Charles F. Rosenay/ James Dumont

Episode Transcript
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Speaker 1 (00:00):
The following show contains adult content. It's not our intent
to offend anyone, but we want to inform you that
if you are a child under the age of eighteen
or get offended easily, this next show may not be
for you. The content, opinions, and subject matter of these
shows are solely the choice of your show hosts and
their guests, and not those of the Entertainment Network or
any affiliated stations. Any comments or inquiry should be directed

(00:22):
to those show hosts. Thank you for listening.

Speaker 2 (00:30):
Gimme you.

Speaker 3 (00:42):
Married, protectives, get crazy?

Speaker 4 (00:49):
Gave me.

Speaker 5 (00:51):
Help, you don't want to know?

Speaker 6 (00:54):
Wait, pills the champ, don't wonder whatever, give me stop?
Thank you?

Speaker 2 (01:03):
Hey, what's up everybody? Welcome to the Jimmy Star Show
with Ron Russell, bringing you the good times in music, fashion,
pop culture and entertainment. We got a fun show for
you guys today. We've got two great guests. Before we
start talking about that, let's just say hi to our
audience and to our cool, outrageous man about town mister
Ron Russell.

Speaker 7 (01:22):
Not so cool and not so about town anymore. This
need job. Let me tell you, when does the pain
go away? And in such pain you have no idea,
and Jimmy said, well, he would do the show alone.
I said, how could you carry two hours? Frank Sinatra
couldn't even carry two hours, So I said I would

(01:45):
do the show. Now I'm doing this show with pain.

Speaker 2 (01:49):
But you look fabulous this week.

Speaker 7 (01:51):
Well, you know, corpses look good too.

Speaker 2 (01:54):
Yeah. So we have a chat room with people in
the chat room, what's up starting to fill up? Stefan
Bell in the chatroom, Cidney Lady Lake's in the chat room.
We do have a fun show, you guys. Today we
have two guests, both have been on the show in
the past. The first guest is going to be Charles
rosen A. He's a great guy and he's like written
books and he acts in movies and he does cool

(02:16):
tours and so I think it'll be fun having him
back on the show again. And then we have James
Dumont coming back on who's a really well known character actor.
He's been in the biggest productions with the biggest people,
and he has a brand new movie that just coming
out on May night that we're going to talk about,
plus all the other stuff he does. So it's going
to be a lot of fun. I think you guys
are going to enjoy it.

Speaker 7 (02:37):
Well should Jim.

Speaker 2 (02:38):
There we go and Ron is doing much better, you guys,
even though the pain is terrible, and he actually gets
to go to see the doctor for the first time
since the surgery tomorrow.

Speaker 7 (02:49):
So I will never do the other word never.

Speaker 1 (02:54):
You know.

Speaker 7 (02:55):
Some people sail right through it, but I have that problem.
I can't take any kind of narcotic because I go crazy.

Speaker 2 (03:05):
Yeah, he can't take anything. So all he's taking his
time on a what's it call what I have? Uh, well,
I don't know what you have, but but you've got
post operative delusions, a delirium, post operative delirium.

Speaker 7 (03:18):
Imagine post operative delirium. Oh of course if I take
a if I take a painkiller, a pain killer, it
affects my mind.

Speaker 2 (03:31):
Yeah, So so he's not taking anything but time on all.
It's difficult, but he's doing good. He had therapy yesterday
and he's walking around and it's.

Speaker 7 (03:40):
A couple of weeks more bullshit and then I'll be
bouncing around again.

Speaker 2 (03:45):
Which is good because we've got lots of big stuff
going on.

Speaker 7 (03:48):
To stuff coming up, movies and all kinds of things.

Speaker 2 (03:50):
Yes, big. Also a movie that Ron has a little
roll in where he gets killed by a rat, came
out yesterday. Big Freaking Rat is available to stream on
all platforms. You guys. We have a lot of friends
in the film just came out yesterday, so if you
want to stream, but I know it's on Amazon Prime.
I don't know where else it is.

Speaker 7 (04:07):
It's a trilogy, so there are three tiny stories.

Speaker 2 (04:11):
Oh there it is.

Speaker 7 (04:12):
Yeah, it's a trilogy.

Speaker 2 (04:13):
I didn't know that anyway, Big Freaking I'm in the
last story, the third story where the gangsters have a
squeal up in a cabin and they're gonna kill him.
They say that you look way better than your feeling.

Speaker 7 (04:30):
Don't you. Thank you? Thank you. That's because all I
do is sleep. If you sleep, you know, for five weeks.

Speaker 2 (04:38):
No, it's only three weeks, honey, that's right. If there
was five weeks, you'd be better already.

Speaker 7 (04:45):
I don't think you're gonna get anything out of me
today since.

Speaker 8 (04:48):
So just.

Speaker 2 (04:50):
Saying, though, no kidding, you look way better, So thank
you very much. So everything is good. Check out Big
Freaking Round, you guys. We also have a couple other
movies that I'm involved with. Night Mistress is out of
ailed now, Purgatorium is out and The Beast Inside is out.
So there's three films that I produced out that you
can go and see. They're all on Amazon Prime. I
don't know what else they're on, to be Purgatoriums on TV,

(05:13):
so check it out, and let's see. We want to
thank everybody who's tuned into the show. So second week back,
we're on podbeing now instead of Red Circle, so please
you can listen to us on Podbean. We're also on
Apple Podcasts, iHeartRadio, SoundCloud, iTunes, Spotify, Amazon Music, YouTube, Google Podcasts, Radio,

(05:34):
Public Tune in Amazon Prime, and three sixty TVN through
sixty TVN is the television network that is actually run
by kadrolsha Own, a corol who was on our show
last week as we came back. So check us out
on all those platforms. We'run about another one hundred and
fifty other ones, but those are the ones that everybody
seems to know, so check us out.

Speaker 7 (05:53):
Keeping I think that we're rich, all right. You say,
oh my god, they must be loaded. Look at all
those channels there on.

Speaker 2 (06:01):
No no, But we're having a good time and we
get to do a lot of fun stuff.

Speaker 7 (06:07):
I'll wait for my social Security check to come every week,
every month month.

Speaker 2 (06:14):
I wish you came everyone. Anyway, we do have two
fun guests. I also want to tell everybody check out
Dark Frights Magazine. It's Darkfrights dot com. We've got a
bunch of new content that's been going up every day.
We're trying to build it up into the biggest horror
website on the planet. And it's number twenty right now,

(06:34):
but we want to get to number one, so please
check it out. And check out Dark Fright's Horror News
with Jimmy Starr, which is just a quick horror movie
news reviews show, and that's on YouTube. You can check
it out. So check them out, both of them. Then
let's see. I forgot what else I was going to
say because I didn't really take notes for anything cool

(06:56):
to talk about. And we haven't done a thing.

Speaker 7 (06:58):
You haven't done any guys. We haven't done a gone anywhere.

Speaker 2 (07:01):
They haven't gone anywhere in three weeks, and.

Speaker 7 (07:04):
I haven't left my bed in three weeks, and all
I do is lay there twisting and turning and wishing
my leg was better. I'm telling you right now, it's
not a joke. So people are full of shit. I
have found that years ago when I was young. I
affirm it now. People are bullshit eyes. You had your
knees done? Yeah? I was it painful, No way, no

(07:26):
way I did it. I was out the next day
doing the rumba. Bullshit. They lie. They say that because
they don't want to scare you. They don't want to
tell you the truth. It's the most horrific, painful surgery
you can possibly have on bone esque. Any doctor, every
one of my doctors, they all say the same thing.

(07:49):
It's the therapy. The knee is swollen like a ham
a balloon, and the therapy they make you do is
bend it and walk on the therapy hills. Here. It's
no joke. I would never do it again, and I'm
sorry I did it. Had I known, I would have
stayed with the bad knee.

Speaker 2 (08:10):
Probably me too, because I've had three knee surgeries on
my left knee. None of them met worked, and now
in two weeks I'm going I have no maipulation where
they're going to just bend it.

Speaker 7 (08:20):
I have not met anyone that I had a knee
operation that is doing a pirouet no, So I should
have known better.

Speaker 9 (08:29):
People like to be phony. I don't know why people
do that. I think some people, though, don't have a problem.
Remember Steve Ross when we went to the winery. He
was jumping up and down and doing kicks and stuff,
and he had his knee done.

Speaker 7 (08:41):
Yeah, but I'd like to know what it was like
in the first five.

Speaker 2 (08:44):
Yeah, surely, no joke.

Speaker 7 (08:47):
I'm not talking about a year later when it's healed
and possibly could be great. I'm talking about the process
that they're during. Anyway. That's negative shit, and I don't
like negative talk, So let's bring up to a positive level.

Speaker 2 (09:02):
Absolutely, it looks like we're going to be moving forward
with a film called red River, and I'll know more
in the next couple of days. But it looks like
things are going good for that one. So we're having
fun with that.

Speaker 7 (09:12):
And you know, you know, I think they we're full
of crap when we talk about we've got a filmcoming,
a film coming. Until the ink is dry, you don't
have a film, all right. And that's the sad part
of our business. People that have money that invest in films,
they do a good job. They say, Okay, yes, we're

(09:34):
going to invest in your movie. Then some relative comes
along and says, I wouldn't invest in that piece of shit.
It's not going to make any money. You're going to
lose money. So the investor starts to think, oh my god,
maybe I shouldn't invest. There are so many outside factors
that discourage the investor. The investor has to know that

(09:59):
the number want movies today a horror movies. They outrun
all other movies. They make the most money. If they're good.
If they stink, I don't know what happens.

Speaker 2 (10:14):
They still make money. But they don't make this. They don't.

Speaker 7 (10:16):
They money money, money. But if you have a good script. Now,
let me talk about Jimmy Starr. I'm you know, I'm
a tough guy. I don't play around. I don't I don't.
I don't jerk off, all right, jerk people off. Jimmy
reads the script. I read the script after Jimmy reads it,
and I will discuss that script with Jimmy. Jimmy has

(10:41):
only good scripts their stories. You know. I read a
script the first ten pages and then he went into
the closet, and as he got in the closet, there
was a monster in the closet that electrified him and
then chopped his head off, and then Dick fell off,
and then his eyeballs fell out and blood splattered all

(11:04):
over the walls. I don't read that shit, I say
to Jimmy, No way. Jimmy agrees. So Jimmy selects horror movies,
not slash movies. It's not for the stupid kids to scream,
look and take that chapter off. Oh look at titser
or that kind of crap that's its own gender. Today

(11:27):
we are going for better quality horror movies, movies that
you get involved with a story. You're involved with the character.
The leading man is a hero, and you like him
and you worry about him, and oh my god, the
month says after him, and what's going to happen? You
don't want to see him hurt or killed or stapped.

(11:48):
That's what we want today. We want stories again.

Speaker 2 (11:52):
I get pitched probably, no lie. First of all, I'm
on this thing, I'm a judge on the scene called
virtual pitch. But I probably get pitched close to two
hundred movies a month. And I look at the different
movies and I look at the synopsiss. You know, I've
only got like six movies on my slate out of
thousands that have been pitched. I've only picked out six

(12:13):
of them because the rest of them all suck.

Speaker 7 (12:15):
Yeah, and when I read a script, I don't read
beyond ten pages. I know by the first five pages
if it's a duplicate. In other words, it's always the
same thing. Ten people are in a college and one
by one they get killed. Ten people are in a
fire house, ten people get killed, one by one. It's

(12:37):
that same stupid story. The blonde with the big tits,
she gets her head cut off. She's always running with
her lot, with her long blonde hair flying in the
air and her tits bouncing hitting her in the face
because they're so big and fake. And that's what people
were trying to see. Or the horror movie where five

(13:00):
girls are in a sauna titless or you see a tits?
What the hell has that got to do with a
horror movie? But the young kids like it because they
can walk off when they see all the five beautiful
girls with their wet nipples and chits bouncing in a jacuzzie.
So this is what we've been seeing. One of those,

(13:22):
I know, But I didn't know that there was a
tit movie. Yeah, we didn't know that when we signed
on to it. I played a minister. How couldn't you
couldn't get more wholesome? Them lost?

Speaker 2 (13:32):
You guys have films called clown fear by the way.

Speaker 7 (13:35):
I didn't know that these boards were going to go
out in the desert and jump in the little goon
naked and some guy is in the weeds whacking off
watching them. Now, we don't need that. We don't need
to show young people tits and ass Let them discover
as they grow up. Let's give young people good decent

(13:59):
horror movie like the olden day movies. We love Wolfman,
we love Dracula, we love Frankenstein. They held up over
sixty eighty years.

Speaker 2 (14:11):
They just made a new wolf Man. It came out.
It's on people, I know.

