Little Big Town Week - #66 - Karen Fairchild Christian Group Before LBT - Bobbycast

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
It's little Big Town. It's awesome. Jimmy on and so
you can check that out. This is Karen. This is
day number one, although I guess i'd be dy number well,
day number one this week, but did Jimmy westbrook Win
just went up and Mike and I were talking. We
have all four members from all the different years, and
they all tell a different story that weaves in to

(00:23):
the story of a little big town. They all tell
their story. So pretty cool. I like this this thing
we're doing this week. So here we go. She wanted to,
you know, make the She's her and Kimberly were the
two that made the group. They just there was those
two and they were together in Alabama and they were like,
let's do this group. And so this is Karen. Sometimes

(00:44):
she's the group's lead singer. I'd say most of the time.
I'm always a little weird about calling her that, though
not because I don't think it because I don't know
what they think about that, because everybody sings, but I
think she sings more of the radio songs. But she
talks about the gospel band that she was in before
A Little Big Town. The full story of the connection
with them in Rascal Flats. I mean Jimmy talked about
that too in the last episode. We didn't ask him.

(01:05):
It's funny how he got there. How it was Kimberly, Karen,
Jimmy and Joe Don. But also they had put Gary
in the band before Jimmy got there. Just just try
and stuff out. So this is from two seventeen. Are
you kidding me? Wow? Here we go? Episode sixty six
from Back in the Day Karen Fairchild, the first one

(01:26):
we did Little Big Town Week. I hope you liked
this episode. More coming up this week, Little Big Town
Week on the Bobby Cast. All Right, Welcome to Mike.
Episode sixty six The Bobby Cast and with Karen Fairchild
from a Little Big Town hig. Karen, we tried to
do this before. I know that was my fault. We
got bumped for some little show the Voice or something,

(01:48):
that's what it's called. So because that was a finale, right,
and who did you sing with Lauren Day at a fest?
Pulled on my day? Get comfortable? I had to do
it on a mess of your fancy mind. I think
that might might It calls forty dollars. Really it sounds good,
it looks fancy. Gold, but it's not real gold. It's

(02:10):
all smoking mirrors up here. So when you go to
a show like The Voice, they only call they call
you a week at a time lessons, and they I
think it was less than that was like maybe three
or four days, and they were, you know, trying to
figure out what song and what she would sing on
the finale. And I guess we were on her list. Well,
we had block of people that she really wanted to

(02:31):
collaborate with. Wow, so they get to actually make a
wish list, I think so. And so they and she
had done better man on the show in the battle round,
and and so they had called Jason and said, is
there anyway He's like, well, they're off and the Cat
and the Bobby cast and and so I was like,
I think Bobby would probably understand if you let him

(02:54):
know that it's the Voice. He I mean, he he'll
probably be okay if we rescheduled. So thank you. That's
pretty cool though, right, Like, and she didn't win, but
you know what's funny country people do so well on
that show because they won. Here's why this is my theory,
because I think everything is everything is money to me.
Everything you think Blake couldn't win this year. I think

(03:15):
that Blake can't win every year, so they had to
find years to not let them win. But country artists
still spend money on music, not artists, buyers consumers either
heart seats. We started the format where people by the
most like still physical and we download the most more
so than stream, so they can sell music to country consumers,

(03:39):
so if they can find them. My thing is every
year they find one or two really good country people
and they boost them up and so and listen. I
think I didn't watch the show, but I watched enough
of it to know, and I thought she should have
wanted by what I watched. But they can't let Blake
win every year. I know. I know Blake is man
when he like engages his art ants and says, don't y'all.

(04:02):
I mean the country fans are going to show us
tonight what they think. I'm like, God, here he goes again.
He's gonna win again, and they do. I know, like everybody,
it's all. I have such a weird like love hate
relationship with with this town. Some they get really irritated
with the fans and the listeners. It's like I've never
seen anything like it. Before loyalty and I don't deserve.

(04:23):
They're very passionate, Like don't you see when you go out,
like they wait weeks months, Like they take their money
that they work. They come to a show. Yeah, they
pick like a couple of shows. They can do a year,
and they can go to a year and they wait
and they wait and they wait. They buy their tickets
and they sit up front and it's it's amazing. That's

(04:45):
why we're still here. I mean, it's funny whenever you
say you're still here, because I think to the average
listener of country music, it would feel like, you know,
you guys in the last five years of becomes superstars,
Like here's a little big down. Well I don't, I
don't know. I don't feel I mean, I don't feel superstars.

(05:08):
Now you guys are, now you're you are, and it's time.
And I honestly this everybody. It's time for you guys
to be in the echelon of entertainer of the year.
And it's weird to put a group in there, but
if Florida George Lane can be in there, I think
you can be in there. And they're they're not one person,
and I think once that kind of seal was broken.
You can put a group in there. Well, Alabama used

(05:28):
to be in there, and I think Zach Brown should
be in there. What a weird thing. And this is
a weird thing for me to whenever it's you guys
against Zack Brown band, it's such a weird pull because
I think that they're the greatest bandage. I just heard
Chicken Fried on Big ninety a few minutes ago and
I was like, God, that record is still it just

(05:49):
it's so I just I don't know, it still sounds
so good. And he is what entertainer of the year.
That's the definition with good people. Yeah, I got that band.
They're so good and I've been able to see him
ten times. And let's have a good job. I get
to go do cool things and be up closing to

(06:10):
theaters that shows with Zach Brown, Man, they're so good.
I have said this before. I think that we it's
hard to see greatness when it's at arm's length. Usually
you get to see it from a long way away.
Luckily we saw Tiger Woods whenever he was in his prime.
Michael Jordan, I was a little too young for Michael
Jordan to really respect that but with Zach Brown Band,
I was like, now, I'm like, this is, to my
in my opinion, the greatest country band of all time.

(06:31):
Now Alabama has way more hits. But I feel like,
as you know, my point is, it's tough when you
two against each other. Well yeah, and and like lady A,
we're super close to them. I mean everybody in that
category they're friends of our so yeah, but on the
coolness factor, it's you two, it's you guys and Zach
Brown Band. That's whatever. But that's how everybody fights about,

(06:51):
like who should win, not who do people like more?
Somebody likes you guys more like it's people because that's
never here. And Zack's quiet kind of aloof. I like
Zack because I've been at lucky enough to spend time
with him. If you just met Zach, he be like,
what a weirdo. We used to tour with him. He
opened up for us on the right when Chicken Fried
was hitting. Um he had we had booked like fifteen
dates with them opening for us, if you can believe that,

(07:14):
And yeah, yeah they were amazing. And and Zach, um,
you know, I love him and I respect him so
much because he could have left our little tour, and
he kept that commitment and it wasn't a lot of money,
and they were exploding and starting to be on the
Grammy stage, and there they were out there keeping their

(07:36):
commitment to us, and I just respect him and the
guys so much for that. Whenever people start talking about
presidiance in the industry, and I guess my point was
just in the time that I've been in Nashville four
plus years, it's like watching you guys go boom. I
remember watching Cook and Chase and whenever the Tornado record
came out and you guys doing the Cook and Chase

(07:56):
TV show, and because I would watch all the time,
and I remember you guys being on there with them.
When that record was coming out, I was like, huh, okay,
this group is all about it's kind of like a
boy band, but not really like I didn't know. I
really didn't know, and I was because I grew up
in the the nineties, the Arkansas nineties area. But then

(08:18):
I checked out for a bit. It was like this
sounds not I am not really into it. It kind
of got into an alternative but some hip hop stuff
um came back around obviously, which is what put me here.
But I was like, let me, let me find out
about this little big town group. And then that time
you guys have become superstars. But I guess my point
is how many label deals did you guys have? Have
you had? Oh, let's see four, you've had four record

(08:39):
deals as a group. As a group, does that mean
you've been dropped? Three times? We have been dropped Mercury Sony.
They don't care if I mean, they don't care if
we name it because um, it's it must be long.
And then we were at an indie label. That's where
the road to here with Boondocks and Bring on Home.

(08:59):
That record is the record that sold a million three
and that was the little indie label called um Equity
forgot almost forgot what the label is called Equity. So
you're not in business anymore. You get dropped from two
and what happened? Equity? Did they go away? They went away?
They went away as in like they did you guys

(09:21):
go on like a promotion in Equity because your record
did well? No, they were it was like you know
indie labels, it's always like a dissolved and then you
were free agents again. And then yes, wow, three times yeah,
and so then that's when we felt like, wow, now
people really want us, you know, because we had sold

(09:42):
a million three on that record, and and all of
a sudden, the people that had dropped us or rejected us,
you know, during that time period, we're calling and it
was really fun. It's really fun. I love that. I mean,
it was really fun to be popular for especially with
the people that rejected you. Like I had girl. Sometimes
girls reach you on Facebook rejecting me, which is about

(10:03):
every girl, by the way, every girl, they've all rejected me,
and they're all like, hey, how are you. I'm like
being pretty good. Yeah, yeah, you're good. Yeah, yeah, yeah,
I'm good, and I have a lot to talk about.
But a little white church to me, did you feel
like whenever Beyonce did Single Ladies? Did she kind of?

