The Madness of David Judge Cast/ Joseph Kelly (Clown Motel Franchise)

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
The following show contains adult content. It's not our intent
to offend anyone, but we want to inform you that
if you are a child under the age of eighteen
or get offended easily, this next show may not be
for you. The content, opinions, and subject matter of these
shows are solely the choice of your show hosts and
their guests, and not those of the Entertainment Network or
any affiliated stations. Any comments or inquiry should be directed

(00:22):
to those show hosts. Thank you for listening.

Speaker 2 (00:29):
Gimme time, contective, give me, we.

Speaker 3 (00:51):
Don't want to.

Speaker 4 (00:57):
Give me stop.

Speaker 5 (00:59):
Thank you.

Speaker 6 (01:04):
Hey, what's up everybody? Welcome to the Jimmy Star Show
with Ron Russell, bringing you the good times in music, fashion,
pop culture and entertainment. We got a fun show for
you guys today. I apologize to my voice. I'm still
sick with the flu and bronchitis, but it's getting better
a little bit every day. Before we get started, let's
say hi to my cool, outrageous man about town co
host mister Ron Russell, and Astro, who.

Speaker 3 (01:26):
Hasn't had a good night's sleep since Jimmy's sick. Because
Jimmy doesn't realize it, but as he's sleeping, he makes
sounds like a like an alligator like this, uh, every
minute and a half, and I have to try to
sleep with that sound all night long.

Speaker 6 (01:48):
Last night was the best night I slept.

Speaker 3 (01:50):
What that's mind because.

Speaker 6 (01:52):
I think he's alive.

Speaker 3 (01:53):
Otherwise you'd be dead because you know he can't breathe.
He's got a very bad flu.

Speaker 6 (01:58):
Thank god I.

Speaker 3 (01:59):
Didn't catch it. Because I'm smart. I drink port port wine.
I learned that years and years ago from Mario Delmonico,
who was a very famous Italian opera singer, and he said,
before he goes on the stage, he drinks a little
bit of port sherry. And what it does is it

(02:21):
coats the tongue and stays with your saliva and it
soothes the throat and the vocals. So when I worked
on stage and I sang, I used to always drink port.
Now I drink port because it's wonderful if you're getting sick,
because it does kill all the germs in your throat,

(02:41):
and it's delicious. I love Port. Unfortunately it's a lorded
with sugar, and I don't like sugar. So anyway, if
you're not feeling well, drink some port not a lot
a shot before you go to bed. I told this
to Jimmy, but Jimmy's a no it all, and Jimmy
ignores everything I say. Jimmy, get the fan off yourself.

(03:02):
He's got a fan on it, blowing him all night long.
We know that a fan lowers your resistance, makes you ill.
He doesn't listen. Jimmy, have soup. Eat this lentil soup.
It's good for you. He won't eat it.

Speaker 6 (03:14):
I don't eat it like that.

Speaker 3 (03:16):
He doesn't like anything with musty or mayonnaise. I mean,
he's crazy. Living with this man is absolutely an impossibility.

Speaker 6 (03:24):
There's lots of things you don't like. Oh, I'm wondering.
First of all, with the fan. You guys, so it's
one hundred degrees here in the desert, it is.

Speaker 3 (03:31):
Not don't listen to his bullshit artists. He lies about it.

Speaker 6 (03:34):
We have the air conditioners set on eighty, which is
so hot that I literally change my shirt three times.

Speaker 3 (03:40):
So full of shit.

Speaker 6 (03:41):
So you sleep because you like it hot, but other
people normally don't like.

Speaker 3 (03:46):
I moved to the desert to be hot, not to
be cold. If I wanted to be cold, I'd stay
in New York. It's not even funny though. I don't
like cold.

Speaker 6 (03:56):
You know that last night we watched TV and when
I got down, I had to go take my shirt
off and wring it out because it was so oh
my god, such dreams.

Speaker 3 (04:04):
So anyway, you should have been an act and had
a producer.

Speaker 6 (04:08):
So so we have a fun show foras No, I'm
not even right now.

Speaker 3 (04:12):
It's so hard.

Speaker 6 (04:13):
Look what's up?

Speaker 7 (04:16):
Chat?

Speaker 6 (04:17):
We got a great chat room going on. What's up?
Stefan Daniel Bella's chat? You're feeling better, Cindy Lady Lake
is in the chat room, the great promo. Ub Reno's
junior is in the chatroom.

Speaker 3 (04:27):
Hey, Hubway, Jimmy Briggs about you being his oldest friend,
my oldest longest? No, I thought you said longest, lady.

Speaker 6 (04:37):
A very good friend for seventeen years.

Speaker 3 (04:40):
Seventeen years is a long time.

Speaker 6 (04:41):
Oh, I know Wolfie for six fifty. Yeah, but you
never see wolf I talked to him on the phone too,
the same way I.

Speaker 3 (04:47):
Took about it. I told you you don't have friends,
you have business people. Now we fight all the time.
He thinks he has four hundred and fifty friends that
he talks to those are clients. Those are business people.
A friend, what is a friend out there? A friend
is someone you see a couple of times a week,
you have dinner with them.

Speaker 6 (05:06):
You're the old model of friends.

Speaker 3 (05:08):
No, it's not the old model. Bullshit. When I'm in
New York, I see my friends.

Speaker 6 (05:13):
And he says, no, we're friends. We talk every week.
Who for seventeen years, Cindy.

Speaker 3 (05:18):
Yes, that's a friend.

Speaker 6 (05:19):
That's a friend. Hey bee. Claudia just joined us too,
from England, I mean from Germany. Hey be, how are you?

Speaker 3 (05:27):
And I'm feeling better.

Speaker 6 (05:29):
We have a different idea of friendship because my friends
are all over the world.

Speaker 3 (05:33):
And so I know his friends are not all over
the world. He's full of shit again. He comes with
the lives. Don't believe the lives. These are people to
them because they see the interaction you talk on the
phone to these people that you don't see them. A
friend is someone you've physically touched, see and you yes
it is.

Speaker 6 (05:49):
That's in the old days.

Speaker 3 (05:51):
No, it's not in the old days. I go to
New York, I see my friends of sixty years. I
have friends from for sixty years on their on and
I see them in we hang out and we talk
and we do things together, we go to dinner. We're
like family. Those are friends. I have a million acquaintances,
he says.

Speaker 6 (06:09):
I'm friends first and client second.

Speaker 3 (06:11):
Listen, baby, I got five thousand people on Facebook and
they're not my friends. Yeah, they're not. They think they're
my friends because they call me Ronnie, which is my
very private name. No one calls me Ronnie except people
I allow and people who I know for more than
fifty years. My oldest friends in the world call me Ronnie.

(06:32):
They don't call me ron in the chatter.

Speaker 6 (06:34):
I mean a want, says, friends of people who send
memes to You're right, and I send a lot of memes.

Speaker 3 (06:40):
But I have I have a very hand picked select
of friends. I've been screwed over the years by people
we all have in our lifetime. My goodness, my soft heart,
my generosity, my helpfulness was abused and used, and people
became self. It's all about them. What can they get
from Ron? You know, come hang my pictures because I

(07:03):
do that good. You know, Come help me decorate my house,
or come help me cook or whatever. It's always ron
do something for me, like a domestic And those people
fell to the Wayside.

Speaker 6 (07:16):
I like love it. So anyway, we have a great
show for you guys today. It's gonna be a lot
of fun. First, we have the cast of the Madness
of David Judge TV series coming on. I think there's
gonna be five of the cast members coming on. It
should be a lot of fun. It's a great series
on two B you guys should see it. Then we
have Joe Kelly coming on. Joseph Kelly. I think he

(07:36):
likes to go by Joseph Kelly coming on.

Speaker 3 (07:38):
And now he's a big shot.

Speaker 6 (07:40):
Yeah, director of he's always gone by Joseph Kelly. He's
Joe Kelly.

Speaker 3 (07:43):
To me, he's Joe.

Speaker 6 (07:46):
He's gonna come on because we're going to talk about Saturday.
We're going to LA for the premiere of Clown Motel
Three Ways to Hell, and he literally just flew into La.
He texted me about an hour ago and he just
landed in La for it and he's going to get
checked in or whatever. So it should be a lot
of fun chatting. More people are joining us, so hello, hello, hugs,

(08:11):
the Tina, Stepon and b Claudia. Thank you for what
you did for me this week and what else have
we got going on before we bring on guests, because
we have about six minutes to go before we've bring
Jimmy got a haircut? Yes, I did. I love it.
I love having short hair so much better. I feel
so much nearer and cleaner in.

Speaker 3 (08:30):
My haircuts for fourteen years? Do you think he paid
me a dime and nickel, took me to lunch, brought
me an ice cream? Nothing, not even a thank you?
Looks in the mirror, he goes, Oh yeah, Or do
you think, Jimmy you like it? Oh yeah, I don't
even know. I say thank you. You know I'm standing
there for hours cutting his hair with such enthusiasm to

(08:51):
do a good job. That's a hundred dollar haircut if
I was in a salon. So you owe me fourteen
years worth ofe hundred dollars haircuts, at least ten haircuts
a year. You really owe me a lot of money?
Oh well, you really do.

Speaker 6 (09:07):
That's okay. I took you to dinner twice this week.

Speaker 3 (09:09):
You took me to dinner. Don't let me start. Don't
let me start. It wasn't your money. It was a
gift money you got.

Speaker 6 (09:17):
Not both of them, one of them.

Speaker 3 (09:19):
I paid what was the other one.

Speaker 8 (09:20):
Well, we went to p J Changs F Changs. I
paid for that. I I told you I repaid, but
you didn't. You took me for a twenty dollars dinner.

Speaker 6 (09:31):
No I didn't.

Speaker 3 (09:34):
It wasn't even twenty bucks. I don't need a lot,
you know, a little late.

Speaker 6 (09:38):
Now, we went to El Paseo and ate a restaurant.
He didn't like it. Lady took it off the bill.

Speaker 3 (09:44):
No, no, wait a minute. We went to the Grill
on El pa Now. I used to go to the
grill in Beverly Hills and it was wonderful. I ordered
my liver and onions, which I love, and I found
a very long hair in it. So I pushed a
played a side. I couldn't because a vomit. And when
the waitress came over, I said, what's the matter. I said, well,

(10:05):
there's a hair in my food. She said, I don't
blame you. I wouldn't eat it either. Now I never
asked for it to be removed from the check. Never
never dreamed of it. I never thought of it. When
the check came, my meal was not on it. So
I said to the waitress why. She said, well, because
you found a hair, so we took I said, well,
I don't like that because now it's like Victor Victoria

(10:27):
when when Julie Andrews brought a cockerroach into the restaurant
to get food for free. I said, I don't want that.
She said, oh no, we know it's not you're not
doing it. So anyway, Jimmy took the amount of my
check and gave it to her as a tip. Yes,
so she had a forty seven dollar tip, but she
was excited over absolutely. Anyway, the grill is not what

(10:51):
it was.

Speaker 6 (10:51):
Nothing is what it was.

Speaker 3 (10:53):
And we have to protest, folks, because I have been
finding a lot of junk in my food lately. The
people that are working in the kitchen have long black hair.
They do not wear hair nets. They leave their hair flowing.

Speaker 6 (11:07):
Yet hair and his taco bell. Now we want to
I want.

Speaker 3 (11:10):
The taco bell. So you see, they leave their their beautiful,
lustrous lower bell.

Speaker 6 (11:16):
I get black hair. But in the grill, when the one.

Speaker 3 (11:19):
You have got to make the law back to what
it was, bought a health at the grill, you have
to wear you have to wear a net on your hair.
If it's that long, I mean it's disgusting how they
get away with murder in the kitchen. If you see
what the people look like in the kitchen, you wouldn't
eat the food.

Speaker 6 (11:40):
Anyway. At the Grill, which is used to be a
very nice restaurant, I'll never.

Speaker 3 (11:45):
Go back there, and I don't suggest that you go
back there either.

Speaker 6 (11:49):
It's not inexpensive, it's not super expensive, but it's still
a place.

Speaker 3 (11:54):
It's not worth. It's not worth. The service was terrible.
My core, it was cold. I had to ask twice
three times for it. They never brought me coffee. Then
after we got the check, they brought me coffee. I said,
what am I going to do with the coffee now?
Now I'm leaving the fuck am I going to do
with the coffee jacket? Over your stupid passes? Anyway?

Speaker 6 (12:16):
So all right, you guys. So before we bring on
our first set of guests, our first set set of
guests is going to be the cast of the Madness
of the Madness of David Judge, the TV series on
two B And before we do that, I want to
thank everybody for tuning in every week. The last couple
of months have been shows have been doing really well
and you can listen to the show. We're on Podbean,

(12:38):
Apple Podcasts, iHeartRadio, SoundCloud, iTunes, Spotify, Amazon Music, YouTube, Google
podcast Radio, Public tune in, and Amazon Prime.

Speaker 3 (12:49):
But I we sh you'd watch instead of listening. This way,
you could see my haircut. Some people, I mean, we'll
not like I know, but I work on making my
hair look all mess seeing horrible. You know, I work
with this. This is not I don't wake up in
the morning. I deliberately. I don't like combed hair. I
never combed my hair in my life. As a young boy,

(13:13):
I got out of bed, put on a Guinea T shirt, jeans, sneakers,
and went out and I was divine.

