Best Bits (Just The Bits) with Morgan: PART 2

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
It's the Best Bits of the week with Morgan.

Speaker 2 (00:04):
Number two.

Speaker 3 (00:06):
What is up, y'all? Happy weekend.

Speaker 4 (00:08):
It's another weekend, which means another best Bits and I'm
so excited this weekend. I had on Abby for part
one and we had a super fun conversation. We both
got done with it and we're like that one felt
really good. It's because it was like a full blown
conversation with us. It wasn't just like this interview, because
sometimes we get in that mode and it's just like interview,
get through it. But Abby and I were having like
full long conversations, sharing some updates in life. We talked

(00:30):
about some things we randomly have collected in our lifetimes
and the things that we don't understand why people obsess
over it. So just fun conversations, like you're listening to
a friend. So I hope you go check out part one.
But we're going to dive into the biggest segments from
the Bobby Bone Show this week. Eddie shared an update
on his no parenting Sunday and how that's been going,

(00:50):
plus if they're going to keep doing it. Yeah, we
got to know the real details and how his family
even feels.

Speaker 3 (00:55):
About it too.

Speaker 5 (00:56):
Number seven, let's check out with Eddie on no parent
Sundays because I have a story coming up. It's why
we're doing it today. How has it gone the last
couple of weekends.

Speaker 6 (01:05):
It's gone great, Like we're not so hyper focused on like, ooh,
let's do no parenting Sunday anymore.

Speaker 7 (01:10):
Now.

Speaker 6 (01:10):
I think it's just the routine of being chill on Sunday,
no lessons, Like really, rarely are we telling them, hey, guys,
clean up your room, do whatever.

Speaker 8 (01:20):
It's just kind of like, let's just do our thing.

Speaker 6 (01:22):
I want to be over here, you're going to be
over there, play in the neighborhood, I'll watch TV.

Speaker 8 (01:26):
Whatever.

Speaker 5 (01:27):
Do you think they know now? Are they called like
awesome dadless Sundays in their little group or anything.

Speaker 6 (01:31):
No, it's like the label's gone. It's so weird. The
label's not even a thing anymore. It's just how we
act on Sundays and it's kind of cool. I'm telling you, dude,
I think we've changed the culture around my house.

Speaker 9 (01:41):
Does it make Mondays a little more chaotic?

Speaker 8 (01:44):
Yeah?

Speaker 5 (01:44):
Okay, yeah, drill Sergeant Monday, clean up Monday, sucky Monday.

Speaker 10 (01:51):
Yeah.

Speaker 5 (01:51):
Well, this story reminded me of that a couple's rebuilt.
They won't force their three young children to read or write,
or even make them have a bedtime. They believe in
child autonomy. Their kids twelve, eight and four make all
their own decisions. Well that's dangerous. Wow. The mom has
revealed that her kids have no fixed schedule, no fixed bedtime,

(02:15):
no fixed mule times, and what she says is unschooling.
The couple have shunned the cruel and lazy labels thrown
at them by other parents, and they says, we're not
being lazy. It's actually harder for us to do because
we got to maintain no maintenance. I don't know, doesn't
that hard? But this is like every day or this
is just life? Yes, not just Sunday eddie, Wow, that's

(02:35):
every day. Our son was ten years old when he
began taking an interest in wanting to read and write.

Speaker 8 (02:41):
Oh, I'm shocked he took the interest.

Speaker 5 (02:43):
He just picked up a pen and paper and taught himself.
She says. The kids go to bed when they like,
wake up when they like. We don't like alarms. We
don't have set meal times. We just make food and
if they're hungry they go and eat it. We never
force our kids to do chorge chores, but we actively
encourage them to help out, especially with others. They help us,
like after our animals, the garden and keep the rooms tidy.
It's daily mail, I mean gardening.

Speaker 1 (03:04):
That's they got to be.

Speaker 5 (03:07):
To be sure, I mean hippiy hippy, hippie dippy and lazy.

Speaker 8 (03:11):
No, oh yeah.

Speaker 5 (03:14):
I don't know if this is lazy more than not the.

Speaker 8 (03:16):
Parents the kids.

Speaker 6 (03:18):
Like, if you tell a kid like you don't have
to do anything, they're going to be very lazy.

Speaker 5 (03:23):
I wonder if just these people Adele and Matt, that
are their names, if they had child autonomy, I would
assume not. And this is their new way of And
there's their homeschool for sure. Right if you're reading and
writing themselves at ten.

Speaker 10 (03:37):
They don't do school. If they don't have to read
or write, there's no school. Yeah, like literally, they're home.

Speaker 9 (03:41):
Even if your homeschool. Don't you have to fill out
some paper with.

Speaker 5 (03:44):
The I don't know, and do you start kindergarten? You
get an interest? Right?

Speaker 2 (03:48):
Right?

Speaker 5 (03:48):
Right?

Speaker 8 (03:48):
I want to start school now, dad?

Speaker 5 (03:50):
And don't you have to, right? Don't you have to
the kids have to be in some sort.

Speaker 9 (03:53):
Of are there some sort of curriculum or at least
like guidelines you have to follow?

Speaker 8 (03:56):
Hey, how do they get into college? Say they want
to go to college?

Speaker 5 (03:59):
Why do they want to go to colleg That's true,
they never even heard of it. I guess if they
wanted to, though, they could learn about it and then
start studying for it.

Speaker 8 (04:06):
Wow.

Speaker 5 (04:06):
The other thing is free range parenting, which I think
is somewhere in the middle of what Eddie does and
what this is.

Speaker 9 (04:11):
Yeah, Eddie's kind of free range on Sundays.

Speaker 5 (04:13):
I'd say free range Sunday. It's just it's one day
out of the way, eight hours totally. And he also
still steps in if he needs to, and he.

Speaker 10 (04:20):
Still tells them they have to go to bed at
a certain toll.

Speaker 8 (04:21):
Correct.

Speaker 5 (04:22):
And do you make them food and say eat now?
Or do you just leave it on the table?

Speaker 8 (04:25):
No, I say, hey, guys, we got lunch. If you
want to eat it? There it is.

Speaker 5 (04:28):
It's the lunch worse though, is it? Like just like
blonnie sandwich and oh man, it's just normal. Like I mean,
some days I want to eat a good lunch, you know,
like I do barbecue, Hey, barbecues's ready?

Speaker 8 (04:36):
You want it.

Speaker 5 (04:36):
They never not eat.

Speaker 8 (04:37):
No, do they go right for the barbecue? They love it.

Speaker 5 (04:40):
Which kid do you worry about the most?

Speaker 8 (04:42):
My oldest?

Speaker 5 (04:43):
Really, I don't see him all day, Like like, hey,
no parenting Sunday too.

Speaker 8 (04:48):
I didn't exist.

Speaker 5 (04:49):
If my wife had no wifing Sunday, she might not
see me a whole day either. I'll be honest with you.

Speaker 1 (04:55):
It's the best bits of the week with Morgan Number two.

Speaker 4 (05:00):
We had toan Neil Town's on the show this week,
and she is one of my favorites. She has such
a unique voice and it's so fun to hear something
so different, and she came in. Not only did she
perform one of her songs, but she also performed a
cover of Landslide that was stunning. Now I can't hear
the performance here, but it's on our YouTube page at
Bobby Bone Show that you can go check out and
see her full performance. But also her interview was super interesting.

(05:20):
She's from Canada and she went up there and she
did this whole train concert tour performance thing where she
basically lived on a train for fifteen days and toured
in a bunch of different cities and people would come
and see her and she perform in the train car
wild like coolest experience ever. I kind of wish I
was along for the ride number six.

Speaker 1 (05:40):
So Bobby Bones Show Interviews in case you didn't know.

Speaker 5 (05:44):
When it comes to artists who I'm just a massive
fan of personally to Neil Towns is one of those
artists you would know her from somebody's daughter, somebody somebody's
or Jersey on the wall. She's got the train track

(06:05):
work tapes where she was on the train. She recorded them.
All should tell us about that. I mean, I'm such
a massive fan that I took her on the road
with me and was just like, I know you're better
than me, but go and just destroy the audiences. And
she did. Big fan. Here she is Tanil Towns on.

Speaker 1 (06:20):
The Bobby Bones Show.

Speaker 5 (06:22):
Now Townsanil, how are you?

Speaker 11 (06:24):
I'm good?

Speaker 12 (06:25):
How are you?

Speaker 5 (06:26):
It's good to see this new guitar is fancy?

Speaker 13 (06:28):
Oh?

Speaker 11 (06:28):
Thank you?

Speaker 5 (06:29):
Did you? Is that art you drew? Or is that
because it's like there's like a river or something on it? Yeah?

Speaker 14 (06:33):
Okay, Well, the straight lines of the sun rays are
the extent of my artistic painting ability.

Speaker 11 (06:39):
The rest was my friend Lewis who did it. He's
pretty awesome.

Speaker 5 (06:41):
What happened to the other guitar that you were doing
all the work on, Well.

Speaker 14 (06:44):
That one was for the Lemonade stand, so that was
like for that record, and now this one's for Masquerades
and it's got some empty spaces on here to keep
filling it up with the next stuff.

Speaker 5 (06:53):
So every project you do, a new guitar.

Speaker 11 (06:56):
That's the plan.

Speaker 14 (06:57):
Every record, full record will get a little time caps
with guitar to.

Speaker 11 (07:00):
Go with it.

Speaker 5 (07:01):
And that's pretty cool. What's the guitar you're making for
this show appearance?

Speaker 3 (07:06):
It gets you a pen and you guys can all
we don't want.

Speaker 5 (07:10):
To be a part of your art there. So I'm
a massive to Neil Town's fan. And with you coming in,
would you briefly before you play a song, would you
tell us about this train trip and kind of how
this whole project came together.

Speaker 14 (07:24):
Yes, thank you for having me today. Okay, so I
rode this train.

Speaker 5 (07:28):
Now do it do that while you're talking though? We
like it? You started to play music you.

Speaker 3 (07:31):
Like the Yeah, like that a little vibe going here?

Speaker 10 (07:37):
Okay.

Speaker 11 (07:37):
So I got on the train in Montreal and I
wrote it all the way to Calgary.

Speaker 5 (07:42):
How far is that?

Speaker 14 (07:43):
So it's a couple thousand miles and we played. So
we lived on this train for fifteen days and we
played sixty five shows.

Speaker 11 (07:51):
So some days where you.

Speaker 5 (07:52):
Lived on a train, yeah, was it like where you
had this stick on a bag on a stick and
you jumped off as it was going and then you
live in the cart.

Speaker 14 (08:00):
We could have done the run and jump on, like
that's what I wanted, but that was not with safety protocols.

Speaker 5 (08:05):
So no, but how do you play shows on a train?

Speaker 14 (08:08):
So literally one of the stage cars was or one
of the box cars was a stage so it would
roll into the town and everybody would gather around and
they knew when the train was coming through their town,
and like the door would just fold down and then
we'd put the mic stands out there and we'd go play,
and then we would like say goodbye, and the door
would fold back up and we'd roll to the next town,

(08:28):
like twenty minutes down the track. So some days we
were playing five or six shows a day, and a
lot of these shows were in like minus thirty one
degree Celsia's weather, and like people were so resilient.

Speaker 11 (08:39):
It was the most incredible thing. And everyone.

Speaker 14 (08:41):
It was a free show, but everyone who came brought
a donation for their local food bank. So it was
like witnessing the best parts of the human spirit. And
I'm standing up there seeing everyone bundled up and the
freezing cold weather, just like showing up for their friends
and neighbors. And I was so inspired I had to
start writing. So I wrote a bunch of songs in
the mornings before the shows would start, and then a

(09:02):
couple of days into it, I was like, we got
a couple laptops and like we could borrow some some
gear from the stage car. What if we figured out
how to like record some stuff on this train while
we're moving down the tracks.

Speaker 5 (09:11):
So the whole purpose of this was to give back. Yeah,
now you said some things that I don't understand. First
of all, Celsiguess.

Speaker 14 (09:20):
First of all, okay, I don't know it starts to
even out. I can't remember what degree, but I want
to say it was like minus twenty five or something fahrenheit.

Speaker 5 (09:30):
Okay.

Speaker 15 (09:30):
Yeah.

Speaker 5 (09:30):
The second thing was you said two places, and I
like to apologize to all of our Canadian listeners because
we're on in a lot of places in Canada. Too.
But you said two places from this place to that place.
So what were the two places again?

Speaker 11 (09:41):
Montreal to Calgary?

Speaker 5 (09:43):
Do that America?

Speaker 10 (09:44):
Though?

Speaker 5 (09:45):
Distance wise?

Speaker 11 (09:46):
Distance wise? Okay?

Speaker 14 (09:47):
So Calgary's like north of Montana, okay, and Montreal is
like New York Ish Okay, up.

Speaker 5 (09:53):
A little more too, but up yeah. So okay, it's
a long train ride.

Speaker 11 (09:56):
It's a long train ride.

Speaker 5 (09:58):
Is it like a tour buzz because whenever we have
to go back on the road on a bus the
first couple of days, I don't like it because I
feel like I'm shaking as we're driving and I'm sleeping
and sometimes we had the side by. It's hard to.

Speaker 14 (10:09):
Sleep on a train, so it was it was very shaky,
but you got used to it a couple of days
and same kind of thing.

Speaker 11 (10:15):
The difference between the tour of us is there was
a lot more space to like for all of us
to spread out.

Speaker 14 (10:20):
They were like there was a lounge car, there was
a caboose where we set up a little recording studio.
But then everyone had their own tiny little room which
was a lot more spacious than like a bunk, so
we didn't get as stir crazy as we were nervous
getting on that thing because you don't really get off
the train. We got off once to go to like
a legion, like after the last show at night, but
other than that, you're pretty much kind of just on

(10:42):
the train. One day, I think we clocked like like
nine thousand steps or something just going on the train.

Speaker 5 (10:48):
On the train, you have to jump from cart to
car and there's a chance you fall off, you know,
in the middle of the cars. You know, I have
to jump over there and there's the ground below you.

Speaker 15 (10:56):
Yeah.

Speaker 11 (10:56):
Yeah, it was like they say, like mind of the gap. Yeah, no,
there was deaf Definitely you had to.

Speaker 14 (11:01):
It would be a greater risk of slipping on the
ice and the snow that was blowing between the cars,
but it was closed off, so you wouldn't. You weren't
going to fall off the train, but you could. You
could definitely trip.

Speaker 5 (11:13):
And how would they yell all aboard in Canada into
the yelling in French when you're in the French party.

Speaker 11 (11:18):
I wish they yelled it at all time.

Speaker 14 (11:22):
Not one time did they say all aboard, which felt
very like misleading.

Speaker 5 (11:26):
Okay, so now that we know the story, that's the story,
think about this. She goes and she lives on a
train all to get food for people that are less fortunate.
And now if I were to go like, I'm so surprised,
I'll be lying because to Nil's what she's about is
helping others constantly, So I'm not surprised by any of this.
I think I'd have been surprised. She was like, I
did a train. I got paid ten grand a night.

(11:47):
It was awesome. Like what that's crazy, So what song
are you going to do here?