(10:23):
But I do think like that's ours is like the
hillbilly version of that. But that was before that. Um
I can't remember. You want to google that, but I
would always I would hear single Ladies and I'll be like,
m that sounds like like maybe Beyonce maybe heard something
about church. No, I highly doubt that, but um, I

(10:43):
do think it's like the redneck version of that she
have twins. Just now they haven't put out a same
you know what, I guess. I don't think your dad
said something. Yeah he did, but I bet he's in trouble,
probably on purpose. I believe everything calculated, even even even
Matthey on that it was calculated. Yeah. Probably he was
a manager. Though. Do you do you look at like

(11:05):
pop culture stuff and watch like people? Yeah, I mean
I do. I didn't happen to catch um the worst
dress thing on either of the night, but Philip told
me that I made it for what Awards and I
usually watch E and UM. For some reason, I must
have missed it. But they didn't like my boots, and

(11:25):
I planned my whole outfit around my boots. So for
you to be a worst dress because you have your
own clothing line, yeah, you just need to be on
a list. It doesn't matter it's worst. But that's what
I say. It's like if you if you're on a
red carpet, you're gonna be on the worst list eventually.
And but I was. I didn't know it, and Philip
was like, hey, I hope you didn't take that to heart,

(11:47):
and I was like, take what to heart? Said that
and he goes, oh, did you not see E? And
I was like, perhap, no, what but anyhow, I don't know.
I think cat seller doesn't like me or if I mean,
maybe should just look for people to talk about. Here's
the thing about good and bad. It matters if you're

(12:09):
on either one of them, if you're on the most
powerful or the biggest douchebag lesson. I've been on both
sometimes at the same time. That's when you know you're
doing something right. If you're on the worst and the best.
You just want to be on the list because that matter.
How many years was it that you didn't matter forever,
right forever? Who would have thought you'd be upset or
at least irritated that you didn't make these best you're

(12:32):
on the worst dress list? Yeah, I think, yeah, you know.
I mean sometimes I just wear stuff because I just
want to and I know and know that I'm going
out there a little far and I don't care, so
it didn't really shock me. But I was like, dad,
gum it, I do think that the boots were good.
I don't remember the boots. Well, you've got a hot
chick girlfriend, so uh yeah, for now we'll see. Oh

(12:56):
my god, I don't know how long she can put
up with this. I can I know the draw well no,
just me in general, No, not even drama. Yes, are
you hard to live with? She doesn't live with me?
Well you know what I mean hard to date. I'm
hard to be a human around. I have no human skills,
like very little. What you do right now? Because i's
a microphone from my face, I'm the most amazing human ever.

(13:18):
Look at me. I'm so personable. Give me out of
this microphone room. I had nothing to say. I don't
believe that. No, I don't wanna talk about me. Okay,
let's see how about this here? This is if this
rings a bell? Oh my gosh, how about you find
that that's a gospel band I was in, like, oh

(13:42):
my gosh a long time, like I got different sound
and to me, yeah, and that's my friend Rick Kittelman
that's about to sing. I will say that band um
Fear singers. And that's the truth. Yeah, I know, because

(14:04):
I know you. But did you know what outside of
knowing me? No? Yeah, So I don't think they're around
anymore after you. After you left, they stayed being a group.
There they were, They're a band they're like a like
a a church on some like think tower a power
with horns, and and they travel around and I mean

(14:27):
I went to like all over the world with him,
so great learning experience. When you grew up, would you
sing in church like as I want to get up
and just saying you raise your hand, go up and
saying no, I had a horrible stage right really, like
I would stay up all night long. My dad would.
My dad was a businessman, and he would he would
lead um like praise and worship on Sunday, do the

(14:48):
hymns on Sunday morning because he loved music, and so
he would make us get up there and sing with him.
And I would literally stay up all night long. But
I secretly by I really wanted to do it, but
I was just so afraid. My sister and I she sing,
does no what's she a good singer? Yeah? And my

(15:09):
dad has a beautiful voice. Mom didn't sing and my
brother didn't sing. But so we grew up singing in
the church. And but we we grew up the choices
where gospel music or country music, and that's what we
listened to until like my sister started driving us to
school and then we started listening to like then it
was The Loop in Chicago. So she was older sister,

(15:30):
older sister, Yeah, and we would listen to like James
Taylor and you know, other stuff like the Fleetwood Mac
and whatever whatever was on the radio. And and so
that's how that's kind of my musical roots. So I
ended up being in this gospel band for a while.
So how do they come to being a gospel band?
It doesn't pay m like does it? The gospel band

(15:52):
pay not really. I mean they pay enough to like
it's a ministry, so you know they're doing good out there,
so they're not paying very much. No, my preacher would
get paid, but I wasn't banking you a living if
you were to stay in truth and sing the whole time.
Did you have a nice house? No? No, I mean no,

(16:16):
Micole deb Smith has a nice house. Yeah, but that's different. Yeah,
that's because they own what they're doing. You know, if
you're if you're a hired gun to be in this band,
you're not gonna make a lot of money. But I
found for mostly for me, like the reason why I
wanted to get out of gospel music, it was just

(16:39):
because I wanted to just be who I am all
the time and not feel like I'm duplistic in my living,
you know, like like marrying commerce and art and ministry.
I think that's it feels very weird. And I always
felt very conflict did about it, you know, like what

(17:01):
you just experienced this weekend of going and going to
Haiti and think about if you're charging and you know,
it just gets to be like, I don't know, it
just felt it felt weird to me. There's I'm not
I'm not knocking it. I'm just saying for me in
light of my faith and I I just felt like

(17:22):
I needed to move on, not moving on in my faith,
but moving on and the business and career. I have
trouble with that in a in a way. And so
my manager, Corn Capturell, I was talking to him and
I said, hey, I have trouble sometimes because I like
to do things for people but also have a career

(17:42):
and I want to have a great career and I
want to be able to have work hard and earn
my money. And I was like, I told him, I said,
I'm struggling with this sometimes because maybe I should do
more of this good stuff and take away some of
this career, and he said to me, the bigger you get,
the more you can do. If you love your career

(18:04):
and you love helping, then the bigger you get, the
more successful you are, the bigger your pipeline is to
helping everything you want by you talking about it, about
you doing it, about you giving money, by you, And
I was like, okay, yeah, I mean think about it,
like with Pimp and Joy, if you didn't have this
huge platform, you wouldn't be affecting so many people. It's

(18:27):
because of the platform that you get. I struggle with
it though, too, like you did. Yeah, but you're not.
You're not like I'm saying. You're not saying that it's
your only thing you're doing. You know, it would be
different if you're saying by Pimp and Joy t shirts
and come down to the altar, you know what I mean?
You know what I mean. It's like you're you're you're
a professional, You're doing your job, and then you look

(18:49):
at some of these preachers. They're making millions of dollars.
I mean, I watched Bono. I went to see you
two the other night. Were you there? No, but all
my friends were, And I'm so I was so jealous
watching everybody you have to go. And that's another way
where I think, didn't you post it was like church
or something? Well, I just posted that it was like
it was just unforgettable. I think Miranda posted that it was.

(19:12):
I don't follow Miranda. Maybe you don't know. Maybe I
saw your post in Nicole Island. Um, do you know
what the call? She was there too, and both of
you guys are posting like these epic, greatest show ever.
And I was like, oh man, it preacher, Yeah, but
in a in a good way, like not in a
Somebody asked me if it was super political, and it wasn't.

(19:34):
It was it was more of what we're talking about.
It was like he was there too uplift people and
to motivate them and to inspire them and then to
rock the house. It wasn't like I didn't take it.
You know, there was a little bit that that got
a little I guess you could take it as political,
but I didn't see it as that. I took it
as he's raising awareness of what we should be focused

(19:57):
on right now, and that's people in poverty. And they, oh, okay,
well before the sun goes down, you know, you kind
of think about production, and I know, because your band,
you think about production and what you're gonna do and
and so the sun, you know, it was broad daylight
when they came out there, Well they just handled it
like you would as a festival act. Like you're you're

(20:20):
out in the broad daylight. You just gotta like rock
it out. You're not trying to do anything. You're just
like playing your songs and being amazing like they are.
And then as soon as the sun started to go down,
then you started to see like the first elements of production,
and then it was the greatest. I mean, do you
know have you seen the show Abstract on Netflix? So

(20:42):
the lighting director as that does Beyonce and does the
YouTube tour like forever and ever. She designed this tour
and it will just blow your mind. But you have
to watch the show. She's on the first episode of
Abstract and it's so inspiring. What's the show that? What's Abstract?
It's like all creative things like one one's an architect,

(21:03):
one's about a graphic designer, one is about her um.
So it's like taking the light source and how she's
gonna light Beyonce. And she's done Broadway musicals and it's
just fascinating. It's like the creme de la creme of
people in their art forms. That's what the whole series
is about. I'm a nerd too, so yeah, I'm a

(21:24):
big nerd. You're talking to me like, I know, your
podcast people are probably like boring stuff talking about that.
That's the opposite my podcasting want nerds too. We have
a great little nerd audience here. So okay, you leave
truth Or were you really like superbly talented in that

(21:44):
band where you felt like you had outgrown them as
as an artist, as a singer, did you as a
performer did you feel like, man, I think I'm a
little bigger than this. In the end, I thought, um,
it's time for me, like I gotta go, I gotta
move I gotta move on. And we were singing so
many shows and it starts to just like really destroy

(22:05):
your voice when you're singing, you know, two shows a year.
So you stayed on the road. I stayed on the
road for three years and did a lot of shows
like Crazy, Crazy, Crazy, and we would sing like three
hours a night. So it was a lot of strenuous
I mean gospel singers singing from their toes, you know,
and um Harmony band like super tight Harmony's horn section,

(22:30):
the whole deal. But yeah, I mean at the end,
I felt like it's time for me to go. So
where'd you go? What you do? Let's see, I made
an indie record, a gospel record with a girl named
Lee Cappellino, who was still one of my go you

(22:51):
do your research. And I made that record with Chris
Harris Umsted the Bachelor. No, not that Harris, what if
it was Gris Arison. So this, this duo was called
It's very creative Karen Lee because you were named Yeah.

