October 1, 2024 • 27 mins
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The Songwriter Show was created out of a desire to help songwriters as well as give music fans an inside look at the behind the scenes reality of their favorite hit songs. We want to empower and inspire you to improve your songwriting craft as well as give diehard fans an inside look into how the music industry really works in today's world. If you love music, you’re going to love The Songwriter Show.
Today’s show features hot new music. Come join the fun!
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https://www.spreaker.com/show/4297091/episodes/feed
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https://www.iheart.com/podcast/209-the-songwriter-show-29999203/Apple:
https://podcasts.apple.com/gb/podcast/the-songwriter-show/id1507368488
Spotify:
https://spotify.link/clHGFHgR5Db
The Songwriter Show was created out of a desire to help songwriters as well as give music fans an inside look at the behind the scenes reality of their favorite hit songs. We want to empower and inspire you to improve your songwriting craft as well as give diehard fans an inside look into how the music industry really works in today's world. If you love music, you’re going to love The Songwriter Show.
Today’s show features hot new music. Come join the fun!
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-songwriter-show--4297091/support.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Are you a songwriter? Are you looking to turn your
songwriting passion into a full time gig. Whether you are
just at the start of your songwriting journey or a
seasoned industry professional, this show is made for you.
Speaker 2 (00:13):
You well.
Speaker 1 (00:14):
Welcome to the Songwriter Show, bringing together songwriting news, interviews
and community. Now welcome your Houstzrontos.
Speaker 3 (00:26):
Thank you so much for tuning in. Welcome back to
the Songwriter Show right here on Reality Radio one oh one.
I'm your humble host Santos, a solo music artist who's
been writing lyrics for as long as I can remember.
Words are so important to me, and that's why I'm
thrilled to host this show every Tuesday evening. I believe
that every song is a story. Tonight, I'm so excited
(00:47):
to have on the show root Kid, the Reggae rap Inventor.
In a vibrant world of music, they are artists who
carved their own unique path, leaving an indelible mark on
the industry. One such artist as Denton Alyxis mal Welcome,
better known of course as Rude Kid, the Reggae rap Inventor,
or simply Rude Kid. His musical journey is a testament
(01:07):
to talent, inspiration and an unwavering determination to succeed.
Speaker 1 (01:13):
And now welcome this week's special guest.
Speaker 3 (01:17):
Welcome to the show. Rude Kid, how are you?
Speaker 2 (01:19):
I am Flying Surrners the boss is it? You know?
It's real Kid, the reggae rapp inventor hanging with Surrenters.
Speaker 3 (01:27):
Well, thank you for being on tonight. Man, I'm excited
to talk to you. Tell us a little bit about
when you get started down this crazy world of making music.
Speaker 2 (01:35):
It was seven years old.
Speaker 4 (01:37):
I was walking up my arm Street in Jamaica, Kingston
Mountain View, and you know the first thought that came
to my mind was about my surrounding. I was like them, no,
no clue, the wiked that's on them come from mount
of View. Basically, I was just saying, the baddest men
men comes from my community.
Speaker 2 (01:56):
So that's my first song right there. A seven years old.
Speaker 3 (01:59):
Okay, And tell us a little bit about how you
evolved from that, when you went to high school and beyond.
Tell us a little bit about your musical journey.
Speaker 4 (02:08):
Oh yeah, yeah, So you know I went to Kingston
College in Jamaica. Shabah Rangs brought me on stage during
the Kingston College Mayfair. You know my friends, I played
soccer with the Kingston College team. They're like, yo, shaba,
bring bring on, Bring on Denton, And you know I
performed with him. Came to America. You know, I have
that first Prince of Belaire story. Got in one of
(02:29):
the fight and my mom got scared, so she sent
me to America. I went to Theodore Roosevelt. I did
all the talent shows. You know, I won some of
the talent shows. You know, I did the major homecomings.
And then you know, at sixteen, I recorded my first
two singles, which one and I'm also if you ever
di root Kid for my record label called Worm Record Label. Unfortunately,
(02:51):
my song wasn't released, so for the next two to
three years, I performed a lot of promo concerts. Opened
up for Shaggy, open up a Bone te Killer, open
up for a lot of major dance, old reggae artists
and hip hop artists like Redman, Foxy Brown, Nas, and
then finally Manchild Entertainment released my first single at nineteen
called Ain't No Stopping, which was on the Hypnotized Rhythm
(03:13):
authorized by p Diddy from Bad Boy Records. They wanted
to sign me the Bad Boy Records, but Diddy and Biggie,
they said, let's demo, let's demo whim for Let's do
a demonstration first. So we dropped like five hundred tapes
in DC, Maryland and Virginia. So that's that's how I
evolved from just walking up the street to you know,
finally got a single release in DC, Maryland and Virginia.
Speaker 3 (03:35):
That's a cool story, man, I'm glad to hear that.
Speaker 5 (03:37):
You know.
Speaker 3 (03:37):
Of course I didn't hear anything after you said Shaggy
because Shaggy is one of my favorites.
Speaker 4 (03:41):
Dude, right right right, you know, you know, I got
a cool story about Shaggy. Also, Shaggy said, you know,
the first time he went on tour, Backstreet Boys opened
up for Shaggy, but a year later he ended up
opening up for Backstreet Boys. So you know, you never
could tell who's going to be the mega superstar.
Speaker 3 (04:01):
You never can tell in this business. Man, You're so right,
and things can flip and a heartbeat.
Speaker 4 (04:05):
Yes, for sure, for sure, for sure. So I stay
on my craft on a daily basis. Matter of fact,
in seven days, I wrote like one hundred songs. Well,
I created one hundred songs. I wrote twenty of them
so far. But I created one hundred songs in seven days,
so I stay on top of the craft man fresh
new music every day.
Speaker 3 (04:21):
Yeah, that's awesome. Tell us a little bit about your
songwriting process.
Speaker 4 (04:26):
Well, initially, you know, I used to follow like you know,
the major X, influenced by like Chabaans, you know, being
a man in bone to killer like you know, you
know Chabaans used to say, missed the love them on
them come and missed the love them And I used
to writing, yeah, miss the maritime. But then I veered
off from that and started doing nothing but original songwriter
(04:48):
and I write to the instrumental the process that that
gives me original original song concept, like how we roll?
