David Zucker/Mark Baca Anthony

Episode Transcript
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Speaker 1 (00:00):
The following show contains adult content. It's not our intent
to offend anyone, but we want to inform you that
if you are a child under the age of eighteen
or get offended easily, this next show may not be
for you. The content, opinions, and subject matter of these
shows are solely the choice of your show hosts and
their guests, and not those of the Entertainment Network or
any affiliated stations. Any comments or inquiries should be directed

(00:22):
to those show hosts. Thank you for listening.

Speaker 2 (00:29):
Jimmy Time.

Speaker 3 (00:43):
Yetive get crazy?

Speaker 4 (00:49):
Gave me? We want to know.

Speaker 3 (00:54):
Them?

Speaker 5 (00:56):
You give me stop?

Speaker 3 (00:59):
Thank you?

Speaker 5 (01:03):
Hey, what's up?

Speaker 3 (01:04):
Everybody?

Speaker 6 (01:04):
Welcome to the Jimmy Stars Show with Ron Mussell, bringing
you the good times to music, fashion, pop culture and entertainment.
We have a fabulous show for you guys today. I'm
super excited about it. Our two great guests that we
have today. We have a director, writer producer, David Zucker.
You guys know him from Airplane and The Naked Gun.

Speaker 2 (01:24):
I don't know.

Speaker 6 (01:25):
He's basically considered to be the best comedy writer director
in the history of movies.

Speaker 3 (01:30):
He's going to be a great guest and.

Speaker 2 (01:31):
He's a very funny guy, so we should have a
very wild, funny show because he's not approved.

Speaker 6 (01:37):
And then we have our second guest, a very good
friend of Ron and I is Mark Baker Anthony Emmy winner,
stunt man, stunt coordinator, actor, producer, and so it's going
to be a very fun show.

Speaker 2 (01:49):
Just a nice guy.

Speaker 6 (01:51):
Oh and just a nice guy, that's right. And and
we're working on two films with him. So I think
it's going to be a great show. What's up chat Room?

Speaker 2 (01:57):
Before we go? Don't go, because we have to find
out why David Zuka and this beautiful brunette used to
be an item? Shut up, don't laugh, you can't hear
used to be an item and now they're not anymore.
So I said, maybe he had a little penis, maybe
has no money, Maybe he's a schmuck. What do I know?

(02:19):
So we're going to find out why they broke up.
So hanging there, why do you speak when I'm speaking?
You know one day I'm we'll give you such a
smile in the face. No, you canna have lips that
are gonna look like anyway? Oh, they love the plat
all right, So what's up? Chat Room?

Speaker 6 (02:34):
First, we want to introduce my cool, outrageous man about
Town host Ron Russell. Don't forget we got Astro with
us today, sitting on our lap as always. It's December,
you guys, Merry Christmas. Yet it's coming.

Speaker 3 (02:47):
It's coming on Christmas shows.

Speaker 2 (02:48):
In two weeks. I like coming, but not right now.

Speaker 6 (02:51):
In the meantime, you guys, I want to welcome the chatroom.
People are joining us in the chatroom. A little bitter
and media sinny Lady Lake, thanks for the promo. Most
Stefandelle Nebel is in there. O. Regards to Tina, I still.

Speaker 2 (03:06):
Don't know how Stefan got Tina. She Stefan, what did
you do? You had to adnotize her? And she's so special. God,
she's like the perfect girlfriend.

Speaker 6 (03:17):
I want to thank everybody for tuning in. Last week,
our interview with Klaudia Christian did super super well. We've
got over fifty thousand views on Instagram.

Speaker 2 (03:27):
She was super super well.

Speaker 6 (03:29):
I like her just just on Instagram, so it's really great,
So thank you so much. We want to tell everybody
you can tune in and listen to the Jimmy Star
Show with Ron Hustle. We're on Podbean, Apple Podcasts. iHeartRadio, SoundCloud, iTunes, Spotify,
Amazon Music, YouTube, Google podcast Radio, Public, tune in, and
Amazon Prime. We're also on one hundred and fifty other platforms,

(03:51):
but like no, I don't know if anybody even knows
what they are. So we just mentioned the ones that
are really big. And I think today is going to
be a great show, and I hope everybody had a
nice thing.

Speaker 2 (04:00):
I forgot.

Speaker 3 (04:00):
This is our first showsiness Thanksgiving.

Speaker 2 (04:03):
I will talk about it. I'm making out with my dog,
so just a minute, we have to sol kiss and
then oh, I love this dog so much. All right,
so you're in my way, baby, get lost. Good to
daddy too. Anyway. You know, my daughters, who I'm very,
very very close with all my life, moved to Pennsylvania,

(04:25):
back to Pennsylvania because they loved it, And it was
my first Thanksgiving without my children, so of course I
was heartbroken and very very felt abandoned. So we came
up with the idea they would put a camera on
their table, and we put a camera on our table,

(04:46):
and we all ate together and it was wonderful. It
was as though they were here. But the nice part
was once I turned off my camera, they were gone.
So I didn't have to hear dear bullshit. So it
was really good. It was like a visit that you
just took the best parts of and enjoyed in them,
and they got nasty and crappy. You turned it after life.
But I loved it. I don't think I want to

(05:07):
do it again. Next Thanksgiving we will go to Pennsylvania
Fought Thanksgiving and be with them.

Speaker 3 (05:14):
Yeah, it was different. It was very, very different.

Speaker 2 (05:16):
Not to be California doesn't have holidays that are nice.
Christmas stinks, Iahonica stinks, Thanksgiving stinks, it doesn't have it.
East Coast is where holidays are. Halloween on the East
Coast is wonderfully decorate, they go nuts. Thanksgiving is very fireplace,
cold out sometimes snow, which makes it very very pilgrim.

(05:39):
And Christmas, of course in New York is wonderful. There's
no other city in the world like New York City
Manhattan at Christmas time. So I forgot what I was saying.
That's it. I don't know. My mother used to always say,
if you forget what you're saying, it's usually a lie.
Did you ever hear that? Because we forget lies, you're

(06:00):
a liar. Jimmy, you never forget a law. You're good.
When I said do you cheat on I mean you
say you don't cheat on you and you're lying, right, Yeah, right,
you're lying like a trooper. Yeah right. Anyway, we want to.

Speaker 3 (06:12):
Welcome some people.

Speaker 6 (06:12):
So I want to welcome humc Fierson into the chat room,
you guys. Humck Fierson is the writer of the film
we're working on called My Porn Star Wife, based on.

Speaker 2 (06:22):
A true story. Jimmy plays the wife.

Speaker 6 (06:24):
No, I'm producing it. I don't play anything. I'm a producer.
I'm not an actor. You're the actor and you're playing somebody.

Speaker 2 (06:29):
But I don't know who.

Speaker 6 (06:30):
But anyway, it's called My Porn Star Wife. It's going
to be really cool and I think everybody's going to
love it and we should hopefully be shooting by the
end of next year.

Speaker 2 (06:39):
The title is very deceiving.

Speaker 3 (06:42):
It's a comedy.

Speaker 2 (06:43):
Yeah, but you think porn star wife, porn star, porn
star wife. You think she's going to be some sexy,
naked naked tomato that's a porn star. No, how do
you know? Because I've heard the scripture jump pass. They're
so good. I read the script before you got it,
they often, and then I turned it down and then

(07:07):
they sent it to you.

Speaker 3 (07:09):
Anyway, it's going to be a lot of fun. You
can check it out. It's on IMDb.

Speaker 6 (07:12):
We're working on it now for funding and uh and
he's going to be in it. And it's basically loosely
based on his life. So it's actually kind of like
a true story with some embellishments.

Speaker 2 (07:21):
But it's going to be a lot of fun.

Speaker 6 (07:24):
Imagine Pretty Woman if it was actually like a real comedy.
It's like a really funny comedy.

Speaker 3 (07:29):
So anyway, so that goes with that, and I think
that's it.

Speaker 6 (07:32):
Are you anything else we need to tell everybody.

Speaker 2 (07:36):
I'm gonna say how wonderful I am, and how talented
I am, and how gorgeous I am, and I have
a great body, and I'm really wonderful to talk to.
I'm intelligent, I'm ready, and I'm very very modest. I'm shy,
shy and modest.

Speaker 3 (07:52):
All right, So so I'm going to bring on our guest.
The guest who you.

Speaker 2 (07:57):
Are is a guest that got dumped by the bruder
yet Oh yeah, let's talk to him, all right. Why
do you see this brunette? She's gorgeous.

Speaker 3 (08:05):
Probably not coming on. All right, let's bring him in one.

Speaker 7 (08:10):
And here I am yay, yes, all right.

Speaker 6 (08:14):
Everybody, So now we want to welcome to The Jimmy
Star Show with Ron Russer, film director, writer, producer David Zucker.

Speaker 3 (08:20):
Hello, and welcome to the show.

Speaker 2 (08:22):
Thank you, and thank you for pronouncing my name correctly.

Speaker 6 (08:25):
Okay, I'm going to tell you something about that. I
had no idea how to pronounce your name, and I
stuck it into YouTube to see your other interviews, of
which I had to go through fifty of them before
I found somebody who actually introduced you. It's like everybody
already knew your name, so it always starts without the introduction.
But I didn't want to mess it up.

Speaker 2 (08:44):
Yeah, you have to be a lunsman in order to
pronounce some Jewish names, you know, like lipshits. The Americans
pronounced lipshits like that, but in German it's not pronounced.
That word is pronounced. I never leap shoots, oh, leaf shoots, okay, shoots,

(09:05):
But the stupid Americans like the ship part and they
say lip ships. I hate that one. I had a
kid in school his name. I think we were the
third jew in the school and the whole school was Italian.
Thank god I was for Italian. And there was a
TV show called Shit's Creek.

Speaker 3 (09:22):
We loved the air That was fun.

Speaker 2 (09:24):
That was a play on the word ship. That one
was fun. So let's get right away. Wait wait, no, no, no, no, no,
no no no, we don't even introduce you.

Speaker 3 (09:32):
He doesn't even know who you are.

Speaker 2 (09:33):
He knows who I am.

Speaker 6 (09:35):
Anyway, this is my cool, outrageous man about town coast
Ron Russell say.

Speaker 7 (09:38):
Hello, oh hi Ron, First, I hear it.

Speaker 2 (09:42):
We spoke before the show opened.

Speaker 3 (09:44):
And I want to tell everybody who he is before
we get going, and then you can ask him.

Speaker 2 (09:48):
When you did Airplane?

Speaker 6 (09:50):
No wait, wait, I want to ask him, So everybody,
in case you don't know, you do know his work
if you don't know his name.

Speaker 3 (09:57):
He's made some of the top and most quoted.

Speaker 2 (09:59):
Comedy is a full time funny, funny.

Speaker 6 (10:01):
Airplane, The Naked Gun from the Files of Police Squad,
Naked Gun two and a half, The Smell of Fear,
Naked Gun thirty three and a third, The Final Insult,
Basketball Scary Movie three, four and five, And he's done
a bunch of other movies that he's produced, which we're
going to talk about one of them, because I'm interested,
and I.

Speaker 2 (10:16):
Love all your movies. I'm not blowing smoke up your
ass either. I really like your sense of humor. It's demented.
I love that kind of humor.

Speaker 6 (10:26):
And he started a spoof comedy course called Master Crash,
a crash course in spoof comedy, which we're going to
talk about later.

Speaker 3 (10:32):
And I even have a video I pulled off your website.

Speaker 2 (10:34):
Your word. Your work is so original and so off
key and so sarcastic, and so I love it. Airplane.
My dear friend is in loreene Land and she's.

Speaker 3 (10:47):
In the second one.

Speaker 2 (10:48):
Oh she played this suit? Is we didn't?

Speaker 7 (10:50):
I never saw the second one, Okay, I dove think
one was.

Speaker 2 (10:55):
Not as good as the first one, but it was good,
you know, it's usually the second movie is are never
that good? You know as well.

Speaker 7 (11:02):
If they're done by the same people, they can they
have a chance of being good. If they're not done
by the original people, which the studios often do, now
you know, then they they they're not as good.

Speaker 3 (11:13):
So let me ask you a question going on that then,
and see what.

Speaker 6 (11:17):
First of all, in the chat room, somebody, says, Betsy
Salzburg says hello to David from tour a minion.

Speaker 2 (11:23):
So, oh, yes, I am in the tour amnion.

Speaker 6 (11:25):
Yeah, so she says hello, and actually her her her husband,
ex husband, is the one I'm doing a movie with
called My porn Star Wife, so.

Speaker 3 (11:34):
Our six degrees of separation.

Speaker 7 (11:35):
Well, you know, I'm I'm working on a reality show
right now, but it's called porn Star Housewives.

Speaker 2 (11:45):
Hey, that's a good one though, A good joke. No,
that was good. M It must be a lot of
fun to be friends with you, because if you're or
I wouldn't be able to talk much because I would
be laughing more than able to talk. Now, not that funny.
Who's the beautiful brunette brunette gorgeous girls.

Speaker 7 (12:06):
That's my ex girlfriend, Ellie Shoja, who is one of
my house waits now, and uh, it's Ellie. And then
I also live with half the rock band. It's a
fun house. And then there's another guy in the treehouse.

Speaker 2 (12:23):
But she's you know, she's really beautiful.

Speaker 7 (12:26):
Oh yeah, I for a while, well, Chris just left,
but only a week ago I was living with three
gay men, so a very interesting house.