Speaker 7 (14:14):
But eighty years later, these characters are still alive, filming
and alive. So that's what Jimmy Star is doing, and
a lot of other producers have followed suit. They all
agree with Jimmy. We're looking for quality written.

Speaker 2 (14:31):
Scripts, the real story, with the story, with what Ron
always likes to say, a beginning, a middle, and an end.

Speaker 7 (14:39):
Of course every movie, but no, today the movies don't
have that because the end they have no end. They
don't know how to write an end, so they leave
you hanging. And the blonde girl with the bouncing tits
jumps out the window and the movie's over. That's not
an end. What happens to the blonde girl with the

(14:59):
big tits? Tou ho tits act as balloons and she
bounces back up into the apartment. Who knows? Anyway?

Speaker 2 (15:06):
Our first guest is here, you ready.

Speaker 7 (15:08):
Ruddy roady road?

Speaker 2 (15:09):
Then bring on our first guess one. We're ready to
rock and rollo. How are you? Charles rosan A, how
are you?

Speaker 10 (15:18):
Guys? I gotta chime in about current horror movies, and
I think we're not giving enough credit to Neon Studios
in a twenty four who are putting out elevated horror,
no boobs, no slasher, but really quality. There's a lot
of quality horror movies. I would say the last two
or three years. I think going back, you know, eighties, nineties,

(15:41):
two thousands. Yeah, that's what comes to mind. The ten
kids who go to the cabin, they all get naked,
they all get killed. That's that's now the genre joke.
I think the movies that are coming out that are worthwhile,
you know, whether it's Death of a Unicorn or Sinners.
I can go on and on, Barber, did you see Sentaers?

Speaker 2 (16:01):
I haven't seen it yet, but everybody says it's the
best horror movie like in a long time.

Speaker 10 (16:05):
It's you know, it's overrated, and I think it's gonna
there's a you know, there's a populace that's gonna think
that I loved it. I don't. I didn't give it
a time. I gave it like an eight. But it's certainly, uh,
it's certainly quality stuff. Where where there's a lot of
quality stuff out there, presence was a quality a ghost
movie seen through the eyes of the ghost. I mean,

(16:26):
there's a lot of quality out there. You just gotta dig,
You gotta dig a little.

Speaker 2 (16:31):
Yeah, you do have to dig.

Speaker 7 (16:32):
But Charlie, Charles, Charles's Charlie, I know, Charles is to
the people that don't know, listen, I don't feel good,
so don't fuck with me. My knee is killery. You're
a good actor, okay, you're a n film. I enjoy
your performance. Yes, Then suddenly a pay to play comes

(16:55):
on the screen with you, and you fall flat on
your face because you say to the play to pay
I'm going to kill you, and the play to pay says,
oh don't, And there you go. All your work went
right down to the toilet. We've got to we've got
to get rid of pay for play. We've got to

(17:16):
only have qualified actors in our movies, because movies with
junk you can smile, you can smell a mile away.
You know that.

Speaker 10 (17:27):
Yeah, and you said you said smile instead of smell
a mile away. And I think Smile is one of
the few franchise films that have come along in the
past few years that that really stands out. And I'm
looking forward to the next.

Speaker 8 (17:41):
Yeah, there's one other one quiet before I'm in pain.

Speaker 7 (17:46):
So you can't play with me, ja, because I'll go
nuts and start to slash. No, have you seen Marcel
Waltz's Blind Blind?

Speaker 10 (18:00):
I don't think that's not that's not the same. No, no, no,
I'm thinking of don't breathe? What's the prim love?

Speaker 7 (18:08):
I would suggest you see Blind.

Speaker 2 (18:10):
A very low budget phenomenal.

Speaker 7 (18:12):
Indeed, it is a story. Sarah French was brilliant in
this performance. He did not act. Thank god, she didn't scream,
she didn't bounce her titsl over the place. It was
wonderful to see Sarah French acting movie star goes blind
through a bad operation. A fan who's a maniac sneaks

(18:36):
into her house and she doesn't know it, and he
lives in her basement. The story is fabulous, the acting
is brilliant. And guess what the movie did? Ship?

Speaker 2 (18:48):
No ship financially, I think, but it did. But it
won every film festival it was in it one like FI.

Speaker 7 (18:55):
So guess what Marcel's next movie? They cut a guy's
dick off and that did great, and you see it.
Hang on, we got Actually I want to ask you. Wait, wait, Charlie,
listen to this one. I said to So, I said, listen,
now they've blown the guy's dick off. What the hell
are they going to do next? Put cherry bombs up
a woman's pussy? He said. He said, they did that already.

(19:19):
They did it already.

Speaker 10 (19:25):
I'm just you got me on a roll. Did you
see the Me Moore film?

Speaker 4 (19:30):
Yeah?

Speaker 2 (19:30):
I saw it, but I didn't like it like everybody
else did. I mean, I thought it was shot very well,
but like I didn't, I didn't really like it. Substance,
the substance.

Speaker 10 (19:39):
Substance I was. I was I was just pleased that
her performance was as good as it was and that
it was recognized because so many of these horror films
never get recognized.

Speaker 2 (19:49):
And I agree with I agree with that, but I
just didn't really like the concept of the film that much.
But it was done beautifully and she was fantastic again.
And I'm a huge Demi Moore fan. Matter of fact,
my favorite Demi Moore movie is Gene, which is probably
the only movie she got panned. Is like her worst movie,
but it's a great movie. But I absolutely loved it.
But wait, I want to do a really interest Hey everybody, now,

(20:10):
we want to welcome to the Jimmy Star Show with
One Russell Pop poacher, rack Punk Tour author, actor DJ
Hey produced. He basically does everything you guys, Charles F bros.
And a welcome to the show. We're happy to have
you back again. And he's actor and he's and he's
a great writer. And you were just a chiller, right.

Speaker 10 (20:29):
I was a chiller. Had a lot of fun with that.
Someone came up to me and said, hey, didn't you
play with you told about a pastor didn't you play
a preacher a father in a zombie movie? And I
said yes, and I got shot in the head, and
the guy who shoots me never had a line, and
I said, wait a second, you have to add the
line forgive me father before he shoots me. And so

(20:54):
the director the director said yes, of course, so before
I get the shot in the head, and he says
forgive me father, and I thought, you know what, that
alone was better than the whole the whole film Zombie Chronicles.
I get to get killed in that one, as as
a as a father, as a pastor, as a preacher.

Speaker 7 (21:13):
I like working with a director that allows her that freedom.

Speaker 2 (21:16):
I just finished.

Speaker 7 (21:17):
I just finished a movie and Don't Left clownb fea
No Motel Three Ways to Hell. Okay, don't left. It's
got one hundred and twenty two killer clowns in it.
No movie has that many clowns, one more moronic than
the other.

Speaker 10 (21:37):
Well, hopefully, hopefully it won't come out right away, because
coming out very soon is Clown in the Cornfield, which
we don't want to We don't want competing clowns here.

Speaker 2 (21:47):
I'm Hotel. Three Ways to Hell is the third third
series of the Clom Hotel movies. They kind of have
a big following.

Speaker 7 (21:53):
Right, and I'm in them. I'm in them all. And
I placed General Mulan, who gets my men to go
out and kill these you know, the script and whatever whatever.
I worked with Joe Kelly, the director, who I love
is the sweetheart of a guy, and I helped him
a lot with dialogue about it, and I think it

(22:14):
made the film look a little more Warner Brothers and
less ten dollars.

Speaker 10 (22:19):
It's fun. It sounds like a fun project.

Speaker 7 (22:21):
Well, you have that expertise also, and I think you
should plug into any film that you're in because you
have the knowledge in the background as I do. I'm
sixty five years in the business. I mean I worked
as a drag queen on stage for years. I mean
all the way. I've done everything there is. There's nothing
I haven't done on stage except pee and now at

(22:45):
my age, I might do that soon.

Speaker 2 (22:48):
So I wait, I want to go back to Chiller,
because like you were promoting Walter Egan, and we've had
Walter Egan on our show.

Speaker 10 (22:55):
He's a sweetheart.

Speaker 2 (22:56):
Yeah, he's got one of the like class six songs.
You know, everybody like knows it. He's a great guy.
We had a blast one he was on a very
long time ago. It must have been like ten or
twelve years ago. But we had a lot of big music.
We had Walter Egan, and we had that guy who
lives in Woodstock, I forgot his name, another really big

(23:16):
You know, we've had a lot of bit because we
had Chicago, and we've had earth plenty and Fire. We've
had everybody. But but I love Walter Magnet and steal right.
That's his song. I was trying to think of a song.

Speaker 10 (23:24):
I was like, you can't mention it because it becomes
that earworm. Literally, it's been in my head for three
weeks since I you know, booked them for Chiller, and
that's all the song cannot you know, uh, Secrets to Reveal.
That's the title of his upcoming books. So we'll have
to get him on again with you guys when his

(23:46):
book is.

Speaker 5 (23:47):
I love it.

Speaker 2 (23:48):
He was great back then. I mean it was a
really long time ago, but we had a really good time.
So so before we talk about all the other things
that you do, let's talk about your thing that you've
got coming up Saturday, May seventeen, since that's only like
two and a half weeks away.

Speaker 5 (24:01):
Thank you.

Speaker 10 (24:03):
Nothing to do with monsters.

Speaker 2 (24:05):
Nothing to do with monstras. So, first of all, you guys,
so so Charles has done a bunch of stuff. He
has four books, and just so you know, he's got
one horror book. It's called the Book of Top Ten
Horror Lists. He's the biggest Beatles expert like on the planet,
and so he's got the Book of Top ten Beatles list,
of which my favorite show is called Collector's Call, and
he was on Collector's Call when they had a Beatles memorabilia. Guy,

(24:29):
you were like the expert on the Beatles Memorabilia Collector's
Call show, and I was so excited to see you
on there because it's my favorite show.

Speaker 10 (24:36):
But it was monkeys that one, that episode.

Speaker 2 (24:38):
That was monkeys. It wasn't Beatles, Okay, I fucked up,
you guys. It was monkeys. Which he also has a
Monkey's book. Don't you have a Monkey's book or a
turtles Turtles there we go, so not just happy to
get the turtles and the monkeys. Yeah, and then he
also has a True Ghost Stories of Connecticut book. But anyway,
he was on Collector's Call for a Monkey's collector, my mistake,

(24:59):
not a Beatles collector, but I love that show. Tell
me how was that? Being on that show? Was Lisa Welchel, nice.

Speaker 10 (25:05):
Lisa Wells, who was a sweetheart. In fact, I got
her to give me a top ten list from my
Beatles book through that. But that was such a great experience,
the production team, everything about it. You know, there was
a few items that I'm like, oh, do I really
do I price it higher? Because I'm a I'm a
vendor and the vendors will kill me if I don't
do I price it low. You know, There's a lot

(25:26):
of thought process that went into it. But I really
had a lot of fun in it, and I'm really
proud of the way that came out.

Speaker 2 (25:32):
Yeah, I think that's terrific that just being on that show. Eventually,
one day I'm going to be on that show with
my collection because I do action figures and I've got
a great collection, so I'll be on it.

Speaker 7 (25:43):
You have a million pieces of.

Speaker 2 (25:46):
But I like love it. So anyway, So you're a
big Beatles guy. You actually Beatles tours, right, don't you
actually do Beatles tours? And like you something, Beatles.

Speaker 10 (25:55):
Tours to Liverpool and London every well summer for over
forty years for beetlefans Liverpool Tours dot com. But yeah,
doing Liverpool productions. We've been doing Beetle conventions for so
many years. Those morphed into these festivals which don't emphasize
the guests, don't emphasize the merch, but really emphasize the

(26:19):
music and the bands. And we have eight bands that
are gonna be playing at this festival here in Connecticut
in May seventeenth from noon on.

Speaker 2 (26:30):
I'm sorry, Rod, he said, you remember, I.

Speaker 7 (26:32):
Remember that the thing you're getting Connecticut.

Speaker 10 (26:35):
Yeah, so this is the first time in a couple
of years, and it's in a new venue. It's called
Dudley Town Brewery. It's this magnificent large brewery. We're having
the whole event right on their beautiful beer garden. It'll
be outdoors, hopefully we'll have beautiful weather. So eight bands,
about eight vendors, myself with my book, a lot of

(26:56):
other authors, and it's just a fun time. For the
first time. It was always Beatles, Beatles, Beatles. So yes,
most of the bands will be doing Beatles stuff and
solo material, but one of the bands will be doing
all Rolling Stones, and one of the bands will be
doing all the aforementioned monkeys. So we've got a monkey's
band too. It'll be a little more, a little more diverse,

(27:16):
but still within the sixties genre.

Speaker 2 (27:19):
So wait, you said this started in the eighties, Like, so,
so what year you graduate high school?