Speaker 6 (13:19):
They say the hair looks great.

Speaker 3 (13:20):
Ron Now, if I did that, got out of bed
and put on jeans and sneakers, I look like a
man that just escaped from a nursing home. So what
I have to do is, you know, I love my
hair like this, and nobody sees it because I'm we're
on the radio. See see people compliment my hair all
the time. I have a good head of hair, and

(13:41):
I chop it. I never cut it evenly. I don't
want a precision haircut. If I cut it precision. It
looks like a wig or too pey, so I cut
it irregularly. I cut into it like this, going in in,
so it's all choppy and sticking up, and one side
is longer than the other, and I love it.

Speaker 6 (14:02):
It looks like everybody now is here.

Speaker 3 (14:04):
So what everybody's here? Let's get this show on the road.
Let's bring them all in one and let him in
one by one, blind him up.

Speaker 6 (14:11):
There's five of them.

Speaker 3 (14:13):
There's one victim, two victim, three victim, five victims victim Jay.
All right, hold on going.

Speaker 6 (14:23):
Around, starting with we'll go Jeremy, Jerry, Sarah, Mike, and Conn.
Just say hi. Let's make sure we can hear you, guys,
and then I'll introduce you all.

Speaker 9 (14:31):
Hey, guys, have everybody doing? Can you hear me?

Speaker 6 (14:34):
Yep?

Speaker 3 (14:34):
Awesome?

Speaker 6 (14:36):
Hi, Yeah we can hear you.

Speaker 3 (14:39):
Well, come on, what is wrong with you? Say?

Speaker 6 (14:43):
Hi?

Speaker 3 (14:43):
Hey?

Speaker 6 (14:44):
Sma walk the fact we haven't seen you.

Speaker 9 (14:45):
In ye in a while.

Speaker 6 (14:48):
I'm so happy to see you. Hey, Mike, Hey, guys, ah,
where are you?

Speaker 3 (14:55):
You're very stunning with that bed, Sir, you look like
a professor intelligence. I bet you're just stupid.

Speaker 6 (15:08):
All right, So hang on, everybody, Hey, everybody, now, we
want to welcome to the Jimmy Starr Show with Ron Russell. Everybody,
everybody on the screen is a fantastic actor uh their
own in their own right. But what they all have
in common today is that they're all in the TV series.
The managers are one. So here we want to welcome

(15:31):
Jeremy Sandy. Is is it Sandy? I know I asked
you that before. Jeremy. See Cherry Eakin, Sarah s Fisher,
Mike Mayhall and Cotton Yancy. Welcome to the show, you guys.

Speaker 3 (15:44):
Thank you. You know today television is not too hot,
a lot of junk on it, and your show came
on it and it made it better. I suggest that
everybody out there in stupid land watch this show. It's
one of the only around.

Speaker 6 (16:01):
It's really good.

Speaker 3 (16:01):
It's one of the decent things around.

Speaker 6 (16:03):
We watch a lot of to b let me tell you, guys,
and there's so much crap on there you can't even
believe it.

Speaker 3 (16:08):
And some of the acting, some of them are my friends,
and I have to tell them when I see them
with bodies you sucked. So you cannot just stand the lines.
It's called acting, you know. I hang on.

Speaker 6 (16:24):
Go ahead to Sarry, say.

Speaker 3 (16:26):
Show you guys do a brilliant job really sort of
like a mutic symphony. You come in, you go out,
you're commit it's wonderful for rehearsal.

Speaker 6 (16:37):
Go back to Sherry. So Sarry's never been on the show.
So we've never met Sherry. Hi, Sherry up your IMDb today.
You have some amazing credits and actually you've also been
in a lot of things that we've had a lot
of the people on our show. But one thing I
also noticed about many of you, I don't think cotton,
but like there's a whole bunch of things that all
you guys are in together that are big things. Hollowed

(17:00):
ground Hunt Club. I think several of you guys were
in uh Dinner the dinner party. There's a whole bunch
of things. So is that like a New Orleans thing,
I mean a Texas thing because you're not in New
Orleans or in Texas Rain, So a.

Speaker 10 (17:15):
Combination of New Orleans area and filming that's happened in
Mississippi and yeah, a lot of mutual friends and working
on a lot of mutual projects.

Speaker 6 (17:27):
Yeah, you guys have done a lot of stuff with
Jason and Jeremy London though, and they've like it seems
like you guys have done a lot. They've both been
on the show. And I interviewed him years ago when
he was getting engaged to this pretty girl, and I
wonder if he ever married.

Speaker 3 (17:43):
I never found out, but we had a nice time,
and then I realized that he was the twin one.
You know what?

Speaker 6 (17:55):
You know what?

Speaker 3 (17:55):
The funny part was. It was Taya Gill's movie I
don't remember then name, and there's this little teeny, horrible
woman with boots up to what and long long hair.
One side was black, one side was blonde, and she
was obnoxious and they said you should interview her. I
said why. They said, what was her name?

Speaker 6 (18:15):
Oh, Nicki Minaj? I said, what the hell is of
Nicki Minaj?

Speaker 3 (18:21):
So we propped her up on a stool because she's
like a midget, and she was such a bitch. She
didn't even answer my question. She wasn't even famous, she
was so nasty. So I told my producer, get this
bitch out of it before it. I said, she'd not
even work my time. I'm in the red carpet, people waiting,
and she turns around and take to me, guess what,

(18:43):
fuck you? I said, fuck you too, bitch, and I
can adit the website. So now Drew michells today, she's
the hottest property in the world. Mickey manage a movie.
So I said, you know, you know why? You know
how she got her name? In Italian when we say
monad manajo means oh my god, and that's what meeting

(19:04):
her is. Oh my god, she's a work woman. That's
my Mickey Minaj story.

Speaker 6 (19:10):
Now let's so everybody who knows. So we had Mike
on a couple of weeks ago. Jeremy was sitting in
the background. Now we'll get to focus a little bit
more on him. Sarah was on the show many, many
years ago. I think when I think we lived in Pennsylvania, still,
who was Sarah? It was on our show and Cotton.
You look like you should be on every Kevin Costner

(19:31):
Yellowstone eighteen eighty eight, whatever. You should be on every
one of those TV shows possible. I don't know why
you're not. You have the perfect you know, look for it.

Speaker 3 (19:40):
This guy is so handsome, he's guard so handsome, sophisticated,
you could do it. He plays a cowboy every time. Wait,
you can do a smeer Koff's Buka commercial.

Speaker 6 (19:56):
He looks like a You could take over him for
the most interest thing man in the world.

Speaker 3 (20:01):
He really did. I like people with beards. I think
only ugly people wear beards. Handsome people never cover their
faces like that. I think you a beard should go.
I think you're so good looking. You get rid of

(20:22):
that beard. You don't need to have a pussy bump book.

Speaker 5 (20:28):
All right, I have to insist on.

Speaker 6 (20:33):
I like I like beards, and I like Nicki Minaj
and I actually am a movie.

Speaker 3 (20:40):
You know what. It's all a joke. I'm such a
fast that I tell everything. I never hold back. I
have what they call what is it clo my mouth.

Speaker 9 (20:52):
I have no filter.

Speaker 3 (20:54):
It's some kind of a mental disorder. But anyway, I
have to go get my hearing aids. I can't hear
you guys so good.

Speaker 6 (21:02):
So that's fine. That way I can take over, all right. Oh,
go to Sarah Fisher real quick. So, Sarah, since we've
had you on the show, congratulations on, thank you great things.
I was on your IMDb today. I even noticed you
were in carry On, which we watched at Christmas. Yeah, Christmas,

(21:22):
So that's a really big credit. All you guys have
done some really cool work, and you've all worked with
people that we've had on the show. I mean, maybe
brag a little bit while we're waiting for him to
come back. So with Cotten Yancey, we have MK Ultro
with Jamie Ray new Nansen, Mountain, Jason Patrick, the death
of very Weather Lewis, Mystery, mysterious circumstance with John Schneyder,

(21:43):
who's been on the show a bunch of times. I
think you know John Schneider.

Speaker 11 (21:46):
Too, right, We've met a couple of times just in pastoring,
haven't haven't worked together though a.

Speaker 6 (21:51):
Violent separation with Ted Levine. I love Ted Ted Levine,
Joel McCraney, Francesca Eastwood, and then a bunch of you
were in Hallo Ground with Creak Wilson, which I just
invited him on the show, Sherry Eke and Jeremy Sandy
and Cotton Nancy.

Speaker 3 (22:06):
All you guys were in that.

Speaker 6 (22:07):
And then with Sherry we have been neglected with Josh
du Hammel, the two London Brothers, Dylan Sprouse, Will Trent,
what a good show. Congratulations on an episode of that.
We have a ghost, which did you guys get to
meet Jennifer Coolidge because of several I think of you
were all we have a ghost? Did any of you
get to meet Jennifer Coolidge.

Speaker 9 (22:30):
Movie?

Speaker 6 (22:31):
It's a really fun movie David Harber and Anthony Mackie,
Steve Colter, and I only bring up because he's been
on our show. Hunt Club also was a very good
movie Mina Savari, Casper Van Deen, the London Brothers, Mickey Rourke,
Jed Browan, and I only bring him up because he's
been in a lot bunch of our shows. And then
you have a movie that's I don't know if you

(22:52):
considered any good, but I loved it, Santa Jaws. It's
the dumbest, coolest fun movie ever. I liked fun movies.
And and you did a movie with Zoe Bell and
I like Zoe Bell a lot. She's on my Jimmy
Stars and Shiit videos. And then you guys all, uh well,
at least Mike and Sherry did the dinner party with
Jeremy London and you guys, and then Jeremy Sandy who's

(23:14):
the lead. He is David Judge in the in the
The Madness of David Judge TV series. I always want
to mess that up, so I don't want to mess
it up. Deep Water Horizon, A Day to Die with
Kevin Dylon, Bruce Willis, Gihanny Capaldi. Ron did a movie
called clown Fear with Gianni Capaldi.

Speaker 9 (23:34):
Okay, yeah, he's a really cool guy.

Speaker 6 (23:36):
He works a lot here, we see him a lot.
And Leon. Leon's a good friend of ours million times.

Speaker 3 (23:44):
No, he's one of my clients. I want you ultramatic.
I'm eighty five years old and I'm losing my hearing,
which I don't mind. Myke Penis still works because of that,
I'd really be upset. That's like a thing with men, right, Guys,
all we care about is that all wine is winging.
If they ever stopped winging, We're finished.

Speaker 6 (24:04):
Okay, but hang on. You gotta finish because I'm in
the middle of something here. Oh you're going home, Jeedy, Jeremy,
you have you can never go home again. Al Sapienz,
who we just had on the show recently us again, Sherry.
I love the way all you guys have worked together,
and then you came together to do this project. And
Sarah's got carry on. Lisa Frankenstein, we have a ghost
tall girl too. And I only bring it up because

(24:25):
we were at a red carpet event at the end
of COVID and and Jan Lewis Castellanos, who's one of
the cast members, the young kid good looking kids in
that and uh, and he was at the red carpet
with us and Christmas for Sale. And then Mike Mayhall,
I didn't write any of your ship down. It's not important.
That's important before. You're the creator of the one of

(24:48):
the creators of the Madness of David Judge. We have
the Walking Dad, We have all kinds of great stuff
with you, and we've had you on before, so I
wasn't worried about you. So why don't you, Mike, tell
us a little bit how you got all these people
together to get this whole thing going.

Speaker 3 (25:00):
Marcia's very handsome.

Speaker 11 (25:03):
I'd like to say I'm the one, but it was
really Jeremy and Sherry and his his uh his friends
who Emil was our executive producer, and our DP Michael Brophy.
They came to me with an idea, and then I
pinned out an idea and we all got together and
decided what who was going to get the roles and
how we're going to go about it, and we just

(25:24):
jumped in filmed like like mad people for a long
time and gave birth to the mad.

Speaker 3 (25:32):
Caught and bear with us, okay with us doing this
fell asleep now.

Speaker 6 (25:43):
So so why don't you guys, let's go around the
thing and everybody tell us who your character is and
tell us a little bit about your character. In the
Madness of David Judge.

Speaker 9 (25:52):
Yes, did you start, Jeremy, I gotta start.

Speaker 12 (25:56):
So I played David Judge. David's a pretty six testful
author and his publicist who's also his wife. She she's
been having an affair, and so he just kind of
decides to separate himself from the world and slowly loses
touch with reality, which when we were filming it, being

(26:19):
in the same location for going on like two months,
doing the same day over and over and over again,
really will help you lose your touch on reality.

Speaker 9 (26:32):
It's fun.

Speaker 3 (26:33):
I'm in six clown movies. When it called myself. If
they put me in another clown movies, absolute suicide.

Speaker 9 (26:41):
No clown movies for.

Speaker 6 (26:43):
Weeks, No clown movies.

Speaker 3 (26:44):
Are you become that character?

Speaker 9 (26:47):
Yeah?

Speaker 3 (26:48):
Yeah?

Speaker 9 (26:48):
And so like every.

Speaker 3 (26:50):
People say, acting peculiar, they said, no, I'm still in
a movie.

Speaker 9 (26:54):
Still in a movie. I'm still in a movie, you know.

