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August 11, 2025 10 mins
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PipemanRadio Interviews My Diligence at Bloodstock Open Air 2025. 

The Pipeman Radio tour landed at The UK’s biggest independent metal festival featuring not only some of the biggest bands in Heavy Metal and Hard Rock, but also some of the best emerging metal music out of the UK and Europe competing in Metal 2 The Masses for a spot to play on New Blood Stage.  The festival also features The Sophie Lancaster Stage dedicated to the memory of Sophie being brutally beaten and murdered just for being Goth and different.  Sophie’s story particularly resonating with anyone who has been bullied, abused, or attacked for simply being who they are.  The mission of The Sophie Lancaster Foundation is to stamp out prejudice, hatred and intolerance everywhere.  This festival is more than just great music, fun, awareness, and togetherness.  It's a family driven DIY Festival that cares where there ar eno outsiders. We join together for a common cause.

Next year is the 25th Anniversary.  Get your tickets now at https://www.bloodstock.uk.com/  #BOA26 6th - 9th August 2026, Catton Park, Derbyshire

Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes.”  

Check out our segment Positively Pipeman dedicated to Business, Motivation, Spiritual, and Health & Wellness.  

Check out our segment Pipeman in the Pit dedicated to Music, Artistry and Entertainment.  
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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:04):
Hi you Lunt, Yes that's true.

Speaker 2 (00:09):
For Wow, crazy Young.

Speaker 3 (00:15):
This is the pipe Man here on the Avengers pipe
Man W four c Y Radio and I'm here with.

Speaker 1 (00:20):
My diligence from Brussels, Belgium, just cross the channel.

Speaker 2 (00:26):
We love to come to the island and we will
come back.

Speaker 3 (00:29):
I love it, I love it, and you're here at Bloodstock.
How the fuck did that happen that you're at this
great festival.

Speaker 1 (00:35):
Wow, for us it's a bit like waking up dream
because it's our very first time in a major festival
in England. Actually it's our second every show in England.
We were out. We were eight months ago. We were
playing London for a showcase festival called the Iff, and
so for us it's the very first time we are

(00:58):
confronted to Britoldian.

Speaker 2 (01:00):
We love it and how.

Speaker 4 (01:02):
Do they love you here?

Speaker 3 (01:04):
Well we don't know yet, but from the London one
I know.

Speaker 1 (01:08):
There was no audience. It was a showcase professionals. But
if you're talking about the audience today, I would say
they can love it because they were head banging so much,
and also they stayed for our show, which is a
pretty good spy. I would say I took that picture
from the stage with a fully backdup marquee And actually

(01:33):
this is what we need as newcomer artists. We need that,
we need the supports of the people. And I think
that also the audience from the metal scenes. They are
so smart intelligence and they are so respectful, and these
guys are looking for everything, are not scared to discover
new shit, and they're super great audience. We love them,

(01:55):
we love them, We love our audience. But you see
all these people head bangings in front of us. It's
tucky gifted those moments.

Speaker 4 (02:03):
And so do you speak Flemish too?

Speaker 2 (02:07):
Non French?

Speaker 4 (02:08):
Just friend?

Speaker 2 (02:08):
Yeah, I mean a.

Speaker 5 (02:09):
Little bit Flemish, little bit, a little little bit.

Speaker 3 (02:12):
So I was laughing because I was at grasp Pop
last year covering it and what's the fuck? I can't
believe I'm drawing blank because I love them, but Dave
Lombardo and Mike Patt and fuck, I can't.

Speaker 4 (02:27):
Believe we're drawing the blank.

Speaker 2 (02:30):
Yes, yeah, yes, mister, thank you.

Speaker 3 (02:32):
They did their version of speaking was your die of
s O D. But did speak Flemish or die?

Speaker 2 (02:41):
Well? The thing is that in Belgium it's a very
small country. I would say like we have the same
issue as Switzerland, but.

Speaker 1 (02:48):
Without the money.

Speaker 2 (02:50):
And the thing is that.

Speaker 1 (02:53):
So we learned Flemish at school, but unfortunately we were.

Speaker 2 (02:58):
Not smart enough to ignites it.

Speaker 1 (03:02):
Nowadays it can tricks us a little bit because it's
very important in Bedium nowadays speak Famish.

Speaker 2 (03:08):
So we regret a little bit. We should have, we
should have to.

Speaker 1 (03:11):
Do our homework, but unfortunately we didn't because we are
like crazy dudes, not thinking about tomorrow and what. But
in another life, whether it is a.

Speaker 5 (03:24):
Problem in Belgium, I think all the people can speak
in English in Belgium and if you I think, I
speak a little bit Flemish and everything is cool with
all the people in the music seeing them, and we
don't have the barrier from the language.

Speaker 4 (03:40):
That's the beauty of music.

Speaker 3 (03:42):
Like it's amazing when some bands they speak another language,
or even bands that come from America over to another
country and people are singing the lyrics but they can't
speak the language. That's the beauty of music is it's
the universal language.

Speaker 2 (04:00):
What it is. But unfortunately the business of music is
not that so universal. That's for sure, that's for sure.

Speaker 4 (04:09):
But we really.

Speaker 5 (04:13):
Musician, not the industry of music. But in the for
the all the musicians, I think it's the beautiful thing.
We speak not the same language, but we understand the
music and the.

Speaker 2 (04:25):
Beautiful, beautiful. It's a beautiful art. You don't need to talk.

Speaker 5 (04:32):
We don't just joy the real momont.

Speaker 3 (04:35):
Just head bang and mush all together like one big family.

Speaker 1 (04:39):
The thing is that us artists, we're I think all
the people who are performing on stages here at the
Bloodstock today we're not thinking.