Speaker 2 (12:38):
And my ex girlfriend. Yeah, I like that.

Speaker 3 (12:41):
Was there really a rock band? What's a rock band?
Is it like a band?

Speaker 2 (12:43):
We know?

Speaker 7 (12:44):
No, they were called hot Crazy. They broke up and uh,
but but you know, the singer still lives here and
the uh, the guitar player lives here, uh for a
few years too. So and they recorded all this songs.
I thought they were great. And they made a song
about that called David's House, which is all about this house.

Speaker 2 (13:08):
I'd love to hear a big house.

Speaker 8 (13:10):
You have to.

Speaker 2 (13:11):
Are you in l A.

Speaker 7 (13:12):
You're in l A, right, It's I'm in l A
in Brentwood. But it's not a big house, not not
a mansion. I know people who who have mansions.

Speaker 2 (13:21):
Not a lot of people in brent would have loved
their lovely cottagey kind but maybe three thousand square feet
but beautiful.

Speaker 7 (13:29):
I don't know how many square feet this is exactly,
but it's got four bedrooms upstairs and there's plenty of room.

Speaker 2 (13:37):
Four thousand square foot.

Speaker 7 (13:39):
I've read, I've redone it many times. That's one of
my hobbies's interior design. I mean, I could qualify as gay,
I'm sure, because I'm so good at it, and and
and and so I'm just about done with this. So
now I'm going to start on my ex wife's house,
which is on the next street over.

Speaker 2 (13:59):
Oh that's cool, that's dangerous. Well, my ex wife is
dead and that was good. Of course. You know, anything
anything closer to me than that is bad.

Speaker 7 (14:10):
I get along with everybody, and I've had many relationships,
many girlfriends. Only two of them hate me, so I
think that's a pretty good that's good record.

Speaker 2 (14:24):
My ex wife didn't hate me, but she was like
a Storre Manekin, very beautiful and posed and never spoke
because I had no personality. She was as dull as
they come, great tits. But that's it. I can't top that. No,
you go.

Speaker 3 (14:42):
I want to say too, We actually met you once.
We didn't get a we didn't take pictures or anything
because you were in Hideesmand, but we used to go
to the Jeffrey Gunn's Info list parties and I think
in like twenty nineteen maybe or when we first moved here,
we went to one of those parties and you were
the featured guests, and so we actually like met you,
which I thought was really cool. And uh, and it's

(15:04):
even cooler now that you're on the show. But I
have a question for you, and I think I'm going
to know the answer. But first of all, did you
watch the new Naked Gun movie with Liam Neeson? Did
you even watch it?

Speaker 7 (15:14):
No, I'll I won't see it. I mean, I had
a script written for it. We did it onspect. I
wrote it with my longtime writing partners Pat Proft and
Mike McManus. And but Seth McFarland, who's a big, you know,
famous and rich producer, swooped in, took the franchise. He

(15:34):
came in with Liam Neeson and did the Naked Gun
for I.

Speaker 2 (15:39):
Was it was so bad. It was so bad.

Speaker 3 (15:43):
He only watched the first fifteen minutes. And so I
can't watch this.

Speaker 2 (15:46):
Shiit Liam Neeson. It's a superb actor.

Speaker 7 (15:51):
I totally I agree one he is so good Oscar quality.

Speaker 2 (15:56):
Yeah, not in that stupid piece of.

Speaker 3 (15:58):
That they try it, tried to copy. Nobody can copy
what you do.

Speaker 2 (16:02):
You are the best.

Speaker 3 (16:03):
The best is best at it.

Speaker 2 (16:05):
I even told that to Jimmy. I said, you know,
it's amazing how people have signature on certain films, and
you know, the signature of a good producer, director, actor,
kissed and you know the signature of a mistake, and now.

Speaker 7 (16:20):
I was I, of course don't intend to see it,
but I did watch the trailer by mistake, and it's
it's you can.

Speaker 2 (16:29):
Unsee this stuff.

Speaker 7 (16:30):
It's like, uh, you know that thing ten or twenty
years ago called two Girls, One Cup and you can't
unsee it. You don't want you don't want to see it.
So I chose never to watch that because I just
heard about it. So but you know, I could see
that they were it was pretty much a copy, so.

Speaker 2 (16:49):
There wasn't even there. They tried to for me, they
walk walk out on a film. I never especially when
people are in it that I know. You know, I
got to see these people and talk to them eventually,
and I just felt bad for Liam because he was
so miscasst. Man.

Speaker 7 (17:08):
Well, I think it's uh, it's it's a non starter
because they tried to replace Leslie Nielsen in my script.
We weren't even trying to replace him. We were weren't
even doing an LA Cops station. We it was you know,
international spy movies, the greatest.

Speaker 3 (17:30):
Nobody can compete.

Speaker 2 (17:31):
With, right, and well, neither do I want to try
that again?

Speaker 7 (17:35):
Because it was an idea that was done thirty five
years ago, and it's been done.

Speaker 2 (17:41):
Okay, real funny.

Speaker 7 (17:43):
We got an old guy, but you know that's that's
something that I don't want to go back and do.
So this would have been the son of Frank Dreben,
you know, which would have been a mid thirties actor, and
it was such a great script.

Speaker 2 (17:58):
But of course a mount.

Speaker 7 (18:00):
I mean, the studios are just idiotic, and so they
will go for you know, the flashy, you know, shiny
producer and star and hire young writers and you know
they think that will be hip.

Speaker 6 (18:16):
But if you were missed, let's just put it that way,
and we don't have to keep talking about it.

Speaker 2 (18:20):
But you were missed. But I have a story. We
went to see him. No, yeah, ready for me? I
got a moment of eighty five. I go in and
out of time talking about it. The guy from the
original one, Nilson. We went up to his apartment in

(18:40):
Fort Lauderdale and he greeted us in jockey shorts. I
wouldn't be surprised, and everybody was so embarrassed. So I
had to break the mood and I said, are you
trying to seduce the gay men? He? So he said,
look down there, do you think that's gonna do? Sing?

Speaker 7 (19:02):
He's very funny, very funny, and I loved him. He
was a real anarchist.

Speaker 2 (19:08):
Yes, he made coffee for us and he said drink
at your own risk. I mean you just had those
own writer.

Speaker 7 (19:15):
I'm sure he probably did the old fart machine gag with.

Speaker 3 (19:19):
You, the fart machine.

Speaker 2 (19:21):
He had the fart machine that he would do every
time he meets a new No, he didn't know, he
didn't So you had.

Speaker 6 (19:28):
You have one A couple of movies that actually aren't
comedies that you produced. I just want to bring this
one up only because we were friends with Larry Cohen
and his a very good friend of his was named
Loreen Linnon and she's the stewardess in the Second Airplane movie.
And you did Phone Booth, which I thought was an
excellent movie. It was a phenomenal dramatic movie with Joe
Joe Schumacher directed it with Keifer Sutherland and Colin Farrell.

Speaker 3 (19:52):
Like, how did you decide to go out of the.

Speaker 6 (19:55):
Whole comedy ranged and say I'm gonna do some of
these like this serious movie.

Speaker 7 (20:00):
Well, I like anything that's new, original, you know, just
out of the box and my my producing partner, who
is Gilnetter, found this script and we worked on it
for a couple of years, got it, got it ready,
and got it financed, and I think Fox did it,

(20:22):
and you know, Gil was able to get Joel Schumacher
and they and then they got a cast. I mean, uh,
it was a fun project to work on.

Speaker 2 (20:31):
And it wasn't murder one line that I was.

Speaker 3 (20:37):
A different movie apane. But we're on phone.

Speaker 2 (20:39):
Booth bone boone. Boat was wonderful. Oh I love phone.

Speaker 3 (20:45):
We'll go back. So I just thought, I don't know
how well it did.

Speaker 7 (20:49):
But as far as you said very it did tremendously well.

Speaker 2 (20:54):
And it was a very low budget, so it was
a telephone boot and what's his name? But I loved
it because of the originality of it. I've never seen,
you know, I've seen every film probably made because I'm
eighty five years old, so I've been watching films since
nineteen fifty forty five actually, and i've you.

Speaker 3 (21:14):
Know, actually, he's you look very young, but you're older
than you look.

Speaker 2 (21:20):
There's nowhere in your my aage I am. I'm seventy
eighty eight. Well I'm still eighty five look fast. I
guess we were just trimming following.

Speaker 3 (21:30):
You look fantastic for it, But I thought that.

Speaker 2 (21:33):
The line that blew me away was when the little
boy sits on the pilot's lap and he says to
the little boy, do you ever see a naked man?
A grown up naked man? And I thought that was
you know, he was seducing the child, and it was very,
very shocking for the day, but hilariously funny. So you know,
you can you.

Speaker 7 (21:53):
Know, all all these gags were kind of suggested by
a nineteen fifty seven will be called zero Hour, and
it Zero Hour had the same plot and a little
boy comes up to visit the pilot and he actually
does give him a little toy plane and ask them
some questions. But you know, we just kind of pushed

(22:15):
it a little further and be a pedophile.

Speaker 2 (22:19):
I thought it was clever because we were able to
laugh at something that is so serious. You know, any
any little boy in our business has been seduced. I
mean I was seduced many times. Propositioned and I said,
you don't have enough money, You said them straight, Yeah,

(22:41):
he said straight. I love it.

Speaker 3 (22:43):
So let's talk a little bit about airplanes.

Speaker 2 (22:45):
So Airplane was.

Speaker 6 (22:46):
Kind of like the first of its things of its kind,
and you used dramatic actors, you know, to do comedy
and it was such a huge, you know, a huge hit.
How was it doing it and how did you come
up with the idea to do it?

Speaker 7 (23:01):
Well, you know, we were running a theater stage show
review called Kentucky Fried Theater on Pico Boulevard in West
la for about five years after doing the same show
in Madison, Wisconsin on the university campus.

Speaker 2 (23:20):
And so we were doing.

Speaker 7 (23:24):
The show for a couple of years and realized, well,
you know, we had appeared on some sw We were
on The Tonight Show a couple of times, and we
were on a bunch of national shows, but.

Speaker 2 (23:33):
We really weren't going anywhere. So we knew we better
write a movie.

Speaker 7 (23:36):
And we saw mel Brooks movies and those were funny
and Woody Allen movies, and we thought those were funny,
but we also thought we could do this, and so
we didn't have an idea. But when we saw zero Hour,
because we would leave the reel to reel tape recorder
on overnight and get the commercials so we could spoof

(23:59):
them in our show, one morning when we cleared off
the tape, we saw this movie. This movie's pretty interesting,
and forget the commercials. And I think the first first
idea we had, you know, these are it's unintentionally funny
because it's so serious and we could probably redub it.
And then the leap that we did was how about

(24:22):
just remake the movie with serious actors and put in
the lines as though the actors didn't know they were
in a comedy. And that's exactly what we did. But
that took five years. I mean, wow, I've got a
script now that I've had for five years, and you know,
it's just as hard as when I was completely unknown.

Speaker 6 (24:44):
I am so glad you just said that, actually, because
like I produced movies. I've produced a bunch of movies
and and and he's always like, how come you don't
have the money for this movie? You've been working on
it for two years or something. I'm like, the know,
there's people that are really famous. I was like, you
know that took for you know, to raise money. And
so the fact that you say that just validates it

(25:05):
a little bit that it's very difficult to get money.

Speaker 2 (25:07):
And you're like, super damn yes, yeah, you don't get
the projects that he.

Speaker 3 (25:12):
Well, of course I don't. I'm not him, he's no,
But well I don't.

Speaker 2 (25:16):
I don't even mood make office from projects.

Speaker 7 (25:20):
I mean, not that I'm being offered anything, but you know,
I don't want to be a director for hire. I
would rather stay home and you know, do my interior design.

Speaker 2 (25:30):
David, David, you could get three million for a movie
in a second, but he doesn't. I don't do movies
for three million. That's no. Just so I used that
as a low budget feeling because some people can't even
get a three million dollar movie going, and they work
out it for years.

Speaker 7 (25:48):
Well, and I know, I know people who are you know,
high network individuals who invest in movies, and there are
like one million, two million, and I'll even five million,
and they're no good. You can't get a good script.
You can't get a good director, you know. I mean,
and my the budget range that my new script is

(26:11):
in is still very low budget, but it's like twelve
or fifteen million.

Speaker 2 (26:17):
Every now and then one slips through the cracks. There's
a film that you should watch. It's called Blind. Oh
he won't watch that, And Marcel Wells did it It's
about a movie star who has laser surgery and is
accidentally blinded. And she lives in her beautiful home in
the Hollywood Hills, but there's a psycho out there that

(26:38):
moves into her house and he lives in the basement
and she doesn't know it. It's a thriller. It's a
low budget I mean low budget like money. I'm in
some shitta roos. I'm in some movies that where people say,
what's out. I don't tell them. Really, I'm too embarrassed
to tell them. I'm even in the friggin film, so

(27:00):
just ignore it. But this film was done. He's German
from Germany, so therefore he has that wonderful you know
how Europeans film and do interestingly.

Speaker 3 (27:12):
Just to give you one idea, because I can't say
that the budget, but.

Speaker 6 (27:14):
It's a five figure budget. That's how low the budget is.
It's very very and they did very well. They made
a sequel to it and ruined it because the people
became chop them. They because my first one didn't make
any money, so they made the second one is a
chopper film. The minute you chop people up in the movie,
it's over for me. Anyway, yeah, you don't do horror though, right,

(27:36):
you don't like Hawiian. No, I don't really like horror movies, However,
you are.