Speaker 12 (26:56):
I was like set set for us was like a
forty five minute dry every day, and it was like
every morning I would get up and drive in about
about thirty minutes and I could feel my whole psyche
just like.

Speaker 3 (27:09):
Yes, I know the feeling. It's post director. You have
a very good director, because I love the way he
directs everybody in this movie. Well, do you have many?

Speaker 9 (27:18):
Mike is a directors the director.

Speaker 3 (27:20):
Yeah, good looks and your director? What else do you do?

Speaker 6 (27:24):
That's it? That's all I need to do.

Speaker 9 (27:26):
Mike makes really good meatballs.

Speaker 3 (27:29):
Did you have to do soft porn?

Speaker 11 (27:31):
I mean no, I dabbled in it a little bit,
but it didn't really work out for me.

Speaker 6 (27:35):
No, No, not at all.

Speaker 3 (27:36):
No, no, sir.

Speaker 6 (27:38):
He's a two times, two time Emmy nominee.

Speaker 4 (27:41):
Two time nominations.

Speaker 3 (27:42):
Two bullshit doesn't impress me because I know a lot
of directors that got awards and they stink. I go
by the work, right, am I right? I go buy
the work. I like the fact that see I'm I'm
a critic because I'm an actor for sixty five years.
I've been in movies with the great stars of Hollywood.
So I've been around the real ship, not the garbage

(28:04):
of today to make believe people who pay to pay
to be in a movie. What I like about your
show is it's an even keel. If you understand what
I'm saying. Each character doesn't come in as a page
from a script a lot of movies. You know when okay,

(28:25):
here he comes, now he does his speech, Now he leaves.
I don't like when I can see that in a
in a sequel sea So you guys, you mesh, you blend,
which is very good. And now it was.

Speaker 9 (28:38):
It was a great ensemble. They were all fantastic.

Speaker 6 (28:42):
Yeah.

Speaker 3 (28:43):
No, do you understand what I'm trying to say.

Speaker 9 (28:45):
I think so.

Speaker 3 (28:46):
Yeah, the movies you know that, you know the characters
coming in. Okay, he gives the speech, then he leaves.
Who gives a shit about that? That's a fake because
in real life we all talk over each other and
you know we and I think you're a great director.

Speaker 9 (29:00):
Well, thank you, thank you very much.

Speaker 3 (29:02):
Are you married.

Speaker 9 (29:04):
Well, my girlfriend right there, Sarah Fisher, I have a daughter.

Speaker 6 (29:08):
This is his girlfriend.

Speaker 3 (29:10):
Get rid of her. My daughter sick five. She's desperate.

Speaker 6 (29:17):
I mean, that's a real temp offer.

Speaker 3 (29:21):
My daughter was Miss teen Long Island and first one
second runner up in Miss America. She looks like Berna
Lisa or Grace Kelly. She's a green eyed, blonde beauty
and she's.

Speaker 6 (29:32):
Am fIF Now, Sarah, you you stick with it, you got.

Speaker 3 (29:37):
I'm gonna get rid of I'm calling Brooklyn if you
hang out.

Speaker 8 (29:42):
Justice for Sarah and just Sarah, Justice bear, we love,
we love Sarah, I love.

Speaker 13 (29:54):
Eight and a half years.

Speaker 3 (29:55):
You're a dummy. You're a stupid woman. Ain't you happy?
It's no ring?

Speaker 6 (30:00):
Oh okay, this is the truth.

Speaker 3 (30:10):
Get rid of him.

Speaker 6 (30:11):
Eight years He didn't get rid of me. Don't me,
don't try.

Speaker 3 (30:17):
Don't you want to She's a beautiful girl. Don't you
want to get married?

Speaker 14 (30:21):
No?

Speaker 6 (30:23):
See that's modern day. So you guys got to remember
that where he's from a time, because his daughters don't
want to get married either. He's from a time, you know,
where everybody had to get married.

Speaker 3 (30:32):
I married this jerk fourteen years ago.

Speaker 6 (30:35):
He married me because he has to be married by it.
But he doesn't really follow like the the the the
younger generation of like just me together. You don't have
to be married, so so just ignore everything.

Speaker 3 (30:49):
For a year. And I said, what do you think
you're going to get free baggage for a year? Buddy,
I'm no Backstreet number. I said, you either marry me
or split, and he married me. I was really going
to get rid of him after a year. What do
I need him in between my legs bugging me? I
don't need him anyway? Anyway, Anyway, our show is a

(31:13):
crazy show. We talked about it because people the board
were just the acting stuff. They said, Okay, we know
their credits.

Speaker 6 (31:20):
We don't want we don't want to go back around.

Speaker 3 (31:22):
So they want to hear about people. They want to know.

Speaker 6 (31:26):
We're going to go back to people in a minute.

Speaker 3 (31:27):
But I like to bring out who my guests are.

Speaker 6 (31:30):
So bring out Sherry as a guest, because we heard
about jeremyrgeous.

Speaker 3 (31:37):
You think she's going to get away with it.

Speaker 6 (31:38):
No, she's gonna She's going to givejustice for Sherry. And just.

Speaker 3 (31:45):
You're you're beautiful, your talent, don't be cheap. Don't just
give it to anybody. Make sure the guy you date
is worth it. It's you're valuable, You're not golf. There's
a lot of garbage out there that men use an abuse.
I nen't let a man use or abuse you. You lovely,

(32:07):
thank you.

Speaker 10 (32:08):
So ron I really I've got a question for you,
a burning question. Do you have any thoughts on Jeremy
as like a potential spouse?

Speaker 3 (32:22):
Oh? Oh no, because I'm married.

Speaker 6 (32:24):
He's married. He's asking me if you have any ideas
about Jeremy as a potential spouse.

Speaker 3 (32:32):
At eighty five years old. Okay, I can handle this
jerk here. My days of a number on the side
are gone, both days ago. I don't even flirt. They
come up to me. Would you believe it's eighty five
years old and the young ones are hitting on me
and I'm throwing them away like they were confetti. And
some of my gay friends who were younger, say, Rose,

(32:54):
what are you crazy? That's a hot number. Why are
you getting rid of him? What am I going to
do with a thirty year old? Bad enough? I got
to be with him, that's enough. But no, I think
Jeremy is very cute, and I think you should go
after him.

Speaker 5 (33:09):
I thought about it, that idea.

Speaker 6 (33:14):
There's some chemistry there between.

Speaker 9 (33:15):
This is a little bit, little bit.

Speaker 5 (33:18):
We've actually been married for eight years.

Speaker 3 (33:22):
Married for eight years.

Speaker 5 (33:24):
I was curiously, didn't you know that we're going to
throw him under the bus.

Speaker 6 (33:31):
Very fortunate today because everybody in your cast is really
good looking, so there's nobody but ugly since so it
works really good.

Speaker 3 (33:38):
But I'm glad you're married. Thank you. I like him
a nice fellow and you're a pretty nice girl, and
I think it's a good marriage. Eight years, you'll make
eighty years.

Speaker 5 (33:48):
Oh no, no, the first, Jeremy wore he wouldn't stick
around that long.

Speaker 12 (33:57):
I really will the first I'd be one hundred and yeah,
that's impressive.

Speaker 6 (34:05):
Yeah, let's go back. Tell us, tell us about who
do you play in the Madness of David Judge.

Speaker 10 (34:11):
So I play Detective Skyler. She shows up to start
investigating Samantha's disappearance and start digging into what this David
Judge guy is really up to, and so there's I
guess a bit of a cat and mouse game there,

(34:33):
and I won't reveal too much of the plot of
what happens to her later in the series.

Speaker 6 (34:38):
You'll just have to watch to see that.

Speaker 10 (34:40):
But it was fun playing and detective and Jeremy and
I had some cool scenes together, which is.

Speaker 5 (34:46):
Always fun playing opposite him. We've done that before, but
I really enjoyed these scenes, in particular.

Speaker 6 (34:55):
Married. I married, so that's cool.

Speaker 3 (34:58):
Be careful about playing the detective. They sort of typecast
you after. I don't know why that is, but once
you play a detective, they always say, get her. She's
a good detective. You notice that.

Speaker 6 (35:10):
I believe I am happy today.

Speaker 3 (35:18):
I played detectives all the time. I played priests. Why
a priest with this filthy mouth? No? No, no, because
off camera the crew faints from me. Off camera. I
was being wired one day for a movie and the
guy was having difficulty getting the wire up my trousers.

(35:40):
I actually, wait a second, I'll drop my trousers. No
big deal on then it's like a bathing suit. So
I dropped my trousers and he brought the wire up,
and I said, oh, by the way, while you're down there,
it's just a joke. Well you had to hear. They
almost tore me off the movie. I said, it's a
fucking joke. It's an old joke. We did that as

(36:01):
kids in high school.

Speaker 6 (36:04):
But I can't do that anymore. I can't do that anymore.
Can't do that.

Speaker 3 (36:07):
Years ago, Clark, Abel, you know clockable, not personally. Wee.
Jane Russell my best friend, like my sister. We hung out,
we lived the buddies of it forever. And Jane told
me a lot of stories about clarke Abel when she
was working with him in the movie. He was the
most notorious flirt. She couldn't even get her lines right.

(36:32):
She sings an Apple, a song about getting an apple
from a tree, and clarke Abel Jos get over here, baby,
I'll grab your apples, and you got away with it.
Not anymore, not anymore? All right?

Speaker 6 (36:44):
So hold on, We're going from Sherry, who's married to
Jeremy that we didn't know, and that makes more sense
in my head now, kids, Yeah.

Speaker 3 (36:53):
Time to have.

Speaker 9 (36:56):
Persuasion.

Speaker 3 (36:57):
Actually, don't don't know it.

Speaker 6 (37:00):
Sentence there, good, Okay. So now we're going to move
down to Sarah. So I forgot you guys are in
New Orleans. I want to talk to We're not He's
gonna get his chance and we're going to Sarah. So, Sarah,
tell us who you play and tell us what's how's
everything then, because it's been eight years, I think I
looked it up since you've been on the show, has
it really what's been going on, and then tell us

(37:22):
who you play.

Speaker 13 (37:24):
So I play Samantha Judge. There's just too much to
talk about her that I can't really talk about because
it'll reveal a lot.

Speaker 6 (37:36):
But we're going to play the trailer after we get
through everybody. We're gonna play the trailer for everybody.

Speaker 13 (37:40):
Okay, So so yeah, so you know it is true
that she there. You know, they are on the verge
of getting a divorce, and and everything else will kind
of get revealed when you watch it. I just kind
of have to leave it at that because there's just
too much.

Speaker 6 (37:58):
All right, Okay, we can do that.

Speaker 3 (38:00):
So well, she's absolutely lovely.

Speaker 6 (38:03):
Yeah, I agree. I don't understand you. I mean, what
are you waiting? You want to be all right? So
go to Mike, Mike, No, I was playing the long game, Ron,
That's what I'm doing.

Speaker 3 (38:14):
She's a lovely girl. I think she'd make a wonderful wife.

Speaker 6 (38:19):
I don't think she's Are you guys in the same
house right.

Speaker 1 (38:21):
Now or no?

Speaker 3 (38:22):
No?

Speaker 9 (38:23):
Okay, it's funny. It looks like he's in the living room,
but I'm actually in his living room.

Speaker 3 (38:28):
Oh, you're in this living room.

Speaker 6 (38:30):
That's funny.

Speaker 13 (38:32):
We're actually, ironically, we're both in Orlando right now, but
he is near We're seventy five in the Turnpike meet
and I'm all the way down in downtown Orlando.

Speaker 6 (38:42):
So what are you doing in Orlando? Are you guys
there for work?

Speaker 5 (38:46):
So I I I've been working for Disney.

Speaker 13 (38:51):
As a server since two thousand and five and just
kind of come back and play a little bit if I.
You know that the industry is very slow right now,
so I just went back just to kind of get
back into the parks for free.

Speaker 3 (39:08):
You know, my mos I love so many actors and
actresses famous today with servers, because thank god, that job
otherwise she do. My daughter who was an actress and
no longer because she hates the business and the people
in it. But when she was a server, they used
to let her off work for auditions.

Speaker 6 (39:30):
Actually, she lived in New Orleans for a while.

Speaker 15 (39:32):
Huh.

Speaker 6 (39:32):
She worked in New Orleans and did a bunch She
was in a bunch of films in New Orleans at
one at one time.

Speaker 3 (39:38):
When after the flood, Now it's cold as hell, I
heard nothing happening in Orleans.

Speaker 6 (39:45):
Right, to stand still, yeah, they said, to stand still?

Speaker 3 (39:51):
What the hell happened. I mean it was so hot.
Everybody was running to Orleans to work. I was going
to go to a movie there, except I forgot what happened.

Speaker 6 (39:58):
Well, then that's why you around that.

Speaker 11 (40:00):
That's why we made this because there was nothing coming
in nothing coming nothing filming in LA nothing coming into Atlanta,
nothing into Texas, nothing into Mississippi, nothing into New Orleans.
And we're looking at a pool of talented, talented people
all around us, all professionals. As you went down our
resumes and we said, you know, honestly, we said, screw it.

(40:21):
We're going to just do our own project. We're going
to put it out there into the world, and I
think people are responding. In fact, I'll go this since
we're going to Cotton next. We just heard back from
a really great film festival in Toronto up in Toronto,
where we not only won the Best Series award up there,
Cotton was nominated for Best Supporting Actor.