Speaker 14 (11:52):
Okay, I'm going to do a song called Wheels, which
is the last song on this EP called Train Track
Work Tapes, and so all these are pretty acoustic, stripped down.

Speaker 11 (12:03):
This is the last song.

Speaker 14 (12:04):
And as we recorded this song in motion, so as
you're listening, you can hear all of the creeks and
like at one point we hit some kind of bump.
You could definitely hear that in the track. And at
the end we did it all in one complete pass
and we passed by the crossing and the bells happened,
thank god, Like just at the end of the last note,

(12:25):
we all looked at each other.

Speaker 11 (12:26):
We were like, we're not doing that again, Like that
was it? This is it? We got it. So this
song is.

Speaker 14 (12:31):
Kind of like this one is very honest to me
in the sense of I struggle very much with the
high of being on the road and then coming home
and doing laundry and being in the quiet of that.
And I was in the middle of this train trip,
literally having the time of my life, and I was
just dreading the ending, you know, And you've like look
forward to something and you're just get I know, right,

(12:55):
that's honestly, that's a great sign that you're doing the
thing you love. But it's it's definitely a weird, weird
feeling to dread the end.

Speaker 11 (13:02):
So that's what this song is about.

Speaker 5 (13:04):
So this is called Wheels, called Wheels, and this is
from the Train Track Work Tapes. Yeah, I just want
to make sure but he knows it before you start.

Speaker 11 (13:11):
Again, thank you for that.

Speaker 5 (13:12):
Wheels Train Track Work Tapes. Here is tan neil Town's
on Tanil Town's a studio that's called Wheels. It is
on her new project that's out now called Train Track
Work Tapes. Go stream it. I have another segment that
I want to do with you. Sure, I don't even
mind like throwing stuff at you because I feel like
we know each other at this point pretty well. When

(13:35):
we come back. I know there's a cover on this
Train Track Work tapes. Yeah, I don't want see what
it is yet. Will you do that for us?

Speaker 11 (13:41):
I would love to be cool.

Speaker 5 (13:42):
All right, you're gonna you're gonna love it. What it is,
it's one of the great songs ever of all time.
And she crushes because I've heard her do it before.
Tanil has the train track Work tapes, which you really
recorded and wrote while on a train traveling across the
land to help other people eat.

Speaker 14 (13:58):
That's literally help other people eats, collecting.

Speaker 5 (14:01):
Food for food banks. And so this is a home
to me.

Speaker 7 (14:07):
How much tas so blackdown?

Speaker 5 (14:10):
This is pieces in my heart. That's probably my favorite one.
My heart makes me feel like so and try three.
I'm just gonna have you play for you're cool with it.
And the first time I heard Tail play this, I
think we were all backstage because Til came on the
road with me for a while where we did shows

(14:30):
and remember Tanil being so good and she would like
tear the crowd their hearts out and then had gone
to be funny, and I was like, it's the best
and morest decision ever made because the best decision is
Tanil just murders the crowd and they fall in love
with her and how good she is. But then she's
got them so emotional that I come on to tell
jokes and they're just not in the right So but
we set back me Eddie, Yes, I think it's whoever.

(14:54):
I don't know. Gard's back there, George, yeah, yeah.

Speaker 11 (14:56):
They were all our buddies, you know, and.

Speaker 5 (14:58):
Just passing a guitar around the Tamil plays the That
was that was like a really fun time.

Speaker 14 (15:02):
I really that's kind of like one of those rare
magic moments in a dressing room that I feel like
you can kind of count on one hand.

Speaker 11 (15:08):
And I loved that we just passed the guitar around.
It was so awesome.

Speaker 5 (15:10):
And she played this and I remember going, oh, man,
one day, I'm gonna ever play it here. So I'm
not even gonna say what it is to know you
play it here is This is track three on the
train track work tapes, But here is tan Neil Town's Okay,
let me ask you a question before we do uncomfortable questions.
This is kind of inside baseball, But so of all

(15:31):
these songs on the train track work tapes, which I
hope everybody goes in streams. Thanks. I'm gonna put one
as like our national countdown song, and then I'm gonna
put it on a different show that I do a
national show. Which one do you want? Feature?

Speaker 7 (15:42):
No?

Speaker 5 (15:42):
Not, thank you? Which one do you want? I'll pick
whichever one you like, to pick one, I get to
pick one, and I'll put it on both the national shows.
Do you want Home to Me? Pieces of My Heart
Coming Together? Wheels? Which one?

Speaker 11 (15:56):
Let's do Home to Me?

Speaker 5 (15:57):
Okay, so Mike got that, put that on both of them?

Speaker 11 (16:01):
Thank you?

Speaker 5 (16:01):
Okay?

Speaker 11 (16:02):
Cool?

Speaker 5 (16:02):
Now uncomfortable questions I give, But then I take.

Speaker 11 (16:05):
All right, well I'm buckling up.

Speaker 5 (16:07):
I take they're not that uncomfortable for you because everybody
likes you. You're one. Is Tanil town sad all the time?

Speaker 11 (16:15):
Yes?

Speaker 9 (16:16):
Always?

Speaker 5 (16:17):
Okay?

Speaker 14 (16:18):
It's like, you know, underneath and at the same time
as absolute joy.

Speaker 11 (16:22):
Everywhere I go is just kind of underneath.

Speaker 14 (16:25):
How tall is Tanil Town's oh five to two on
a good.

Speaker 5 (16:28):
Day, Yeah, when you wear boots, that's more.

Speaker 11 (16:31):
Like five four maybe? Yeah?

Speaker 5 (16:33):
Does Tanil Towns have any secret talents?

Speaker 14 (16:37):
It's kind of weird, but I grew up water skiing
with my family, and my dad was kind of like
a competitive water skier, So therefore I can like slom
ski kind of half decently.

Speaker 5 (16:47):
That's pretty good. Yeah, okay, there are two more. What's
the worst part of being a country singer? Like, what's
worst part of the job of being a country singer?

Speaker 14 (16:55):
Photo shoots? Getting your picture taken all the time? I
just want to sing songs for people. Cameras are like
the worst thing ever and.

Speaker 5 (17:02):
The final one. And I tell you I didn't know
this untill I was looking at Hey, Ray, can you
play a clip of the thing that wrecks you? It's
Tanil and Brian Adams. Play a clip at that please. So
this question is based off somebody who I who saw
the writing credits where your last name is not listed
as towns Interesting? Did you know that?

Speaker 11 (17:24):
I didn't know that? But wow, good to know.

Speaker 5 (17:26):
And the question was how does she pronounce.

Speaker 14 (17:27):
A Yeah, it's basically yeah, it's it's nad kranishnie, which
sounds like a sneeze, but yeah, it's it's got enough
letters for the Mickey Mouse theme song.

Speaker 5 (17:38):
Nad Kishi.

Speaker 11 (17:40):
That's right, Yes, that was my name.

Speaker 5 (17:43):
Thanks and nad Is at the beginning of it. That's awesome.
You know, you know you are the best.

Speaker 11 (17:48):
I love you always, Thanks for having.

Speaker 5 (17:50):
Whatever you got going on. You're gonna always come in here.
I appreciate and you're the best. And okay, so everybody
go and check out train track work tapes and follow
Tanil at toil Town t O W N E S.
And I think we've said it all, am anything you
want to say.

Speaker 9 (18:04):
Just recording on a train like, has it inspired you
to think we're else?

Speaker 7 (18:09):
Literally? Lets go.

Speaker 5 (18:13):
Skydiving, river sessions, sessions, modes of transportation are there? I
mean the uber.

Speaker 15 (18:20):
Tapes, Let's go anything else.

Speaker 5 (18:25):
The scooter session, submarine sounds. Oh all right, you guys
town check it out Tail, Thank you very much.

Speaker 10 (18:35):
Thanks.

Speaker 1 (18:38):
It's the best bits of the week with Morgan.

Speaker 2 (18:41):
Number two.

Speaker 4 (18:43):
Our iHeart Country Festival was last weekend and it was
so epic.

Speaker 3 (18:47):
Listen. If you've never been before.

Speaker 4 (18:49):
I highly encourage and suggest that you go next year.
In all the years following, it's the best time. We
had so many epic performances and I'm sure you guys
are tired of seeing all of our photos from it,
but still go check them out.

Speaker 3 (19:00):
If you haven't seen them.

Speaker 4 (19:01):
But our young listener LJ also got to have an
epic time at the festival. He had called in, well,
his mom particularly called in and she told us she
wanted to surprise him with tickets to the show.

Speaker 3 (19:12):
And so Bobby did.

Speaker 4 (19:13):
But more than that, he also invited LJA and his
family to come hang out backstage and hang out with
Bobby in the show and meet a bunch of country artists.
So basically LJ had the VIP lifestyle in Austin and
we have all the photos from it. His mom sent
me basically a photo album and it's on Bobby Bones
dot com, which was so cool. But you can hear
a little bit about Bobby talking about their time together

(19:34):
and what that was like.

Speaker 1 (19:36):
Number five, We.

Speaker 5 (19:37):
Had an excellent weekend. We mentioned it earlier, but our
iHeart Country Festival was Saturday night. It's just so fun
because everybody's together. It's one hit after another. If you
get a chance to go next year, you should go
because that stage flips. You don't have to wait for
thirty minutes for the next act. I just go to
the horse races as a kid and hot springs at
Oaklawn and I'd sneak in I couldn't bet, so I'd
have to beg some dude to take two dollars and

(19:59):
go bet for me, and they'd run the race and
you wait thirty minutes for the next race. Yeah, I
hated that this is the opposite of that our country
festivals is the opposite of Oakland Racing and Hot Springs. Yes,
so we went. It was amazing and ask some stuff
to talk about, but mostly I just think sometimes how
Lunchbox sees the world is so funny. Ray, would you

(20:19):
play a coup of Brothers Osbourne?

Speaker 10 (20:20):
Please?

Speaker 5 (20:25):
They were a surprise act. They came out and did
a few songs and I love them, went hung out
with them after the show, like personally, just those are
two dudes I love so Lunchbox, I'll just let you
say it and then then we will talk about your
opinion of it. To go ahead.

Speaker 12 (20:40):
I'm worried about Brothers Osbourne and their money situation. I'm
starting to think they might need a second job or
they've whatever they made they've lost and they were broke.

Speaker 8 (20:48):
Why is that?

Speaker 12 (20:49):
Because I showed up at the airport yesterday morning to
board my flight to come back and they were flying Southwest,
like they had to sit there and like the cattle,
you know, line up when they're a one through thirty,
and they had to line up in their little number.
They had to get on Southwest pick their seat. And
I'm like, guys, this is not good. Like I thought
by now they'd be rich and making a lot of money.

(21:11):
But obviously it's not going well.

Speaker 5 (21:14):
Obviously that's not the truth.

Speaker 12 (21:16):
Obviously, because there was a lot of artists there last
night or the other night, and they were the only
ones on Southwest.

Speaker 5 (21:22):
That's actually not true, not true at all. Eddie who
was on your flight.

Speaker 6 (21:25):
Kane Brown, I think he's doing pretty good. Yeah, Mitchell Tenpenny,
Jordan Davis, all on my flight.

Speaker 5 (21:33):
So it's an easy flight from Austin to Nashville. And
so they just flew it back.

Speaker 12 (21:39):
And they didn't even sit next to each other on
the plane like they were. One of them was mad
at the other one for spending too much money.

Speaker 5 (21:44):
All so now you think they're beefing, Like.

Speaker 12 (21:46):
Yeah, they were kind of like, oh, you're the one
that spends all the money. That's why we have to
fly on a regular plane with the regular people.

Speaker 5 (21:52):
And oh, so you saw them and literally thought they've
been irresponsible with their money. Yeah, what if that's super
responsible with their money though, that's that's the difference, Like
they're not wasting their money, that's super responsible with money.

Speaker 12 (22:05):
Like John had his headphones on, didn't even talk to
his brother the whole time.

Speaker 5 (22:08):
Also, now you want to change up, you're pivoting and
now it's no.

Speaker 12 (22:11):
No, I'm just saying like I mean, or he didn't
want to hear people talking about how they have money problems,
so he just put the headphones on. I was just
worried about them, and so I sent you a little note.

Speaker 10 (22:21):
You know. I'm just saying, hey, like do we need
to look out for him?

Speaker 5 (22:23):
Do we need to what do we need to do
to go fund me?

Speaker 10 (22:25):
Like, yeah, do we need to download a song or something?

Speaker 13 (22:27):
Does?

Speaker 5 (22:27):
No one's really download a song for twenty years, But
I get it.

Speaker 8 (22:31):
I would be nice, though, are you gonna say, well.

Speaker 5 (22:33):
I don't.

Speaker 9 (22:33):
I don't like feeding into Lunchbox's narratives. However, Oh and
one of my backstage interviews with them, they did say
they do therapy together like as a band, but they're.

Speaker 5 (22:45):
Supposed to it's different than therapy by yourself.

Speaker 9 (22:48):
He says they're not getting along, but they're brothers.

Speaker 8 (22:51):
Wait, so they're really fighting over money?

Speaker 5 (22:53):
I have the money. Oh this is made up, and
then tell you both I was with them after the show,
know what everybody was getting a long time. Yes, I
would think there are I think Lady A has done
that that they've talked about a lot of bands that
I know or groups have talked, have done it. But
the people that I know that have set up publicly
Lady A very famously, Paramore did it for a long time.

(23:17):
So it is common for anyone in a group dynamic,
because you're on the road so much together to go
and make sure that the relationships are as healthy as
can be.

Speaker 9 (23:29):
So so should we all do therapy together?

Speaker 5 (23:32):
No, we're not all the road together. Were for four hour,
five hours whatever it is when we go home.

Speaker 8 (23:35):
Yeah, we're good.

Speaker 10 (23:36):
Okay, I'm busy.

Speaker 11 (23:38):
Just a thought.

Speaker 5 (23:39):
And those two are like equal. They've got to figure
out that dynamic. The bands are equal, you know, Hillary,
Charles Dave, they're equal. They can figure out that dynamic.
They that I'd tell you brothers Osbourn not having money problems,
probably smart with money, and I think it's pretty healthy

(24:00):
they're going to therapy if they're brothers and they're working together.

Speaker 10 (24:03):
So but thank you, though I almost slid him a
five each just to help him out.

Speaker 5 (24:06):
No chance you would even give anybody five each, right,
But Eddie Kane Brown was on your flight.

Speaker 6 (24:10):
He was, and I started to freak out because like
when I saw Kane Brown, Jordan Davis, and Mitchell Timpenny
come on the plane, I'm like, oh my gosh, this
plane goes down.

Speaker 5 (24:18):
It's the day of the music died. This plane goes down.
You ain't making the headline.

Speaker 8 (24:22):
Well, that's for sure.

Speaker 5 (24:22):
I don't even get mentioned in that headline. So the
day of music died, Amy, let me check your music
knowledge here? Do you know it? Okay, I'm not asking you, lunchbox,
the day of the music died?

Speaker 8 (24:33):
Who died?

Speaker 10 (24:34):
LaBamba?

Speaker 5 (24:35):
Okay, go ahead, that's all I know.

Speaker 10 (24:38):
Well, Richie Vallen, that is.

Speaker 8 (24:40):
That's the obamba.

