Episode Transcript
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Speaker 1 (00:00):
Hi, you have done to censure.
Speaker 2 (00:09):
For se wow for you your.
Speaker 3 (00:21):
So why wait as Joel save that Joe drive off here?
Speaker 1 (00:29):
No, no, let us shot let shot.
Speaker 4 (00:46):
Weird special.
Speaker 2 (00:52):
This is the pipe Man here on the Adventures pipe
Man W four c Y Radio. I'm really excited about
this air view because it combines two of my loves.
One is metal and the other is the environment. And
I was just a as you probably know, I was
just at health Fest over in France doing radio coverage
there and I attended a press conference there between Savage
(01:15):
Lands and Heilung and Man. When I found out about
this organization, I'm like, we really need to promote this,
especially now more than ever. And so I'd like to
welcome to show Sylvan from Savage Lands.
Speaker 5 (01:29):
How are you hey, bide Man, Thanks, I'm great, and
the other French sun and heat.
Speaker 2 (01:38):
Yeah, you know it's funny. I live here in Florida, okay,
and at hell Fest every time I go, I'm like,
send me home to Florida where I could cool off,
like and you don't say that ever when it comes
to Florida.
Speaker 5 (01:53):
Yeah, I know, I know.
Speaker 2 (01:54):
It was pretty hard, right, Yeah, I don't even know
how you did that press conference either, because that is
the hottest part of all of Hellfest. Every time that
press conference area, like, it's super hot.
Speaker 5 (02:10):
But I do leave a part of the year in
Costa Rica where it's pretty hot too. I mean, it's
probably even hotter than Florida, it is.
Speaker 2 (02:20):
I was going to talk about that too, because I
also live part of there in Costa Rica, and it's
one of my favorite places on Earth, you know, because
of a lot of reasons. It's also one of my
favorite places because of they are all about the environment,
you know, and coming from Florida, that's like two different worlds.
Because we need your help here with the Everglades because
(02:43):
oh my god, the crap we're doing to our state.
It just blows my mind. I don't know if you know,
but like the town of west End near Fort Laurdale,
they built it on top of the Everglades, like they
filled it with you know, filled the muck, and town
is sinking because they're idiot. No surprised there, right, I mean, Like,
(03:07):
but I do love that you do a lot in
Costa Rica too, because man, it's one of the most
precious places on the planet. And even I hate to
say it against my own people. But even as Americans
are going over there ruining that place, you know, well.
Speaker 5 (03:24):
Not all Americans. I mean, there's bad people and good
people in every country. I mean, I know also a
bunch of French people doing really really nasty shits there.
So it's it's well spread. Being an idiot, you know it.
Speaker 2 (03:39):
I think it's a worldwide epidemic at this points.
Speaker 5 (03:44):
I guess, so it's you know, I've been I used
to live in the States for a while when I
was twenty, so it was before the Internet and before everything,
and I remember, you know, being French, I was really
kind of anti America, revolutionary blah blah blah. And then
I discovered that it's a very much complex country that
(04:07):
I thought, you know, and there's some really good things.
I mean, if you think about it. The first national
park in the world has been created in the US
in a sense of preserving something beautifully. I think it
was Yellowstone. So you cannot say that the country is bad.
You know, there's not and some good people. And because
it's the US, it's always very extreme. That's more the
(04:31):
thing that I sense as a European.
Speaker 2 (04:34):
You know, it's also like to me, the United States
it's kind of like Europe. Every state is like a
different country. Every state's got different types of people, different
types of culture, language, even you know. And I've lived
in multiple states in this country, like New York, New Jersey.
I'm originally from the California in the eighties and now
(04:55):
here in Florida, and those are like all three completely
different worlds.
Speaker 5 (05:00):
So you were in California in the eighties and you're
still alive, so you're a survivor.
Speaker 2 (05:04):
I know, right, And my best bro since thirteen. We
used to go metal shows together all the time and
start the pits, like at the original metal shows in
La like Slayer and Metallica's first shows. And then he
passed away about a year and a half ago. But
he was a big time environmental icon in California, and
(05:27):
he would love what you're doing, like because he in
California was building rain gardens and doing the restoration of
all the Malibu Creek and and the Mountain lions and
all that. And he used to piss a lot of
people off too, because like they didn't they didn't want
him doing these restorations because it ruined their view or
(05:50):
their yard or whatever, you know.
Speaker 5 (05:53):
And but I know, yeah, that's that's actually sorry, sorry
to enter. That's actually one thing that I had in
mind for a long time. I think that there's also
an education about what is beautiful, you know, is the
view or is the life that you have in your property.
