Lady Summer Helene (The Baroness)/ Hilton Ariel Ruiz

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
The following show contains adult content. It's not our intent
to offend anyone, but we want to inform you that
if you are a child under the age of eighteen
or get offended easily, this next show may not be
for you. The content, opinions, and subject matter of these
shows are solely the choice of your show hosts and
their guests, and not those of the Entertainment Network or
any affiliated stations. Any comments or inquiry should be directed

(00:22):
to those show hosts. Thank you for listening.

Speaker 2 (00:29):
Gimme contective, give me, we.

Speaker 3 (00:51):
Don't want to know.

Speaker 4 (00:56):
N't give me? Thank you?

Speaker 3 (01:03):
Hey, what's up?

Speaker 5 (01:04):
Everybody? Welcome to the Jimmy Star Show with Ron Russell,
bringing me the good times and music, fashion, pop culture
and entertainment. Before we get started, let's say hi to everybody.
Starting off with my cool, outrageous man about town co
host mister Ron Russell. I'm moving this down a little
bit home on let's city. That's too much, okay, all right,

(01:24):
say hi, I'll skip you done with the camera. You've
got to talk, you can talk anyway here go hello
there you. We also have astro here sitting here. We
have a super fun show, you guys. We have a
Lady Summer Helen coming on the Baroness, who is also
related because they're they're they're a couple with Bear Fjorda,

(01:48):
who we had last week, which the show did very
very well. Then we have after that coming Hillton Ariel
Ruby is one of my favorite filmmakers on the planet,
coolest guy ever. He's been out a bunch of times,
and he has a new film that just hit Amazon Prime,
so we're going to be talking with him. We want
to say Hi, Challemans just getting going. Stefan Bells in
the channel. I want to thanks to fon Value guys.

(02:08):
He helped. He created Jimmy Starr's world website Jimmy Starsworld
dot com. And now he's editing because we're trying to
build our YouTube what do you call it, fan base
or whatever you want to call it. So he's turning
like a bunch of little short videos of all our shows.
He did some great videos of the ones you see
me putting everywhere with Tony Orlando saying how great our

(02:30):
show is and why it's so great, and he's doing something.
He just did one for Bear Fjorda from last week,
and he's getting ready to do the gym pitot guy.
So it's a lot of fun, and I want to
thank him for all his hard work in trying to
get our YouTube channel monetized.

Speaker 3 (02:45):
So there and on the real side of life, there
was a time, there was a day, there was a
year that I would get dressed beautifully and go down
to LaGuardia Airport, walk up to the jests and say
I'd like to chick it to Los Angeles one hundred
and fifty dollars worldwide, pay my ticket. Then I'd walked

(03:05):
very slowly through the terminal to my airplane, where I
was greeted by a stewardess all dressed in a uniform
with gay sir, Can I help you? Yes, I gave
him my ticket. I walked in the plane. I sat
there like a gentleman. Everyone else was dressed. Now we
take off of our trip to New York City from

(03:26):
Los Angeles. No, I think I got it wrong New York. Yeah, okay.
Lunch was served on a tray with real not silverware,
but the flatware metal and china plates, and we had
a choice chicken or steak. The chicken was delicious with

(03:47):
a beautiful sauce, and the steak was even better, and
wine if you liked. If you wanted to buy part champagne,
you could smoked a cigarette. Sat there, relax. Next thing
you know, we're landing in wherever you're going, wherever I'm
going about from the beginning of the story. Anyway, it

(04:11):
was wonderful. Yesterday we had a Dervis breakdown. Three people.
My daughter who was very very qualified to do things
like this on a computer and works all that shit,
and Jimmy, I just directed what I wanted. I would
have liked a NonStop flight to Pennsylvania. There's no such thing.

(04:37):
You have to have a stop over in Dallas for
two hours. Dallas is an airport with a train, and
they usually put you in station one and you have
to go to station forty for the second flight. So
you have to say so you have to get in
a train and go in. Please. Anyway, we're going to

(05:02):
visit my daughter in Pennsylvania. It's just impossible doing anything today.
Today life is so much harder than fifty years ago.
Fifty years ago, we had less, we knew less, but
we were happier. Now we know more, we do more.
We have so many gadgets, a telephone, that works and

(05:24):
does everything, a car that drives itself. Everything is just insane.
So when you get to be eighty five years old,
that is, in however many years you have until you're
eighty five, you will remember me and you will say,
my god. I remember when Ron Russell talked about the

(05:46):
airplane and life was being difficult, and now here we
are waiting at a station to go to Mars and
our flight is delayed.

Speaker 5 (05:56):
It took us like six three different nights, like six
hours to find flans that actually worked in the timeframes
that worked for us. We had to keep changing dates
and keep changing airports that you go through. It was
really like a hassle, you know, to do it, and
you don't get meals on any of them anymore.

Speaker 3 (06:14):
We did this a couple of maybe four or five
months ago when we went to New York and we
went through this and my knee was bed. Then I
was in a wheelchair and they took me from terminal
to terminal. I felt sorry for the poor guy that
was pushing, but j Every chipped him well twenty bucks,

(06:37):
and I said, give me twenty dollars a lot of
money to start tipping them all because we're going to
need four of them. That's like almost like another chick.

Speaker 5 (06:44):
I know what his was like. His was a forty
minute walk. All the other people just took us a
little ways. He took us a long way. Well I'm
glad you did that. But anyway, Yeah, we finally found
a trip. You guys were going from August fourteenth to
August twenty sixth, Pennsylvania, and we'll drive to New York
and see Eileen and see John and Terry, Ron's lifelong friends.

Speaker 3 (07:05):
And my daughter Leslie will be home here at this house,
our house taking care of astro yes.

Speaker 5 (07:13):
So it should be a lot of fun and we're
looking forward to it. We're going to miss a couple
of weeks shows, so that's going to be our vacation.
And now we're taking one every year. We didn't used to,
but now it seems like every year we go away
up for a little bit.

Speaker 3 (07:24):
So it's cool. I'm sick and tired of staying here
in the desert with the sand blowing in my eyes
and the boring life I live here at the desert.
It's boring. The only time we have any excitement is
when we go to La and we have things coming
up now with the weather getting cooler and full coming in.

Speaker 5 (07:43):
We have Halloween Hotness.

Speaker 3 (07:44):
We have a lot of events on.

Speaker 5 (07:46):
Hotel movie premierees coming up on the same day as
Halloween Hotness. So yeah, a lot of cool events coming up.
And another cool thing is we were in We took
a long drive on Sunday and coming back we drove
through LA and I don't know if you guys.

Speaker 3 (08:01):
Hold it, that long drive was three hundred and fifty
four miles.

Speaker 5 (08:06):
Yes, we drove three hundred and fifty four miles on Sunday,
going all over the place. And so I don't know
if you guys have ever seen it. Sometimes you see
it in movies and I don't know, if you're in
a bigger city, you see it where they have these
little robotic things that deliver food to people and there's
nobody pushing it or anything. It's all done remotely or
I don't know how it gets done. Anyway, it delivers

(08:28):
food from restaurants to different people. It's like a little
car and it goes down the road. So now they
have actual like a taxi. We saw two of them
where there's no driver. There's just people getting driven around
in La and these cars that have no driver, and
I guess you just get in. I forgot what it's called,
like iow something or something. I forgot what it's called.

(08:48):
But it was intense, and Ron and I would both like,
I don't think I would like get with that driver.

Speaker 3 (08:54):
I wouldn't go in one for fruit. I don't think
it's normal. I think it's a little to spacey for me.
You know the way people listen. Pot marijuana is legal
in California, So if your drivers are loaded, they're stowed
out of their mind on pot. Now when they unloaded

(09:15):
and this stupid little jeep comes along with no driver,
no I won't. I won't do it. I need a person.

Speaker 5 (09:22):
And it was fascinating to see it.

Speaker 3 (09:24):
It was. It was upsetting because it was so unnecessary.
It took a job away from a cavey who has
to support a family, and it made the company richer.
So the company makes more money without having to pay
for a driver.

Speaker 5 (09:40):
I've got a lot of people are afraid though, to
driving that.

Speaker 3 (09:42):
Of course they're afraid. I wouldn't even drive a car
that we can't see it that we had one of
those where we had to put it somewhere and it
would drive itself. I did it for like a minute
and it was weird. No, no, no, I have to
be in control, old hands on control, I asked.

Speaker 5 (10:02):
I saw a cool movie you guys the other day
called Companion, and it was very wild. You would have
never guessed what it was about. But in it there
was an electric car that also voice command, like you
could sit in the passenger saying car side and say
take me home and it would, and it's like a
real car. That's at a matter of fact, I think
it was a Hundai, but I'm not sure.

Speaker 3 (10:19):
But they all she drive you home. They're working on hookers.
Women that look really hook up my machinery that look
back women.

Speaker 5 (10:29):
No, that's what this movie was about. It was called
Companion and ends up that you can have a companion
and you design what they're like.

Speaker 3 (10:34):
Well this is you just simply dial the number and
the hooker comes and finds you and she said hello
and shows you haboobs and says feel me up. You
can have a little bit now, and then the restaurant,
we get to the motel or hotel, and then you
have to follow the hooker and then the hooker gets naked.

(10:55):
Lazier and lets you have sex with her. The only
problem is if you're having intercourse with her and your
penis is inserted in her vagina and something goes wrong
with a transistor and that vagina starts moving one hundred
miles an hour, smoke will come out and your penis
will go on fire. Yeah right, So now is that

(11:17):
the orgasm of all orgasms? I mean, really and truly
we've gone too far.

Speaker 5 (11:23):
But this movie is a very interesting you guys, and
it actually starts the guy from Novacane.

Speaker 3 (11:29):
Yeah, and they also make these men men, big tall,
muscular men with eight to nine inch penises that work electronically.
And those penises not only go up and down, in
and out fest, they go around like a road to ruter.
So it goes around, it goes in and our fest
and the same thing could happen with that. If it
transistor blows and that penis goes one hundred miles an hour,

(11:53):
it'll put your pussy on fire. Like love that. Okay,
we don't need that. Oh, I think we better stick
to being you.

Speaker 5 (12:00):
Yeah, what's up? Chat room? So Ladylake music is in there,
Stefan bell is in there. Be Claudia just joined us
from Germany. Hello, b I haven't seen you too much.
I hope everything is well with you, Siddy. Ladylake is
awesome as awesome as always, and again, thank you Stefan
Bell and everybody. Check out Jimmy Starsworld dot com because
it's got a lot of exciting stuff. We've been revamping

(12:22):
it and changing it up a little bit, so I
think you guys will totally dig it. And next week,
you guys, we have a one huge boy band from Europe.
We have the lead singer coming on. It's going to
be a lot of fun. I'm super excited for that.
And the week after that we have Ladylake artist David Martinez,

(12:42):
and we have let Loose, another big British boy band
coming on, so I'm super excited about that. We'll have
two weeks of great music. And we're working on our
second guest for next week now.

Speaker 3 (12:53):
And I'm just sitting here like a jerk, a bump
out of log because I don't even know who these
people are read this show. We used to have older
stars on this show, which gave me an opportunity to
open up and find out and do and have a.

Speaker 5 (13:09):
Lot of older stars on the show. We just had
Melbourne Moore. She's older. We have a lot of older
people on. We haven't had that many young ones. We're
just going through a little slew of them right now
because that's what's available.

Speaker 3 (13:21):
I mean, my Today's show, when Summer Summer. When Summer
comes on, I do a little bit, but there's not
much I could do because Summer is more or less
a technical woman. She's a businesswoman. She talks all kinds
of shit that I don't understand. So I'm going to
see here smiling, No you won't. Well, she and Jimmy will.

Speaker 5 (13:46):
Be talking about the entertainment. World of entertainment. Oh one,
go ahead and take off the Pop Goes to Collectors
thing that goes for Collector's Corner. You guys, don't figure
to check out my show Collector's Corner with Jimmy starts
on you you can check it out. We also have
we also have Dark Fight to our news, and we're

(14:06):
gonna bring somewhere on in one second. But before so,
let me just tell you guys, Pop Goes to Collector.
My book The Funko Enthusiast Guide, The Collecting, Displaying and
Enjoying the Craze on Amazon fourteen ninety nine on Amazon
seven ninety nine one kindle. You can get it, and
we're gonna I read it.

Speaker 3 (14:24):
It's very informative. I learned all about those pop what
do I call pop charts, funko pops, all those funko pops.
I really could give a shit less about them, but
I think it's a crazy thing that everybody's collecting them
and making all kinds of money on them. That's the
best part.

Speaker 5 (14:41):
And my latest one. If you guys watched the last
the last episode of Collector's Corner, I have an autographed
Rob Halford from Judas Priest Funko Pop And if you guys, oh,
anybody who knows music will know who Judas Priest is.
And it's a really cool one and it's very collectible,
so check it out. Check out the book anyway, if.

Speaker 3 (15:00):
You buy the book to learn how to buy a
pop for maybe fifty bucks.

Speaker 5 (15:05):
Now, they're all prices whatever they are, from ten dollars
to thousands, because a.

Speaker 3 (15:11):
Ship, whatever they are they are, you buy them and
then you wait, you sit, and then you sell them
for three four hundred dollars more than you're paid for them.
I cannot believe that people are making a living and
money off of cocoa.

Speaker 5 (15:22):
Pops, Bunko pops pops anyway, so I think the most
expensive ones is like hundreds of thousands of dollars.

Speaker 3 (15:29):
It's insanity. Anyway, the book is pretty and the pop
people are very cute that they call pop people bunko pop.
What's with the funk Go That's the name of it.

Speaker 5 (15:41):
That's what it is. It's called the Funko Pop. That's
the name of the company, like you know, like you
have forty nine watches.

Speaker 3 (15:50):
It's an anyway, I call it Fucko Pops. I'm amazed
at what you can do today to make money. But anyway,
get the book and make yourself a couple of bucks.