Speaker 10 (24:42):
Oh the guy that were your glasses?

Speaker 5 (24:44):
Go ahead, Holly, hollyhoo, buddy, holly correct, go ahead. And
one more.

Speaker 10 (24:49):
There's a statue in Lubbock of.

Speaker 5 (24:51):
It a little baby very King, Barry King. That's right,
nice shop.

Speaker 10 (25:00):
It's not very big bopper yeah, Barry what's his name?

Speaker 5 (25:04):
The Big Bopper? The Big Bopper?

Speaker 10 (25:06):
But what's his real name?

Speaker 5 (25:07):
They don't know. His real name was like J. P.
Richardson or something, but nobody.

Speaker 10 (25:11):
It's not the Who am I thinking of them?

Speaker 5 (25:13):
I can't tell you that because I'm not thinking Barry Switzer,
Lewis Manelo.

Speaker 12 (25:18):
No, I know Barry Manilow is alive. I saw him
what where with Lady Gaga?

Speaker 10 (25:23):
Right, and he's all got No.

Speaker 5 (25:24):
That's see. We got to get out of it, walking
down a wormhole. We don't want to have to fight
our way out of where. You're good? Are you going
to say?

Speaker 9 (25:34):
I was just trying to see. I didn't know the
third one. I knew Buddy Holly Ritchie Ballens, but.

Speaker 5 (25:37):
Big Bopper only had one song and was not as
do you know who lived?

Speaker 8 (25:42):
Yes, Whalen Jennings.

Speaker 5 (25:43):
Flipped a coin?

Speaker 7 (25:45):
Oh?

Speaker 5 (25:45):
Yes lived because he didn't get on the He was
going to get on the plane, right, but who.

Speaker 11 (25:49):
Got his coin?

Speaker 5 (25:51):
Tok?

Speaker 9 (25:51):
Just did the seat go to someone else?

Speaker 5 (25:53):
It did and went to the brothers Osborne?

Speaker 9 (25:56):
And or did he flip it?

Speaker 15 (25:57):
Like?

Speaker 5 (25:57):
Should I go the other seat? Was it Buddy Holly?

Speaker 8 (26:00):
Maybe I don't know.

Speaker 5 (26:01):
I don't know if they I don't know.

Speaker 9 (26:03):
It's so tragic.

Speaker 5 (26:04):
Yeah, in that plane it was snowy anyway, small plane.

Speaker 8 (26:07):
Crashed in Iowa.

Speaker 5 (26:09):
Yep, that's right, clear like Iowa.

Speaker 7 (26:11):
Dang.

Speaker 5 (26:11):
Good for you, buddy, not good for you. I know,
you know music. Hey, but when I saw those guys
get on the plane, I'm like, oh my god, you
thought that was gonna be on his Southwest last.

Speaker 8 (26:17):
I was freaking out.

Speaker 9 (26:19):
If you do, you feel weird if you have a
thought about.

Speaker 8 (26:21):
Crashing, Okay, I think about it all the time.

Speaker 10 (26:23):
Oh that's weird.

Speaker 5 (26:24):
Oh yeah, I even talk about it when I'm up there.

Speaker 8 (26:26):
I told Jordan Davis, Dude, we die. It's the day
of the music Dead.

Speaker 10 (26:28):
Oh did all the artists sit by each other? Do
they sit the same?

Speaker 5 (26:32):
If they did in their feuding and let's start a rumor, dude.

Speaker 8 (26:34):
They were not sitting together, so that means they were fighting.

Speaker 5 (26:36):
Their headphones on it talking to I would imagine if Kine,
by the way, is not having money problem with the
promise yet, I imagine if he gets on a plane
like that, everybody wants to take pictures with him.

Speaker 8 (26:45):
No, no one bothered him and he was with his wife.

Speaker 5 (26:47):
You're out of your mind. There's no way Caine Dorown
got on the plane and nobody to bother dude I
saw was on this flight.

Speaker 4 (26:51):
I was, and he absolutely There's multiple fans that went
up to him and took pictures with him before the flight.

Speaker 8 (26:56):
Oh, before the fly. I only saw him on the plane.

Speaker 5 (26:59):
Got it, wait, scoob away. I said his move and
I saw it. Really smart, you get on the plane.
I got in early with him.

Speaker 6 (27:04):
He immediately falls asleep on his wife's shoulder, so no
one talks to him.

Speaker 5 (27:08):
Why did your finger quotes on falls asleep because.

Speaker 8 (27:09):
I don't think he's really asleep at all.

Speaker 5 (27:11):
It was early though. I gave him. I made a
he was flying back the next I said, here, dude,
and I handed him something to hide. It was some
of those glasses with a mustache on it, plastic.

Speaker 8 (27:20):
Glasses with wasn't wear in that.

Speaker 5 (27:21):
It wasn't dang. Okay, it was a great festival. We'll
talk a little more about it. We got to Morgan
wants to spill the tear about something she saw at
the festival as well, or that the weekend, so she
wants to tell on somebody but we're out of time
for that. We spent the weekend in Austin, Texas. Love
it home, Shout out Austin. I mean, I love it.
It's like when I go back to Austin, She's like,

(27:42):
it feels like, I mean, I spent my entire young
adult life there, and I know you guys grew up there,
so it just feels like, oh, like, when I go
back home home to Arkansas, it's almost like this backpack
of rocks has taken off of me. He's like, like,
I feel that way about Austin too. We go by

(28:03):
our country festival and you know, the very first artist
we put a big headliner at the beginning of and
and it's Luke Bryan. And Luke comes out and shot
out of a cannon. As always, I got a shout
Luke out too. Because there was a kid who his
mom had called the show. It was his birthday. He's
in a band called Kid Country. I'm wearing their sweatshirt now.
She was like, hey, I want to tell him he
got tickets to don't ask for tickets, And so we

(28:25):
told him that they got them tickets, and then I
arranged for him to come backstage and just you know,
meet me and say how do you guys? But then
I just took him with me all backstage and I
found Luke and I was like, Luke, we meet you
know whatever his name is, Luke to LJ was Luke Junior,
and so Luke, Luke's awesome to everybody all the time.
The man he came out my kind denied the live song.

(28:51):
So that was fun. What a fun way to start it.
Kaitlin and I were sitting side stage. We wanted to
watch Luke just such a good live perform and go
see him if he's, you know, doing in a show.
I'll tell you when Sam Hunt jumped in the crowd
because he jumped good thing. He's an athlete and still
has knees at work because he just flew off the stage.
So he's got his mic and Sam's doing his whole

(29:12):
show and just launches into the crowd and his security guy,
Sam apparently does this a lot new I mean, he
was scary guys right on him making sure that nobody
was like grabbing Sam's private hearts or his nipples or
stuff or just like touch it pup and his shirt,
his people. I mean, I might, I might be honest,
with you. I might cry that too. But so Sam
is in the crowd and he did. He's doing house

(29:33):
party and the whole crowd's jumping up and down. Just
such a cool show. So we're there. I don't want
to go to Morgan because Morgan wants to spill the
tea basically on Something that happened was that over the
weekend at I our country festival at the show.

Speaker 3 (29:49):
It was after the big show.

Speaker 5 (29:50):
Okay, so you guys went out.

Speaker 3 (29:53):
I didn't go out.

Speaker 4 (29:54):
I was going back to the hotel because I had
an early flight, but lunchbox guilt tripped me into taking
back all of his stuff. His backpack. Everything was stuffed
in there because he wanted to go out and party,
and I had heels, like a nice dress on, and
he's like, hey, take my back back to the hotel.

Speaker 3 (30:09):
I'm gonna go out.

Speaker 5 (30:10):
But if he just he just asked you politely and nicely.

Speaker 4 (30:13):
Uh no, he did at first, and I was like, hey, like,
I have a really heavy bag to carry out. I
don't think I'm gonna be able to do this. And
then he's like, well, I'm not going to post on
social media and stuff. You don't take my.

Speaker 5 (30:22):
Bag like a threat, like he's not going to do
his job. Yes, guilt personal for him.

Speaker 3 (30:28):
And I felt that.

Speaker 11 (30:29):
I was like, well, I need him to post content.

Speaker 3 (30:31):
I need him to post on social media, so I
guess I'll take his bag.

Speaker 5 (30:34):
So that affect cause that affect your job. Yes, so
he was making you just send the personal for him
or he's gonna hurt you at your job.

Speaker 3 (30:40):
Yes, he was guilt tripping me your thoughts.

Speaker 12 (30:43):
My thought is, I mean she has a ride back
to the hotel, so she has to walk ten feet
to get in a vehicle.

Speaker 5 (30:48):
Now it's a long walk to get to anywhere where
cars were and all she has. You just kept talking,
but it's a long walk to get even for us.
Took us forever to get to our car.

Speaker 12 (30:56):
She throws on the backpack and carries her bag. My
bag is not heavy at all. It was just a
pair of shorts, a shirt and some shoes.

Speaker 10 (31:04):
No big deal.

Speaker 12 (31:05):
I mean I was nice enough to get to the
venue early to help her, like create content.

Speaker 10 (31:10):
I thought, oh, I scratched your back, you scratch my mine.

Speaker 3 (31:14):
But he didn't.

Speaker 4 (31:15):
I asked him to get there earlier, and he was like, no,
I'm not gonna that earlier.

Speaker 12 (31:18):
She asked me to get there at one o'clock, and
I was like, early, I don't need to be there
till four, so I'll get there about two thirty.

Speaker 10 (31:24):
That's good.

Speaker 12 (31:24):
That's a good compromise in my opinion. Like, I'm like,
you know, and she was like, why can't you get
there at one? How about how about one forty five?
I'm like, well, no, I'll get there an hour and
a half early. That's pretty good.

Speaker 5 (31:35):
Did you say though, that you will not do work
for her unless she takes your stuff back?

Speaker 8 (31:39):
Yeah?

Speaker 5 (31:40):
Yeah, god, okay, Yeah.

Speaker 10 (31:43):
I was like, hey, you don't want to help me.
I want to help you.

Speaker 5 (31:45):
No, but that's that's sort of your job.

Speaker 12 (31:47):
Sort of y sort of, but it hurts out to
be a you know, a good friend.

Speaker 3 (31:52):
I was wearing heels. I don't want four o'clocks.

Speaker 5 (31:55):
Multi bad job to be a good friend.

Speaker 9 (31:57):
Yeah, he's just saying things.

Speaker 5 (31:59):
Now, So what happened she took the bag or she did?

Speaker 9 (32:02):
She's nice.

Speaker 5 (32:02):
Would you have gone out though at all? If he
didn't have his bag?

Speaker 3 (32:04):
No, I wouldn't have gone out.

Speaker 4 (32:06):
But I just was mad because I felt like I
had to do it to be able to get somebody
to do their job.

Speaker 5 (32:11):
That's right wucking to my world.

Speaker 12 (32:13):
I mean really, it's really the lesser people had to
take care of the stars, like you know what I mean,
Like in a situation when you're not as high on
the totem pole, you have to kind of be like, Okay,
you know the star needs something, I'll help them.

Speaker 8 (32:26):
And he loves that totally.

Speaker 5 (32:27):
So what if I would have been going out and
I was like lunch box and you take all this
crap back to my room.

Speaker 10 (32:30):
Well, if I was going back to the hotel, I
would have had to do it.

Speaker 5 (32:33):
But oh, you wouldn't have You would have that. I
would have never done that, and know you would know
how to don there's no total pole.

Speaker 10 (32:41):
Hey Morgan, Bobby's going out down, Yeah, go down the pole.

Speaker 3 (32:44):
I mean Amy or Eddie or Bobby. Nobody asked me
to take their stuff.

Speaker 11 (32:47):
It was just us.

Speaker 5 (32:48):
I carried all my stuff back to the room and
then we went to eat. After that it was the
velvet taco.

Speaker 10 (32:52):
Yeah, they were going back to the hotel. We weren't.

Speaker 5 (32:54):
We actually wanted to go right to get velvet taco,
but we had a bunch of stuff and so instead
of having somebody take it force. We took it ourselves,
dropped it off, went back down and went nate a
velvet TALKO imagine that?

Speaker 12 (33:06):
Oh man, well I was going straight to the bar,
so I mean people are going to wait for me
to go to the hotel then meet him at the bar.

Speaker 10 (33:13):
Bar closes. Man, we got to get.

Speaker 5 (33:14):
There, so does Velvet Taco. Probably before the bar closes.
I don't know.

Speaker 12 (33:17):
Anyway, Thank you Morgan, I said thank you text did you?

Speaker 10 (33:24):
Yeah? Thanks, appreciate it.

Speaker 5 (33:25):
Brothers Osborne was a surprise guest. Ain't my fault?

Speaker 8 (33:28):
Dame playing for five all a bounced back dude and
take the joke.

Speaker 5 (33:34):
And then Lunchbox came on the show today and said
they were having money problems. Yep, because they flew southwest.

Speaker 6 (33:40):
Back right and they weren't talking to each other, so
probably mad about the money.

Speaker 5 (33:43):
One put headphones on and didn't say anything. What time
was your flight?

Speaker 10 (33:47):
Nine early?

Speaker 5 (33:48):
So you had to get there at eight thirty, had
to leave the hotel at eight after being out all night. Yeah,
you know what, I completely get. They're probably tired and
just sleepy. Caane brown Bury me in Georgia. It's awesome.
Festival next year when we do it again. I hope

(34:11):
you guys come Highlight Amy. Do you have anything?

Speaker 9 (34:12):
Oh well, I have the entire festival on my phone
and my sister's phone because my son went and he
anybody that had a phone he wanted to borrow it
to record everything he was seeing.

Speaker 5 (34:22):
Oh, you should watch it all back then if you
need a recon.

Speaker 7 (34:26):
I got.

Speaker 9 (34:27):
So that's my favorite part is just my family being
able to be there.

Speaker 6 (34:31):
Caitlin Brown coming out with with Kane that was awesome,
Like we've talked about her doing that, but we got
to see that.

Speaker 8 (34:35):
That was really cool.

Speaker 12 (34:36):
Blunchboks, I'd just say Morgan taking my bag back by
my highlight. Yeah, I mean that really made my night
and made it special.

Speaker 5 (34:43):
Your wife didn't go No, so did you go hard?

Speaker 15 (34:46):
Yeah?

Speaker 5 (34:46):
You get really drunk.

Speaker 10 (34:47):
Yeah. I went up Friday night and Saturday night met
up with the boys.

Speaker 9 (34:51):
Oh yeah, high school boys.

Speaker 5 (34:53):
I get really drunk.

Speaker 12 (34:54):
I ran yeah, we ran into Oh yeah yeah, they
said that you ran into them.

Speaker 9 (34:58):
Yeah up top. I had to go this thing for
Mattress Firm where I had to go through the crowd
and end up in these chairs and all of a sudden.
I met the top trying to go down and I
see I see these five boys walk by, and I'm like, oh,
there's Lung Fox's high School Buddies crew.

Speaker 10 (35:12):
It was great, man, it was fun.

Speaker 5 (35:14):
Do you still do shots or do you drink?

Speaker 10 (35:16):
No?

Speaker 5 (35:17):
I saw Ady holding a Cosmopolitan that Lunchbox had.