(06:14):
I changed my mind since I live in Costa Rica,
because of course, when I came there, I had this
idea of the perfect house and tropical garden and blah
blah blah. But then now I have a totally different view,
and you know, I like something more close to natural
aspect of a forest. And what makes my view and
my life being kind of rich and pleasant is to
(06:38):
have birds and monkeys in the garden. And whatever the
garden looks like, I don't care. You know, I don't
want to grass, I don't want a loan and two
palm trees very symmetrical to the house. This is I
would have thought, maybe it looks good like thirty years ago,
But now I so.
Speaker 2 (06:55):
My pro would love you. My pro would love you
because he was all about the natural environment. Used to
piss them off. There were palm trees in La because
they're not indigenous to La. And exactly like at his funeral,
we did it at one of his restorations is the
most you know, proud one where he brought like fish
(07:17):
and wildlife and certain types of grasses and certain all
the different vegetation that was indigenous to that particular area
that was all gone and dead and he brought it
all back. And so at his funeral, it was like
all of the wildlife attended his funeral. It was wild
(07:41):
They were like all sitting there in the in the lagoon,
there in the background, like we're here to support you, dude,
for bringing us, bringing us back.
Speaker 5 (07:51):
That's cool. Yeah, I think that's the point. You know.
I'm trying to revisit the what we call beautiful and
I think it could be one of the access of
our work, you know.
Speaker 2 (08:03):
So tell us how this all came about. Had the
original idea come about?
Speaker 5 (08:10):
Well, I've been in that, you know, like reforestation and
trying to preserve for like thirty years, and right after
COVID there was some kind of crazy stuff going on
in Costa Rica, and that's why it started pretty much
in Costa Rica, because the country stayed open and many
people that would never have the idea to come to
(08:30):
Costa Rica actually came because it was the only country
they could visit during those times, and some people they
saw the opportunity of making businesses and there was some
kind of crazy projects and very big development and it
became out of control. So I don't know why. I
had the idea to contact Derek, my ex ex drummer
(08:53):
from back then in the in France and now he's
in Mega Death. So I talked to him and they
asked him if he would go for a project with me,
you know, and he was like, man, yeah, I think
that's time, you know, for the artists not only to
denounce or to send money, but also to have their
own tool where we could, you know, act for real
(09:15):
and show people what we're doing. And that's how it started.
Savage Lens he got the idea of the name, and
then of course he contacted a few artists that he
knows and and it was it saved time, and he
gave us a typical way of presenting things, because we're
not just an environmental organization, we're also an artist. And
(09:39):
I think that's the first time these two things come together.
You know that the record label signed the nonprofit organization,
they didn't sign a band, so basically the nonprofit is
the artist and also the the tool to operate on
the field. So that that's how it started and and yeah,
(10:01):
and then it got faster because Healfest helped us and
artists showed up like Alissa from Arch Enemy, Andrea Sepultura,
John Tardi from Obituary. They were the first on board,
and many others that are on the album actually, and
so it gives us a voice. And I also think
(10:22):
that the right choice was to address the metal community
because it's a fucking great community. And that's the reason
for that is not just because I like metal. It's
a metal person had to face all those years where
metal was was not promoted in mainstream media. So every
metal head either has a band, a radio, an association
(10:46):
of whatever. He organized a concert. So there are people
that know how to do things. They can be active
and we see that every day because people contact us
with ideas and they do things for us. And that
that's what I think makes the project interesting because everyone
can be a real actor of the project. That's what
(11:07):
we call the Army of the Trees, you know, because
everyone can have a role in that.
Speaker 2 (11:12):
I love it too, because you know, metal, a lot
of people don't realize what kind of family and community
we are. You know, they look on the surface, you know,
of heavy music, fast music, marsh pets, but they don't
know what we're really all about.
Speaker 5 (11:30):
No, they don't. And but you know the funny thing,
just right now, we achieved to align with other organizations
in Europe, you know that environmental organizations. They had nothing
to do with metal. And I contacted them because I
know they're good at what they're doing. And at first
they were like, oh, really, we're going to address the
(11:50):
metal community, but why And they were like, you know,
and then I showed them and I explained them, and
I showed them images of our concert in Healfest last
year and the reaction of the crowd, and then the project,
and then they're like, yeah, yeah, it seems interesting, interesting,
And then they're okay, so we call that the Alliance
of the Trees. And then they come to Healthfest and
(12:10):
then they totally change. They're like, man, it's great. People
are completely open to discussion, to talking, and they're really
well educated. You know, they thought we were savages and
others and violence and stuff, and they realize it's the
complete opposite. It's probably the safest place on earth. Being
(12:32):
at Healthest. You know, everyone takes care of everyone, and
so it's so obvious all those organizations now they're calling
and they're like, I put more metal in the project,
you know, because it's so cool.