Speaker 5 (16:02):
And I'm going to be working with b Claudier. We're
going to be putting out the sequel. I've already got
another one that talks about only the most collectible Funko
pops and what to look for and how to get them.
So there'll be another one coming soon, you guys.

Speaker 3 (16:13):
In the means, Jimmy and I have us as funk
Yes we.

Speaker 5 (16:17):
Don't have them in here still, I packed them all
up too bad, but we do have our own Funko pops,
a couple of different versions. We even have ones of us.

Speaker 3 (16:24):
Why do we pack so much stuff? We packed? Half
of the house is packed and it's in storage. Because
when you sell a house, the less crap of yours
you have in it, the better it is. Clutter doesn't
sell houses. So we've emptied the house out there at
bare minimum. Ugly, but I think, but it's what people

(16:46):
see better. They want to see the house. You want
them to see your house, not your decorations. Right, So
we have our Funko pops, we have them in search.

Speaker 5 (17:02):
Yes, all right, So we're going to bring on our
first guest. So let's rock and roll. Let's bring on summer,
and let's see if we can see and hear her.

Speaker 3 (17:10):
Hello, Hello, how are we? Oh? Hello, you look fabulous,
supermodel baby?

Speaker 5 (17:16):
All right, we can hear you from it.

Speaker 3 (17:18):
How much weight did you lose? Oh, I've lost about
twenty pounds. I don't even know who you are, thank you.
I know you're supposed to be summer. The summer are
you was heavier and older.

Speaker 6 (17:34):
The summer you knew was a lot more pregnant.

Speaker 3 (17:36):
So it's sort of you look absolutely unningly beautiful.

Speaker 5 (17:43):
I love it all right, everybody, Now we want to
walk and I'm.

Speaker 3 (17:45):
Trying to think of who she looks like?

Speaker 5 (17:47):
What? Okay, you can think about a while. I do
anfl want to walk like?

Speaker 3 (17:52):
She looks like Betty grabl Oh, I like that. Thank you?
Do you know who Betty Grable? You look like Betty Grable?
Thank you.

Speaker 6 (18:02):
I wish I had her legs.

Speaker 3 (18:03):
My favorite picture of her is the one that was
a lot of shit. That was a lot of bullshit.
Her legs were no better than anybody else's. But she
needed to have some kind of a campaign at the
time because her you know, she wasn't really getting to
where she wanted to be as a superstar. So some
smart ass came up with, let's insure her legs with

(18:23):
the Lloyd's of London and they insured her legs for
a million dollars.

Speaker 5 (18:28):
So it was a pier campaign.

Speaker 3 (18:30):
Yeah, and her legs were beautiful, but no, since Cherice
had better legs. Betty Grable had short, short legs. She
wasn't long legged. But when since Jerice lets those legs out,
oh my god, they're breathtaking. I agree with you that, so,
as you know, Hollywood likes the bullshit.

Speaker 5 (18:52):
Well, all right, you guys, now we want to welcome
to the Jimmy Star Show with Ron Muscle, former actress,
former model, executive producer, media strategist, the Lady Summer, Helene,
the Baroness. Hello, and welcome to the show. We're happy
to hang you on. Hello, Bears girl, oh yes, and
the and Bear's other half.

Speaker 3 (19:13):
Yes.

Speaker 6 (19:14):
Unfortunately, that's something he would have said. Unfortunately, but where
may you put on a few pounds.

Speaker 3 (19:24):
But if he loses those few pounds, he's back to going.

Speaker 6 (19:27):
Well, that's not the problem. He had to go up
for one of his fights. Now he has to go
down for a fight. I could never do his job.
He has to put on He goes up and down
thirty pounds per fight. So he went up. He has
a fight after this one, so he has to go
down to one eighty five for his next fight, and
then up to two fifty for his fight after that.

Speaker 5 (19:45):
Of course he is so haf to two fifty from fifty,
that's sixty five.

Speaker 3 (19:50):
Very unhealthy.

Speaker 6 (19:52):
Well, it's terrible, bodies, it's awful. But Mma is actually
going to be in the Olympics for twenty twenty eight
in Los Angeles. It's replacing boxing and Joe Stevenson, bears
coach is one of the Olympic coaches. Bears working with
the Olympic participants and they've actually chosen the Olympic team.
He's helping as one of their kicking and striking coaches.

(20:13):
So he's working with the US Olympic team for twenty
twenty eight and Joe Stephenson and Henderson, the top MMA
guys in the world, are training these fighters because they
feel MMA was invented in the United States, so they
better win.

Speaker 5 (20:26):
Oh that's true. I agree with that though, and I
think that's very cool.

Speaker 3 (20:29):
But when he's skinny, he's got the most handsome face.

Speaker 6 (20:33):
Oh oh god, it's all it's the abs for me.
He has an amazing body. I hate when they has
to go up weight classes to fight.

Speaker 7 (20:45):
You've seen his body naked a little bit. You guys
can follow Bear to you guys, he's on He's at
Bear Fjord on everything. So you can see him on
TikTok and Instagram and then you can see his abs.
You can also so Bear and and Summer have a
show on our sister station K four HD Radio. It's
called Tune In Behind the Scenes and it's on Fridays

(21:06):
at neon Pacific time.

Speaker 5 (21:08):
Right, is that right?

Speaker 3 (21:09):
It's it's tune in.

Speaker 6 (21:10):
BTS is the social media, the shows behind the scenes,
and essentially what we talk about is what goes on
behind the scenes in media. We talk about what films
are coming out, what fighters are going out, what's you know,
really going on. It's it's a no BS look at entertainment.
We have different people on.

Speaker 3 (21:28):
And know you cannot wait to talk about the film
that I'm in that's coming out. We're August.

Speaker 5 (21:36):
What do we show Climb Motel three.

Speaker 6 (21:41):
Me, send me the movie and I will absolutely pump.

Speaker 3 (21:43):
It because I am Sergeant General Milan.

Speaker 5 (21:47):
That's not August. It's coming out. The screening is in October.
I don't know when it's coming out.

Speaker 3 (21:51):
Anywhere I place. I'm the lead baby in that movie.
I like that play General push it.

Speaker 6 (22:00):
You have to come on the show. We'll push that.
We'll make sure Bear pushes it on his social media,
and then I know we got green lit. I don't
know if we told Jimmy we got green lit for
one of the shows he's involved, which is poultry Geist
on Stage, which we're also simulcasting We've got green lit
for that, and we have some names attached to that
that I have to tell you off air. I probably
shouldn't have done that on air, so nobody knows anything,

(22:22):
no one say anything. And we're actually going to be
doing an event for that, so we can use one
to push the other, because I always like to do that.

Speaker 3 (22:28):
After then, I have six films coming up, but I'll
be shooting in the year, and I want to talk about.
The film that I'm especially happy and thrilled with is
called Oh Negative. I play an old gay vampire who
has a daughter, and I'm telling my daughter that I'm
a vampire and I'm teaching her how to be a vampire.

(22:52):
I take her to an enchanted lend of strange people.
It's a wonderful script. It's so like nobody's ever done it,
and I leave in that one.

Speaker 6 (23:02):
My favorite script is the one that you talked about,
you guys wanted a friend dresser for, and I actually
have to speak with her coming up. She's now taking
film jobs again. She's now taking film jobs again, and
I have a meeting with her about a different script.
So I need Joel to give me something to slip
into that meeting.

Speaker 5 (23:20):
Well, you.

Speaker 3 (23:22):
Talking about what is it called? I wrote it Gift
the Magic, The Gift of Magic. What happened was I
wanted Laney Kazan. I wrote it for la This is gossip,
good Dirt. I wrote it for Laney, but unfortunately I
suspected that Laney, due to her injuries, was on openeds

(23:48):
and wasn't quite capable, and she had gotten to be old.
I don't know what happened to her, but she got
skinny and she wasn't very very cooperate. So Renee Taylor
from the Nanny who I know, I said, Renee, would
you like to play the lead? Laney I don't think
is capable of playing it, So she said yes, definitely. Well,

(24:13):
when Laney said best friends. When Laney found out that
Renee was playing the lead in the movie I wrote
for Laney, she went nuts and she started yelling and
insulting me and whatever. So what happened was Renee and
Laney spoke to each other, and I think Laney said,

(24:35):
if you're really my friend, you will not do his movie.
Of them are doing it, and the boat of them
dumped me like a hot potato. They never called me back.
They never spoke to me. They didn't even have the
class or or the style to say, Ron, we're not
going to do it because we're both friends. They didn't
even have that class. And I said to Laney, when

(24:58):
I spoke to Laney, I wrote it for you. My
heart is breaking. I wanted it for you. It's your part.
You know that.

Speaker 5 (25:04):
It's good though, for us, because neither one of them
were good for distribution.

Speaker 3 (25:07):
So now so now now when we're ready to go
into production, I'm going to contact Sandra.

Speaker 5 (25:17):
Well, she's saying she might be able to get to UH.

Speaker 6 (25:20):
I already have to go meet with friend Drusher, and
so she won't.

Speaker 3 (25:24):
Do it because frand Dresser's best friends with Renee.

Speaker 6 (25:28):
That's why you don't. That's why you don't take it
to her. I do no, but.

Speaker 3 (25:32):
That that little Jewish gang, you're like the mafia, those broads.
Everybody they listen. There's about five of them, five of them,
all little interarets. I called them all right, But anyway,
so now I'm going to go after Sandra or Hernhut.

Speaker 5 (25:52):
What do you think of Sandra Bernhard?

Speaker 3 (25:54):
You like you know Sandra Bernhart? Is she still alive?

Speaker 5 (25:57):
Yeah, she's you.

Speaker 6 (26:00):
I'm thinking of Sarah Bernhardt.

Speaker 5 (26:05):
In her sixties. That's not her right name. Is that
the right name?

Speaker 3 (26:11):
Sandra Bernhard, No, Sandra Bernhard. She's a stand up comic.
Gay people love her.

Speaker 5 (26:19):
Sandra Bernhard, Bernhard Bernhard, yeah, Bernhard, Yeah, okay.

Speaker 3 (26:27):
For other people, but you know, we'll work on it.

Speaker 6 (26:33):
I would hit Kathy Griffin, and it's it's the she's
She's actually a solid actress, has done a lot of
drama work.

Speaker 5 (26:42):
She'd hit Kathy Griffin.

Speaker 3 (26:43):
I wouldn't work with Kathy Griffin if I love her.

Speaker 6 (26:46):
She's lovely.

Speaker 3 (26:47):
It's one of the evilest women.

Speaker 5 (26:49):
In the world.

Speaker 3 (26:53):
Okay, No, why she's evil. Lara Spencer, who's my daughter's
best friend, decorates extra designed. So Kathy said, de Lara,
would you help me designed? And they came to Palm
Springs and they went to all the junk stores to
buy all shit for her for Kathy to repaint and redo. Well,

(27:13):
that's all. That's as far as I'm going with the story.
Use your imagination, So hang on.

Speaker 5 (27:19):
I want to go back to you first of all,
so you're allowed to say that Poultrygeist, though, is going
to be done.

Speaker 3 (27:25):
It's greenlit.

Speaker 6 (27:27):
We have an agreement from Lloyd, We've got an agreement
from the distributor. We've got some names, I know, you
know who we're talking to on that. So we've been
back and forth with that. We're settling on that, and
that's either way, we're green. And that just affects the
budget on that, and we'll what that is real quick there.

Speaker 5 (27:45):
So you guys, poetry Geist was a famous movie done
by Lloyd Kaufman, great of which now he's got another film,
Toxic Avenger, that's coming out as a like one hundred
million dollar film starring a lot of really big people.
His name is big and he's probably the most famous
independent horror movie director on the planet. You know. He

(28:07):
makes low budget films. And you were were you were
trone with chick.

Speaker 3 (28:12):
I was.

Speaker 6 (28:12):
I was my father's biggest disappointment. I was offered when
they were doing like the the reboots of all the
films they were doing, like the expendables they were coming with,
like the the all of the horror, the action Guy's
coming back. He wanted Lloyd wanted to do a film
called Toxy's Last Stand. And I had just shifted. I

(28:33):
was working with Brad Gray over at Paramount assisting him,
and so I told Lloyd, no, I can't do that,
you know, because he's the one that got me the
job over at Paramount. And I told him, no, I
can't do that. I can't come back and you know,
be Toxy's girl in that one. My father was heartbroken.
He was more upset that I would not leave Paramount
to go do Toxie than anything I've ever seen. He

(28:54):
is the biggest he is the biggest trauma fan. Then again,
his favorite movie is Bloodsucking Paras from Pittsburgh, which I
did not know was a thing. So but he loved
Toxic Avenger and what Lloyd did before the age of YouTube,
Lloyd gave filmmakers a place to get their film films out.

(29:15):
He's wonderful, very in New York. He married the New
York Film Commissioner, which is the reason I think he's
still in business. But he truly believed in the art
of filmmaking.

Speaker 3 (29:25):
Now.

Speaker 6 (29:25):
He was a horror guy, but he's also put out comedies.
He's put out all sorts of things. I think sleep
Away Camp was one of the bigger ones that he did.
He was He's done quite a few.

Speaker 5 (29:34):
He did sleep Away Camp.

Speaker 6 (29:36):
Felyssa Rose was in that as well, and she was
quite young.

Speaker 3 (29:39):
He was one of the he was one of the funders.

Speaker 5 (29:43):
He was comman did Sleepway Camp. That's the movie that
made Felsica Rose famous.

Speaker 6 (29:48):
He was actually one of the funders. It didn't come
out from Troma. He not only and I have more
respect for Lloyd than I do for most people in
the world. He started James Gunn.

Speaker 3 (29:57):
He gave my.

