairs kind of connected with one button.

Speaker 4 (01:09:14):
Did I say that right? Two chairs?

Speaker 17 (01:09:16):
But they it turns at the same time. It all
it's all one big chair you're not sitting on kind
of It was actually just Blake's old chair.

Speaker 4 (01:09:24):
He's huge.

Speaker 17 (01:09:25):
Just shared divide it. Yeah, it's it's crazy. It's a
whole thing like seeing it is like, oh, my goodness,
has been fun? Yes it has been.

Speaker 4 (01:09:35):
Yeah, But it's also like, do you feel you're doing
it at a different level than what I did it?

Speaker 5 (01:09:41):
Because I wasn't a judge on Idol, but I had
to work with them a lot and there were times
where I felt like I was mean and I had
to get past I did. Just remember it's a show.
I want to be honest with them, but I can't
be delicate because it's a freaking show.

Speaker 4 (01:09:54):
Do you deal with that at all.

Speaker 12 (01:09:55):
It's hard for me because I if my personality I
would be Simon Cow.

Speaker 16 (01:09:59):
It's very blunt. When we're in the studio. It's like, no,
it's not good. You're not gonna make it, you know
what I mean. But I feel like you got to
put it on for TV. And honestly, these kids are
putting themselves out there, so you want to be more
positive than negative. You try to help them and give
them critiques that will help them get to the next
level or advance in their career, if that's what they
choose to do. But I was like, man, should I
be the Simon Cow guy? You know, if I could
give you any advice, it would be maybe go back.

Speaker 6 (01:10:20):
To college.

Speaker 4 (01:10:23):
At all, or it's up.

Speaker 12 (01:10:25):
Though it's tough.

Speaker 16 (01:10:26):
We're also flying southwest back and forth.

Speaker 12 (01:10:28):
The thing about this, they.

Speaker 4 (01:10:29):
Fly southwest to the Voice. You catch it did what everybody.

Speaker 12 (01:10:34):
Else, everybody else who does.

Speaker 16 (01:10:35):
I'm not complaining about it, but everybody else who does
those shows, American Idol with a Voice, they tape it
in La has a house out there. So it's like
you just drive down the hill and you go to work,
you know, as if we would drive to the record
level here on music Row. But for us, it's if
you're flying Southwest or any other airline not private, it's
like three days for everyone because you go out the
day before, you get settled, do the taping the day,
and then you got to fly back. You lose time

(01:10:56):
coming back east. It's it's a thing.

Speaker 4 (01:10:58):
And you get on Luke Ryan's playing like I did,
and just fly with him over there.

Speaker 12 (01:11:01):
Oh that was that was asking.

Speaker 4 (01:11:03):
We were both from National. That was awesome. Look what
are you up to today? He's like, well, Bobby, you know,
we gotta work tomorrow, so I'm flying. Oh, I guess
I'll see at the airport, buddy. Oh, I didn't even realize.
Why don't we just work? The heck I'll just go
with you. Save the environment, man, what the heck got?
Don't even realize here is we should get married.

Speaker 13 (01:11:22):
Ticket.

Speaker 4 (01:11:22):
That's the chapel.

Speaker 10 (01:11:25):
See them.

Speaker 12 (01:11:29):
Drinking champagne.

Speaker 4 (01:11:30):
That's the sun. Finally, Neon cow Girl, here you go,
Neon Cattle, can't We did it. That's every song on
the record we did.

Speaker 12 (01:11:40):
That's kind of cool.

Speaker 6 (01:11:41):
How we did it.

Speaker 4 (01:11:42):
We did it, We pulled it, twisted it off. Yeah,
Bigger Houses is out today. Now we want to mention
two things run out of time here? But hey, Abby,
do you want to come up and talk to two
of the judges from the boys? Yeah?

Speaker 12 (01:11:52):
I mean chairs around.

Speaker 5 (01:11:54):
We're not gonna do that because people are going to
have you do that all the time. You're gonna get
it so annoyed with that. However, Abby would just like
some feedback. She just put a song and tell him
you wrote it.

Speaker 10 (01:12:02):
Yes, So it is about I'm from Wichita, Kansas, and
I wanted to write a song about my hometown and
kind of tell my story. And Bobby gave me a
week to write it, so keep in mind, and I've
never written one before, and so I just put it out.

Speaker 4 (01:12:15):
It is out now, Okay, here it is, Ray. Can
you play some Abby song called Hey, their hometown? Hey,
their hometown? Can you have yours? Yeah? I gotta be
Now we'll do a verse of chorus. We'll be done.
Hey their hometown?

Speaker 2 (01:12:32):
How you been since I rolled out?

Speaker 10 (01:12:35):
I still remember it all, from the playground to every
Friday night such day. I always had a dream see
Mom and Dad said, out me anything. So I live
for Tennessee. But you still right here with me.

Speaker 17 (01:13:00):
It.

Speaker 4 (01:13:00):
You're tough. You'll always be home.

Speaker 2 (01:13:05):
I hope you know, no matter where are.