(23:12):
Like the cover looked like a like a J. C.
Peanny Catalogs cover, and so this was gospel yeah, yeah ish,
but more in the vein that I felt comfortable with,
you know, literally money is that what you mean? Is that?
Like I'm trying to you know, like because we were
you know, it was more of our voice. Truth was

(23:34):
more of um the guy that was in charge his voice.
We were just hired Peture, you know. But um, I
have not heard this, I swear to you, I have
not heard this in like fifteen years. I don't know,
I don't know. I think it's me it's this love

(23:58):
has I forgot about that. So that's what I did afterwards.
And then Lee and I did the same thing. We
were just like one day. I mean we were so broke,
and um we were both married. I was not married
to Jimmy then, Um, we were married. I was married
to someone else. Mark Childers old, super great guy who
was Carrie Underwood's band director. Now musically I just met him.

(24:25):
He's like best friends with Carrie and Mike and then
his wife, Ivy Children's. I was married to Mark. That's
a small town, small world. So okay, how old are
you that when you guys are in this duo? Oh gosh,
in my twenties. So, um, I moved to Nashville and
nine four yeah, so and this is in Nashville. You

(24:47):
did this in Nashville. We did this in Nashville. Chris Harris,
who's an amazing musician, he produced that record, and um
not one of the greatest kids. Can't save it already? Did?
You're kind of it. You're kind of torturing me right now.
And just because not that I don't have the fondest
memories of this, but part of it was part of

(25:10):
growing up. It's part of the story too. It is
part of the without the truth and without Karen Lee,
you have a little big talent, that's true, Like you
wouldn't well, Kimberly and I were friends before this. Okay, cool,
but you didn't get together. And no, that's true without
all of this, none of this. No, you're you're right,
part of the story, part of the story. So you
guys decide this is your life. Um yeah, we we

(25:36):
still talk all the time. She just came to the
last Ryme and show and brought her whole family, and um,
she like, dang, I was with Carol Big Town because
she's in a group called Point of Grace. Yeah. Yeah,
So she stayed. She went on to do like, um,
we both were singing demos for people and singing and

(25:56):
like trying to make a living. I used to sing
at Amoy convention and sing like cover tunes and stuff,
and I would get paid to put a band together.
And she and I did that for a long time
and that's how we paid our bills. So after Karen Lee,
maybe a little bit during karen Ly a terrible name,
by the way, it's a horrible what a terrible name.
And I think that I want to blame that on

(26:19):
the label at the time, but I have to take
responsibility that I was standing there and how come your
name got to go first? I have no idea because
I would think and a two man and we'd be
like a coin flip, Lee Karen. It doesn't matter. It's
always because anything sounds normal once you say it. Like
the first time I heard Florida Georgia Line, I was like,
that's the dumbest name ever heard. Now it's just normal, right, yeah,

(26:40):
Chumba Womba, I was like, one of the greatest bands
of history of music. Now it's just normal? Are they nod?
I have one song? I was like, wow, I missed
the Chumble Woman thing o Little Big Town Week on
the Bobby Cast. It's Little Big Town Week on the
Bobby Cast. So you and Lee you're a duo and

(27:02):
you're no longer a duo now we just we both
looked at each other like are you having fun? She's
like not really, Like I'm not either, and so we
just decided that we would let it go. So then
what do you do? So then I'm singing demos like crazy.
Do you sing any hits for people that you remember?
Like you sang a demo for I sang she only

(27:23):
smokes when she drinks. I think I sang a female
version of that. I want to say it was that demo.
I used to sing like all the time, demos and
sessions and just whatever I could do. Did you feel
like you're better than a lot of the people around you?
Like really like in your heart? We're like, man, how

(27:43):
come I just am not? I I got a ticket
one day and I had like teared up on the
road after it was like after a session or I
think we had lost a deal, or maybe we were
close to getting a deal. I can't remember, but I
just remember thinking, God, this is never going to happen.
And I was kind of by myself in the car,

(28:05):
like really, I'm not a super emotional person, but I
was emotional and I got a ticket. I guess I
was feeding while I was crying, and so I had
to drive it up on the cop I'm too pridful, like, oh,
yn't you summosted to leave it for the cops to
turn it up and not. I know I should have,
but I didn't. So I got a ticket and then
then I was even more sad, like loser. But were

(28:28):
you frustrated though, because you did you feel like I'm
I'm really good yet nobody's taken notice of me, or
I haven't succeeded, like I'm watching my peers around me do. Yeah.
I mean I really felt that way when when the
band got together and the four of us we got
a record deal fast, and we got multiple offers and

(28:50):
we signed, and we thought this is gonna be amazing.
And we sang in a like an Oscar dal Lahoya
fight on HBO, and I mean they you know, all
of a sudden, we were in limousines and we were
thinking this is this is it? Like this is going
to happen. And our first show was at the Opery,
so we had never sung in public until the Grand
Old Opery. Yeah, So we were just thinking that was

(29:12):
going to be it and then it wasn't. So you
and Kimberly knew each other first, but you didn't sing together.
We sang together in college and like we were in
this yeah, but we were buddies, like we hit it
off at choir camp. But then you've moved. You both
weren't not in Nashville. She was in Knoxville. I was

(29:32):
in Nashville, and and she was commuting and she was singing.
She did an independent record, um and was she was
singing like a little honky talks from here to Knoxville
and traveling back and forth. And then she moved, and
so as soon as she moved, we started hanging out
and we were just brainstorming. One day, I was I
was gonna do a country solo thing that was going

(29:54):
to be and so was she, And then we started
brainstorm and like maybe we should do something together. But
the Dixie Chicks were or like monstrous. They were selling
millions of records, and we were like, why would we
do a girls group because nobody's going to do it
better than them. I mean, there's no purpose in doing that.
But then we started thinking, well, nobody's ever done like
a Moms and the Papas or a Fleetwood Mac and

(30:14):
country music not with not where you could you know,
like really have the harmonies be the lead singer. So
we took off trying to do it. Was it ever
thought to call the group Karen Kimberly because I love
the idea of taking two names and slamming them together,
not ever one time, not every one time. So it's

(30:34):
you two and you're like, Okay, we're gonna do something. Um,
where did Jimmy come in? We thought it was going
to be a trio. And at the time I was
married to Mark and he was on the road with
Shelley Right. He was in a band with Okay, Shelley
and then Jay de Marcus from Rascoe Flats and Joe
Don Ruining Rascale Flats. They were all in a band together.

(30:57):
So Kimberly and I used to go down to see
Rascal Flats play at the Fiddle and Steel Bar downtown
and Gary used to show up and saying we were
like holy cow, oh my gosh, you know, but they
weren't a band yet. There was just always different configurations
of them up there and we were looking for me
through this. So Gary would show up and sing with

(31:17):
Jay and Joe Don playing a different band. Yeah, they
would sing at the Fiddle and Steel like when they
weren't out with Shelley right, and there was some other
but they weren't but they would come together and play,
but then they all go back there on their own ways. Yeah, okay, yeah,
I think Gary might have been singing back up for
Michael English at the time. And then Billy Currington would

(31:41):
show up and he would just hop up and sing,
so we would we would be all kind of hanging
out together. And and then I think I think it
was Joe do On first or Gary first, one of
them sang with us first, and then that didn't work out.
So you're saying a little big on at one point,
was you Kimberly and one of the flat. I wish

(32:03):
we had one of them in here, one of the flats,
Like if Jay were in here, then we could really
tell the story together really well. We should do that sometimes.
But yeah, they were not a band yet. We were
not a band. And Jay is still mad that I
we never asked him to be in a little big town. Yeah,
if it were Joe don though, it would probably the

(32:24):
greatest looking band of all time. Joe don Um. Yeah,
Joe don't play with us for a little while. And
then then Jay, Gary and Jodan decided they should be
a band. That's crazy. And so then we got the
phone call of like, we're going to be a band.
We love you all, but sorry, and we were like, dad,

(32:44):
gum it, we've been working on this forever. In your mind,
what was the perfect scenario at that point. At that
point we thought then Jimmy, Jimmy was a part of it.
Who did you think the band was going to be
at that point. I thought it was gonna be Jimmy,
Kimberly and me and Joe Don. Yeah. I kind of
thought Gary was just chasing his he was he was amazing,

(33:05):
but I could tell he wanted to do something with
Jay So And then then we were like, well, Dad, comet,
this just isn't meant to be, like not with not
with them, And then they put out a song and
it like just took off. I mean literally they left
us in the dust like that. Well it I mean,

(33:27):
we were happy for them, but it was not saying
you weren't happy. But you're on the same level. One
day and ninety days later, they're on freaking They have
a number one show, They're like on every late night show.
They're selling millions of records and and opening up for
Vince Gill and all these people, and weird, still we're
still back at the house part of the band that

(33:49):
you was in. Your band is now selling a million records. Yeah,
that's crazy and weird, but it also shows you how
fast things can happen. Yeah, like, I talked to so
many writers and performers and they're like, you know what,
it was never happening, and there it went. I never
thought it was gonna happen the next thing, you know,
I look back and it's like that was the moment
for them, that was the moment. That's why you can't

(34:10):
quit because like we didn't. We didn't have the easiest
of journeys. But um, it was so like meant to be.
Clearly they were supposed to be the Rascal Flats and
clearly we were supposed to be in the band together.
If you call them the Rascal Flats, I'll get piste.
Oh did I say that? Many do not like that?
Well did I say that? I'm sorry because they scolded me.