You know, the the breeze in the background brought brought
me that Caribbean field. So I said, oh we roll
risk and freeze. And then bomb dot com I walked,
I was, I was. I was driving around in my
expedition back then, I had the expedition and I kept
(05:09):
listening to the instrumental, listening to the instrumental, and then
finally I said, bomb dot com here, Bomb dot com here,
Gauaya Miguel Kayada, Bomb dot com and then a lot
of times I'm listening to you know, mixtapes and things
of that nature, and then I just get inspired to
create a song.
Speaker 2 (05:24):
But you know, for a lot of time.
Speaker 4 (05:25):
It's the instrumentals, and I'm also yeah, also also also
also also.
Speaker 2 (05:30):
When I'm inspired by the mixtapes.
Speaker 4 (05:32):
And one more thing, I also do what during the
songwriting process, I use the composition, the composition status you
know where you know where you have the head and
you have the body and you have the conclusion. So
I kind of write my three verses three to four
verses similar to that. Sometime I do nine verses, but
for the most part, I do three to four verses.
Why when I'm writing writing songs.
Speaker 3 (05:52):
Okay, tell us about a typical week for you right now,
my you know, as I have twenty twenty four I know,
I have a music schedule and a business schedule.
Speaker 4 (06:03):
Anywhere from between nine to five or five to five
to twelve pm, you.
Speaker 2 (06:09):
Know, I you know, I I.
Speaker 4 (06:11):
I go to I go to I go to the
library sometimes you know, you know, or I'm on the
computer sending out emails. I'm following up with my clients
because you know, I'm a three time young entrepreneur a year. Also,
so I do own a small business conglomerate. I send
out a lot of emails to the clients, a lot
of emails to the prospects, follow up with all my
my prospects, and then on night times, I'm generally writing
(06:33):
songs or I'm studying philosophy. And then on the weekends,
I'm back in the studio chilling with my girl, or
I'm performing on the weekends. I'm performing on the weekends.
Speaker 3 (06:41):
Okay, cool. Do you have any advantages musically that you
think no one else does?
Speaker 4 (06:48):
Yes, I think I have. You know, I I know
the reggae app. That's and I invented reggae app. That's
that's one of my advantage. Secondly, my advantage is the
media from coming from the core the corporate society, corporate world.
You know. You know, I've been featured on a lot
of major corporate media so far as CNN, Inc. Magazine,
in Wall Street, Wall Street Journal, you know, and just
(07:10):
to host the other corporate media. I think, you know,
I've been featured in over one hundred and fifty six
platform I think that that that's the advantage.
Speaker 2 (07:17):
And then I write a lot of songs.
Speaker 4 (07:19):
You know, I think probably only the only artists in
the in the dancehall industry that writes similar to me
as much songs as I do is Vibes Cartel, which
is the people's king of dance all. You know, That's
the only only other artists you might find that write
seven songs in one day. So you know, you know,
I think I think that's my advantage also, you know,
so and I could also do original dance al reggae.
Speaker 2 (07:42):
Plus I have my own genre, REGGAEBTM.
Speaker 4 (07:44):
So yeah, I got I got got that over a
lot of folks, you know, And I've sold and in
the music industry, I've also sold music, which that's what
a lot of dance al reggae artists want to do,
is sell records. I've already you know, sold like five
hundred thousandes on Ink magazine, on the Ink Magazine video,
or over one hundred thousand copies in Paris, friends, and
(08:07):
this one is verbally confirmed. I didn't receive a plaque
for it, but we saw like over a million copy
in Asia Canada for a song called war Home, you know,
with Frash and all of them. So yeah, I think
I think that's my advantage.
Speaker 3 (08:19):
How do you decide if you're going to release a
song to the world or if you're going to just
kill it in the studio?
Speaker 6 (08:25):
Oh wow?
Speaker 4 (08:26):
Well, first off, first off, serrentals before I go into
the studio. You know, the song that I'm getting ready
to record in the studio is always is always a
hit song. I never I never going to the going
to the studio without without without without approving first that
that song is going to be released. So once I
hit the studio, you know, because it's because of budget reasons,
(08:48):
Once I hit the studio, that song is going to
be released. So it's really at home. It's really in
the rough drive process where I decide whether whether or
not I'm going to make this song a hit song
or I'm not gonna or I'm not going to record
this or I'm not going to write this song.
Speaker 3 (09:03):
Tell us about this song that we're going to hear
in a few minutes. What inspired it?
Speaker 4 (09:07):
This song was inspired by the drum line. I don't
know if I'm you ever watched that Nick Cannon show
called drum Line.
Speaker 2 (09:16):
When I Got, When I Got, When I Got The.
Speaker 4 (09:18):
Instrumental it was from my producer Smitty from Root and
Entertainment label group. And what I expected was something like
in the club like fifty cents go short, it's your birthday.
But when I got it, it was like different when
I when I when I looked at it, I saw
I saw, I saw arena potential. I saw stadiums being
sold out. I saw everybody jumping up and down to
(09:39):
the to the to the instrumental. So that's you know,
that's how that's how I wrote the song, and the
song concept is telling people about my my sexual philosophy.
And you know, in a in a climatic in a
climatic flow, in a in a climatic flow, if you
notice right before I go into the chorus, each time
before I go into the chorus, it's like it's it's
(09:59):
a build up, is like you know, when we're better rot,
when we're better rock, when we're better rock, when we're
better in Foremost Escobar Junior I heard. So it's like
a build up each time before I go into the chorus.
So it's a climatic flow. And it's my second you know,
my thoughts on my sexual philosopher and the nicknames, the
many nicknames that I've I've garnered or or I have
(10:20):
achieved over the years. You know, they call me Escobar
Junior because of my uncle, you know, young cinzero just
because my philosopher, my philosophical ways, and you know Ruth
Kill the regular app in Venna as a dance or
artist that invented regular apps. So you know that that's
what's inside of the chorus.
Speaker 3 (10:37):
I'll tell you what, dude. Let's take a listen and
we'll come back and talk a little more.
Speaker 6 (10:40):
Okay, okay, Youngster zero zero roots.