Speaker 3 (40:45):
Out of our.

Speaker 6 (40:48):
Good for you news, this would be a good place
to sort of let everybody know. I'll send you out
all that stuff to make it officials, but.

Speaker 3 (41:00):
You, cay Ji, I want to make a political statement.
A lot of people want to hire me, and then
they find out my age. I guess they think I'm
going to be pissing and shitting in my parts on
the set. I don't know what they think. All that
is in a real mean in a wheel chair, or
they're going to have to I don't know what contrere
to all of that. I'm the liveliest and the youngest

(41:23):
one on a set of thirty year olds. I mean,
it's true, all the kids loved me because I'm not
an old man, and I really resent the fact that
they put our age against our talent. You know, I
worked with Sephila and and Tamphunter at nineteen years old.
Not too many people today can say that, and I
think that's my crowning glory. I always refer to myself

(41:45):
as being in that movie because it was in the day,
nineteen fifty nine. It was the movie of old.

Speaker 6 (41:53):
We are a premiere Saturday in Beverly Hills and it
sounds funny, but it's Clown Motel Three Ways to Hell,
and it's a another clown movie. And he plays genitmal
Lin and he's in the whole first half of the movie.
And we shot that last summer in the desert in
one hundred and ten degrees, you know, walking back and
forth in the desert for hours in a wool in.

Speaker 3 (42:14):
A wool in a wool suit in a wolf will suitform.
And you know what, it's funny, guy, this story. I
love a lot of the crew was so sweet, my soldiers.
They kept running over to me on I have a chair.
I said, what if I want to sit in there
for the middle of the desert and said relax. Yeah,
I said, get the fuck away from me. I'm working.

(42:35):
So they said, let's do it again, Joe, probably let's
go wrong. Let's go again. I got up and I
walked that desert and they said to me, how old
are you at that time? I was eighty eighty eighty four,
I said eighty four. They said, my grandfather is eighty
four and he's an I said, well, some people are,

(42:56):
some people aren't, and I think Cotton is.

Speaker 6 (42:58):
So we're going to find out what it looks like.

Speaker 3 (43:00):
Cotton's going to be like me when Cotton's eighty five
is going to be working.

Speaker 6 (43:04):
God, tell us a little bit about you. Tell us
who you play in the whole thing. And you do
a lot of Westerns, right, I mean, I seem to
see a lot of Westerns on your IMVB, and you look,
you know, like the part for all those kind of
Western type things like I would think that you would
be like the busiest actor out of the bunch just

(43:25):
because of your unique look.

Speaker 7 (43:28):
Well, I doubt I'm the busiest actor out there. And
if you've got any inside to Taylor Sheriton, i'd appreciate
you sharing my name with him. I've been trying to
get on Yellowstone, and I tried to get on eighteen
eighty three, nineteen twenty, whatever the hell that was, and
all the little series I really liked.

Speaker 3 (43:47):
To wat perfect for Yellowstone. I would pass you in
Yellowstone if I was.

Speaker 7 (43:53):
Well, I appreciate it. I'm sorry you're not a cashing
drission sorry too.

Speaker 3 (43:57):
I cursed myself, but uh.

Speaker 16 (44:01):
Now I was.

Speaker 7 (44:01):
I was extremely happy to be on this one. Jeremy Jeremy,
I think is the reason I'm on this film. And uh,
and I just uh, Jeremy Jeremy and I had a
part together and a little cheap ass movie we did,
uh ago eight years or something like that. Yeah, it's
been a while, and uh, but it was a good

(44:23):
scene and I cherished that scene It's still on my
IMDb page.

Speaker 3 (44:27):
I send it out every now and then in auditions
and stuff.

Speaker 6 (44:30):
Because it's so what was the chief little last film?

Speaker 7 (44:33):
Uh, don't come around here was the name of it? Okay,
Cherry was in it too, and me and a guy
named Jordan Saloon and and I guess that was the
main cast. And and well Greek Wilson was in it too.

Speaker 6 (44:47):
Yes, I like Wilson.

Speaker 3 (44:49):
So how many years are you?

Speaker 7 (44:53):
Well, Uh, I've only only started acting in two thousand,
two thousand and what eleven?

Speaker 3 (45:00):
Yeah, really, so you're a newcomer.

Speaker 7 (45:03):
Well, I've been in an entertainment business since I was
seventh so it's sort of hard to.

Speaker 3 (45:07):
Say an instrument. I see the base fiddle behind you. Yeah,
that's a base fiddle. That sure is? You played that, yes, sir, Yes, sir,
I do.

Speaker 7 (45:18):
But I play a lot of things, and not not
any of them very well. Uh but uh but I
had success in the music business. I also had a
success in the rodeo business.

Speaker 6 (45:28):
And uh so that was we're a rodeo like you
rode like steer and stuff or what it was.

Speaker 7 (45:35):
I did ride sanle Bronco and I cap Open Team
rope for a while when I was really young, But
I found out I could make a lot of money
as a horseback announcer like Jay Lenno on a horse Yes,
first one in, last one out, and that became very
popular around the turn of the eighties. And when Wireless wait.

Speaker 3 (45:53):
I want to punch you in the head. If you direct,
you gotta let him finish. I can't help it. Stop
the rescue me. I don't need you to fucking direct.

Speaker 6 (46:02):
Let him finish his sentence and then you can talk.

Speaker 3 (46:04):
I'm gonna put two fingers in your audi.

Speaker 6 (46:07):
We do this all the time. I don't worry you're gonna.

Speaker 3 (46:08):
See my handsome face.

Speaker 6 (46:12):
We do it anyway.

Speaker 3 (46:13):
Anyway.

Speaker 7 (46:13):
Let me let me say something about Mike Mayhall. I
respect that man because if it hadn't been for him, U.
I don't know if I'll make this movie because I was.
I was a mess trying to make this movie. In fact,
the first line I ever had, the first line I
had in the in the movie is sort of a
kick mature thing for me in this movie. And it

(46:36):
was just two words and and and they said action,
and I'm supposed to knock on the door and say
these two words and I can't remember, save my life.
And this is the first first exposure to Mike and uh.

Speaker 3 (46:49):
But it was shell we and uh and of course
I used that one again. I couldn't remember two words.
I remember the two words, Gus what I can do
four pages? You know why I wear an ear plug?

(47:10):
Jimmy feeds me my lunes. I mean, I don't remember
jack ship. I can remember a lot. I could remember
a whole page in the dressing room. The minute I
got on the set, somebody throws me off. I said,
you want some water? That ruins me and I say,
what am I doing here?

Speaker 6 (47:28):
He couldn't remember bitcoin, Oh, bitcoin, that crap. We had
a movie that he had to do and he had
to use the word bitcoin and they had to shoot
it like thirty times. Finally they wrote it down on
the wall so he would.

Speaker 3 (47:40):
Like, did it three times.

Speaker 6 (47:42):
I didn't know what a bitcoin.

Speaker 3 (47:46):
I never heard of it. And if I don't know
a word, you know that when you're acting, If you
don't know the word, how can you act a part?
It's impossible. So I kept saying, what the fuck is
a bitcoin? And they try to explain it's fake money.
I said, what anyway? I never got it.

Speaker 6 (48:01):
So what we want to do? I want to play
the trailer for everybody. I think we're going to let
Jeremy introduce it this time. All right, I do it
the last time. So, Jeremy, you introduced the trailer one
our fabulous engineer. We're going to play the one that
says the mad This is David Judge trailer. You guys,
hang on. We're going to play it for everybody. Then
we'll come back and talk about it. But Jeremy, you
introduce it.

Speaker 12 (48:22):
You're about to watch the trailer of Madness and David Judge,
brought to you by Mike Mayhall.

Speaker 10 (48:43):
If you were just joining us, we are with world
renowned best selling author David Judge.

Speaker 12 (48:49):
By the time that this airs, I will be locked
away in my retreat writing like a madman.

Speaker 9 (48:58):
Samantha Woso divorce.

Speaker 3 (49:00):
You don't. I don't know what I want. You know,
that's not the leading that's hard.

Speaker 7 (49:03):
It's the guilt of moving on and being happy about
you know what I find interesting?

Speaker 10 (49:08):
A detective all the way from New Orleans shows up
and you have not asked me what I am doing here.

Speaker 6 (49:15):
Your wife is.

Speaker 3 (49:16):
Missing, demand is being consumed by Samantha, you know the man.
She comes it out to you ain't fair.

Speaker 7 (49:27):
That don't make any sense because I spoke with her yesterday.

Speaker 5 (49:31):
She's been missing the better part of ten days, maybe longer.
That is according to her friend Richard, who reported or missing.

Speaker 9 (49:40):
Do you love me?

Speaker 1 (49:44):
I die?

Speaker 4 (49:45):
I hurt you again?

Speaker 3 (49:46):
So what you want is that love?

Speaker 1 (49:50):
David?

Speaker 3 (49:51):
You coming by here assuming things when I'm by here?

Speaker 16 (49:55):
No, David, anytime you want to achieve great things, the
gods demand, they demand a sacrifice and shoot, it's only office.

Speaker 17 (50:21):
Would you like?

Speaker 3 (50:27):
It's okay? It's okay.

Speaker 6 (50:36):
You guys all look so good in that you really
really do. It's shocked beautifully for anybody who hasn't seen
it yet, we need you to go watch it. So Mike,
why don't you tell us where can people see it?
You can see?

Speaker 11 (50:49):
I think the easiest place to watch is on tub
It's free there. We're also on Amazon Prime and Movie
Central on.

Speaker 6 (50:58):
YouTube, but they check it on TB. I think that's
watching on twov you guys. There's five episodes.

Speaker 3 (51:03):
So now we have a question, Mike six what camera
are you shooting with?

Speaker 11 (51:10):
That was done on a black Magic Pocket six K
with vintage lenses, so it has a really unique look.

Speaker 3 (51:18):
It's it's also that wonderful, that sort of softness.

Speaker 6 (51:25):
Yeah, we fought really hard.

Speaker 11 (51:26):
We were really particular about every shot, all the setups,
because we really wanted you to feel the whole world,
you know, just the left and the right of it.

Speaker 3 (51:35):
And and I think.

Speaker 11 (51:37):
Centering the Jeremy the David character in the center of
that you really just I think it you feel how
alone and isolated he is, and you really feel his
pain that he's going through.

Speaker 7 (51:47):
Right.

Speaker 6 (51:48):
I would love to work with the effects is really
good too, though, Like I would, I would love.

Speaker 3 (51:52):
To work I've never worked with that camera, but I
would because I could look twenty.

Speaker 6 (51:59):
I love the effect of the eyes in the mirror thing, Like, Mike,
you're really.

Speaker 3 (52:05):
I hate to woke up your ass because I hate
doing that. Though I'm not a Hollywood bullshit artist. In
other words, when I go to Red Corpets, if the
movie stinks, I don't walk around sand It's wonderful, it's fabulous,
you are terrific in it. I don't say anything, and
they say, Ron, what do you think of the movie?
I said, suck. I'm gonna lie. I mean Clown Motel

(52:27):
Three Ways to Hell.

Speaker 6 (52:30):
I haven't seen it yet. Oh wait, we haven't seen
any there.

Speaker 3 (52:33):
But we're gonna be fine. Bring your pajamas when you
go to see it.

Speaker 6 (52:39):
No, it's gonna be fun.

Speaker 3 (52:40):
Yeah, one hundred clowns. Over one hundred clowns.

Speaker 6 (52:45):
I'm want to go back to killing everybody.

Speaker 9 (52:47):
What are you?

Speaker 6 (52:48):
What do you guys consider this? So it's not really
a whore. It's more of a psychological thriller or a thriller, like,
how do you actually categorize it?

Speaker 11 (52:56):
This is just me and I think everybody will have
their own little opinion, and I'd love to hear everyone opinion.
I think it's more of a sort of a mind
twisting psychological or super mind twisting supernatural mystery.

Speaker 3 (53:09):
That's what I see.

Speaker 6 (53:11):
All right, let's see what everybody else says. Go with you, Jeremy.

Speaker 9 (53:14):
I thought it was a romantic comedy, but apparently.

Speaker 3 (53:19):
Problem netflex will list it as a romantic They do that.

Speaker 6 (53:24):
All right, Jerry.

Speaker 5 (53:27):
Yeah, definitely a love story. A love story. Now the
psychological and supernatural.

Speaker 10 (53:38):
Elements of it are more forward, but I think people
will relate a lot to these characters, like they're very
grounded characters in a sort of.

Speaker 17 (53:52):
Extreme circumstance, if you will, I think plas I don't
like slasher, I ever do slash your movies where I
get slashed that fake red blood goes.

Speaker 3 (54:06):
In my haird it stains it. I tell the producers,
no blood Sarah works that way for you.

Speaker 13 (54:19):
I mean, I I agree with everybody.

Speaker 6 (54:23):
I think it's.

Speaker 18 (54:25):
If we were to categorize it, yeah, it would be
a psychological thriller, But if you really watch and immerse
yourself in the actual storyline, it's just about UH emotions
of everyday people and how we deal with them, and
what what is and what is UH connection to another person,

(54:46):
and what are the stakes that we have when it
comes to giving up that emotion and connection with someone.

Speaker 3 (54:53):
You haven't aged like a day in eight years.