Speaker 6 (29:58):
You know, whenever he needs a favor from someone, most
of Hollywood will show up. Because everybody got their start
with Lloyd. He either funded your film, or he distributed
your film, or he did something. George Clooney began with him, Jimmy,
James Gunn started with him. Everyone now, ye look at
them all now.

Speaker 5 (30:18):
So we actually Lloyd Kopman was our probably like our
sixth or seventh guest on The Jimmy Star Show in
its inceptions eighteen years ago. He was. We had him
on and he was hilarious on the show. We had
a great time with him. I had met him at
Screenfest in Orlando and we had a blast, you know,
hanging out with them as screen We.

Speaker 3 (30:38):
Got caught up in this whole show. Send huggs, love
and kisses to Alexis.

Speaker 6 (30:44):
I will and I need a charger, Alexis. They are
sending you hugs, love and kisses. Hey, Alexis, she's sending
it your way back.

Speaker 3 (30:56):
But I A's incredible, beautiful, sweetest woman I've met ever met.
I agree, she is incredible.

Speaker 5 (31:06):
Absolutely, I love so you guys, look for poultry. Guys,
it's going to be a rock opera opera, and I
think it's going to be a lot of fun. I also,
so I googled you today because I was like, I
don't have any notes, you know, and I know a
lot of things about you, but I also know there's
a lot of things that are behind the scenes business
stuff that we can't say. So I was like, what

(31:26):
am I gonna like talk about? So I went on,
So you moved to Australia when you were six weeks old?
Is that right?

Speaker 3 (31:32):
So I was.

Speaker 6 (31:33):
I was an Australian born abroad. My father was traveling.
My family is it's an odd it's an odd thing.
I grew up in a place called Bernie, in between
Sydney and bern test Mat. I grew up in the
middle of nowhere. My family is obviously from the UK,
and then I came to America when I was.

Speaker 5 (31:52):
Sixteen as a Victoria's Secrets model, a.

Speaker 6 (31:54):
Victoria's Secret model, I wanted to be a nun. Actually,
my father talks me out of it.

Speaker 3 (32:00):
None.

Speaker 6 (32:00):
He said, you wanted to be a nun because you
want to be a good person. Don't throw your life
away for it.

Speaker 3 (32:05):
So my dad wanted, did you think you were a dyke?

Speaker 6 (32:10):
No, I just I wanted to be a good person.

Speaker 3 (32:15):
He doesn't want all the nuns are dykes.

Speaker 6 (32:21):
I grew up in Catholic school, so I thought these
nuns were always so nice and incredible and helping people.
And my father said, he doesn't want me to throw
my life away. He said, you you don't want to
be a nun. What you want to be as a
good person. Don't throw your life away. So then I
took the job as a Victoria's Secret I'm not sure
that's what he meant. He didn't want you to go
make my living in my undermand.

Speaker 5 (32:41):
Being a victorious bit of a leap here right America.

Speaker 6 (32:48):
I was under contract with Victoria's Secret and so I
was doing films, and I was doing modeling, and I
was doing very very well, and as it turns out,
being in front of the camera is a skill in itself. Fine,
I could do that part. Interacting with the public is
an even more important skill, and I don't have that one.
I'm an ass so I.

Speaker 5 (33:10):
Actually I read an interview with you online and it
basically said, you know, you're behind the scenes. You make
people famous, You'll have this god branded a company, and
you're involved in all kinds of productions. And the problem
that you have in Hollywood is that you're a straight
talker like he is. You just like to go to
the go to the point, say what it is, and

(33:31):
you don't like all the little chit chat, bullshit, fake
shit that goes along with it.

Speaker 3 (33:36):
You know, I go in my years ago when I
used to go to Hollywood parties where Alana Charner could
be Reda Heyward. You know, all those big sauce could
have could be in the party that say, I'm still
suffering from that stupid thing I got from Uh, I'm

(33:57):
having a post operating I'm having a moment, Folks, bear
with me. I just think you like me.

Speaker 6 (34:04):
I don't have the ability to pretend to people I
like people that I don't. I do not have that skill.
I don't have that bone and I don't see that
in you either, and I respect that. By the way.

Speaker 3 (34:13):
The I'm never rude to people. I don't like. Oh yeah,
I just know, I just tune out. I like that.

Speaker 5 (34:24):
He'll just tune out, or he won't say anything at all.
You know, he'll he'll see him and he'll wave higher.
If they come and say hi, he'll say hi. But
then he'll turn around and go someplace else.

Speaker 3 (34:34):
And only reason I would do that is if the
person did something to harm me or harm my name
and my career. Now you make people's famous, right very much,
I will prepared. I'm famous, well, I'd let you.

Speaker 6 (34:48):
Make me predominantly. It's I work more with companies and
films than individuals. I can work with individuals, and I
have been hired for crisis essentially, But I don't like
what Jimmy does where he does pr That is a
skill in itself, and one I do not have. What
I do is the marketing strategies and funding for film

(35:10):
and television shows. So the marketing strategy goes with the
funding for a product or a show to make sure
that it has the most exposure, The biggest reach and
the largest returns. So, for example, like with poultry Geist,
we bring on corporate sponsorship from the beginning. It gets
written into the script and the distribution plan is embedded

(35:31):
before anything happens. So it's very different. Where what Jimmy
does is he'll take someone put them in front of
the camera, or he'll take a company and he'll put
it out there and he'll do that push to create
the image. What I do is I manage the pathway
for as many eyeballs as possible to get on a product,

(35:51):
and what will get the It's entirely clinical, it's entirely mathematical,
where what Jimmy does is entirely it's art, and I
respect the out of it. The reason I like being
on the funding end is I get to make sure
people far more talented than myself get their projects seen,
get in front of the right audiences, and get a
return on what they're doing, because I think one of

(36:12):
the biggest deficiencies in Hollywood is that the most talented
people tend to make the least money. People like myself
that a clinical that are good at the banking end
do very very well, but the people with real talent
need the money to make those projects and need a
return so that they can keep making those projects and
so that we can have art in the world.

Speaker 5 (36:32):
Absolutely, So you guys are going to blow her horn
a little bit. First of all, you guys could have
seen her, and there's some movies that she was in,
some horror movies. Monster, I went on IMDb, Monster Mountain,
Memphis Rising, Elvis Returns, Hellen's Dark Corner Trilogy One Slaughter Party,
which I'm sure I've seen dialogues fair way to have
in a frightened time. She moved here, she produced it

(36:54):
to el Do you.

Speaker 6 (36:55):
Know from IMDb? I'm actually better known for breaking IMDb.
I am for anything else. That's about one fifth. I
broke IMDb. If you type in AfD in the producer's portal,
I was working for a company called AFS. You will
delete your IMDb everyone attached to you and your Amazon
account because Amazon owns it, and once they all break apart.

(37:17):
Every page is individual, so you can go to things
I've worked on that page and find me there, but
it's not linked.

Speaker 5 (37:22):
It'll be on your IMD, so.

Speaker 6 (37:24):
It's completely broken. I am best known. I am the
reason there was a warning on IMDb in the producer's
portal that says, do not put in AfD. I'm like
the kid that put the dry cleaning bag over their face.

Speaker 5 (37:34):
So you're like in the kid do you ever see
So one of my favorite movies of all time is
Hacker with the Angelina Jolie Angelina Jolie and Johnny whatever
his name is she married Anyway, That's one of my
all time favorite movies. So it's kind of like he broke,
he cracked. He broke the Internet and made the stock
market exchange crash.

Speaker 6 (37:53):
Yes, I did that, but wait, way more stupid. What
I did was way more dumb. But I was working
for a company called AFS, and so all the independent
companies I worked for that I was valuable to reconnected
to me. But all the ones that were valuable to
me couldn't be bothered.

Speaker 5 (38:10):
Oh that sucks. Well, So she's got a bunch more
movie credits on the ones I brought up.

Speaker 3 (38:16):
And then she.

Speaker 5 (38:19):
Met Lloyd Kaufman. He got her on working for Paramount Pictures.
She became an executive vice president, the youngest one ever,
I believe, yes, the youngest executive vice president ever. And
she worked with Howard Hughes at California Pictures. That became paramount,
and I wrote down, youngest executive in Hollywood history, and
you still look like you're in your early twenties. So

(38:42):
like you still look I don't nobody even know. Oh
she's thirty six.

Speaker 3 (38:47):
Okay.

Speaker 5 (38:48):
She actually told us.

Speaker 6 (38:49):
Don't tell anyone though, then they'll know that's right.

Speaker 8 (38:52):
We won't tell anybody right now, being thirty six is
more important than being twenty six, because people don't put
a lot of stuck in a twenty six year old,
but they do in a thirty six year old.

Speaker 6 (39:04):
When I was in my twenties, i'd lie and say
I was in my thirties. I always tried to look older.

Speaker 5 (39:09):
Yeah, because young people you don't want they won't take
you serious exactly.

Speaker 6 (39:15):
It was really bad though, the worst. Yeah, it was bad.
I light up my age. Alexis when she was eighteen,
she was lying up her age. I found in Hollywood
you lie up your age till you hit about forty,
then you start lying down.

Speaker 3 (39:28):
Well. I found that being eighty five, I became valuable.

Speaker 6 (39:32):
Yes, it's knowledge and experience. One of the best things
I ever heard was that there's a great movie. It's
called John Carter. It nearly bankrupted Disney.

Speaker 5 (39:41):
Yes, I sawed it was a.

Speaker 6 (39:43):
Good film, But the reason it nearly bankrupted Disney is
Disney decided it's executives. And I'm talking about men in
the eighties and nineties, men I respect and love to
this day. They got them off the board, gave them
their golden parachute, and I was horrified, and I'm calling it, guys,
these are the men that trained me. I was so angry,
and They're like, no, no, no, this isn't going to

(40:05):
bankrupt the studio.

Speaker 3 (40:05):
They'll call us.

Speaker 6 (40:06):
He said, we're taking our golden we're taking our payouts.
Then when this flops, we're gonna charge them double for
our contracts back. And I'm thinking, what in the heck
are they talking about. They brought in any younger board
to do this John Carter movie. It nearly bankrupted the studio.
It is not a bad movie, but marketed movie in
the history of ever. You wouldn't know it was a

(40:26):
space movie. You wouldn't know it was a cowboy movie.
You wouldn't know it was sci fi if you didn't
know the project. It was considered the worst marketing of
any film in the history of Disney and because of that,
Bob was brought into Head Disney. Because of that, the
whole board was brought back. They were right, they had
to hire this board back. There is nothing equal to
experience and time. My boss is from way back at Paramount,

(40:50):
still still treat me like I'm four years old. And
it is the price I pay to have their knowledge
at my disposal. It's they know what they're doing. You
can not trade. I don't care how I mean. Social
media is important, it's incredibly important now, so they do
have to be bridges, but you cannot trade the experience
that you get in the industry for anything else.

Speaker 5 (41:12):
Absolutely so. Have you ever seen the movie The Covenant,
of course, which is so In The Covenant the motorcycle
guy from the Covenant was the John was the was
the guy from the movie right.

Speaker 6 (41:25):
John Carter? I don't remember. I know he played Gambit
in Wolverine. I'm trying. Would you look that up, please, Alexis.

Speaker 5 (41:32):
I thought that it was the guy from the Covenant
was John Carter.

Speaker 3 (41:35):
He was also in Friday Night Lights, But yes.

Speaker 6 (41:39):
I think he was in Friday Night Lights. Would you
look up the guy from the Taylor?

Speaker 3 (41:43):
Yes, Taylor kitsch.

Speaker 6 (41:45):
Yes, that's it, And he played Wolverine. And then ironically,
the girl that played Wolverine's boyfriend a girlfriend, also played
the lead girl in the John Carter movie, so she
was the girlfriend the princess.

Speaker 5 (41:59):
I loved.

Speaker 6 (42:00):
I was, it was, it was, He's great. It was
a great film, but it bankrupted Disney.

Speaker 3 (42:05):
Yeah.

Speaker 6 (42:05):
I was simply had to do with the marketing and distribution.
It was poorly distributed. So if they'd hired myself a
distribution Jimmy for marketing, Disney would have been fine.

Speaker 5 (42:14):
Yeah, they would have been good.

Speaker 6 (42:16):
But instead they nearly bankrupted the entire studio. Had to
hire their old board back. And something I always tell
people is, you know, I especially see it with the
young startups and things like that. To B is now
doing what Fox Searchlight was doing and taking on original content,
and it's a really young board, but they still defer

(42:36):
to the older guys at Fox. You cannot without experience.
I will always defer to the guys that have been
here longer than me.

Speaker 3 (42:44):
They know more.

Speaker 6 (42:45):
You cannot buy that experience. You cannot trade for it,
you cannot google it, you cannot ask chow gpt people.

Speaker 5 (42:52):
People don't actually like think that everybody thinks they know
everything and they don't go like I have a I
have a whole stable of people to go to and
I don't know how to do.

Speaker 6 (42:59):
So me too, yourself among them, like it was Jimmy,
I broke this?

Speaker 5 (43:04):
What do I do? And I think it's so different
now than it used to be. O astro It's okay.

Speaker 3 (43:11):
I.

Speaker 5 (43:14):
Don't know, he sees a shadow or something.

Speaker 6 (43:16):
I think there is a lack of respect for wisdom.
And I think as we've broken down, as families have
broken down, as social groups have broken down, especially after
the pandemic, the less socially conscious we become, the more
we forget that our elders and those with more experience
have more experience and knowledge, and the less we respect it.

Speaker 3 (43:36):
I think.

Speaker 5 (43:36):
So, so, how is it working in Hollywood as an
executive and as being a young female, Like do you
find it a lot of Well, I mean, you know
a lot of people, so maybe you don't have as
much difficulty as other females might have, But how do
you find it in general? And then how do you
find it with the fact that you're like a you.