Speaker 4 (11:06):
Boom to the my chest, to your tap fears, the
fuck me at your art, your zooms on. Fat may
I like Arah men a life by the way, So
when you come believe the dead stock lear dong from
my bedstock, get your head rack.
Speaker 2 (11:21):
When we're better at Nagi.
Speaker 4 (11:22):
You're not dead rack, you know the kill rack until
you come monastap, not dead rack. Ye're for comeback, not
dead rack. Ye're for comeback when we're better at, when
we're better at. Informo sist informo songs, Sarah, that's my
word inform of So kill the rec and I'm living
inform of sleeping to this informal sister.
Speaker 6 (11:44):
To inform ourselves. Serra informo so kill the reckt up
prevent from sleeping.
Speaker 4 (11:51):
This is my sense, my back down to the tap,
back lower away to the ice pack.
Speaker 6 (11:57):
That gets I like that. I'm in shock.
Speaker 2 (12:00):
Ramping your stop.
Speaker 4 (12:02):
I'll win your want stop your car stool. If loving
was a crime, you would have forgot a crime.
Speaker 2 (12:08):
Stop.
Speaker 4 (12:08):
Shrine stop or should be like a shrine stop, went
up your pantelne stop, find your grandspot feelings inside cares stop.
Speaker 6 (12:17):
I'll win your one stop or your ladder.
Speaker 7 (12:24):
Informo sisto informo song cicerah. That's my work in from
of rout kill the recordarv in from of sleeping to
informo sisto j informo songs cerra. That's from work in
fromo solu kill the record up invent in.
Speaker 6 (12:41):
Form of sep.
Speaker 2 (12:43):
To take to the tack col to the cur time
to the clock.
Speaker 6 (12:47):
I see the clock can't on the wall. But if now,
what should they get back?
Speaker 4 (12:52):
When your fear up upon a path, Now come back
somewhere in between riding non stop like you want to
come back, yeah, like you warm come back a long time, Mommy,
you should add your dress string pup. See them were
the coaching pup poop like that booth share watch, Oh
shall watch, not the one we're your coaching on stop,
(13:14):
I mean shall watch, I shall watch, I shall watch,
me shall watch.
Speaker 7 (13:19):
Your shall watch your infemost stou informo sims Sarah, that's
my work informost road kill the record and invent informal
sleeping Toulisa is flatento informos sistoun informo silm ccea. That's
my work informo, so kick the record up inventing in formos.
Speaker 6 (13:39):
Informost stop informo.
Speaker 7 (13:41):
Sims Sarah, that's my word informost road kill the record
on living informal sleeping to this is flamental, infamous, informost, infemost.
Speaker 2 (13:55):
Informs Yeah, no sro with the record.
Speaker 3 (14:06):
When it comes to girl. We thank you so much
for for that song. Man, It was very cool and
I want to thank you for sharing with us tonight.
Speaker 2 (14:20):
Yeah man, thank you, thank you, and thank the listeners
for listening.
Speaker 4 (14:24):
Man to one of the hottest reggae rep song right
now that's trending in Africa and it's trending in Jamaica
and now it's going to be on Sorrento's syndicated platforms,
so you know it's going to be real turned up,
It's going to be on fire.
Speaker 2 (14:39):
No no, no, that I'm rocking with Sorrentos awesome man.
Speaker 3 (14:42):
So tell us about any special things that you got
working that we should know about this year.
Speaker 2 (14:49):
Yes.
Speaker 4 (14:50):
So I have the hyperbased rhythm compilation album getting ready
to release, produced by my record label. Got a few
major artists on there, Deja Vu from all the RF
my artist crew, Alexa from out of my artists crew,
and of course I got two singles on their short
Free and Stuck with Us by rud Kid, the regular
(15:10):
app Invenna and Cyclone which is doing good worldwide. And
there's a lot of other guys like Stylos from out
of London. Then I got the infamost Millionaire album coming,
which is my debut album because I released three mixtape
albums but those were for promotional uses. Now you know
we're getting ready to go to go through the sale process,
and then you know we're working on a lot of
major concerts, like you know concerts with YG Marley, which
(15:34):
is unofficial, but you know these are things that's in
the work. You know, we're working out with like six
different concerts, Hey cousins, they festival, the Hillfest Festival, and
you know, a lot more other concerts promoters that have
been calling me, but they have assigned the contract as
yet or or haven't made a deposit as yet.
Speaker 2 (15:52):
So you know, we're just waiting right now.
Speaker 4 (15:54):
And I also, you know, I told you I just
wrote like one hundred singles in seven days. I'm getting
ready to go back into the studio to record a
lot more new singles like bang Up, Bang Up for real,
you know, and a lot, you know, a lot more
new singles. Man, there's a lot of new singles. We're
looking forward to it. Of course, I'm going to be
special guests next week next week. This week it's a
(16:16):
July twenty eighth. It's an international cookout. I'm going to
be the special guests over there performing in Maryland. So
that's going to be on fire all.
Speaker 3 (16:23):
So is there anything you think you can't do?
Speaker 4 (16:27):
You know, no, not not not not not not not
if I look at it and I like it, like
I you know, you know, my girl as a as
a son that plays tennis, and you know, sometime I
go go to the practice and I look at the
tennis and like Oh well, I think I could do that. Also,
you know, once I once, once my mind grasp it,
I could make it happen. You know, you know, you know,
(16:47):
education is the key.
Speaker 2 (16:48):
So you know, I'm one that took education see results.
Speaker 4 (16:52):
So you know, I graduated from college and I'm getting
ready to do some more more studies also graduated and
culinary artists full time onrepreneurship graduate. Also, you know, so nothing,
nothing that I can accomplish without, you know, without you know,
the support of my family, my friends, people like you Serranus.
Speaker 2 (17:09):
And I'm also got you.
Speaker 8 (17:10):
Know what I mean.
Speaker 3 (17:11):
Yeah, do you have any advice on touring?
Speaker 4 (17:14):
Yeah, I could say, I could say, just make sure
that you know your your engineer, your engineer is on board,
you know, make sure your microphone is right.
Speaker 2 (17:24):
You know, you have the correct people, the correct people
in your camp.