Speaker 7 (27:41):
I directed and co wrote Scary Movie three and four,
so and those, and I didn't realize you could do
a spoof on a horror movie because I thought it
was already they're not really grounded in reality, but I
guess they are, because you know, the WANs figured it
out and they did the you know, the original Scary

(28:03):
Movie and it was a big hit.

Speaker 6 (28:05):
Actually, those those movies are hilarious scary and did you
know did you know the.

Speaker 3 (28:11):
Movies you were spoofing? Did you know what the movies
that you were spoofing were when you did it?

Speaker 2 (28:15):
Of course? I mean we not.

Speaker 7 (28:17):
When Bob Weinstein said, Okay, we want to do Signs
in the Ring, I never heard of them. So I
had to go and see them and and so we
wrote the script with Craig Mason and Pat Proft.

Speaker 3 (28:30):
I love it. I think it's fabulous.

Speaker 2 (28:32):
I love that movie. I really like your work, and
I'm happy to say I don't have to lie about it,
which is what you usually do with your guests. That
they are because a lot of times I have to
lie and I have to make believe I like the
ship they put out, but I you know, I I
can't say you stink and your movie is horrible. It
wouldn't make a good show, would it. So it's nice

(28:55):
to have honesty once in a blue moon and to
say to you with an open heart, but I love
your work. I crack up from it because I like
of on God's spoofy stuff. Well.

Speaker 7 (29:07):
About a month ago I met I was at a
screening of Scary Movie three at the Guardena Cinema here
and I did it with with Simon Rex. We did
a Q and A afterwards, and Simon brought his friends
Sean Baker, who did who won like seventeen Oscars for
a Nora, And so I met him and he was

(29:30):
full of praise, loved myself. I had never seen any
of his movies, so I didn't lie. I just said,
you know, great, But then I watched went and watched Anora.

Speaker 2 (29:40):
It really is good, you.

Speaker 3 (29:42):
Know, Yeah, it was really good.

Speaker 7 (29:43):
Not an accident that that thing won Best Pears.

Speaker 6 (29:47):
And the girl who who won the Academy Award was
in was in Scream.

Speaker 3 (29:50):
She was in Scream five.

Speaker 2 (29:52):
That was that was in person. Now, when I'm on
a red carpet and I run into somebody that's got
a movie, there's somewhere tell the truth. I said, I
didn't see your film because there's only he and I.
But when I'm here with five million people watching, I'm
not going to hurt anybody's career. So I say, oh, yes,
I've seen your movie, when in fact, I've never seen

(30:13):
that movie. And I lie. And that's when I see everything. No, no, no,
but that it's really not a lie. It's a white
lie to help the guy. But again I repeat, in
your case, it's honesty. I love your work. I love
your movies. I watch them over and over again and
I see something new in them and I crack up
laughing because I'm from the nineteen forties and fifties, and

(30:37):
in nineteen fifty if you remember, we had a lot
of spoof movies out that it was a spoof era.
Everybody was spoofing on everybody. I wasn't born yet, So
that's my that's my mentality. And I think you're a
genius and I don't mind saying it. And if you
don't like it, go fuck yourself. Good point, Yes, thank you.

Speaker 6 (30:57):
So let's talk about your class. You have a class spoof.
I wrote down spoof comedy course master Crash, a crash
course in spoof comedy, breaking down the fifteen essential rules
you use to write, direct, and edit effective comedy. Tell
us a little bit about your course. And now I'm
gonna play a little video I took off your YouTube channel.

Speaker 2 (31:15):
Brooks. Now, you gotta love mel Brooks, right, I do
like mel Brooks. You don't love them. I love mel Brooks,
his blazing saddles. I did not stop and I never
laughed much of movies. I never stopped, especially today. I mean,
mel Brooks is another genius for he.

Speaker 7 (31:32):
Has He has a lot of funny gags in his movies,
and I often use scenes from his movie to make
a point.

Speaker 2 (31:45):
You know.

Speaker 7 (31:45):
I love in Young Frankenstein. Did you remember when somebody
says to Marty Feldman, your your hump is was on
the left side, now it's on the right side. What
what's the deal? And he says, what hump so's It's

(32:06):
such It's such a brilliant way of It's one of
so many people are not self aware of, you know,
what's going on.

Speaker 2 (32:14):
So I always use that what hump. And recently, my
favorite part of Frankenstein is when Madeline Khan is making
it with Frankenstein and she starts singing and then goes
into the I know, yeah, I thought that was hilarious.

Speaker 7 (32:30):
And and and when Marty Feldman he starts going into
grout show and you know, he just starts doing a.

Speaker 2 (32:38):
Grunt saying a line.

Speaker 7 (32:41):
Uh, and I can't remember what the line is, but
you know, some very funny things. However, you know, the movie,
you know, it doesn't really have a character that you
that you can follow all the way through, which I
had to learn the hard way.

Speaker 2 (32:58):
Uh.

Speaker 7 (32:59):
You gotta have a some some character grounded in reality.
Who you know that I realized the plot and the
characters are as important as the jokes, probably more important.
The movies that I've done which have had those, you know,
those character arts have always done well, and the ones

(33:20):
where I didn't do it did not do as well.
You know something that Peter Fairley does well. He did
something about Mary and Dumb and Dummer, and his movies
that have been really big hits and successful are ones

(33:40):
that you know he's paid attention to that, you know,
that main character, and that's what I'm teaching in my class.

Speaker 2 (33:47):
Mel Brooks was gifted to have Marilyn Kahn all the
casts that she had. They were brilliant together. They all
were like magic. They worked that nobody was thumbs up
with down. It was a little equal. It was wonderful. Yeah,
he had very talented casts. And my brother and I
just did it.

Speaker 7 (34:08):
We were, you know, doing the mel Brooks documentary. I
mean we're just interviewed for it. So h then that'll
come out, I don't know after another year.

Speaker 2 (34:19):
I love it.

Speaker 6 (34:19):
So before we go to the spoof comedy thing and
the channel of someone said, Kentucky Fried movie is a masterpiece.

Speaker 3 (34:24):
Where did the name Samuel L. Broncowitz come from?

Speaker 7 (34:27):
We just thought it sounded like a real one of
those old line producers. And we were we were just
kind of a seat of the pants production trying to you.

Speaker 2 (34:39):
Know, everything we couldn't get.

Speaker 7 (34:41):
We didn't have any credit or anything, and our producer,
Bob Weiss, was trying to rent equipment and they would
they wouldn't give them credit or they wouldn't want to
let their equipment go. So he started saying, this is
for Samuel L.

Speaker 2 (34:55):
Bronco.

Speaker 3 (34:56):
It's productions sounds important.

Speaker 2 (34:59):
It sounded important.

Speaker 7 (35:01):
Which one lady that he asked that said, is he
still making pictures?

Speaker 2 (35:08):
It brings me to this, The greatest comedians ever were Jews,
and primarily from Brooklyn. You couldn't Brooklyn Jews have the
best humor. I know because I'm from Brooklyn, and we
cracked up. Everybody was funny, all the old alder Kakamen.
They come out with things that you drop dead leffin

(35:29):
from and one liners, and they never meant to be funny.
So what happened was Hollywood, which is very primarily Jewish
in production and direction and most of everything. The talent
is Jewish humor. And I'm not saying it because I'm prejudiced,
but I'm saying because it's true your humor and all

(35:50):
of your movies. You can hear it now the Golden Girls,
my very good friend stands Immiman writes for Golden Girls
wrote He's Jewish, and he's that most of the writers
on the show with Jewish Jewish people have Maybe it's
because we've been tortured for so many years that we've
had to learn to be funny to overcome the horrors

(36:13):
that have been done to us, right. I don't know
what it is, but something about Jewish.

Speaker 7 (36:19):
You know, Jews may be disappointed proportionately represented, but there
are so many great great comedians like Bob Hope, Martin,
Eddie Murphy.

Speaker 2 (36:31):
I mean, you know, you want to get Bob Hope did.
Bob Hope was not funny. Bob Hope was a tight
ass washed anti Semiti. So I'm not nuts about Bob Hope.
I didn't know he was an anti Semiti. Was terrible.
He wouldn't work with black people. No, he was awful.
I know that from the day. Jane Russell, my best friend,

(36:52):
was also Bob Hope's friend, so I knew a lot
of stuff through Jane. Oh well, I don't know about
any of that. Oh yeah, Bob Hope was a terrible
anti Semi and a racist.

Speaker 3 (37:03):
So wait, I want to go.

Speaker 2 (37:04):
This was Bing Crosby and most of the people in
those days. So if you were Jewish you didn't get
too far in the nineteen forties unless you were superb.
You have to be so outstanding they had to forgive
you for being Jewish. All the Marx brothers did all right.

Speaker 3 (37:19):
Yeah, yes, I knew. Actually, one of the Marx Brothers
lives here. I Knewando player here.

Speaker 6 (37:26):
I don't know if he's still piano playing, but he
still he's still like one hundred and he plays every night,
every Monday night, and he's still here.

Speaker 2 (37:33):
He's still playing. Well, they can't be and it can't
be Chicko Brouch or he's the son.

Speaker 3 (37:40):
Oh he's the son.

Speaker 2 (37:41):
I'm sorry, and they have been not maybe Harpo's son. Bill.

Speaker 3 (37:46):
Yes, Bill, it's Bill. That's his name, Bill, Bill Mars.

Speaker 2 (37:48):
Yeah, I know Bill Will I signed at his piano
many times. But Bill Marx is a sweet guy, nice guy.

Speaker 6 (37:55):
So I want to go into your comedy, uh course,
because first of all, I think a lot of people
everybody who watches the show basically is is in the
industry and wants to be in the industry. And so
if people are interested in comedy, I think that what
you're doing will benefit them.

Speaker 3 (38:09):
So why don't you tell us a little bit about it?

Speaker 2 (38:11):
Well, it's it's really is for people who want to
be in the industry. And so many people we hear.

Speaker 7 (38:17):
About that they're funny at parties, they're funny with their friends,
but they can't translate it to you know, get any
traction on writing a script. I've made all the mistakes.
I just you know, I've I have so much experience
that I that's why we evolve this set of rules,
which is mainly things not to do, plus another under

(38:41):
or so, which we call the Glossary of terms. And
you know, I've made all the mistakes. And I think
I can really help people get into the business and
and do some good work by just avoiding wasting time
on stuff.

Speaker 2 (38:59):
Now as a director, I've worked with directors that I
wanted just spit in their face because they called themselves
a director. That was nerve. I worked with the director
on a very expensive horror movie and he and when
I was on set and I said, but where's my director?
They said, oh, is he in the other room with

(39:19):
the television. I said, what is he watching cartoons? They said, no,
he's watching us. He's directing us. Said, he's directing us
from And that's not how I work.

Speaker 3 (39:30):
I've worked.

Speaker 2 (39:31):
You know. I worked with what's his name, the greatest
director in the world. When I did that kind of
Woman with Sophie Lare, I forgot.

Speaker 3 (39:37):
I can't remember answer.

Speaker 2 (39:40):
Any Way he worked. He came down and spoke to us,
and he was so big he didn't have to talk
to extras.

Speaker 7 (39:47):
But we were all Jerry and Jim and I were
all writers first, and so we and and mel Brooks
said this a lot that he directs out of self defense.
He he writes this material, he has a vision and
he just wants to make sure nobody else is there to.

Speaker 2 (40:03):
Screw it up.

Speaker 7 (40:04):
And uh, and so Jerry and Jim and I after
writing Kentucky Fried movie, we were on the set with
John Landis, and Landis did a great job and we
learned about what the process was, what a director does,
and uh. But we also knew that when we did Airplane,
which was our next movie, we had to direct it ourselves.

(40:25):
We couldn't and Paramount wanted to shop it around to
other directors and everything. We just knew that, you know,
why do we need a middleman? We we we can
just we can do this. We watched what Landis did
was able to do, and Landis added a lot of
great jokes, and we just learned what the process was
because we had never even been on a movie set

(40:46):
before Kentucky Fried movie, so we were ready to do it.

Speaker 2 (40:50):
And then you know, we we had the great.

Speaker 7 (40:53):
Advantage too, of having this uh this movie zero hour
to spoof, and so that had the whole plot character
development already there. And we didn't even realize how important
that was until we did Top Secret, and you know,
we didn't really know about that, and so we corrected
and we and then we did Ruthless People, which had yeah,

(41:17):
was written by Dale Launer of Marvelous Writer, and it
was so funny and uh, but not not our style
of spoof at all. And then after that we kind
of went off into our own directions and I did
Make It Gun, and Jerry did Ghost and Jim did
the hot shots, uh and and so we because we

(41:40):
didn't we didn't need to all be together on the
set anymore, right, because.

Speaker 3 (41:44):
You had gotten it well.

Speaker 2 (41:46):
I like to work with a director, not in the
films i'm in, how I mean, I used to be
in real movies. I call them real movies you have
to shoot them in now right now, I'm going through
my Betty Davis Jon Crawford's era. You know, when Betty
and Joan had to do Baby Jane for sixty thousand.
I'm going through that period of my life because I'm

(42:07):
eighty five what are they going to do with me? Now?
Romantic lead, swash buffalo and looking I could stand there.
So I was talking about but do you look very
spry for eighty five?

Speaker 3 (42:20):
He's very spry for eighty five.