Speaker 6 (43:54):
Have a title, So it's funny the title does well
with businesses because I from an aristocratic family. The title
works in business. Obviously, I don't use it among friends
that sort of thing, but it does work for business
in Hollywood itself. I got called the Duchess of Hollywood
for a while because there was a misunderstanding when we

(44:14):
were explaining titles and it got put in variety, so
that stuck for a while. There's not a lot of
understanding of it. As far as being a female. Men
opened the door for me. I was one of the
first women to have done the job that I did.
Sherry Lancing obviously did it first, but I've worked with
Catherin Bigelow, I've worked with Shrery Lancing. I've worked with

(44:35):
the first women there, and I felt very very much
the same way they did. It wasn't women that opened
the door for me, it was men. I have not
had that negative experience. Yes, I've worked with like Harvey,
but we were funding. Harvey would mess with my boss time. Yeah,
I've worked with Harvey.

Speaker 5 (44:57):
N used to see him socially at events, right, Yes,
he used to be.

Speaker 3 (45:00):
At every opening and I lived in Beverly Hills, so
every time there was a shoe store opening, or whatever.

Speaker 6 (45:07):
He was there, Yeah, that's he was Harvey, So I'd
hear those stories. I didn't have that experience because my boss,
like Brad, protected the hell out of me. If anyone
looked at me wrong, he would have defunded them. He
really did protect me. I was very lucky. But I

(45:28):
try and give opportunities to people who come up myself,
especially women, especially people that don't have an INN and
aren't related to someone in Hollywood, because that's really the
big thing. It's not even gender, it's do you have
an inn and how do you get it? You either
go to university and try and get in through an internship,
or you're related to someone. I try and open the

(45:50):
door for people with talent because I think there is
a dry pool in Hollywood these days. Everything. It's people
like me that are making decisions. They're clinical, they're by
the numbers, and we are losing the creativity that once
made Hollywood great. But honestly, it's men that opened the
door for me. I've not had a lot of those experiences. Yes,
when I was modeling, I dealt with a bunch of scumbags,

(46:10):
but Victoria's secret really protects their models, So I didn't
have that problem because they when you go to an event,
you go in a group and they take you out.
When I was working for Lloyd and he is really
strict on how people are treated on his sets. When
he got me the job with over at Paramount, Brad
is really strong on how people are treated. So I

(46:31):
didn't have those experiences, but I dealt with a lot
of girls.

Speaker 3 (46:34):
I did.

Speaker 6 (46:34):
I mean I had a few, but nothing.

Speaker 5 (46:37):
So negative though that you're like had to leave the
business or anything like that.

Speaker 6 (46:41):
Most of the people I knew that had those experiences
were men, because women are listened to. But when you
look at people like Terry Cruz, people don't listen to
him because he is a large man and they don't
understand how somebody could harm him. They don't understand that
him hitting back would have ended his career and his
ability to feed his family. It's a different kind of control.

Speaker 5 (47:02):
Same with like the Mummy guy.

Speaker 6 (47:06):
Brandon Fraser, exactly the same. Yeah, he's a lovely and
he's a lovely, lovely man.

Speaker 3 (47:13):
It's so for me.

Speaker 6 (47:14):
Yes, it's horrible for the girls, but I think it
was worse for the girls in the thirties forties, fifties
and sixties than it is now. I think in the
eighties and nineties it started to change, but it has
never changed for the young men and for the men
in Hollywood, I think, I mean, it's terrible for anyone,
but we are listening to women now. We're still ignoring

(47:35):
the Terry cruisers. We're still ignoring the Brandon Frasier's, and
we still have a very narrow view when you.

Speaker 5 (47:42):
Look at.

Speaker 3 (47:44):
Brandon he said he got a car. Yeah he did.

Speaker 5 (47:50):
That's what you know what I mean it.

Speaker 3 (47:52):
Based in the sixty five years. I wish I had
ten bucks. I every time my deck was growed right
by accident, it was can I do that?

Speaker 6 (48:03):
They didn't just been okay things went.

Speaker 5 (48:11):
Go ahead and say that.

Speaker 6 (48:12):
I think if it was just a grab, he would
have been okay, I get my butt grabbed at least
once a month.

Speaker 3 (48:17):
Pull his pants down and scroll. I mean, if you
could resist that, you know, you don't have to sit there,
stand there with your ass out.

Speaker 6 (48:26):
One of the best examples, I'm not going to say who,
but a really scummy dude that used to work in
this business, a friend of mine was was a PA
and he comes in to bring this guy his lunch
and he'd done it every day. He walks in, he
brings this lunch, and he takes the lunch and he
puts it down, and he realizes.

Speaker 3 (48:45):
The guy's stark naked.

Speaker 6 (48:46):
He's got gay porn on the TV, and he has
let two pitbulls go that are now sitting in front
of the door.

Speaker 3 (48:54):
And so my friend and so my friend, well hang
on a little and she chair Punkter was our new
chair Punkter world. And if he tried to fiel me up,
I help him.

Speaker 5 (49:10):
Well, you like, and then there's ones you don't like.

Speaker 6 (49:14):
Superman tries to grope me. Don't care which one.

Speaker 3 (49:16):
I'm in for it.

Speaker 6 (49:17):
I like that all American thing, like.

Speaker 3 (49:18):
All of them.

Speaker 5 (49:18):
Do you like all the different Superman?

Speaker 1 (49:20):
Oh?

Speaker 3 (49:20):
God, yess.

Speaker 6 (49:21):
I like the old American thing. Hence I'm dating Baya. Yes,
I really I have a thing for the old American thing.
Any any iteration, I'll take.

Speaker 5 (49:29):
Christopher Reeves is still my favorite Superman. But but I
just did I have a new show called Collector's Corner
because I collect the action figures, and I did an
episode on George Reeves, and I like the old Superman.
He's our first Superman. I like all of them. The
new one I haven't seen yet, but I think Henry
Cavill was a great Superman.

Speaker 6 (49:47):
Henry Cavell. I don't think they gave Henry Cavill enough chances.
I think if they had by moving into I like Batfleck.
I think he was a good Batman, but I think
the Batman Versus Superman killed the franchise. They should have
the three films they want to with Henry Cavill, he
hated it.

Speaker 5 (50:02):
He hated Batman versus Superman. He was like, why is
Batman fighting Superman?

Speaker 3 (50:07):
Did so writing stupid, writing stupid.

Speaker 6 (50:12):
But I love that they went with James Gunn. I
love what they're doing now. I haven't seen it yet.
I hear that it is spectacular. The New Superman is
supposed to be very very good because it's very true
to comic book. It's completely good guy, completely camp which
I love. I love campy.

Speaker 3 (50:28):
And it's it's.

Speaker 5 (50:29):
Good too because I love Suicide Squad. The second he
did the second Side Squad, I know one we know
one of the girls who was in that. I forgot
what her name. She gets killed, like you know, when
they land on the island whatever, she gets blown up,
but she's cool.

Speaker 6 (50:43):
And I've always liked the Marvel ones better, and not
just because I worked for them, but I've always liked
the Marvel better. I thought they did better in film,
and I think by bringing James Gun over, this will
be the birth of DC's film verse, because Marvel has
pissed off Disney has pissed off all the Marvel guys,
and they've signed back over at Paramount like they bailed.

(51:06):
They're like peace.

Speaker 5 (51:08):
But it's your favorite Marvel movie out of all the
Marvel movies.

Speaker 6 (51:12):
I worked on Guardians one and two. I didn't get three,
so of course those are my favorites, but the one
with Kurt Russell. Three, No, that's two a good one.

Speaker 3 (51:23):
I like that.

Speaker 6 (51:23):
Yeah, those were the two I didn't get three because
that went to Disney. I just did the distribution plan
for those. But essentially, if I have to be honest,
Captain America was probably the best, the first Captain America.
I love that kind of all American good guy thing.
I like when things I don't need. We've got Batman,
we've got brooding. I like heroes being heroes, and I

(51:46):
felt Black Panther was fantastic the first Captain America was fantastic,
and the first Avengers were spot on.

Speaker 5 (51:53):
Here's my problem with the Marvel stuff. First of all,
Going into the Galaxy was such a great film. But
you know what really made the film, I mean was
fun music. The music.

Speaker 3 (52:02):
Yeah, the best soundtrack.

Speaker 5 (52:03):
Of any movie out there, one hundred percent. Everybody knew
all the songs if you were older, and they had
stuff for younger people in it. Great soundtrack. Because I'm
not I'm not a huge fan of Chris Pratt. I mean,
he's okay, but he's not like my favorite.

Speaker 6 (52:20):
He's He's a lovely man that I legally could say
nothing negative about.

Speaker 5 (52:25):
I know, I don't have anything bad about him anyway,
I don't have anything bad. I just he's not one
of my favorite actors.

Speaker 3 (52:29):
In the world.

Speaker 6 (52:30):
I mean, he's I'll give you a list off air.

Speaker 5 (52:33):
He's done, you know, fabulous films. I love him in
Jurassic World and all those movies. So I think it's
like really cool, but it wasn't like my favorite. My
problem with all the Captain America stuff is is, so
I was a big Captain America and Bucky fan of
the comic books and Bucky in the comic books is
nothing at all like he is portrayed in any of
the movies. And I don't like that because in the

(52:55):
in the comic books, they were like a team and
they were always going together and Captain America would look out.
Was like Batman and Robin.

Speaker 3 (53:04):
Could have been good love.

Speaker 5 (53:05):
Yeah, they could have been gay love. But so I
don't like it because of that, even though I do
think the stand guy is a great actor and everything,
but I wish they would have made Bucky Elt more
true to the comic.

Speaker 9 (53:18):
Nobody in the world like, oh, he's lovely.

Speaker 3 (53:29):
When I die, I'm going to come back, Gordon, I.

Speaker 6 (53:32):
Love I love Sam dra He's lovely. We've worked with
him a couple of times and he's Actually we should
get him in Poultry Guys, because we're getting mister Tan
as well. We're getting I have this contact info, you know, Yeah,
we should. We need to gus who we want to
put in that.

Speaker 5 (53:45):
But we were on our show and he told the
story about when he was in this movie and they're
shooting like a scene in the park and he has
to run through the park naked and he's full naked,
and he said, when he got to the end where
he was supposed to be running. Nobody was supposed to
be there. But there was a garden club or something,
you know, having a meeting. So he ran in and
there's seats with all these like naked women, I mean

(54:06):
all these women, and he was like naked, so we
had him on. But he likes Buster Crab, Buster Crab
flash Forward and from like the thirties or the forties.

Speaker 3 (54:14):
But the other Flash Garden there's pictures of him naked
and he was well in doubt, so the people that
the garden party got a good, good hue. He is
one Flash Garden was Buster Krab from nineteen thirty seven.

Speaker 5 (54:29):
There's a guy here in the desert and he has
actual movie props, so he has he has Robbie the robot,
and he has you know, a real C three po
and he has all these like great things and I
got invited to go see it, but I wasn't allowed
to take pictures. But he has he has the actual
stratocaster from the move from the Flash Gordon TV series
hanging from the ceiling of his office where he has
all these things, and he has he has every robot

(54:51):
you know that there is. He has the one proble loss.

Speaker 3 (54:54):
From a house when my father was very Italian, very strict,
and very very My father would never left me or
feed me or push a gage carriage. Never happened. Flashboard
and became my father as I was growing up, because
I have fantasized that he was my father.

Speaker 6 (55:15):
A different view of masculinity, and that happens. That's one
of the benefits of television. The first, I don't want
to say the first interracial kiss, but the first interracial
kiss in America actually happened in Star Trek and it
was Nachelle and she's lovely.

Speaker 3 (55:32):
I knew her for many, many years.

Speaker 6 (55:34):
And she said that she wanted to quit Star Trek
and she got a letter from doctor King saying, you're
showing a future where people men, women, black, white are
working together. Please don't leave. And she said it was
awful to resent someone so much. I said, what do
you mean, and she said, well he got shot not
long after that, and she said, and the last thing
I wanted to do was send the letter that was
saying no, screw you, which was essentially what she was

(55:56):
writing to him. And so she stayed on Star Trek
because of this, and I've.

Speaker 5 (56:00):
Heard at a red carpet premiere. What's your name? Michelle? Yeah,
she was, Yes, there we go on Star Trek like
lady on Star Trek. We met her at one of
the Info List parties when we first moved here. We
met her.

Speaker 6 (56:18):
Now, something she said reminds me of what you were
saying about that being your father is she said, she
understood what Doctor King was saying.

Speaker 1 (56:25):
To her.

Speaker 6 (56:26):
It's showing a different future. And she liked television because
it showed she would look back at women. You know,
black women specifically in film were being shown a different
way than she saw people living their lives. It would
show you a different view of masculinity, a different view
of life, a different life you could live. Really. Film

(56:47):
it's why these post apocalyptic films and dystopian films are
not great for society because it only shows you a
broken future. But film shows you a different way to
live in a different world and a different person you
can be. So when you see the Flash Gordons that
you want to be you you can model yourself there.
It's why Superman was so popular. So it so popular.

(57:08):
It shows you a different way of being.

Speaker 5 (57:10):
We love Flash Gordon and I bought a bunch of
Flash Gordon figures and he was like, that's my superhero.
You can't be buying Flash Cord action figures, you know.
So we we have a bunch of different flashboardon action figures.
And he's also you know.

Speaker 3 (57:23):
He was on Hotel the nineteen thirty six Flash Gordon.
I was not born yet. I saw him on television
years later on Channel five they had they reran the cereal,
the Flash Gordon Cereal, and that's how I got to
know Flash Gordon in the fifties.

Speaker 6 (57:40):
You know, I have to watch it now.

Speaker 5 (57:43):
Y's fun. I mean, it's so cheesy, but it's fun.

Speaker 6 (57:46):
But that's what makes it good when you have people.