Speaker 8 (35:20):
That's what he ordered.

Speaker 5 (35:21):
You grabbed it to show that he does not missed
a shot guy?

Speaker 10 (35:24):
Correct. No, No, we didn't do shots that.

Speaker 12 (35:26):
We were at a fancy bar and the boss was like, here,
do you want to drink? And that was on their
fancy bar, the like the their fancy list, and I
was like.

Speaker 5 (35:33):
I guess on fancy list.

Speaker 12 (35:34):
Yeah, And that's when you're like, oh, I guess I
got to drink a fancy drinks.

Speaker 5 (35:38):
They taco while you're eating.

Speaker 10 (35:39):
No, they didn't have.

Speaker 5 (35:42):
Yeah, Lunchbox starting to play character more and more shots.

Speaker 12 (35:47):
Then we went to seven Grand afterwards and we hang
out and drink and man, it was good.

Speaker 10 (35:51):
I had some tacos, They're delicious.

Speaker 5 (35:54):
And what cosmos?

Speaker 10 (35:55):
No, No, they didn't have cosmos at that bar.

Speaker 5 (35:57):
Which you got one there?

Speaker 10 (35:58):
Nah, I don't even know what's in a cosmo? Remember it?

Speaker 5 (36:03):
Actually? Yeah, I mean, it was an amazing time. Everybody
that came. Thank you. I thought Jordan Davis is set
was awesome. Where Jordan and I are like pretty close friends,
but I never get to see him perform because it's here.
We're just usually hanging out, and its first time off
got to see him like play full band, the whole thing,
and I was like, dang, he's pretty good.

Speaker 10 (36:22):
He's good.

Speaker 5 (36:22):
Who knew well? When he got off, I walked with
him over the back to his room and I was like,
who knew? You got so good? And he was like, yeah, dude,
thanks for coming to my show. Is I here's Jordan
Davis by dirt and he sneaky, has a bunch of
number ones. It's just one after the other. After you're like,
oh yeah, yeah, yeah, great show. Thank you everybody for coming.
Or if you went to the theater and watched it,
that was super cool too, Or if you want to

(36:43):
come to Amy's and watch it. She has it all
on her phone. We'll have a screening over there later.

Speaker 1 (36:49):

Speaker 10 (36:52):
Number two.

Speaker 4 (36:55):
Eddie had a super interesting experience with a homeless man
and it was a good one. Almost man actually gave
him something, which Eddie was surprised by. And it's all
because Eddie drives a jeep.

Speaker 5 (37:06):
Number four, Eddie, homeless guy gave you something.

Speaker 8 (37:09):
Yeah, isn't that crazy?

Speaker 5 (37:10):
What happened?

Speaker 6 (37:11):
Well, I was at a red light and homeless guy's
just walking by, and I usually just like roll down
the window and talk to him.

Speaker 5 (37:16):
I don't if I have change. I gave him change,
but I normally don't give him money. Also, you're in
a jeep, but there's no top totally wide open. It's
wide over. Anybody can talk to you right right.

Speaker 6 (37:23):
So I'm just like, how's it going, man? He's like,
where's your ducky? And I go, excuse me, your rubber ducky?
You drive a jeep and jeeps all have rubber duckies.
I'm like, oh, no one's ever give me a rubber ducky.

Speaker 8 (37:32):
I don't know. So he reaches in.

Speaker 6 (37:34):
His pocket and pulls out a ducky.

Speaker 8 (37:36):
Here you go, man, put that on your dash. I
was like, that's amazing. The homeless guy gave me something,
so now it's on my.

Speaker 5 (37:42):
Dash and he had a ducky in his pocket. Yeah,
that crazy, Morgan. You have a jeep. You have a ducky?

Speaker 3 (37:47):
Yeah, I have like six of them on my dashboard.

Speaker 5 (37:48):
Why would you know you get any one that's rude?

Speaker 11 (37:50):
I did give it one.

Speaker 5 (37:51):
Hey, that's American.

Speaker 8 (37:52):
You gave me, you know what.

Speaker 4 (37:54):
I was waiting for him to bring it up. And
I ducked him one time. And you know what, I
think he.

Speaker 3 (37:58):
Threw it away?

Speaker 5 (37:59):
Oh that what that was?

Speaker 8 (38:01):
She put it on my door hand.

Speaker 5 (38:03):
Know what?

Speaker 10 (38:03):
It was?

Speaker 8 (38:03):
No idea and I did throw it away.

Speaker 5 (38:06):
What did you think it was?

Speaker 8 (38:07):
I thought somebody pranked me. I'm like, I have no idea.

Speaker 5 (38:08):
What you get ducked? Morgan? So people give you ducks?
What's I had a jeep for a while and the
way thing got annoying. Okay, I kept thinking I knew them,
and I was like, who was that? Oh?

Speaker 6 (38:18):
Yeah, you know what happens to me. I drive my
wife's cars, not a jeep. And I waved to people
and they don't wave back.

Speaker 5 (38:22):
I'm like, the jay, what's the duck thing?

Speaker 10 (38:25):
Morgan?

Speaker 4 (38:26):
It's basically them saying they like your jeep, so you
they'll duck you and they'll leave a little note with it,
or they may just leave a duck and it's just
like we ducked.

Speaker 11 (38:32):
You because we like your jeep.

Speaker 5 (38:33):
So no one except for Morgan has ever ducked you.
No one's ever ducked me. Your jeep pretty cool, except
now home was got duck me?

Speaker 10 (38:39):
Well you know why Morgan gets ducked hot chick?

Speaker 15 (38:44):
Right?

Speaker 5 (38:44):
No, no, they got it.

Speaker 10 (38:46):
They see her get out of the jeep like hot blonde.
Let me, this is my end.

Speaker 5 (38:49):
I'm gonna suck her and waiting to duck her for
a long time.

Speaker 10 (38:51):
Yeah, they're not.

Speaker 9 (38:52):
They don't stick around.

Speaker 3 (38:54):
Yeah, they do it when I'm not in the car.

Speaker 11 (38:56):
Right, it happens.

Speaker 9 (38:57):
But it's like is their phone number on the duck?

Speaker 4 (39:00):
No, it's just like sometimes people will do a little stickers
with them and be like this is my jeep.

Speaker 8 (39:04):
That'd be the way to do it.

Speaker 5 (39:05):
Number or Instagram name.

Speaker 3 (39:06):
No, that's that hasn't happened.

Speaker 4 (39:08):
But I did have two like in a row, and
I think it might have been somebody's.

Speaker 5 (39:12):
No follow up ever happened. Can people without a jeep
duck someone.

Speaker 4 (39:15):
I think people have tried. It just doesn't catch on
like jeep ducking does.

Speaker 5 (39:19):
No, no, no, no, if I don't have a jeep, but
I like your jeep. Can I duck you?

Speaker 3 (39:21):
Oh yeah, yeah, you totally.

Speaker 7 (39:24):
Why would you?

Speaker 9 (39:24):
It's like you're trying to be a part of something
when you're not.

Speaker 5 (39:26):
That's my whole life, Junior high.

Speaker 8 (39:28):
Whatever you want to, let you duck me?

Speaker 5 (39:30):
Okay, all right, all right, this this whole segment's been
ducked up, right, Hey, but we have to go because
we're gonna get fired already.

Speaker 9 (39:37):
So you talk about phone auto corrects the bad word, Yeah,
to duck, to duck, you're still using foul language.

Speaker 8 (39:44):
Nice, all right, it was hilarious.

Speaker 5 (39:46):
I like that. Don't do it.

Speaker 1 (39:50):

Speaker 10 (39:54):
Number two.

Speaker 3 (39:56):
Lunchbox has a new business idea.

Speaker 11 (39:58):
Shocker there.

Speaker 4 (39:59):
I know we've heard a lot of ideas, but this
one could be something if you're a big country music fan,
because he pretty much wants to, you know, capitalize on
some things country artists already do. I'm not sure how
this is gonna work out for him, but he thinks
it's a great business idea.

Speaker 5 (40:14):
Number three, Hunchbucks. Did you happen to run into Amy's
sister when you guys were in Texas?

Speaker 15 (40:18):
Oh?

Speaker 10 (40:18):
Yeah, I did see her.

Speaker 5 (40:19):
I mean why are you acting like that?

Speaker 12 (40:21):
Like I don't know if she was in VIP and
I'm like, this girl woudn't deserve to be here.

Speaker 5 (40:25):
And here's the backstory for everybody. Amy's sister and her
husband have a show on HGTV called Building Roots. It
was its first season then renewed for a second.

Speaker 10 (40:36):
Might as what we called poopy poop.

Speaker 5 (40:38):
Okay, he acts thought it poopy poop?

Speaker 7 (40:41):
You really sure he is?

Speaker 9 (40:42):
And he wonders why producers are.

Speaker 5 (40:44):
Like, oh, so he had two huge holes in his
roof and he just waited to get him fixed by
the TV show.

Speaker 12 (40:49):
Yeah, because they told me I was going to be
the A segment on their show. They were like, oh
my gosh, you're a perfect A segment. They were stringing
me along.

Speaker 5 (40:56):
Why didn't they pick him?

Speaker 10 (40:57):
And then they ghosted me?

Speaker 9 (40:58):
He yes, he did me with producers, I don't think
Lunchbox realizes that the homes on HGTV, even if they're
part of the project and being featured and they're the
A storyline, it's an investment from the homeowner. HGTV doesn't pay. Yeah,
I told you every project that airs, so I mean
there's certain deals you might get or what not, depending

(41:20):
on the project. But the homeowner's paying and lunchbox he
doesn't want to pay it.

Speaker 5 (41:26):
I don't like.

Speaker 12 (41:27):
No, I said I would take a loan, and I'm so,
you're saying that to us. They ghosted me.

Speaker 5 (41:30):
No, no, no, you're saying that to us. What did you
say to them?

Speaker 12 (41:33):
I told them I'd pay for it. I said, let's
go a story on my grade. They said Amy would
be a B. I'm like, yeah, she has kind of
a B level.

Speaker 5 (41:40):
But I don't understand what I'm just hearing two different versions.
Is he not telling the truth?

Speaker 9 (41:44):
Listen, I don't know. It seems like he's a different version.

Speaker 5 (41:46):
Of okay fair enough. So he did not get picked
to go on the show, and he's been holding it
against Amy and Amy's sister especially ever since. So I
heard you ran into her lunchbox. Your version of that story?
How to go?

Speaker 10 (41:57):
I went.

Speaker 12 (41:58):
I was like, oh, there's that girl that's on that
crappy TV show on HG TV. You know what are
you doing up here? We shall get you out of here. Yeah,
you don't want to. I don't know why you wouldn't
cast me. You guys really messed up missed your opportunity
now's it?

Speaker 10 (42:11):
Yeah?

Speaker 5 (42:12):
And what's your version of that?

Speaker 9 (42:13):
Okay, he did say to her that they messed up,
and they did. They they're missing out. However, he's he'd
like another shot at another interview.

Speaker 8 (42:22):
Oh, he begged.

Speaker 5 (42:24):
I went and begged for anohing he said.

Speaker 9 (42:25):
He said, Look, I don't I don't know what's going
to happen. You know, is there going to be a
season three because I was already doing season twould.

Speaker 5 (42:32):
Kick a hole in the wall.

Speaker 9 (42:33):
Yeah, he's like, he's like, I think I think I
got it squared away, like I'll pay for it. My
family will be involved. Because that was another thing too.
He's so private about his.

Speaker 5 (42:40):
Ready pay for it. So why did you say he
pay for it now.

Speaker 9 (42:43):
That's his story?

Speaker 5 (42:44):
Yeah, exactly, go ahead.

Speaker 9 (42:47):
Also, lunch Books is so private about his family, but
then suddenly when they were like, we want your family
to be a part of it. I don't know that
he also saw that part. I think he just wanted
to be him, his house, just him.

Speaker 5 (42:59):
Ah, I live here by myself, bachelor.

Speaker 9 (43:02):
Anyway, it's all it's sort of shifted, and I think
to me, or from what I heard from my sister,
it's like he was positioning himself to do a different
pitch and to woo producers this time.

Speaker 5 (43:16):
But then, why do you keep calling it poopy poop?
Why do you keep slamming it if you want another shot?

Speaker 10 (43:20):
Look, I mean if they want to come crawling back.

Speaker 5 (43:23):
They don't need to crawl.

Speaker 12 (43:25):
If they want to what do you call them, gobbl
gravel if they want to grovel.

Speaker 10 (43:30):
Yeah, I'm willing to give people a second chance.

Speaker 5 (43:31):
That's the only way you'd be on the show is
that they bag you back.

Speaker 10 (43:34):
Yep.

Speaker 5 (43:34):
Okay, you're right. He's doing two whole stories here, but.

Speaker 12 (43:37):
Saying you know what I mean, someone burns you like
it's like can I trust him again? But in this world,
it's all about forgiveness and giving people a second chance.
So I'm willing to give them a second chance if
they want to, you know, talk to me again and
put me on the show. Poopy poop, poopy poop.

Speaker 10 (43:52):
Okay, but they're going to be turned into greatness.

Speaker 9 (43:53):
I do think Lunchbox would be good for it.

Speaker 12 (43:56):
I agree, But producers, I mean, obviously they weren't having
a good.

Speaker 5 (43:59):
Day or they were said you didn't want to pay
for it, like everybody else, and then you didn't want
to put your family on there like everybody else.

Speaker 10 (44:04):
I'm saying they want to gravel.

Speaker 5 (44:05):
I'm just saying that's okay. So that happened. Yeah, what
happened with Jordan Davis? What do you mean at the festival?
Did you take something?

Speaker 10 (44:17):
I didn't take something with his? I came up with
a new business idea.

Speaker 5 (44:21):
So you didn't take a set like a set list
of his?

Speaker 10 (44:23):
No, no, I did, and I got him to sign that.

Speaker 5 (44:26):
I just said, what did you take? And you said nothing,
But it wasn't his.

Speaker 12 (44:28):
It was just sitting there, okay, go ahead like it
wasn't like his personal one. And I said, man, a
light bulb went off.

Speaker 10 (44:34):
Bobby's always like, it's sitting now on the stage.

Speaker 12 (44:36):
Got it, And so I was like a light bulb moment,
and I was like, this is a business. Bobby's always saying, Hey,
you always got to be thinking about new businesses and
pitch them.

Speaker 10 (44:45):
And it's called go ahead selling signed set lists.

Speaker 12 (44:51):
So you go to these concerts with these artists and
you get the set list from that night, you get
them to sign it, and then boom, we put it
on eBay and I got Jordan Davis's set list and
I got him to sign it, Like he came off
the stage and I got him.

Speaker 10 (45:04):
I cornered him him and I mean I got him
to sign it.

Speaker 5 (45:07):
Yeah, but that happens a.

Speaker 8 (45:08):
Lot on eBay in that like memory memorabili.

Speaker 5 (45:10):
Yeah, but that's our business. But you're gonna go to
You're gonna go to all these concerts.

Speaker 9 (45:15):
Yeah, and it's all wrinkled.

Speaker 5 (45:17):
And how are you gonna get them? Boom?