Speaker 4 (17:29):
Make sure that you you got you got your deposits,
your deposits right, your contracts right before you go on tour.
And yeah, you know, I mean that's that, that's that,
That's about it, man. You know, make sure the contract
is Yeah, that's about it man. And keep keep the
legal keep the legal things that you legal dots crossed
you know that that's not it, and the tease, the
(17:50):
tease crossed.
Speaker 3 (17:52):
Okay, So I've been to Jamaica once, But if I
come back to Jamaica, what's the one place I have
to go visit?
Speaker 4 (17:59):
You definitely got to visit Aucherius Dune River falls in Jamaica.
Speaker 3 (18:04):
So I went Toios and I'm trying to remember there
was a waterfall thing I visited that I thought it
was awesome. I don't know if if that's what it
was called.
Speaker 4 (18:12):
Yeah, it was very cool, right did they did they
let you climb the rocks? Did they let you climb
the rocks?
Speaker 6 (18:17):
They did?
Speaker 3 (18:18):
But it wasn't like a super high waterfall thing. So
I'm not sure if it's exactly the one you're talking about.
I assume what you're talking about is a bigger waterfall.
Speaker 2 (18:28):
Right right, right?
Speaker 4 (18:29):
I mean how high was it because it's you know,
it's a little bit highlight the mountain?
Speaker 2 (18:34):
Was it highlight the mountain? Like similar? Not as high
as the mountain?
Speaker 3 (18:37):
No? No, this was a couple hundred feet No, No,
I wasn't.
Speaker 2 (18:40):
It wasn't like that high right right right?
Speaker 4 (18:42):
So Olgerios and I would tell you you got to
go to my community, but you got to go with
me because you know they get they get boiling down.
Speaker 3 (18:51):
Yeah, all right, okay, very cool man. So before I
let you go, tell us where people can buy and
stream your stuff, websites, socials, whatever links you want to
share with us.
Speaker 4 (19:01):
Okay, Facebook dot Com, reverb Nation dot com, YouTube dot Com,
Forward slash at, rud Kitdregar app and Ventor, SoundCloud dot Com,
Forward Slash, Denton Dash, rud Kid, the Regular App, in
Ventor Dash Malcolm.
Speaker 2 (19:19):
And then I'm on YouTube.
Speaker 4 (19:20):
I got several channels, YouTube dot Com, Forward slash at,
Denton Malcolm and then you know, for bookends, you could
call me at a two zero two four four zero
five three five four or log on to Facebook dot Com,
Forward Slash, Vibes Universal LLC. And then you know, you know,
you could stream. You could google me rut Kit, the
(19:41):
Regaar app, and Venna to pull up all the other
platforms that I'm on.
Speaker 3 (19:44):
All right, man, that's very cool. I want to thank
you so much for being on the show to now.
It was a lot of fun.
Speaker 2 (19:49):
Thank you very much. Surrent Us.
Speaker 4 (19:51):
I don't know if we left out anything. You know,
I'm an all star soccer player and you know our
own dam Companies which is a small business conglomerate. If
you guys need services like not only not not only
bookings for performances and music, we also offer catering. We
also offer design and printing and the wholest other services.
So you know Facebook dot com, forward slash DAMN Companies,
(20:11):
I will see you know. It's rude kid, the regular
up invent a rocking with Sorrentos the Songwriters show kids.
Speaker 3 (20:19):
All right, man so and thank you out there to
all of the fans listening to this show. We both
hope your unique story gets heart around the world too.
My name is Sorrantos. Please please please join me every
single Tuesday evening to hear all these amazing artists show.
They're fascintting behind the scenes stories right here at the
songwrit Show and reality Radio one on one. Have a
great night. I love you all.
Speaker 6 (20:56):
She comes in toukness on broad It doesn't really matter
because it never.
Speaker 5 (21:04):
Feels right each time a new mask. I let her
back in like a trusted old friend and I'm stuck
in Persson.
Speaker 9 (21:20):
Wants be not of control, infecting my moto soul, drowning
in a black hole.
Speaker 6 (21:29):
How no canna go.
Speaker 9 (21:32):
The clock so slowly, my heavy and insane. As we
play this steady game, it hits me.
Speaker 6 (21:42):
I am the break and just a curss of light.
Don't care because I just need a head.
Speaker 5 (21:50):
I just really need a drump start stastread.
Speaker 6 (21:58):
Co't the traveler.
Speaker 3 (22:02):
Straight?
Speaker 8 (22:03):
You know my heart?
Speaker 6 (22:10):
Oh that's left of me?
Speaker 5 (22:13):
With each siren ignom, It's a shell full of scars,
lonely money mone.
Speaker 6 (22:22):
All I can do is pretend I'm not worry. I
try hard. That's so cool.
Speaker 9 (22:31):
Lone I'm not worthy, wants me out of control, infecting
my mono.
Speaker 6 (22:40):
Soul, drowning in a black old. I love again.
Speaker 4 (22:45):
I'm go.
Speaker 9 (22:47):
The cloom so slowly, my hey and insane, as we
play this dadly game.
Speaker 6 (22:56):
And hits me. I am the braid. Every cuss a
curse of light. Don't care because I just.
Speaker 4 (23:04):
Need a head.
Speaker 6 (23:05):
I just really a drum start shantake. Last week.
Speaker 8 (23:13):
On the Drama, lest.
Speaker 9 (23:16):
Shame God, don't wait until it's too late.
Speaker 6 (23:26):
Everything real stops turned has an expiration day. Wreckage will
take yuse to fis good Night's so over. I crave
the rush again. I'm bella sober maybe find myself some
(23:47):
time in.
Speaker 5 (23:49):
The same time plass real real su tonight playing the same.
Speaker 9 (23:56):
Deacame black so slowly my ladi has as we play
this tandy game like.
Speaker 6 (24:08):
Hits me, I am the rest every keys adress FLA,
no cads. I just need a head, I just really
need a jump start.
Speaker 8 (24:20):
Stop tank rang.
Speaker 6 (24:25):
Got the train leg.
Speaker 8 (24:30):
Straight to my heart, straight to my min straight straight
straight you straight straight straight to my heart.