Speaker 2 (12:43):
Yeah, And you know it's funny because how Fast is
a perfect example because I go and I do festivals
over the US, UK and Europe. But I would say
one of my weakest languages would be French. Like I
can maybe understand a few words, know type of thing,
and but yet you go to health fest you don't
(13:04):
have to understand each other's language, and you're spill. There's
this connection as bond that's not even breakable. I know that.
Speaker 5 (13:13):
That's that's actually really hard. After the HEALTHEST. You're like
you're getting back to your house alone, nobody to talk
to regular people in the streets, and you're completely depressed,
right totally.
Speaker 2 (13:28):
I know that, Listen. I got back from Europe, and
like last week from doing these festivals, I think I've
left the house basically just to go get some food once,
and other than that I've been it's staying like Okay,
I'm in seclusion now before I go on my next
(13:48):
one and It's like it's every time I go to
any festival, and Healthfest is one of my favorites. Is
like there's just a feeling of love and therapy all
in one, you know. And that's why I think Savage
Lands your idea is like the perfect concept, you know,
(14:10):
because we are such a big community now compared to
what we were back in the eighties, and you know,
basically everybody wants to make a difference pretty much in
our communities, and that what you're doing is needed more
than ever in my opinion, you know. And I saw
(14:33):
what you saw in Costa Rica too, you know, and
that's why I said what I did before, because after COVID,
I went back to my favorite place is Nosara, and a.
Speaker 5 (14:45):
Big change there.
Speaker 2 (14:46):
Oh my god, it broke my soul. You know, Like
first of all, you didn't even have the road wasn't
paved to get to Nosara. So I used to like
that because it meant nobody could the people that would
ruin it couldn't get there or willn't want to get there.
Now it's paved, and you know, you go there and
there's all these constructions, and I saw, like I saw
(15:08):
how our monkeys walking on the ground. They never do that.
Speaker 5 (15:11):
I don't. Yeah, that's exactly the reason why I I'm
doing that, you know, because but I mean, of course
we're not acting only in Costa Rica. We started our
action now in Europe. We bought a few places to
to make sanctuaries there and that's that's the purpose of
this alliance with out a nonprofit, and we want to
act everywhere. But it's true that such a beautiful place
(15:34):
as Costa Rica is setting up an example and it's
it's probably talking to a lot of people when when
they see the beauty and they it's easier to love
something when it's when it's still there and it's still beautiful. Yeah,
it's easier to protect it than to recreate it once
it's destroyed, you know, because that the process is completely
(15:55):
impossible to to to to to realize, you know, I mean,
creating a forest out of a field, it's a really
big challenge. You know, you don't have any guarantee that
it's gonna work. It's better not to cut down the
forest that already exists, you know, because it's a whole
complex ecosystem. And yeah, Costa Rica of course is a
(16:15):
good symbol because many people know that it is a
symbolic country for the protection on the environment, but it
is endangered and and that's why we have to keep
doing things together. And I'd love to act in the
US too, You know that, I just need a few
contacts and set up a small project, but a symbolic project.
(16:37):
Maybe in Florida. I don't know, who knows.
Speaker 2 (16:38):
Yeah, we could definitely talk as first of all, Florida
definitely needs it. Like I can't tell you. Every day
I go out there and I see them crying down
more trees to build more that's stuck a crap. I'm like,
you gotta be k And then I have a lot
of people from my broad I'm connected to in the
environmental community in California with I've already talked to them
(17:01):
about what you guys do because I knew they would
dig it. And I would definitely be down with helping
get stuff getting done over here too, because like we need,
there's a lot of beauty in the world and we
need to, like you said, preserve it before it's gone.
It's much harder to recreate it than to work with
(17:21):
what we have. So tell us a little bit about
what what you're doing in Europe and what places and
give people a little idea of what you have going
on there.
Speaker 5 (17:33):
Yeah. So, as I said, we use the music as
a voice, you know, and an emotional way of connecting
the community, and of course famous artists being there it helps,
you know. But also we do really concrete things on
the field, and our approach is to either buy places
(17:57):
when they represent a certain biodiversity aspect, you know, like
a forest with a place with water, whatever makes it interesting.