Speaker 10 (27:26):
I gradued, and then and then I started doing conventions
in college in the late seventies, and then and then
and then in the eighties.

Speaker 2 (27:35):
I really have it old. I means you're probably close
to my age if you if you were doing.

Speaker 10 (27:40):
That, like lovely older than you. I'm older that both
of you guys put together.

Speaker 7 (27:44):
No, you know what, you love to blow it out.

Speaker 2 (27:50):
He blows eighty five in May.

Speaker 7 (27:53):
He blows it out his ass all the time with
that ship. We go to cocktail parties, no matter where
we go. In ten minutes will be eighty five pumping
on a pole.

Speaker 2 (28:05):
And he's fabulous. Look at him, he's like acting all
the time. He's working, except for in great shape.

Speaker 7 (28:11):
Charlie, Charlie, don't ever do with me. No, if you're
blowing me, live with it.

Speaker 10 (28:18):
It's like play basketball three times a week. And that's
one of my biggest fears is is that knee injury.
So scared my deli I'm sorry the surgery.

Speaker 7 (28:30):
Listen. I'm a tough guinea from Brooklyn. Yeah, I mean
I could take a bullet and I'm still silly. Yeah,
but this neat thing. I'm in agony right now. You
have no idea the pain I'm in. That's why I'm
wiggling all over the place. I don't mean to do
a lene of Turner's shots.

Speaker 10 (28:47):
Like my dilema now is when I'm going to when
I'm going into casting networks and it's well, what role
suits you? I don't know what eight. I don't know
if if I'm the senior citizen guy, the grandfather, or
if I'm still the young punk. I don't know where
to put myself. I did it. I did something. I

(29:07):
forgot what it was, marvelous Mozelle, I don't remember what
it was. And I came in and they.

Speaker 11 (29:12):
Go, why don't you just let your hair go all white?

Speaker 10 (29:16):
And you know you have a beautiful head of hair
that's white, And I'm saying, because I still do thirty
and forty year old roles, I don't want to commit
myself to the white hair.

Speaker 7 (29:26):
Wait, wait a second, there's a thing called a wig. Also,
I'm in a movie with a very major star. I
play his father. The producer said to me, Ron, could
you look older because you look younger than him.

Speaker 11 (29:44):
Oh, I really like that.

Speaker 2 (29:47):
Well to mention his name, right, it might be no,
because it might be changing him, changing him.

Speaker 10 (29:51):
Yeah.

Speaker 7 (29:52):
Anyway, he's very famous and he's in his sixties. So
now I said no, I could center part my hand,
wear glasses and not shave. And yes, you know that's
called acting. So you know, if you have to play
a thirty five year old, you know how to do it,
and if you have to play an eighty year old,
you know how to do it. So I love those challenges.

(30:16):
I'm also playing the vampire, a gang vampire was probably fifty,
and that's a whole different me. Wow, it's wonderful. I
don't like playing me. Yeah, that's a good question. Do
you like playing you?

Speaker 10 (30:31):
I never played me. I wouldn't know. I wouldn't know.

Speaker 7 (30:35):
True.

Speaker 10 (30:36):
I played Elton John in HBO's Flight of the Concords,
and I thought, well, you know, I can see myself
as him, but I've never played me. It's crazy.

Speaker 2 (30:47):
That's a great question, a concourse or something.

Speaker 7 (30:50):
Yeah, I've never played me either, So.

Speaker 2 (30:55):
Wait, I want to go back to the Fab four
Music Festival for me. Yes, yes, that video that you did,
the promotional video off of YouTube, so we can play
it for everybody just to get more exposure for the show.
So you guys, first of all, you can go to
fab fab four the number four music Festival dot com.
You see Charles has it on his honest thing here
if you're watching, but if you're listening, it's Fab four

(31:16):
Music Festival dot com. Yes, So why don't you introduce
the video real quick? It's only like a minute long,
and then we're gonna have one you played, the one
that says FAB four Music Festival, and then we'll be
right back in this way, we can promote it a
little for you.

Speaker 10 (31:29):
So, my daughter Lauren did a great job of editing
this for a prior Fab four Musical Music Festival few
years back, and she re edited it for this year.
And then we're going to take a look at some
of the highlights of what we've seen at past festivals
and what we're gonna be seeing on May seventeenth.

Speaker 2 (31:46):
There you go take it away. Hell here.

Speaker 4 (32:13):
H persides.

Speaker 5 (32:18):
It's momsy too.

Speaker 6 (32:19):
Yeah, so.

Speaker 5 (32:28):
What to way?

Speaker 10 (32:56):
I don't look Smark fun there's pure fun.

Speaker 7 (33:00):
And I'm a dancer. At my age, I still dance.
People like to say, wow, you know, I really hate
that they expect you at eighty five to fall apart
and die. I think it's bullshit. I was at a
very my friend's eightieth birthday party and I was dancing.
Listen to this bitch. He's a very famous drag queen.

(33:21):
But I love her. He's one of my dearest friends.
The name Montague King, that's what it is. Who impersonates
Lisa Lrett, Liz Lorene. Liz Loret to me, Ron, I
hope when I'm eighty five, I can be as agile
as you are eighty it was eighty one of your age.

(33:46):
I could be as agile.

Speaker 10 (33:48):
That's funny.

Speaker 7 (33:49):
I like love it so, but you get all kinds
of crap.

Speaker 12 (33:52):
You know.

Speaker 7 (33:53):
When I was young, I got boyer. You're good looking.
I got older, they said, wow, you're really a nice,
nice looking so you look good for your age.

Speaker 10 (34:03):
You look good for your age, right.

Speaker 7 (34:05):
Not awful? I like it?

Speaker 2 (34:07):
So you got So Where is the Fab four Music Festival?
What city is it taking place?

Speaker 5 (34:11):
In?

Speaker 2 (34:11):
Connecticut?

Speaker 10 (34:12):
It's Windsor, Connecticut, which is near where the airport is
it's north. It's the northern part of Connecticut towards Massachusetts.
And it's going to be a Saturday, May seventeenth. It's
called Dudley Town Brewing Company. Uh, and it's uh, it's
from nine doors will open at noon, sorry noon, and
it'll go till till whenever, nine o'clock.

Speaker 2 (34:35):
As much as a.

Speaker 10 (34:36):
Ticket ten bucks, right, we do? You even got bubble
gum for ten bucks? It's ridiculous. The brewery said, hey,
we want a lot of people in there. It's more
important that we draw a lot of people then.

Speaker 11 (34:50):
You know.

Speaker 10 (34:51):
So I said, sure, whatever, I'm doing it for the
fundament and for the fans, so I didn't mind.

Speaker 7 (34:56):
It sounds like a fun, fun night ten bucks. You
go there, you dance your face off, set you a
drink beer, you piss your brains, and you have a
favorite Beatles song?

Speaker 10 (35:06):
Do I have a favorite Beatles song? I asked that
a lot. And it used to be here, there and
everywhere because and that became my wedding song. But more
often it's while my guitar jently weeps the Harrison song.

Speaker 7 (35:22):
Uh.

Speaker 11 (35:23):
And that's only been in the past.

Speaker 10 (35:24):
I don't know how many years because when it first
came out of the White album, that wasn't always my favorite,
but that's kind of been my get my go to.

Speaker 2 (35:31):
Yeah, I like the Fool on the Hill, Oh beautiful song.
It's probably my favorite Beatles.

Speaker 7 (35:37):
First time I ever heard the Beatles, I was driving
back to New York from Florida on the radio car
I'm want to hold your hand and I know how
was that? You know? And then of course that was
the lead song that made them so famous.

Speaker 2 (35:53):
When I was little, though, for my birthday, my sister
bought me Sergeant Pepper's Only Hearts Club Band album for
you know, because that's what they had. So I had
it and I liked it, but that's not my favorite
of all the different songs.

Speaker 7 (36:06):
So it was very hard for people my age to
transition to the Beatles and and all those other groups
because we were so used to Johnny Mantis, Frank Sinatra,
Peggy Ly uh, you know. And then suddenly these people
come along screaming at us. Understood, and they were screaming,

(36:28):
and we got we didn't like it. The only people, no,
we didn't know. The kids loved it, but we didn't
like it. Why are they streaming why are they not
singing like you know, like like all the other singers sing.

Speaker 10 (36:42):
Yeah, there was plenty of not not screaming in the
Beatles catalog, But that first impression, I get it, I get.

Speaker 7 (36:51):
It, was they were screaming at us. This music was foreign.
We had never heard this music before. Never. The loudest
sweetheart was was Glenn Miller is in the mood.

Speaker 2 (37:06):
In the chatter in Nayli, Sydney, lady like likes the
long and winding road. I remember too though. So the
last time we had you on, yeah, we were promoting
you had a couple of spots left on the Haunted trolley?
How did the Haunted Trolley go? And is it happening
again this this year?

Speaker 10 (37:21):
My god, it was never so successful. We're doing it again.
Uh for Halloween. We're trying to it's it's gonna be
like a murder mystery. We're changing the theme. But what
I you don't know is I also did a Christmas
version of it called Who Slayed Santa? And it was
it was sold out, it was hysterical, and we're going

(37:42):
to reprise that. That was such a success. We'll do
that again too.

Speaker 2 (37:46):
I know that I love so I like all that stuff.
So do you guys hear some of the things he does.
So okay, he's got the Beatles tour that he does
in the UK.

Speaker 10 (37:55):
That's it's every August we go to London, Liverpool. The
website's Liverpool tours dot com.

Speaker 2 (38:01):
There you go, Liverpool Tours dot com.

Speaker 7 (38:03):
You guys.

Speaker 2 (38:03):
Then he's got the Haunted trolley for Halloween, you guys.
He's got Ghost tours to Europe. And then probably the
thing that I think is the coolest out of all
them is Dracula Tours to Transylvania.

Speaker 10 (38:14):
Is that every year today, is that every year, every
October we go to Transylvania. We mix the law and
the fiction and the fun of Dracula with the history
and the truth and all the stuff behind Vlad Tepesh,
Vlad the Impaler, great great, great tour. I just before

(38:34):
we got on, I got a call from someone from
North Carolina who says, I hope you're still doing this tour.
This is my bucket list thing, and I go, yeah,
and you're gonna have the time of your life. Drac
Tours dot Com is how people could go with us
to Transylvania, Romania.

Speaker 2 (38:49):
I like love it. So now how long has the
Dracula Tour has been going on.

Speaker 10 (38:53):
Since ninety eight, the Beatle Tour since eighty three, the
Dracula Tour since ninety eight, and the Ghost Tours it's
about two thousand and one.

Speaker 11 (39:01):
And we'll be going to.

Speaker 10 (39:03):
Haunted England next summer. So a lot, a lot of
amazing fun things, and I try to host most of them.
You know, there's a lot to juggle here, but we
do that. And I'm also I've got a Paranormal convention
coming up in July. I wasn't gonna mention it in
case I'm coming on again, but we're going a little
out of the box with it because it's going to

(39:24):
be paranormal, true crimes, a touch of horror. And our
special celebrity guest is Butch Patrick, the original Eddie Munster
from The Monsters.

Speaker 2 (39:35):
I actually wrote it down anyway, because I saw it
on your Instagram July twelve and thirteenth, you guys, And
it's paracon dot org. But con is like for Connecticut
right one, so it's p A r A c O
n N dot org. But Patrick, everybody I know who
knows him says he's a really nice guy. Yes, he's
been in some of the films that we've actually worked on,
but never shot at the same time we shot our stuff,

(39:58):
so I've never actually met him. But I'm Facebook friends
though with him, and they say he's really cool.

Speaker 10 (40:02):
Yeah, we'll get him on. We'll get him on with
you before that. It's funny because it all ties in.
He went on one of the Dracula tours as just
as a special guest by himself and had the greatest time.
He went to Transylvanti with you know, thirty forty to
fifty other people, and they were like, wait, well, we
have the celebrity on board with us. It's pretty fun.

Speaker 2 (40:22):
Oh that's so much fun. I think the Dracula Tour
sounds the coolest at all.

Speaker 10 (40:25):
I think we're all cool.

Speaker 7 (40:27):
Can I interrupt us for like one second? Yes, Jimmy,
I'm going to go to put that pillow under my ass.
It's cool.

Speaker 2 (40:33):
Okay, hang on, there we go. Okay, see if that's better.
Oh yeah, okay, So last week we were actually on
a lounge chair on our recliner chairs. So this is
our first try sitting in a regular seat.

Speaker 7 (40:54):
But what are you going to do?

Speaker 2 (40:55):
And nothing we can do, but we're getting there, so
it works out.

Speaker 7 (40:58):
Oh I keep thinking about it floating in the pool
when I'm allowed just floating. I dream about that. I
love it.