Speaker 3 (57:49):
You know what I felt. I think what had happened
was I was getting my first homosexual feelings and didn't
know it, you know what I mean, because I think
I was falling in love with him. That makes sense,
and that's how you know, you learn to be gay.
It's how you fall a lover. And I remember just
thinking he was the handsomest beautiful man I've ever seen.

Speaker 5 (58:11):
I actually have a Flash Gordon Buster Crab flashboard. It's
not from the thirties because I didn't make action figures
like that back then, but they made it in like
the seventies. And I actually have like a box or
actually I gave it to him. It's worth like one
thousand dollars.

Speaker 3 (58:25):
He's worth it.

Speaker 5 (58:26):
Yes, he's told I didn't pay a thousand, it's just
worth it now. He's totally worth it. But I think
it's fun and I love all of that stuff, so
I'm happy. The other night we watched Jason and the Argonauts.
It was on Turner Classic Movies, and that's another like,
you know, super cheesy movie. But I totally enjoyed it.

Speaker 6 (58:43):
They're great. They're really great. I love and I love
that you're collecting.

Speaker 5 (58:47):
The Bunco pops.

Speaker 3 (58:50):
Sure pops.

Speaker 6 (58:51):
I love that I'm watching you're doing that. All the
girls I know are collecting the Boo boos and all
the guys I know are collecting the Funko pops. And
I'm watching this and I'm feeling bad. I collect handbags,
so I'm useless.

Speaker 5 (59:02):
The La Boo Boos, though, are so popular now. I
wonder if that's going to be It's called the Labuoboo.
It's like this little animal, but everybody's making their own versions.
There's like Louis Baton makes it in Chanel and everybody
you know. And they're like little stuffed animals that are
like thousands of dollars.

Speaker 6 (59:18):
Do you give them a blind box? Those you get
you get them in a blind box for twenty bucks.
And so you have women carrying like twenty thousand dollar
burcans hanging a twenty dollar La Boo boo on their
burken but you get it. Some are worth a lot,
some are worth a little, and because they're blind boxes,
you can't tell. And so people are buying like tons

(59:38):
of them, reselling the expensive ones, the same as the
guys are with the Funko pops. I got the girls
going for the Laboobers, the guys going for the Funko pops.
And I think they'll be staying power with the Funko pops.
But I think the La booboos will go the same
way as beanie babies.

Speaker 5 (59:52):
I think so too.

Speaker 6 (59:53):
Yeah, I don't think they're going to retain value, but
I do. I do actually think the Funko pop will
because they have grown over time.

Speaker 5 (01:00:02):
Yes, yes, and you've been going around around since like
two thousand and eight or something. I mean They've already
been around for like a long time.

Speaker 6 (01:00:09):
They're well established, and I think they'll they'll continue with
time a lot like Legos. There are certain Lego sets
that are always were very valuable. There are certain action
figures that are valuable. I see Funko pops going that way,
and I see the Boo Boos going the way of
the Beanie Baby.

Speaker 5 (01:00:23):
Yeah, I think so too.

Speaker 3 (01:00:24):
They made Funko pops of Jimmy and Art.

Speaker 5 (01:00:26):
Yeah, we have our own.

Speaker 3 (01:00:27):
Really, Oh that's so cool they have it's almost naked.
They have us in black shorts.

Speaker 5 (01:00:33):
I know that's not a Funko pop or that's a
bobblehead that somebody made for us. So where Funco pops
are the ones in the little box. We're in tuxedos
going to the Academy Awards that I even have one
with red glasses. So tell us when you have coming,
So what what kind of shows do you have that
you're working on that you can talk about.

Speaker 6 (01:00:52):
So we're working on Spasta, which is a television show
coming out there. I have a Christian reality show we're
doing with Lauren Power.

Speaker 3 (01:01:00):
We have.

Speaker 6 (01:01:02):
Obviously Jimmy and I. I'm gonna I've got to I know,
he and I have to catch up a bit. But
he and I have one with which is Poultrygeist. But
it looks like we've got three different series of that
that they want. They want the first one down on stage,
then a part two and a part three, and they
want to do Kabuki Man, so it's a whole thing there.
Then we have I have a reality show that's coming

(01:01:22):
out about royalty in America, So there's a lot of
peerage and a lot of royalty here. We're working with
Prince Mario Max, Prince Lorenzo d'michi, We're working with English royalty.
We're working with the Dutch and the Swedish, and the
Nigerian and Ghanaian and Japanese and Korean. So there's a

(01:01:43):
lot of royalty and a lot of peerage, and people
actually come to America to not be known. Prince Mario Max,
for example, cannot walk down the street in Europe anywhere
everyone knows who he is, and here he comes to
cage fights with us.

Speaker 3 (01:01:56):
So it's a.

Speaker 6 (01:01:57):
Very different world because America is much more more egalitarian
and people don't do things based on obviously birth order
or anything prior genesis is not a thing here. It's
very very different reality so priorgeniture and a lot of
royalty hides in America, so we have a reality show there.

(01:02:18):
I sort of got roped into it because my family
is titled and they trust that I'm not going to
make them look bad. That being pointed out, I'd like
to point out I've worked on some of the trashiest
reality shows on television, so I wouldn't have picked me,
but they are right. I am released.

Speaker 5 (01:02:35):
That's something that you consider a trashed reality show. Like
I don't watch a lot of reality shows unless they're
music oriented. I love the new show Building the Band
or whatever that just started with aj McLean.

Speaker 3 (01:02:45):
I love that.

Speaker 5 (01:02:46):
I watched that, and the only reality show I think
I've ever watched with Ron is We Like to Bling Empire,
which was fun all like the Chinese people and the stuff,
and they were richest I mean and out roll extis
to everybody who comes to their was obnoxious, but it
was fun.

Speaker 6 (01:03:06):
The more obnoxious something is the better. The if you're
gonna do it, go big or go home, like it's
Henry Cavill's Got a child with the girl that was
on like My Super Sweet sixteen her dad's a big
producer and everything else. The most obnoxious show in the
history of television was My Super Sweet Sixteen.

Speaker 5 (01:03:22):
My god, I love that show. Somebody Famous.

Speaker 3 (01:03:26):
Come.

Speaker 5 (01:03:26):
My favorite one is the one that they had Frankie
J come and sing, oh I love a sixteen year
old birthday and I was. I used to love that show.
That show and the other one MTV had was the
thing about the House.

Speaker 6 (01:03:37):
I don't know what was called MTV Cribs.

Speaker 5 (01:03:40):
Yeah, that was the best.

Speaker 6 (01:03:44):
It was so unfair. I remember we had to have
a coming out and we were sent to finishing school.
And I'm watching all these girls with my Super Sweet
sixteen and I'm looking at my dad.

Speaker 3 (01:03:52):
Like what kind of that?

Speaker 6 (01:03:55):
And he said, you know, title does not meet obnoxiously
rich by the that it means you're raised with titles,
but not necessarily you.

Speaker 5 (01:04:03):
Know that you don't have to have the money to
be with it. Yes.

Speaker 6 (01:04:06):
Yeah, my dad was in the Navy, and so the
I'm like, why why can't we do that? Why do
I have to go to finishing school? Why can't I
have that kind of party? My dad was like, well
that's the end of MTV.

Speaker 5 (01:04:19):
Like, yeah, you're not going to get to watch it.
MP has changed a lot, so I liked it back then.
I don't really watch anything on it now because it's
really it's for young people, and like, I don't want
to see the things you know about, like my pregnant
sixteen year old and stuff like that.

Speaker 6 (01:04:31):
Did The one thing they did that was fantastic, though,
is the reboot of Beavers and butt Head. They followed
the original series and it might judge it. He did
amazing so and he's also rebooting King of the Hill,
but he just did Beavis and butt Head and it
was identical to the original series. I thought he was
going to ruin it. I happen to him, but it

(01:04:52):
was great.

Speaker 5 (01:04:53):
I don't have it now because we packed everything up,
but I have a four foot by four foot original
watercolor that I can nition someone to paint a Beavis
and butt Head thirty years ago that sits in my
office and it's fabulous. It really is. Beavis and butt
heead was the coolest thing ever back in the day.

Speaker 6 (01:05:12):
It was brilliantly done. They took the idea of a
variety show and with the music and everything and made
it MTV like you were talking about people not knowing
Judas Priest. I'm sorry. If you don't know who Judas
Priest is, kill yourself. That's like, if you are under
the age of fifty and you don't know who Judas
Priest is, go to the corner. They changed music, but
Beavis and butt Head, Oh the music they had in

(01:05:35):
there was wonderful.

Speaker 3 (01:05:38):
Cool.

Speaker 5 (01:05:38):
So we had a guy on our show many years ago,
many many I think this was pre ron even when
that movie rock Star came out with Mark Wahlberg. Yes,
so that movie is loosely based on Judas Priest. And
the guy who the Mark Wahlberg character in real life
is Tim Ripper Owens. And he came on our show
back in the day when the movie came out and said,

(01:06:00):
you know, the movies loosely based on you know, the
whole Jesus Priest ring. And I'm the Mark Wahlberg character
because I'm the one who went in and placed Rob
Halford and uh, you know, and then was with him
for six years and then Rob Halford came back and
he got booted out. He's a great singer, phenomenal phenomenal singer.
And Jesus Priest, I mean like they're like the most
you know fabulous, you know metal band that's ever like lived.

Speaker 3 (01:06:22):
We know and we know a lot.

Speaker 5 (01:06:24):
Of people because like we're really good friends with what's
his name.

Speaker 6 (01:06:29):
I love that we're really good.

Speaker 5 (01:06:30):
Joey Belladonna from Anthrax is like a friend, friend of ours.
We've we've been in New York. Who went to a
vents his wife friends of ours.

Speaker 3 (01:06:39):
We love being his wife. You have so much fun.

Speaker 5 (01:06:44):
I can't believe there's somebody I love.

Speaker 6 (01:06:47):
I love Anthrax, honestly, I think my favorite. I love Anthrax.
I think Metallic is probably my favorite.

Speaker 3 (01:06:53):
Old the other most stars, so we know rock stars
really are they go one of two ways you have.

Speaker 6 (01:07:02):
One of my favorites is Twisted Sister. There's a great story.
He comes home from tour and his wife's this beautiful woman,
tiny little thing, and he comes in and he gets
on he's he goes out with her, dad has too
much to drink. Lais in bed and she tries to
snuggle up next to him. He kicks her as hard
as he can across the room and calls her a whore,

(01:07:24):
tells her to get the fuck out. I'm married.

Speaker 3 (01:07:26):
Oh shit, And his body was still.

Speaker 6 (01:07:29):
On his tour bus, and then he gets up any
any wheeze in the closet and goes back to bed.
And he wakes up in the morning and his wife
is bruis to hell, scrubbing up this closet and he's horrified,
and she has made him his favorite breakfast. She's thrilled
with him because she knows if that means, if if
if the if he's if he is like violently getting

(01:07:50):
women out like that, He's he's been faithful while he's
on tour.

Speaker 5 (01:07:53):
I love it, And so she was.

Speaker 6 (01:07:55):
Thrilled that this.

Speaker 5 (01:07:56):
You know, man, if we ever want Joey Belladonna or
anything like, I can probably get him. He's the greatest singer, yes,
who has a Journey tribute band. And he's because he's
actual friend. He's been on our show maybe three times.
But we were at an event in New York where
we all stayed at the same hotel for like four days,
and we would go out to eat. We had a
blast of going all over the place with him and

(01:08:17):
his wife and a bunch of other people.

Speaker 3 (01:08:19):
And I didn't know who they were.

Speaker 5 (01:08:21):
He didn't know who they were.

Speaker 3 (01:08:22):
I had no idea who they were. And I was
just a friend, and I said to him, so, what
is it you do? And he told me who he did,
but I still.

Speaker 5 (01:08:32):
Didn't he didn't know who he was. But then we
were at a show and then he closed out this show.
We all got on stage and sang like a Journey
song with him or some shit, you know, all of
us on stage at the same time singing Journey with
Joey Belladon. It was like the greatest thing ever from
It's like a thousand people. We had a blast. And
his wife is a sweetie, part fabulous. She's fabulous. Okay,

(01:08:52):
so we only had like a minute, So we should
tell everybody you tune into Behind the Scene to tune
into behind the Scenes YouTube on Fridays. Her instagra Summer
Helen Lady. Summer Helen's instagram is tune in BTS. She
also does another one, but Summer Helen was stolen or something.

Speaker 6 (01:09:10):
I forgot no, so it's the Baroness. I'm fighting with
Instagram over one of my social media's, but you can
find me. It's the Baroness. Is one Summer Helene or
you can at tune in BTS. That's if you want
Bear and I both. That's the show. It talks about
behind the scenes in Hollywood. And then of course we
have a lot of TV shows coming out. We have
a lot of reality shows coming out. I have some

(01:09:32):
with Fox, some with Lifetime. I've got a musical on
stage play, which let's face that I have no talent.
I'm going to be leaning on Jimmy for that. And
then of course we have Bear, we have the Olympics.
We have a whole bunch going on.

Speaker 5 (01:09:45):
We love it. So we'll stay in touch and I'm
a calling later if we want to thank you for
coming on, thank Bear for coming on last week. Please
say give our love to Alexis, because Alexis is the coolest.
It's interesting, guys, this is how great Alexis is. When
Ron was having difficulty with his knee, she actually called
and said, you want me to bring over food? Or
can I bring over cookies? Or what can I do
to help? I mean, she's really like one of them

(01:10:08):
when you had your problems with your knee. Yeah, she
was fabulous.

Speaker 3 (01:10:12):
She's a sweetheart.

Speaker 5 (01:10:13):
She's just fabulous, And you guys are fabulous too. So
thank you so much for coming on. We'll talk to
you later and we'll see you. Look wonderful.

Speaker 3 (01:10:21):
All right, we should get together.