Speaker 1 (25:03):
Thank you for listening to The Songwriter Show. To keep
the momentum going, head over to www Dot songwriter show
dot com and join our free music community of artists, songwriters,
and producers.
Speaker 6 (25:16):
That's www.
Speaker 1 (25:18):
Dot songwriter show dot com.
Speaker 6 (26:13):
Many many.
Speaker 9 (26:29):
Many name.
Speaker 5 (26:37):
And no.
Speaker 1 (27:16):
Hanging hang.
Speaker 5 (27:22):
No no no.
Speaker 6 (27:32):
Hang hang
Speaker 1 (27:36):
Ha
Are you a songwriter? Are you looking to turn your
songwriting passion into a full time gig. Whether you are
just at the start of your songwriting journey or a
seasoned industry professional, this show is made for you.
Speaker 2 (00:13):
You well.
Speaker 1 (00:14):
Welcome to the Songwriter Show, bringing together songwriting news, interviews
and community. Now welcome your Houstzrontos.
Speaker 3 (00:26):
Thank you so much for tuning in. Welcome back to
the Songwriter Show right here on Reality Radio one oh one.
I'm your humble host Santos, a solo music artist who's
been writing lyrics for as long as I can remember.
Words are so important to me, and that's why I'm
thrilled to host this show every Tuesday evening. I believe
that every song is a story. Tonight, I'm so excited
(00:47):
to have on the show root Kid, the Reggae rap Inventor.
In a vibrant world of music, they are artists who
carved their own unique path, leaving an indelible mark on
the industry. One such artist as Denton Alyxis mal Welcome,
better known of course as Rude Kid, the Reggae rap Inventor,
or simply Rude Kid. His musical journey is a testament
(01:07):
to talent, inspiration and an unwavering determination to succeed.
Speaker 1 (01:13):
And now welcome this week's special guest.
Speaker 3 (01:17):
Welcome to the show. Rude Kid, how are you?
Speaker 2 (01:19):
I am Flying Surrners the boss is it? You know?
It's real Kid, the reggae rapp inventor hanging with Surrenters.
Speaker 3 (01:27):
Well, thank you for being on tonight. Man, I'm excited
to talk to you. Tell us a little bit about
when you get started down this crazy world of making music.
Speaker 2 (01:35):
It was seven years old.
Speaker 4 (01:37):
I was walking up my arm Street in Jamaica, Kingston
Mountain View, and you know the first thought that came
to my mind was about my surrounding. I was like them, no,
no clue, the wiked that's on them come from mount
of View. Basically, I was just saying, the baddest men
men comes from my community.
Speaker 2 (01:56):
So that's my first song right there. A seven years old.
Speaker 3 (01:59):
Okay, And tell us a little bit about how you
evolved from that, when you went to high school and beyond.
Tell us a little bit about your musical journey.
Speaker 4 (02:08):
Oh yeah, yeah, So you know I went to Kingston
College in Jamaica. Shabah Rangs brought me on stage during
the Kingston College Mayfair. You know my friends, I played
soccer with the Kingston College team. They're like, yo, shaba,
bring bring on, Bring on Denton, And you know I
performed with him. Came to America. You know, I have
that first Prince of Belaire story. Got in one of
(02:29):
the fight and my mom got scared, so she sent
me to America. I went to Theodore Roosevelt. I did
all the talent shows. You know, I won some of
the talent shows. You know, I did the major homecomings.
And then you know, at sixteen, I recorded my first
two singles, which one and I'm also if you ever
di root Kid for my record label called Worm Record Label. Unfortunately,
(02:51):
my song wasn't released, so for the next two to
three years, I performed a lot of promo concerts. Opened
up for Shaggy, open up a Bone te Killer, open
up for a lot of major dance, old reggae artists
and hip hop artists like Redman, Foxy Brown, Nas, and
then finally Manchild Entertainment released my first single at nineteen
called Ain't No Stopping, which was on the Hypnotized Rhythm
(03:13):
authorized by p Diddy from Bad Boy Records. They wanted
to sign me the Bad Boy Records, but Diddy and Biggie,
they said, let's demo, let's demo whim for Let's do
a demonstration first. So we dropped like five hundred tapes
in DC, Maryland and Virginia. So that's that's how I
evolved from just walking up the street to you know,
finally got a single release in DC, Maryland and Virginia.
Speaker 3 (03:35):
That's a cool story, man, I'm glad to hear that.
Speaker 5 (03:37):
You know.
Speaker 3 (03:37):
Of course I didn't hear anything after you said Shaggy
because Shaggy is one of my favorites.
Speaker 4 (03:41):
Dude, right right right, you know, you know, I got
a cool story about Shaggy. Also, Shaggy said, you know,
the first time he went on tour, Backstreet Boys opened
up for Shaggy, but a year later he ended up
opening up for Backstreet Boys. So you know, you never
could tell who's going to be the mega superstar.
Speaker 3 (04:01):
You never can tell in this business. Man, You're so right,
and things can flip and a heartbeat.
Speaker 4 (04:05):
Yes, for sure, for sure, for sure. So I stay
on my craft on a daily basis. Matter of fact,
in seven days, I wrote like one hundred songs. Well,
I created one hundred songs. I wrote twenty of them
so far. But I created one hundred songs in seven days,
so I stay on top of the craft man fresh
new music every day.
Speaker 3 (04:21):
Yeah, that's awesome. Tell us a little bit about your
songwriting process.
Speaker 4 (04:26):
Well, initially, you know, I used to follow like you know,
the major X, influenced by like Chabaans, you know, being
a man in bone to killer like you know, you
know Chabaans used to say, missed the love them on
them come and missed the love them And I used
to writing, yeah, miss the maritime. But then I veered
off from that and started doing nothing but original songwriter
(04:48):
and I write to the instrumental the process that that
gives me original original song concept, like how we roll?
You know, the the breeze in the background brought brought
me that Caribbean field. So I said, oh we roll
risk and freeze. And then bomb dot com I walked,
I was, I was. I was driving around in my
expedition back then, I had the expedition and I kept
(05:09):
listening to the instrumental, listening to the instrumental, and then
finally I said, bomb dot com here, Bomb dot com here,
Gauaya Miguel Kayada, Bomb dot com and then a lot
of times I'm listening to you know, mixtapes and things
of that nature, and then I just get inspired to
create a song.