Speaker 6 (54:56):
You look exactly years ago to that Asian amazing. Now
you're just stunning all right ton? And then how do
you describe it?

Speaker 3 (55:05):
There is there is a small amount of intelligence out
there that watches filmed very small and a thriller heeds thinking,
and psychological thrillers need more thinking. Unfortunately, the audiences of
today are morons and they want they don't want to

(55:28):
think they don't want your plot, they don't want to
figure it out. Oh I'm tired. I don't want to
hear them talk. I want her killed. I want him
to cut her throat the blood. This is what stop.
I don't like that, don't approve of it. And I
tell all the directors when I got a director's guild,
the party up when we talk about shit, I tell them,
stop with the blood and the cutting, because you're making

(55:51):
the audiences into crazy people. That's why there's so much
violence out in the world, because there's too much shooting, slashing,
killing and disrespective women. All these movies that are not
that I'm in, but some of the movies I go
to see that my friends make. All the women are abused,
they're beaten, they're shot, they're cut, their thrown. It was terrible.

Speaker 6 (56:12):
He's not big into the slashers.

Speaker 3 (56:14):
No. Let me tell you my friend Marcel Waltz, who
I love on the door, wonderful director, producer, and he
did a film called Blind. It is the best film
I've ever seen that is in a low budget film.
It's about a movie actress who has a mistake done
with her eyes and she's blind and a fan is

(56:35):
now living in her house and she doesn't know it.
The story was exciting and there was no blood cutting, killing,
he says, terrible money.

Speaker 6 (56:50):
It won every film award. So then they did the sequel,
and the sequel like eight people get shot the ship
out of them, and they did, and he made it
for a fortune.

Speaker 3 (57:01):
You see, the audiences today are stupid, and I don't
give a shit if they're listening and they don't like it,
but you're stupid. Learn In my day, in the nineteen fifties,
we had stories, we had smoothie stars that didn't take
shits on toilet bowls, and film like.

Speaker 6 (57:21):
You know.

Speaker 11 (57:21):
Well, Ron, I think I'd like to push back a
little bit, and I don't think today people are stupid today.
There isn't an attention span deficit, yes, but I also
think people I think it's honestly, I think it's the
other way. People know what they like, and they want
to see the things that they like, and they're going
to go after those sort of things, and they're going
to quickly.

Speaker 3 (57:39):
What kind of crazy bastard wants to see. Listen, I've said, Mars,
let me just.

Speaker 6 (57:44):
Finish this real quick run. I'm sorry, I mean just
because I understand, you know, and I think that's what is.

Speaker 11 (57:50):
And we have a show like our show David Judge,
which has got a bit of a slow burn.

Speaker 6 (57:55):
But I think what will keep you in the seats
and keep you there is that there's intrigue. What's got
a story, intrigue in their story.

Speaker 11 (58:03):
So yes, if you choose to pay attention to it,
you choose to follow the mystery and be the thinking
person watching it, that's great. Also, if you choose to scroll,
you're going to be intrigued enough to understand everything that's
going on.

Speaker 6 (58:17):
No, you're right, You're right.

Speaker 3 (58:18):
There's an element of sedistiveness in it, because Marcel did
a movie where you see a man's penis and then
they chop it off. So I said to Marcella, don't
you think you've gone too far? I said, next, they're
going to show a woman having her vagina beaten up.
He said, oh, we did that already. We put firecractice
up of vagina and blew it off. I said, you

(58:40):
did a movie where you blew a woman's vagina. I
can't believe it. People really go to see this, he said,
They love it. They cheer it on and I've thought
to myself, what do we reckon the Roman days of Gladiators?

Speaker 6 (58:51):
I think I think you're right. I think there's people
who want, you know, there's to chop them up stuff,
and I think that's more of a younger audience. I
think that there's also people who want an actual story.
The Madness of David Judge is an actual story, you know,
from the beginning. Again, it has a beginning, of middle
and an end. That's what he likes.

Speaker 3 (59:12):
That's why I'm a fan. I'm a fan of your work.

Speaker 6 (59:16):
And this other film.

Speaker 3 (59:17):
I want to see it, and I'm very curious to
see this thriller because I love thriller movies. There's nothing
better than.

Speaker 6 (59:24):
I've seen a movie that so Now in the chat rooms,
they said, I watched the series. The whole thing is
very scary. The ending, without saying anything, is way beyond
a thriller. It has more. The acting is so solid,
there's mood of mystery during the whole thing. That's a
good review. That's from our chat room of somebody who
already watched. You think, what kind of movie did you

(59:48):
think it was? Cotton? I mean TV series. I'm sorry,
not moving you think you say, thriller, psychological thriller, Uh,
supernatural thriller.

Speaker 3 (59:56):
But what say you?

Speaker 7 (59:58):
I go buy a lot of what kids tell me.
I got five kids and they're all grown adults, and
they loved the work I'm in and most of it
some of the DIY don't, but this one they really
liked because they followed Jeremy Sandy from beginning to end,
couldn't take their eyes off of him, and uh, and
I thought that was appropriate, and I thought that was

(01:00:20):
what Mike wanted. I think that that's that's what took
That's what glued everybody to the film, is Jeremy's presence
and all the characters that that worked around him were
so complimentary to his presence. I think that's the reason
that we're all very proud of this film because it's
being recognized that away by audiences that don't know any

(01:00:42):
of us and have never seen it. It didn't know
any of what we did went through to get it
done and all that, and uh, and that's really and
I think that the film business, movie business business I've
been in all my life is the entertainment business. And
I think this was very entertaining for the fact that
we had Jeremy when a solid, solid, solid lead all

(01:01:05):
the way through due to Mike's.

Speaker 6 (01:01:08):
Direction, I thank you God.

Speaker 3 (01:01:10):
I agree, and I think that we need more people
like Mike. I think we need less of these jerks
that think who the hell they are that their director's
producers or whatever, and they buy their way into the
business by asking people for money to fund their garbage,
because it's garbage. I have to I go to so
many red carpets because I'm an interviewer, that's my job,

(01:01:33):
and I'm so appalled at some of the things I
have to sit there and watch, especially the abuse of women.

Speaker 7 (01:01:40):
I just I just like it intensely. I don't think
you got to you got to remember something. And I
don't know I'm gonna say to use the words you
did Mike pushback. There's no there's nothing in this world
as far as a protagonist goes. There's no great protagonist
in this world without serious, serious, badass antagonist. And sometimes

(01:02:03):
the antagony of a movie, in my opinion, props up
the protagonist throughout the entire thing, and the protagonist has
got to live up to it. And so and I
think that's what happened in this movie. You had serious antagonists.

Speaker 3 (01:02:20):
And don't.

Speaker 7 (01:02:21):
I don't think anybody even knew I was in the
movie except for Jeremy, because I only interacted with Jeremy.
I never interacted with anybodyybody, and so Jeremy, whether I'm
alive or dead really is not even a factor. I've
questioned that several times myself in this movie, which makes
me love it even more because I've had my kids

(01:02:41):
ask me the same thing, were you alive or dead?
I said, you know, I can't really tell you that.

Speaker 9 (01:02:47):
You got to watch them.

Speaker 3 (01:02:48):
You got to watch them to find out.

Speaker 6 (01:02:50):
You guys, the madness of David Judge, the time to
be we want to watch it. One thing I want
to say about all of you guys, I think all
of you guys are on the I know you we've
all done great work, and you've got some great credits
and everything. But I think you know, as as you're
going along, you're all on the verge of like breaking
into something way bigger than what you've been able to

(01:03:11):
do in the past, because you're all excellent, excellent actors.
You know, when I first watched this, I was like, Wow,
I don't know really besides Sarah and Mike. I was like,
I don't know anybody in this, you know, and normally
I don't even like when we're going through to be
that's what we look at first. Who's in it?

Speaker 17 (01:03:25):
You know?

Speaker 6 (01:03:26):
Do we like the people that are in it? And
we didn't really know anybody in it. So to watch
it and be enamored with it and be able to
sit and watch five episodes in a row, you know,
because it was so so good and so well put together,
and think all you guys are going to blow up.

Speaker 3 (01:03:40):
Let me Jimmy. Jimmy and I like to eat in
the den because we have a very big television size
of the house, and we watch a movie every night,
every single night, especially movies of our friends or like,
we'll be watching your movie tonight.

Speaker 6 (01:03:54):
Because we already watched it. But which one what we're
talking about right now, we've already watched it. The series
The Madness of David, The Madness of David Judge just
just yes, you've already seen it. Made an impression, obviously.

Speaker 15 (01:04:11):
I sometimes that's okay, you know, well, we just have
a break I'm talking about.

Speaker 6 (01:04:22):
I just wanted to say, Jimmy, yeah, go ahead. Wait
he's saying some let him say go ahead.

Speaker 11 (01:04:25):
I wanted to say thank you so much for your
compliments towards me, But the truth is is that you
know performances that they really don't happen in a vacuum.
And I think you hit the nail in the head,
Jimmie when you're saying that while you don't recognize our faces,
what kept you interested with the performances from everybody everybody
in this group is so they're so talented and that

(01:04:47):
the madness of David Judge, you know, would not be
what it is without the people sitting here on your
show today, because they really are the ones that made
made the show what it is.

Speaker 6 (01:04:58):
And I mean they in my opinion, they all deserve awards.

Speaker 11 (01:05:01):
They deserved all the leads on big Netflix and in
the movies because they're there at that level. But the
show is what it is because it's everybody believed in
it and everybody gave their best every moment, every frame,
every second and walked together.

Speaker 3 (01:05:15):
That was my very thought because as I keep saying
the word garbage, there's a lot of garbage out there,
So you know that, don't play the game like you're
going to cover up all these jerks that are making
garbage movies.

Speaker 6 (01:05:28):
I mean, we all have garbage movies.

Speaker 3 (01:05:31):
You know, I've been in some real beauties that I
don't even tell my friends I'm in them because they
stink so horrible. But take let me take you back
to nineteen fifty four. In nineteen fifty four, if someone
was shot, you never saw blood. You know that, And
we didn't need to see blood. We understood it. We

(01:05:54):
went along with the story. Humphrey ball God strangles a
woman in a movie where he's a writer and the
camera cuts away. Ginger Rodgers strangles Peggy and Gardner in
a movie, but she does it in the hallway where
you only see her arms, not her Why Ginger Rogers said,
I don't want my audience ever to see me kill

(01:06:16):
anybody because it will ruin who I am. So back then,
actors and actresses and scripts protected each one, and that's
why they are legends. Today we do not have legends.
We have passing fancies, but we don't have legends. And
I wish we did, and I wish I was a legend.

Speaker 7 (01:06:42):
I think the legends were made because of the studio system.
The studio system, the main point is to make legends,
so they had something to say. The Clark Gables and
I made the Humpy Brogts, and Betty Davis's and Jimmy
Stewart's and the list goes on and on and on.

Speaker 3 (01:07:00):
A wonderful actors working eight to five from Monday two
through Friday, and they were friend always.

Speaker 7 (01:07:05):
The hell went that was going on right now, I'd
be first in line to try to get my ass
a contract, because it is something about working every day
on something. You're gonna get good at it. Whether you're
worth a shit at.

Speaker 6 (01:07:15):
It or not, you're right, I agree.

Speaker 3 (01:07:18):
I was good friends with Betty Davis for a long
time when she was an older woman, and I used
to probe whenever I could and get questions out of her.
And I said, what was the most difficult thing you
ever had to fight in a movie? She said, Well,
when I made the movie with Mariam Hopkins, she said,
the scene was, well, I'm supposed to go into the
living room and then shake Miriam Hopkins. Well I did it,

(01:07:42):
and Miriam Hopkins complained that I shook with evilness and
injured her shoulder and she was unable to work for
the day. And Betty Davis, I wanted to kick her
right in her ass for that stupidity. Anyway, they shot
the scene again. Betty Davis deliberately shook her mercifully, I
mean actually wasn't supposed to and throw her down on

(01:08:06):
the sofa. And I said, what did that feel like?
She said, wonderful?

Speaker 6 (01:08:14):
So real quick, because we've only got like two minutes
left to go here. Tell me, first of all, where
does everybody find you on social media? I guess let's
do that first. Whatever you guys have Instagrams are starting
with Jeremy and just go around the circle.

Speaker 12 (01:08:30):
It's real simple these days. Just at Jeremy, Sandy at Instagram,
A Sandy.

Speaker 6 (01:08:35):
Here you go, okay, Sherry Sam just at Sherry Ekean.

Speaker 5 (01:08:40):
I think on Instagram?

Speaker 6 (01:08:42):
All right, Sarah, I didn't see you on Instagram? Are
you on Instagram? Yeah?

Speaker 13 (01:08:46):
It's it's actually prism light pictures.

Speaker 6 (01:08:49):
That's why I couldn't find you. Okay, yeah, I'm gonna
write that down, okay, Mike at Michael Nahil all you
guys have you guys all have really good easy ones
to do and KNT you're probably just cott Nancy, right.

Speaker 7 (01:09:04):
I'm just cotting Yancy. And I don't even know how
to operate Instagram too well. I just copy what everybody
else puts on there and sends it back out again.
But I do Facebook pretty good. You can check me
out on Facebook, all.

Speaker 6 (01:09:18):
Right, you guys. So the madness of David Judge on
to be Amazon Prime and what's the other place? YouTube?
YouTube movies?