Speaker 6 (01:10:24):
Yes, I owe you dinner. We were supposed to bring
you over for dinner after we'd come to your house
for dinner and then you got sick and we posed everything.
So I still want to make your dinner.

Speaker 3 (01:10:31):
Thank you. Whatever, let's just get together.

Speaker 5 (01:10:34):
I like that.

Speaker 3 (01:10:35):
Hi.

Speaker 5 (01:10:38):
I love her, you guys, she is like the smartest,
Like she's like Michelle Caine and you guys, she's like
one of the smartest business people. Doesn't matter that she's
a woman. It just happens to be that she's a woman.
But she and Michelle Caine and are two of the
smartest people that I know, uh, in this industry. And
they're and they're just super nice and fun too, So
you got to like enjoy all of it. All right, Chavlan,

(01:10:59):
what's up everybody? We got a bunch of people at
it in there since since she came. But I'm just
saying hi to everybody. We're gonna take a quick music
break because our next guest should be coming on. He's here,
he says, he'll be with us. We'll be with him soon.
We're gonna do a quick music break. Let's do rob
saying remember my name you guys. Here's Robson and then
we'll be back with our second guest, Hillton Aril Ruiz.

Speaker 10 (01:11:35):
Yes, horribly, horribly. You won't even know my store. You
ain't ever film my past. Yeah, I've been through the
rain with a store. But I'm going to do what
there's don't change. They're telling me their life is a game.

Speaker 6 (01:11:49):
So I'll let you go.

Speaker 10 (01:11:49):
Remember my nest this year mis topping, so I'll make
my way up to the top and working so hard that.

Speaker 3 (01:11:57):
Out at us thought that I won't have to stop.

Speaker 5 (01:11:59):
There's no time to be hazy.

Speaker 3 (01:12:01):
Gotta give every dinner.

Speaker 1 (01:12:02):
I can't.

Speaker 10 (01:12:03):
If you don't bring a table, you can have reach
in my pant.

Speaker 5 (01:12:07):
There's no way I'm sitting on no chilling him twilling
my tongue. There, that's gonna be where I get all
over my talents.

Speaker 10 (01:12:13):
I told him that comes from a doll.

Speaker 5 (01:12:15):
I never pay attention today.

Speaker 10 (01:12:17):
I'm only acknowledging that I cannot go along a dent
that's a hug store. Probably we don't matter. Probably be mattress.
You don't even know my store. You ain't ever film
that place. Yeah, I didn't do the ram in the store,
but I'm told her the word that's not chirst. They're
telling me their life is again, so I bet you
gonna remember Mandas.

Speaker 3 (01:12:37):
She don't even know Amanda Camp. I know when it's
tell them has changed to nobody's times stay.

Speaker 4 (01:12:42):
I'm gonna start chatting away and I'm my pace for it.
I guess it's the mad take. I'll t get tempting
to shit a regular. You ain't gonna file any play.
Your store and everything that we do absolutely astronomical, so
phenomenal start.

Speaker 10 (01:12:56):
It is a malagic and already impossible to really lives.

Speaker 5 (01:12:59):
Apple came over.

Speaker 10 (01:13:04):
You didn't know me, I say, my lastness, you don't
even know my store.

Speaker 5 (01:13:13):
You ain't ever film mamas.

Speaker 10 (01:13:15):
Yeah, I didn't do the name in the store, but
I'm going to do what don't.

Speaker 5 (01:13:19):
They're telling me their life is a game.

Speaker 10 (01:13:21):
So I bet you can't remember my.

Speaker 3 (01:13:39):
Hey, everybody, So that was Rob saying remember my name.

Speaker 5 (01:13:43):
Robberie Back in a second, he went to use the restroom.
So we're gonna go ahead and bring our guests on
though anyway, and I can start talking to him because
we're very good friends.

Speaker 11 (01:13:53):
What's up, Hillary, what's up?

Speaker 5 (01:13:56):
Jimmy? You hear me, Yes, I hear you. Are you
on a phone?

Speaker 11 (01:14:00):
Yes, I am.

Speaker 5 (01:14:01):
Can you turn a sideways or no?

Speaker 11 (01:14:03):
Yes I can?

Speaker 5 (01:14:04):
There we go now now the screen sizes are the
same on both of us.

Speaker 11 (01:14:08):
Oh, okay, thank you for letting me know.

Speaker 3 (01:14:10):
There you go.

Speaker 5 (01:14:11):
All right, come up, we'll come up down a little
bit because we're cutting off the top of your head.
There we go, all right now you oh, you don't
have to do that. Just move the phone down. There
you go, all right, So what's up? How are you?

Speaker 11 (01:14:22):
I'm good man good? You know here man? It is
hot today. You know, the New York has been New
York City, man is the weather's been really really crazy
out here. It's been one day fall, one day summer,
one day spring, and the other day the subways will
all flooded. And today now it's just disgustingly humid.

Speaker 5 (01:14:42):
And how hot is it?

Speaker 11 (01:14:44):
It's right now it's about ninety, but it feels like
one hundred with the humidity. It's just it's just gross.

Speaker 5 (01:14:51):
Yeah, we were like one hundred and fourteen yesterday.

Speaker 3 (01:14:53):
Yeah, really community though, Yes, it's really hot.

Speaker 1 (01:14:57):
You know.

Speaker 5 (01:14:57):
In August they're saying we're going to hit the high
high in twenties, maybe even one hundred and thirty, which
was But we don't have the humidity, so it's not,
you know, not terrible. But you can't go out though,
like literally the rubber on your shoes like melts.

Speaker 11 (01:15:11):
Oh man, yeah, no, today today is something else with
the community. All right, let me don Yeah, everything is
cool man.

Speaker 5 (01:15:19):
With you, everything is good. Let me do an intro quick.
All right, everybody, now we want to welcome to the
Jimmy Star Show with Rons, a writer, director, producer Hilton
Arrio Ruiz. He's a rock star, you guys, and welcome
to the show. Ron will be here with us in
a second.

Speaker 11 (01:15:32):
Hey, what's going on?

Speaker 3 (01:15:33):
Thanks again? Bringing me on.

Speaker 5 (01:15:35):
We have people in the chat room, say hi, everybody
in the chat room, Hey, what's up? Flooding where you are?
Doesn't flood where you are, right, that's more like in
the city or where's the city. I'm yeah, I left.

Speaker 11 (01:15:48):
The city a couple of years ago. I'm out now
right now in Long Island.

Speaker 3 (01:15:52):
But no, it does not.

Speaker 5 (01:15:56):
He disappeared.

Speaker 3 (01:15:58):
What happened? He hung on? There you go? No?

Speaker 11 (01:16:01):
No, sorry, yeah, no, No, it doesn't flood up here
as much out here, Long Island there are only by
you know, you've been along on them many times. If
you buy the by, if you're by the shore, yeah,
you're gonna have trouble anything by the by the shore
of South Shore, especially South Shore is gets flooded really bad.
I'm actually in the mid of Long Island. I mean
like but right spack smack in the middle. No, no,

(01:16:23):
like north and south literally between l I e And
and Northern States. So it's right there in the middle.
So there's no flooding here. But the city, yeah, the
city is just you know, it's been strange in the
last couple of years about the subway getting flooded like that.
Never used to years ago, never, I.

Speaker 5 (01:16:39):
Know, it's so true. So we're actually coming to Pennsylvania August.

Speaker 3 (01:16:44):
There you are, your little son of a baking.

Speaker 5 (01:16:48):
As good and good, thank you, we're good.

Speaker 3 (01:16:52):
Likewise, my lunch, my lunch.

Speaker 5 (01:16:57):
We're actually coming to Tnsylvania on August sixteenth, and then
we're gonna be in Pennsylvania for a week and then
we're gonna go visit Ron's friends in Long Island and
my business partner in Long Island. So we're going to
be coming out your way, which part of what part
of Long Island, Middle Island. No now SINAI.

Speaker 11 (01:17:17):
Oh okay, yeah, it's like twenty twenty five minutes away
from me. Yeah, let me know.

Speaker 5 (01:17:20):
So I want to like come and hook up so
we can meet. Yeah, terrific.

Speaker 3 (01:17:24):
So so you guys.

Speaker 5 (01:17:25):
Hilton is famously known for his film Zombie with a Shotgun,
which we've talked about and we'll talk about again in
a little while, but now we're gonna actually talk about
something different. Did I already tell you to say hi
to the chatter or not? I forgot?

Speaker 11 (01:17:38):
Yes, Hey, what's up guys?

Speaker 5 (01:17:40):
With everything?

Speaker 3 (01:17:41):
There you go?

Speaker 1 (01:17:41):
All right?

Speaker 5 (01:17:42):
So he has a new movie. It's called The Amityville
Lost Tape, and so tell us a little bit about
this The Amityville Lost Tape.

Speaker 3 (01:17:52):
Lost Tape interesting, So tell us a little.

Speaker 5 (01:17:54):
Bit what's this? What's this baby about? And then I'll
read the actual synopsis that you like.

Speaker 11 (01:17:58):
Yeah, you want me to tell you the film about
how the process of being getting the film together?

Speaker 5 (01:18:04):
Yeah, because you said you shot this a long time ago.

Speaker 11 (01:18:07):
Yeah, yeah, I look, it's so interesting, like so, you know,
as being a filmmaker, you know how it is. It's
like I've been shooting projects for the last thirty years,
I've gotten so much things like in my storage room,
and there was like a lot of projects I did
that I was kind of feeling like, hey, should I
release this or not?

Speaker 6 (01:18:24):
Now?

Speaker 11 (01:18:24):
The project the Amine You Lost Tape, which is interesting,
is gy ironic. It's sort of was a lost tape
on my storage because I could not find the master
to the film for years. So but when I first
had the film, it was during the whole Found footage era,

(01:18:45):
you know, with but.

Speaker 3 (01:18:48):
Uh, what happened? I don't know. I'm shure.

Speaker 5 (01:18:54):
He's still there, though his name wouldn't be there. I think,
tell them here we lost you go back, come back,
come back, come back, live TV. Everybody there, we go.
I don't know what happened. That happened once when you
were gone too Hill and you're almost there, but you're not.
What happened, Yes, you know what?

Speaker 11 (01:19:12):
It was an incoming phone call and an incoming phone
call comes.

Speaker 5 (01:19:14):
It's just it's ridiculous.

Speaker 3 (01:19:15):
I'm sorry.

Speaker 11 (01:19:16):
So just to wrap it up, you know, just thumb
it up real quick. So I had done the project
almost about twenty years ago, and I did it during
the whole like Found footage era and when I finally
got the film out, For some reason that time, I
didn't want to put no music on it. I felt
that it would have been more authentic, it would have
had much more of like a scary vibe, and so

(01:19:39):
I put no music on it, and I kind of
felt like, oh man, this is crazy. Why did I
do this right? And if you look, times is different.
Now there's there's YouTube and there's streaming services you could
put it. That time there was nothing out there. So
I was like, oh man, this is going to be
a really hard sell with no music. And then I
just put it to the side and continue to do

(01:20:01):
other projects. And as years came, you know, at the
beginning of this year, I went my storage cleaning out
and I found the master.

Speaker 3 (01:20:09):
I was like, oh my God, doesn't have anything to
do with Ronald and the Who Ronald and the Murders.

Speaker 1 (01:20:20):
No.

Speaker 11 (01:20:20):
Well, so, so basically the story is about, you know,
it's a it's a project where it's a familiar like
horror film. You have these three people that are going
out to find out paranormal is there's such thing as
paranormal energy entity. They go out, they study EVPs, they
do they go into the Tarret World. They get their

(01:20:42):
cards read, they play with the Ouiji board, and they're
trying to find that if there is something there, there's
such thing as like this sort of like energy, evil, good, bad,
And one of their main concerns is going visiting at
Amityville Horror the home itself and just for trivia. The

(01:21:04):
film is actually shot in front of the House of Amityville.
I'm not gonna say anything else. Gotta watched the film
to see what happens during that time. We actually go
in front of the home, and basically the film is
basically to find out what is going on if there
is such thing as this evil energy that exists around

(01:21:27):
all these sort of l elements, even.

Speaker 5 (01:21:29):
The character Part three, the film's already shot. We're going
to show them.

Speaker 11 (01:21:35):
Yeah, available, It's available down Amazon twenty years ago. About
twenty years ago.

Speaker 3 (01:21:43):
I couldn't have done it. I wasn't born yet.

Speaker 11 (01:21:48):
I wouldn't either.

Speaker 5 (01:21:49):
Hang on. First of all, hey win, let's throw up
the poster for me real quick one. So this is
what the poster for the Amityville Lost tape. Where's it
streaming just on Amazon or where's the stream?

Speaker 11 (01:22:00):
Then it's streaming on Amazon and right now, it's also
streaming on Fowsome Future TV.

Speaker 5 (01:22:07):
Oh oh, Fowesome.

Speaker 11 (01:22:08):
Okay, yeah, it's on Fowesome and it's on Amazon Prime.

Speaker 5 (01:22:12):
Now do you live near the Amityville House?

Speaker 4 (01:22:15):
I do.

Speaker 11 (01:22:16):
I live about maybe fifteen minutes away.

Speaker 5 (01:22:18):
Does it look a lot different now than it did
back in the like seventies and they changed?

Speaker 3 (01:22:22):
They changed?

Speaker 11 (01:22:22):
Yeah, they didn't change it, you know it.

Speaker 5 (01:22:24):
It's okay, that's the long.

Speaker 3 (01:22:28):
Windows been changed. The address has been changed.

Speaker 11 (01:22:31):
Yeah, they changed the address by like two digits.

Speaker 3 (01:22:34):
The window, the upstairs window where the bees is supposed
to be. That's me.

Speaker 6 (01:22:38):
Yeah.

Speaker 11 (01:22:38):
Like so the original home, the original home that they
shot the film, the original home that shot in Amityville Horror.
The film itself was shot in New Jersey, but it
does look very familiar from the film that from from
the house that was shot.