Speaker 13 (41:07):
So so then.

Speaker 2 (41:10):
Do you have an agent? So like, how did you
get it? Because like the Flight of the Concourse, that
was like a really big deal, like when that came out.

Speaker 11 (41:18):
Yeah, so this is really weird Jimmy, because that was
an out of the blue.

Speaker 10 (41:21):
Hi is this Charles Rose?

Speaker 7 (41:22):
Nay?

Speaker 10 (41:22):
Yes, do you have representation we can talk to? Like, oh,
what's in regard to well, we know you can imitate
Paul McCartney and Billy Joel according to your other other
whatever the other was on my some profile.

Speaker 11 (41:36):
Have you ever done Elton John and Ron? What was
my answer when someone asked me.

Speaker 10 (41:40):
Can I do something? Just say yes? Yes?

Speaker 5 (41:45):
And I did?

Speaker 7 (41:47):
I say of course yes. I don't even say yes.
Did you have to learn how to do it?

Speaker 2 (41:52):
Or did you actually know.

Speaker 5 (41:53):
How to do it?

Speaker 7 (41:54):
No?

Speaker 10 (41:54):
So I went, you know, to the to the audition
and I wore the brim hat, big glasses, I put
a black space between my teeth. I walked in and
they say you got it, But they didn't tell me
as there were two Elton John's in that episode. It
was myself and Patton Oswalt, and he's the yeah, and
he's the main one, and he's upset at me that

(42:16):
there's another Elton John at this soiree or whatever it is.
So it's it's kind of a fun thread throughout the
throughout the episode. And then there was a Bono impersonator,
a Sharon person because the guys from Flying the Concourse
were impersonating Simon and Garfunkel, so there was a whole
a lot of personators and it winds up I think

(42:37):
with uh with a with an Obama look alike. It's
a really fun episode. It's in the second season, and
that was great.

Speaker 2 (42:45):
Yeah, Pat Oswald, he's like a big deal and he's
like huge. I forgot the name of his wife, but
his wife was a big eighties actress who was in
Dream a Little Dream.

Speaker 1 (42:57):
Oh she was.

Speaker 2 (42:59):
She was the like the hot girl and Dream a
Little Dream that movie with I guess Corey Felman or
Corey Haym or somebody's in that. But anyway, it was
a lot of fun though, and I like all that
eighties stuff, yeah, a lot. So I'm surprised you should
almost do some kind of a book on eighties stuff,
because you're kind of like what you're there for it?
And like all your list stuff seems to be written

(43:21):
very power. You are you going to come out with, like,
you know, book two of the book Top Horror Lists
or something.

Speaker 10 (43:28):
You know, you're you're so sharp. I've got about sixty
of the one hundred done, and I'm like, I lost
interest in that one. And i was a chiller, as
you mentioned last weekend, and there was so many people
I could have gotten a list.

Speaker 7 (43:40):
From, you know.

Speaker 10 (43:41):
I saw Linda Blair was there and Heraldo Rivera and
it's just endless amount of guests. And I didn't even
bother because I've got four other books in the works,
one on Creskin, The Amazing Crescin kind of a tell all.
I got another book on the Gary Jacarla, who you
probably ever heard of. He was the voice and writer

(44:04):
of Nana. Hey, Hey Hey, they sent out a band
called Steam who wasn't on the record, wasn't him. He
didn't get royalties till he was in his sixties. A
lot of one of those record industry stories. And then
I've got another Beatles book and a Monkey's book in

(44:25):
the work. So I too much, too much next next
level stuff. Yeah, Now what do you do just for fun? Well,
I don't lay in a pool relaxing because that would
be the opposite of me. I just could not even think.

Speaker 11 (44:42):
You know.

Speaker 10 (44:42):
The family says, hey, you want to go to the beach,
and yeah, well if I could bring my laptop and
my calendar and I could, you know, work.

Speaker 4 (44:48):
While you go.

Speaker 2 (44:49):
So I thought, for me, the work is fun.

Speaker 11 (44:52):
The work is fun.

Speaker 10 (44:53):
I love every second of it.

Speaker 2 (44:56):
For me, the work is fun. And the only other
thing is said because I like the shop for action,
you know, So that's my my my other relaxing thing
or whatever you would call it, is doing stuff with
action figures. But otherwise, for me, the work is the fun.
And I'm not very good at relaxing.

Speaker 7 (45:11):
No, you're not.

Speaker 2 (45:12):
I'm not good at just like, you know, sitting and
doing nothing like I need to be doing stuff. So, so,
what are some of your top ten horror lists things?
For you personally? What are some of your favorite horror things?

Speaker 10 (45:27):
Abin and Costello Meet Frankenstein Coming.

Speaker 5 (45:31):
I love that over.

Speaker 2 (45:34):
Over and over.

Speaker 7 (45:36):
I saw it when I was a kid. Yeah, my
sister to see it. It terrified me. I was about
ten years old and I couldn't sleep that night. Oh
all I kept thinking of was that being thrown through
the window and drack.

Speaker 4 (45:55):
Y'all.

Speaker 7 (45:56):
It was a wonderful film. It's probably one of the
best horror movies out there, so fun. Have you ever
seen it?

Speaker 2 (46:04):
Jim Yes, I seen it with you.

Speaker 7 (46:06):
Oh I love that movie.

Speaker 2 (46:08):
So what about what are some of the modern day like?
Do you like any modern day horror stuff?

Speaker 10 (46:14):
I love The Black Phone came out a few years ago.

Speaker 7 (46:18):
I don't know.

Speaker 2 (46:19):
I think it's getting ready to come out.

Speaker 10 (46:21):
I don't know the balance of what's contemporary and not.
You know, my midpoint is Exorcist on is contemporary, Exorcist
Back is uh, you know, is classic. But there's a
movie that the movie that I like to tout, which
people don't don't know a lot about, is a movie
that had a soundtrack by Paul Williams, and it's a

(46:43):
better horror musical than I think rocky horror. And that's
the one everyone loves. Paradise Man, Paradise.

Speaker 7 (46:56):
Spirit, Jimmy, Jiffy, I love this.

Speaker 2 (47:00):
That is such a good movie. A matter of fact,
I was just recently looking at action figures of the
Phantom guy on eBay. You know wove.

Speaker 10 (47:10):
Winslow Winslow Leech played.

Speaker 2 (47:12):
By movies that I ever got. That and Phantasm were
the two first movies I ever got to see by
myself without like an adult. Yeah, and the soundtrack for
Phantom of the Paradise is fantastic. It's such a good soundtrack.
And the guy has all the metal teeth and everything.
I mean, he's It's just a fabulous and nobody even
hardly knows it though I bring that up. Hardly anybody

(47:34):
knows this, So the fact that you brought it up
is exciting to me. I got like a little goosebumps.
I love it.

Speaker 10 (47:38):
I love the way you jumped all over it. So
that's the one I throw in when I know, when
I think that people don't know it and expecting a curveball.
But you know, there's just so many the Shining the Exorcists.
I'm a big you know, universal monsters. So it's crazy
that my favorite movies are like the Bride of Frankenstein

(48:03):
and the Creature from the Black Lagoon and all those.

Speaker 2 (48:06):
So I was very friendly. I was very friendly with
Rico Browning. Actually, the movie the movie.

Speaker 7 (48:13):
That really scared the hell out of me. Night of
the Living Good, the original, brilliant, the black and white, loveless, eerie.
It was, I don't know what it was. Eerie. Yeah,
when they began eating the flesh from the burning arm
on the truck. We had never seen anything like that

(48:35):
in film. Correctly years ago would have been censored, right
allowed it. They allowed it. That film was sixty five
thousand bucks to make. And what a wonderful you said.

Speaker 2 (48:50):
I actually did a So we have this thing in
Florida called Spooky Empire. It's a very good horror convention twice.

Speaker 10 (48:56):
A year, one of the conventions in the world.

Speaker 2 (48:59):
Yeah, so with p D and so I was a
judge for the costume contest with Bill Heinzman, who is
the zombie you know from that is a living dead originally.
So he actually gave me like one of his action
figures and signed it for me, and so it was
a really cool thing.

Speaker 10 (49:15):
So like, I love all that.

Speaker 2 (49:16):
Also, Rico Browning was super super cool. So it was
Bill Heinzman. Unfortunately he passed a couple of years ago.
I guess probably a lot of years ago now, ten
years ago or something. But those movies are fun. My
first night of the Living Dead movie was the one
that I saw. The first one I saw was the
remake with Tony Todd and Tom Toles, because Tom Toles
was a really friend of mine and he was also

(49:39):
in that movie with Michael Rooker. I forgot the name
of it. Him and Michael Rooker and they're like brothers
or something, stealing and beating everybody up. I forgot the
name of It's a very popular cult movie.

Speaker 7 (49:48):
I have to look it up. Just said that, but.

Speaker 2 (49:52):
But I love all that stuff. And Spooky Empire was
a great show to go to when I lived in Florida.
We would go to all of them. It was a
blast sure in Orlando, right, yeah, it was an Orlando Yeah.

Speaker 7 (50:01):
I think I always liked Rocky Horror Show.

Speaker 2 (50:05):
Yeah, Henry Portrait of a serial Killer.

Speaker 7 (50:08):
Oh wow, of course, yes, So Rocky Horror Show brought
us to a different place. It brought us to horror
with music and fun. We loved it. I mean I
brought my kids there, Leslie when she was about ten,
and she couldn't wait. Ain't got no neck, Let's throw

(50:29):
the rice. But you know, to all the stuff that
we did, it was such fun. You know, those are
the days and the things I miss. I don't think
they run that anymore the Rocky Horror Show, do they.

Speaker 10 (50:42):
Because it doesn't save the serve the same purpose because
you can stream it and watch it anytime you want.
But but that shared experience, in those days of seeing
on the theater and having the audience respond and the
audience participation, that was special. Yeah, the toast and the

(51:02):
decade cards and neat Loaf all sliced up with no
place to go hysterician the.

Speaker 7 (51:10):
Best, the best was when he came on no neck,
no neck, no net.

Speaker 2 (51:15):
But listen. Actually, we should try to get some of
the Rocky Horror Picture Show people on the show, because
all out there I see him doing con.

Speaker 7 (51:23):
Of them. Some of them are big. I mean, first
of all, one of them we don't like. But the
male League he's not. We don't like him.

Speaker 2 (51:33):
Barry Bostwick, he wasn't a way. He might be nice
to other people, but when I met him.

Speaker 7 (51:40):
Not.

Speaker 2 (51:40):
I only have like two people that I can ever
say that that that weren't.

Speaker 11 (51:43):
Nice to me.

Speaker 2 (51:44):
He's one of them, and the other one is the
guy's just a dick. But I'm not going to mention it.
Boster was just not nice. But this other guy is
a dick and.

Speaker 7 (51:53):
Uh and it's so and she is what do you
call it? What's your name?

Speaker 2 (51:59):
Susan surrending to the lead business random. You can get
the Rocky Horror picture of the people though, all the
no neck and all those people. You can get all
those different people. You think they're still Yeah, they're still all.
I don't see him doing conventions.

Speaker 10 (52:12):
Yeah, Patricia I forgot her name, the one who plays
Magenta or those type of people are still available. Yeah,
Unfortunately we've lost Tim Curry. Yeah, and the Richin O'Brien
who created it, who's the genius of all of it.
I think he lives in New Zealand, so I don't
know if he's got a ball. I know he doesn't
do much on Rocky Horror.

Speaker 2 (52:35):
It was fun. I actually, until you brought that up,
I totally forgot about it. But that was so much
fun to go to that and see all those things
going on, and we used.

Speaker 4 (52:43):
To go all the time.

Speaker 7 (52:44):
It wasn't luck he went once. It always played at midnight,
Yeah it is, it played at midnight. It was great
marketing for that film. It was just it exploded and
its sustained for so many years and the music was good,
no beyond good, I mean to me, is phenomenal in it.

Speaker 4 (53:07):
Yeah.

Speaker 2 (53:10):
I actually talked to about it once with meat Love
because I got uh. I went to an Allan John
concert and I was his guest and h invited us
to go and in line get picking up the VIP
passes was meat Loaf was right in front of me
and so like he actually talked meat Loof and also
Casey from Casey in the Sunshine Band. It was kind

(53:31):
of like a very memorable fun experience back in the day.
I love though. So how many of the Beatles and
the Monkeys have you met?

Speaker 10 (53:38):
I have met them all except John Lennon. So I
met Paul McCartney the most of the Beatles, followed by Ringo,
followed by George Harrison once never John, Monkeys, Mickey I
still see a lot, interviewed him endless times. I was
closest with Davy h God, yeah, sweetheart of a guy.

(54:00):
I was second closest with Peter Tork who lived in
Connecticut and did a lot of stuff with me. And
the one I only met once and knew the least
was Mike Nesmith.