So we try to buy places like this and preserve
them and then sanctuarize them. We also have projects that
are more on the educational part, like reforesting, planting trees,
(18:20):
bringing people into doing something because once you plant a tree,
then you know, you kind of create a connection between
the tree and you and you you watch it grow
next year it's a little bit bigger, and you know,
it creates kind of a link. And I think this
link is probably the thing that most of the people lost.
And I don't like the environmental least that are telling
(18:44):
people don't do this, don't do that, stop traveling, stop
doing these, stop eating that. I think it doesn't work. Actually,
what I think.
Speaker 2 (18:52):
Would speak off and turn them away.
Speaker 5 (18:55):
From it, Yeah, exactly. And I think the other approach
is to try to get people into recreating an emotional
link and appreciate nature and love the thing they have
around their home or country or whatever. And then once
they love it, they will naturally ask themselves what to
(19:17):
do to preserve it. But if you do the other
way around and just tell people not to do that,
not to do this, not to do that, there's no
future in this. People get more and more frustrated, and
you're not going to bring them into something bigger, you know.
And that's exactly what we want to do with Savage,
and just bring people into a project where they feel useful,
(19:39):
they see results, they can't get a sense of pride
and say, hey, we did that. That's what we're building
this project that is called the Metal Forests. Actually we
want to buy places or reforest places and give this
a label and put an ad at the entrance of
those places and say hey, here the metal community is
(20:01):
preserving and this is a metal forest, you know, because
then people when they travel they can say, hey, I
gave a little bit of money to Savage and and
look you can see it on Google map. Here there
is one of the metal forests and it belongs to us,
you know. And that's how you start, you know, making
people because I don't like the fact that people give
(20:22):
money and then they don't know what happens, you know.
Speaker 2 (20:24):
Yeah, you got to be part of something exactly.
Speaker 5 (20:27):
And I always tell the same story because I think
it's really really interesting. This guy came to Healfest last
year and tells me, hey, I love your project. I
want to do something, but I don't have time. I
can't come and plant trees with you. And I'm like, okay,
what are you doing. I have a restaurant and I
want the best Burger prize for friends last year, and
(20:49):
I'm like, yeah, okay, let's do something. It's like I
could do a savageance a burger and I'm like, yeah,
why not do it?
Speaker 6 (20:57):
You know?
Speaker 3 (20:58):
And he gave us for you.
Speaker 5 (21:00):
Heros Per Burgers sold nice well, you know what, he
gathered five thousand euros, which is great. He did a
nice black bean burger with the savage lens tag on
it and it's pretty cool. So five thousand euros. But
then the local television thought it was an interesting story,
so they covered the story and then he came to
(21:20):
help us with a huge check, you know, to give
it to me on the on the Savage Lens booth.
And then this guy is an influencer, guy who did
the you know, the cooking TV show, so he's kind
of a famous guy. You know, he has like a
five hundred thousand followers and he did a little subject
on that too. So I think it's great because it
(21:40):
gave the restaurant advertisements. It gave us money and advertisement.
And the symbol in that is this guy did what
he knows. You know. He didn't come and work for
me on the field planting trees, which he doesn't know
how to do that. He did what he does every day.
But he did that for us. And I think everyone
(22:01):
can do that. Whether it's a big thing or small thing,
we don't care, you know, but making people doing their
thing for the greater cause. And I think that's that's
the best thing people could do, you know.
Speaker 2 (22:14):
I think that's cool as hell. And that's and your
approach to it as well. Like my bro used to say,
you know, people don't understand. Yeah, I'm an environmentalist. I'm
not telling people not to do stuff. I'm saying just
do it over here instead of over here. That's simple,
you know, and let's all work together, you know, because
(22:36):
you're never going to convince somebody by telling them not
to do something. You're going to convince them by getting
them involved and laying them have the feeling and the
attachment just like you're saying exactly.
Speaker 5 (22:47):
Yeah, that's probably why we're growing that fast because it's
a it's a new it's a new thing, you know,
it's like three years old, and yeah, I think that's
a new approach. And I'm really excited, really really busy,
but really excited.
Speaker 2 (23:03):
Well I'm excited about what you're doing. And I even
thought like it was pretty it was pretty cool that
high lung is involved, because to me that made so
much sense. You know, It's like that that's that's the
like connection that is undeniable right there. So, I mean,
you're doing great stuff. How do people get involved with you?
(23:27):
And how they check you out on the web socials
and just tell them all they need to know of
how little or a lot they can get involved or
just check you out.
Speaker 5 (23:42):
Yeah, that that's that's the thing. You know, as a community,
we have a voice if you even if you don't
do much much more than just listening to our music
or following up on Instagram and talking to your friends.