Speaker 3 (01:09:28):
And I want to thank all of you for letting
me get away with Murder because it's our show successful.
We're fourteen or eighteen years on the on the air.
This show is eighteen years old. No other talk show
of this con has lessed this long. We didn't even
have podcasts. I didn't have a name for it started.
And the success of our show is the ability to

(01:09:50):
allow me to have fun with my guests and not
treat you like a bunch of cardboard people, but like
real people. So I want to thank you for a
wonderful show. You'll oh so welcome to come back again.
Think you're full of talent and great success. And I
want you morons out there to know that and to
watch the show and educate yourself.

Speaker 6 (01:10:11):
No, it really is cool. And we just were about
to hit one point three billion downloads.

Speaker 3 (01:10:15):
Right, Oh well, so there's a lot of a lot
of people that'll watch, well, well.

Speaker 6 (01:10:20):
We get it all done.

Speaker 3 (01:10:21):
You know, they said, who's crazy old man on that show.

Speaker 6 (01:10:25):
So we wish you guys all the luck and success
with all your projects, including yep, David Judges and Mike.

Speaker 3 (01:10:33):
Yes, sir, I'm not a fortune tell them what I'm
going to tell you something. I think in the next
couple of years, we're going to hear a lot about you.

Speaker 6 (01:10:41):
I would love that. I love it if that happen
and we're all back together.

Speaker 3 (01:10:45):
I think we're going to make a lot of smoke.

Speaker 6 (01:10:48):
Actually, I think all you guys are going to make
a lot of smoke. And I'm going to see what
I can find out about about some of those other shows, Cotton,
just because, like I have a lot of friends who've
been cast on those shows. So I'll see if I
can find any information out For you and Jeremy, I
think you are gonna be a superstar. Your your talent
is amazing. So you guys, I wish you all the best,

(01:11:09):
and thank you so much for coming on the show.
See you guys soon.

Speaker 9 (01:11:14):
All right, thank you. I'll call you in a little bit, Cotton.

Speaker 6 (01:11:22):
All right, everybody so now we're gonna bring on. Actually,
before we bring on Joe Kelly. To get everybody in
the mood, we're gonna play the trailer for the very
first Clown Motel movie. Ron's not in it. You're not
You are not. No Jesus Christ, don't tell me that.

(01:11:42):
So here's the trailer for Clown Motel. We'll be back
in two minutes with Joseph Kelly. Enjoy everybody. The first
one one, Hello, anybody home?

Speaker 9 (01:12:00):
Was a cemetery doing out here all the way in
the middle of nowhere.

Speaker 6 (01:12:09):
I think I saw clowns.

Speaker 3 (01:12:25):
I've come to collect my soul.

Speaker 6 (01:12:34):
Or Spencer.

Speaker 3 (01:12:39):
Riving clown.

Speaker 9 (01:12:44):
Where do they keep coming from?

Speaker 3 (01:12:45):
What the fuck?

Speaker 6 (01:12:50):
I'm not just dealing with fucked up things in clown outfits.

Speaker 3 (01:12:55):
It's this place.

Speaker 6 (01:12:57):
It's evil.

Speaker 3 (01:13:00):
Every soul we take become a part of us. You
will become a part of us. You become a part
of our world.

Speaker 5 (01:13:12):
No one, I like, what the hell did we get
ourselves into?

Speaker 6 (01:13:30):
Hey, all right, everybody, Now we're gonna bring on our
next guest, Joseph Kelly. Let's bring him in.

Speaker 3 (01:13:36):
Hey, there he is, Hey, guys, how are you?

Speaker 6 (01:13:40):
Where are you?

Speaker 4 (01:13:41):
I am in California. Now, I asked LIU at four
am and got here about two hours ago.

Speaker 6 (01:13:46):
That's perfect.

Speaker 3 (01:13:47):
I'm never gonna call you Joseph. Blow that one out.
You're Joe Kelly, my buddy.

Speaker 6 (01:13:53):
I told him that you go by Joseph. Now He's like, no,
he's Joe in my heart.

Speaker 3 (01:13:58):
He will always be Joe because he's a good Joe.
That's why.

Speaker 6 (01:14:03):
So how are you hey? Everybody? Then we want to
welcome to the Jimmy Star Show with Ron Russell, director, writer, producer,
actor and good guys and founder of the Clown Motel franchise.
Joseph Kelly. Hello, and welcome to the show. We're happy
to see you and we can't wait to see you Saturday.

Speaker 3 (01:14:21):
Okay, So, yeah, the name of the new girl you're
breaking her heart? Who's a new day that you're breaking
her heart? He's a heartbreaker. By the way. All the
girls fall in love with him, and he's not interested
all the girls, all the loud girls, he said, he
just goes alone breaking. Actually, we have people in the chatroom.

Speaker 6 (01:14:41):
Say hi to the people in the chatter.

Speaker 3 (01:14:43):
Joe Kelly's really very people in the chat room. There
you go. Joe is very handsome in person. He really
is handsome. Told if you like told men ladies. All right, So,
so how's your way? How's your son?

Speaker 4 (01:14:58):
He's doing good, he's doing good. He's at my mom's
for the week. Yeah, so he's doing good.

Speaker 3 (01:15:03):
Though. How are you doing in Florida? Do you like it?

Speaker 14 (01:15:06):
Oh?

Speaker 4 (01:15:07):
Yeah, it's humid, it's nice. It's peaceful. So that's good.

Speaker 6 (01:15:10):
Humid, it's humid and peaceful. Okay, Hey, have you missed
you miss coming to California or no, a little bit.

Speaker 4 (01:15:18):
Actually I haven't been to California in about eighteen or
nineteen months, so that's pretty hard to believe. But yeah,
it's been a while.

Speaker 6 (01:15:24):
And how long are you going to be here for?

Speaker 4 (01:15:28):
Just till Monday?

Speaker 6 (01:15:30):
Okay?

Speaker 3 (01:15:30):
Cool?

Speaker 6 (01:15:30):
So you guys, we have the Clown Hotel Three Ways
to Hell premiere. It's on Saturday at the Fine Arts
Theater from two to six pm. He's got so you've
got the both posters for two and three up there, right, So.

Speaker 4 (01:15:43):
He's actually just both of two.

Speaker 6 (01:15:46):
Yep. Oh I didn't.

Speaker 4 (01:15:47):
I didn't get a big size one of the third
one yet.

Speaker 6 (01:15:49):
But okay, so you're excited for the premiere?

Speaker 4 (01:15:53):
Oh, very excited? Yeah, I think you guys are going
to love this best one yet. I think and Ron
did pretty good as well.

Speaker 6 (01:16:00):
I think he did well too, just in the trailer.

Speaker 3 (01:16:03):
Now, let me tell you something I saw. I saw
the trailer and I'm trying to figure it all out
because I was there and I can't. But the water scene,
the desert scene, the haunted hotel scene, all of that,
How Joe put that together, I'll never know. Plus one hundred,

(01:16:24):
over one hundred clown killer clowns, how do you organize that?

Speaker 4 (01:16:29):
So I've roundly had about one hundred and fifty clowns.

Speaker 6 (01:16:32):
One hundred and fifty. That's probably the biggest, like the
Guinness brook World records.

Speaker 3 (01:16:37):
Listen, Joe, I've been in one hundred cloud fucking movies
and I've never been in any with with so many clowns.
You did a wonderful job for a guy that doesn't
have a Hollywood crew, sir, you sort of as an
independent fellow, and how you put it together is really good,

(01:16:57):
and I'm proud of you. And as much as I
make fun of this movie, which I do because I
think they're all stupid, but people love them. And if
you like to see clowns beating people up and people
beating clowns up. This is for you, Joe. You did
a good job so far. I think I've not seen
the film yet, and i'll see it.

Speaker 4 (01:17:18):
You'll be surprised.

Speaker 6 (01:17:19):
Are you happy?

Speaker 3 (01:17:21):
I'm going to be surprised?

Speaker 1 (01:17:22):
I am?

Speaker 3 (01:17:23):
I am.

Speaker 4 (01:17:23):
So we have the final cut, but I'm still working
on some stuff tonight too, so I have to do
another export. But everything's there. We got music, sound design,
visual effects and that cuts nice, you know. Now, it's
a nice solid one hour thirty minutes.

Speaker 3 (01:17:37):
Oh you got it down that low.

Speaker 6 (01:17:39):
You didn't have to cut him out, did you? No?

Speaker 4 (01:17:41):
No, surprisingly no, I kept all of his parts.

Speaker 3 (01:17:45):
Good. I'm the glamor of Puss.

Speaker 6 (01:17:49):
So let's talk about it a little bit. First of all,
let's go to clom Hotel too. So, first of all,
Clomotel two to death dost part? Is that actually like
available anywhere yet? Are you redoing your distribution as you
do clom Motel.

Speaker 4 (01:18:01):
Yeah, So we had the option for distribution recently with
Cloon Hotel two, but Clon Hotel three will be shopping
around in November, so I thought maybe we'll wait and
we could maybe shop them together, and we could also
get the rights to Cloon Hotel one back if we
wanted to, so it could be like a trilogy.

Speaker 6 (01:18:15):
Oh that would be good. Actually, you know, I've got.

Speaker 3 (01:18:17):
A lot of people friends of mine, especially in New York,
they want to see this movie. They think they're going
to see it Saturday, And I said, no, you stupid fucks.
That's the red carpet on we go to cast. You
have to wait for the film to come out. They said, well,
where can we get this film? I said, stop it.
I don't know anything. It's not out. I don't know
where you can get it. When I know that information,

(01:18:40):
we certainly will post it.

Speaker 6 (01:18:42):
So let's let's let's give a little history of the
whole Clown Motel thing so people who don't know, because
I believe it started as a short first and then
you did the first movie us tell us a little
bit about Oh there you go.

Speaker 4 (01:18:55):
Yeah, so this is actually one of the original shoes
from the short film back in twenty fifteen, two and sixteen.
But from that we made the first feature where you
guys showed the trailer. To twenty nineteen, we did Walmart
Overseas box office in Turkey. Microsoft top ten. That's pretty good.
And then three years later we did Clow Motel two,
and here we are today with Climontel three Ways to Hell.

Speaker 3 (01:19:17):
I like love it.

Speaker 6 (01:19:18):
I thought we would play at clown Motel two. We're
gonna play all three trailers.

Speaker 3 (01:19:21):
Why and we'll know what the tree is. In clown
Motel two. I have a scene with the most gorgeous
sexy girl in the world in the pool.

Speaker 6 (01:19:32):
Stop it ron Antie Stevens ste.

Speaker 3 (01:19:35):
So all of you horny little jerkofs out there watch
this movie. You're gonna faint so east wait, she is
built like this, No tomorrow and today is the most
gorgeous girl. So fellas, if anything, watched the movie just
to see Angie breathe in a sweater.

Speaker 6 (01:19:52):
So wait a second, let's go how many how many
characters that are in the first movie are live?

Speaker 3 (01:19:57):
Long enough?

Speaker 6 (01:19:58):
Is there anybody who's in all three movie? I guess
Hammy is in all three movies?

Speaker 4 (01:20:02):
Any golden ager Dave Bally antson days, who's been you know,
raising his role up with his father too? They were
in the first film, Ari Lehman, Yes, Aileen Deets didn't
start start to the second film.

Speaker 6 (01:20:16):
Yes, and Ron started in the second film. So tell
us a little bit, tell us the premise between Clome
Hotel two. We'll play the trailer and then we'll start
talking about Clomotel three.

Speaker 3 (01:20:27):
Yeah. Sure.

Speaker 4 (01:20:28):
So clam Hotel two is pretty much like a rescue
mission with myself, Sergeant Kelly, going out looking for my
fiance who got lost in Las Vegas special or party.
And it's just a whole mission.

Speaker 7 (01:20:41):
You know.

Speaker 4 (01:20:41):
Ron Russell comes to the cabin, so it's time to
wake so and then we pretty much get lost.

Speaker 3 (01:20:49):
That was a tough scene because it was so frigging hot,
even up at at Arrowhead where were we Narrowhead A
big bear, big bear, big bear, which is normally cool.

Speaker 8 (01:20:59):
It was, and we have to work that and you
had to say, bitcoin, oh that wasn't.

Speaker 4 (01:21:09):
Everyone actually liked that part.

Speaker 3 (01:21:13):
I mean, I saw the camera crew was ready to
kill me. But I couldn't get it because I had
no idea what it was. And I'm an actor that
I become, so if I don't know something, how can
I act it? And I had difficulty because it was
like a blank word I never heard of until you
explained it. And then I still didn't understand it fake money.

Speaker 6 (01:21:35):
So who are some of the people that are recognizable
horror names in Clown Motel two? In the first one,
then c Hotel one? You had Ary Lehman and you had.

Speaker 3 (01:21:49):
I forgot we had a smaller cast.

Speaker 6 (01:21:54):
Yeah, Tony Moran wasn't Tony Moran in the first one?

Speaker 3 (01:21:57):
Yep?

Speaker 4 (01:21:58):
The first Halloween? Michael Myers g Halloween yep? And Martin Cleoba.
Oh yeah, I can't forget him. Pirates of the Caribbean.

Speaker 6 (01:22:08):
Yeah, okay, So the ad three in the first one
and the second one you added.