Speaker 12 (45:19):
Jordan Davis signed it. I've got audio who signed it,
so there's proof and we.

Speaker 5 (45:23):
Will fill sence.

Speaker 10 (45:24):
No, it's me.

Speaker 12 (45:25):
Hey, Jordan Davis, gonna get you to sign this and
we'll put it up on Instagram.

Speaker 8 (45:29):
I think Jordan thought it was for charity, though.

Speaker 10 (45:31):
All think that all he wants. We'll give two percent
to charity to.

Speaker 5 (45:37):
Selling it for I don't know how you're gonna get
all these set lists? So you had access to the
stage because you're working normally, you don't.

Speaker 10 (45:44):
I'm backstage pretty much every concert I go to.

Speaker 5 (45:46):
That's not too I like the idea and I'm out
of this business idea. What I don't want to be
a part of this one?

Speaker 10 (45:53):
All right?

Speaker 12 (45:53):
I get in cahoots with the artists, like I'm like, hey, cahoots, Like,
hey man, I know you got a concert tonight in Denver.

Speaker 10 (45:59):
Can you send me signed set list?

Speaker 5 (46:00):
Like? Who would you be able to ask that.

Speaker 10 (46:02):
To everyone that comes in this room, every single artist
that comes in room.

Speaker 8 (46:07):
Talk to any of the artists.

Speaker 10 (46:08):
You never but I will.

Speaker 5 (46:09):
Win crossword puzzles the whole time.

Speaker 10 (46:11):
But I will.

Speaker 12 (46:11):
I mean, if I got business on the line, business
man making businesses trying to get that money, you got
to start.

Speaker 5 (46:15):
Talking and I just have them make a set list
here and sign it here. I'm not saying that we're
not gonna do that, scoop.

Speaker 10 (46:20):
Oh, that's a good idea of scuba You no note.

Speaker 12 (46:22):
Tell them when they're coming in they need to bring
a signed set list. But I also think it's cool,
like if someone's in you know my note North Dakota
or whatever, uh might not, No, it's my note new
I don't know.

Speaker 5 (46:34):
I don't argue it's one thing to change it right
after that.

Speaker 10 (46:36):
Go ahead.

Speaker 12 (46:36):
But let's say they're at that show and it has
the name of the city on the set list. They're
more inclined to pay more money.

Speaker 5 (46:42):
For it than you could print out twenty of them
with all the cities on the tour here.

Speaker 10 (46:46):
Yeah, I want to. I want to be authentic sized. Yeah.

Speaker 12 (46:50):
So I think it's a great business, and so I'm
about to put the Jordan Davis one up for sale.
He sang songs like world spins singles.

Speaker 5 (47:00):
To do that again, So tell me the name of
the full songs that he sings. Go ahead, world Spins.
That's not the name of the song singles. That's not
the name of the song either. Slow dance nope, next
thing nope, maybe's no take it, no, no, no, tell
me give me the song, the real song, that's what
it is.

Speaker 10 (47:17):
Says on the set with I don't know.

Speaker 5 (47:18):
But what's the first one?

Speaker 10 (47:20):
World spins?

Speaker 5 (47:20):
What's that song he's playing there? I don't know what
my world spins around.

Speaker 10 (47:24):
I don't know. I don't know that song.

Speaker 5 (47:26):
Okay, what's the next one?

Speaker 10 (47:27):
Singles?

Speaker 5 (47:29):
Oh? If he singles you up, boom, go ahead?

Speaker 10 (47:31):
Okay, is that really him?

Speaker 5 (47:32):
Yeah?

Speaker 10 (47:33):
Yeah, I'm good. Slow dance in a parking.

Speaker 5 (47:35):
Lot, which was labeled a slow dance.

Speaker 10 (47:37):
Yeah, yeah, next thing, I don't know that one.

Speaker 5 (47:40):
Next thing, you know, never heard it?

Speaker 10 (47:42):
Yeah?

Speaker 5 (47:42):
He played here in the studio.

Speaker 10 (47:43):
Ahead maybees maybe yes, maybe no, I'm.

Speaker 5 (47:46):
Almost maybes right, I don't know an image.

Speaker 10 (47:48):
Almost movies take it, take it or leave it?

Speaker 5 (47:51):
Take it from me?

Speaker 10 (47:54):
Okay? And then Dirt. I know that one is by Dirt.

Speaker 5 (47:57):
Yeah. So yeah, we got got Luke to sign it too.

Speaker 10 (48:00):
Why would I have Lukes on.

Speaker 5 (48:03):
Together?

Speaker 10 (48:04):
Oh Luke's on that song. Dang, but he wasn't part
of the set list.

Speaker 5 (48:07):
Yeah, anyway, And.

Speaker 12 (48:08):
It says Saturday, May thirteenth, everything like it has every sode.

Speaker 10 (48:11):
That's what I'm saying.

Speaker 5 (48:11):
You can turn all that off too, Just do it
for every show. Just purnounce this.

Speaker 10 (48:14):
So this is legit, Okay. So if anybody, I'm gonna
put it up for sale on eBay.

Speaker 5 (48:18):
Okay, thank you?

Speaker 9 (48:19):
How did they find you?

Speaker 5 (48:21):
Don't worry about it. I sharing that crap.

Speaker 1 (48:25):

Speaker 3 (48:28):
Number two, y'all remember Doctor Lourie.

Speaker 4 (48:31):
She came on and evaluated Bobby's Beanie Baby collection that
he purchased from Ray and Bay, but also she came
on to evaluate Mikey's Pokemon collection.

Speaker 3 (48:40):
This time, she came on this week.

Speaker 4 (48:42):
To evaluate some of Eddie's things that he found at
his house that he.

Speaker 3 (48:45):
Thought was so valuable.

Speaker 4 (48:47):
And I just have to say I didn't see these
being valuable.

Speaker 3 (48:52):
And you'll get the outcome of what doctor Lori thinks.

Speaker 4 (48:54):
But I'm just I don't understand Eddie's logic and bringing
these items in and thinking these need to be evaluated.

Speaker 1 (49:01):
Number two on the bow, Doctor Lurie, my favorite PhD
in antique praising, my favorite of all the PhDs and
antiqua praising.

Speaker 15 (49:10):
Thank you.

Speaker 5 (49:11):
That's right, Doctor Lorry. How the heck are you?

Speaker 7 (49:13):
How the heck are you? You're the busy, busy one
running everywhere, You're everywhere.

Speaker 5 (49:17):
You're so good. That's because I'm not good, and I
just got to keep running, Doctor Lorrie. Do you travel
a lot and do shows where people just bring you
stuff and say how much is this worth? And do
they leave disappointed or happy? If you had to pick,
because everybody's got something that they think's worth a lot
of money.

Speaker 7 (49:32):
Some years ago I came up with the I'll break
some hearts, I'll make some millionaires, and that's really true.
Some people are happy and some people are like, oh
my gosh, really.

Speaker 5 (49:41):
You know, have you ever found something worth a million dollars?

Speaker 7 (49:45):
Yes, multimillions. Yes, things. Actually what I must know, uh,
tiffany lamp floor lamp, big impression is painting by Renoir.
What yeah, yeah, yeah, it's serious.

Speaker 13 (50:01):
Let's see what.

Speaker 2 (50:02):
Else was there.

Speaker 7 (50:03):
And people drive, you know, people are drivers, you know that,
you know, so they'll drive. Like I was appearing in
Virginia and this person with the Renois painting, who everybody
said wasn't the real deal, drove from Rhode Island to
make sure I saw it. So that's maybe ten ten hours.
So that was a driver. But a lot of cool
stuff in great American stories, you know, because I tour

(50:24):
mainly nationally, and fantastic stories of people who have found
wonderful things, and I talk about, you know, all different ones,
the same ones tend to come to my mind. Like
the moon boot from Apollo thirteen that went to the
moon with Apollo thirteen, that came up one of my events. Washington. Oh,

(50:45):
that was about ten thousand dollars. It was only the right,
the left had already been sold. That was kind of cool.
George Washington's wallet, the wallet that George Washington had on
this person when he crossed the Delaware that that was
owned by you know, the typical sort of two little
old ladies. That was a fantastic piece of American history.

(51:06):
Came into one of my events when I was doing
an event at a senior center.

Speaker 5 (51:09):
How do you prove though that's Washington's wallet, Is a
picture of his kid in there or what?

Speaker 7 (51:15):
Well, there are a couple of things that were identifying marks,
not only a monogram but also a freemason's a symbol
and the interior. It was known that he would commission
pieces from this bindery near Cambridge, near Cambridge, England, and
it had this what's called what's called a marbleizing interior,

(51:35):
and it was it was traced through the provenance of
this these women's family, uh, going back to Washington. So
they were related. So that's how that actually worked out.
It was serious. That was serious. So I've seen some
fantastic pieces, and I've seen some cool stuff, you know,
more contemporary cool stuff like barbies and Pokemon cards and

(51:55):
uh you know, uh Fred flynn'stone animation, uh sells and
such like that.

Speaker 5 (52:02):
So we're going to get to Eddie' stuff because Eddi's
the one who's requested this meeting with doctor Lourie because
he thinks he is hi, Doctor Laurie. Very cool stuff himself.
But one final question for me, just on this subject.
Has anyone brought you anything where they were for sure?
This thing is worth tens of twenties of fifty thousand dollars.
And you're like, bro, that ain't even that that's a nickel.

Speaker 7 (52:24):
Ye're like, waw wha. Yes, it was a Ball Canning
jar about this big by of course, the Ball Canning Company.
Everybody knows it. You know, you can the peaches in
it every year, this kind of deal. And they brought
it in and on the front of it it said
Ball eighteen fifty eight. And I explained what the jar
was as a glass jar, and I said it's worth

(52:44):
about eight dollars. And this man screamed at me from
in the raptors of this theater, screaming that I was
wrong and it was really valuable and it was very old.
And I said, it's not from eighteen fifty eight. All
of them say eighteen fifty eight. He was mad. He
was mad, but hey, like I said, break some march
makes a millionaires.

Speaker 5 (53:04):
Let me say this about doctor Lorie. You can see
her on the new Netflix series The King of Collectibles
as it popped up for you guys, and ye see it. Yeah,
So it's Prettist by Payton Manning. It's up now on
Netflix and she's doing there what she does here. It's
her expertise on history, background and the value of well
today's hot collectibles that you're making it once you're in
the Netflix show, Doctor Lorie.

Speaker 7 (53:25):
Well, thanks, let's hope after twenty five years I've maken it.
But it's a lot of fun. It's a great show.
There's some cool things and some cool collectors, you know,
Drake and Mike Tyson and Peyton Manning and a lot
of folks who are showing you their collections but also
to see what you know you might have hiding in
the basement. So that's where I come in. And of

(53:46):
course with Robbie Davis Senior and Junior they're nice guys too,
and Ken Golden and the whole crew at Golden's Auctions.
It's it's been a great time and I think the
show is going to have a long lifespan, I hope,
and I've been enjoyed contributing to it.

Speaker 5 (54:01):
So well, let's get to the show's money, Eddie. So
why what happened with you? Where you thought you had something.

Speaker 6 (54:08):
Okay, So I mean it goes back to the conversation
we were having about not having a retirement.

Speaker 5 (54:13):
And by the way, doctor Lloyd, just so you know
the basis of this, Eddie always talked about he can't
wait to retire. It's his dream in life to retire.
And I said, well, how much do you have in
like your four oh one k because our company does that.
He's like none. I said, well how much do you have? Say?
He goes none, So he wants to retire, yet he's
putting no money back for retirement, and so that made him,
my guess, go dig for stuff.

Speaker 8 (54:31):
Down to the basement. Doctor Lory said, got it?

Speaker 5 (54:33):
Got it?

Speaker 7 (54:33):
Okay, Okay, well not a bad idea. A lot of
people have the same agenda, you know, because it's hard
to just say for retirement. But again, yeah, there can
be you know, I've seen fabulous things come out of
the attic rafters. So what have you got?

Speaker 8 (54:47):
Okay?

Speaker 6 (54:48):
So I have a memory box that I've had since
I moved out of my house when I was nineteen
years old. You've had a memory a memory box, and
it's come with me from my hometown in South Texas.
I moved it to college to my first house. My
second guy married, I got four kids. Now I still
have that box.

Speaker 7 (55:05):
So that's why you don't have a retirement. You got
four kids.

Speaker 8 (55:08):
Thank you, doctor Lory. That's what I've been trying to
tell them.

Speaker 9 (55:10):
But he also gloffs and gambles everyone else.

Speaker 7 (55:14):
I didn't know that part. But he has four kids,
you know.

Speaker 6 (55:18):
So I dug in the memory box and I was like,
oh my gosh, I found some good stuff old. She's
talking about that ball, you know, jar or whatever that
somebody yelled at her about. But I have old old
bottles and these are like from Tomas Edison days.

Speaker 5 (55:31):
Okay, I okay, I have Okay, can I pull one up,
doctor Lory?

Speaker 7 (55:35):
Okay.

Speaker 5 (55:35):
So there's a really small one here. It says Eiffel Tower,
Fruit Juices. It is probably five inches tall. It's a
seat through glass. It's a clear one here. So what
do you think about this one?

Speaker 7 (55:49):
Hey, Bobby? Does the glass have a little bit of
like a tinge of gray or a tinge of purple?

Speaker 5 (55:56):
I'm pretty colorblind, but yes, I would say it has
a little bit would you? Would you guys say it
as tinger purple?

Speaker 10 (56:00):
Yeah, blue.

Speaker 7 (56:02):
Yeah.

Speaker 5 (56:02):
Yeah.

Speaker 7 (56:03):
That typically indicates that there's a little bit of lead
content in it. And lead content it's very typical with
glass making, particularly in the early part of the twentieth century.
Here's what they look for. They look for a seam,
they look for a particular type of top which that
particular bottle has, and they also look for famous manufacturers.

(56:24):
And usually the name is going to be right in
the bottle. It's going to be different from other colored bottles,
which we also see here in this memory box collection
of Eddie's. And I would say value on that bottle
is going to be about fifteen bucks, So that's like
thirty seconds of your retirement.

Speaker 5 (56:40):
Hey, hey, that's okay, that's a story, Eddie.

Speaker 8 (56:44):
I mean I thought it'd be like hundred really.

Speaker 5 (56:47):
Okay, okay, okay, we have but we have four bottles
on top.

Speaker 8 (56:49):
That's right.

Speaker 5 (56:50):
So let's do another bottle. Okay, this one is a
little more round, it's a little more which that's blue
or green? Look at that color a little more blue,
and on it it says, what.

Speaker 6 (56:58):
Do you know bottles like I had lots of bottles
in the memory box. I know just gral no, no, no,
I've had them since I was like, do you think
there were something?

Speaker 8 (57:06):
Yeah, they're old. It has to be worth something.

Speaker 7 (57:07):
Okay, so you dug them up in South Texas? Is
that the deal? No, you were a kid.

Speaker 8 (57:12):
I'll be honest with you, doctor Laurie.

Speaker 6 (57:13):
I don't know how I got these, but they were
in my room when I was growing up, so I
just took it, showed.

Speaker 5 (57:18):
Up this Rumford chemical works. What do you think about
this one? Doctor Lourie Eddie thinks it's very worthwhile.