I mean everyone has the capacity to follow us on
in and ask two friends to follow us too, and
(24:03):
and they asked the same to their friends. And then
we represent a bigger community because if we have a
meeting with some local municipality or you know, people that
can take make decisions on the local scale. They check
our social media. They checked how many people will represent.
(24:25):
So if you can do one thing, it's already this,
you know, and then you can you can contact us
and build a project or you know, make a small
crop funding. I remember this really small band in France
and I didn't I didn't know them at all, and
I saw on Facebook I saw a picture of them
holding a Savageance logo that they printed themselves and asking
(24:46):
people to give money. And then my first reaction, as
a stupid guy from the from the seventies, like fuck,
they robbed my logo to to get money, you know,
But no, it wasn't that. It was them to get
money for us. And they will shout to belong to
this movement because they like the music, they like what
(25:07):
we do, they like the artists that are on board
with us and they wanted to be part of it.
So I think they collected something small, like three hundred
or four hundred dollars, But the symbol is fucking great,
you know, because if all the small bands they would
do that, man, we wouldn't We wouldn't even need any sponsor,
(25:29):
you know. We just work this way and have this
huge army of musicians collecting money for us, and we
would do the job, buying places and advertising these and
it would make it grow, you know, and we would
be totally independent and everyone would feel responsible and active
in that movement. And I think that would be fucking
(25:50):
great for us, and it would be a good lesson
for the rest of the world that is not yet
listening to metal.
Speaker 2 (25:57):
No doubt. And you know, the more the merry you're
it doesn't matter what size they are. And you know
what every big band were as a small band, so
you just never know.
Speaker 5 (26:07):
Exactly, yeah, exactly, yeah, yeah. The small band that does
this three hundred dollars funding for us, maybe they're the
new go Jira, you know, you don't.
Speaker 2 (26:15):
Know, right exactly. There you go, and then Savage Lands
can be at the Olympics.
Speaker 5 (26:21):
That would be great, right, Anything else you want.
Speaker 2 (26:26):
To share with the listeners we haven't covered already.
Speaker 5 (26:31):
Well, I think I think we go pretty much everything.
I just want to thank you guys for existing, you know,
the independent medias that are totally dedicated to this music
and this community. I think that makes a big difference
compared to other areas, artistic areas where we just rely
on mainstream medias. So I think it's important this this
(26:55):
passion that people put into that music. And yeah, I
want to think the metal community, the artists, and yeah,
if you don't know about us, just check it out
and send us a message. We we're always happy to
hear about you guys.
Speaker 2 (27:11):
Well, thanks for all you do, and I definitely want
to help you in your cause because it's a great
cause and of course great music, and like I said
in the beginning, combines two of my loves. And I
thank people like you for saving the world that we
live in, because the world's going to be a much
(27:33):
more beautiful place with savage lands. And thanks for being
on the Adventures of pipe Man.
Speaker 5 (27:39):
Thanks man, that's a pleasure for me.
Speaker 2 (27:51):
Hey, it's pipe Man on the Adventures pipe Man W
four Cy Radio here at health s twenty twenty five
where we're about to have a press conference with Savage
Land and High Lung. Now it is mostly in French,
but it's a very important cause. This is a nonprofit
organization that combines metal one of my faves, I'm environmental,
(28:14):
another one of my faves. You can help as well,
So make sure that even if you don't watch this
press conference, go to Savage Lands dot org and see
how you can make a difference in the world, along
with many other bands are helping, such as High Long,
Stay tuned. Here's the press conference before.
Speaker 6 (28:40):
Okay, yeah, Obava is here, the Nupulavi, Pusina, Lisa Formasslney
reflect Uh Books, It's I Look, Savagis and you Ladies
(29:03):
and Mariotti, Good Hylong and on other shows that were
first Jolt Labina starting gonnas So Sport, you can Adam Show,
(29:25):
Get More in the Grown Personality, the last bask in
the Blue Gross Associates because hnsome he can, I don't
want an even more to film resume.
Speaker 3 (29:39):
Personal Pervations, I look on let.
Speaker 6 (29:45):
Him Down, the PROMI Group, Larmio, the Treason Savations on
the Presents, on the Video any Group, Apila Decision, the
Rod and the NAD actually.
Speaker 3 (30:02):
The fore of course, uh may make his Maria.
Speaker 6 (30:15):
You can present briefly your participation with Savagements and maybe
introduce the program that we have later on and the
event were organizing in September with your land.
Speaker 4 (30:30):
So hello everyone, Nice to see you in the seat.
Since we began High Long in the early days, we
have had a focus on trying to do what we
do in a environmentally friendly way, because touring is extremely.