Speaker 2 (42:22):
Yeah, I know. I want a director that comes over
to me and tells me, Ron, you stink, don't do that?
Do this? Stand there, smile. I like the other angle.
I want a director that takes an interest in what
we all do to make a movie good. Well, I think, yeah, really,
directors nowadays you have to admit it.

Speaker 6 (42:40):
The indie directors, he's different. He isn't running our circle.
He runs in big circle.

Speaker 2 (42:44):
Of course, because he's a professional. We have jerks.

Speaker 7 (42:47):
But I think I've been on you know, some movie
premieres where you know it's an indie film, and their
low budget movies, and I see the and I even
talked to the director of one of them afterwards, and

(43:07):
I said, you know, I did my usual. Yeah, I
picked out I don't lie, but I pick out things
that I liked about it, you know, rather than saying
it's a great movie. And but I said, but why
didn't you have the main boy and the main girl
in the movie. Have a romantic relationship and it would

(43:28):
have been such a huge thing. And he said, kind of,
I didn't. I didn't want to do that. It was
not appropriate or something. But it's like, so this guy
didn't know what he's doing, and the and the writers
don't know what they're doing.

Speaker 2 (43:46):
Right, does not everybody?

Speaker 7 (43:49):
Everybody thinks that they can do this, and well that's
why I'm doing the course.

Speaker 2 (43:53):
You know, so you can't do it.

Speaker 7 (43:54):
Even the pros like Seth MacFarland and all the people
who did. He had gone for our pros and they've
all done stuff, but you know, they didn't know what
they were doing.

Speaker 2 (44:07):
I was directed by Sidney Luhmit. All right, okay, that
makes you Martin than I even thought you were talking
about Rolls Royce. When you talk about Sydney, you're talking
about Rolls Royce. Because as big as Sydney was, and
he was big, he would talk to Sophia Laurn, Barbara Nichols,

(44:30):
George Sanders and us extra is the same. He had
that intelligence to know that it takes everybody to make
a movie, not just the star.

Speaker 7 (44:41):
Yeah, well there is such a thing as like common
decency and respect. I mean, yes, you don't want to
talk down to people, no matter who they are.

Speaker 2 (44:50):
I had beautiful, big black hair, and I wanted my
hair to show so i'd stand out. You know, everybody
wants to be an actor. And I took my helmet
and I held it, throw it in the back of
my neck. He came over. He said, soldier, put the
helmet up. I said, why, I cover my hair and
he started to laugh. He thought that was funny because

(45:12):
I had the balls to say that to him. So
I put the helmet up. But when we filmed, I
threw the helmet back. So I think if you see
it in the film, I don't know if my helmets
found anyway.

Speaker 3 (45:23):
I want to go back. So first of all, hey.

Speaker 2 (45:24):
Wan, but he was wonderful, Sydney Limett, hey Wan, stop, wow,
we want to do I sent you a video that
says og naked spoof comedy.

Speaker 6 (45:32):
Uh and uh, we're going to just play it for everybody.
I pulled it off for your YouTube channel and it's
about your class. But I want you to introduce it
and then we're gonna play It's only a minute long
and hang on and we'll be right back. But you
introduced it for us and one hopefully you got it.

Speaker 2 (45:47):
Go for it, David, I don't know what the clip is.

Speaker 3 (45:49):
So you know, we're that's your masterclass.

Speaker 7 (45:52):
Yeah, I'm just teaching this course on the master class,
and I'm a talking head, and we you know, we
play a lot of clips from my movies and other
people's movies and things that we did rights, things that
we did wrong, things that other people did wrong.

Speaker 2 (46:08):
We're gonna we're gonna do.

Speaker 7 (46:10):
A whole course on what they did wrong in Naked
Gun for no good.

Speaker 3 (46:17):
That's good.

Speaker 8 (46:17):
That would be a good one.

Speaker 7 (46:19):
Yeah, because that's I can teach that way by so
you also, So you.

Speaker 6 (46:24):
Guys, here's the video we to the og naked spoof
comedy from David Zuckeroff's YouTube channel about his course.

Speaker 3 (46:32):
Check it out.

Speaker 2 (46:35):
Hi, I'm just like, I don't think I can do this.

Speaker 7 (46:49):
We kind of over the years assembled fifteen rules that
helped to guide us. Now I have to say they're
only our rules, but they do apply to anybody who's
a tempting to do this kind of spoof.

Speaker 2 (47:02):
All these people when.

Speaker 7 (47:04):
They try to imitate our style, probably less successful because
they are not aware of the rules of fifteen rules.
Jim Abrams is probably looking down at me and saying,
oh God, does David try to take himself seriously?

Speaker 2 (47:17):
No, I'm not, and it's none of your business.

Speaker 3 (47:48):
So you guys could go to mastercrash dot com to
get more. Now, you know the clip I picked, that's
a great that's the trailer.

Speaker 2 (47:55):
Yes, this is going to be a very funny film.

Speaker 3 (47:58):
It's not a film, it's a class I think you
how to be a fucking writer and how to Oh
I saw, Well those are his movies because he's using
those to promote the fact that he's teaching a master crash.

Speaker 2 (48:10):
Like. You know, it's like a trailer for a movie.

Speaker 7 (48:12):
You try to lure people in to see the movie,
and so we're you know, so they won't be pointed.

Speaker 2 (48:18):
And here we're luring people into our master Crash course.
But you should do a movie with all your outtakes.
Outtakes are hilarious.

Speaker 7 (48:27):
They aren't really outtakes for comedies. Uh, they would be
used in the movie if they actually were funny. So
you know, when when they do the special you know,
additional materials for the naked guns or airplane or scary movie,
it's you know, it's it's stuff that didn't make the movie,

(48:48):
so it's it's not that funny. And then if you
do people going up on their lines. I don't find
that stuff funny because I don't know what's funny about
somebody blowing the line. It's like, we've seen it so
many times, it's not funny anymore.

Speaker 6 (49:02):
I agree with you. Nobody ever mentions that. So in
that trailer that we just played. Also, you had your book,
but you have two books. I note one of them
is called Shirley You can't be serious, The True Story
of Airplane. I love the Shirley reference at the beginning,
the way you did that, even though you spelt it,
you know, surely su r eli.

Speaker 3 (49:20):
But it was really cool. So where do people get
the book.

Speaker 7 (49:23):
They can get it on Amazon or you know, occasionally
a bookstore will have a copy, but you know, you
can get it on Amazon.

Speaker 2 (49:32):
I like, love it.

Speaker 6 (49:32):
And then you have another one before the invention of Smiling,
the incredible journey of the Zucker family from horse and
buggy to indoor plumbing.

Speaker 2 (49:40):
Yeah.

Speaker 7 (49:40):
I love history, and I read all nonfiction history, biographies
of American history, and so I was also interested in
the history of my family because from the time I
was five, I would sit at my grandmother's knee and
she would tell stories about how she grew up in
this little village in Hungary and how they had to

(50:03):
sneak over the border to get to into Poland and
they went in a covered wagon to a train station
and crack out and the whole journey. I was fascinated
that this was, you know, some adventure that that my
family had, and so I started researching it. And then
you know, using the Internet, I could get all this information,

(50:25):
including the Ellis Island records, and I had back dates,
what ship they came in and anyways. So it's done,
and I do a lot of humor in it too.

Speaker 2 (50:34):
So I have all that stuff for my grandmother. Then
nobody came here illegally back then. You no, you aren't allowed.
They used to spray them. Imagine they spray the immigrants
with something because to disinfect them, they'd spray them with
a host. I really talk about that.

Speaker 3 (50:50):
But yeah, so let's go into because we have to go.
So here's something I like to ask you everybody, and
I'm not sure how to ask it for you, So
let's just do it this way. Uh, bucket list, if
you could have directed any movie that's ever been made,
or you could if you don't like that question, you
could go to like what is what is your favorite
movie you know that you really like? And the second

(51:12):
part is if you could direct any actor, living or dead,
who would you have liked to have worked with?

Speaker 7 (51:17):
Well, I wish I could have done directed Brando in
Airplane two, because that's what we Our idea was Bob
and Julie fled on the plane. He takes her home
to meet his family and they get and it's the Godfather.
And we didn't even want to do it on a
plane because you know, Jim and Jerry and I always
wanted to do something original. You know, we're not like

(51:39):
Naked Gun for just doing a copy. And so if
we could have done that, we could have probably gotten Brando.

Speaker 2 (51:45):
It would have been Yeah, but if you got brand Or,
you wouldn't have hair on your head today. There's nowhere
all out. It was impossible because Lorraine Landon, who we
spoke about, actually it's my my niece, was married to
Brando's son, Christopher Christian, and Brando was a very impossible

(52:07):
person to well.

Speaker 7 (52:08):
There they he wasn't a spoof and some director directed him,
and I don't I'd have to ask that guy. But
there is I'll tell you, there is no actor that
I haven't been able to deal with, even the ones.

Speaker 2 (52:19):
They said, you know, we're difficult.

Speaker 7 (52:22):
I never I never had a problem because I would
always uh, you know, I would always be aggressively insulting
toward them and and they they loved me.

Speaker 2 (52:34):
You could never direct way. There is no one I
couldn't handle you.

Speaker 3 (52:41):
I love that. I love that very done.

Speaker 2 (52:43):
The way is insane. Everybody I find a way, I
find a way.

Speaker 7 (52:48):
I've never had a problem. Even Val Kilmer. You know,
we we got along grades. He was moody but actual.

Speaker 6 (52:55):
They asked that in the chat room talk about top
secret in the late valcamera another car.

Speaker 7 (53:01):
Yeah, Val, Val was great, and you know we we
would run into each other in the years after top Secret,
many years after that, and uh, and he was always friendly.
And you know when when Jim and I would talk
about it, you know, we we figured out that Val, well,

(53:25):
it was a Juilliard trained actor, and we gave him
this crazy script and it was our fault that we
didn't give him a character, and so I know that
he was lost, and yet he uh, it was his
first movie, and so he had a lot of respect
for us as director.

Speaker 2 (53:44):
He assumed we knew what we were doing.

Speaker 7 (53:46):
We really didn't, and and he still powered through it.
And but I remember he was he was, you know,
a quirky, you know, very serious guy. And but whatever
it was, it wasn't his fault. And this is part
of the thing that I'm trying to teach in Master Crash.
You know, you think you know what you're doing, You're

(54:08):
so confident that you know what you're doing, but you
may not so. And this is what happened with Seth
McFarland with you know, he can print money, he's got
you know, the family guy and Ted and I he's like,
he can buy and sell me thirty times over.

Speaker 2 (54:23):
But in spoof he doesn't. Known't have to say Ted
couldn't be you in tow And that's.

Speaker 6 (54:30):
I think that that Ted is funny, just because I
thought it was very funny.

Speaker 3 (54:33):
But most of his other.

Speaker 6 (54:34):
Movies, I would never say, I don't think any of
them are better than what you do. I think what
you do is fantastic. Everybody go to masterclass dot.

Speaker 2 (54:42):
Com, Master Crash Crash.

Speaker 6 (54:44):
Master Crash on Sorry mastercrash dot com and his instagram
is the master crash dot spoof and his instagram is
the David Zooker.

Speaker 2 (54:54):
And I just want to know.

Speaker 6 (54:56):
I had to look at how I wrote. I wrote
Booker down so I wouldn't mess up your name.

Speaker 2 (55:00):
The movie that Joshuah Gabor made, Maidens from out of Space.
Now that movie is a serious movie, but it is
the campiest movie I have ever seen. I have not
seen that.

Speaker 7 (55:14):
But I did direct Jajah gabora in Naked gun.

Speaker 2 (55:19):
Oh for one minute. For one minute, you couldn't take
cuff for ten minutes or now. But there again. You
know he has no problems.

Speaker 8 (55:31):
I have no problem.

Speaker 2 (55:32):
I just you know, I'm like, give me the ball.
I can. Actually didn't.

Speaker 7 (55:36):
She didn't direct you, No, she was anybody.

Speaker 2 (55:42):
She must say to you, David, this is how I
should do it.

Speaker 7 (55:45):
No, never, nobody, no one would dare. I'm David Zuoker.
Don't you want to?

Speaker 2 (55:51):
I love it so real?

Speaker 3 (55:53):
Quick you have because I actually ready, man, I.

Speaker 2 (55:56):
Want to say something to David. Please come back again.
I hope you enjoy our show and come back. I
have of course I'll come back, and there very interesting.
You live a lot more to say.

Speaker 3 (56:08):
And you have a new movie about Malta something.

Speaker 7 (56:11):
The Malta is the star of Malta. We're in pre
production now, we're casting. It's set in nineteen forty nine.
It's gonna be done in black and white. It's just
gonna be absolutely a real film noir movie, based on
another zero R type movie which was called Detour.

Speaker 3 (56:29):
Oh, we've seen that. It was on Turner Closs. We
watch everything Turner Classic.

Speaker 2 (56:34):
It's a wonderful movie.

Speaker 7 (56:35):
It goes for like two acts and then I think
they ran out of money or something, but you know.

Speaker 2 (56:39):
It just ends. So yeah, I know the film well too.

Speaker 6 (56:44):
So we want to thank you for coming on. I yes,
I have another guest that's going to come on. Plus,
I told your publicists we wouldn't keep you more than
forty minutes, and we did, so I have.

Speaker 2 (56:53):
To say I have to say something. You're fired political David.
We need you now, comedy right now, I'm speaking. I
can't take him. I'm divorcing. Here, lend me three thousand bucks.
So I divorce this buck talking and he jumps in.
He's an ego being. I can't take him. I really

(57:15):
can't take him.