Speaker 2 (05:24):
But you know, for a lot of time.
Speaker 4 (05:25):
It's the instrumentals, and I'm also yeah, also also also
also also.
Speaker 2 (05:30):
When I'm inspired by the mixtapes.
Speaker 4 (05:32):
And one more thing, I also do what during the
songwriting process, I use the composition, the composition status you
know where you know where you have the head and
you have the body and you have the conclusion. So
I kind of write my three verses three to four
verses similar to that. Sometime I do nine verses, but
for the most part, I do three to four verses.
Why when I'm writing writing songs.
Speaker 3 (05:52):
Okay, tell us about a typical week for you right now,
my you know, as I have twenty twenty four I know,
I have a music schedule and a business schedule.
Speaker 4 (06:03):
Anywhere from between nine to five or five to five
to twelve pm, you.
Speaker 2 (06:09):
Know, I you know, I I.
Speaker 4 (06:11):
I go to I go to I go to the
library sometimes you know, you know, or I'm on the
computer sending out emails. I'm following up with my clients
because you know, I'm a three time young entrepreneur a year. Also,
so I do own a small business conglomerate. I send
out a lot of emails to the clients, a lot
of emails to the prospects, follow up with all my
my prospects, and then on night times, I'm generally writing
(06:33):
songs or I'm studying philosophy. And then on the weekends,
I'm back in the studio chilling with my girl, or
I'm performing on the weekends. I'm performing on the weekends.
Speaker 3 (06:41):
Okay, cool. Do you have any advantages musically that you
think no one else does?
Speaker 4 (06:48):
Yes, I think I have. You know, I I know
the reggae app. That's and I invented reggae app. That's
that's one of my advantage. Secondly, my advantage is the
media from coming from the core the corporate society, corporate world.
You know. You know, I've been featured on a lot
of major corporate media so far as CNN, Inc. Magazine,
in Wall Street, Wall Street Journal, you know, and just
(07:10):
to host the other corporate media. I think, you know,
I've been featured in over one hundred and fifty six
platform I think that that that's the advantage.
Speaker 2 (07:17):
And then I write a lot of songs.
Speaker 4 (07:19):
You know, I think probably only the only artists in
the in the dancehall industry that writes similar to me
as much songs as I do is Vibes Cartel, which
is the people's king of dance all. You know, That's
the only only other artists you might find that write
seven songs in one day. So you know, you know,
I think I think that's my advantage also, you know,
so and I could also do original dance al reggae.
Speaker 2 (07:42):
Plus I have my own genre, REGGAEBTM.
Speaker 4 (07:44):
So yeah, I got I got got that over a
lot of folks, you know, And I've sold and in
the music industry, I've also sold music, which that's what
a lot of dance al reggae artists want to do,
is sell records. I've already you know, sold like five
hundred thousandes on Ink magazine, on the Ink Magazine video,
or over one hundred thousand copies in Paris, friends, and
(08:07):
this one is verbally confirmed. I didn't receive a plaque
for it, but we saw like over a million copy
in Asia Canada for a song called war Home, you know,
with Frash and all of them. So yeah, I think
I think that's my advantage.
Speaker 3 (08:19):
How do you decide if you're going to release a
song to the world or if you're going to just
kill it in the studio?
Speaker 6 (08:25):
Oh wow?
Speaker 4 (08:26):
Well, first off, first off, serrentals before I go into
the studio. You know, the song that I'm getting ready
to record in the studio is always is always a
hit song. I never I never going to the going
to the studio without without without without approving first that
that song is going to be released. So once I
hit the studio, you know, because it's because of budget reasons,
(08:48):
Once I hit the studio, that song is going to
be released. So it's really at home. It's really in
the rough drive process where I decide whether whether or
not I'm going to make this song a hit song
or I'm not gonna or I'm not going to record
this or I'm not going to write this song.
Speaker 3 (09:03):
Tell us about this song that we're going to hear
in a few minutes. What inspired it?
Speaker 4 (09:07):
This song was inspired by the drum line. I don't
know if I'm you ever watched that Nick Cannon show
called drum Line.
Speaker 2 (09:16):
When I Got, When I Got, When I Got The.
Speaker 4 (09:18):
Instrumental it was from my producer Smitty from Root and
Entertainment label group. And what I expected was something like
in the club like fifty cents go short, it's your birthday.
But when I got it, it was like different when
I when I when I looked at it, I saw
I saw, I saw arena potential. I saw stadiums being
sold out. I saw everybody jumping up and down to
(09:39):
the to the to the instrumental. So that's you know,
that's how that's how I wrote the song, and the
song concept is telling people about my my sexual philosophy.
And you know, in a in a climatic in a
climatic flow, in a in a climatic flow, if you
notice right before I go into the chorus, each time
before I go into the chorus, it's like it's it's
(09:59):
a build up, is like you know, when we're better rot,
when we're better rock, when we're better rock, when we're
better in Foremost Escobar Junior I heard. So it's like
a build up each time before I go into the chorus.
So it's a climatic flow. And it's my second you know,
my thoughts on my sexual philosopher and the nicknames, the
many nicknames that I've I've garnered or or I have
(10:20):
achieved over the years. You know, they call me Escobar
Junior because of my uncle, you know, young cinzero just
because my philosopher, my philosophical ways, and you know Ruth
Kill the regular app in Venna as a dance or
artist that invented regular apps. So you know that that's
what's inside of the chorus.
Speaker 3 (10:37):
I'll tell you what, dude. Let's take a listen and
we'll come back and talk a little more.
Speaker 6 (10:40):
Okay, okay, Youngster zero zero roots.
Speaker 4 (11:06):
Boom to the my chest, to your tap fears, the
fuck me at your art, your zooms on. Fat may
I like Arah men a life by the way, So
when you come believe the dead stock lear dong from
my bedstock, get your head rack.
Speaker 2 (11:21):
When we're better at Nagi.
Speaker 4 (11:22):
You're not dead rack, you know the kill rack until
you come monastap, not dead rack. Ye're for comeback, not
dead rack. Ye're for comeback when we're better at, when
we're better at. Informo sist informo songs, Sarah, that's my
word inform of So kill the rec and I'm living
inform of sleeping to this informal sister.