Speaker 3 (30:50):
Bad for the environment.
Speaker 7 (30:52):
Do we drive around the big gas gasoline field buses
and have to fly to get out to the people
to perform and present our message.
Speaker 4 (31:02):
And so we've been working with several organizations.
Speaker 7 (31:06):
For many years now too in the US, where we
have started a concept that we've tried to spread to
other bands in the industry, which is that we we
add a sum on the ticket that goes uncut to
an organization that helps to preserve biodiversity.
Speaker 4 (31:27):
And to actions to help our vulnerable climates. So after
a few years, I.
Speaker 7 (31:34):
Think it was you kind of that actually picked up
on Sabashans First, Do you want to say something about
how you found it?
Speaker 1 (31:40):
Oh?
Speaker 8 (31:40):
Yeah, que quite wanted later, but yes, So kid picked
up on Sam and his project with working together with
Puja and you two got into a dialogue about how
can we.
Speaker 4 (31:56):
How can we work together to find.
Speaker 7 (32:01):
Better solutions with using our power tool, which is music,
and Sylvin had the concept about the army of trees,
which we instantly fell in love with. We have always
thought when we add something on each ticket in a
highland situation and we look over the crowd, we try
(32:21):
to imagine not a crowd of people, but a crowd
of trees system.
Speaker 4 (32:25):
Because we know that's more to do to help to
help prevail.
Speaker 7 (32:31):
And prevent deforestation is a key factor for helping to
increase our and support our fragile ecosystems.
Speaker 4 (32:41):
So teaming up with someone who had such a solid
plan to.
Speaker 7 (32:51):
Purchase areas and protect them to make them last fitted
very well with a highland agenda. And yeah, so we
started a friendship and collaboration and we've been having a
lot of fun making videos and music together.
Speaker 4 (33:09):
And I think that's also what the message is is
helping to spars.
Speaker 3 (33:16):
Thank you. I must add.
Speaker 6 (33:22):
In from parteam and you committed the Savage and you're
in the steering committee now of Salvage. One additional tific
can kive project.
Speaker 1 (33:33):
If you.
Speaker 6 (33:36):
Conci Artista Piquet's projects.
Speaker 3 (33:45):
In colabor as.
Speaker 6 (33:47):
On sector or this scription likely red first persona visited
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Speaker 3 (33:59):
Are you read the program They were jen Budda.
Speaker 9 (34:11):
With the press pasive assisiation protections that Prome associations, liber
Revolution and wok do the association for it specific squad
and Montage and Connacht. The only portage that Cervi said
listen and that your liba only on a protge used
to the nuisance you mentioned shas.
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Special who description.
Speaker 9 (34:37):
Don't go now the prices don't trego kitchen the reserve
media except my nomasa Prido reserved regards actions because the
suge proposed don't know the accipit called a SPASA a
(34:57):
non partial agent institute. It don't pam luv and sap
tom I reckon I could personal keeps on the part
the regina.
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At you my forgot.
Speaker 4 (35:13):
In putting promna from.
Speaker 10 (35:15):
The paliogina neton have you premier pro probably probably demage.
Speaker 3 (35:23):
I wish fans I found books on.
Speaker 6 (35:25):
Something up to the priest and first really the formation
in the deeper up was the most in called the
format for the ombasad.
Speaker 3 (35:38):
Or the jud City products. Sorry I'm speaking a lot
of French, but don't work.
Speaker 4 (35:44):
It's in formation style.
Speaker 3 (35:47):
Vinever and kiss kill.
Speaker 10 (35:48):
You said you said preserve the vision two dollar that
you got on the film zone like Andre.
Speaker 3 (35:56):
Ronaldo already the pa music may the cant to speak
that no labor did say on the pace do the party.
Thank you guys.
Speaker 6 (36:10):
We're gonna keep talking, but you can a Elia in
the signing session, and then Ham says solo stance a
regal talk, celepony met grit hyo, you are some groups
some solo sto, Okay, thank you guys, a super happy
(36:33):
more solo plato Julie do it so vage the super
Damia then associates from fran sicily that's super happy. The
Pascal of Convels grow LUNs with allions. He's app allions
(36:54):
for the treason led so pat you on your metals.
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you is jo stat when you did create the made
the forest or something and let's harappy.
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Most presented rappy moments, most present the seven you know
on the ass.
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strong enforced metropolitan. That's like you dr city on the
season existence on a money for that year on the
tree to shave dr city just the mostly bad if
people permit for for red usual rule the scaus system
(37:41):
week not at all looking.
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fifty val then they come in. Okay le.