Speaker 7 (57:23):
Blue bottle. Blue bottles usually relate to a pot the carry,
so usually they had some kind of drug or some
kind of chemical in them, so be careful around them,
don't stick your finger down into it. Kind of deal.
But that can be more valuable a little bit more
so instead of thirty seconds for your retirement, you're probably
looking at two and a half minutes. That's about fifty bucks.

Speaker 5 (57:43):
Wow sho okay, okay, so far you have sixty five dollars.
I'm sure that's we have two more bottles. I know, dude,
it's like one more bottle. No, you have two bottles.
Is that a bottle or vase?

Speaker 8 (57:57):
That's a bottle?

Speaker 5 (57:57):
Okay, here we go this is a bottle. This bottle
is a little, bigger, little it's clear Nathan Wood and
Sun Proproprietors, Portland, Maine.

Speaker 7 (58:06):
Okay, also apothecary bottle. Notice it has a long body
and a short neck, and that's typically an apothecary bottle
that they're gonna mix some kind of chemical together. I
would say, value on that bottle. And there's no chips
on the top of these bottles, right, because they would
use a quirk. Okay, big condition, Okay, thank you, Bobby.
Value on that bottle is about fifty bucks.

Speaker 2 (58:30):
That's amazing.

Speaker 5 (58:31):
One hundred and fifteen bucks. Let's go, Bobby.

Speaker 7 (58:33):
Do you not care about bottles? Are you just like
why bottles?

Speaker 5 (58:36):
Well, it's like they're glass bottles, Like, who gives a crap.

Speaker 7 (58:40):
There's a lot of them out there, which is why
the values are kind of low.

Speaker 5 (58:44):
Okay, so far, Eddie, yours your most prized possessions. You
have one hundred and fifteen dollars.

Speaker 9 (58:48):
Wait, so I have a question about one hundred and
fifteen Like, I get that that's the value, but is
Eddie going to be able to sell these to anybody?

Speaker 15 (58:54):
Oh?

Speaker 7 (58:54):
Yeah, that's a good question. Amy there's a lot of
them out there, so a lot of people are trying
to sell them. But that's the value, and it's based
on retail sales records. That's a similar bottle like that
has sold recently.

Speaker 5 (59:06):
Sell it.

Speaker 7 (59:07):
You can sell them, but that's a smart question.

Speaker 11 (59:09):
The marketplace.

Speaker 5 (59:09):
Yeah, but where would you sell them?

Speaker 9 (59:11):
Yeah?

Speaker 7 (59:12):
Probably eBay with everybody else. You know, if you put
them on like Facebook marketplace, typically people want them for
like nothing. Oh, I'll take them off your hands, like
they're doing you a favor.

Speaker 8 (59:21):
I know a guy that does eBay business.

Speaker 10 (59:23):
That's me.

Speaker 5 (59:23):
Yeah, we'll sell it. Yeah, Okay, here's what we have,
doctor Laurie.

Speaker 7 (59:26):
A lot of people do an eBay business.

Speaker 5 (59:27):
We're gonna come back in a second. We're going to
do the big bottle and the one that Eddie says
is his money maker because it's literally money. It's some
Oh yeah, how would you describe that bones Well, there's
an American Indian on the front. There's a buffalo. I
don't know. It's a big old fat coin that looks
like it could be where it's a Eddie. It's time
for the big two.

Speaker 8 (59:46):
Come on.

Speaker 5 (59:46):
Doctor Lourie is on. She's about to praise the crap
out of a couple of things. Now, Eddie brought in
these old bottles. He thought we were worth a whole
lot of money. So far, I will say for three bottles,
one hundred and fifteen bucks total. That's pretty good.

Speaker 8 (59:58):
It doesn't look like much.

Speaker 5 (59:59):
Yeah, but I think you thought you're gonna get a
lot more. But that's okay.

Speaker 8 (01:00:01):
Well, well here, let me just tell you where my
mind shifting now.

Speaker 6 (01:00:03):
Now, whatever I make today, I am going to put
that in my four oh one k and I'm starting
my retirement today.

Speaker 5 (01:00:10):
Okay. Well, you have one hundred and fifteen dollars so far.

Speaker 8 (01:00:13):
That's a start.

Speaker 5 (01:00:13):
It's time for the two dose twah money makers, all right.
An he thinks he can make a thousand bucks out
of this, Okay, doctor Laurie, So you're gonna put your
PhD skills to use here. It looks like a green
bottle to me. I don't know what the heck to says,
but it's bigger than all the other ones.

Speaker 7 (01:00:31):
Okay. And there's no marking on that bottle, correct.

Speaker 5 (01:00:35):
Yeah, it says ep Kepler. Wait on the top, it
says Kepler.

Speaker 7 (01:00:38):
Green bottles and brown bottles are trying to prevent the
light to get to the chemical. That chemical was probably
in fact in liquid form. So usually when they have
bottles like that, you're trying to make sure that they
don't get the sunlight to go through them when they're
sitting up on a shelf, usually in a pharmacy type
of environment. Would you say that that bottle is six

(01:00:59):
inches tall or about eight inches tall?

Speaker 5 (01:01:01):
Well, hold on, that's okay, what.

Speaker 8 (01:01:05):
Interesting way of measured?

Speaker 5 (01:01:07):
I just lowered it.

Speaker 10 (01:01:09):
It's just getting the tape measure.

Speaker 5 (01:01:10):
Yes, I'd say it's about eight inches tall.

Speaker 7 (01:01:13):
Okay, So that piece dates to about nineteen fifteen to
about nineteen twenty, and value on it is about fifty dollars.

Speaker 6 (01:01:20):
That's okay, we're adding money up, guys.

Speaker 12 (01:01:23):
Well you said it was that was a big bottle.
I thought that was gonna be big, dude.

Speaker 7 (01:01:26):
Yeah, you're if it had been six inches okay, so
forty five dollars.

Speaker 5 (01:01:30):
Oh, hey, seize matters.

Speaker 10 (01:01:34):
Okay, here we go.

Speaker 5 (01:01:35):
The final thing. He wanted me to save this to
the very end because he thinks this you're alone, that's
gonna be a thousand can put him through retirement.

Speaker 10 (01:01:41):
Is that heavy? Bobby like does it feel.

Speaker 5 (01:01:43):
Yeah, it's a pretty heavy coin. It's bigger than a quarter.

Speaker 8 (01:01:45):
Bounce that on the table. Listen to that.

Speaker 5 (01:01:49):
Why did it right?

Speaker 10 (01:01:50):
I'm just kidding you.

Speaker 9 (01:01:52):
Right, did you say there's a buffalo on.

Speaker 5 (01:01:54):
The back side? Yes? Okay, doctor Lory, what is this
you say?

Speaker 7 (01:01:58):
I love your scientific.

Speaker 2 (01:01:59):
Methods, guys.

Speaker 1 (01:02:00):
Yeah, yeah, bouncing on the table.

Speaker 7 (01:02:02):
Listen to what it sounds like. Well, your ears is
gonna sound different from somebody else.

Speaker 16 (01:02:05):
It's the air.

Speaker 5 (01:02:05):
Okay.

Speaker 7 (01:02:06):
So it's about the size of a quarter, and it
should say point nine nine nine silver on it.

Speaker 5 (01:02:11):
Yes, point it says, uh nine nine nine fine silver.

Speaker 7 (01:02:15):
Oh okay, So let's explain a little bit. First of all,
one side has the Native American Indian the head in profile.
The other side has the buffalo the bison, also in profile,
typical of coinage made in the early part of the
twentieth century. This particular piece is actually a silver piece, right,

(01:02:36):
So nine hundred and twenty five parts. If it said
point nine two five, that would mean it's sterling. Yours
is better than sterling.

Speaker 5 (01:02:46):
Sterling.

Speaker 7 (01:02:47):
You okay, okay, we're getting You're very excited.

Speaker 8 (01:02:50):
We're good.

Speaker 7 (01:02:50):
Now what you have is, of course the weight of
this particular piece, which is almost pure silver, because if
it were point, you know, one thousand, it would be
pure silver.

Speaker 6 (01:02:59):
Doctor heard it when he bounced on the table, right, yeah,
I heard it.

Speaker 7 (01:03:02):
I heard the bounce on the table. That's not my
scientific method, that's kid. In terms of appraising, that's going
to be a very you know, low low on the
total pole. In terms of value. However, this particular piece
is almost pure silver. So one tryounce of pure silver
has a value today of if you look at the

(01:03:24):
silver markets, about thirty five dollars.

Speaker 10 (01:03:27):
Well, how much is the coin?

Speaker 15 (01:03:28):
Oh?

Speaker 11 (01:03:28):
No, no, no, the.

Speaker 7 (01:03:29):
Coin is worth about thirty five dollars.

Speaker 8 (01:03:32):
No, no, the actual coin.

Speaker 5 (01:03:33):
Yeah, let me do this again.

Speaker 10 (01:03:35):
Did you not hear you?

Speaker 5 (01:03:36):
Hear that again?

Speaker 7 (01:03:37):
I heard that again?

Speaker 6 (01:03:38):
Okay, So what she's saying is, basically, it doesn't matter
what's on the coin, it's just the price of silver.

Speaker 7 (01:03:43):
They actually will create those coins looking like old coins.
They're not coins. It's not, of course, legal tender. It
just is worth the value of silver. And today's silver
market is not all that high. So when the silver
market goes up, that piece becomes more valuable. I would
hold on to it because it is almost pure silver.

Speaker 10 (01:04:03):
Eddie.

Speaker 5 (01:04:03):
It looks like you're a little short two hundred bucks.

Speaker 8 (01:04:07):
I'm not going to be able to retire today.

Speaker 5 (01:04:09):
Overall.

Speaker 7 (01:04:10):
What did you do today?

Speaker 5 (01:04:11):
But someday, Eddie, I'm not so sure about that, Eddie.
What do you think realistically? Coming in that you thought
all of these bottles in this coin would get you?

Speaker 6 (01:04:21):
Realistically, I thought I would get at least five hundred dollars.
I mean I wanted to be sound exciting like I
eat thousands, but I mean the bottles. I didn't think
they'd beat thousand dollars bottles. But if I can get
out of here with five hundred dollars, I was like,
this is going to start my road to retirement.

Speaker 5 (01:04:34):
I mean, I'll put the one hundred dollars in retirement.
But you're going to gamble it. We know you're going
to DraftKings if you sell the stuff and you're gonna
put it on a game.

Speaker 8 (01:04:40):
There are some golf tournaments this weekend.

Speaker 7 (01:04:42):
Yes, you know, I want to just I want to
give Eddie his due, because first of all, I did
a praise one bottle that actually was worth sixty thousand dollars.

Speaker 5 (01:04:51):
What did that look like?

Speaker 7 (01:04:53):
Some of these bottles could be that. That bottle I'm
talking about goes all the way back to the late
seventeen hundreds and it was called the bitterers bottle. It
was a very elongated bottle and it was actually used
for bidders, which was a type of actual liquid that
would be traded in the colonial American time. Your bottles
are all too young and very cold.

Speaker 5 (01:05:14):
Well, let me say this. I know it's a sad
day for you. Yeah, yeah, you can take your bottles.

Speaker 7 (01:05:19):
There's more than he had, Bobby.

Speaker 5 (01:05:21):
Yeah, put him back in your sweet cherish memory box
with your butterfly.

Speaker 8 (01:05:26):
I might just keep him here.

Speaker 5 (01:05:27):
Actually, yeah, they'll get stolen for sure. Okay, let's let
me say this about doctor Laurie. Visit her website doctor
Laurie V dot com, l O r I the Letter
v dot com. Follow her on Instagram at doctor Lori V.
You can watch your on Netflix, and she's just killing
it for us as always. She praised Mike's Beanie babies

(01:05:48):
for SI a couple thousand bucks. No, no, Pokemon, I
have beanie babies. So you guys both more than that car. Yeah,
and I'm not gonna say what it is yet. But
I had doctor Lory on on they we'll reveal it.
I had her on with me once in my house
and I'm just gonna say, over ten thousand dollars.

Speaker 8 (01:06:05):
Oh my gosh, that's all.

Speaker 5 (01:06:07):
I'm gonna say. Am I going to say any more
than that? I said, Hey, what's this? I'm just gonna
say over It could be a lot more, it could
be a little something over ten thousand dollars that I
didn't know. I was trying to throw it away.

Speaker 10 (01:06:16):
You have all the luck in the world.

Speaker 5 (01:06:17):
I was gonna throw it away, and she was like,
wouldn't do that at you don't worry about it.

Speaker 7 (01:06:23):
There's a lot of cool stuff out there, you know,
your old toys, your barbiees, this that collectible mom stuff
you know. I mean, I'm here to help you.

Speaker 9 (01:06:31):
What about Madame Alexander Dolls.

Speaker 7 (01:06:33):
Yes, Madame Alexander Doll. Sure, okay, yeah, there's lots of
value in those.

Speaker 9 (01:06:39):
Okay, okay, but that's what I have a lot of
Well we got to see them.

Speaker 5 (01:06:45):
Okay, okay, next next time. Okay. There she is our
friend and yours, doctor doctor Laurry.

Speaker 7 (01:06:51):
Thank you, thanks guys, Bye Bobby, by bye. Guys.

Speaker 5 (01:06:54):
Have a great day. It does seem though generally we
have a lot of hope. And then doctor Laurie is
smart and tells us you're not as smart as you think. Yeah, us,
because we come in we're like this, you gotta go
ten million, and then the next thing, you know, it's
worth thirty dollars.

Speaker 8 (01:07:11):
I mean, that's not what I thought.

Speaker 5 (01:07:13):
And he's going he thought I was gonna be word
of the whole line. I thought that was from the
Civil War and I was rooting for it too.

Speaker 6 (01:07:18):
That's a buffalo nickel man, but it's like five times
the size.

Speaker 5 (01:07:22):
That showbiz baby. Yeah, that's what we say. And guess what,
you still broke. But she did took it, took her
to my house on camera and she was like, I'm
not gonna say, but it was over ten thousand dollars
and I was trying to throw it away and my
wife was like, you should do that away. I don't
think and then I was like, oh and then we
and it was over Wait wait, wait is it a bottle?

(01:07:43):
It is? Actually yeah.

Speaker 1 (01:07:47):
It's the best bits of the week with Morgan. Number two.

Speaker 3 (01:07:55):
We had Dan and Shay on the show this week.

Speaker 4 (01:07:57):
They're always fun to talk to you because they're just
so open about everything.

Speaker 3 (01:08:00):
They talked about what in studio means.

Speaker 4 (01:08:02):
To them, like what does that actually look like when
an artist says I'm in studio working on new music.

Speaker 3 (01:08:06):
They also answered some uncomfortable questions.

Speaker 4 (01:08:08):
And more importantly, y'all, they revealed a collaboration that they wanted.

Speaker 3 (01:08:13):
To happen and it didn't.

Speaker 4 (01:08:14):
And I'm so bummed that it didn't happen because this
would have been epic. So here's the interview right now
with Dan and Shay and Bobby number one.

Speaker 1 (01:08:23):
So Bobby Bones Show Interviews.