(34:35):
They're like, Bobby Rascal Flats. We're not called the Rascal Flats.
Do I call you the Bobby Bones is not even
near a microphone. I was like, I guess that is weird.
Somebody said the little you do not call me the
body because we're not the Rascal Flats. Sorry, y'all, I mean, yeah,
the Rascal Flats goes to the thing. It's not you
and Kimberly again, Well, it's me Kimberly and Jimmy and
you guys have now decided we're gonna try to make

(34:56):
it as a trio. Well, somebody challenged us, like to
make it for really early on in the days, a
guy named Brian Tankersley, who was an engineer. He was like, man,
if you guys added a fourth person, it would it
would give you the flexibility to like one person take
the lead and keep the three part like country triad
going on and so much more versatility. And we're like,

(35:17):
you're right, that would be cool. But that finding that
fourth person was really really hard. I mean, that's part
of the story of the Rascal Flat deal way back
years ago. So we met Philip after all that happened.
We met Philip through a songwriter in Nashville, and Kimberly
and I met him at Starbucks and Franklin and we

(35:39):
exchanged music like CDs and like he had his own music.
Was he a lead singer of whatever project was? Yes,
And he was about to sign he wanted to do
like a Johnny Lang like Blue Um, you know, singer
songwriter deal. And he was about to sign his life
a way to kind of not a great publishing deal

(35:59):
actually a bad publishing deal, and so anyhow he we
talked him out of that and we got it. We
got in the car, Kimberly and I were like, well,
he's way too too handsome and well spoken to be good.
So we were dreading putting his CD in the car,

(36:19):
and then there that we hadn't heard him yet, just somebody,
somebody had been bragging on him that he was an
amazing singer. So that was like going to be the
exchange of music. And we got in the car and
we were like, oh my gosh, he's got this voice.
And we had always said if we could have a
singer that sounded like he smoked all day, that that
would really change the texture of our voices together. And

(36:42):
that's what Philip sounds like. Was there somebody in between
Jimmy and Philip or seven somebody's where you kept trying
and they didn't. It didn't work. No, And we never
sang as a band until we were Philip and Jimmy
and Kimberly and I. The night at the Opery, I
think we sang in CIA's conference room with Joe Don
once as Joe Don is the other member Jimmy, Joe Don,

(37:04):
I gotta ask jod on that, but I think it
was one afternoon on like a conference room deal of
playing our agent songs. I have video. I don't think
I have video of any of the Joe Don Gary stuff,
but we have video, like way back, I have video
of like since CIA meetings and where we were trying

(37:25):
to figure out if we could afford to open up
for Billy Gilman and what people don't understand. You say
afford to open up. It costs money. It's not like
I'll just use my girlfriend as an example because she
won't care about user. She's opening for Brad Paisley right now,
and Brad says, I'll give you one dollar per show,
and you have to figure out how to get your
travel there, how to eat, how to pay for your band,
and sometimes it cost a dollar in five cents, so

(37:47):
it's can you last for She's doing like sixty days
with Brad, and Brad's very generous to her, and his
people are so kindle, and it's they're very She got
lucky with Brad um but a lot of our struggle
and they lose money forever forever. And then when you're
splitting it four ways, I'm going to get that in
a minute. I don't even know how I mean. Then

(38:08):
you're like really, like are you splitting it four ways? Yeah?
Oh yeah. And I used to rent the van. It
was my job. I would advance the shows and the manager.
I was like the tour managers. Sometimes I would advance
under a different name. What's your fake name? Do you remember?
I can't remember? Was something crazy like Karen could be crazy?
That would have been good. Why didn't I think of that?

(38:28):
I needed you run? Yeah, So, but we would we
would have to come up with, okay, a sprinter van,
not a sprinter van on a white van, you know,
not even a mini bus with little beds, but it
feels like you're laying in the back of a truck
when you hit bumps lane. Yeah. If this would just
be like a regular fifteen passenger van, and then we

(38:49):
would figure out meals and Starbucks and and literally I
have video of like me beating little big Town bracelets
in the front of the van because we needed to sell.
We needed to sell like ten bracelets and fifteen T
shirts and to have guests to make it back home.
Do you look back at that time then and go, man,
that was fun, Like man, that we're looking back at

(39:12):
the struggle, the real struggle, because I I do that now.
I look back when I was at the time, it
was more of the paycheck to paycheck, like I was
below and now we have to do extra things to me.
But that was the most fun because I had everything
in front of me. Yeah, we used to go. We
would we would drive for hours and hours and hours,

(39:35):
and just the four of us, and we were so tight,
and we would just like dream, just sit out and
dream and while we were driving of things that we
could do and what we would do if we ever
had a little bit of success and a little bit
of money. And that's why now it's so amazing, it
really is, because it was a long, long, long time.

(39:57):
Who was the person who said little big town that name? Yeah,
a little bit um it was. It was a publishing company,
a little bit town publishing And did they go away
before you name? And so you thought that's cool, keep it. Well,
we we were messing with town names because of like

(40:19):
Kimberly and Jimmy and Philip are like from tiny, tiny,
tiny towns, and I was a little bit of the
city girl, and we were trying to find names that
reflected the music, and somebody turned over a CD and
it's a Little Big Town Publishing and we were like,
maybe that's the name. You know again, you become kind
of names, you know what I mean, Like you said

(40:43):
about Florida Georgia line or it was not, but now
a Little Big towns is a name. Yeah, it's just
the name of the group that you hear all the time.
It's not even weird. But I would think that the
first time, Little Big Town that was weird too. Yeah, yeah,
it's hig inside it is. Think about the first time.
It is very selfish thing for me to tell anything
about I think about the first time and you won't

(41:03):
remember it, but that you ever heard my stupid name
Bobby Bones? Like who it's that a pirate? That a
porn star? Like? So is Bobby Bones your real name? No? No, no,
why would like Bobby? And so I was given that
name when I was like seventeen and I got to
get her copy of my book on the way out.
I'll tell I'll sign it for him when she lives. Um. Yeah, no, no,
I'm sorry. I was. I know I was, I know

(41:24):
it wasn't It's only on Wikipedia. Don't worry. No, no,
that's not a real name. And I don't even hide it,
but it's um. It was forced on me. I was
seventeen and so like you can be Bobby Bones, Bobby Z.
I was a kid. I know, I was like, well
Bones at least sounds like an actual person. And so
everywhere I was, I went, I was connected to somewhere
else because I went from Hot Springs, Arkansas to Little

(41:45):
Rock shared some listening audience Little Rock to Austin, Texas,
and I was already doing nights, and then Austin I
was started doing a national night show, and then the
morning everything was connected. I could never leave the stupid name.
Everybody went to had the stupid name. It's not stupid now.
It's not because it's normal, because it's normal, and it's
because it is something you know, like it becomes I

(42:06):
feeling a little hurt you myrtal name, like a little
bit might be. I'm gonna be honest and be selfish
for a second. My feelings a little hurt you know
my real name. That's okay. I didn't want to hurt
your feelings. We should that. That's honestly, when you can
openly ask and hurt feelings. When you can put other
people at the risk and see it means you're being
open and honest. I'm sorry. Why would you be sorry?
You didn't know. Let me talk about wag walker for

(42:27):
a second. So let me talk about wag Walker for
a second. It is an on demand app for getting
a dog walker. It's like an uber for your dog.
Used it all the time. Just search wag walking in
the app store. You can search wag I love it
because again, let's say I'm at work and it's like
one PM and my dogs said go out, I go boop.
Find somebody close and they'll come to the house. So

(42:49):
thoroughly vetted, so I mean they know these people quality experience.
You can GPS track your dog's walk. You have notifications
if your dog uses the bathroom, peace, poops, your apple,
actually bark at you. There's a photo, report, cards, subbody
after each walk. You know your dog's home. It's safe
in details and how many times to use the bathroom.
You don't have to be home. That's when I use it.
That's the only time I use it actually is when

(43:10):
I'm not home. Wag send you a free lock box,
or you can leave an alternate home access instruction and
so you can say, hey, get in this way. You
know they typed his coat in. My dog just jumped
up here on me right now. Thank you, Dusty and
the dog walker can will come in anyways. I must
have I think you must have apt for every dog owner.

(43:30):
Just search wag walking in the app store. Could your
first wag walk for free by texting the word bones
to three to four bones b on s to four
wag willn't do your link download the app beach first
free wag All right, so add some stuff for you here,
wag walker. You have a dog? I do, honey, um,

(43:51):
old dog, nine months old puppy? Are you training the puppy?
Who's training the puppy? We have a trainer um out
at Cedar Valley Canine. Really good. Yeah, why do you
have a trainer for yours? My dog is now fourteen

(44:12):
and when I had my dog when he was young,
I could not afford a trainer. Um. So yeah, animals
are expensive. My dog is a better life than I do.
Probably like he just chills where downstairs his own room,
just chill like being a single guy, and you know,
nice hours. We got some room, got the backyard. He

(44:33):
has his own rooms. I got kids or anything yet,
So he just chills you. You'll just be a great dad.
I don't know. I don't know. If I don't know,
I don't know. One more thing you don't know about
I don't know anything. I want to play some stuff
like stop talking about me. I don't wanna talk about me.
You're a little big town. You're in a van. You're
driving all around the country. Are you opening for who

(44:56):
when we're in a van? Yeah? Probably the most Phil Vassar.
And then Keith took us out on like a weekend,
a couple of weekends of shows. Was it Keith because
I had a bunch of talking to Keith? Was it
Keith while he was still crazy Keith? Or was the
Keith after he kind of fixed himself. The first ones
were crazy Keith um and then not crazy Yeah, but