Speaker 11 (37:57):
Contact excelation, build the rest so celestiality rank confusion if
she last past of France and for the present city
party stop.
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Speaker 11 (38:15):
Don't beauty protest room.
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Chios socials from from Sicily.
Speaker 13 (38:41):
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up the West by protege Treventon in tren For.
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Speaker 13 (38:54):
Eventually the March decisition on the produccial and proge he
consists of that fair good really Monte puclic.
Speaker 3 (39:00):
Condition to set for a cum price a.
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that stas Fasco Moscow to march Ram he came into
some little bamm extra very really mont in his imagineer
there and relicus the lay first to ron.
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And some more limited common you know, I can't tell
you there.
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So to the Montreal example moretrol Metalluri mont cue I.
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Crep up.
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Jos Savage, the Pila and the pilas to part q
first a crea division of France am said asta rica
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the van and Rondi so like he is on the
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a trial the yere. The pison i can sharp the
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so is his bestific the set the region forces.
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But as some people belots know the Bello musical, who
got the.
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Same continue Alila music and goes and all along.
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He would go to poto.
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Something you know you'll see a bout of prison. Ecdn't
fix a Solinas contact to note that original donor music
and some fun school look as the discord the jud uh.
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It's a fact that the iron skill.
Speaker 6 (41:31):
So if you don't do fact like socals affairs and
reality shirt but that division gener's some super gordish when
you say about with your scale fair in wisps the
port all one like.
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You after the audience school, she could need to reason
me in some possag.
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A lot looking from under the new believe more and
you could surve.
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Plor at the projects Uncle Abet like bo the class
suction seeming a big for.
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Rest, but I see Valley Donald Busman, Antaesic and f lecusion.
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Sure the practical year or serviles from say.
Speaker 6 (42:35):
See one more more a porstical partier your doctor's affair,
but I still opaga so restaurant like amosusla to today's associates.
Speaker 3 (42:43):
Soon so we had a collect from.
Speaker 4 (42:46):
The case.
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On Thista that it's you that paramos.
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You're less a sessions.
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Name in Astona h long cum stic fuzzy and if
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Escue Jeannie. You look at him, you take cold.
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You see saw personal moon on one footballer Kamia no
nomally artist to prod.
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The artist la, I'm calling you look at Cavai your
solar stone muta.
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Nicago cross the doll.
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Sti artiebin for preserve a wop of that because versic
artists on some sila that causes so to loose when
they say the randi lud vs could room down the
sido to montbout the the ration of pokmatic the fat
they say the ballet vs cout on posts and mayor
part they should your book.
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They could the part this artist the mayor moen the
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Speaker 6 (44:20):
This weep called a pre is a perfect simone amunce
so to is as the Nardustry's fair real first and
know this on on inis on the shows we see
Lexdamo on the on the x.
Speaker 3 (44:33):
Coologue not want to build a up for very later.
Speaker 6 (44:35):
The barking about the fouchage propaedly failed the dispass before
so when I said post can comm caskis prodigious. Hold
the platt x long I've become with a two poil
and process a lad on the bat and the malfaire,
the shows booking. I think the threats are compel sorry
because if put we started the laramdisamorpho, was only their
(44:56):
important with it?
Speaker 16 (44:58):
I he Jean and Andrew Patty Puss Uh, we are
like book. I look it's gonna do ky.
Speaker 3 (45:15):
Least to that? Where is that? Don't only placidity.
Speaker 6 (45:20):
You could hear the propa they bically heard the mastercular
young contact pamand artist on anti pu mill and music
to go teas and fourth we okay with the music
concret Frank Pass, we can pack up up.
Speaker 3 (45:38):
That does one man.
Speaker 6 (45:41):
In a Mont the discute Jon and mans motivate this
association and allians comes ound something.
Speaker 3 (45:48):
If we spent that for com mens volunteer.
Speaker 6 (45:55):
Pre dream work on discute, on protocol for your one
on one let's say what I'm not too just so
the music that your victor.
Speaker 3 (46:06):
They then yeah, the first to my doing to esther
cli that they found on your own mont.
Speaker 12 (46:21):
And that Persuan festival calbal I plan don't know who
is don't know Christmas.
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Tonta don't along with it the c AS and some.
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Before level flash festival zero carbon zero poltico prie. Is
it you wanted to price for ecologies fusing perfectly legalization
the Roma cordougkay that non popularly fester your book. Security
(46:58):
should talk all the shifts as the CID William some
partistical first and be mos parton.
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Uhd parca.