Speaker 5 (01:08:26):
In case you didn't know, Dan and Shaye Grammy Award
winning ACM all the number ones, their brothers, their cousins,
their friends. The first two aren't true, but they're massive.
And here they are the Friday Morning Conversation with Dan
and Shae. Gentlemen, welcome back to the show. What's going on?

Speaker 2 (01:08:48):
Good to see you dude, Good to see you two.

Speaker 5 (01:08:50):
I'm doing pretty good, pretty pretty good. Okay, We've got
a lot to talk about. Number one. The song's about
to go number one here you So I want to
talk about it first because I want to play it
kind of right off the bat. Here, So I don't
know what. There's this new thing with songs where everybody's
naming on like really simple generic terms, like there's a
song called if, there's a song called from there's a

(01:09:11):
show called the Whenever you name a song, you like,
that's a commitment to a pretty broad generic word. Do
you worry about that at all? Or do you try
to find something more specific in the title.

Speaker 2 (01:09:22):
Yeah, we've run.

Speaker 16 (01:09:22):
Out of good idea is we've done we've done nothing
like you and done other things.

Speaker 2 (01:09:26):
It's like, why not just you?

Speaker 5 (01:09:27):
That's a great thing one.

Speaker 16 (01:09:28):
I think originally we were going to call the song
you and only you, but I think whenever I wrote
it out, I was like, it's simpler to just go
wiow you you and yeah.

Speaker 4 (01:09:37):
Man.

Speaker 2 (01:09:37):
It's like love songs. That kind of stuff never goes
out of style.

Speaker 16 (01:09:40):
People are always going to be looking for songs about love, heartbreak, life,
and it's one of those songs that was was special
to us when we wrote it, and you know, we
put it out on the album. That wasn't the first
single that came out on the album, but it was
the one that the fans raised their hands and said.

Speaker 2 (01:09:53):
This is one of our favorites. We saw people. You know,
I feel like this has kind of been the story
of our career seeing people.

Speaker 16 (01:09:58):
That's how we choose singles. It's like see people using
the song and their wedding engagements. Prom Posals is now
a thing that wasn't a thing.

Speaker 2 (01:10:06):
That's how old I am. Back in the day when
we were kids, they were not prom posals.

Speaker 16 (01:10:10):
But kids go all out now and the song has
been a part a lot of promposals.

Speaker 5 (01:10:14):
So I like single. Yeah, there's like the melody of
the hook is also like a Shay run at the
same time, and that act. You know, there's some there's
some like strategy involved in the writing of that. You
like that that is what catches me to that song, Like,
that's the texture of it is in that hook. Shay
talk about the hook to that song and how hard

(01:10:35):
it is to sing every single time.

Speaker 15 (01:10:37):
You know, it's a good idea to have all these
cool melodies and high melodies until you have to sing
them every night.

Speaker 13 (01:10:42):
And I'm just like, why why do we do that?
What we're thinking? But I think it's interesting though.

Speaker 15 (01:10:47):
I'm talking about the one word titles and things like that,
and over time we've realized.

Speaker 13 (01:10:52):
Man.

Speaker 15 (01:10:52):
It's like when you try to come up with all
these complicated words and you're trying to think of new words,
It's like, we have a language. We have one language
that I can speak. I can only I can barely
speak one language. And I think it's important to not
get too caught up in the all right, we got
to think of a word that no one's ever thought
of before.

Speaker 13 (01:11:09):
That's not going to happen. We know all the words
are out there, and I think.

Speaker 15 (01:11:12):
It's important to you know, things like you're talking about
the stickiness of that chorus of like, all right, what
makes me feel that emotion?

Speaker 13 (01:11:19):
How do I portray that I don't need necessarily a
new word.

Speaker 15 (01:11:22):
We need a new way of kind of expressing ourselves
as humans. And this is a love style. This song
is kind of like a speechless part too. You know,
this is a speechless with that moment of our wives
walking down the aisle, and you know that moment of
the wedding night, and this.

Speaker 13 (01:11:36):
Is kind of a continuation of that.

Speaker 15 (01:11:38):
This is beyond, This is loved every single day in
those little moments, and I just I love it for that,
and I feel like it has a lot of that
stickiness as far.

Speaker 13 (01:11:46):
Like you you know A and I think that's very
very hooky.

Speaker 15 (01:11:51):
But the yeah, it's got very much of a speechless
I'm singing because I'm sitting down on my.

Speaker 13 (01:11:57):
Piano and I feel like I'm about to play as
you know.

Speaker 5 (01:12:00):
Can you hear it or are you dialed into ears?

Speaker 13 (01:12:03):
I'm not dialed that. I don't know who you look?

Speaker 5 (01:12:05):
Yeah, you get hit it again? Yeah through zoom. It
sounds like a cal cassio, like one of those kids.
But now we can tell that you're doing it.

Speaker 10 (01:12:13):
Sure they are.

Speaker 5 (01:12:14):
They have nine total, number one about to be ten.
Ask a question to you, Dan, I'll go with you.
It's been ten years since you guys formed Dan and
Shae twenty thirteen. What would you say is the defining
moment for you guys as a duo if you look
back and you're like, this is the one not that
started it, but that really cemented it. As we've got
success and we're going to be here for a while.

Speaker 15 (01:12:34):
You know.

Speaker 16 (01:12:34):
Recently, Shae and I are in just a whole new place,
brand new outlook on our entire career. Next time, maybe
when we come back to talk about the new music,
it'll be a different story. We've had some amazing, amazing
moments along our journey, you know, recently while we were
making this album that is yet to be announced. He
has to come out. But in terms of stuff that's
that's been out there to the public, I would have

(01:12:54):
to say when we won our first Grammy maybe, or
we performed on that Grammy, we did Tequila.

Speaker 2 (01:13:02):
That was a moment.

Speaker 16 (01:13:02):
You know, we'd had you know, success up till then,
we'd had two albums, We've been grinding it out on
the road, playing clubs, theaters, doing that thing, and that
was kind of the moment where I think our music
was exposed to the masses.

Speaker 12 (01:13:14):
You know.

Speaker 16 (01:13:14):
Obviously we'd had a few hits before that, but that
was really the one that I don't know, it was
just something different about it.

Speaker 2 (01:13:20):
I mean, we stood on that stage at the Grammy's.
You've been there. It's like insanely nerve wracking.

Speaker 16 (01:13:25):
They for some reason put us out in the middle
of the arena on the little circular disc.

Speaker 2 (01:13:28):
I guess that's like where they put new and up
and coming performers.

Speaker 16 (01:13:31):
But still you're surrounded by Beyonce and Jay Z and
all these mega superstars and you're trying to sing your
song and you go on and you can hear your
heart beating through the microphone. It's kind of kind of crazy,
but that was that was a big moment for us,
and that I think sent things into a new place.

Speaker 2 (01:13:46):
You know, that song kicked off the self titled album.

Speaker 16 (01:13:49):
You know, from there we had Speechless and you know
a couple of other songs that I think were the
things that sort of propelled us into.

Speaker 2 (01:13:54):
Arenas and changed our world.

Speaker 9 (01:13:56):
Man.

Speaker 16 (01:13:56):
But there have been so many great milestones, and it's
crazy to say it's we've known you for ten years.

Speaker 2 (01:14:01):
Man. You guys were the first people to play our
music on the radio. I remember I remember getting a call.

Speaker 16 (01:14:06):
Nada texted us or called us and said we're gonna
be playing nineteen U and Me on the show. And
we were out in Bellevue before Bellevue was Bellevue in Tennessee,
and we went out and blew the speakers out of
Shay's jeep whenever you guys played that. So it's crazy
to still be doing it, man, and grateful for all
the sport you guys have shown us along the way.

Speaker 5 (01:14:23):
And I've received two percent of all Dana Sha, since
this is great. I haven't talked about that, but it's
been cool. It's a deal we made way early on
that much money. Yeah, yeah, I'm done pretty good. Hey, Shaye,
let me ask you this. We talked about ten years.
Did your label or management throw you guys a big
ten year anniversary party? Because I asked this because we
just did ten years here too. We did get jack crap.
So did anything happen for you guys being together ten
years and having success?

Speaker 15 (01:14:45):
You know, we got this really really special reminder via
text message that would have been ten years.

Speaker 13 (01:14:51):
I was like, hey, to see you guys that you've
been together for ten years. Yeah, we knew that.

Speaker 7 (01:14:56):
We knew that.

Speaker 13 (01:14:56):
We've been talking about it. No party already yet, Yeah,
we'll see. Maybe they're saving it yet even be optimistic. Yeah, yeah,
they're saving it for eleven because ten's just sober. You
guys just did ten, so that'd be pretty rid of
us to do it right after Dan.

Speaker 5 (01:15:13):
You guys posted back in March you were going on
kind of a social media we'll call it a detox,
like you're going to step away for a little bit. Uh,
why did you guys do that?

Speaker 16 (01:15:21):
And I, you know, it's probably a longer conversation and
I'll come up with the house we can talk about it.
But it's, uh, you know, social media is it's a
necessary evil in our business. It's you know, I'm not
going to say it hasn't helped our career. It's been
a great way for us to connect with fans and
a great way for a lot of people to discover
our music that may not have otherwise discovered it. I think,
you know, in twenty twenty one, when we were doing

(01:15:43):
our first arena headlining tour, I kind of got to
a dark place, you know, got a little carried away,
and my focus was, you know, not maybe not where
it should have been, you know, on music and creating
music and enjoying the ride and enjoying where we were
enjoying that moment. And I think I was too heavy
on the social media element. It was like, we sold
out Madison Square Garden. Okay, I need to make an
Instagram video to let everybody know we sold it out.

Speaker 2 (01:16:04):
I mean, it's it's part of the thing.

Speaker 16 (01:16:06):
But I think I got to a really really bad
place there and I was like, you know.

Speaker 2 (01:16:10):
On the on the brink of like do I want
to do this anymore? Do I want to make music?

Speaker 16 (01:16:14):
And you know, I brought myself back, you know, to
the basics and said, like, the reason that I'm happy,
the reason that you know, I've been able to do
this for so long, is because I love making music.
I love being in the room with my best friend,
you know, sitting there talking, talking about life and writing songs.
And we got back to that, you know, on this
new project that we've been working on. But I think

(01:16:34):
stepping away from social media, you know, especially like at
the tail end of an album cycle, allowing ourselves to
really focus on the music. This was the first time
in almost ten years that we weren't on the road.
You know, a majority of the year we've been off
the road. So it was like, you know what, I'm
going to step away, focus on the thing that truly
makes me happy.

Speaker 2 (01:16:49):
And you know, we'll dabble back into social media whenever
we start rolling out the new music.

Speaker 16 (01:16:53):
But I think if we fill our cup so high
with the things that we love, which is right in
creating and recording, make music, going out and playing shows,
then I think the social media, the stuff that we
have to do on social media won't be as daunting,
But I think I got to a place where it
fully consumed my life and I became a person that
that I didn't want to be, so I stepped away
from it for a second. I think I've, you know,

(01:17:14):
gotten a healthy relationship with social media. It's it's a
crazy thing, man, It'll it'll take you to wild places.

Speaker 5 (01:17:19):
You're talking about working on a new record or new music. Now,
when people say they're in the studio all the time,
what I mean? I get it, you're like in a room,
But what do you do all day? Help help me,
help our listeners? What does that mean? You're in a
studio all day?

Speaker 13 (01:17:34):
I can tell you what Dan does all day. He
just works. The man will go back and work on
a vocal that might not even be an album vocal,
He'll spend six hours on it. Is dedicated.

Speaker 16 (01:17:46):
Man.

Speaker 15 (01:17:46):
This last you know, making this album that we've got
coming has been the most fun just kind of season,
I guess, of our lives. I can say that I
feel like for both of us because you know that social.

Speaker 13 (01:18:00):
Media part of it, and kind of being a little more.

Speaker 15 (01:18:02):
Detached from that, and being a little in touch with
reality with our family and just kind of living life
in a healthy place.

Speaker 13 (01:18:09):
I think it's been the funnest that ever had making music.
I mean, Dan and I have never really.

Speaker 15 (01:18:13):
Had the time, besides our very first album, to make
an actual record and make a cohesive project of stuff
that we're going through that we've experienced, and we actually
got to do that on this project. You know, you
usually have three or four months to put together an album,
and I don't want to say throw it together, obviously,
you still try to take your time, and we've always done.

Speaker 13 (01:18:33):
That to the best that we could.

Speaker 15 (01:18:34):
But this is the very first time we've kind of
sat down from start to finish and been like, all right,
let's just get in there and have some fun and
write what we want to write. And it's just it
changed everything for us in our relationship.

Speaker 13 (01:18:46):
The communication that we've had.

Speaker 15 (01:18:48):
And really letting each other know where we're at in
our lives and moving forward has just been We'll go
in to a studio and our work for that day
might be hanging out and talking about you know, going
and playing and Bobby's Idol hour for you know, four
people just like thinking about the things, you know, where
we came from, and I think that makes you appreciate
where you're going and motivates you more of like, all right,

(01:19:10):
let's really dig in and let's our fans deserve our best.
They deserve us at our best. And it's been just
so much fun to.

Speaker 13 (01:19:17):
Motivate each other. And we've been working on our personal lives.

Speaker 15 (01:19:20):
I'm trying to get in shape so I don't have
to stand next to Dan and feel ridiculous.

Speaker 13 (01:19:25):
So I've it's just been a really fun journey of like,
all right, I feel like we're.

Speaker 15 (01:19:28):
Actually working towards something and I'm going to have a
project that our fans can to be proud of and
even if somebody hates it, we can with our entire
heart say this is Dan and Shay and this is
who we are and I'm so damn proud of it
and put it out into the world knowing that that
was the success, was getting it out there, no matter
what it does commercially, you know, hopefully. I think we

(01:19:50):
got some big old hits on there. But it's just
it's more than that. I feel like it's kind of
this it's a new era of what Dan and Shay
has become. And just those studio moments, I've really just
been us being together and living life and writing songs
and recording them and just making that an entire process
and season and integrating with our lives rather than all right,

(01:20:13):
everybody panic.

Speaker 13 (01:20:13):
We have two months to make this album. So it's
been really fun.

Speaker 16 (01:20:16):
Man.

Speaker 15 (01:20:17):
I've never had more fun making music in my whole
life than we are right now.

Speaker 8 (01:20:21):
Yeah.

Speaker 5 (01:20:21):
But what do you do all day? That's my question?

Speaker 13 (01:20:23):
Like, no, not much, not a lot.

Speaker 5 (01:20:26):
I mean, are you singing it though? Are you singing
it five hundred times? Are you playing a guitar part
over and like the granular in a studio all day
when you're making a record because we don't get to
be in there. What happens for fourteen hours? Are you
playing piano parts? Are you going let's try it different? Like,
tell me about what is happening?

Speaker 16 (01:20:46):
Yeah, man, I mean I probably spend a lot of
unnecessary time on things that won't make a single difference
in a single radio spin or stream or sale or anything.
Maybe I do it, you know, to serve myself or
to make myself happy. But there are a lot of things,
you know, For example, we have the luxury of you know,
having the most talented and you know it the most
talented musicians in the entire world, you know, at our

(01:21:08):
fingertips on music wrote the greatest musicians. And you go
to go into a studio a place like Oceanway, you know,
and you track this band and the band you know
comes in they hear your demo or in some cases
on this album, we wrote the songs on an acoustic guitar.