Speaker 7 (57:16):
But I know how all these things usually end in
a request for money, so you are no different.

Speaker 2 (57:22):
Lend me for a divorce. Anyway, we need fun, We
need to laugh again. We need you.

Speaker 7 (57:30):
Totally agree, and I'm like, America needs to laugh, and
we need you to do.

Speaker 3 (57:37):
It, yes, because the other people that are trying to
do it suck.

Speaker 2 (57:41):
Well, it's just that we're in such horrible ways with
such other countries.

Speaker 6 (57:44):
The world is really that naked gun. So just to
give you an idea, I wrote that you were coming
on the show. I have like a million followers on
social media, and I wrote the Naked Gun and somebody
assumed that you did the new one. I was and
they that was the shittiest movie I've ever seen. I
was like, yeah, he didn't do that far.

Speaker 2 (58:00):
I was one question before we go, were you ever
an actor?

Speaker 7 (58:04):
Well, in our Kentucky Frye Theater show, we all acted,
Jerry and Jim and I and Pat Proft.

Speaker 2 (58:12):
We were all.

Speaker 7 (58:13):
Because we didn't have enough money to hire real actors.
So you know, we did it and we could perform
our own material.

Speaker 2 (58:20):
It makes you a better director. I find directors that
were actors are better directors.

Speaker 7 (58:25):
Well, and the fact that we had a live sketch show.
We we had that feedback, instant feedback from the audience.
We kind of learned what was funny. And also our
piano player in the show was a guy named Steven
Stucker and he was the flamboyant air controller in Airplane.
Oh yeah, we wrote the part for him.

Speaker 2 (58:47):
I love it.

Speaker 6 (58:48):
So everybody, this is David Zucker. Thank you so much
for coming on. Congratulations on all your success and the
best of luck with the star Mault of one too.

Speaker 2 (58:55):
Thank you, thank you so much. It's a pleasure to me.
Bye bye, take care of What a nice guy. What
a nice guy.

Speaker 3 (59:03):
You guys all right? I hope you guys enjoyed it.

Speaker 2 (59:06):
He was serious. That's talent. That's that's what makes their
business better, not the jerks that are buying and do
what they doing. Now. This is this is Hollywood.

Speaker 6 (59:16):
You guys should definitely see Ruthless People too. That's a
great movie with Danny DeVito and Bette Midler. We saw
it during COVID for like the third time.

Speaker 2 (59:22):
It's very very David. David is Hollywood. He's really the
real McCoury.

Speaker 6 (59:27):
Absolutely, So we're gonna take a music break you guys.
This is a vohee, a voe her, and he's a
client of World Star pr and he's a very good
friend of Mark Love Rush and he's a British performer.
And this is a brand new original Christmas song called
Christmas Magic.

Speaker 8 (59:45):
Near and far By.

Speaker 3 (59:46):
A vohee of ohr enjoy.

Speaker 9 (59:56):
So please.

Speaker 10 (01:00:00):
All this feel from talk to Ellen, we will do this.

Speaker 5 (01:00:09):
Wood fifty Sisto.

Speaker 2 (01:00:16):
Is worsting.

Speaker 5 (01:00:19):
From results.

Speaker 10 (01:00:23):
Christmas smash and Canary Christmas.

Speaker 2 (01:00:31):
It's not It's.

Speaker 3 (01:00:35):
Voice is rising streams.

Speaker 2 (01:00:40):
Let's make it.

Speaker 10 (01:00:41):
Sweet shimmer in Paris shingles goody, you know.

Speaker 5 (01:00:52):
Sure we share.

Speaker 11 (01:00:55):
From first comes nice small steal from downtown soul to cheer.

Speaker 5 (01:01:09):
Let's saus cheer, we assen from the subway to the
King Joy to.

Speaker 12 (01:01:28):
Every heaven thing Christmas luve Saky, twin up fee actually.

Speaker 5 (01:02:00):
Very street together.

Speaker 9 (01:02:02):
Now let's make a sweet Paris and Jimbles knows going
all you mine Enjoylation, market.

Speaker 11 (01:02:20):
Square, spare clost, cozy nights.

Speaker 10 (01:02:29):
In downtown show to him, let's so spread sisters.

Speaker 6 (01:03:09):
Yeah, that's Christmas Near and far By. A vohee a
voha a UK artist. He does dance music, but he
also does classical music, and we have six minutes left
so we can talk about something.

Speaker 3 (01:03:19):
But I have one other song I want to play
since we have time.

Speaker 2 (01:03:22):
I'm mad at you.

Speaker 3 (01:03:23):
Okay, why are you mad at me?

Speaker 2 (01:03:25):
Because you direct me? You shouldn't direct me on our show.
If you want somebody else, I will leave and you
could replace me with somebody who could push herround and direct.
I don't want it to direct.

Speaker 3 (01:03:36):
If I'm in the middle of saying something, you know,
I just messed that up.

Speaker 2 (01:03:39):
So and you interrupt, you step on my line anyway.
Not professional, that's what it is. That's it. No theater
back anytime. Nobody's saying it was a great interview. No
theater training. Jimmy hasn't any theater training at all, that's true.
I don't. So he doesn't know how to work as
a team. When when you know we have a button,

(01:04:00):
we call it a button. We build up the joke
and then we hit the button, which makes people laugh.
So if you come in before I hit the button,
everything I said before it goes to waste. It's not funny. Well,
I'll work on it. You know, I just stand up
for thirty years. I know how to do comedy.

Speaker 3 (01:04:18):
I'll work on it. In the meantime, we're going to
play one other Christmas song.

Speaker 2 (01:04:21):
You guys, this is.

Speaker 3 (01:04:21):
Also a vote and the name of it. This is
a remake Away in the Manger item. So this is
a vohe of Oha Away experienced. Please stop me, no,
come on?

Speaker 2 (01:04:33):
How do you like it?

Speaker 3 (01:04:34):
This is important, you guys. This is a great artist.
I want to I want the world to know who
he is and I want to give him great exposure.

Speaker 6 (01:04:41):
This is called Christmas Classics by a Vohee of Oha
and it's a remake of Away in the Manger. Enjoy
and then we'll be back with Mark baka Anthony.

Speaker 4 (01:05:06):
The South Pacific South the Batters based the battattat.

Speaker 13 (01:06:20):
Set Strict at six sixty.

Speaker 2 (01:07:50):
Yeah, that's actually with the other girl. Oh I don't
know then who that is?

Speaker 3 (01:07:55):
Hey, everybody, so what is the girl?

Speaker 2 (01:07:56):
The girl that was there with the baby.

Speaker 3 (01:07:59):
I don't know what you're talking talking about.

Speaker 2 (01:08:00):
It when we ate out in the patio at the home,
that was the lady.

Speaker 3 (01:08:04):
Who owned the place. That didn't know, that's not who
that's nothing. They owned that that place where we had lunch,
they owned it. That's not only that she wasn't with us.

Speaker 2 (01:08:12):
We were shooting the film. No, never mind, forget wait
wait wait, we went to we went to we went to.

Speaker 3 (01:08:19):
The winery, and the lady came out with the baby
because she owns the winery.

Speaker 2 (01:08:23):
That's who I thought was his daughter, the lady with
the baby.

Speaker 3 (01:08:27):
But not, that's not our guest. The other guy who
owns it was a different person.

Speaker 2 (01:08:31):
I'm talking about the young that has nothing to do
with anything though that we're doing anyway.

Speaker 6 (01:08:38):
Guys, Ron's confused, so confused. So here's what we're gonna do.
We're gonna bring on our next guest, Bacca.

Speaker 3 (01:08:47):
What's up?

Speaker 2 (01:08:49):
Hello?

Speaker 8 (01:08:49):
Hello, stop stop put That is so cool.

Speaker 3 (01:08:56):
Everybody look at that back and just let us on fire.

Speaker 2 (01:08:59):
You know, Jimmy is sick on fire is cool. It
is cool.

Speaker 3 (01:09:04):
That's what he does for a living.

Speaker 2 (01:09:05):
I don't give a ship what he does for a living.
I don't like that stuff.

Speaker 6 (01:09:11):
But now we want to introduce Emmy Winner, actor, producer,
stunt man, stunt coordinator Mark Bacha Anthony, Hello, and welcome
to the show's buddy.

Speaker 8 (01:09:20):
How you guys doing.

Speaker 2 (01:09:21):
We're good. You know, don't put yourself on fire for
your act because everybody's sensitive to that. The woman in
the subway put on fire, and now a man, a
man last week was put on fire in the subway,
So people are very shy.

Speaker 6 (01:09:36):
So you guys, just so you know, Mark Baker Anthony
owns Extreme Force Hollywood stunts and that's what he does
for a living.

Speaker 2 (01:09:43):
And he's a gens. He's a great stunt.

Speaker 6 (01:09:46):
He's great and according to do according to mckenneth Smith
from Texas in the chat room, who is his significant other, Nicole,
he's smoking hot.

Speaker 2 (01:09:59):
In the chat.

Speaker 14 (01:10:01):
Yeah.

Speaker 2 (01:10:02):
I like when you met us. Did you find me nice?

Speaker 8 (01:10:10):
You remind me a junior from Sopranos, and you say
what you feel. You just say it and that's okay, right, No,
I just found that.

Speaker 2 (01:10:16):
The fire scared me. I don't. I don't like it, No,
because I like you and I don't want to see
you on fire. It doesn't please me. I'd rather see
you do something exciting like jump from an aeroplane and
land on a horse.

Speaker 8 (01:10:31):
Will probably rather be go on fire than do that,
trust me.

Speaker 6 (01:10:36):
So you guys, we met well, actually I was introduced
to uh we actually call him Baka, And we.

Speaker 3 (01:10:42):
Were introduced to Baka from Jeff Caperton, who's in the
chat room right now.

Speaker 2 (01:10:47):
Jeff, Jeff, that picture of you young is adorable. You
are a cute And we.

Speaker 6 (01:10:53):
Are working on a movie that That's what we were
talking about before we brought Mark on, because we're doing
in a movie with Steve Steve Ross, right, Steve Ross Is.
The name of the film is Carnival, and it's a
Carnival horror movie. It's gonna be really cool. And we
went to this great location several months ago looking at
all the props and where we were gonna shoot it.

(01:11:14):
And then we went to a winery and we all
hung out, and Ron was somehow thinking that the winery
girl was somehow affiliated with you. And remember the lady
who came out with the baby.

Speaker 8 (01:11:25):
Yeah, I thought it was your daughter.

Speaker 2 (01:11:27):
I thought she was. She's so young looking, that woman.
That woman looks she's like forty or something, and she
looks nineteen. So I thought she was your daughter.

Speaker 3 (01:11:39):
That's what we were talking about before we got on.
All right, so let's talk to you about you a
little bit.

Speaker 6 (01:11:44):
First of all, you guys, Marcus the coolest, one of
the coolest guys I know in Hollywood, and he lives
in Texas.

Speaker 2 (01:11:53):
I used to be in though I'm in Texas now,
looks what's funny about living in Texas.

Speaker 6 (01:11:58):
Because he's my Hollywood friend who lives in Texas. Hollywood friend, Hello.

Speaker 2 (01:12:04):
There's no such thing as Hollywood. Yeah, that's true.

Speaker 3 (01:12:06):
There really isn't so much thing as Hollywood.

Speaker 6 (01:12:08):
So tell everybody a little bit about First of all,
let's go to because the Hollywood stunts is such a
big thing for you. Tell everybody a little bit about
what you do with extreme force Hollywood stunts.

Speaker 8 (01:12:18):
Well, I for thirty two years I've been doing stunt work.
Started off in fight choreography, like every stunt guy, you know,
being a martial artist. But then I ran into people.
I met mentors like Pete Portias, and you know, eventually
I met a great guy named Gary Bishop. Both are
gone now rest in peace, but there's mentors like that
that kind of gave me the inspiration to keep moving forward,

(01:12:41):
to get better at different aspects of stunts. And you know,
people like the Dashnalls and Armstrongs, they're like the they
set the bar up high for stunt guys. So you know,
I learned really quick that if I want to be successful,
I couldn't wait around for people to give me opportunities,
I had to create them.

Speaker 2 (01:12:59):
So that's exact. I think what I did.

Speaker 8 (01:13:00):
About out people who were old school stunt coordinators. I
purchased their equipment, I learned from them, and I created
my own team, Extreme Force Hollywood Stunts. And I've been
doing it here in Texas for five years, been in
the game for thirty two years, and I'm still going.
And it's been it's been a wild, wild ride.

Speaker 2 (01:13:18):
Let me tell you a quick story. I knew Burt
Reynolds really well. Bert and I were friends for years,
and he said everything in his body was broken from
stunt work. And he said to me, I'm young because
of it. I said, no, you're not, and he got
he didn't die from it. But I saw him again

(01:13:39):
in Florida as an old man. He couldn't move, he
was all thready go al. He was like, are you
worried about that happening to you?

Speaker 8 (01:13:49):
No, I'm not. I I think if you eat healthy
and Nicole, she's a great cook, trust me. And you know,
I opened up my martial arts studio against I'm stretching out.
I'm working out again after having the surgery and a hernia,
So now I feel really good.

Speaker 2 (01:14:04):
Stop Mark, Mark, stop, back it up. Knee surgery. I
had knee surgery seven months ago. I'm an agony. How long?
How long were you?

Speaker 3 (01:14:16):
We didn't have a replacement though, did you?

Speaker 2 (01:14:18):
What did you have?