Speaker 6 (11:44):
To inform ourselves. Serra informo so kill the reckt up
prevent from sleeping.
Speaker 4 (11:51):
This is my sense, my back down to the tap,
back lower away to the ice pack.
Speaker 6 (11:57):
That gets I like that. I'm in shock.
Speaker 2 (12:00):
Ramping your stop.
Speaker 4 (12:02):
I'll win your want stop your car stool. If loving
was a crime, you would have forgot a crime.
Speaker 2 (12:08):
Stop.
Speaker 4 (12:08):
Shrine stop or should be like a shrine stop, went
up your pantelne stop, find your grandspot feelings inside cares stop.
Speaker 6 (12:17):
I'll win your one stop or your ladder.
Speaker 7 (12:24):
Informo sisto informo song cicerah. That's my work in from
of rout kill the recordarv in from of sleeping to
informo sisto j informo songs cerra. That's from work in
fromo solu kill the record up invent in.
Speaker 6 (12:41):
Form of sep.
Speaker 2 (12:43):
To take to the tack col to the cur time
to the clock.
Speaker 6 (12:47):
I see the clock can't on the wall. But if now,
what should they get back?
Speaker 4 (12:52):
When your fear up upon a path, Now come back
somewhere in between riding non stop like you want to
come back, yeah, like you warm come back a long time, Mommy,
you should add your dress string pup. See them were
the coaching pup poop like that booth share watch, Oh
shall watch, not the one we're your coaching on stop,
(13:14):
I mean shall watch, I shall watch, I shall watch,
me shall watch.
Speaker 7 (13:19):
Your shall watch your infemost stou informo sims Sarah, that's
my work informost road kill the record and invent informal
sleeping Toulisa is flatento informos sistoun informo silm ccea. That's
my work informo, so kick the record up inventing in formos.
Speaker 6 (13:39):
Informost stop informo.
Speaker 7 (13:41):
Sims Sarah, that's my word informost road kill the record
on living informal sleeping to this is flamental, infamous, informost, infemost.
Speaker 2 (13:55):
Informs Yeah, no sro with the record.
Speaker 3 (14:06):
When it comes to girl. We thank you so much
for for that song. Man, It was very cool and
I want to thank you for sharing with us tonight.
Speaker 2 (14:20):
Yeah man, thank you, thank you, and thank the listeners
for listening.
Speaker 4 (14:24):
Man to one of the hottest reggae rep song right
now that's trending in Africa and it's trending in Jamaica
and now it's going to be on Sorrento's syndicated platforms,
so you know it's going to be real turned up,
It's going to be on fire.
Speaker 2 (14:39):
No no, no, that I'm rocking with Sorrentos awesome man.
Speaker 3 (14:42):
So tell us about any special things that you got
working that we should know about this year.
Speaker 2 (14:49):
Yes.
Speaker 4 (14:50):
So I have the hyperbased rhythm compilation album getting ready
to release, produced by my record label. Got a few
major artists on there, Deja Vu from all the RF
my artist crew, Alexa from out of my artists crew,
and of course I got two singles on their short
Free and Stuck with Us by rud Kid, the regular
(15:10):
app Invenna and Cyclone which is doing good worldwide. And
there's a lot of other guys like Stylos from out
of London. Then I got the infamost Millionaire album coming,
which is my debut album because I released three mixtape
albums but those were for promotional uses. Now you know
we're getting ready to go to go through the sale process,
and then you know we're working on a lot of
major concerts, like you know concerts with YG Marley, which
(15:34):
is unofficial, but you know these are things that's in
the work. You know, we're working out with like six
different concerts, Hey cousins, they festival, the Hillfest Festival, and
you know, a lot more other concerts promoters that have
been calling me, but they have assigned the contract as
yet or or haven't made a deposit as yet.
Speaker 2 (15:52):
So you know, we're just waiting right now.
Speaker 4 (15:54):
And I also, you know, I told you I just
wrote like one hundred singles in seven days. I'm getting
ready to go back into the studio to record a
lot more new singles like bang Up, Bang Up for real,
you know, and a lot, you know, a lot more
new singles. Man, there's a lot of new singles. We're
looking forward to it. Of course, I'm going to be
special guests next week next week. This week it's a
(16:16):
July twenty eighth. It's an international cookout. I'm going to
be the special guests over there performing in Maryland. So
that's going to be on fire all.
Speaker 3 (16:23):
So is there anything you think you can't do?
Speaker 4 (16:27):
You know, no, not not not not not not not
if I look at it and I like it, like
I you know, you know, my girl as a as
a son that plays tennis, and you know, sometime I
go go to the practice and I look at the
tennis and like Oh well, I think I could do that. Also,
you know, once I once, once my mind grasp it,
I could make it happen. You know, you know, you know,
(16:47):
education is the key.
Speaker 2 (16:48):
So you know, I'm one that took education see results.
Speaker 4 (16:52):
So you know, I graduated from college and I'm getting
ready to do some more more studies also graduated and
culinary artists full time onrepreneurship graduate. Also, you know, so nothing,
nothing that I can accomplish without, you know, without you know,
the support of my family, my friends, people like you Serranus.
Speaker 2 (17:09):
And I'm also got you.
Speaker 8 (17:10):
Know what I mean.
Speaker 3 (17:11):
Yeah, do you have any advice on touring?
Speaker 4 (17:14):
Yeah, I could say, I could say, just make sure
that you know your your engineer, your engineer is on board,
you know, make sure your microphone is right.
Speaker 2 (17:24):
You know, you have the correct people, the correct people
in your camp.
Speaker 4 (17:29):
Make sure that you you got you got your deposits,
your deposits right, your contracts right before you go on tour.
And yeah, you know, I mean that's that, that's that,
That's about it, man. You know, make sure the contract
is Yeah, that's about it man. And keep keep the
legal keep the legal things that you legal dots crossed
you know that that's not it, and the tease, the
(17:50):
tease crossed.
Speaker 3 (17:52):
Okay, So I've been to Jamaica once, But if I
come back to Jamaica, what's the one place I have
to go visit?
Speaker 4 (17:59):
You definitely got to visit Aucherius Dune River falls in Jamaica.