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Say Nowtuca person attacked Lisa once couch world inst you
have for semon belong to activity and cont you know
links post really first term the veru excu's a physically
papa his affairs as well, and the COG's for same
(47:33):
more day the program first of satnder is it they
probably when you're like Bud, it's.
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What the proofs?
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Your answer, it's a part more yearl festival, the PO,
the program or term, the philosophy is this this is
some quers reason it's so too. Let's say ask your
relegion the progress jaysus John, the Papara fest and the
Barton put the t VL popt cam Lupo's first you
(48:01):
see the the PO debuts n ME billion of festivals.
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Online expounds humans or l fast phenomerica.
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I'm a.
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If they could.
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Uh do supertan position the two tip activity posibly for
juice to see garde lonsan judo appress so let so
the bilo technique post part post on Superta fal Fest
now in associates so com s pr les pr stant
to see les pan paktup do fu first no knack
(48:41):
on park or they say as pre or future. They
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Ass the point I like more dogs.
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It was ross major post com They say that littleponds
you know fact there are book or book what's coop
for example association for Sally there's a point questions if
you don't prefer solutions and book you want because friends
seeing the tapa.
Speaker 17 (49:15):
Quite name for better food for the rest of us.
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keepers club onto lebidiation if it's a predation that music
you know a community and p fair collector aments a
(49:41):
the from the two sons in that year the litter
the especially on your canto al yoursic escope power for
the scuation t not carve.
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The yeah.
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The humans the.
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City to discuss.
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Our desertion one partoli monem sec don't support scone community
scientific some portant portoco your presertic project and the project
you in the fourth value or your portal is scientific.
So okay, you have one community as from a film
and education that's so much. That's uh before he got
socred the look as look as Assony super opened the
(50:41):
beauty a city or you would like consequly doc I
imagine it shows the particular question and proposal pample and
voyage the press providing it for a telephant part of
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poet clean even more some day were for older or
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(51:01):
mondo communication orcientific of a lot fontco excidus a silver
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(51:26):
people who it's a stipit we are just.
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A produced tomorrow should explain up about the delians of
the test atven.
Speaker 3 (51:40):
And for your plans, do you have as debray a.
Speaker 13 (51:45):
People that we can said loo covet about squally say
on the tran experiment to as sources at philosophy. For
Lipp Traversa, this is the Qus association in the marsh
in responsibly come.
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Sack shows great alarm as well. It's a your whore
you is completely.
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Whatever the form with bontems Carol Force likest Salmon talmatin
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do herein danie genial in don't you pu la romax
it used to circular common extern and extrawdner and fat
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compland that from concrete the plan Chos Dison Sampali and
the super genial I mean you push senor purpus community
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But that's the first small posity of sugury.
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But that ISPs because as their plan shows at our
local should la France who offer home it isn't full
the shows Teman shows at her.
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Book as the pre position to perfluids. The school Mon
experts Christmas doesn't the nible of communications exact or.
Speaker 16 (53:18):
You have a complied in tools, you never won't be
able to communication of it.
Speaker 4 (53:31):
That's automa.
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Who example.
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The as your son, what's the comedy that's.
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My post for example Pion Negro pres on the proud
is the from a const from a school and nuh
colegion what's collegion? A there whose associate songs as far
as a legal resorts superamed Montre office Sellon came on
the persons sol show about the that tis the sas
(54:20):
some mar and Barton Melow normal the most act but
we on you rests. But do they know and arrest
on the politic us on contact they they's always see
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could protect maybe for proposed the projects that proposing on
that most fas as prophicient and lose proposed the projet
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business from contain proge association that persons and better collective
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an keeper take a poor collectifas is impact, it's a
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prefer a.
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Look for the X did they will sit open onto
the loop as film and.
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Cot so see that works supper to so the poor
by noon on our created probably my ticket from you
got song on the suit to.
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Would visit Jean and not. I'm all like competent Ina
who told the sisure by who do you sile?
Speaker 6 (55:34):
Release of the Storm would make me sell performing.
Speaker 3 (56:02):
Never that you go down anywhere you're going.
Speaker 2 (56:12):
Your father, I saw you, wo.
Speaker 3 (57:06):
Where are you running?
Speaker 1 (57:09):
Get wrong?
Speaker 2 (57:16):
Just lots you.
Speaker 3 (57:33):
That's just what you wis that he is the drud
fire and the song that I sist Rain and died st.
Speaker 4 (57:42):
They can't wait in Sis.
Speaker 5 (57:44):
That's whats you that.
Speaker 1 (57:46):
Is, that is the drum.
Speaker 14 (58:02):
Thank you for listening to the Adventures of Pypemin on
wur CUI Radio.