Speaker 8 (01:14:18):
Not a replacement? A C M C L And I
was walking the same day I was walking.

Speaker 2 (01:14:23):
I walked.

Speaker 8 (01:14:24):
Yeah.

Speaker 3 (01:14:25):
Yeah, so he didn't have a replacement.

Speaker 2 (01:14:26):
So is different than I would I would suggest to
people not to have this operation is horrible, painful and everything.
So how many things are broken on you?

Speaker 8 (01:14:40):
I've only I haven't had many injuries because I've been
very very fortunate, lucky, but also very very safe. When
I do something, I commit to it, and that's what
happens with stunt Sometimes we don't commit and then that's
when we get hurt. So you have to commit to
the stunt work you're doing so you don't get hurt
and things do happen. Don't get me wrong. I've just
been very fort to not have to not broke. I

(01:15:01):
haven't broken anything during stone work.

Speaker 6 (01:15:04):
So you have a ranch, right, you have a ranch
in Texas like a stunt ranch. Yeah, I don't know
if that's followed.

Speaker 8 (01:15:11):
Ten acres and we do stunts, stunt We have a
stunt school. We teach people I do stunts. I've had
people from Chicago. Got this awesome girls from Chicago come down.
They're amazing. They come down to my stunt camp. I
got people from all over the country coming to our
stunt camps and we do uh. We teach people how
to do stunts so they can perform and do it correctly. Now,
whether they joined join my team or not, it doesn't matter.

(01:15:34):
I'm okay with competition. I just want people to learn
safely so they come to me to train. But we
also shoot movies out here. We've had the Warner Brookers
has been out here and they brought the accountant to uh.
They did the promotions out here at my ranch, and
you know, they flew me out to work in the
minecraft UH Press junket with Jason Mamoa and Jack Black

(01:15:55):
and that was pretty fun because that's pretty cool.

Speaker 2 (01:15:57):
Just questions for Jeff Kelly Richard, Jeff, are you a
stunt man too? Does Jeff's do stunts?

Speaker 8 (01:16:04):
Yeah, he has a trailer out here that he stays
in and he'll he'll he'll help with the place whenever
we need it and do things around.

Speaker 2 (01:16:11):
Does he does he do dangerous stunts? Jeff, he's in
the chat room.

Speaker 6 (01:16:19):
He does He's I don't know if he's still there. Well,
he does stunts, yes, he says yes. Not at the
same level as Mark, so he's not He's like a
lower level. So what are some of the kind of stunts?

Speaker 2 (01:16:32):
How do you define levels of stunt?

Speaker 8 (01:16:36):
But I don't like to rags, That's not who I am.
But like I can, you know, light my whole body
on fire, my face, my legs down to my toes, everything.
Stunt driving, I've jumped cars, crashed cars, gold cars. That's
very dangerous and I've done that and I don't have
to get the cars for that too.

Speaker 3 (01:16:54):
Do you do like stunts like flying in the air?

Speaker 8 (01:16:59):
Yeah, through my Yeah, so I jumped out of a
six story building through a.

Speaker 2 (01:17:03):
Vat We jumped out of six story building. I can't
hear this. As a young boy, did you have a
death wish?

Speaker 8 (01:17:11):
Actually, as a young boy, I never thought i'd make
it to like thirty and here I am almost fifty
five and I'm still doing it. So I was a daredevil.

Speaker 2 (01:17:20):
Take it easy, Kado. You know you don't have to
be Superman.

Speaker 7 (01:17:25):
And none.

Speaker 2 (01:17:27):
Finolds never turned down a stunt. They said, you know,
we want to come in for close up of you
jumping off the car as it's another car.

Speaker 3 (01:17:35):
And Bert's okay.

Speaker 6 (01:17:37):
I don't know if you guys caught that too, because
he's he doesn't really brag, but the accountant to the
ben Affleck movie that's like one hundred and something million
dollar movie in Minecraft.

Speaker 3 (01:17:46):
You know he's he worked with both on both of those.
Those are like two those are like little indie films,
you guys.

Speaker 2 (01:17:51):
Those are like what were you a car car driver? No?

Speaker 8 (01:17:54):
I was a rigger and at the safety and I
had to go just.

Speaker 3 (01:18:01):
He does the safety and make sure they're doing everything
safe so people don't get hurt.

Speaker 2 (01:18:04):
Oh good, then you don't do the stunts. Good. Yeah,
I think it's pretty I thought you were very nice
and I would hate to hear anything ever happens here,
So don't do it, betty supervise.

Speaker 6 (01:18:19):
I also wrote down supervised, so you guys some of
the films that he's also uh worked as a stunt
performer of.

Speaker 3 (01:18:28):
The Quest, which for all you fight people. He's a
big karate guy. That's a John claud Man.

Speaker 6 (01:18:34):
Damn akil Alion who's been on our show, Roger Moore,
Jack McGee who's been on our show, James Reemar. He
also did the Division the Divergence series Allegiant. He was
a stunt performer with Naomi Wats, Shanley Woodley, Theo, James,
Jeff Daniels, Octavia Spencer, Ansel al Goret, Miles Teller. I
mean these are like huge things. And he does indy

(01:18:55):
stuff too, And I even I today before before we
got on the show, I was like, oh, should I
never bring a video that we could play for Mark?
And so you guys, he did a movie called Six
Wheels from Hell. But he's an actor because he also acts,
and he's a really good actor. He has another film
called The Pattern Horn where he plays that we're turning
into a featured film that he's playing one of the

(01:19:17):
lead characters. But he did this movie Six Wheels from Hell,
and he plays.

Speaker 2 (01:19:20):
The mother Trucker.

Speaker 3 (01:19:22):
He plays Mother Trucker, the psychiic killer trucker from Hell.

Speaker 2 (01:19:27):
Yelp, no Mother Trucker, Mother, Mother Trucker.

Speaker 6 (01:19:33):
And also we went in real quick before we play
the trailer and let you talk about it. Just give
a shout out to April Rawlings, who's in the chat room.

Speaker 8 (01:19:40):
Hey, April, April's amazing. April's amazing. She's a stump performer
from Chicago. That girl has so much talent. I'm gonna
I'm gonna put her in some gigs. She's amazing.

Speaker 2 (01:19:52):
Yeah, are you in a movie the clown? Whatever moment?

Speaker 3 (01:19:56):
The clown movie?

Speaker 2 (01:19:57):
Is it a clown movie?

Speaker 3 (01:19:58):
It's what it's called carnieval. He's one of the producers.
You probably will be somebody clown movie. It's not a
clown movie. It's a carnival movie. There's a big difference.
I've done six clown movies. I'm done with clowns.

Speaker 2 (01:20:10):
No, this is gonna be this is I have no
don't thing you do with clowns in this movie?

Speaker 3 (01:20:16):
Right, there's a clown in it, but there's lots of
people in it. It's a carnival movie. Anyway. If I
got you guys to there, you go, what's the what's
the website for that?

Speaker 2 (01:20:25):
Do you remember?

Speaker 3 (01:20:25):
Wh Send them to go look at clown carnieval dot.

Speaker 2 (01:20:28):
Com or some mother truckers.

Speaker 8 (01:20:30):
Oh mother, that's a motherfucker.

Speaker 2 (01:20:37):
So where do you say directed? Did?

Speaker 3 (01:20:40):
Do you have your own funko pop that was also
made or no, or just a picture of the.

Speaker 8 (01:20:43):
Punk Yeah, yeah, I haven't gotten it yet, but yeah,
pop getting that's made for me. Plus I got the stickers.

Speaker 3 (01:20:49):
I love that we actually have those. So tell us
a little bit about the film, Six Wheels from Hell.

Speaker 8 (01:20:55):
Yeah, I play a killer trucker and it's a unique truck.
Evan Allen's a great writer and director. Yeah, he casted
me as the lead and it was fun, but you know,
doing acting and then doing stunts.

Speaker 2 (01:21:11):
Oh no, froze Mark up, bring him out and bring
him back. Mark is gone.

Speaker 3 (01:21:18):
That's okay, he'll be back.

Speaker 2 (01:21:19):
You guys, and you guys.

Speaker 6 (01:21:21):
Mark's significant other is Nicole. She's the most beautiful, wonderful
woman you'll ever meet in your life. We had a
blast hanging out with her. They got to come back
soon so we can hang out again. And uh, we
don't know what happened.

Speaker 3 (01:21:34):
What happened? Why are we pulling them out and back
in again? Anyway, So we're gonna play his trailer. The
name of the movie is six Wheels from Hell. But
I want him to come.

Speaker 6 (01:21:43):
Back and introduce it. And it looks like a really
good film. I actually saw it is a really good film.
But it'll look like it for you guys too, anybody
who likes horror movies.

Speaker 2 (01:21:51):
I think you'll dig it.

Speaker 6 (01:21:55):
And then Mark used to to travel around the country
like in a show as a teenage mutant Ninja Turtles.
So he's really like when he says he does karate,
he like really does karate. That's why he has a
karate school. And the karate school I forgot the name
of it. I think it's called.

Speaker 3 (01:22:13):
Schach A Martial Arts Academy.

Speaker 2 (01:22:14):
We're full screen.

Speaker 6 (01:22:16):
That's okay, he's coming back. They're going to bring him
back in. Nichols says, making me blush, love you too.

Speaker 2 (01:22:23):
Well, blush blush, blush makes you look even more beautiful.

Speaker 6 (01:22:27):
That's right, I like love the whole thing. So she's
in the chat room, April's in the chat room, and.

Speaker 2 (01:22:33):
April, April tell Mark not to go on fire anymore.

Speaker 3 (01:22:37):
Ok No, Nichole's the girlfriend, April's the stunt.

Speaker 2 (01:22:41):
I mean Nicole, Nicole tell him not to go on fire.
That really disturbed me.

Speaker 6 (01:22:49):
He also started in a movie with our friend John
Schneider called to Die for which I have that down.
We're going to talk about that too. Once we get
him back, hopefully he'll be okay and we can get
him back quickly with all of this live TV, you guys,
so we have to keep talking, you guys like my
new glasses.

Speaker 2 (01:23:05):
There you go. And I don't know.

Speaker 6 (01:23:10):
I didn't see the movie To Die For. I've seen
a lot of his other stuff. But Six Wheels from
Hell I saw because it's really good. Bad signal, bad
wi Fi. There's all kinds of things that happen on
these shows when things are going on.

Speaker 3 (01:23:24):
So what's up, chat room? Are you enjoying yourselves?

Speaker 2 (01:23:26):
I hope.

Speaker 6 (01:23:26):
So we're having a pretty good show. Both of our
guests are fabulous, and he's safe, but it's always nerve wracking.
Nicole says, he's safe, very safe, but it's always nerve wracking.

Speaker 2 (01:23:39):
Yeah, but I don't like that by his ship. I
really don't go for that. That's dangerous. That's so dangerous.

Speaker 3 (01:23:45):
That's what happens though, when you're when you're a stunt person,
and I know, I.

Speaker 2 (01:23:49):
Know how they do it. I know how it's done,
the trick of the fire. Still, it's a dangerous thing.
You can hurt yourself.

Speaker 3 (01:23:57):
Oh absolutely, But when he jumps out of a six
story build too, and you can heard himself and then
driving cars and rolling cars.

Speaker 2 (01:24:03):
I mean, way to make a living every minute. You're
ready to die now. He teaches people too, though, is
a teacher. He's not doing that crazy shitt any.

Speaker 3 (01:24:15):
And he still does it. It just depends.

Speaker 6 (01:24:18):
So you guys can can check out his instagram. It's
Extreme Force Hollywood Stunts and it starts with an x
so x t R E m E. Force Hollywood Stunts
is the instagram, but the actual website, I think you
write the whole thing out extreme e X t R
E m E Hollywood Extreme.

Speaker 3 (01:24:35):
Force Hollywood Stunts.

Speaker 6 (01:24:36):
And why maybe we should play the trailer for his movie,
just because I don't know where he is, you guys.

Speaker 2 (01:24:44):
So this is a short trailer.

Speaker 3 (01:24:45):
The name of the movie is called Six Wheels from Hell.
Mark back. Anthony plays Mother Trucker, the psychotic killer trucker
from Hell. And uh and here's the trailer and we'll
be back in a minute and enjoy.

Speaker 5 (01:25:03):
Las Vegas.

Speaker 9 (01:25:04):
Here we come.

Speaker 5 (01:25:07):
I can't believe raw movies, and baby, I know right,
it's a dream come true. Wow, super creepy Mason stop.

Speaker 2 (01:25:20):
I think he heard you what if someone walked up
in the back of his similar, she's gone, someone took her?

Speaker 3 (01:25:35):
Was that creepy trucker?

Speaker 14 (01:26:03):
They call me mother trucker. I freaking like love that
they call me mother trucker.

Speaker 1 (01:26:16):
I love that, dude.

Speaker 2 (01:26:17):
That was so.

Speaker 8 (01:26:20):
That wasn't even a script. I made that up on
ad lib. When we did it, I thought it was cool,
so I said it. So what about it?

Speaker 2 (01:26:26):
Was that you on fire at the end?

Speaker 8 (01:26:29):
Yeah, I doubled for the cop that got I lit
on fire.

Speaker 2 (01:26:33):
Yeah, so your whole body was on fire.

Speaker 8 (01:26:36):
No, just partial. It was a partial burn. So I
like love it.

Speaker 6 (01:26:42):
You know, first of all, I think if the movie
is I've seen the movie. It's a really good especially
for a film that's, you know, not a super high budget.