Speaker 2 (01:21:24):
Didn't even have a demo.

Speaker 16 (01:21:24):
We would sing the song in the room for the
session musicians and then would chart it out, you know,
four one sixty five, you know the notes, the sequence
of the chords, figure out the key.

Speaker 2 (01:21:34):
They would go in there and play it. And these
guys are so prolific.

Speaker 16 (01:21:36):
The first take, the first pass is usually the most usable,
most incredible, most brilliant sounding thing you've ever heard in
your life. And then you go, okay, cool, Can we
get a few more options, a few more takes? And
it's easy when you're sitting there drinking your coffee at
ten thirty.

Speaker 2 (01:21:50):
Am at Oceanway and you're like, yeah, just keep giving
me takes.

Speaker 16 (01:21:53):
But all those takes, all those options are so good,
they're all so usable. So when I go home, I
take the session, I clean it up organize it, color
code everything, you know, do my OCD stuff, and then
you go through and for some people it's like, okay, cool,
the band was incredible on the first take.

Speaker 2 (01:22:10):
Not going to touch it.

Speaker 16 (01:22:11):
That's one way I'm doing it, and it's totally all right.
I dig that, I love the way that sounds. But
for me, I'm like, I don't want to leave any magic.
I don't want to leave any stone unturned. So I'll
go through every single instrument, every drum pass, every drum fill,
every bass guitar lick, just in case there's magic on
a take that we're not listening to. You know, there
may be something that happens in the third chorus, some

(01:22:32):
inversion on the bass that happens that takes the song
to a whole new level, at least in my head
it does, or in my heart.

Speaker 2 (01:22:39):
So I just want to go through all.

Speaker 16 (01:22:40):
Those parts, make sure we don't miss anything. And then
when you pick something like that, say you pick a
good bass look in that third chorus, that may change
how you approach, you know, sifting through the piano or
the drums or the guitars. And it's just a never
ending process. But man, I'm so proud of this stuff
we're making. And Shay's vocals. That's when you record a
sing like me, you're gonna find one good take, one

(01:23:02):
usable take in all the passes with Shay. If he
sings ten takes for me, they're all going to be
absolutely incredible. I could use any one of them. So
that makes it even harder to go through his vocals
and say, well, okay, cool, they're all perfect. Which one
is the has the most emotion or the most feeling?
And yeah, it's syllable by syllable by syllable.

Speaker 5 (01:23:21):
That's what I wanted to know right there, because that
is a grueling process of him having to go through it,
you know, and both those guys having to go through
so much. How many hard drives of unreleased Dan and
Shane music exist?

Speaker 2 (01:23:32):
Two right here, You've got one plugged in back here.
There's there's a lot.

Speaker 5 (01:23:37):
There's lots of songs from over the years you've never released,
which obviously the new stuff, but I mean, do you
have so many cut songs that you're just like, well,
we're not going to put this on a record, but
we'll just save it just for posterity or to see
if we die our family can put it out and
keep making money. Absolutely, Yeah, cool.

Speaker 16 (01:23:52):
There's sometimes there's sometimes we'll go back on a song
that we started recording a few years ago. That you know,
a great song always finds a way. Great song will
never go out of style. So if there's something that
you know, we started recording or working on a few
years ago, it may not have made sense for that
last project based on, you know, sonically, how the rest
of that project shaped up.

Speaker 2 (01:24:11):
But as time evolves, you know, it may make sense
where you are in your current moment in life.

Speaker 16 (01:24:15):
So you never never closed the door on any chapter.
We always leave them, leave him rocking. But yeah, if
I died unexpectedly, I'm a little nervous. I need to
like figure out a plan of which songs because man,
there are some songs that.

Speaker 2 (01:24:28):
We definitely don't want released.

Speaker 16 (01:24:30):
You know, some artists who unfortunately pass away, you know,
I know that their are states will go and post
a new one on Spotify every week, and I'm like, man,
I don't know about that, Like, I don't know. There's
some that didn't come out for a reason, and we
should keep it that way. So we hit a system
of checks and balances.

Speaker 2 (01:24:46):
If that ever happened?

Speaker 5 (01:24:47):
That Prince Polka album was weird, right, you know? I Rett,
you wish that never would to come out. One final
question in this segment, but we had Jesse Joe Dillon
over over the house. We're talking to her. She was
one of the writers of ten thousand Hours, and she
tells the story about being in New York and you
letting her hear the Bieber hit a vocal on that
song for the first time. She said, you put headphones

(01:25:07):
on her. Now, was that one of those situations where
you had to keep it on lockdown because nobody could know,
so you kept it on your device only, and you
put headphones on people that would hear it. Dan, Yeah, it.

Speaker 16 (01:25:18):
Was these specific headphones. I'm such a nerd with the
audio stuff. I listened to all your podcast episodes. I
listened to the Bobby Bones show ones too good content
on there. But the Jesse Joe won it was funny.
It started out like the clip from that on social
media was like, yeah, Dan, we were in New York
City and he invited me back to his hotel room.

Speaker 2 (01:25:37):
I was like, explain more. You know, if somebody stopped
watching the clip right there, you know, might be a
little misleading.

Speaker 16 (01:25:45):
Now, Jesse Joe is one of our favorite people on
the planet. She's just a wonderful soul. She's incredible, so talented.
That was a great episode by the way, But yeah,
she was in New York with her publishers Mike Mullenar
and Alex had a good buddies.

Speaker 2 (01:25:58):
Of ours and we had gotten that back.

Speaker 16 (01:26:01):
We were working on the mix, which when we got
Bieber's vocal, it was like our minds were blown. We
were freaking out because it's like you never expect that
the biggest pop star on the planet, you know, and
he loves the song sends vocal back and it was like
the vocal came back sounding Christine and amazing, like really
really good. So we got that and that was a
special moment. When she told that story, I texted her.

(01:26:22):
I was like, man, I got goosebumps here and you
can tell that story. That's a memory, you know, it's
moments like that. That song went on to accomplish a
lot of great things for us, but those are the
highest highs, those moments, you know, getting to share that
with someone you care about, writing a song, coming up
with a great hook, you know, getting a demo back.
Those are the things that are really rewarding, you know.
Obviously the number ones are great, and want to keep

(01:26:43):
those things coming.

Speaker 2 (01:26:43):
But that kind of moment.

Speaker 16 (01:26:45):
We were in New York and she came over to
the room, and I don't think we've told her who
was on the song. We were like, just check out
the mix, and we played it in that second verse
roll around and she was like, is that justin Bieber?
I think I have a video of it on my
phone somewhere. It was it was a special night man.

Speaker 5 (01:26:58):
And you don't send that around, right, even the people
you trust in case it could get leaked.

Speaker 13 (01:27:04):
No, I think we had that on I had it.

Speaker 15 (01:27:06):
I think maybe three people had it, like maybe Dan
and I and maybe our maybe our wives.

Speaker 5 (01:27:12):
Uh.

Speaker 15 (01:27:12):
And that was especially in the beginning, and I just
remember how crazy that feeling was. Like We've had a
lot of pinch me moments in our lives, and I
just remember driving around being like looking at random.

Speaker 13 (01:27:23):
People and be like, you got no idea it's coming.

Speaker 15 (01:27:26):
I just want to tell you know what I mean,
just like seeing some lady, you know, rolling down your
window and excuse me, man, you matter if I'll play
the song it's with Justin.

Speaker 13 (01:27:33):
I heard him and.

Speaker 15 (01:27:35):
Uh, it was just a crazy feeling of just knowing
what's coming. And I remember I, actually, this is probably
horrible to even stay out loud, but I think I
cried the first time I heard it with my wife.
We were sitting down at our old house and we
just Dan had just sent it to me, and he's like,
I think it was the only like preface was like, dude,
and I was like, I remember sitting down and listening

(01:27:56):
to that on the couch, like not over big speakers,
just like on my phone and just listening with my
wife and being in shock and probably tearing up a lot,
just because we.

Speaker 13 (01:28:07):
Knew that that was going to be.

Speaker 15 (01:28:08):
A life changing moment, you know, and there's just it
doesn't like come around.

Speaker 13 (01:28:13):
I mean maybe once in your lifetime of something like that.

Speaker 15 (01:28:16):
So it was pretty pretty special being able to drive
around and feeling like you have this pretty cool secret
nobody else in the world does.

Speaker 5 (01:28:24):
Okay, look Dan and Chador here, they've been hanging out
with us for a long time, almost an hour. The
song you crushing it. Stream it right now to climbing.
It's top five, probably gonna be number one. We're celebrating that,
but I do have uncomfortable questions that our listeners sent
for you guys, and so we'll just go one at
a time. Shay, I'll go to you first. What do
Dan and Chay argue about the most and don't give

(01:28:45):
a cliche answer?

Speaker 15 (01:28:46):
If we did find about something, maybe where we're going
to eat is like the most difficult.

Speaker 5 (01:28:53):
That's my wife and I too, same thing.

Speaker 13 (01:28:55):
Yeah it sounds stupid, but yes, yeah, maybe where to eat?

Speaker 5 (01:28:58):
Yeah, she's like, where do you want to go? And
I say it. She's like I don't want I don't
want to go there, and I'm like, well you asked
where I wanted to go. Like that's like, yeah, that's okay.
Next up Dan, Let's see dude. Dan and Shae say
the same thing every city, no matter where they are,
and like this is my favorite city. Blank.

Speaker 2 (01:29:13):
Yeah, you've definitely got a little bit of a script
to be honest.

Speaker 16 (01:29:16):
I mean you go up there, there's definitely like I
have this set up speech before it's Keila like, you know,
bring a little down, real quiet, and it's the whole thing.
We need the crowd of sing this song out that
it's ever been sung before in the history of the song.
You know, you give them a little bit of the
uh the wwe moment, but there are definitely a lot
of moments that are off the cuff.

Speaker 5 (01:29:33):
You know.

Speaker 16 (01:29:33):
We always make sure to do an acoustic little breakdown
bit in our show that is completely unscripted, and sometimes it.

Speaker 2 (01:29:40):
Goes off the rails.

Speaker 16 (01:29:42):
So maybe we should stick to the script because our
sound guys out there, like, guys, we got to cut
this short.

Speaker 2 (01:29:46):
You've been doing the acoustic bit for an hour now.

Speaker 5 (01:29:49):
Three questions left and uncomfortable questions. Shay, you brought up
the fact that you'd lost a bunch of weight. What
did Shae do with his old clothes that don't fit anymore?

Speaker 13 (01:29:56):
They're currently sitting in my garage. I had to this
is a legit.

Speaker 15 (01:30:00):
I have four shirts that fit me now, and so
I had to go to Dillard's and I think I
want some Dillards. I don't know where you get pants.
I have like three pairs of pants and four shirts.
That's like the only clothes like this shirt. This is
one of four good and it's the same brand. Yeah,
but they're all in my garage. If anyone wants I
have one hundred and eighty black shirts black T shirts

(01:30:21):
large if you'd like them.

Speaker 5 (01:30:22):
Two questions left to Dan. Has Dan ever pretended to
be working on a song to get out of doing
something around the house for his wife?

Speaker 2 (01:30:28):
Oh for sure, for sure.

Speaker 16 (01:30:30):
It honestly not as much like to get out of
doing something around around the house. I'm pretty good at
the chores, but definitely to get out of social situations,
Like you know, Abby's so social, you know, and she'll
go to like these events and stuff, and she'll always
use the excuse like it's like nine pm and he's
had starts or a concert or some dinner with friends.

Speaker 2 (01:30:48):
It's like, oh, Dan has a mixed revision.

Speaker 16 (01:30:50):
It's like, who expects him to be doing a mixed
revision streaming session at nine pm on a Saturday night?

Speaker 5 (01:30:56):
What is the who is the most famous person to
turn down? To Dan and Jay Collab, I did try.

Speaker 15 (01:31:00):
To, like pretty hard, try to get a Dell on
a song. It was no specific song, but like, hey,
we should get a down on a song, and Ever
was like.

Speaker 13 (01:31:09):
Yeah, that'd be that'd be cool.

Speaker 5 (01:31:12):
And the fact we don't have a song with a
el So if they answered uncomfortable Question five we applaud
them when we let them go a nice job. Rarely
do people answer the fifth uncomfortable question. Okay, Dan and Shay,
we'll be waiting for your new music whenever that is.
I'm sure I'm not even gonna ask anything about it.
It's it's under lock and key. I've been told if
I do ask about it, I'll be met outside this
building by an unhappy person. So yes, we're gonna.

Speaker 2 (01:31:36):
I'm gonna send you a link, Bobby.

Speaker 5 (01:31:38):
And now I'll share it with the whole world to
go to my Twitter and I'll share the link with
every I mean, that's kind of.

Speaker 2 (01:31:42):
A thing, now, right, TikTok you leak it? You already
have a release date?

Speaker 13 (01:31:45):
Yo?

Speaker 2 (01:31:45):
Should I drop this?

Speaker 10 (01:31:46):
Check it out?

Speaker 5 (01:31:47):
You know you point yeah, point label so mad, I'm
leaking this and it's like yoder, nobody believes that anymore.
All right, Dana Ja Love you guys. Congratulations, We'll talk
to you soon.

Speaker 13 (01:31:57):
Love you man.

Speaker 2 (01:31:58):
Thank you for the time.

Speaker 1 (01:31:58):
I guess it's the best Bits of the Week with
Morgan Number two.

Speaker 4 (01:32:05):
Well that was another fabulous best bits y'all. Thanks for
hanging out with me, and I hope you really do
enjoy this weekend. Maybe you're getting some good weather, we're
about to head into Memorial Weekend next weekend, you're getting
some plans figured out, or maybe you're resting up for
all the festivities. Whatever it may be, I hope you
have a fabulous weekend. Be sure to go check out
Part one with Abby. It's like a conversation with friends
that I think you guys will really enjoy. We also

(01:32:26):
broke down our experience at our Heart Country festival, and
we spilled some tea, So if you want to sip
on some tea while you're resting up, go listen and
follow me on all the things at Webgo Morgan.

Speaker 3 (01:32:36):
I'm on Instagram, TikTok, Twitter, Facebook.

Speaker 4 (01:32:38):
You name it, I'm there, And of course the show
is also out there on all those things at Bobby
Bone Show. And I would love if y'all check out
some more content bobbybones dot com if you want to
catch any of these performances that I talked about. We
got a whole bunch of stuff up there for y'all
to go see on Bobby Bones or YouTube, name your
vice whatever you like.

Speaker 3 (01:32:55):
I'll see you guys later. Have a great one.

Speaker 5 (01:32:57):
The Bobby Bone Show Bobo Bones four,

All Episodes

Episode Transcript

Hosts And Creators

Bobby Bones

Amy Brown

Lunchbox

Eddie Garcia

Morgan Huelsman

Raymundo

Mike D

Abby Anderson

Scuba Steve

Popular Podcasts

Dateline NBC

24/7 News: The Latest

Therapy Gecko

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Best Bits (Just The Bits) with Morgan: PART 2