(45:19):
he let me tell you, even crazy Keith was still
like this amazing good I didn't know crazy Keith sold
like just amazing person. And so yeah, just a different
part of his journey. But both we we too. We've
toured with Keith more than we've toured with anybody. And
Keith was the first guy that ever gave us a
chance on a big stage, like an arena tour. It

(45:42):
was him Little Big Town week on the Bobby Cast.
It's little Big Town Week on the Bobby Cast. Did
you guys consider like a band or a vocal group?
Like we like Boys to Man or you like Hanson?
Like if you had to pick one, Like, what did
you consider yourselves? Because a lot of times we just
see maybe three of you and then one has a guitar,

(46:05):
maybe two guitar. Well, but you haven't I know, I'm
going to get my feelings hurt. I've seen your shows
and you've been around you. Of course you have been
around you, But I'm saying yeah, but but you haven't
seen us play like just the four of us. Let
me think for a second, Hold on a minute, have
I ever seen before? So like, to be fair, I
don't get to I'm on the road every weekend. My

(46:27):
feelings really aren't hurt. Good because you can wikipedia my
name really easy. Um, Okay, back to my question, do
you can see yourself more like Boys to Man or Hanson?
But wait, can we get back to the name thing
really quick? What did ever you want your control here? No? Um?
Like John Mellencamp doesn't like to ever be referred to

(46:48):
as John Cougar Mellencamp. Yeah, so I didn't know if
if your name, you didn't know my name. It's okay,
I didn't know your name, but I didn't know if
I don't a bad thing. Now, of course there's no
But like I told you before, we went on. There
they go on and I got into a screaming match
on this. There's no rules here, okay, just talk about
say whatever you want, ask whatever you want. I don't care, okay.
So back to Hanson or boys men, Are you more
like handsOn or boys? To many men? I think okay,

(47:11):
but I think more like hill billy mamas and the
papas are Fleetwood mac Fair. But people maybe that don't
know music or below thirty five won't get that reference. True,
but we'll they'll get boys. Amen, Water runs dry. I'll
make love to you on Bend de Kneed. The two albums,
the Blue album, Are you kidding me? You go? Come on? No?

(47:33):
I love them. Nineties. I just saw them sing last
year with Dan and Shay. It was awesome. Yeah boy, Yeah,
you can check about seventies versus nineties? Yeah? Why so okay?
So okay, your boys to men, your country boys to mend.
Here you are, you're up there, and let me play
a song for you here. Tell me about the song
right here? This sounds like a church song. Yeah, yeah,

(48:03):
it's not like the guys part from the girls parts
are split up on purpose where you're not allowed to
dance with each other. It's like you're singing across from
each other at church. That's picture in my head. You
know what that that is. That's an overthought record. Um,
and that is us not having our voice, like not

(48:23):
fully knowing who we are. But there's elements of us
way in there. You know what do you hear with
some good stories about this record? Time? Um, we didn't

(48:48):
want that to be the single comment for first single? Yeah,
but they didn't listen to us. Did you begrudgingly go
out and perform it? And like, oh no, because we no?
But but and I like I like the song. We
like the song. Fine, it's just that we it shouldn't
have been a first single and and the record um,

(49:11):
and we blame ourselves for this, but we it's kind
of like a vanilla dout version of us, you know,
like very too much thinking you can get in the
studio and just like think too much, and you can
have people around you that think too much, and sometimes
that doesn't make for the best music, but it also

(49:34):
is part of the journey. It's like sometimes you just
don't come out of the gate getting it right, and
it's not anybody's fault. Like the people that we made
those records with were obviously trying hard. You know, they
wanted us to break and they weren't trying to do
a bad job. They weren't trying to put a bad No,
not at all. I wondered Lee of my favorite group,

(49:54):
Karrent Lee, by the way, I wonder if she is
like man I could have been Kimberly in a little
bit too, No, because I think she thinks too much
that that she had a path and we had a
path and it was all what it was supposed to be. Okay,
so don't waste my time? Doesn't work? Right? Do you
get dropped after that? Um? I think we had do

(50:17):
we have one more? I think we had one more
single than we got dropped. And so when you dropped,
how does that work? What do you get a call?
And we were on the five o'clock news, you know,
Dimitria Calademos and everybody. I think that's channel. I can't
remember what channel that is. Um. We were a part
of a mass exodus of artists at Sony and I
think they're like fifteen artists that got dropped and we

(50:39):
were one of them. But for some reason we got
mentioned on the news and that we had owed like
millions of dollars in recording debt. But isn't that you
don't really have to pay unless you make it right. Yeah,
And but it was weird that we we were on
the news and it kind of really it just sucked
because we were thinking, God, now we're damaged goods. We're

(51:01):
two label deals in you know, we were out of
the Mercury deal. Now we got dropped on Sony. We
had Boondocks and bring it on Home, and Sony still
dropped us. So that means they really didn't want us.
When you said you had Boondocks, like it was already
out or you had it sitting there ready to we
had it ready to go ahead, it wasn't out yet.

(51:23):
You never listen to this on the radio. I love
the end of the song. Thanks. This was the first
time we we got the sound right and like got
in the studio and we didn't have anybody looking over
our shoulder and we made the music we wanted to make.
And we were broke and like three broken relationships and
a husband that passed away, and it was a difficult

(51:45):
time for the band, but we found our solace in
making music. And you know, when you're desperate, then you
really get down to it. Could you feel like when
you're recording this on someth much different? Yeah? Really? Oh yeah,
because it's hard to feel different. One. Things just haven't
gone right for a long time. You know where we
felt different When we were in Afghanistan, we had this
song and we could tell the soldiers like they just

(52:08):
loved this song about home and they didn't know us.
We didn't have a hit, and they talked about this
song all the time. It was it written at the
end for it to be the breakdown, you know, the
yeah that was in I always wonder how do you
guys decide who? We were sitting around just like this,
and we were at Wayne Studio and he was like,

(52:29):
you know, because let's it feels like it needs like
a cool vamp on the end, but like something that
le love it would love, you know, like something cool,
like that feels familiar and yet it's new. And so
he started singing that, and then we started just kind
of vamping around parts, and he was like, that's it,

(52:50):
that's it, And then we one by one quickly went
in and just started singing those like ad libby things,
you know, five Church town Sundy, It's that was just
the thing that that happened. Wayne started it and then
he yeah, I think he came up with that, you
know what. I like it. First of all. I like
all those voices, and to me it sounds a bit

(53:12):
like um um, I want to hear something the round
of that. Yeah, And I loved that, you know. I
love so boondocks. So you had Boon Dog and you
didn't You didn't go out like you had it. You
were just holding onto it. We were holding onto it.
And then we we we took Boon Ducks and bring
it on home with us when Yeah, which is this

(53:35):
was the biggest single we'd ever had right here, not
yet in the story. I love this song. Why do
you love this song? I don't know if I love
those long harmonies, and I think it reminds me of
that time in our lives. Sentimental Bring it on home.

(54:01):
So you take these with you to the new deal
to a no deal, I mean we had no deal.
And and so that's when we we went out to
Wayne's studio and we just made just a record, and
we had probably eight songs that ended up being on
the road to hear record and we are lawyer pitched
him around town to people without telling people who it was,

(54:25):
and because we were kind of damaged goods and just
to get feedback. And again we got rejected several times.
And then Mike Krasky, who was our old um kind
of one of the higher ups at Sony, who had
gotten blown out when we got blown out, he felt
like it was unfinished business and he just really always

(54:47):
believed in us. So he and Clint Black were starting
to label an indie label, yes Clint Black and and
so we took this record over there to them, and
and then it took off like and it was so amazing.
I gotta wonder before it took off, though, So there
are four of you and it hasn't worked. How close

(55:08):
did you guys get to go on, Okay, this isn't
gonna work. We're gonna have to go our own ways.
We never did you really never did. No. I remember
one truck stop on the way to Boston where Kimberly said,
what are we doing? Because we're so tired and so broke.
But it was just like a laughing like what are
we doing? We're crazy, but I just think we're just

(55:29):
we're just so stubborn, you know, like just not gonna quit.
And so we just kept going and then this happened.
So what was it? What hit first for you where
you're like, Okay, this one's got some real legs. Okay.
The day we were I think we were in we
were in a North Carolina's studio like parking lot with

(55:50):
our radio guy in the car, Jeff Davis, I think
it was Jeff Davis. Yeah, and we were sitting there
we got a call from our then manager and we
had been crucified in the US, like for like everything
from the way the record looked, you know, that first
record that you were playing from the videos too, just
like I mean, we're wrong with you. And they were

(56:11):
just saying like put together band, overproduced, slick um, you know,
boy band with girls in it, you know, just any
kind of criticism. I mean, we were written up in
the Tennessee and like worst review ever. It was horrible,
like all these things went on. So one day after
we've been out on radio tour, we got a call

(56:32):
and they said, hey, um, Bob Orman. And I don't
know if your listeners know who he is, but he's
like country music critic forever and ever and ever. Do
you know him? Robert Orman? And he wrote a critique
of the record and he said, this is a revelation.
I take back any negative thing I've ever said about

(56:55):
this band. And that was like, I mean, I think
Kimberly started crying like it is turning around, Like this
is the moment It's turning around. So that and it
really was. He really helped change people's perspective that we
had made the record finally, that we needed to make
and people should pay attention. And then Keith heard the

(57:15):
record and then that's when he took us out. So
what song was the radio song at that point? Boon Docks.
So you now I've put it out, so you have Boondocks.
But the words on the chart, because it wasn't a
number one, was it went to eighth. And I used
to mail leg copies of this when we had it
at Sony and we weren't supposed to really be doing