Speaker 4 (01:22:12):
He actually wants to come back for the fourth Okay?

Speaker 6 (01:22:17):
Is there gonna be a fourth? Oh? No, he froze?

Speaker 3 (01:22:21):
What happened? Oh no, we froze?

Speaker 14 (01:22:24):
Joe?

Speaker 6 (01:22:25):
Where are you?

Speaker 3 (01:22:27):
Oh? There you go?

Speaker 6 (01:22:27):
He's coming back?

Speaker 3 (01:22:28):
Yeah?

Speaker 6 (01:22:29):
Is there gonna be a fourth one?

Speaker 4 (01:22:31):
I mean Terrifier three is coming out right?

Speaker 6 (01:22:34):
Terrified four?

Speaker 3 (01:22:36):
Possibly? Yeah? Possibly? I think that.

Speaker 6 (01:22:40):
What do you think of the Terrifier movies?

Speaker 4 (01:22:46):
Did you watch them all? I?

Speaker 3 (01:22:47):
I like them.

Speaker 4 (01:22:48):
They're gruesome and stuff. The second one was probably my favorite.
Uh So the fourth one's going to go back to
the origin, so that'll be interesting to see how they
put that together.

Speaker 6 (01:22:58):
I think that they're I don't really like the movies
that much. I do like the way they've marketed the movies,
and what they've accomplished I think is amazing. I thought
the first one, you know, I don't think there's really
have there's not really a story. I like the second
one the best also, but I don't really think the
stories are all that about movies.

Speaker 3 (01:23:18):
That movie shit. Don't talk about Hotel three.

Speaker 9 (01:23:23):
No, wait, I want to talk.

Speaker 3 (01:23:24):
About Mark Holdy. Mark Holdley did such a beautiful job
in the movie. When I was in the kitchen, remember, yes,
the Churchill movie. He did a brilliant job of being tortured, suffering.
I thought he was a great actor, and he was
never recognized. He was overlooked, which I thought was evil.
Now in your movie, he is also being not tortured,

(01:23:48):
but being something. I saw it in the clip.

Speaker 4 (01:23:51):
Yes, it's kind of like skills.

Speaker 14 (01:23:54):
You know.

Speaker 3 (01:23:54):
Mark should get an award.

Speaker 6 (01:23:57):
Ron loves Mark Holdley and I love Mark.

Speaker 3 (01:23:59):
I love Mark. He's a great guy. He's a good guy.
He's not a bull.

Speaker 6 (01:24:04):
So let's talk about who's in Clown Motel three, and
then we'll go back to Clown Motel two. So who
are some of the recognizable names?

Speaker 7 (01:24:10):
We have it?

Speaker 3 (01:24:11):
What my sweetheart?

Speaker 19 (01:24:16):
I love don Yeah, I love Donna's great joy. At
the premiere, she told me you thought that was a
wonderful effect. Wonder because I said to our Donna, I
love you.

Speaker 3 (01:24:28):
You're in that bowl. I said, you get ahead, and
she didn't get it. I said, you're in the bowl, head,
you get it.

Speaker 4 (01:24:35):
She didn't get it as a big fish bowl.

Speaker 3 (01:24:38):
Right, So I let it go. But I love so
which brings me to Clowney. What's going on with Clowney
in your other movie?

Speaker 4 (01:24:46):
Yeah, so Clowney. The whole film's finished. It's editing stuff.
We do have to do the four flashback scenes, so
rather than do one at a time, I'm just gathering
all the financials together so we could shoot it all together.

Speaker 6 (01:24:59):
I like love it.

Speaker 3 (01:25:00):
Did you do the ice scenes with the call you
were able to do snow and irons and stuff?

Speaker 4 (01:25:05):
Yep, yep, there's a little snow and then you get
a little sound design with the snow coming down and
you guys driving crazy.

Speaker 3 (01:25:10):
And yeah, right, so that throwing up I think Clowney was.

Speaker 4 (01:25:16):
Yeah, Jimmy did help must throw up?

Speaker 6 (01:25:18):
I did know I did throw up. When I got
out of the car, I threw up. But let's go
back to Clown Motel three. So here's here's who I
wrote down. Is the IMDb correct, we'll say if we
got it right. We have Lisa Wilcox is in it,
you guys. She's from a Nightmare on El Street. We
have Oliver Robbins from Poltergeist. We have Tony Moran from
the original Halloween and from Clown Motel. We have ery

(01:25:40):
Lehman who's Jason Jason right and Friday in the thirteen.
That's right, he's the first Jason Bories who's also in
Clown Motel. We have Mindy Robinson, who's just an awesome
patriotizer's lover. I don't actually know what she was in
besides all the Clown Motel movies.

Speaker 4 (01:25:56):
Yeah, she'll be at the premiere too.

Speaker 6 (01:25:58):
Yeah, that's fabulous. We have Analie Heising who we love.
We have Angel Nicole Bradford, who's one of the up
and coming scream queens now who's been on our show.
She's really cool. We have Aileen Diets from the Exorcist.

Speaker 3 (01:26:12):
We have is Brett Wagner in it.

Speaker 4 (01:26:14):
Brett Wagner, Yes, leather Face, he's in it, and Lee
Woodell ghost face scream Yeah.

Speaker 6 (01:26:19):
I lovely what we've had both of them on the show.
We have Mark Coadley in it, Albert the music video
guy who's been everything Kudros to own a Corolla. I
wrote her down just because she's a friend of ours
and she's got a little role in there. And Dietrich
for all comes back.

Speaker 3 (01:26:34):
For D trip is a trip or what D Trick
does not need a script. He's a whole movie.

Speaker 6 (01:26:45):
It's fabulous tone he is and he's a real rock star,
you guys. He's he's with the band Lords of Acid,
who I used to go see in concert, but I
don't think he was.

Speaker 3 (01:26:53):
Probably like him a lot. He's a nice person I like,
and I found working on three so many nice people.
Mary was wonderful and Mary Kay Mary Kay and her
great big help and her husband who's my sweetheart. He's
like my son. He fixed my car. I'm so grateful.

Speaker 6 (01:27:14):
And Tyler Sebago. I want to give him a little
shout out since he's a friend.

Speaker 3 (01:27:19):
I met a lot of jerks on that shoot, also
a couple of idiots that and of course the whole
crew just disliked them and ignored it. We're not going
to mention as I ignored them. But we all formed
our own little crew, mostly my soldiers and I we all, Oh, yeah,

(01:27:41):
what's the other soldier?

Speaker 6 (01:27:42):
Mary l Allen, Mary, Laura Wilson, Laura Wilson, Yes, I
love Laura.

Speaker 3 (01:27:48):
We bonded as sweet friends.

Speaker 4 (01:27:50):
And of course and Princess, well what about what here's
a great actress in this. Laura Wilson was great and
Angel Princess too, had a really nice death Princesses.

Speaker 3 (01:28:01):
I terrified one of the actors because it was not
in the script. But I'm getting out of a jeep
and this little what's his name, the Asian fellow. I
love Pat. I love Pat. Pat's in my way and
I'm supposed to walk down. So I said, soldier, get
out of my way or step aside, and he just

(01:28:23):
looked at me frightened. He got so scared, and he did.
He stepped aside, And then after we did the shoot,
he said to me, you know, you really scared me.
I said, well, you really believe you're a soldier. He's
a good guy. Pat. I made a lot of nice
peach so let's lad let me talk about Joe. Yes, now,

(01:28:45):
Joe as a director, and I've worked with some of
the best directors in Hollywood in the olden days, mean Sydney,
Sydney Lomette, I worked with. How many people work with
Sidney Lament that are still alive. And I'm going to
tell you about Joe. Joe knows what he wants in
a scene, but he doesn't tell you what he wants.

(01:29:07):
He leaves it up to you. And if you have
an idea or if you feel that you could deliver
a line better, and if Joe likes it, he allows it.
He's not one of these crazy directors. It's all about me.
I I don't know. You've got to do what I
want and it sucks. So Joe works with the actor
and that's what makes him a successful director. And I

(01:29:29):
really work with Joe anytime. Not another clown mover, though
I've done nine ten clowns.

Speaker 4 (01:29:39):
After the third.

Speaker 14 (01:29:41):
What is it?

Speaker 6 (01:29:42):
Yeah, there's not an option after the third because you're dead.

Speaker 3 (01:29:44):
Oh, you're not supposed to say that. Jimmy Blue.

Speaker 6 (01:29:50):
Said, You've said it a million times.

Speaker 3 (01:29:51):
Never did I never did.

Speaker 6 (01:29:54):
So let's watch the trailer. So Let's do Clown Motel
two first, and then we'll do clowmn Hotel three, so
we can do them in order. So, Joe, you introduced
the trailer for Clown Motel too one. We're gonna play
the one Clown Motel to Death to Us part, and
then we'll come back for Clown Motel three.

Speaker 4 (01:30:09):
Go ahead, Joe, Yeah, of course, Harris Clown Hotel to
Death to Us part.

Speaker 6 (01:30:14):
Yay spends six a month. Why didn't you find me?

Speaker 16 (01:30:27):
Where are you?

Speaker 4 (01:30:29):
We are looking for Sergeant Kelly.

Speaker 3 (01:30:31):
Yeah, it's me. General vie La. Just received new information
on Brooke, so we got a team the best.

Speaker 6 (01:30:46):
I feel an entity has entered.

Speaker 3 (01:30:50):
Okay, squad, the outside perimeter is clear.

Speaker 5 (01:30:53):
You have lost me three souls. Bring me back those
souls while we find I'm.

Speaker 14 (01:31:00):
Sure what kind of sick society wants a human sacrifice.

Speaker 5 (01:31:09):
If we can connect to Base, she'll be able to
see what's going on.

Speaker 6 (01:31:12):
Bring me up your soul tonight, what.

Speaker 1 (01:31:23):
It's talk?

Speaker 3 (01:31:26):
No do no, do no do?

Speaker 6 (01:31:32):
Oh hell angel A, Let the transformation begin.

Speaker 14 (01:31:38):
You said the rebirth of the world is every fifty years.
You humans, you don't understand our world.

Speaker 6 (01:31:51):
My blood the Clowns will rise in Blood Tonight CD

(01:32:19):
clown got straight on the side of the road, got waterboarded.
Sergeant Slaughder shows up and he's like, Hey, did you
blame my wife?

Speaker 3 (01:32:29):
Well, you fucking one of the things your wife.

Speaker 6 (01:32:45):
I love Dietrich. He's got the really, he's got some
of the best lines too.

Speaker 3 (01:32:49):
And I love that shot of Angie on her knees
on the in the toilet. I'm sure a lot of
Hellas aren't there when they watched the movie, they'll love
it too.

Speaker 6 (01:33:00):
So so now we're at clown Motel too, and we're
going into clown Motel three. And what is the premise
the overall premise of clown Motel three that you like
a synopsis that you could tell us.

Speaker 4 (01:33:11):
Yeah, so pretty much. You know, General Milan send us
off on our way and stuff. We never came back.
So on a third one. Now General Milan's taking you know,
things into his own hands, getting his own squad together,
going to the clown Motel to get the final results
this last mission loss approval, and it's just chaotic and yeah,

(01:33:31):
hundred and fifty clowns.

Speaker 6 (01:33:33):
One hundred and fifty is a lot of clowns. And
you had kid clowns. In this one, we have children clowns,
adult clowns, fat clown skinning clowns.

Speaker 3 (01:33:40):
Thank god, no one was injured. That's my only warrior.
When we saw and I saw that, I hope, you know,
out of all of these people, one of them is
bound to hurt themselves. But no one was injured, although
there were a couple I would like to have injured,
but myself, you know, I was kind of hoping that
one is costume with backfire and he'd go on fire,

(01:34:03):
but it didn't happen. I find this movie to be
probably the ultimate clown movie I've ever been in. Number
one and I've been in six clown movies. I think

(01:34:23):
everybody's gonna love it. I think it's gonna make money.
I know we'll make money in Asia. The Asians are
gonna love it. It's gonna be a big hit there.

Speaker 4 (01:34:33):
What do you The UK is pretty big, so you know,
I think this will be our biggest one yet, and
hopefully we hit more than twelve countries previously.

Speaker 6 (01:34:43):
I think you will. And I think if you get
the first one back and you can distribute all three
of them, I think that now it's an actual franchise,
you know, you could that you could turn that into
a gold mine.

Speaker 3 (01:34:54):
And I think your name is going to start happening
as a director and producer, a writer, an actor, and heartbreaker.

Speaker 4 (01:35:03):
And a lot of hats.

Speaker 3 (01:35:05):
Heartbreaker of most.

Speaker 6 (01:35:06):
Women in the What do you think about doing all
the different hats because you're a writer, you're a director,
you're an actor, you're a producer.

Speaker 4 (01:35:13):
Yeah, yeah, it's it's hard, difficult, it's fun. You get
used to it. Even in Clements L three. You know,
I did the post production on that too. I did
the video editing, and yeah.

Speaker 5 (01:35:24):
It's just fun overall.

Speaker 4 (01:35:25):
It's a lot of work, but it's going to be
worth it at the end.

Speaker 6 (01:35:28):
And and and I think that I think that this
is going to definitely be the best one just from
what I've seen and ran from the trailers. You can
actually see in the trailers as you go along, each trailer,
you know is better and better as you've crafted your
skills and gotten better at it, you know, and come
up with all the ideas for it.