Speaker 10 (01:13:08):
Go, these Kansas with run deep hold the crowd of
who turn into nowhere else can hold a candle too,
which a tough oen.

Speaker 4 (01:13:25):
Only you, that's awesome. Okay, let's say you guys are
known for being honest and it how it is?

Speaker 17 (01:13:31):
Go ahead, right, I'll start out, I honestly if I
was if I was the only note, I would.

Speaker 4 (01:13:35):
Literally have I love the song, let me do it
without me? Okay?

Speaker 9 (01:13:43):
Which it?

Speaker 12 (01:13:43):
So that's pretty good, and I thought it was.

Speaker 17 (01:13:48):
It felt very emostly connected obviously at being a personal
song with my only note. If we were on the
voice right now, I would say, when you're doing those
low notes in the verse, make sure you're breathing.

Speaker 12 (01:13:57):
Seems like a little bit low.

Speaker 4 (01:13:58):
Maybe take it up a half step. But it sounded amazing.

Speaker 16 (01:14:01):
Let me tell you, what's your story? Do you write
songs a lot?

Speaker 4 (01:14:04):
Are you artist? You've had the whole interview.

Speaker 9 (01:14:10):
I mean I sing a little bit around town.

Speaker 10 (01:14:12):
I grew up singing, so I'm not like a professional
or anything, obviously, and I haven't written any so this
is my only song I've written.

Speaker 12 (01:14:19):
So that's really great. Recorded you got to give you.

Speaker 4 (01:14:26):
Writer whole show you.

Speaker 2 (01:14:29):
I'm trying, Okay.

Speaker 10 (01:14:30):
Billy Dawson was one of my songwriters and oh my gosh,
Chase McDaniel and Eric Dodd, but Billy Dawson was the producer.

Speaker 12 (01:14:37):
I got a couple of stories.

Speaker 16 (01:14:39):
Billy Dawson, I don't know, but I see people post
pictures from his studio.

Speaker 12 (01:14:42):
His studio looks really, really sick.

Speaker 10 (01:14:44):
It's awesome in his house.

Speaker 12 (01:14:45):
It is so cool. Damn he must have got paid.

Speaker 4 (01:14:49):
Chase McDaniel, check this song.

Speaker 13 (01:14:51):
Aha.

Speaker 16 (01:14:51):
Chase McDaniel used to I have a house over in
East Nashville that we ran out. It was the first
house Abbey and I bought, and Chase McDaniel used to
be one of my tenants. And when the tornado hit
crazy enough, the two other guys he was living with
work force out on the road and we were down
at rehearsals at the annex and the tornado like ripped
through that area. Is like terrible, terrible, like we lost
the roof there. But he was like hiding in that house,

(01:15:13):
like in the basement, in the cellar, doing the things.
So Chase McDaniel, he's he's lived in my house he's
a great dude. He's super talented.

Speaker 4 (01:15:19):
How do you feel about that? Their review Abbey, I
like it.

Speaker 12 (01:15:22):
I love it so thank you.

Speaker 4 (01:15:24):
You got to put the sound effect of us turning
our chair. The new album is out today, Bigger Houses.

Speaker 13 (01:15:31):
You know.

Speaker 4 (01:15:31):
I love you.

Speaker 5 (01:15:31):
You're joining the Voice. It's the first ever coaching duo.
Next spring.

Speaker 4 (01:15:35):
You talking tour yet, yes, I think that now we
can we can talk. Go ahead, Danishade dot com, Go ahead,
Danashade dot com.

Speaker 16 (01:15:42):
The Heartbreak on the Map Tour featuring Ben Rector, our
good buddy, mutual friend, and Haley Witters.

Speaker 12 (01:15:46):
It's gonna be a great lineup.

Speaker 16 (01:15:48):
I'm pumped. I'm fans of Ben Rector and Hailey Witters
big time. So it's gonna be good man hitting hitting
all the arenas in the spring and that's super cool
and all the golf courses during the day.

Speaker 12 (01:15:57):
Colbruary.

Speaker 4 (01:16:00):
There they are. Check out the record today. Dan and
Shay love you guys. There are you guys.

Speaker 1 (01:16:06):
It's the Best Bits of the Week with Morgan number two.

Speaker 3 (01:16:10):
All right, y'all, that's it for this weekend. Thank you
for joining me on another Best Bits. If you like
this podcast, share it with your friends, share it with me,
message me, DM me on Instagram.

Speaker 2 (01:16:19):
However you want to get in.

Speaker 3 (01:16:20):
Touch, but let me know what you love hearing what
you're like. Maybe we should change yours up a little bit,
but if you do, be nice. Please whatever you do,
however you go about it. But thank you guys for
spending your weekend with me. As always, check out Part
one and part three. A lot of good stuff up
there with Scoopa Steve. You can follow me at web
Girl Morgan on All the Things in the Show at

(01:16:41):
Bobby Bone Show. I hope everybody has a fabulous weekend.

Speaker 2 (01:16:44):
I'll see you later.

Speaker 4 (01:16:45):
There's Bobby Ball so