(57:38):
anything with it. I used to mail it to radio
program directors and just that were friends of ours and
say what do you think? Just to get feedback, you know,
like Jenny Rodgers in Boston. I've mailed it to her
and a couple other guys just to say, like Greg Swedberg,
I think, um huh. So just people that seem to

(58:02):
like even the first record, that saw the potential there,
and you know those people have been friends of ours
ever since. I'm sure I wasn't supposed to do that,
but I did. History is full of people who weren't
supposed to do things, who did things, and that's how
things happen. That's right. You gotta make it little Big

(58:23):
Town Week on the Bobby Cast. It's Little Big Town
Week on the Bobby Cast. About this one right here,
because this is when I first started being like, who
are these guys? I want to cook and chase make
sure I know I love I love this record? Are

(58:47):
you supposed to say that about your own records? I
think if you do, say it's very you were very honest,
because you're not supposed to say if you do. But
if you do, it's a really honest thing to say,
you know, I love it. I love it because that
again was like a defining moment for the band, like
because we were in the studio with Jay Joyce. It

(59:08):
was it was just the first time we had done
something again. That was a new chapter, a new relationship
of production. Jay is a lot different than Wayne. They
both have they just have very different ways of producing records.
And Jay won't let you think about anything. It's all
about instinct and what feels good. And when he started

(59:29):
crafting that moment right there, he was so in it
and like it was almost like watching a conductor, you know,
he had some of those crazy parts I could tell
in his head and he was just like just going
for it. And it it sounds like that. It sounds
like people in there really singing and going for it
without overthinking. And we never thought that that would be

(59:52):
a single, much less than number one record. We didn't
eat um. We didn't even play this for Dungan until
the very end of playing the record because we were
scared to play that for him. We waited until we
played everything else. And that was like the twelfth song.
We were like, and we have this and what was

(01:00:13):
his response. He liked it all. I mean, I think,
I mean, he was so happy about Pontoon because he
had heard that song the demo and he was like,
you guys need to stop. Everybody was saying, oh, it's
a smash, it's a smash, it's a smash, and he
was like, hey, it's not a smash yet. Wait, like,
hold on until you get in the studio and you

(01:00:36):
make it a smash. And he was right about that.
I mean, you can't you can't start saying that when
you don't even haven't even recorded it. So but he
turned around when he heard it and he had the
biggest grin on his face and he's like, well, you
did it. Yeah, that's it. Natalie Himby was in sitting there,
We're talking about this song, and she was like, you
know when it whenever they wrote it was back this

(01:00:57):
be into the water, you know, and they had to
change the word. What what what do you guys? I
mean sometimes live I still say it, but on the
record it's not though it's hitch back this hitch into
the water. Okay, Yeah, she said she probably told you
the story about the guys on the boat with them
when they bought a boat and she's like and he's
like that song. She's like, have you ever seen people

(01:01:21):
do that in your show? That maybe like in a festival.
I mean not people that would buy tickets to the show,
but I've seen people on a festival, like we're clearly
they were coming to see Blake or somebody that was on,
and we were on in front of them, and they'll
they'll whisper things like why did she wear that? Or
I hate this song? Have you ever seen people do that? For? Yes,

(01:01:41):
because either when we play festivals and we oddly get
put on big festivals in good spots. But the thing is,
you either know us or you have no idea, Like
it's seem a music we play at the river stage right,
that's like this the big ones in a a football field,
the one that you guys played, And then they put
the b X on the river and we're not even
to be at but they puts the river and perfect
spot four pm right before everybody goes over, and I

(01:02:03):
remember like a third of the people because they want
to leave because somebody good was coming after us. They
were like, what is happening on stage right? And I
can just see it in their faces. So yes, But
they were just confused by that we're jumpsuits and all
of that. But you guys are actually good, though there's
a difference, like our thing is stupid, but uh, pontoons

(01:02:23):
first number one, Tornadoes number one. Um, I have so
many things. Yea was and then tornado and then I
can't something that didn't work I think was next. So
you're side of the bed. I remember watching I was here.
I remember watching the performance like in the bed and
the person doing like the circles. And I always loved

(01:02:45):
your songs. This is the truth. It seems like I
love the songs that don't make it more than I
like the ones that do. It's weird. Whatever you're about
to say, I say it because I love there are
songs of your I'm just disgusted when they don't make it.
I just so angry at the industry. I know this
came out in a time when not very many ballads
were on radio, and so I don't know if that's why.

(01:03:11):
But we wrote this with Lorie McKenna girl Crush. Yeah,
I loved this song. Thanks. I had this this chorus
and the melody of the verse in my phone for
a while, and and then Lorie had the hook. Yeah,
I was disappointed when it didn't work. So such a

(01:03:32):
song like whatever else whatever on the radiol like song
should win, which later ended up happening with a Girl
Crush Franklace Like, yes, you guys kind of kicked out
wall down of kin Ballad's work. Well you really did.
It was like kenneball and you don't get much slower
than Girl Crush Crush hey too, and man, I mean

(01:03:54):
I think You're the bed is just as good as
Girl Crush. Yeah, I know, will you help the one
a lot, but this, regardless of who helped what, I'm
just so disappointed your side of the bed didn't work. Yeah,
because I love Girl Crush obviously, but when you're side
of the bed didn't work. But this song, all of
said is about girl Crush, and I think this story

(01:04:15):
has been told thousand times. Is that. I think that
kind of kicked the door down for balance, at least
in my company, which is the biggest company and my
new boss which I'm very close to, who brought me
here and then helped bring him here. It was like
look at this, like this works, Yeah, and the power
of of that once it started, I mean, remember the

(01:04:35):
remember how it happened when you played it, and then
it went from what was it? It wasn't even on
the chart, and then it was like bam, it was
like number four or something. The number two. I remember,
I remember exactly because I remember us talking. We were
in New York and Day Drinking was about to number one,
and this record was about to come out, so Day
Drinking was the single, and I was like, I'm not

(01:04:57):
listening to the record till it comes out. That's always
not rule, and list the record comes out. Record came
out at midnight, and they were like four songs that
one of the guys who worked at your label, Steve, said, hey,
he's just some other songs. And I heard girl Cross.
I was like, holy crap. And I was in New York.
Video was like, Amy, if to play the song, I've
got so much trouble. I've told you before they did
that to you, before they spent up research money my
company did to research this song. I see it was

(01:05:19):
hurting my show. How are you kidding? So this is
why they literally spent thousands of dollars because I was
playing it all the time, rightly, researching to see if
the controversy was hurting you. So it wasn't It wasn't
a radio song, and it was to everybody else was
a lesbian song. But I thought the song was so
good and I started playing it and I'll play it
and I like it songs so good, and I I

(01:05:40):
did it for like a week, right, And so my
companies were they get worried and they they hire without
my knowledge and not even a bad way. One of
those rooms where people could sit in it, and and
they one of the rooms called my research rooms, uh
focus yea like a focus room, and they had people
listened to it and see if it was making them
ang me that I was talking about it. And it

(01:06:01):
ended up being like sixty percent we're okay within weren't,
which is still pretty high. But you mean, how on
the negative side, Yeah, yeah, well, I mean a lot
of people think we made up the controversy, but we didn't.
I mean, I know you didn't make up the controversy.
I know, but I've had I've had people in the
business stop me and go, man, that was a good one.
Y'all did like what do you think that we would

(01:06:21):
actually do that? When you guys came to the studio
there these are memories I haven't thought of since. But
I'm sitting here, and you know, you sit with someone,
you remember things. You and Kimberly came to the studio.
Did you two? We're talking about it, and Emily was
listening to the show in d C. And Emilly, you
are rights for the post she and she messages me, Hey,
She's like, that's a crazy interview that song like, And
I was like, there's a story here, and don't put

(01:06:44):
me in the front of the story. Put somebody else
because it will automatical turn people off because I've been
screamed about it forever. And she put like a DJ
and I w or something first and did me second?
And boom controversy and it was I love controversy. I
was love, but it was it was that weird for
you guys. Did you feel like you were being attacked? Well,
we had done a few interviews kind of a couple

(01:07:06):
of weeks before, trying to like ward off some of
the negativity that of just like maybe moms that didn't
think they wanted their children to hear I want to
taste her lips in the morning on country radio and
they were calling into complain and so we were getting
on there saying, you know, oh, it's a song about jealousy,

(01:07:27):
and you know, just having to try to like get
the stations to play it, that we're thinking about dropping
it because of the negative calls. So then this happens
with you, and I remember you saying, maybe a couple
of weeks before the Kimberly and I session, you said
to the four of us in the studio, doesn't it

(01:07:47):
make you all mad that, like you have like such
a big selling song on iTunes and you're like at
number forty something on the chart. Do you remember saying?
That's what then started it to you. And then Kimberly
and I came back. The post thing was written. The
Iowa guy wrote his thing. Jimmy saw the Iowa guy.