Speaker 3 (01:35:48):
And Jimmy has invited all of our VRP friends, so
people are coming to see that movie that ordinarily would
not have, you.

Speaker 6 (01:35:57):
Know, We're gonna have some fun people.

Speaker 3 (01:35:59):
People that are coming will absolutely be very impressed because
the tidle is silly. And you know, the movies have
a bad rap because clown movies today. You know, another
clown movie is like another zombie movie. But I think
when they come and they see it, they're going to
enjoy it because it's full of adventure. Like I said,
Desert Water Motel, Yeah, it's got. It's not so it's

(01:36:24):
not one scene for three hours, you know, I mean
that's boring. It takes you.

Speaker 4 (01:36:29):
Yeah, I love scenery, different locations and yeah, and that.

Speaker 3 (01:36:34):
Friggin desert was hot. When we worked in it and
I was in a wool or uniform sweating my nuts off,
it was really difficult.

Speaker 6 (01:36:43):
So wait, what's the fascination with the clowns in the
first place for you? Like, I like clowns. They're freaking
me out. I have all kinds of animatronic clowns and
stuff like. I like them because they.

Speaker 3 (01:36:52):
Kind of make up.

Speaker 19 (01:36:54):
But what is it for you?

Speaker 4 (01:36:56):
I guess it's general just horror films and stuff. But
then you know at Sera before I did Compatible, which
I like, I'm going to do a sequel to that
both clowns. I guess because there was a market for
it and it kept hidden. Why not stay with it?

Speaker 6 (01:37:11):
Because it does compatible actually have distribution yet? Are you
still working on that?

Speaker 4 (01:37:15):
So yes, we do have distribution per se. We're signing
the agreement soon. The guy from Anchor Bay is actually
going to be at the premiere also, and he's the
one that's doing the deal with us.

Speaker 6 (01:37:27):
Oh cool, I can't wait for them. That's one where
we're in the bed which but everybody did it was good?

Speaker 3 (01:37:33):
Which one did you pick?

Speaker 4 (01:37:35):
The Yeah, there's a couple. I put you guys throughout
the whole movie.

Speaker 6 (01:37:41):
That a bunch of times.

Speaker 3 (01:37:42):
We shot it a lot of times. We shot it clean,
not so clean.

Speaker 6 (01:37:47):
I love it.

Speaker 3 (01:37:48):
I thought they would want Gina.

Speaker 6 (01:37:50):
That's Gina Alfonso right is with a. I had him
on the show. I never met it, but I had
him on the show when Ron was sick and he
wanted to promote it.

Speaker 3 (01:38:01):
The way you notice, I'm back to me. I gained
my weight back and I'm all better. Whatever it was,
they got rid of it. It was a blood or disorder.
So now I take a shot once a month and
I'm fine. But anyway, I want to talk about Clowney.

Speaker 6 (01:38:15):
Now we wait to play the trailer first for clown
will tell three.

Speaker 3 (01:38:18):
Let me let me set it up. Clowney is about
a doll that is a clown. It's not about one
hundred clowns. And this doll is demonic and this doll
is frightening and this doll is evil, and this movie
I like. I like doing it. I enjoyed it. Coldly

(01:38:45):
plays my son in law. And Donna is my wife.
Oh Donna. You know, Donna looks like a drag queen
all the time. She's always done up. So I said, Donna,
you're supposed to be my wife, can you dress it down? Well?
Her dressing down is like she came with a white
fox stole and whatever. So we look like a nice
Jewish couple that was going to our children's house. We

(01:39:08):
love her for dinner, and I love her. Actually, I
have ay. And the story is about children and this
fixation for this doll, and I think that movie is
going to be an enjoyable movie.

Speaker 6 (01:39:21):
Did you save it? Did you save the doll?

Speaker 13 (01:39:24):
I do have it.

Speaker 4 (01:39:25):
I think it's in my closet somewhere, Okay, because you know,
like those kind of things.

Speaker 6 (01:39:29):
When the movies are hit, you can sell.

Speaker 3 (01:39:30):
That for like a lot of money. Like, so when
do we think that movie?

Speaker 6 (01:39:37):
I got to finish the other four parts? Still what
four parts?

Speaker 3 (01:39:40):
You have to finish.

Speaker 4 (01:39:42):
Flashback dream sequences? But the whole film overall is edited
and all that. So it's just getting those done and
you know, hopefully things take off with some Hotel three
and then I'll be able to help on that side
as well, as long as you know, along with another
producer who's going to come on.

Speaker 3 (01:39:59):
Because Clowney has a nice story and I like movies
with a story, not just slash. So let's go to
clown Hotel three. So wrong.

Speaker 6 (01:40:09):
We're gonna play the clam Hotel three Ways to Hell trailer.
You you introduced it for us, Joe, for everybody to
see it. And this is the film you guys that
were going to the Red Corporate premiere on Saturday, just yea, Joel,
and we're gonna play it for everybody.

Speaker 4 (01:40:24):
Sure, Saturday, Actober twenty fifth is going to be the
premiere for clow Hotel three Ways to Hell?

Speaker 3 (01:40:31):
Did you remember to put my name before the title?

Speaker 4 (01:40:34):
I'm still working on that.

Speaker 3 (01:40:36):
You know, that was a big deal in my day
in the nineteen fifties, if an actor's name came after
the title of the movie, the actor was not famous
or important. So they noticed when you watch old movies,
all of the stars are before the title.

Speaker 6 (01:40:52):
Anyway, here's the trailer, you guys. Since you guys started
talking and he didn't.

Speaker 4 (01:40:55):
Play it, take it away.

Speaker 6 (01:40:56):
One climb Motel, Three Ways to Hell, Who.

Speaker 3 (01:41:01):
Your ancestress, Separation.

Speaker 18 (01:41:04):
Of human World and the clown Moments?

Speaker 2 (01:41:21):
You games, I steal our gold, so I'm going to
steal your soul.

Speaker 3 (01:41:34):
What's the verder?

Speaker 6 (01:41:35):
We have twelve missing military members?

Speaker 3 (01:41:44):
Where you can do it?

Speaker 6 (01:41:48):
General? Are you saying one last rescue mission?

Speaker 3 (01:41:51):
We have one shot of this. Let's make a couch.
We're go from silent down to kill our clowns from
outer space. Welcome to the clown mosha ever hear of

(01:42:20):
the blood little ritual. The transformation was a success.

Speaker 5 (01:42:26):
Now go get me those sacrifices.

Speaker 6 (01:42:42):
I love you to see the queen was chosen.

Speaker 3 (01:43:14):
No, Welcome to the clown motew You know one thing

(01:43:40):
I really love about that.

Speaker 6 (01:43:42):
I love seeing the clowns coming out of the water,
you know, because that's something I don't think nobody's ever
done that.

Speaker 4 (01:43:49):
Know where I got that from too, I don't. I
forgot what the zombie film was, but there was a
zombie film like fifteen years ago where all the zombies
come out of the water, and I thought that was
really cool.

Speaker 3 (01:43:58):
So I'm like, it's very frightening because I don't like
ocean because I can't see what's in the water, so
I never go in the ocean. I go in swimming
pool and a lot of people feel the same way
I do. So the fact that those ugly things coming
out of the water is frightening to a lot of
people because they have fetishes about it.

Speaker 6 (01:44:21):
And I love that Mindy Robinson's in this one too,
because I love Mindy Robinson.

Speaker 4 (01:44:26):
Oh yeah, she's great and yep, she said she wants
to come back for the fourth.

Speaker 6 (01:44:30):
There you go, so that makes it even more fun.

Speaker 3 (01:44:33):
Well, you could resurrect me.

Speaker 6 (01:44:35):
So how was it? How was it doing? How was
it doing this one compared to the other ones? And
the fact that you know, you have considerable more you know,
named talent in this one that everybody knows, you know,
with ghost Face and Texas Chainsaw Masters and everything, how
was that is it? Are those people are more difficult
to director. Are they easier because they know what they're doing?

Speaker 4 (01:44:55):
No, it was pretty good. And with named actors that
I didn't work with, I'll usually just get them for
one or two days to start with. But then if
I worked with him before, like Ari Leam, and I'll
get him for three or four days. But everyone was
pretty good to work with on set.

Speaker 16 (01:45:09):
I like love it.

Speaker 6 (01:45:09):
I think it's it's great, and I think it's gonna
help with distribution a lot to have all the names
of the people. Oh yes, you know have been in
all these huge franchises lewhiy dlle. I wish we would
have been there for him. I would have loved to
have met him because we had him on the show
and we had a blast with him. And Brett Wagner
I've met a million times. It's so funny because we
went to probably ten premieres with Brett Wagner and I

(01:45:31):
knew he was somebody, but I didn't know who he was,
you know, So I would talk to and everything, but
I never took any pictures or anything but him because
I didn't know he was the Texas chainsaw massacred guy,
you know, until after we had him on our show.
But he's a really really cool guy. And Lisa Wilcox
was on our show about twelve years ago. And when
she was on our show, Ron didn't know who she was,

(01:45:53):
and he was like, as long as you know you're
not the girl in the nightmare on Elm Street.

Speaker 3 (01:45:58):
Where the things go up to the No, that's not
what I said. What I said was I saw a
movie where this girl was embedded and suddenly an on
pen to the mattress to get the hell out of me.
And she said I was the girl. I said, Oh,
I didn't know. So that's the point.

Speaker 6 (01:46:14):
There's no joke there, I know, and there's no joke
that he didn't know who she was. But she came
on the show, you know, and she was super duper nice.
So I think you've gotten, you know, a really really
good class cast.

Speaker 3 (01:46:26):
Let's talk about Mary Kay, who did selling of the
sack that they threw me in, who did so much
of the work complimentary for Joe, Mary.

Speaker 6 (01:46:38):
Kay and Lucas.

Speaker 3 (01:46:39):
I think it's wonderful what she did. She worked very
hard on this production. Her daughter was in it, and
her lovely husband Lucas was in it, and her son
was in it. Her son was in it too.

Speaker 4 (01:46:51):
I didn't see he was one of the clown kids.

Speaker 6 (01:46:53):
He's one of the clown kids. They're wonderful people and
they were great for us, and we loved hanging out
with them.

Speaker 3 (01:47:00):
I just wish that Mary would not do ugly make
up and on Facebook. If she's working in a movie,
it's one thing, but for her own publicity, she's too
beautiful of a girl to be all scarred.

Speaker 4 (01:47:13):
And creative art.

Speaker 3 (01:47:15):
I guess yes, it's creative art that doesn't sell her.
And I tell her that all the time, you're going
to characters characterize yourself, well, you're only going to be
that ugly person and you're too beautiful. She should do
that when she works as a clown or a killer,
but when she's in her real life she should be
a movie star and look glamorous and beautiful.

Speaker 6 (01:47:36):
We love her.

Speaker 3 (01:47:37):
I mean, she's I never become my character in person.
I've played ugly people in movies. But I when i'm me,
I'm me, I'm wrong, I'm wrong, I'm not.

Speaker 6 (01:47:49):
We can't wait to see everybody on Saturday. You guys,
if you got to, you're like fortunate. You can follow Joe,
even though he doesn't do his social media very often.
You can go on Instagram. He's at Joke a Joke,
a Joe Kelly film. He's also at Clown Motel Official.
We're gonna have Jimmy. Did you invite Sherry Davis? She's
she's in Texas.

Speaker 3 (01:48:09):
Oh what you did there?

Speaker 6 (01:48:16):
I see what you did there?

Speaker 3 (01:48:17):
And I think I love Sherry. I really love Sherry Davis.
She's one of my special people and so beautiful.

Speaker 6 (01:48:27):
So anyway, it's Saturday. You guys will report next week
on it. We're gonna put out some bunch of great
articles once we get the thing.

Speaker 3 (01:48:36):
Well, you wear a tux yep, I got a nice
suit I disordered.

Speaker 4 (01:48:41):
So that just came in two days.

Speaker 3 (01:48:42):
Ago because you weren't sure what you were going to wear.

Speaker 4 (01:48:46):
No is he that or a speedo?

Speaker 6 (01:48:50):
Either either a suit or espeedo.

Speaker 3 (01:48:53):
The speed would have been you would have got all
the gay palm springs excited.

Speaker 6 (01:48:58):
Anyway, we're at time, all right, everybody, So this is
Joseph Kelly. Please support Clown Motel and the whole franchise.
We'll let you know when Clown is coming out. He's
got some other projects he's working on We're gonna see
you Saturday. We can't wait. If you need anything, let
us know and we'll talk to you very soon.

Speaker 3 (01:49:16):
Thank you Ail your Saturday buddy.

Speaker 6 (01:49:18):
Thanks Saturday Buddy. We'll see you guys next week. Take
care of Bye.

Speaker 5 (01:49:23):
Bye, Jimmy, don't do this.

Speaker 2 (01:49:36):
King week yet we go Segni.

Speaker 6 (01:49:44):
Great to Jimmy.

Speaker 3 (01:49:45):
You got myself.

Speaker 4 (01:49:45):
We don't want to help me.

Speaker 6 (01:49:46):
You don't want to know.

Speaker 5 (01:49:48):
Him, Jimmy.

Speaker 3 (01:49:51):
You don't want to what I be.

Speaker 5 (01:49:52):
Jimmy, take you out

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