Speaker 3 (01:26:50):
It was done very well. You're great in the film.
So you're really really good in it. And is there
any way you can turn on your phone sideways so
you have a sideways Well.

Speaker 8 (01:27:01):
No, no, no, you're good.

Speaker 3 (01:27:03):
Oh no, it didn't worry.

Speaker 5 (01:27:03):
Ah, there you go.

Speaker 3 (01:27:04):
Yeah, that's better. So we can see you in that way.
We're all the same size. So tell us a little
bit about that film, because number one, it's like you
guys had to beat the Jeepers creepers truck, so you
had to get a bigger truck and a scarier truck
than the Jeepers Creepers truck would be. Yeah, so tell
us a little bit about the film.

Speaker 8 (01:27:21):
We got lucky that So I was in ghost Town
by Vegas, Las Vegas. It was a place called ghost
Town and the owner was super nice. He let us
use that truck and I got to drive the truck.
He trusted me and we made friends, and he let
us that. He gave us a lot. We did this
movie with very, very very little money during COVID, so

(01:27:43):
the Mahall brothers were right next to a shooting and
we were sharing the same space at the same time.
It's crazy.

Speaker 2 (01:27:50):
Oh that's cool.

Speaker 3 (01:27:50):
What movie were they assume they were probably doing Tommy Knockers.

Speaker 8 (01:27:55):
Yeah, I think it was Tommy Knockers.

Speaker 3 (01:27:57):
Yeah, which is a good film.

Speaker 2 (01:27:58):
We like that and we like them. So answer your question,
are your parents still alive? My mom is.

Speaker 8 (01:28:06):
I take care of my mom. She lives near Mexico
and I take care of her.

Speaker 2 (01:28:08):
She's like, what does your mother think of you doing
all this ship?

Speaker 8 (01:28:14):
Yeah, she doesn't like it, but she loves that I'm
doing it.

Speaker 2 (01:28:17):
It's like me, she I don't like it either. You know,
there are limits to stunt work. Some people are like
Burt Reynolds was stupid and he admitted it that he
never said no and took chances. He broke us back
two times. And who breaks their back and does it?

(01:28:39):
Would you.

Speaker 15 (01:28:42):
Not?

Speaker 2 (01:28:42):
Now? You good?

Speaker 7 (01:28:45):
Now?

Speaker 3 (01:28:45):
He's saying that now because he's got a daughter eight right, she's.

Speaker 8 (01:28:48):
Eight, she's nine now. But now I have full custody
of us a lot now I want to make sure
around for herself.

Speaker 2 (01:28:55):
I just want to make our audience understand that when
you see these actors through these stunts, how dangers they are.
You think they're easy held you want to do them
in the bedroom, when you jump off the bed. That's
a little different. But these stunt artists really really uh
are are living in a dangerous moment. Many of them

(01:29:18):
have been killed.

Speaker 8 (01:29:19):
Right Oh yeah, oh yeah, I know, as job Mark,
you have to.

Speaker 2 (01:29:24):
I'm glad you're teaching. Teaching.

Speaker 6 (01:29:27):
Also, one thing that I think of people, A lot
of people don't understand sometimes stunts can take like a
week to set it up right.

Speaker 3 (01:29:33):
I mean, they can take a long time the whole
thing up.

Speaker 8 (01:29:36):
Yeah, we can shoot the stunt once it's done in
the whole day, Like I mean, sometimes it takes a
whole day to do one stunt, like a lot of
safety of all. A lot of directors try to push
push you to get it done faster, but I don't.
I won't allow it, especially with the SAG film.

Speaker 2 (01:29:51):
I won't.

Speaker 8 (01:29:52):
I won't do it because you know, SAG has a
lot of rules, and once you screw up a SAG
and need to something that's wrong, everybody knows your name,
negative way, no one's gonna want to work with it.

Speaker 2 (01:30:01):
So you have to watch the movie we just finished
called Tom Hotel Three Ways to Help. A stupid extra
said he was a stunt man and he had experience
as a stunt So wait a minute, you got to
see him do the stunt. You will pee yourself. It

(01:30:24):
is so disgustingly stupid. And he got paid for that,
and he bullshitted and said he was a stunt man
this start, What did you do?

Speaker 8 (01:30:36):
You make it? I don't like that. That's that's that's
bullshit advice. So people need to be who they are
and be honest with how who they are and what
they can do, because you're gonna get somebody else hurt
or you're gonna hurt yourself.

Speaker 2 (01:30:49):
He was not a stunt man because whatever he does
was so amateur. I think he had to fall off
a balcony and go into a thing, you know, an
air mattress, and it was so bad.

Speaker 3 (01:31:00):
Now, Dave Bailey did that. Dave Bails not the stunt man.

Speaker 2 (01:31:04):
Was that other guy obnoxious pieces? You know, we were
one hundred and twenty No, one hundred and twenty people
on the set. They're all hated him.

Speaker 8 (01:31:20):
One of my funnest things. We're not stunt wise, but acting.
Was working with John Schneider on his film, and me
and John got really close, and you know, I texted
him yesterday. He text me right back. You know, when
a celebrity calls me his friend, then I'll say then
I'll put on out there that he's my friend too.
But I don't tell if a celebrity is not my friend,
I just know him. I don't call my friend. I

(01:31:42):
just know him. That's what he's Yes, Yeah, I'm not
like that. I'm like, if if the celebrity says, hey,
that's my buddy or my friend, then I'm okay calling you.

Speaker 3 (01:31:52):
Snyder is the rulest guy. He is the coolest guy.

Speaker 6 (01:31:55):
He's been on our show twice, not for a long time,
and he's not a friend, but he's someone who's been
on this sho twice.

Speaker 2 (01:32:01):
And I wasn't gonna I wasn't going to say this,
but I will not be thinking. I said to Burt Reynolds,
did you try for a break? Kid? Jick? You know
Bert got a wonderful he said, Ron, Actually yes, I
said how He said ten broads in a row? That

(01:32:24):
Bert tends ten broads in a row, So I never
forgot that. So you have a wonderful humor. I loved him.

Speaker 8 (01:32:32):
You have to die for?

Speaker 2 (01:32:33):
Are you?

Speaker 3 (01:32:33):
You're an actor and stunts both for to die for?

Speaker 8 (01:32:37):
Just acting. And I thought I was getting a small
role when he called me said hey, do you want
to be in my movie? I'm like sure. I don't
have an agent. I've never had an agent, but I'm
thinking about getting one so I get more acting roles.
But he called me out the blue and said, hey,
do you want to be in my film? And I'm
like sure. I thought I was gonna be a small role.
I was his co star in that role. I had
a lot of lions and I was like, oh my god,

(01:32:59):
that was tough religious stunts. But you know what, I
had fun acting, so I enjoyed it.

Speaker 3 (01:33:04):
You're good.

Speaker 2 (01:33:05):
Yeah.

Speaker 8 (01:33:05):
I played a Semsis quoteo.

Speaker 2 (01:33:07):
Play in Jimmy's movie the new movie what is it
called Carnieval? And we don't don't have that.

Speaker 3 (01:33:12):
He's producing it, he's producing Ithorn.

Speaker 8 (01:33:17):
I played Vidal.

Speaker 6 (01:33:18):
Oh Nowderhorn. Yeah, he was talking about Carnieval. No, we
have another movie we're doing called the padder Horn and
he plays me down.

Speaker 3 (01:33:24):
Tell him about that because that's.

Speaker 2 (01:33:25):
A great movie.

Speaker 1 (01:33:26):
Yeah.

Speaker 8 (01:33:27):
Jeremy Howe was amazing benefit of mine for twenty years.
Awesome director writer. I played Vidal, which is a Mexican bandido.
They darkened me up a little bit. I am Hispanic
and indigenous, but I'm light complexive, so they darkened me
up a little bit. And right now, John Schneider he's
on board to be one of the leads, and we're
hoping to get Zacharly Levis together older leads and if

(01:33:51):
we can get zachly Levy on board, it's like it
happens in the eighteen hundreds. It's a Western movie.

Speaker 2 (01:33:56):
He shouldn't be.

Speaker 3 (01:33:57):
Hard to get exactly Leli's Baby.

Speaker 2 (01:34:00):
Yeah, but he's not really the sense of where he's expensive.
He's kind of like, you know, he works, but he's
done some shitty movies. To you, I've seen him. We
all have. I think.

Speaker 3 (01:34:13):
The guy who plays a superhero Shazam. Oh no, no,
you're thinking of somebody else.

Speaker 2 (01:34:18):
I'm thinking of somebody else.

Speaker 8 (01:34:19):
Yeah, you're thinking of somebody else because he lives over
here where I'm at. He lives in my area. So yeah,
I'll get a hold of him.

Speaker 6 (01:34:29):
So you guys black guys worked with some cool ass people.
Jason David Frank rest in Peace was a friend.

Speaker 8 (01:34:36):
And a friend of mine. Were really tight for a
long time. Oh, I don't have it here. I got
my studio, my christ studio.

Speaker 3 (01:34:43):
But Jason most most.

Speaker 8 (01:34:45):
Famous Power Rangers, right, he would get Yeah Lotner, Yeah,
Tter Lotner.

Speaker 3 (01:34:55):
Twilight movies. He's like to work with some dope ass
people that are really cool. And he also has a
movie he just finished shooting and called The Toymaker, and
two of the people ended at Robert Losardo and Sherry Davis.

Speaker 7 (01:35:10):
We love.

Speaker 8 (01:35:15):
Evans UF Champion.

Speaker 3 (01:35:17):
Yeah, Evans a UFC champion. I just picked the other
two because.

Speaker 2 (01:35:20):
We know that Sherry Davis not a p so what
she's my favorite pisa as. I love Sherry. We're very
good friends. And at every air we go to she
always has her tits hanging out, so I take these
romantic pictures with me with my arms under her breaving.
You know, she's a sexy son of a bitch. I

(01:35:41):
love Sherry Davis. She's one of my dearest, dearest friends.

Speaker 3 (01:35:44):
So that won't come out for a while though, right,
because you just shot that down.

Speaker 8 (01:35:47):
He'll be out by March. He'll be out by March.

Speaker 2 (01:35:49):
And how did Cherry do? Because she's had a great
work with her before.

Speaker 8 (01:35:55):
She's good, So what did you work with her before?

Speaker 2 (01:35:57):
On?

Speaker 8 (01:35:59):
It was a movie called The Sober Case, like fifteen
years ago.

Speaker 3 (01:36:04):
Oh that's so funny.

Speaker 2 (01:36:05):
Love Sherry and I talked about it off camera. We
know all lines. A minute we go on camera, we
figure out all lines. So I use a plug now.
Now Jimmy talks to me. He gives me I know
my lines, I just don't know where they belong. That's funny,
so you haven't. It's part of eighty five eighty five
years old. You do lose. Look at Johnny Mantus. He

(01:36:29):
had to retire from singing, not for any reason other
than he can't remember his lyrics and he sang these
a million times over and over again. But he's thanky.

Speaker 3 (01:36:40):
So it was mine, say you guys, he has another film.
And we actually went to the premiere, which I thought
you were going to be there, but you weren't there.
Right for Roadkill, you weren't there.

Speaker 2 (01:36:49):
We didn't know.

Speaker 8 (01:36:51):
I wish that would have went, but I couldn't go.
But director Warren Fast he was amazing. He wrote the
story and was so good to work with. I really enjoyed.
I wish I could have acted in it, but I
did the stunts. Jeff helped out. We did the stunt work,
and I did all the coordinating. Yeah, I've earned I've
earned his respect because we helped save the production several times.

(01:37:15):
And you know, it's those little mcguign moments that I
know how to do that movie set and and and
he realized that, and he told me I was gonna
hire a guy from Atlanta, but I hired you instead.
And I tell you what, he's a he's a state
police officer too, in Florida and he's about to retire, believe,
but he's such a good Christian man, good good person,

(01:37:36):
just a good person all around.

Speaker 2 (01:37:38):
So you guys.

Speaker 6 (01:37:41):
Caitlin Carmichael, Ryan Nuts and Danielle Harris, who's a huge
uh you know horror Icon.

Speaker 2 (01:37:47):
Yeah, your film that you shot in Texas, you hired
all Texas actors because Sherry Davis lives in Texas well.

Speaker 8 (01:37:56):
Robert Otaro we flew him man and Rashad Evans we
flew both of them men, but everybodbody else pretty much
Texas base. We had a couple of females play escorts
and my part were from California.

Speaker 2 (01:38:07):
But yeah, wait, do you get to kiss Sherry Davis
in the film?

Speaker 8 (01:38:13):
I promise my lady, I would do nothing like that,
so I know I don't kiss.

Speaker 3 (01:38:18):
He doesn't do He won't kiss anybody in the movie
because of his wife.

Speaker 2 (01:38:22):
Oh bullshit, No, lots of people do that. I was
I would bowl a handsome guy in front of you.
He's so bull ship and never a lady.

Speaker 8 (01:38:35):
If something doesn't feel right, I won't do it.

Speaker 3 (01:38:36):
So I think that's good. You know who, Ell, there's
another actor who does that. The guy who's on.

Speaker 8 (01:38:41):
Uh yeah, Neil McDonald mcdonnald.

Speaker 2 (01:38:47):
I love him. He's a great actor. Listen. I I
worked with Cephia Laurn and I got a kiss out
of Sophia off camera. Of course, I asked when we
said goodbye, I said, don Bach and.