Speaker 2 (54:10):
That's fun though, because you have such a fascination and
enjoyment and it's such a big part of your life
to actually get to meet him. When I lived in
Fort Lauderdale, we have this There was this really wealthy
neighborhood on the inner coastal and now I forgot the
name of it, but anyway, Paul McCartney had a house there,
and when McCartney wasn't there, the guy taking care of

(54:30):
the house invited us to come and see the house.
I mean it was all like it was like something
you've never seen, you know before. It was just amazing
and it was beautiful and gorgeous, and I always thought
how it would be cool it would have been if
Paul McCartney would have been there to actually like meet him.
But it's just fun. So who are some of the
most like your favorite? Do you have like people that

(54:50):
you've always wanted to meet it that you finally got
to meet it and did and how did it go
when you met him?

Speaker 10 (54:56):
I always wanted to meet among the Beatles and never
thought I would, So when I met the Monkeys in
eighty six, I was like, all right, that's it. You know,
anyone else saw I.

Speaker 11 (55:05):
Meet is gravy.

Speaker 10 (55:06):
Everyone else was under that. And then a few years
later to have met McCartney was just Paul, you know,
this is my life. My life is this is Beatle
events and Beatle magazines and the tours and to meet
my heroes. And fortunately they lived up to, you know,
the happiness that I would have wanted them to exude
with me. So you know, the back of my Beatles

(55:27):
book has a picture of me with McCartney from the
one from the first time we met. We really proud,
really proud photos with it. And I got really closer
with Linda, his first his first wife, Linda McCartney, and whenever,
you know, she goes, oh, yeah, yeah, yeah, you're from Connecticut,
but you're originally the Bronx, right, well, I'm Scarsdale. I

(55:48):
was right in the middle. She would always remember that
and she would say, yeah, we get you the Beatles
magazine you put out, and she's very cool. But I'll
tell you the first time I met Paul, the guy
who introduced us said, this is Charles Roseney. He produces
the Beatle conventions in you know, in the States, and
Paul goes, old, that's cool, and Charles publishes a magazine

(56:10):
called good Day Sunshine, and Paul goes a little good title,
and then he also does the Beatle Tourist to Liverpool,
and Paul goes, ill, when do I get my royalties?
So that was like the funniest line. He really broke
the ice, and it was a yeah, he was kidding,
of course, Thank goodness now that.

Speaker 7 (56:29):
I can remember. When I was very young, being a
part of the old Hollywood, meeting movie stars was probably
the most exciting thing I could ever do. Meeting Leada
Hayworth was earth rule. But as time went on it
lessened and I knew and it was like here, hi, Rita,

(56:52):
how you doing. I became friends with Jane Russell. That's
why my name is Russell. I took her name. Oh oh.
I loved her, loved her to death, and Jane and
I became brother and sister for years. We hung out together,
we traveled together, we did everything together. So I'm immune, really,

(57:16):
I'm immune to people. But Jimmy could tell you it
was sorry. I mean, Betty Davis, I knew everybody. Elizabeth Taylor,
Elizabeth Taylor live that kind of thing.

Speaker 11 (57:28):
Gay men.

Speaker 2 (57:29):
That's so funny though, because we lived in pennsylvani.

Speaker 7 (57:32):
Gay men got around Hollywood in those stories easily sore.

Speaker 2 (57:37):
So we were in Pennsylvania and we were at a
screening of a new television show, new TV series, and
then it was like a red carpet event, and all
of a sudden it was over, and everybody was mingling
and talking to all the people, and and Ron never
gets excited about meeting anybody. And then all of a sudden,
I hear him screaming, Jimmy, Jimmy, get over here, get

(57:57):
over here. And it ended up that he had met
Happy Sledge from Uh Sister Sledge. We became friends with her.
A matter of fact, she's our first guest when we
turned this podcast. I love radio to video.

Speaker 7 (58:10):
I love this Sledge sisters.

Speaker 2 (58:13):
Yeah we are family. Is kind of like that's the song,
you know, the gay iconic song for for all of us.

Speaker 7 (58:18):
So and I was so excited. Now better story. She lived.
We lived in Doylestown in Pennsylvania, and she lived in Newtown.
And I said to her, how would you and your
husband like to come over for dinner. I cook a
nice Italian meal. She said, can I bring patty Lebelle

(58:39):
with most ship myself. I said, bring Patty Libelle. Of
course you could bring.

Speaker 2 (58:47):
Patty, and then we end up before it never happened.
But it never happened to California.

Speaker 7 (58:53):
Fold and removed. But imagine having Patty.

Speaker 2 (58:56):
Okay, go ahead, show us what you're gonna show us.

Speaker 10 (58:59):
Well from the Beatles book, we have a top ten
list from Kim Sledge.

Speaker 4 (59:04):
Oh, there we go.

Speaker 2 (59:05):
So we're friends with Kathy and Kim. Well, we did
a fundraiser with Kim Sledge in New York for a
one one.

Speaker 7 (59:13):
They came from a very religious family. Their mother taught
them everything right. They are probably the most decent human
beings I have met in our business. I love both
of them.

Speaker 2 (59:27):
Yeah, we had a blast a booth. Then on the show,
we had a great time with them, and we did
we did an event. We did an event with Kim.
So it was cool. So let's go over all your shit,
you guys. First of all, you guys, we have the
Fab for Music Festival. I'll go to Fab four Music
Festival dot com if you're in Connecticut at Saturday, May seventeenth.

Speaker 7 (59:45):
He's got.

Speaker 2 (59:45):
If you go to book up Top ten Horror list
dot com, you can find all kinds of information. Liverpool Productions.
What's the website for that one?

Speaker 10 (59:53):
The website from my DJ company, Liverpool Productions. If you
want me to do your wedding or bar Mitzville or
school dance or divorce or anything else is Liverpool Production
Liverpool Productions dot com.

Speaker 2 (01:00:06):
Okay, And then you have another Liverpool.

Speaker 11 (01:00:07):
One, the Liverpool Tours dot Com is the double.

Speaker 1 (01:00:12):
Yeah.

Speaker 2 (01:00:13):
So you guys want to go and if you want
to have a great trip, go to on a Dracula
tour to Transylvania. I think that's the coolest thing. I
think it's the most fun thing ever. Check out all
this stuff. I don't forget too. If you want to
meet but Patrick, you can go to Para Con July
twelfth and thirteenth. And he's also June twenty ninth. He's
got some kind of event in New Jersey, sixty years

(01:00:35):
of the Beatles. That's all I wrote down.

Speaker 10 (01:00:36):
So it's a theater show at Drew University and in Jackson,
New Jersey, and it's ninety minutes of unseen Beatles footage.
And that's June twenty ninth. But I gotta tell you
we mentioned Eddie Munster coming to UH you know, butch
Patrick coming to the para con p A r A

(01:00:57):
c O n N in Connecticut. And for the first
time ever, I've got a paranormal TV personality who's a
drag entertainer, Monique Todd soon and that's on the website too.

Speaker 2 (01:01:10):
Hey, so you got a little bit of everything going everything.
You can also follow Charles, you guys. He's on Instagram
at Charles Rosene. He doesn't put the F on his Instagram,
so it's just c h A R l E S
R O s E n A y.

Speaker 10 (01:01:25):
Charles.

Speaker 2 (01:01:25):
Thanks so much for coming on. We will have you
back anytime you've got cool stuff to promote. It's always
a lot of fun. We so appreciate it, and good
luck with everything.

Speaker 7 (01:01:33):
And it's you.

Speaker 2 (01:01:35):
They're just they're just great. So I enjoy all of it.
So thank you so much and we'll see you soon.

Speaker 7 (01:01:39):
We'll see you again for sure.

Speaker 10 (01:01:41):
You guys, thank you so much.

Speaker 2 (01:01:43):
Bye bye, Yay. All right, you guys, we're gonna take
a little music break. We played it last week, I'm
gonna play it one more time.

Speaker 4 (01:01:49):
Uh.

Speaker 2 (01:01:50):
This is David Martinez. Sorry, guys, this is David Martinez.
The name of the song is My Sweet Love. It's
available now. It's a Lady Lad. Music artist David Martinez
has been on the show. He's great, so enjoy it here.

Speaker 11 (01:02:01):
It is My sweet Love.

Speaker 2 (01:02:03):
I didn't Martinez.

Speaker 4 (01:02:05):
Due my sweet love you seeing me.

Speaker 13 (01:02:27):
On over clothes with you, belies my set love you payls.

Speaker 2 (01:02:34):
Guy one good love notes right my line.

Speaker 7 (01:02:41):
That'll be the same again.

Speaker 5 (01:02:46):
I will even long.

Speaker 4 (01:02:49):
A harts keeper the time.

Speaker 13 (01:02:52):
Together for whatever, my sweet love, My sweet love, you
always be.

Speaker 4 (01:03:10):
Everything I've ever Indeed, my sweet love, sweet peacefully real
dreams are.

Speaker 7 (01:03:23):
I'm gonna be the same again.

Speaker 5 (01:03:28):
I will wave a lives.

Speaker 7 (01:03:32):
Keep perfect time.

Speaker 11 (01:03:34):
Together forever, my sweet.

Speaker 5 (01:03:39):
Love, you from the side, pat.

Speaker 12 (01:04:00):
Falling brother, my star, smuggle in your rod. Don't be
the same again.

Speaker 5 (01:04:23):
I will be alone.

Speaker 4 (01:04:27):
Arts keeper the time together for ever strong.

Speaker 2 (01:04:35):
I'm gonna be insane again.

Speaker 5 (01:04:39):
I will lead alone reads keeper.

Speaker 4 (01:04:44):
The time together forever must be the.

Speaker 13 (01:04:58):
Must.

Speaker 5 (01:04:59):
Sweet the seem to me.

Speaker 2 (01:05:05):
You'll hey you guys, that's my Sweet Love by David Martinez.
I love that song so much, I've been listening to
it all week. Please stream it, buy it, download it,
play it. If you're a movie maker and you make movies,

(01:05:26):
use it. In your movies. It's a great song, and
David Martinez is super duper talent. All right, So our
second guest should be coming on in a couple of minutes.
We have two minutes to go. Maybe we'll take another
little music thing going on. But our next guest is
James Dumont. He's super talented. He's got a brand new
movie that's coming out, So we'll get with it in
a second. But in the meantime, why don't we play

(01:05:47):
Irene Michaels is my Heart.

Speaker 7 (01:05:49):
This song won a.

Speaker 2 (01:05:50):
Bunch of awards, so I think you guys will like it.
It's a lot of fun. Take it away, wan, Irene Michaels,
my heart.

Speaker 6 (01:06:12):
My heart, you tell me yes, out my mind, keep
telling me nor.

Speaker 5 (01:06:20):
My heart?

Speaker 6 (01:06:20):
You tell me yes, yes?

Speaker 2 (01:06:23):
Should I say?

Speaker 7 (01:06:24):
Or should I go?

Speaker 5 (01:06:26):
Keep my heart?

Speaker 11 (01:06:28):
You tell me?

Speaker 6 (01:06:31):
Oh my Mike, you tell me.

Speaker 5 (01:06:35):
My heart.

Speaker 6 (01:06:36):
You're telling me yes, Should I stay or should I go?

Speaker 4 (01:06:43):
Sitting in said k.

Speaker 2 (01:06:47):
Thinking about my love?

Speaker 13 (01:06:51):
How am I supposed to know?

Speaker 2 (01:06:54):
Should I say or should I go?

Speaker 4 (01:06:57):
Think?

Speaker 7 (01:06:59):
Homa?

Speaker 5 (01:06:59):
Should I dangers? Should anger?

Speaker 13 (01:07:07):
How much.

Speaker 11 (01:07:10):
Sure I day?

Speaker 5 (01:07:11):
Or shouangle?

Speaker 4 (01:07:46):
How much.

Speaker 5 (01:07:49):
Should I dangers? Shouldangle?

Speaker 7 (01:07:53):
How much.

Speaker 6 (01:07:57):
Should I danger, shuangle? Harm? I Should I stay or
should I go?

Speaker 2 (01:08:09):
How am I supposed to snow?

Speaker 13 (01:08:12):
Shoe?

Speaker 2 (01:08:13):
I stay or should I go?

Speaker 5 (01:08:17):
Whut you tell me yes.

Speaker 6 (01:08:20):
About blah like yoursell?

Speaker 7 (01:08:24):
Why?

Speaker 2 (01:08:25):
How you tell me yes?

Speaker 5 (01:08:28):
Sure I stay?

Speaker 4 (01:08:29):
Or should I.

Speaker 7 (01:08:32):
Do?

Speaker 11 (01:08:32):
Why?

