Recording Artists

Check out season two of ReCurrent, a Getty podcast about what we gain by keeping the past present.

Hosted by Jaime Roque, this season explores cultural stories hidden in photographs, archives, and everyday places. Hear from artists, activists, and communities where Getty stories continue to unfold.

On this episode, Backlot and Barrio, Jaime spends time with photographer George Rodriguez, whose camera moved between Hollywood’s b...

How does a mid-20th-century experimental art and science group help us make sense of our social media ecosystem today?

In this extended excerpt from Stanford professor Fred Turner, you’ll hear how the origins of our media landscape date back to the 1940s and the push to counter fascist authoritarianism through democratized access to information. He also explores the unexpected role experimental art-science groups like E.A.T. p...

Check out Getty’s first podcast for kids and their families, If Objects Could Talk!

Listen as artifacts leave the museum vault and come alive to share their side of the story. Featuring objects from Getty's antiquities collection, each episode introduces listeners to the history, creation, and everyday use of incredible items like an Egyptian cat statue, an ancient kind of dice, and a glass flask shaped like a fish. Voice acto...

Laser physicist Billy Klüver really loved his lasers. But what divided the beauty of the laser (at least in Klüver’s eyes) from art? As the co-founder of the nonprofit group Experiments in Art and Technology, drawing the line between art and engineering came up a lot. In this bonus episode, we’ll hear Klüver talk about disciplinary boundaries in artist-engineer collaborations, and about his beloved lasers.

Stay tune...

What do engineers get out of working with artists? In a series of talks designed to attract new engineers and artists to the group Experiments in Art and Technology (E.A.T.), engineers Fred Waldhauer and Robby Robbinson discuss how working with artists turned them from “aesthetic primitives” to true collaborators, even if they never quite fit in with the “arty crowd.” Hear how they approached their work in t...

Did you know Robert Rauschenberg was fired by John Cage? Us either—until we heard Rauschenberg telling his side of the story to Barbara Rose in one of the interviews in Getty’s archives. We’re sharing clips from the archive as bonus episodes while you’re waiting on season four. In this first episode, you’ll hear Robert Rauschenberg explain how he stopped designing stage sets for the Merce Cunningham Da...

Robert Rauschenberg is one of the best-known artists of the 20th century, in part because he never stopped exploring new mediums and styles. His work with new technology, however, is often overlooked. In 1960, a chance meeting with Bell Labs engineer Billy Klüver led them to eventually co-found Experiments in Art and Technology (E.A.T.), a nonprofit that paired artists with scientists and engineers to use the most cutting-edge new ...

Laser physicist Billy Klüver had always been interested in art. So when he started working at Bell Labs in New Jersey in the late 1950s, he began going into Manhattan and meeting artists—and in short order he was collaborating with them. He co-founded Experiments in Art and Technology (E.A.T.) to facilitate these partnerships and worked to find corporate sponsors, with mixed success.

In this second episode of the season, we ge...

Artist Fujiko Nakaya is best known for her ethereal sculptures made with fog. But her very first fog sculpture, which kicked off decades of working with this unusual and highly technical material, came about almost by chance—and thanks to her ties to Experiments in Art and Technology (E.A.T.). At 91, Nakaya is still making fog sculptures that compel audiences to consider the environment and our impact on it in new ways.

In thi...

In season three of Recording Artists, artist and futurist Ahmed Best examines the groundbreaking art-science organization Experiments in Art and Technology (E.A.T.). Through the stories of E.A.T.’s co-founders, artist Robert Rauschenberg and Bell Labs engineer Billy Klüver, as well as artist Fujiko Nakaya, who continues to make technology-inflected artworks, this season investigates how artists and engineers collaborated to e...

In this special live episode of Recording Artists, season two host Tess Taylor speaks with Getty Research Institute curator Pietro Rigolo about the making of the series, what she discovered through the letters, and artists’ stories and letters that didn’t make the cut. Author Maya Binyam joins them to bring the letters to life via dramatic readings.

This program is co-presented with the Los Angeles Review of Books.

The Ge...

In 1975, Meret Oppenheim’s small painting Würgeengel, or Angel of Death, is included in a sprawling exhibition organized by famous curator Harald Szeemann. She had painted it over 40 years earlier, when she was only 16 years old. The only problem now is that the curator has totally misunderstood her artwork—and placed it in a sexist context in the show. Rather than meekly accept this, Oppenheim writes Szeemann a deeply ...

In the mid-1960s, Nam June Paik is living in a run-down studio in SoHo, struggling to make ends meet. But even as he jokes about his ongoing battle against cockroaches, he is building his network, seeking out support for his artist friends, and always experimenting with form. Paik’s vibrant personality is on full display in a letter from this period to musician David Tudor. Partially typewritten, partially handwritten, and fu...

On May 20, 1962, the morning after his first child is born, Benjamin Patterson writes a touching birth announcement to his own parents. The letter covers all the usual details—the baby’s weight and height, how the birth went, what the hospital is like—but its form is totally unique. Most of the letter is written in the voice of his newborn son, Ennis. Patterson, then a young, struggling musician and composer livin...

By 1956, M. C. Richards has earned a PhD in English, taught poetry at Black Mountain College, gotten married (and divorced) twice, dedicated herself to pottery, helped found an artists’ cooperative alongside creators like John Cage, and become deeply romantically involved with avant-garde musician David Tudor. Tudor is often on the road, but luckily Richards is an incredible letter-writer. In her notes to him, she plays with ...

It’s July 1942, and the artist Marcel Duchamp has recently arrived in New York City after fleeing the Nazis in Vichy France. As he settles in, he writes to his longtime friend and fellow artist Man Ray, who is living in California. In this casual letter, Duchamp asks Man Ray for help. He needs buyers for his latest artwork: a suitcase containing miniatures of many of his most famous pieces, from the mass-produced urinal he si...

In 1944, Frida Kahlo is at a crossroads, both in terms of her health and her career. In April of that year, with World War II dragging on, she writes to her gallerist—and former lover—Julien Levy. In this tender and personal letter, she moves from the logistical challenges of sending art across national borders during wartime, to describing her painful new steel corsets, to asking after her many friends in New York, whe...