Speaker 2 (04:48):
We're thinking differently of other people. We are very fragile.

Speaker 1 (04:52):
We're like satellites who's taking all the emotions of the
world and we're trying to write it on a paper
as music or whatever.

Speaker 2 (05:02):
And this is really complicated.

Speaker 1 (05:03):
And first things first, we're doing what we think we
want to be. We want to do sorry, and we're
not doing music for the Organs. First, we're doing music
for us. That's the only way it should be and
if it works.

Speaker 2 (05:16):
But we're not going to sell us to the devil.

Speaker 3 (05:19):
Just unless it's Ausy, then you could sell it to
AUSI exactly think of the Devil.

Speaker 2 (05:25):
Oh, yeah, we love us.

Speaker 3 (05:27):
I mean Ossy, I mean, well, he's a perfect example.
He didn't go by any rules. He didn't give a
shit about anything. It was just auzsy exactly.

Speaker 1 (05:36):
I mean it's amazing because they're staying in a hotel
in Birmingham and we say we're leaving tomorrow and we.

Speaker 2 (05:43):
Say we have to go to the Black Stubbo Bridge.

Speaker 3 (05:46):
Yes, and to pay tribute. I went there on the
way here. Okay, what's crowded, No, not anymore. So what
was cool is they have a live stream going that
you hit this QR code that they have there and
it'll take a picture of you.

Speaker 4 (06:04):
And send it to your phone.

Speaker 2 (06:06):
Amazing, badass. So twenty twenty five ish.

Speaker 3 (06:10):
Right, but yeah, you can't leave here without going the
Black Sabbath bench.

Speaker 1 (06:14):
But it's it's also to pay tribute, yeah, because obviously
Black Sabbath. You know, we're doing this kind of using
that osciate between Doom, Psychololic STONA and Boss hardcore. So
obviously Doom is something that Blacks but created that were
bionies of it.

Speaker 2 (06:30):
It's must do.

Speaker 3 (06:32):
If you think about the first Sabbath album, that is
the first Doom album right there, clearly, I mean one hundred.

Speaker 1 (06:40):
I mean, was that in the seventies you had the Beatles,
the Doors, I mean, and they just push that fucking
distortion buttons like new others, and they committed to it
and they created a new pause, a new sound, a
new era, a new everything.

Speaker 2 (06:59):
Yeah.

Speaker 3 (07:00):
Yeah, hey, all of us are here at Bloodstock do
the Aussie and Black Sabbath, but eximple.

Speaker 2 (07:09):
That's completely what it is.

Speaker 4 (07:12):
Exceptions give him the mic. It's the foundation of our
music exactly.

Speaker 3 (07:19):
We wouldn't even know what this music, about this music
if it weren't for them.

Speaker 1 (07:23):
For sure, When we perform, we don't like to speak
that much because first we're we don't believe that our
English is good or whatever.

Speaker 2 (07:33):
Us.

Speaker 1 (07:33):
We're a bit shy and we're not talking a lot
to the agents when we start the concert. Then we
do our music, music, music, music. And obviously while we
were performing today, we were thinking about Birmingham, when we
were thinking about Hosey, we were thinking about all that,
what's this means.

Speaker 2 (07:54):
To the medical community.

Speaker 1 (07:56):
Yeah, but it's not for that, what that we speak
to the agents about it because also it's in our position.

Speaker 4 (08:03):
It's in your mind and a channel to your music.

Speaker 2 (08:06):
And I really hope your.

Speaker 5 (08:08):
Music not a guy talk all the concerts. Oh yeah, music,
just the first thing in a concert, not a guy I.

Speaker 1 (08:17):
Want told them it went to our mind if when
we started the band, if we were musician artists or nentitainers,
and obviously we're not the last one.

Speaker 3 (08:28):
Well, I'm glad you're here a bloodstuck because we're very badass.

Speaker 2 (08:33):
Thank you so much.

Speaker 3 (08:34):
And tell everybody that they can reach you on socials,
on the web, get your merch all that stuff.

Speaker 1 (08:39):
Well, the things that we're a bit of everywhere, band camp,
listenable dot com, our label, Listenable records.

Speaker 2 (08:46):
We'll see all the stream platforms and.

Speaker 1 (08:49):
I'm sure that if somebody wants to know more about events,
they tip just my diligence into search, Google whatever they want,
now find they will, they will find us definitely. Well,
we're not hiding under a rock.

Speaker 3 (09:04):
Well, thanks for kicking our ass here at Bloodstock.

Speaker 2 (09:08):
Thank you so much, Pipe Matt, thank.

Speaker 4 (09:10):
You for being on the Avengers of pipe Man.

Speaker 2 (09:12):
Thank you.

Speaker 6 (09:13):
Michelle Kerr was my press officer for my entire fucking
career here in the UK, my entire career with Machine.
She recently passed away and it was a very very
sad day and I can tell you the reason that
I'm gonna tell this story is because she was family.

(09:35):
She was Bloodstock family. She was heavy metal UK family.
Most of the bass that you know and.

Speaker 7 (09:44):
Love you probably heard of because of that woman right there.
Slive Knots, Slayer, Machinehead, Trivium Kills, which engaged Hey Breed,
you name it.

Speaker 6 (09:59):
She helped lift everybody up, man. She helped lift everybody
up and in so many ways, she helped make this
entire music scene, this incredible, beautiful community that lives here
at Bloodstock Man she helped make it. So, ladies and gentlemen,
please make some noise from Michelle Kerr.

Speaker 4 (10:24):
Thank you for listening to the Adventures of plate Man
on w for CUI Radio.
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