Speaker 6 (01:08:33):
How do you tell me about I like yoursell?

Speaker 11 (01:08:37):
Me?

Speaker 1 (01:08:40):
Do I?

Speaker 5 (01:08:40):
How you tell me yes?

Speaker 2 (01:08:44):
Shoe I stay or should like?

Speaker 1 (01:08:48):
Why?

Speaker 7 (01:08:48):
How you tell me.

Speaker 5 (01:08:51):
About like yoursell?

Speaker 1 (01:08:56):
Why?

Speaker 5 (01:08:56):
How you tell me jest?

Speaker 2 (01:08:59):
Shu yay?

Speaker 7 (01:09:26):
Everybody up?

Speaker 2 (01:09:27):
Hey one?

Speaker 14 (01:09:28):
Is there a way to take that dark frights dot
com thing underneath our name? I don't know how that
got up there. I don't know if this or not,
but see if you can take that away? Because uh,
I don't want that to be there? Should say Jimmy stu?
I shouldn't say anything?

Speaker 4 (01:09:42):
There you go?

Speaker 2 (01:09:43):
Perfect?

Speaker 7 (01:09:43):
Thank you?

Speaker 2 (01:09:45):
That's my my horror news podcast anyway, you guys? So
that was I mean, Michaels my heart and I think
our next guest is here, so we're gonna bring him on.
Let's rock and roll?

Speaker 4 (01:09:57):
Hey? Should I stay on?

Speaker 11 (01:09:58):
Should I go?

Speaker 2 (01:09:59):
There?

Speaker 1 (01:10:00):
Out?

Speaker 11 (01:10:02):
If? Ill I stay? Or should I go?

Speaker 7 (01:10:05):
If I go? There? Where the trouble?

Speaker 11 (01:10:06):
Should I stay? Should I go. I'm staying right now.
We want you to stay.

Speaker 2 (01:10:11):
And I love the background.

Speaker 11 (01:10:12):
I should have got my pink shirt.

Speaker 10 (01:10:14):
God darn it.

Speaker 2 (01:10:15):
There you go. So let me introduce you to everybody
real quick. Hey, everybody, I want to welcome to the
Jimmy Star Show with Ron Mussell, actor, producer, self tape
specialist James Dumont. Hello, and welcome to the show. And
welcome back to the show.

Speaker 11 (01:10:28):
You know I'm a gludden for punishment. You got me
back in here again.

Speaker 2 (01:10:32):
Yes, I'm excited about it.

Speaker 11 (01:10:34):
You're like the mafia. Just when I try to get
you keep pulling me back in.

Speaker 2 (01:10:39):
I love it. So you remember Ron, Ron is recovering
from knee surgery and he can't take painkillers, so he's
in a lot of pain. But he didn't want to
miss the show.

Speaker 10 (01:10:47):
So here.

Speaker 11 (01:10:48):
Mon was in a different mood. Last time, Ron was
in a like a fiery kind of like lots of energy.
Now you're very quiet and calm, but you're in a
coach right now.

Speaker 7 (01:10:58):
I'm in tremendous pain. This sweet surgery is not a joke.

Speaker 11 (01:11:05):
It is My mom just had My mom had it.
She's eighty five. But what I would recommend is she
didn't want to do the painkillers either, but she just
a little gummy. She just did a little gummy of
weed and that's what that That did everything for her.

Speaker 7 (01:11:18):
Yeah, but you see what happens with me is they
gave me morphine and I had a delusion. I thought
I was kidnapped by aliens. Really I was fighting to
get out of the high.

Speaker 2 (01:11:30):
School post operative delirium.

Speaker 11 (01:11:33):
And who says you weren't kidnapped by alien.

Speaker 7 (01:11:36):
So that's that's my point. Something that's quite.

Speaker 11 (01:11:43):
Realize.

Speaker 7 (01:11:45):
People over sixty five have this problem. Yep. And it's
due to narcotics. I've never done narcotics in my life
when I was young. Never. Well you miss that because
he doesn't understand them.

Speaker 11 (01:12:00):
Yes, he need the one to do it.

Speaker 2 (01:12:01):
Because I had a knee surgery. Mine is like two
months ago and his two and a half weeks ago.

Speaker 7 (01:12:06):
But the parent is excruciating.

Speaker 11 (01:12:09):
And if you think the knee surgery is painful, the
people tell me the hip is even worse.

Speaker 2 (01:12:14):
So now they told me the hip is war is easier.
They all told me the Wow, you never know. I
guess everybody's got a different idea because everybody told him
it's not that big a deal and you'll be fine.
And he's like freaking out because he can't believe how
painful it is. I've had it done three times on
one knee and well.

Speaker 7 (01:12:31):
To beat all pains. A friend of Oz she had
a sex change thirty years ago, fifty years ago, and
she said, you've never understood pain like a sex change.
I can imagine.

Speaker 2 (01:12:45):
Oh yeah, I'm grateful that I have my death and
that's a whole forget. I'm talking about some you know,
some some ship that.

Speaker 7 (01:12:57):
I'm happy that Johnson is there.

Speaker 11 (01:12:59):
All right, you guys, So.

Speaker 2 (01:13:03):
Now we have we have James Dumont and last time
we didn't talk. So sometime in this conversation, after we
talk about your new movie, I'm want to talk a
little bit about the self tape specialist thing, because we
barely hit on that the last time. And that's something
that you do a lot of Instagram. So you guys,
first of all, you can follow James on Instagram. He's
at James Dumont. He's also got on camera workouts, so

(01:13:26):
it's on Instagram. It's on camera workouts, which I guess
is your self tape specialist. Correct, And you guys, see
this guy who has been in so many movies. He's
like one of the most famous character actors on the planet. Probably.
I went through your your entire IMDb resume today and like, basically,

(01:13:46):
you're in like every major is something that there is,
and believe it or not, I've actually seen tons of shit,
but some of it I didn't know who you were
back then as I do now. But one of my
things that I really really enjoyed you in was Spencer
Confidential with Mark Wahlberg. Yeah, yeah, You're just You're really
like good in that one. So I think everybody should

(01:14:07):
totally check that one out. It's got Mark Wahlberg, Winston Duke,
Allen Ark and post Malone, which I'm trying to get.
I'm trying to get him in another movie I'm producing,
Lookee Woodbine, So I think it's very cool. And then
you did another movie called Roe Versus Wade and Ron
used to be friends with John Voight back in the day.
But we've had Robert dobb.

Speaker 7 (01:14:30):
Let me finish jokes used to be Now. I'm still prouid.

Speaker 2 (01:14:33):
You haven't seen him in a long but if.

Speaker 7 (01:14:35):
I see him, we talk, Okay, It's no longer. Angeline
and Jolie grew up in my house, wi you know,
Butter and Jolie sandwiches for her and my daughter swim
in my pool, Angie Void. You know.

Speaker 2 (01:14:52):
Anyway, Anyway, the Lovi Roe Versus Wade has so many
people that have been on our show. That's why I'm
bringing it up.

Speaker 11 (01:14:59):
John, I'm going to cut you off there. The producers
of Roe v. Wade have not paid the actors, so
we don't talk about that movie. I don't want to
talk about them at all. Oh talk about anybody who
screws actors out of their money.

Speaker 2 (01:15:14):
They're they're off.

Speaker 7 (01:15:15):
You know.

Speaker 11 (01:15:16):
I did it because it was you know, Wade and
Roe v. Wade. It was a great opportunity. But no,
those people were in litigation with them, all the actors
that you know, it's it's it's funded by the Christian
right in an effort to turn Roe v. Wade over
And we thought when we did the movie it would
never happen, and it did. So let's not spend any
time on let's talk about let's talk about it.

Speaker 2 (01:15:37):
I had a great cast and they've all been on
our show.

Speaker 5 (01:15:39):
Yeah.

Speaker 11 (01:15:41):
Absolutely, And look, you're right, there's good people in there's
notes ways about it. But yeah, so yeah.

Speaker 2 (01:15:49):
On your IMDb it's like you made a million movies
Mark Wahlberg.

Speaker 11 (01:15:53):
Yeah, I've done well a million less three but but yeah,
I love the way you I love the way you
paid that though it's like, but yeah, no, I did.
I did on Horizon. Whaton Horizon was the first one,
and I built up a really great rapport with Peter
Berg to the point where I would come up with

(01:16:16):
really great creative choices. Because I was the vice president
of BP, I did a lot of I'm a big
homework and research guy. When I'm playing historical characters, I
spend as much time and energy doing research as I
possibly can, and I'm always looking out for something that
my teacher, Larry Moss, who's thanked on the oscars by
many people, and Larry would say, what's the achilles heel

(01:16:36):
of that character?

Speaker 7 (01:16:37):
What's what?

Speaker 11 (01:16:38):
And what's the what's the what's their fundamental weakness? Just
like Superman has kryptonite that holds him back? What's because
most of the time, in all creative storytelling, the character,
once you find out what the character's weakness is mostly
what they Most of what they say or do is
to overcompensate and cover up for that very fact. And

(01:17:00):
that's an incredible way into a character. So one of
the things I found out I found out things about
my character Trumbo. I found out things is in this
vice president of BP, he was he was really all
about publicly showing how how safe the rigs are and
how safe everything is, to the point where, and this

(01:17:22):
is a historical fact, he got on that helicopter on
the deep Water Horizon rig in order to present a
safety award, And it was really all about trying to
pose that this is safe and nothing can go wrong,
you know. And that's that's what the that's what the
face of BP is, and that's what it was, and

(01:17:42):
that's what his job was to do that. So there's
this whole little moment where we present it, we present god,
what the hell is his name of Kurt Russell's k
Kurt Russell's character with a safety award. And I did
this whole little thing of like I said, hey, Pete,
I got an idea, can we can can can you

(01:18:03):
get a couple of people over here to like take
pictures of me with him? And Pete just kind of
looked at me. And I go, yeah, because we want
to show that we're all you know, we're all for
the safety, right. And Pete just like the look on
his face, like, how the how the hell did you
come up with that idea?

Speaker 7 (01:18:20):
It's like, fuck, we're adults.

Speaker 11 (01:18:21):
Right, how the fuck did you come up with that idea?
It encapsulates it's ever thing of why you got, why
you and everybody else is on this rig is to
present a positive face like this rig is safe and
nothing can go wrong. And he thought that that was
a brilliant I just asked people to just come over
and extras to take selfies of me, and then he goes, no, no, no,

(01:18:43):
We're going to go a step further. We're going to
have somebody who poses as a photographer who's hired by b.
Pete like, we created an entire story based on one
idea that I threw to peter Burg.

Speaker 2 (01:18:54):
That's cool.

Speaker 11 (01:18:55):
That point on my relationship to peter Burg changed to
the point where he goes, I rode in and we
have an entire scene with you on the rig watching
the fire and the American flag in the back. And
so I had this whole scene that Peterberg created because
I came prepared and proactive and that and that, and

(01:19:17):
even the scene and things. His favorite the rigs so far,
because in the beginning of the movie, I'm like, you know,
you can't wear the you know, he tells me not
to wear a purple tie because it's it's it's superstitious,
and I take the tie off. I'm the fucking vice
president of BP and I got some dude on the
ring telling me I can't wear a tie. I give
him all the shade.

Speaker 2 (01:19:38):
And to watch the movie.

Speaker 8 (01:19:39):
Because the deal is, my pain level has exceeded my
ability to work. No worries rock Well, James, come back,
mind a gummy.

Speaker 7 (01:19:52):
I'm a little better. Well, we're going to.

Speaker 11 (01:19:54):
Keep going anywhere him, get him, get him a little gummy,
just to take the edge off.

Speaker 2 (01:19:59):
You know, Actually we don't have that. Yeah, we don't
actually have the we don't. We can get those, but
we're like so anti drug in this house. It's not
even like funny, I got it.

Speaker 11 (01:20:09):
It's medicinal. In my eyes, it's you know, I get yes,
Oh no, I get it.

Speaker 2 (01:20:13):
So I'm going to move over into the middle.

Speaker 11 (01:20:15):
You just know that my mom, who's eighty five and
you know, was in a lot of pain. She did
a very very low dose and it just that's all
she did. She did not take the Viking in and
all the other stuff because it was like and she
didn't get it and she didn't get addicted. She you know,
she took nats mostly, she rested well, took nats and

(01:20:36):
you know, she had a couple of munchies maybe you know,
like like it like it worked out fine. So my point,
my pointed with Peter Berg is that one of his
favorite lines is the rigs on fire, you know, like
because my character goes from being very arrogant to freaking out.
And then he wanted me to like have this moment
where I'm looking at the fire of the rig. I'm

(01:20:58):
looking at the fire in the water and American flat.
So he created this entire scene that just is mine
because of my preparation and being prepared. And that's partly
to parlay into why I coach this August will be
ten years of being a coach, is that I've been
a working actor and had it self tape. There was

(01:21:18):
a time where I think half my half the auditions
were offers, half the jobs were and half were self tapes.