Speaker 3 (18:04):
So I went Toios and I'm trying to remember there
was a waterfall thing I visited that I thought it
was awesome. I don't know if if that's what it
was called.
Speaker 4 (18:12):
Yeah, it was very cool, right did they did they
let you climb the rocks? Did they let you climb
the rocks?
Speaker 6 (18:17):
They did?
Speaker 3 (18:18):
But it wasn't like a super high waterfall thing. So
I'm not sure if it's exactly the one you're talking about.
I assume what you're talking about is a bigger waterfall.
Speaker 2 (18:28):
Right right, right?
Speaker 4 (18:29):
I mean how high was it because it's you know,
it's a little bit highlight the mountain?
Speaker 2 (18:34):
Was it highlight the mountain? Like similar? Not as high
as the mountain?
Speaker 3 (18:37):
No? No, this was a couple hundred feet No, No,
I wasn't.
Speaker 2 (18:40):
It wasn't like that high right right right?
Speaker 4 (18:42):
So Olgerios and I would tell you you got to
go to my community, but you got to go with
me because you know they get they get boiling down.
Speaker 3 (18:51):
Yeah, all right, okay, very cool man. So before I
let you go, tell us where people can buy and
stream your stuff, websites, socials, whatever links you want to
share with us.
Speaker 4 (19:01):
Okay, Facebook dot Com, reverb Nation dot com, YouTube dot Com,
Forward slash at, rud Kitdregar app and Ventor, SoundCloud dot Com,
Forward Slash, Denton Dash, rud Kid, the Regular App, in
Ventor Dash Malcolm.
Speaker 2 (19:19):
And then I'm on YouTube.
Speaker 4 (19:20):
I got several channels, YouTube dot Com, Forward slash at,
Denton Malcolm and then you know, for bookends, you could
call me at a two zero two four four zero
five three five four or log on to Facebook dot Com,
Forward Slash, Vibes Universal LLC. And then you know, you know,
you could stream. You could google me rut Kit, the
(19:41):
Regaar app, and Venna to pull up all the other
platforms that I'm on.
Speaker 3 (19:44):
All right, man, that's very cool. I want to thank
you so much for being on the show to now.
It was a lot of fun.
Speaker 2 (19:49):
Thank you very much. Surrent Us.
Speaker 4 (19:51):
I don't know if we left out anything. You know,
I'm an all star soccer player and you know our
own dam Companies which is a small business conglomerate. If
you guys need services like not only not not only
bookings for performances and music, we also offer catering. We
also offer design and printing and the wholest other services.
So you know Facebook dot com, forward slash DAMN Companies,
(20:11):
I will see you know. It's rude kid, the regular
up invent a rocking with Sorrentos the Songwriters show kids.
Speaker 3 (20:19):
All right, man so and thank you out there to
all of the fans listening to this show. We both
hope your unique story gets heart around the world too.
My name is Sorrantos. Please please please join me every
single Tuesday evening to hear all these amazing artists show.
They're fascintting behind the scenes stories right here at the
songwrit Show and reality Radio one on one. Have a
great night. I love you all.
Speaker 6 (20:56):
She comes in toukness on broad It doesn't really matter
because it never.
Speaker 5 (21:04):
Feels right each time a new mask. I let her
back in like a trusted old friend and I'm stuck
in Persson.
Speaker 9 (21:20):
Wants be not of control, infecting my moto soul, drowning
in a black hole.
Speaker 6 (21:29):
How no canna go.
Speaker 9 (21:32):
The clock so slowly, my heavy and insane. As we
play this steady game, it hits me.
Speaker 6 (21:42):
I am the break and just a curss of light.
Don't care because I just need a head.
Speaker 5 (21:50):
I just really need a drump start stastread.
Speaker 6 (21:58):
Co't the traveler.
Speaker 3 (22:02):
Straight?
Speaker 8 (22:03):
You know my heart?
Speaker 6 (22:10):
Oh that's left of me?
Speaker 5 (22:13):
With each siren ignom, It's a shell full of scars,
lonely money mone.
Speaker 6 (22:22):
All I can do is pretend I'm not worry. I
try hard. That's so cool.
Speaker 9 (22:31):
Lone I'm not worthy, wants me out of control, infecting
my mono.
Speaker 6 (22:40):
Soul, drowning in a black old. I love again.
Speaker 4 (22:45):
I'm go.
Speaker 9 (22:47):
The cloom so slowly, my hey and insane, as we
play this dadly game.
Speaker 6 (22:56):
And hits me. I am the braid. Every cuss a
curse of light. Don't care because I just.
Speaker 4 (23:04):
Need a head.
Speaker 6 (23:05):
I just really a drum start shantake. Last week.
Speaker 8 (23:13):
On the Drama, lest.
Speaker 9 (23:16):
Shame God, don't wait until it's too late.
Speaker 6 (23:26):
Everything real stops turned has an expiration day. Wreckage will
take yuse to fis good Night's so over. I crave
the rush again. I'm bella sober maybe find myself some
(23:47):
time in.
Speaker 5 (23:49):
The same time plass real real su tonight playing the same.
Speaker 9 (23:56):
Deacame black so slowly my ladi has as we play
this tandy game like.
Speaker 6 (24:08):
Hits me, I am the rest every keys adress FLA,
no cads. I just need a head, I just really
need a jump start.
Speaker 8 (24:20):
Stop tank rang.
Speaker 6 (24:25):
Got the train leg.
Speaker 8 (24:30):
Straight to my heart, straight to my min straight straight
straight you straight straight straight to my heart.
Speaker 1 (25:03):
Thank you for listening to The Songwriter Show. To keep
the momentum going, head over to www Dot songwriter show
dot com and join our free music community of artists, songwriters,
and producers.
Speaker 6 (25:16):
That's www.
Speaker 1 (25:18):
Dot songwriter show dot com.
Speaker 6 (26:13):
Many many.
Speaker 9 (26:29):
Many name.
Speaker 5 (26:37):
And no.
Speaker 1 (27:16):
Hanging hang.
Speaker 5 (27:22):
No no no.
Speaker 6 (27:32):
Hang hang
Speaker 1 (27:36):
Ha
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