(01:08:10):
I guess he wrote something on a blog or something
about it. He saw that on the bus late one night,
and I remember us all gathering in the front lounge
to the bus and going, oh my gosh, what is
going to happen? And all I really cared about was
that the song didn't get lost in the shuffle of controversy.
I was afraid it was gonna go away, and I

(01:08:33):
was like, this is such a special lyric such a
special song. Please don't let this go away. You needed
the shuffle for the song to get out. You needed
the shuffle for other songs to get out. That's the
weird thing about it all. You guys just didn't do
this for a girl crush, Like I'm not kidding, like
other ballads that you should be here from Cole Swindel,

(01:08:56):
that those songs like that would not have been on
the radio if you guys want to put out girl crush,
because that song was against everything that ready was supposed
to be. By the way I was pulling my hair,
I'm frustrated, right, I'm talking about it, and this is
two years ago. It was everything wrong with radio. It
was slow, it was female, well it probably ballads weren't researching.
It was yeah, everything it was the six eight waltzing

(01:09:20):
was wrong with it except it was perfect. Except for
it was perfect and it stood out like it was.
You couldn't ignore it, you know. And that's what If
there's anything that I learned through the years of when
you're making music, it's like you have to stand out
among the pack, even if you fail, even if you lose.
Sometimes it's so much better to be like fire than

(01:09:43):
it is to just be ignored back to how he
first started, rather beyond the worst dress list, then no
list at all. That's right, that's right, and I'm okay
with you. And I get beat up all time by
the the Guard, the natural Guard, kill the Let me
tell you what other song really irritates me and I
know you guys just lost. It was Happy People. I

(01:10:05):
love that song. I was playing in the dance part.
That was such a good song. I think Happy People
is going to have its life Somehow can you sell
it to a cartoon like a movie? Like well, I know,
doesn't it feel like yeah, it's again. It's so different.
People were scared of it. It sounds seventies ish to me.
It has that kind of bell bottom I hear bell
bottoms dancing. I hear people at would stock listening, and

(01:10:27):
I think that different always scares people until it's not
different anymore. And I was so disappointed. And you know what,
when we're in the studio, we're always setting out to
be different. And so when we made that record, we
could have cut it a different way, and we specifically chased, chased,
chased the very things that you're saying, like, well, we

(01:10:47):
were listening and referencing to old records and going the
kick should feel like this, and it should feel very
like train ish, you know, not trained the band. Um.
But you know it's it's not just one of those
records that just jumps out and smacks upside the head.
Is a radio hit, I guess, but I think, but

(01:11:08):
I think it would have been. I do too. I
love it. I just keep playing it, just put everybody off.
I think it should be like in a commercial. I
do too. I think you should be in a cartoon
or something. It's so happy and I was like happy
songs to me too, And I think it's an important,
important sentiment for right now. How about this one. It's

(01:11:31):
a very good song. I did, like I know the
new the song and when you guys played it at
the c MT Awards. I love the song to begin
with because it's it's very it's very musical message e
I love message song, love songs that you can hear words. Um.
Although like it's a lottle risky, I know, a little
risky to go and and I know throw a Baladi

(01:11:56):
song out with Jimmy, I know with but but it's
it's the rule of the band it's like we just
we have to go with what we think, you know,
we just have to go with our gut, and we
have to go with what also we see people reacting to.
And I don't think you can. That's the research. You

(01:12:17):
cannot ignore people lighting up in an audience, even though
people will say, well you can't. Don't ask your mom,
you know, of course, but she's gonna like everything you like.
But when you see people moved by a song or
they're talking about it, or you know, you're so good
with your fans, you can see what they're talking about,
what they love, what they light up about when you're

(01:12:38):
doing your stuff. So it's the same thing. We can
see it too. So we're just gonna roll the guys
love it and see if it works. I love risks.
I love failing because that means at least I gave
it a big I know. I told Luke when Luke
Brown one day we were on tour, and I was like,
you can't remember not having to hit you. He didn't remember.

(01:13:00):
I mean, he he does remember, but he you know,
he he's like one of those guys that just and
his fans they just adore him, and I do too.
We do too, but he it's been a long time.
Some people can just try risky things and radio is
gonna play it all the time. I don't know. For
some reason, we haven't always been that band, but that's

(01:13:21):
okay because when we we do have them, it's huge
and radio has been so good to us because you
have females in the band, Like that's the real reason.
Regardless one you hear it or not, do you think
absolutely it is? You don't think this industry is like
a little like the females and you have females that
and you guys do an amazing job because I don't

(01:13:41):
know if you call yourself the lead vocalist, but you're
the lead vocalist of the group and in everyone's mind
because you sing more of the lead parts. So the
main voice that you here's the female. So it's like
you think of Lady and bellum, that's a girl. That's
a girl band. They're two guys and a girl. But
it's do a girl band. And so that's why that's
all it is. Does this format a bunch of haters? Well,

(01:14:04):
I'm gonna say this. A few years ago I was
so discouraged about this subject, and I think there has
been a little bit of an improvement. I mean to
see Kelsey Maren really bust through and on a Grammy
level bus through that we've made progress. It's better than

(01:14:25):
it was a year ago, and in the year it'll
be better than it is now. You don't want a revolution,
you want evolution, because the revolution comes and goes. The
worst thing to happen when people start throwing females in
the radio just to put females on the radio. Yeah,
because it's so much better when it has substance and
and girls right substance songs. It's just more difficult to

(01:14:46):
play it on the radio. And and I just think
it's it's not balanced, and it's not true real life
when you're not playing women. I don't even want balance
because I'm okay if it's imbalanced the other way, I'm okay,
it's good. That's all I want. Like, let's not not
do things because of something. And I see how I
deal with it all the time. But well, oh, I'm

(01:15:08):
gonna ask one more thing before we wrap up, like
are you making a lot of money in your clothing line?
Because I wouldn't think you would early. It's a new business,
you know, it's like it's a brand new baby. Are
you in the whole a lot? Though? No? Do you
have investors like that came in you call me and
be like, hey, you wanna be you wanna Yeah, you

(01:15:29):
want to invest on the Worst Stress List? Those are
the kind of less I like to invest it because
you get in low right, the stock is low. Um,
it's been successful. Tell me about this line. It's been successful. Um,
and my have a partner and apparel partner in New
York that like executes the vision. Um. But I'm not

(01:15:50):
a person to just throw my name on something. So like,
I'm going to New York early in the morning and
we're brainstorming about a few pieces and I will hover
over fabric for hours and hours and hours tomorrow and
I will I'm not a sketcher, but I will like

(01:16:10):
write out notes tonight, like all the time about details
and what I want to do. I really love fashion
and I always have and I love it's an expression
of the music in a deeper way to me, and
it's part of your personality. I mean, I love that
you guys are wearing those jump seats and stuff because
it it is y'all's personality. It's your personality and it

(01:16:33):
is so identifiable. It's like you know, bam, you're saying
something you know we're saying is the raging idiots. This
is the god's honest truth. Like that band became it
should never become anything. It really shouldn't have because Ronnie,
I can't sing and we're not good, and you can sing.
I saw you. So secondly, uh, people would come out

(01:16:53):
with I'll be like, what is this about? Because the
last thing I want to do is see an actor
get up and try to be an athlete or an
actor get up and try to be a singer. I'm
not trying to watch Eddie Murphy downloading songs. So I
was like, okay, people are always all right, prove me
you suck, prove me wrong. And I was like, I
don't want that. We're gonna put on stupid jumpsuits and
so you know, we walk out there, we know we're
not serious and you're gonna have fun and that's it. Well,

(01:17:16):
and I mean that's why you're selling out places because
people are having a big old party. You know. That's
the key to to Luke. That guy knows his audience.
You know your audience. He knows his audience. He is
so in touch church. He knows his audience. He goes
out there and it's like he's you know, it's like
method acting. It's like not not that he's an actor,

(01:17:39):
but you know what I'm saying. He is in tune
with what his fans want to I get it because
I know what my listeners want, and I try to
give them exactly what they want because I know what
they want because I am them. It's the weirdest thing.
Sometimes I think we don't like, we don't give we're
sometimes we get lost in our own art of You're

(01:18:00):
also four people, to be fair, with four different personalities,
very different and lives and influences. And so I mean
you're a mom, your mom. Yes, that's like your kids
famous to me. I see him on Instagram. I'm like,
your kid, your kid. If I saw him, be like,
holy crap, look your kid. You're a kid's famous to

(01:18:23):
me because I want to see him on Instagram. I
like picture it all the time. Jimmy's coaching basketball right now.
We have a double double game tonight. How does he
does he coach all the time. He's the coach, He's
the co coach. Of this league of basketball. Are you
guys able to have a somewhat normal neighborhood where people
do Yeah, yeah, yeah, we I mean, you know, school friends.

(01:18:43):
And Alata doesn't know that this is not normal. He
thinks getting on the bus and you know, is he
cool because of you guys? Like is he popular because
his mom and dad? I don't really have a I
don't know. I really don't know. I do know that
I almost cheered up at the Predators game when Elijah

(01:19:04):
didn't know it, but he was sitting He knew he
was sitting behind Keith because he knows Keith from touring,
but he was sitting next to mac Davis and he
didn't know it. And mac Davis is just one of
the greatest songwriters ever. And and when the Predators scored,
the whole you know suite erupted with joy, and Keith

(01:19:26):
turned around and slapped a logeah five, and then mac
Davis slapped a loge of five, and I was like,
my child does not know that he is He is
literally slapping five with two people that have so much
musical influence on not just me as a writer and
a singer, but on country music history. I mean Keith

(01:19:48):
as a future Hall of Famer. Mac just won the
Icon Award. We sang in the Ghetto. He wrote, in
the Ghetto, I mean so I got a little. I
get teary eyed on things like that, just because I
think Key someday he'll understand it. Does he want to
sing because his mom and dad do. He more likes
to dance, and he credits Luke all the time that
that's where the moves come from. He's kind of a

(01:20:09):
good dancer. He plays drums, plays a little guitar. He sings.
When he sings, he I think he's going to be
more into rap music just like his mom. He loves
Michael Jackson and Bruno mars Like. He likes things that groove.
So he's not his into our ballads as he likes, like,
you know, the fast songs of the rock and songs. Well,