Speaker 3 (01:22:51):
I've been to the Amityville House so many times when
I lived on Long Island.

Speaker 11 (01:22:57):
Yeah, it's interesting because it's it's all a really main road.
I mean it's like, you know, it's it's not like
what you think, like you have to go deep into
this area. No, it's like a really main road. You
make a right boom, houses right there. It's not like nothing.

Speaker 3 (01:23:16):
Our very dear friend Stephen Nimoli lived two doors down
from Ronald and he knew him. He used to play
with him when they were young. And he said that
there was no indication that he was crazy that he
would kill his family. It was drugs. He was on
l ST and that's what made him kill his family.

Speaker 11 (01:23:37):
Yes, I've heard many stories.

Speaker 3 (01:23:41):
I heard one like that, you know, no, that's what
because you know Stephen knew him.

Speaker 5 (01:23:45):
Well, So the movie the Amityville Horror Movies weren't actually
shot at the Amityville Horror House.

Speaker 11 (01:23:52):
No, there was a home that in New Jersey that
they shot the film. But it looks it looks familiar,
It has the same doc because it's right off the water,
and it is not as creepy and spooky as the
film the house itself, and it's not as it doesn't
have that big backyard, because there is a home that's

(01:24:13):
like literally like maybe you know, thirty feet away next
to it, next to the other home. And again like
if the trivia is that if you watch the film,
we literally shoot right in front of the home. Again,
I'm not going to say anything. What happens when we
go there because something does happen.

Speaker 3 (01:24:33):
No, but I like the premise of your story because
it's not like all the other movies. It's a very
good idea, all these people trying to find out if
there is such a thing.

Speaker 5 (01:24:44):
So yeah, I'll read that this is I took this off.
I don't know if this is off IMDb. Probably the
Amityville Lost Tape A Trick or Treat discovers, a lost
VHS tape revealing the final moments of three students investigating
paranormal legends in Amityville, New York. From EVPs to Bloody Mary,
their quest for proof spirals into a blur of reality
and evil. Is that the right synopsis?

Speaker 11 (01:25:05):
That is the right synopsis? Absolutely?

Speaker 3 (01:25:08):
Blood sounds excellent.

Speaker 5 (01:25:12):
What is Bloody Mary? What is Bloody Marat? I mean
I see figures actually, but I don't actually know the
story of Bloody Mary. Is there a story for Bloody Mary.

Speaker 11 (01:25:20):
It's still a Bloody Mary urban legend. If you say
thirteen times you know in front of the mirror that
you able to see, you know, something would appear. They
actually do. It's funny because the trailer actually shows that
that see. So that is like an urban legend of
saying bloody Mary thirteen times in front of the mirror.

(01:25:43):
So that is one of the studies they go to
deep dive into and they meddle in all these sort
of like urban legends and stuff, which is.

Speaker 5 (01:25:52):
It's kind of like candy Man, Like if you say
candy Man.

Speaker 11 (01:25:54):
Correct, I'm pretty sure candy Man probably got a little
bit inspired that whole thing. And I think there's another one.
I forget the name that you have to say about
thirteen times. I forget, but and yeah, the film does.
The film does begin because we also shot new footage.
I wanted to give something different also by just just

(01:26:18):
releasing the film. Also, I wanted to do a kind
of like a modern kind of time where there's a
trigger treater that finds this tape in the beginning of
the film, and there's a little story to that as well.
I'm not gonna say it as well.

Speaker 3 (01:26:29):
You have to watch.

Speaker 11 (01:26:31):
There is a sort of post credit kind of thing
there you have to watch to see what happens.

Speaker 5 (01:26:36):
All right, So one I'm gonna let Hillon introduce the film,
and then you play the trailer that says the Amityville
Lost Tape trailer so you introduce it and then you
hang on. We're gonna play it for everybody, all.

Speaker 1 (01:26:48):
Right, guys.

Speaker 11 (01:26:49):
If you guys are interested in watching my latest horror film,
the am going to be a lost tape. Here's the trailer.

Speaker 6 (01:26:58):
Did you see something already? No?

Speaker 3 (01:27:00):
Jumping the gun on my fear factor?

Speaker 11 (01:27:04):
Jittery?

Speaker 3 (01:27:06):
Alright, I just don't like. Hell, we're all responsime. I
was like, can you see anything? No?

Speaker 8 (01:27:11):
Is that bad?

Speaker 5 (01:27:12):
I can see our faces in the way.

Speaker 1 (01:27:13):
Let me like one more then.

Speaker 5 (01:27:20):
Line, I'm just too okay, Yeah, all right, cans up.
That should be good.

Speaker 3 (01:27:30):
All right, yep, okay, that should be enough.

Speaker 5 (01:27:34):
I don't hold one up to our faces.

Speaker 3 (01:27:37):
All right, here we go.

Speaker 5 (01:27:39):
How many times are we supposed to do this? Thirteen?

Speaker 3 (01:27:42):
I don't know.

Speaker 6 (01:27:42):
I don't think I can count the thirteen straight away?
All right, So what we're looking at now is our
joint reflection.

Speaker 1 (01:27:50):
In the mirror.

Speaker 6 (01:27:51):
We're both in the screen, and we're both on the
counter of few.

Speaker 11 (01:27:54):
I guess please, all right, I'll count it up.

Speaker 3 (01:27:59):
Here we go.

Speaker 6 (01:28:01):
Let's just do a fast okay, one, two, three, Bloody Mary,
bloody Mary, bloody Mary, bloody Mary, bloody Mary, bloody Mary.

Speaker 5 (01:28:07):
Bloody Mary, Bloody Mary.

Speaker 6 (01:28:09):
Ploddy, Mary Ploddy May bloody Marry, Bloody Mary, Bloody Mary
the Waters.

Speaker 3 (01:28:31):
I love it. So I have a question.

Speaker 5 (01:28:33):
Yes, so you guys, damn it. The Lost Tape is
available on Amazon and a Foster TV.

Speaker 11 (01:28:38):
We can hear you?

Speaker 3 (01:28:39):
Can you hear us?

Speaker 5 (01:28:41):
We can hear you? Let me hear me? Can you
hear us?

Speaker 3 (01:28:44):
Oh boy?

Speaker 5 (01:28:48):
He says, Oh boy. I don't know why.

Speaker 1 (01:28:50):
There we go.

Speaker 5 (01:28:50):
You should be able to hear me. Now can you
hear me? Hang on, guys, we'll be back with Hilton
in one second. But it's called the Amityville Lost Tape.
It's available on if you haven't heard of fosso at
FAWE s O m E TV. It's also available on
Amazon Prime or Amazon I guess Amazon Prime. And it

(01:29:11):
looks fun again. I have a question for him because
I wonder what it's like if he's shot it twenty
years ago. I wonder if he's still friends with the
people who are in it, since they made it a
long time ago and it got shelved and never got made.

Speaker 3 (01:29:24):
Answer their question. You're answer their closer.

Speaker 5 (01:29:26):
You're still they said you got to refresh the page. Okay, Yeah, I.

Speaker 11 (01:29:33):
Yeah, I don't know if it was Wi Fi or
I was getting text messages that were coming in either way.

Speaker 5 (01:29:38):
So okay, so we just showed the trailer. I told
everybody it's on Amazon and Foster and TV. And my
question to you is, first of all, it looks fun.
So are you still friendly with the people that are
starring in the movie because you shot it such a
long time ago, or have they gone by the wayside?

Speaker 1 (01:29:54):
You know?

Speaker 11 (01:29:55):
It's interesting. Yeah, I mean I'm still friends with them.
I mean it's been a while since we've gotten to
do anything together. But a lot of the actors actually
did multiple projects with me in my past projects. Even
some of my old projects even go online and seeing
streaming services. So we're really close as But here's the thing,

(01:30:16):
you know, as time goes by, unfortunately they they choose
another path, you know, for work, you know, so that's
you know, it happens, and you know they all a
lot of them went there are different ways left New York.

Speaker 5 (01:30:34):
So yeah, there's a hard business to like make a
little bit, it's a very hard business.

Speaker 11 (01:30:39):
It's it's very hard. And I have to say that
the three actors in that film did an amazing job
when I I knew if I was going to do
a found footage project that even back then, I wanted
to get theater trained actors. I felt like they were
the best to go into a found footage project because

(01:31:01):
a lot of the stuff is, you know, you have
to improvise it sometimes a lot of times. Actually, so
I've said to myself, is it going to be actors,
film actors or theater actors? And I went the route
of getting trained theater actors to come.

Speaker 5 (01:31:20):
In to do the film actors are better than do
you think in general theater actors.

Speaker 11 (01:31:25):
Or just for fil just in general, I think that
you know, you you they just I mean, they're both good.

Speaker 5 (01:31:32):
I just felt to do.

Speaker 11 (01:31:36):
Because you know, in theater, you know you can in
theater there's a continuing sort of theatrical sort of performance
that you have to do, and there's sometimes that in
a fly that you have to like, you know, do
something something goes wrong or anything.

Speaker 5 (01:31:53):
Like that where.

Speaker 3 (01:31:56):
Your feet Why do that in film?

Speaker 5 (01:31:59):
But they can cut and film actors.

Speaker 11 (01:32:02):
Scenes their takes.

Speaker 3 (01:32:06):
Theatre snobbery New York, it's very theater snobbery.

Speaker 11 (01:32:11):
You know, So when going into shooting a film, they're
used to shooting, you know, scenes and takes and they're
reading for what scene we're doing, what take we're doing.
So they're used to doing that, where theater actors are
used to like just okay, let's just perform. So that
was my take. You know, it's very subjectively, like there's

(01:32:32):
no right or wrong to say who's better or not.
You know, it's just that was just my sort of
That was just my my opinion of it.

Speaker 3 (01:32:40):
No, no, no, but this is good ocument.

Speaker 5 (01:32:42):
I like it.

Speaker 3 (01:32:42):
It makes a good show. Listen. Yeah, in theater, I've
done both. I've done a lot of theater. Theater. You
don't see my facial expressions because the distance is too far.
So I get away with murder. I depend on my
dialogue and this hence you know budy body language in film.

(01:33:03):
When I work film and they come in this tight,
I have to worry about not blinking. I have to
worry about how do I hold my mouth when I
speak so I don't look like a stroke victim. So
you see, because there's a whole different working attitude. The
work stage is easier than film. Film is over and

(01:33:25):
over again. Let's do it again, Let's do it again,
and you get weak through the tired, you say, oh
fuck it, I don't want to do it anymore. But theater.

Speaker 5 (01:33:33):
But in theater you can't stop.

Speaker 3 (01:33:35):
No no, no, no, no, of course. But I've had
a lot of fuck ups in theater that we roll
with it. I've also and I've also said, I've also
said to the audience, sorry about that.

Speaker 1 (01:33:49):
And you.

Speaker 11 (01:33:52):
It was I found. I found to work with found
footage projects, the theoretical actors to theater or or I
would say.

Speaker 3 (01:34:01):
Much better.

Speaker 11 (01:34:02):
Yeah, I just think that. But again also they also
worked on film as well. But like I said, you know,
like at that time, that's what I felt. And also
at that time it was lucky to get them, because
it's not now these day, it's hard to get anybody now,
you know. I think it's harder now in New York.
Like twenty years ago you can put an ad and

(01:34:23):
get like fifty people that want to be in a film.
Like now it's just not possible anymore. Like you know,
it's just it was so easier to get actors twenty
years ago.

Speaker 5 (01:34:33):
Everything has changed so much.

Speaker 3 (01:34:35):
The more actors now there are. I want to be
a famous, Yeah, I want my friends to see me
in a movie and all super shit. I'm in a
business sixty five years since I'm nineteen of eighty five,
so I know the business up, down, in out backwards.

(01:34:57):
I could tell you anything about it, and I know
business is full of shit. That's my final outcome. It's
all about me, May me, me, may me, No matter
who you are, I don't give a fuck who you are.
It's about me, me me. I need to make money.
I want my movie to make money. Yeah, it's just
changed people like me. We work for their work. I

(01:35:22):
love Listen. I don't need the money I make.

Speaker 11 (01:35:26):
No, no, no, I get it.

Speaker 3 (01:35:28):
Listen.

Speaker 11 (01:35:28):
You know an artist, you know there has to be
there has to be some sort of self indulging when
you're an artist. You know, like you're self indulgent to
you and I get that love as an artist. You know,
if we've met so many artists in our lifetime and
there has to be some self centered in it, you know,
because you're an artist, you're trying to perform and show
like this is me, this is my work, My work

(01:35:49):
is great, my work is so I get it. There's
an element of that to all artists who I am,
right and the artist it definitely comes the territory. And
you know that's that's just how it is. I don't
think it's ever going to change. And I get I
get it now, You're right because everyone has now their
own channel from whatever it is, YouTube, Instagram to TikTok,

(01:36:12):
So it is there is more of a.

Speaker 5 (01:36:15):
Little important if you do.

Speaker 3 (01:36:17):
There is so much of that. Yes, if you do
not want to create when you are in a movie,
get the hell out of that movie. You don't deserve
to be there. I have a lot of directors that
say to me, wow, you really take this to heart. Huh.
I said, of course, I take it to heart. It's
a movie. We have to play it right. We have

(01:36:38):
to be the people in that script. What are you're
talking about. I'm too sensitive, I'm too intense about it.
I'm not intense about it. But if you want good
work out of me, you have to give me the
freedom to do so. You can't say, oh, that was
good when I know it wasn't. And I say, you know,
I don't think it was good because I burked.

Speaker 5 (01:37:01):
When I was supposed to kiss her.

Speaker 3 (01:37:03):
I burped in her face.

Speaker 5 (01:37:07):
I think I think there are a lot of people
who want to make love the acting.

Speaker 3 (01:37:12):
He likes the way I love.