Speaker 7 (01:21:25):
And so I had to earn each opportunity by.

Speaker 11 (01:21:31):
Putting down some of the best work I could on
a self tape and create like a mini movie of
that character. Like for example, I was up till three
o'clock this morning vacillating and picking between what takes do
I submit Because it's it's seven pages of dialogue, it's
six minutes of an audition, it's a lead in a

(01:21:52):
feature film. I want to show them that I can
do not just one way of doing this character. And
normally with television or get Stars, I'll do a take
one and take two. But with it being a seven
minute audition and four scenes, I decided I'm just going
to send them one and then my reel. But I
was really pondering about what work do I want to

(01:22:15):
show them, because I had choices of positive and you know,
one way to do the character and the other way.
So I bring this up because what actors have now,
which is a huge advantage, is the ability to be
able to shoot your own auditions using these cell.

Speaker 2 (01:22:31):
Phones in the costs of your own home, and it.

Speaker 11 (01:22:34):
Allows you to work all over the world. That's not
always been the case. It used to be when there
were live auditions that you physically had to live in
New York and afford to live there. You physically had
to live in Hollywood and afford to live there. You
physically have to live in Atlanta or Albakra in order
to work there.

Speaker 2 (01:22:55):
And that has changed drastically to.

Speaker 11 (01:22:59):
The point where people are are are wondering why I'm
staying in Hollywood when Malibu is still toxic and unlivable
and Pacific Section there's no power, there's no running water,
like there's a part of the most popular populated entertainment
areas in the entire state is unhabitable. It's unlivable, and

(01:23:24):
people who used to work in that, like John Goodman
lost his home in the Palisades, gone to the ground,
nothing left. And so and also the business has looked
at it these integration vertical integration of bringing in technology
companies into the entertainment business where it's just one part
of their of their profit. You know, they use the

(01:23:48):
same approach Amazon does for entertainment than they do in
their packaging. Non union you know, employees like so you
have so there's a lot of in that AI technology.
There's a lot of changes.

Speaker 2 (01:24:02):
Going on, and I freak me out a little bit.

Speaker 11 (01:24:06):
No, look at the other way. You know, it shouldn't
freak you out that you didn't have to get up
and change the channel on your TV. It shouldn't freak
you out that you don't have to have a cord
for your phone. Like we all adjusted to new technologies.
At first, we were like, you know, I don't want
people to reach me. I don't need to have I
don't have.

Speaker 7 (01:24:24):
To have a voicemail.

Speaker 11 (01:24:25):
I don't have to have a you know what I mean,
an answering machine. Right if I'm at home and they
call me, great, If they don't, I miss them, so
be it. You know, like we change and adapt as
we go along. So my point on all this is
that I found a way in which for me to
be working in multiple markets and now all over the
world by learning the skill and the craft and the

(01:24:48):
art form of creating a self tape, and they becoming
more and more competitive. But when I started self taping
fifteen years ago, the people that were self taping were famous.
They didn't want to be subjected to having to audition,
and they couldn't necessarily fly to meet that director in London,

(01:25:12):
New York, La, Chicago, whatever it may be. So what
they would do is, let me just send me the material,
let me you know who I am, let me just
lay down one of the scenes, and if you're interested,
then we'll go further. But it was a way in
which to kind of like, you know, it was a
semi offer, but it was a semi audition. It was
a soft way to kind of you know, put But

(01:25:33):
people who were more famous and known than I was
were self taping even over twenty years ago.

Speaker 2 (01:25:40):
So now everybody's doing it right now pretty much always
the norm because the.

Speaker 11 (01:25:47):
Economics of it, the economics of casting director having to
you know, hold and maintain a physical office in New
York City, commercial real estate in New York City or
Los Angeles, you know, it's it's cost prohibitive to do so,
you know, as much as they would love to have
these interactions, and they do in some cases have it,

(01:26:08):
do it virtually, they or they rent a place for
a period of time to do it, but it's like
the cost of that is one thing, and then let's
look at the environmental impact. There was a time for
blue Bloods that producers that ten producers, and same thing
for CSI in La ten to fifteen people would be
in one room at Paramount in the middle of the day.

(01:26:31):
So you have fifteen cars on the you know, on
the freeway, all going to one and then you have
forty actors all driving from all over the place, putting
more forty more cars on the road to go to
Paramount to be in one room for a three to
four hour period of time, like that doesn't make economic
and environmental sense anymore.

Speaker 2 (01:26:52):
That's true.

Speaker 11 (01:26:53):
I still think it's important to have one on one interaction,
whether it's virtual or in a live callback situation. But
the initial phase or the decision making is happening all electronically.

Speaker 2 (01:27:05):
And back when I like started doing so, I'm a
shitty actor and I don't even try to act. But
I have been in a lot of films, mostly because
I have a big social media following, so people would
put me in shit, you know, but I'm not And
I never thought it was any good. But I can
remember going, you know, I lived in Miami and set,
so I would go to Miami and there'd be two

(01:27:27):
hundred people fucking auditioning and you.

Speaker 11 (01:27:31):
North Carolina from Atlanta from there.

Speaker 2 (01:27:34):
Yeah, that was the worst thing ever. Number One, I
never got it I'm a great producer, but I'm not
a good actor. But I do remember that, and I
think that what you're saying makes total sense about environmentally
it's better and and you know what, you know, maybe
they bring you in after they've looked at, you know,
one hundred tapes and they picked the three they want,
you know, and then you go in. You know, you're

(01:27:55):
narrowing it down. But that way, it's not like this
huge cattle call. And so basically you're self tape specialist.
It's like a school that you teach people how to
do it.

Speaker 11 (01:28:04):
Is that what our website is on Camera Workouts dot
com and I and I only teach two classes a week,
and I do today for Wednesday. Today is my hump day.
I'm between between I'm between classes. Which is why this
timeframe works is I have a day class that goes
I'm in Central time. I have a day class that
goes from eleven to one. It's just two hours, and

(01:28:26):
actors upload a couple of their self tapes. I get
to watch their self tapes and I give them notes
or adjustments, you know, ways in which to make their
self tape stronger. I actually even show and I showed
my I showed two takes of an audition that I
just shot that I edited and sent off. So I'm
I teach, but I you know, I practice what I teach.
So I point out things that are in my self

(01:28:48):
tape about techniques and tools, about eyelines are working the
frame and this is the shelf, midframe and at primary
secondary eyelines creating visual nouns, seeing things before you say
them and supposed to just say words and telling the story.

Speaker 2 (01:29:02):
There's a lot to it. So it's much people might
not actually even comprehend because so many actors nowadays just
read lines anyway, you know, unless you're in the bigger productions.
Most people just read lines and they're terrible. That I
work in the indie world and so like to me,
like ninety nine percent of all the actors are terrible
because they just and they're terrible, and it's.

Speaker 11 (01:29:21):
Not about like it's they forget that film and television
is a visual medium that's told in pictures and images.
So even a simple phrase that I say of like
see it before you say it, Like I can say
to you. So I was like, why are you So
I can say why you're so angry? I just said
it I can go, why are you so angry? I
took a half second to create that you were angry

(01:29:44):
on the other side. Right, that's all the difference huge.
It's a little and it's a little thing, but it
has a big impact. So what I realized is from
fifteen years of self taping, booking hundreds, losing thousands of opportunities,
building relationships, doing the best work I can the technical
aspects of things getting changing drastically different from ring lights

(01:30:09):
to now having to have three points of light and
a back like you know, like there's changes. But I
think the thing is is that as a storyteller and
creative our job is to change and to evolve, not again.
I can see the initial reaction of being of looking
at it as a threat as opposed to looking at
it as an opportunity, And that comes down to just mindset,

(01:30:32):
and that comes down to point of view. Is either
you can hold on to an old idea that I'm
waiting and I and there's still some people in New
York that are waiting to get back into the room
live and their careers are dead waiting.

Speaker 2 (01:30:48):
It's not going to happen, is safe?

Speaker 11 (01:30:51):
You know, we're going back in other areas, but we're
not going back during that right, So I'm not going back.

Speaker 7 (01:30:58):
We're not going back.

Speaker 11 (01:30:58):
We are but in some areas, we're progressing in other areas,
and so I feel like, so for me, having had
all this experience wisdom, not wisdom in any arrogant sense,
but trial and error, having lost opportunities not capitalize opportunities,
I decided that I would share my knowledge, wisdom and

(01:31:21):
experience of doing this for the last fifteen years. So
I would do live workouts wherever I was. I would
do live workouts where I would give people material. They'd have,
you know, three or four days to work on the material,
have it memorized like they're coming in for a live audition.
They do their first take, I give them a note adjustment,
they do their second take, and then when we're done,
we watched the playback and I watch and I give

(01:31:43):
them notes on how ways to how they took the
notor adjustment, because at the end of the day, this
is exactly what's going to be expected to be on set.
So the way I replicated my business is exactly the
way the business exists. Is when I'm self taping, I
don't I don't I may not have I get booked
off my self tape. I don't know this director. I

(01:32:05):
don't know how they work. I don't know if they're
an actor director or their personal screams from the monitor.
I have no idea what I'm walking in. I don't
know how the other actors are going to work. I'm
walking into an entirely fresh situation of which I have
to be trained for whatever happens. And so even for
this movie that I'm doing that we're talking about today,

(01:32:25):
which is Unit two thirty four, it goes to Henry
Winkler's great advice to me, which is, it's a hustle
at every level. The fund says Yale graduate Emmy winning
Henry Winkler says James to a young actor, James, it's
a hustle at every level except the hustle. Enjoy the

(01:32:48):
hustle and stop, don't give up. And his best advice
ever too, by the way, ever, is to go wherever
you are. You're going to want to hustle to be
somewhere else. Don't be angry about it, don't be resentful,
don't compare yourself to other actors. Their journey is their journey.

Speaker 7 (01:33:06):
Yours is yours, and.

Speaker 11 (01:33:08):
If you give up, you give up all. You're never
going to know what you were capable of doing. Now,
you're never going to know whether you were able to
achieve all the things that you knew you were capable of.
I can't give up because I see mediocrity being like
lauded as incredible, and I go, oh my god, there's

(01:33:29):
I have so much more to offer, you know, and
and I go, so I can't let mediocrity or social
you know, influencers who aren't really influencing anything other than
commerce and attention. They're not influencing you know, policy, they're
not influenced democracy, they're not influencing you know, injustices, they're

(01:33:52):
not influencing anything. They're creating. They're creating content that creates revenue,
that creates attention. But that's not influence. That doesn't influence
or change things. Right, is that the storyteller's job is
to hold his tour a mirror to nature, not my
quote Shakespeare, to look at things. And so every single

(01:34:16):
opportunity that I have to create a human being, usually
in twenty four to forty eight hours, is an opportunity
for me to be an actor it's an opportunity for
me to express what I'm capable of.

Speaker 2 (01:34:30):
So you're an actor too.

Speaker 15 (01:34:34):
Yeah, I've seen Squid Game, Righteous Gemstones, Jurassic World, Trumbo,
Patriots Day, Deep Water Horizon, Spencer Company.

Speaker 16 (01:34:45):
I've seen you in all these different things, and you're
never the same, right, you know that. And I even
take exception of the C word. You know, I'm not
a character actor. I'm an actor.

Speaker 11 (01:34:57):
Sliced alone is a character because he's a character because
he does one real character and does it very very
well and we love it, but it's really one dementione.
I didn't really think that that was the definition.

Speaker 2 (01:35:07):
I think Tom Cruise is a character actor.

Speaker 11 (01:35:10):
You're right, you know.

Speaker 2 (01:35:11):
My favorite Tom said that, You're right.

Speaker 11 (01:35:14):
Because actors do all different kinds of roles. Character actors
do certain roles that the audience loves them playing those characters.
Meaning like when when Will Ferrell tried to do a drama,
nobody was interested. It's like a perfect example. My favorite
Tom Cruise movie is the movie where Tom Cruise is cocky.

Speaker 2 (01:35:37):
That's every movie where.

Speaker 11 (01:35:38):
Tom Cruise is the cocky guy that overcomes See. That's
one character.

Speaker 2 (01:35:43):
That's not an idea.

Speaker 11 (01:35:44):
So like, to me, I love Tom Cruise. I'm not
trying to, but you see what I'm saying. We want
we want people to play these kind of roles that
we like and appreciate, which is great, And we want
sliced the loan because we have to come in and
kick some ass and look, you're gonna good. You want that.
And the point is there's nothing wrong with that. For me,

(01:36:04):
as an actor, I go, there's So they're right. I'm
the guy. I'm the vice president of BP who's in
a tie in deep Water Horizon. I'm the emergency management
guy who's caught between the bureaucracy in Patriots Day. I'm
the goomba from Boston that's gonna matching track suit and car.
Those are three totally different characters right now. But there's

(01:36:28):
let me go to that.