Speaker 3 (01:39:00):
She said, she kissed you on the cheek, not on
the fucking mouth.

Speaker 15 (01:39:03):
Well my tongue out, but I missed. I love it,
which I think is terrific. I think, honestly, I think
that Nicole is.

Speaker 2 (01:39:14):
I don't think so.

Speaker 3 (01:39:14):
I think All is one of the most beautiful women.

Speaker 2 (01:39:17):
Should she should be secure enough to know that it's
only a make belief kiss. It's not even We don't
even kiss. We go above one lip above and one.
We don't do mouths open with tongues and spitting each
other's mouth.

Speaker 6 (01:39:32):
So I want to talk about a couple other things,
because you do so many different things, and you do
a lot to give back.

Speaker 3 (01:39:37):
First of all, you reopened your your karate.

Speaker 2 (01:39:41):
FUCKO.

Speaker 3 (01:39:41):
Marshall Arts Academy. Is that that's still what it's called.

Speaker 6 (01:39:45):
So tell everybody a little bit about it, because if
anybody's listening from Texas and they want to take classes, they.

Speaker 8 (01:39:49):
Could go to you. Yeah, I'm a proficient. I'm a
fist to be a black belt under Jason David Frank
the Green Power Ranger under his style. I'm also a
fist to be a black belt in Taekwondo. I've done
golden gloves boxing. I was a cage fighter. I did
MMA for years before MMA was popular, and I fought
in the cage sixteen times. I got a kickboxing record.

(01:40:12):
I've been kickboxing forever. I'm good friends with Mike Minkle,
John Greg Jackson a good friends of mine. I grew
up in the business, the fight game, so I know
a lot of fighters. I've competed with some of the
best Shorty Carter At, a lot of guys in the business.
But now my focus is different. I want to build leaders.
So now that I'm teaching again, to keep myself in

(01:40:33):
shape and teach my daughter what I can give my talents,
but also teaching kids, I want to build leaders out
of these kids. And the martial arts is different for
me now. I don't want to train fighters no more.
I want to train athletes. I want to train people
with a good mindset. You have a friend here.

Speaker 3 (01:40:49):
His name is Bear Fjorda, he's an MMA fighter and
he has a gym here in pum Desert that he
teaches mostly like kids, so they can get off the
streets and have a place to go, you know.

Speaker 2 (01:40:59):
And the only problem is all the kids in Springs,
the figgs.

Speaker 3 (01:41:04):
So I don't know what he's gonna do with all
the queens now he doesn't in he's gonna.

Speaker 2 (01:41:09):
Have all the queen's kickboxing, kickboxing, high heels and bras.

Speaker 3 (01:41:15):
Is there is there a website for your academy or no?

Speaker 8 (01:41:18):
Yes, yes, the Barcamartial Arts Academy dot com.

Speaker 2 (01:41:21):
There you go. Where are you in Texas?

Speaker 7 (01:41:24):
Well?

Speaker 8 (01:41:25):
My my stunt manch is in McDade, Texas. My my
karate studio smith.

Speaker 2 (01:41:32):
Big names, big names, close to where a close.

Speaker 3 (01:41:36):
That's the best place to be. And then you also
have uh uh charity. And you did a big gala
Gallas for hope. It's like anti bullying, I.

Speaker 8 (01:41:46):
Believe right, yes, anti bullying, domestic violence and suicide. And
we did that. We had David come on and she came.

Speaker 3 (01:41:57):
Yes, she's actually she came out our show that three
days before your event. And David, I think he's been
on three times in the past and and basically though
it's a charity, right, this is like that's just something
that you do to give back to the because you
do a lot of things to give back to the community.

Speaker 8 (01:42:16):
Yes, I help kids and whether they can afford it
or not, or schools can afford it. I go to schools.
I mentor kids. I've been doing it for thirty years
and now since I work in the film industry, what
I want to do is make video content that can
help save lives. And I'm going to fund it through
that gate for the from the galas I do. I'm
gonna fund it or just pay for pay for ourselves.

Speaker 2 (01:42:36):
Who's funding the movie?

Speaker 3 (01:42:39):
We're all and we don't have the funds yet we're
working on it.

Speaker 2 (01:42:43):
Well, how come we don't have the funds?

Speaker 3 (01:42:45):
You got you got a couple of million bucks? Yeah right,
I like love it. So let's here's a question I.

Speaker 6 (01:42:55):
Like to ask everybody, and it'll be different for you.
I'm going to make it a three part question for you.

Speaker 1 (01:43:00):
Uh.

Speaker 6 (01:43:01):
Number one, if you could have ever been in any
movie that's ever been made, what movie would you like
to be in? The Second part of the question is
male or female? Male and female actor that you would
love to work with. They could be living or dead.
And number three is if you could have been like
doing the stunts for any movie that's ever been made.
What movie would you like to actually do the stunts for?

Speaker 8 (01:43:21):
Nice, Well, i'll go backwards, so stunt stunt wise, I've
always been really fast, uh fascinated by the Fast and
Furious franchise of driving, either that of Transformers. I would
love to do stunt work for something like that. When
it comes to driving stunt driving, I got a good
friend of mine.

Speaker 6 (01:43:39):
Yeah, I actually did this the costume design for Too Fast,
Too Furious.

Speaker 8 (01:43:43):
Oh wow, that's amazing.

Speaker 3 (01:43:45):
It was great, and being on the set was so
much freaking fun.

Speaker 2 (01:43:48):
But they him, they did they cast a Yeah, right,
it was very fun.

Speaker 3 (01:43:55):
I didn't mean they interrupt, but I just wanted to give.

Speaker 8 (01:43:57):
Myney good and then so that that doing stunts for that.
And then the second question he said male or female?
Who would like to work with?

Speaker 3 (01:44:09):
Male and female and they could be living.

Speaker 8 (01:44:12):
Well, one of mine was Josh Schneider and we become
good friends. So I got I kind of can check
that off my thing. But if I had to pick
somebody else that Neil McDonald I would love to work
with him because he's such a person that I like
him a lot. I respect him.

Speaker 3 (01:44:26):
I do too, And I think, you know, he got
blacklisted by Hollywood, and now he's come back, you know,
because he's on he's on that uh, that King, he's
on Tulsa King.

Speaker 2 (01:44:37):
He's a guy that was fueling up all the girls.

Speaker 8 (01:44:39):
No, no, he's not.

Speaker 6 (01:44:42):
No, he got blacklisted because he's he was a huge star,
but he wouldn't kiss any other females and so Hollywood.

Speaker 2 (01:44:49):
Oh, I thought it was the other guy that came back.

Speaker 3 (01:44:52):
He was even walking tall. He was the bad guy
and walking tall with.

Speaker 8 (01:44:56):
I love that one.

Speaker 2 (01:44:57):
Why wouldn't he kiss another?

Speaker 3 (01:44:58):
Because he's a Christian and he doesn't believe in in
in it.

Speaker 8 (01:45:02):
So that he didn't do it.

Speaker 2 (01:45:03):
Yeah, I mean he goes to the bridle. I wonder
if it doesn't anyway go ahead? That such bullshit Christian?
I mean, don't we push it a little too far?
I don't think it's a movie. It's not a porno movie.
It's a regular you know how we list in Hollywood,
here's Philips. Yeah, we go above. We don't kiss the

(01:45:25):
stupid fucking asshole anyway.

Speaker 3 (01:45:27):
I agree with you. I would love to work with him.
I think he's fabulous. He's an actor, and he's a
badass too, and he's.

Speaker 2 (01:45:34):
A female wise female wise.

Speaker 8 (01:45:38):
I can't say who I would want to say, because
then the Kobe be like, all right, you're gonna.

Speaker 3 (01:45:43):
Okay, not as not as a loving just just working
with somebody in.

Speaker 2 (01:45:50):
A movie, Like I don't believe this conversation. It is
a movie.

Speaker 3 (01:45:55):
It is It's not real, all right, But anyway, who
would it be?

Speaker 2 (01:45:59):
Okay?

Speaker 8 (01:45:59):
If I go back in time, maybe Michelle Feiffer. I
think she was awesome and like, you know, she plaid
a school teacher, you know, and oh, dangers mine mine,
something like that would be fun. I got I like
to be a teenager though, you know what I mean?
Let her be the teacher, right, because man, that would
be so cool to be in that role. I thought
that'd be awesome.

Speaker 2 (01:46:19):
I love that actually.

Speaker 8 (01:46:22):
And the first question, mhmm.

Speaker 2 (01:46:24):
Would you like to make I'd like to see you
in a movie with Jason State.

Speaker 8 (01:46:30):
Yeah, as long as I could beat him up.

Speaker 2 (01:46:32):
That you could never beat him up. He beat up
twenty five guys at once.

Speaker 8 (01:46:37):
Oh I know, yeah, Jason, and.

Speaker 2 (01:46:40):
He hasn't a scratch or bleed.

Speaker 3 (01:46:41):
Do you like Jason excuse me?

Speaker 2 (01:46:45):
Yeah, I could watch him all day kicking and beating
the ship out of people.

Speaker 8 (01:46:50):
Oh yeah, he's an amazing actor as amazing martial artists too. Yeah,
I like. I think it's a great Yeah.

Speaker 2 (01:46:55):
Yeah. Does he do it correctly?

Speaker 3 (01:46:57):
You would know, yes he does.

Speaker 8 (01:46:59):
Oh yeah, I Jessica Alba and all those guys, they're
they're amazing black belts. They're they're they're legit.

Speaker 2 (01:47:06):
So he really does it well authentic. Oh yeah he does.

Speaker 8 (01:47:10):
Yeah, he's legit. He's not fake. Yeah.

Speaker 2 (01:47:13):
Wow, because it looks good on film. You watched one
of the I love to watch and beat people up.

Speaker 6 (01:47:20):
We watched The Transformer to the other night, and we
see it a long time ago, but we watched it
again the other night because the.

Speaker 2 (01:47:25):
Whole the end of the movie is like twenty minutes
of him beating up sets of ten people. So he
goes from ten people in the garage, he kills them,
then he goes to the park and beats up ten
people in the park all in the film the end
of the day. That's something quiet. He's just beat up
sixty four people and not a scrit right right, right, nothing,

(01:47:48):
and he then has the enagey. I think he does
his own stunt screw.

Speaker 8 (01:47:56):
Most of them. Yeah, yeah, he has a stunt double
for certain things, but yeah he does most thet.

Speaker 3 (01:48:01):
He's an incredible do most of the actors have stunt
double like they say, Tom Cruise doesn't.

Speaker 8 (01:48:06):
Well, most actors do have a very few, like I'm
talking like very few. And the reason is because the insurance,
like a lot of a lot of people won't. They
won't do it a lot of productions because if the
actor gets hurt, production stops.

Speaker 3 (01:48:18):
You know, right, yeah, and then they lose a ton
of money.

Speaker 8 (01:48:22):
Tom CRUs exception.

Speaker 2 (01:48:24):
You guys, this is a well yeah, he's like executive produces.

Speaker 6 (01:48:28):
All his So you guys, Mark mack anthony. You can
follow him on Instagram. It's Extreme Force Hollywood Strunts, but
it's not ex it's just with an X.

Speaker 3 (01:48:36):
But his actual website is extreme When you spell the
whole word extreme out Extreme Force Hollywood Stunts dot com,
I'm gonna guess.

Speaker 8 (01:48:43):
Yes, start dot com dot com.

Speaker 3 (01:48:45):
So you guys follow him. Check out his work six
Meals from Hell. Where can people see it?

Speaker 7 (01:48:49):
You know?

Speaker 8 (01:48:51):
Oh yeah, go to two b Amazon, you know, check
those places out, you know, check them.

Speaker 3 (01:48:57):
Out out there. That's him as a star, a star
of the film and.

Speaker 2 (01:49:04):
Invite us to the red carpet that's already out.

Speaker 3 (01:49:07):
It's I didn't even fucking.

Speaker 2 (01:49:09):
Jump my gun. I'm gonna kill you one day on
the air, and we're gonna have to we have to go.
We have to wait to have the highest rating when
I kill you on television. Tell Harry if you got
no time the Sherry Davis film, did you have a
carpet for that yet? No?

Speaker 8 (01:49:28):
No, we will. I'll let you guys know. You guys
come to the red carpet. Let's make it big.

Speaker 2 (01:49:32):
I want to go to that carpet for Sherry. I
want to support you and and Robert and Robert Yeah,
we love it.

Speaker 3 (01:49:38):
In the UFC guy who we don't know, but we'll
always support.

Speaker 16 (01:49:41):
So you guys, this is Mark Baka an Mark Anthony,
but Mark Baka Anthony. I thought Mark Anthony Baka. Either way,
he'll answer to both. Thanks for tuning in, you guys.
We'll see you guys next time. Nicole, we'll see you soon,
and everybody have a great weekend. We'll see you next week.
By everybody.

Speaker 6 (01:49:57):
Everybody, Jim give me and.

Speaker 3 (01:50:06):
You chilling sort.

Speaker 6 (01:50:07):
You're sitting out in this agni.

Speaker 3 (01:50:09):
Where every man I'm not thinking, what are we gonna do?
You owning Yo, Import to City Part three. We got
the girt sec the why he is getting a crazy Jimmy.

Speaker 2 (01:50:19):
We got myself to know this.

Speaker 3 (01:50:20):
Help you don't want to know you. The work shows
always that the clubs the Jimmy, and you'll want to
want to be Jimmy stops never will take you out.

Speaker 4 (01:50:30):
Jim

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