Speaker 5 (01:37:13):
I think there are a lot of people who are
in it just you know, for fame and glory, but
they're going to get fame and glory doing the independent.

Speaker 3 (01:37:21):
I never got fame glory on money. I've always done it.
Sometimes I work for free because I want you to work.
I love the work. I love to become somebody else.
I love it.

Speaker 5 (01:37:32):
That's the best way to be. So, you guys, Holmes
film again is called The Amityville Lost Tape and it's
on Amazon and Fossom TV and Amazon, I said Amazon,
writing on Amityville. It's on Amason, so check it out.
It's really inexpensive. It's a lot of fun to watch.
Then he's got his other film, you guys that were
still working on the sequel. It's called Zombie with a Shotgun.

Speaker 3 (01:37:53):
This is a huge hit, the sequel.

Speaker 5 (01:37:56):
We're working on raising the money for the sequel. The
first one's been out for years, so I know, yeah,
we're working on it. We're getting close. And so Zombie
with the Shotgun, you guys, Zombie with the Shotgun is
first of all, it's all hill and he's a superstar.
Zombie with a Shotgun is the feature adaptation of the
popular web series of the same name. Aaron and Rachel
are on the run due to the fact that Aaron

(01:38:17):
is infected by what seems to be a zombie virus.
As the story unfolds, they find that there is more
to this infection than it seems.

Speaker 3 (01:38:25):
For some reason, he.

Speaker 5 (01:38:26):
Has not developed the full zombie virus. He seems to
be trapped in a transitional phase, which grants him certain abilities.
One of them is the ability to communicate with other zombies.

Speaker 3 (01:38:36):
I love that part.

Speaker 5 (01:38:37):
This makes Aaron a valuable pawn as he's being pursued
by shadowy figures with ulterior motives. Now he must stay
alive or undead long enough to figure out the source
of his infection. So, you guys, this is like a
cult film. It's very very popular. Also based on how
many comic books are there five five comic books, which
is the coolest thing ever, because you know, I just

(01:38:58):
know how much I like the whole comic book aspect
of everything. We're working on Zombie with the Shotgun too.
Raising funds and anybody who's interested, you could hit either
one of us up for that.

Speaker 3 (01:39:10):
You will be in there.

Speaker 5 (01:39:11):
You'll be somebody, and I don't know who. You'll be somebody, yes,
and uh no, you're a good actor.

Speaker 3 (01:39:20):
So you'll be in.

Speaker 1 (01:39:21):
You know that.

Speaker 3 (01:39:22):
That's cool favoritism. I'm supposed to tell me that's a
perfect part for you.

Speaker 5 (01:39:26):
Well, I haven't read it in like two years, so
I have to like go. But I look at the
pitch deck and I'm pitching at you, guys, this is
going to be great. The first one was really great.
Hilton's super super talented. You guys. This first one. I
can't tell you how low the budget was, but it
was very low and it was very successful. Not very

(01:39:47):
many films with this low of the budget would even
be able to get a release. I want to play
the trailer for everybody, for everybody to look at us,
So introduce the trailer, and then one play the zombie
with the shotgun trailer, but introduce it for us.

Speaker 11 (01:39:57):
Hilton, Yes, guys, so zombie would have shotgun. It started
as a web series. I have the web series also
on streaming service and it is back now on streaming service.
Only available on Amazon right now, but it's going to
be on to be soon on everything back on. It
used to be on Irill platforms. But I had to
take back the rights to my film. And that's just

(01:40:19):
another business thing in the in the filmmaking. But here's
a trailer for Zombie with a Shotgun the feature.

Speaker 5 (01:40:42):
You gotta be careful with that. Then, of course, take
them to the lab and get them tested and processed immediately.
And now with this stream becoming a reality, I don't
give you anything.

Speaker 3 (01:41:03):
You want a contribution, but it's so special about that.
Not sure we're both going to die, so let's make
it easy.

Speaker 11 (01:41:25):
Your government doesn't tell you everything you need to know.

Speaker 1 (01:41:34):
Minds men.

Speaker 5 (01:42:10):
So Zombie with the Shotgun. You guys, it's back on
streaming again on what do you say? Amazon?

Speaker 11 (01:42:16):
On Amazon?

Speaker 5 (01:42:16):
Yes, so on Amazon.

Speaker 3 (01:42:19):
It's a good one. So watch it.

Speaker 5 (01:42:21):
Wait, do you guys see in the in the sequel
because we've added we didn't add. Hilton has added, you know,
some other kind of cool characters, and it's gonna be
a lot of fun. It won't be just zombies.

Speaker 11 (01:42:32):
Yes, it's gonna be lots of fun.

Speaker 5 (01:42:34):
It's gonna be lots of fun. Yeah, so let's see.

Speaker 3 (01:42:39):
It will be scary too, Yeah, it probably will be
kind of scary.

Speaker 11 (01:42:44):
Definitely gonna be one of the elements vampires that we're
adding onto the whole, the whole mix to the zombie world.
So that's that's implied also in the poster when you
watch to see the poster that there's a there you
go zombiees.

Speaker 5 (01:43:00):
Ron loves vampires.

Speaker 3 (01:43:01):
I love I'll play a vampire.

Speaker 5 (01:43:05):
He loves vampires. He has a vampire movie that's gonna
get made next year, actually awesome called Negative.

Speaker 3 (01:43:13):
So I play your father who's a vampire. And I'm
telling my daughter who's come of age, that I'm gay
and I'm a vampire. So I take her to a
land where I teach her all about being gay and
being a vampire. It's a wonderful script. It's intelligent, and

(01:43:33):
I'm playing it totally different than any vampire you've ever seen.
Oh no, I'm going to be the most charasmic, charismatic,
lovable vampire until I'm hungry. That when I'm hungry, forget
what I look like.

Speaker 5 (01:43:52):
So you guys too. You can follow Hilton on Instagram.
He's at Hilton Ariel Ruiz. He's also Zombie with a
shotgun on Instagram.

Speaker 3 (01:43:58):
That script was written by Yes.

Speaker 5 (01:44:02):
Yeah, we're going to be getting stuff done Okay, so
we have we have six minutes left. So what else
we got to promote for you, Hilton? What anything else
new coming up as of now?

Speaker 11 (01:44:11):
I mean, yeah, I mean right now, just to go
back to I had Big Gun, a zombie with a
shotgun web series of people want to go see how
it all started. I do have the web series. It's
also on Amazon. It's also in Flowsome. It's in a
lot of places, but those are the two places that
a lot of people go into. And then Amazon, I

(01:44:34):
had the feature all over the streaming services, and again,
like I said, I had to take it back about
maybe a couple of months ago, and now they just
added about a month ago back on Amazon and waiting
for the other streaming service to take it back to
feuture Like I said too, I just got to be
a notification of two bes taken it back. So yeah, again,
if anybody wants to know how it started, the web

(01:44:58):
series is called Zime with a Shop in the Beginning,
and that's where it all started, and that's where and
now we're working on the sequel and hopefully we get
that done soon'd be pretty you know, it'd be really awesome.
It's gonna be fabulous.

Speaker 3 (01:45:13):
You got why don't you get the idea zombie with
a shotgun? Why don't you connect the too a shotgun
with a zombie? Interesting?

Speaker 11 (01:45:22):
Well, the whole thing happened. Well, the story was what
I wanted to do is I wanted to do my
own interpretation the whole zombie mythology, right, And I was
tired of like why is like I've always thought about,
like if you ever watched like Michael Jackson and Thriller, right,
he he had evolved to like one of the badass zombies. Right,
he was able to dance and move and everything, right,

(01:45:43):
and if that winded that but that came out nineteen
eighty four eighty five, that Thriller video, and you started
to say yourself, why did devolve back to like I
want brains?

Speaker 5 (01:45:52):
I walk slow?

Speaker 11 (01:45:53):
And I said to myself, well, why isn't everybody brought
back that smart sort of like zombie that you know,
like how you know, dancing and everything. So I said,
I wanted to just go back to that and have
a zombie that was half like you know, half man,
half amazing, but half man half zombie and basically me
growing up in New York City and Chinatown just living
through the whole AIDS epidemic. I felt like it was

(01:46:16):
sort of like I wanted to take that world that
I saw during that crazy eighties where everybody was scared
of somebody being sick and nobody was able to do anything,
and that's how the zombie world is, right, we just
feel like zombies. They're infected, so we got to kill them.
It just made like no sense to me, like you know,
and and felt like that sort of like remind me

(01:46:37):
of that whole era during the eighties. So I said,
I wanted to take that story and just bring it
back to like how it was like, because I'm infected,
you have to kill me?

Speaker 3 (01:46:46):
Why is that?

Speaker 11 (01:46:48):
So then I created a whole story of just like
having the main character being a zombie and then throughout
the whole Zombie with a Shakum basically was also inspired
for like Whole with a Shakum, which was a very
popular film and tied on like hey man. Having a
title for a zombie film is very important because there's
so many zombie films that come out yearly. It comes like,
I mean hundreds of zombie films. When am I going

(01:47:10):
to say, how am I going to separate myself from everybody.
And I just thought the title was very cool, quirky, sexy, funny.

Speaker 5 (01:47:16):
It was awesome.

Speaker 11 (01:47:17):
And I think that that just nailed the fact that
many people watched the film for that reason.

Speaker 3 (01:47:22):
A lot of the title.

Speaker 5 (01:47:24):
So that's title.

Speaker 11 (01:47:26):
Actually, that's how everything came together.

Speaker 3 (01:47:28):
I think that that title, actually, the title worked well
because there's such a catchy title, zombie with a shotgun.
Interesting tells the story. The title tells a story.

Speaker 5 (01:47:40):
Plus you did something with zombies and nobody else has done.

Speaker 6 (01:47:43):
No.

Speaker 3 (01:47:43):
It makes people want to see why does the zombie
have a shot.

Speaker 5 (01:47:47):
And nobody else is I think when the zombie like
doesn't change into a full zombie, nobody has done that.

Speaker 11 (01:47:52):
No.

Speaker 3 (01:47:52):
And as a title of a movie sells a movie.
And I tell a lot of my friends that when
the title stinks, they say, what do you think? I said,
your title stinks? What would you say? Ron, Well, don't
you say? My title is death? The fuck is death?
You know I'm not interested in the movie death. Tell
me about it? You know your dead. The title it

(01:48:14):
has to tell you what what the movie's got it?
It's got it.

Speaker 5 (01:48:18):
Plus the graphics you can do for zombies how.

Speaker 3 (01:48:20):
Many movies do you member, I know where the title
made you go to the movie? How many many many hundreds?

Speaker 5 (01:48:28):
Feeling the poster for me? The poster like I've seen
a lot of movies that have great posters. But they
have great posters, but then the movie stinks, you know,
and half the time what's on the poster has nothing
to do with the movie. Posters sell things, and with
you is because you do such phenomenal artworks for everything,
since you did the comic book and all the different things.
Your artwork is always like top notch.

Speaker 11 (01:48:49):
A number that was a big key that that that's
a that was really the key that that definitely have
to Simone Glomini, which is a great comic book artist
who work who's done.

Speaker 3 (01:49:00):
And the other thing about your title, you don't forget it.
Most titles of a movie. I said, what movie we're
gonna go see? I forgot. You won't forget the title
to that Zombie with a Shotgun. That title stick.

Speaker 5 (01:49:14):
Even with you we only have a minute. But even
with your title of the sequel. You didn't write Zombie
with a Shotgun too. You wrote Zombie with the Shotgun reloaded.
You know, it's just fabrious automatically, that's absolutely fabriulous.

Speaker 3 (01:49:27):
I get it.

Speaker 11 (01:49:28):
I get messages almost daily of people saying to me,
when is a sequel coming out? When are we going
to see part two? And I was like, and a
lot of it is like they want to see it again.
Like you said, the title is really like so catchy.
It just people say, oh, I want to see Zombie
chroking too, I want to see you know, and I
just say, hey, we're trying, We're really trying.

Speaker 3 (01:49:47):
So there you go.

Speaker 5 (01:49:48):
So you guys, this is hil Nario Ruiz. Follow him
on Instagram hill Nario Ruiz or Zombie with the Shotgun
check out both of his films. Both are streaming now
on Amazon. The Amityville Lost Tape, Hand Zombie with the Shotgun.
We want to thank you for coming on.

Speaker 3 (01:50:04):
I just did a movie with the title is fabulous.
It's the third one, okay, and it's Clown Motel three
Ways to Hell. So it's Clown Motel three, but the
wayte to Hell changes the whole structure. I thought the
tilet the tilet brilliant is a title that is three

(01:50:27):
Ways to Hell and you know what, as a scene
in it where I look out the window at the desert,
and very solemn I say today we're finding the clowns
here tomorrow the desert Three Ways to Hell. And it
brought the title right. Of course I did it differently now,

(01:50:48):
but I loved all that.

Speaker 11 (01:50:52):
At a time.

Speaker 5 (01:50:53):
We got to thank you. I'll talk to you later
on all right, thank you guys. To get an update,
I'll call you. Thanks so much. Start right bye, guys,
Thank you, Thank you guys. We'll see you next week.
We got a great show next week. We have a
one the super Duper boy Band coming on multi Planning.
I can't wait. So we'll see you guys next week.
Have a great weekend everybody.

Speaker 3 (01:51:12):
But like, gimme every man, I'm not drinking. Well are
we gonna be? O?

Speaker 1 (01:51:27):
Yo?

Speaker 5 (01:51:29):
Interesting conte.

Speaker 4 (01:51:30):
We got the jersey set.

Speaker 5 (01:51:32):
That's great. To Jimmy, we got myself to help.

Speaker 3 (01:51:35):
You.

Speaker 2 (01:51:35):
Don't want to know Jimsy always Jimmy.

Speaker 5 (01:51:40):
You want to be Jimmy. Stop take you out.

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