Speaker 2 (01:36:29):
Wait, let me go to that, because that's why I
called you a character So in my head, a character
actor is a person who comes in he doesn't start.
You're not the Tom Cruise of the movie, but you're
the movie who steals every scene that you're in. And
to me, that like, to me, Stanley Tucci is like
a character actor. No matter what he plays, he steals
every movie he's in. He's the star, even though he's
not the star. So that was more my definition of

(01:36:50):
character actor. I wasn't thinking as they played the same
character like every time, Like you know, Robert de Niro
is the same person in every movie. Like a lot
of people are the same in every movie. You are
not in any movie. You're different in all of them. Yeah,
you know. And so that was really so when I
said character actor, I was meaning it as a actually
as a compliment. Is like you because you're seeing many alerts, And.

Speaker 11 (01:37:10):
I don't take it as a I don't take it
as an insult at all. I do think, though, that
I do feel that there is a transition that happens
when some and this is the transition that I feel
that I'm in right now, which is moving from being
a character actor, which is I serve the piece a
very in a very specific way, to moving into the

(01:37:33):
support the supporting lead, not the lead, but the supporting lead,
the person that can hold their own Like that's what
I'm doing with Don Johnson in this movie. I'm his bodyguard,
I'm his driver, I'm his henchman, you know what I mean.
I'll take a bullet for him, like I'm his wrid Die.
That's what that's who I am to him, like I

(01:37:53):
serve all of those particular jobs and those roles in here,
I played Leon who is his driver in force, Sir Henchman,
I do everything for him.

Speaker 1 (01:38:02):
And so.

Speaker 11 (01:38:05):
Moving from character, and again I think sometimes though I
think there is I think people look at character actors
in a less favorable light than they do the leads
of things. So in that regard, I think that that
hopefully that changes because if you really look at Giamanti

(01:38:25):
has moved from being the character.

Speaker 7 (01:38:27):
That he's got to.

Speaker 11 (01:38:28):
Being the leader, being the leading man, you know, like
so I look at Philip Seymour Hoffman, same deal I
look at if you look at those those are the
examples that I use. I use Philip Seymour Hoffman, John
c Riley who now moves into lead playing, you know,
Jerry Buss, like like we move, we transition from being
a utility what you need us for and we evolve

(01:38:52):
into what what we know we're capable of. And it's
and it's from these kind of roles that keep us
working in in your eye that you know, no one
ever says when I'm doing a scene opposite Tom or
Leo for Catch Me if you can, or Jared Leto
or Brian Cranston or working Melissa Leo. When you're working

(01:39:15):
opposite oscar winning or nominated actors and no one feels
like that's like, oh man, that scene would have been
great until that guy opened his mouth, you know what
I mean, Like, you know, it was all great until
that dude walked.

Speaker 7 (01:39:30):
In the room, you know what I mean.

Speaker 11 (01:39:31):
So if you're the empowerment that I've felt over this
time period has come from, Yes, I am going to
serve the story and tell the story of the human
beings that are not necessarily the lead actor, the father,
the husband, the doctor like I have to. We're all
telling this collaborative story together, right, And I understand the

(01:39:55):
value of my part in that, but also know that
that you know, it's like a closer in I'm a
big baseball dude, so it's like a closer in baseball,
you know what I mean. It's like the game. All
the players have been happening, they've been there before, you know,
We're eight innings have gone by and I have to
come in and I got to throw nine strikes, you know,

(01:40:17):
I got to get us out of this game. I
got to hold the game where so we can go
into extra endings like that's That's the job that I'm
at right now, is that you know, I'm moving moving
from being the closer to being the supporting lead, which
is I'm on a base. You know, i may be
in left field, but I'm on a base and I'm
in I'm in the right explanation and the numbers. I

(01:40:39):
might be a cleanup. I might be seven, eight or
nine on the bat, you know what I mean. I'm
not the one two three. I'm at the end of
the order, but the end of the order is pretty
important in order to get to the next to get
the one.

Speaker 2 (01:40:49):
Two three up. So you so you need each other,
you know. So you have a new movie, because we've
only got seven minutes, and I want to make sure
we talk about this new new movie. It's coming out
May ninth. I wrote down It's coming out in theaters
and video on demand, Unit.

Speaker 11 (01:41:03):
Two thirty four, Unit two thirty four. It's a thriller
written by Derek Steiner, really really tight script directed by
Andy Tennant, who did Hitch, who did Sweet Home Alabama,
an incredible director, really great movie. It's got Don Johnson
as the lead in it. It's got Isabelle Freman from
the Orphans, the Orphan franchise. It's got good old Jack

(01:41:25):
Houston from the Houston family, you know, Dynasty of An
Actor's Danny Houston's his uncle John Great John Houston is
his great great great grandfather, I think. And he was
in mostly you know, pulled out from Boardwalk Empire and
now he's on Mayfair, which is he just directed a feature,
uh from the guy from Boardwalk Empire with a guy

(01:41:47):
from About Boxing. That's like was at Tribeca, so we
got an incredible cast. It drops, it'll be in five
theaters around the country on May ninth, and it'll be
in Miami. No, not Miami, it'll be in Orlando, it'll
be in Minnesota, it'll be in Los Angeles because I'm
gonna go to Los Angeles for it, and it'll also

(01:42:08):
be in uh in Detroit, right, so it'll but then
the same day on May ninth, it drops video on demand.
It has we have a streamer deal. It'll go to
streamers later, but the video demand catch it while you
can to video demand and then later on beyond streamers.
But it's a super fun movie. I was really glad.
We shot in Grand Cayman Islands, a beautiful place to

(01:42:29):
shoot most of night shoots, so I had the days
free to walk the beach and get my patty license.

Speaker 2 (01:42:35):
And how is Isabelle Furman? So I'm a huge horror
movie fan and Orphan is like a classic film. Follow
her on social media. I think she's fabulous.

Speaker 11 (01:42:44):
She's fabulous on and off camera, the nicest person. He's also,
it doesn't hurt that she's a huge righteous Jemsuns fan.
So you love me and my son, I love you too.
But no, she's awesome. We just had a conversation. She
lives in another country and she's gonna hopefully try to
come in for hopefully in Los Angeles on the ninth.
So we're trying to figure that out as we speak,
really as we speak, literally want to hang up from you.

(01:43:07):
But yeah, really great. She's fantastic. Jack is amazing. Got
to spend time with him because Mayfair Witches were shooting
in New Orleans. Really super guy. Don and I had
a really good rapport. Unfortunately, the day that we were
working together was the day that you know, he found
out about about Bruce Willis and Bruce Willis's condition, and
so you know, he's known Bruce for a long, long time.
So it was a tough, tough day for us. It

(01:43:28):
was one of our first I think a first day
of shooting actually, so I was a little a little
tough for first day to one of his best friends
is kind of really struggling and you know, really kind
of you know, so, but we had an incredible time.
It's a solid, tight movie. It's a great you like
a good thriller, It's got it all.

Speaker 2 (01:43:44):
I watched the trailer a bunch of times over the
last couple of days, and I think it looks terrific.
I love the cast. I'm a big Don Johnson fan.
I was an extra on Miami Vice back in the
day when I was a kid because I lived in
Miami and I did a bunch of extra work and
so it was always just a cool thing to be on.
And like I said, I'm a really big fan of

(01:44:05):
Isabel because I'm a horror you know, I have my
own horror site called Dark Fright's darkfrights dot Com, So
I've got it's one of the biggest horror sites in
the world and I'm a big fan of Isabelle Furman.

Speaker 11 (01:44:15):
So see when I did a nice little horror thrill
I did. If you ever watched the trying to see
Get a Hold of the Cellar Door, it's like this
creep It's this creepy little horror movie that I was
in and produced. Okay, yeah, I play a guy who's
it's a guy who's you know, find skills to fall
in love with him and traps him in the cellar
and if they don't, he kills him. Then he gets

(01:44:36):
another girl. It's like, it's super fun, but I got
great like and I made him a lovable sociopath. You know,
it's a it's a I don't know if that's possible,
but it seems so because we have a president who's
a lovable sociopath.

Speaker 2 (01:44:50):
Apparently I like uh so, I I like love all
that stuff though, all the different I've just actually I
just got funny for a bigger budget me type of
movie to produce and called red River, and we just
like approved that that the terms yesterday. So I haven't
actually got it close yet, but I've got a bigger movie,
horror movie that I'm going to be doing, and I've

(01:45:11):
got three horror movies that are out right now.

Speaker 7 (01:45:14):
Great.

Speaker 2 (01:45:15):
So it's a lot of fun. But I'm looking forward
to to going up in the ranks. You know, I
did a lot of like I used to do a
lot of under a million dollars, and now I'm working
in like the three to five million dollar range, which
is a big jump for me, and I'm looking forward
to it. And I've really enjoyed all of your work.
I love Righteous Jimstones. I didn't know that that was

(01:45:35):
your son on that show until recently. Yeah, I mean
he's got a big part too. He's like, he's got
a couple more.

Speaker 11 (01:45:41):
He's got two more episodes this season. He got a
lot of a lot of play this season, more so
than others. And he's got a nice little arc which
I think it's either get paid off this Sunday or
the next. But yeah, we had we had a good run.
He did twenty five episodes.

Speaker 7 (01:45:54):
I did twenty.

Speaker 11 (01:45:55):
But the fun part is we get to be on
a show together. The next thing is we're I'm producing
a film here with him in the lead in its
nineteen seventies movie, uh, based on a true story. And
then I have a horror horror thriller that I'm that
I'm producing right after that.

Speaker 2 (01:46:08):
So good for you.

Speaker 11 (01:46:10):
Yeah, you have a favorite horror movie.

Speaker 7 (01:46:12):
Like a dude.

Speaker 11 (01:46:14):
I mean they're doing a TV series of it now.
I love Carrie Man and I love Nightmare on Elm Street.
You know, like uh scream like you know, like I
just I love good. I like all of it. Man,
you know, it was really solid, you know, you know,
like I like the new I like what's going on.

(01:46:35):
You know, there's a good What I love is just
like in terms of sci fi, it's like the horror,
the genre, and that that audience and that fan base
is incredible. You know, it's incredible that. So yeah, man,
And where you where you shooting your movies? And in Florida?
Where you are or are the in California.

Speaker 2 (01:46:54):
I'm actually in California. I live in Pop Springs. I'm
in Pop Springs. So this first one we're shooting in LA.
I got a big one directed by Adam Marcus. We're
doing in Texas.

Speaker 11 (01:47:03):
Great, and then I have.

Speaker 2 (01:47:06):
I have another one that I don't know where we're
going yet, but I got the funding for it.

Speaker 11 (01:47:09):
Like man, we got a forty five percent tax credit problem.

Speaker 2 (01:47:12):
Yeah, here it's great there. I love it all right.
So James Dumont, you guys follow him on Instagram.

Speaker 11 (01:47:18):
Jam without calling me now, you know you like you
can't you know I might be actually you know how
to reach me.

Speaker 2 (01:47:26):
I've got Instagram on camera. Work at you guys. Check
out you know two thirty four coming out May ninth,
Don Johnson, Isabelle Firman, Jack Houston and of course James Dumont.
Check out all those other great films. We want to
thank you for coming on the show. Congratulations on everything.
It's always a pleasure having you on the show. And
we'll see you soon.

Speaker 11 (01:47:42):
Thanks again, appreciate Jimmy.

Speaker 2 (01:47:44):
Thank you all right, Bye bye, all right, everybody, thanks
for We'll see you next week. It was a good,
great show today. Sorry Ron missed some of it, but
it's just not feeling well and we want to thank
everybody for tuning in and we'll see you guys next week. Bye, everybody,
see Jimmy, give me and Uzzy. You're chillings.

Speaker 11 (01:48:06):
Why you're sitting out in the anon where every I'm drinking?

Speaker 5 (01:48:10):
What are we gonna be wearing?

Speaker 7 (01:48:12):
You know?

Speaker 3 (01:48:12):
I was support to stay party. We got the girty
like the Why is getting down crazy, Jimmy.

Speaker 11 (01:48:18):
We got myself to know this.

Speaker 5 (01:48:19):
Help you don't want to know.

Speaker 7 (01:48:20):
You the Bok shop.

Speaker 2 (01:48:21):
See always that clus the chimney, and you'll want to.

Speaker 5 (01:48:25):
Whatever Jimmy stood never.

Speaker 4 (01:48:27):
Will take you out.

Speaker 5 (01:48:29):
Jim

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