(01:20:30):
I think I see Kelsey Maron you are the next.
We only have one left on the wall. These are
I have six pictures on the ball that I keep.
I don't put anybody else up there. Those are like
the people there's are like, it's it's you guys, Kelsey
and listen, I'm working. I do. I get all this
cray get crap all time, all time. People send me crap.
There's a plot, here's a crap. I don't keep any
of it. I'm so glad we made the wall. Those

(01:20:51):
are like the people that I really enjoy being around.
And it's Kelsey, you guys, Maren passed a Jansen and
Urban and Urban is the only one that hasn't come
in yet. I haven't let him yet. This was never
gonna be artists. It was never gonna be gonna bring
song writers in. And then Marin was the first artist
to go, can I please come on? And I was like, no,

(01:21:12):
how long we keep Marin off? Two months? And then
and then Dirk's nose, Kelsey and Jake Jake, Has Cam
done it? Because you and Cam are friends? No, Cam
hasn't done it yet, can't our friends? Has Lindsey done it? Yeah?
But it was different. It was when we first before. No,
now was when we first started dating. Huh, like we
first started dating and so she came on then. But yeah, anyway,

(01:21:36):
I'm glad to have you in. Did you have fun? Yes?
I hope I didn't bore you. No, if you'd bore
me out to change subjects Now listen, you are the
genius what you do and I do what I do.
So would you know, like, would would you be mad
if I had a radio show? No, but I'm bad? No,
Just like we were talking about Lindsey No, like like

(01:21:56):
Eddie Murphy, like you wouldn't you know when you were
talking about as becoming singers and different Like I like
Chuck Wicks and Chuck's over on the Cumulus session and
he's he's an artist. I think that they're making him
kind of play a character over that there's really not
But I like Chuck, and I think, yeah, I don't
want to care. I like everybody should go out and
just do the best I can do. Make what I mean.
I don't want to I don't want to do a

(01:22:17):
radio show, but I think it's too hard. I think
it's hard. You don't sleep. I don't know how you sleep. Well,
that's all back from Haiti. I'm on the road every
weekend since January. Told him, well, I've been doing stand
up all weekend, but my clock's never I want to
come to a stand up show that we didn't want.
I didn't want to tea back and but you'd be

(01:22:37):
on the road, well not as much this summer. Yeah,
I don't do it. Have you ever had Josh Wolf here?
Oh no, no, no, I know Josh, but never had
him here. But you know who played because I did.
You know. Here's a funny story for you. So, um,
first of all, it's a Nashville show. I don't like
to play Nahville shows. I love my Nashville listeners. But

(01:22:58):
everybody from all of the blog in all the pain,
they all want to come out and see if you suck.
It's not see if you're good. They all want to
come out and just see if you suck because they've
been seeing ticket sales, they've been seeing Twitter posts, the
fall theaters. Let's just see if you suck. That's what
everybody's thinking when they come out, right. So I'm like, great,
but I like my nationalistics are amazing, but I just
it's like I don't want to deal with to see

(01:23:19):
if you suckers? Right, So like what just I just
want to do it? Because so Ross Confran comes out
and he comes down and Ross's friend he's been on
and so Ross comes down and he plays um the
song that he wrote for Chesney one of like yeah,
the big going with Pink Sunshine and the pink dumb
what is it? Yeah on the world Ifire sings that?

(01:23:41):
And Carly Pierce, who I'm taking out with me is
my main act for the next for the rest of
the year. She's my she's my support. And so she
comes out and plays. And who do I who comes up?
Who'd I bring up? Is that? Krall? Okay? So ja
za karlis okay? He's Sam He produced h like boy
like a background. Okay. I don't know who he is.

(01:24:03):
I had no idea who it was. I don't I
don't know that I've met Zach, but I know his name.
I do nothing about him and all of this. I'm
doing this bit where I don't run the bit, but
I juggle knives and hump a face and stuff, right,
And so I have no idea who he is, but
I'm humping his face basically, And he didn't know had
to bindfold on. Everybody's laughing, and he goes back down
to a see I finish show, and I was like, oh,
there was a guy by like a background, and I

(01:24:24):
was like, oh, so he's coming in like three weeks.
I I owe it to him, right, like to come in.
But yeah, he should come out. Sometimes he wasn't mad though,
I don't know because I didn't care. It will be
your second fight. I didn't do the show. Do you
ever have any hecklers there? Had? Um no. Two reasons. One,
I do theaters. So the theaters are usually between a

(01:24:47):
thousand and depending on what town I'm in, and they're
in seats and it's very everybody you have you their attention, right.
Theaters are different thing. Yeah, No, it's different for us too.
It's so no because tickets aren't super cheap. People are
there to really like focus and have in the crowd
usually shut people up. If listen, somebody starts yelling something

(01:25:09):
crowd like, shut, they'll beat them up. So I don't
have to worry about that. Like my people always have
my back breakout. Yes, I was in uh well Boston,
there was a fighter Boston. They fought before I got
in there. But in in western Massachusetts. Uh, someone stands
up in yells I'm gonna shoot you, and I'm like, oh,

(01:25:30):
I already had it. I've had like five iNTS and
nets right where I think I'm gonna like die already,
and so I'm like, well, so I just sit down
behind the speaker, because I know the promoter is gonna
not pay me if I leave the stage, because there's
sometimes promoters may not be the nice as the guys
may be looking for reasons and not paying me. And
so I was on a contract not I was doing
my hour set and all of a sudden, it's a
fist fight in the audience. There's another fist fire below

(01:25:51):
it and only the stage and I sit behind it
and I just keep talking. The cops came. It was
the whole thing, and then they get pulled everybody theater
and I was like, so anyway, pulled everybody out of there,
They pulled their was fighting. They put people to jail.
It's amazing. But I never left to stage. And then
I went back into the act. Everybody was kind of
but I've stopped to show before what the fight? Oh yeah,
because I saw like a guy like trying to hit

(01:26:12):
a girl and I was like, oh no, no, no, no,
like right in the middle of a song. Is that
before you too? Uh? Like before people started doing that
on YouTube? Yeah? Maybe because I think that'd be put
up all over the internet. Yeah, you know what happens.
It fights happen a lot drinking it's the drinking. It's
the drinking hand. I mean, I would think it a

(01:26:33):
nary church show that it would be like a fight
every night or every everywhere. You would just which are
the crowd would like to look and see a fight.
But and with Luke we would see them get really
like really having a good time, and some of them
would get out of hand, you know. But I don't
like that. I want you to like, come and have
a good time for me because it's quiet, and I

(01:26:55):
don't go on until like this show starts, George, only
seven show starts to day. My first act goes on
and say Walker open for me for six months, Carly
wool now, and then I'll come on third right and
do sorry. By that point, if they're drinking, they've been
drinking a lot and it's really quiet so you hear everything.
But yeah, it's fun. I hope you come sometimes. I
would love to come. I'll come. I not come to

(01:27:16):
one of your shows some time, okay, and i'll wikipedia
you before we do this again. Here's the thing. People
don't realize that really you don't get to spend a
lot of time to people in this town because when
you're home, you're doing home stuff and then when it's
time to do like people stuff, you're on the road. Yeah,
the only time we're like the Monday, Tuesdays, Wednesdays sometimes. Yeah,

(01:27:37):
I'm glad you came by. Well, thank you for having me,
and thanks for letting me do the voice. I didn't
let you do the voice. First of all, there was
not nothing I know, but you you were gracious about it.
There was nothing even gracious you had to go to
the Wheeler Walker Jr. Do it. Yeah, you know, I
just met him at Liz Rose's album release. He was like, yeah, yeah,

(01:27:59):
he's raazy, nice guy, Like I don't even gonna run.
I think he follows me now on Instagram. Was so honored. Yeah,
he's nice friend. Um, well, thank you, thank you. I
hope this was therapy. It was awesome and I think
like you go into Haiti and surprising Amy was the
sweetest thing I've seen anybody doing a long time. That
was she was about to like she was losing it

(01:28:20):
on the show. I'm a little uncomfortable because not because
of the subject, but because she's done that like twenty
times and I did it once, and all of a sudden,
people are like Bobby you're the greatest, And I'm like,
that's no idea, I know, but that she's you're her friend.
That's like a best friend going, hey, I wanted to
go meet your kids. Yeah, that's the best friend thing.

(01:28:41):
Like we're not radio co host. I can tell your
best friend like that's like, yeah, you wouldn't do it
if you mean, like, I don't you think Mike d
I crap at him. I'm just kidding my deal. Let
my dad, Mike says my intern like years and years
and years and year and years ago, that whole shows
my team from friends that none of them are radio people.
Thankfully Lunchbox no lunch box for thirteen years, memory bar.

(01:29:03):
So they were all on the Austin Show, the talk show.
Some of them were yeah, Amy lunchbox were Ray was
an intern. Morrigan my executive producer as an intern. Mike
was an intern, like everybody was. Does Ray really have
bed bug bites? S? I don't know what he has
on it? I don't. I don't ask that questions. I
saw the Instagram today. Yeah, well we're gonna go talking

(01:29:25):
to us episode what does my sixty six? I feel
like I've learned. Thank you for the trip. Down memory lane.
I'd really right. I mean that, Karen Lee, there's something
to that. You should re explore that maybe every year.
Al Right, we're gonna go, thank you very much, that
little big town week on the Bobby Cast.

All Episodes

Little Big Town Week - #66 - Karen Fairchild Christian Group Before LBT

Episode Transcript

Host

Bobby Bones

Popular Podcasts

United States of Kennedy

Stuff You Should Know

Dateline NBC

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Little Big Town Week - #66 - Karen Fairchild Christian Group Before LBT