August 21, 2025 • 51 mins
Welcome back FanFam!!! We welcome back Brandon Collins to the spaceship on this episode where we discuss what is the greatest nineties movie of all time??? We know, it's an impossible question, but one we aim to answer on the latest episode. Plus, if you're in the NYC area get ready for What The Film?! live in New York on September 4th!!! Tatiana and Benhameen will be special guests on the show, so get your tickets now: https://www.eventbrite.com/e/what-the-film-wtf-tickets-1489632925179?aff=oddtdtcreator
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
That's what I want. I just want to know what
a source of all this?
Speaker 2 (00:03):
You know, the devil.
Speaker 3 (00:07):
And by the double I means some you know, living
and breathing possibly you know, allegedly Caucasian male.
Speaker 2 (00:29):
And welcome back to another episode of the Four All Nerds.
So it's your boy, dj.
Speaker 3 (00:33):
Ben, I mean a k a big Dick Grayson energy
Edward didn't but please Bundy allowed Jordan here in the
Spaceship tonight, yo, And as always, I'm.
Speaker 4 (00:48):
Joined by Tatiana King d Grand that was a tech
also known as BARRETTA.
Speaker 1 (00:52):
Scott King, Lambeau, Calrizian Gucci Mane.
Speaker 4 (00:55):
Dolorean Doc Hockey, the Coldest Winter Soldier ever and the
ting of the North.
Speaker 2 (01:01):
I think of cal ol bundie shirt mightse.
Speaker 1 (01:05):
I like it.
Speaker 2 (01:06):
I don't know, man, you never know.
Speaker 3 (01:09):
We also have a very special returning guest who's working
on becoming one of the mayors out of here.
Speaker 2 (01:15):
Like I mean, how many times you've been on this show.
Speaker 1 (01:17):
Now, the mayor of the Spaceship.
Speaker 5 (01:19):
It's been a few times, y'all. This is Brandon Collins
aka Fertal Blacks aka American Collins aka mister drum Black
History aka too much sugar. Akat mister Collins, y'all doing today?
Speaker 2 (01:30):
Nice?
Speaker 1 (01:30):
Very nice, welcome back.
Speaker 4 (01:32):
That's an old that's an old record held by like
just Blaze right being mayor of for All Nerds or
Joe Illedge. Nah, just top up in a random Oh.
Speaker 3 (01:45):
Yeah, no, I mean I mean for two hours. I
mean when you talk about for that Yeah, it was
definitely just ba. It's like the most random, you know,
conversations that were also very intellectual and enlightening.
Speaker 2 (01:56):
Definitely just place. I'll just talk about the mayor.
Speaker 3 (01:58):
I remember when when you were the mayor of was
that thing four square?
Speaker 2 (02:03):
Yeah?
Speaker 1 (02:03):
Oh my god, I know, throw bad.
Speaker 3 (02:07):
I don'tly remember it because somebody brought it up on
Thursday the other day because I was like, oh ship.
People will used to be like, yo, I'm here, here, here,
I'm the mayor.
Speaker 4 (02:13):
It used to me that that girl, I ain't gonna
hold you. It used to be that girl. I used
to be mayor of a few places, and you would
battle it out, like somebody take your may of ship
if you just miss a visit or whatever.
Speaker 2 (02:24):
I never once thought of it.
Speaker 5 (02:25):
I was a school counselor at a private all girls
high school.
Speaker 2 (02:29):
Wow.
Speaker 5 (02:29):
A lot of them were posting on four Square. They're
talking about me about like there was creepy dudes ever
popping up. Yeah, because you keep publicly sharing where you're at.
Speaker 4 (02:36):
Like yeah, I mean listen, it was all right until
it wasn't.
Speaker 2 (02:41):
No, it was never all right. People.
Speaker 4 (02:43):
People wasn't doing all that extra stuff until until it
got real popular, and then all of a sudden, the
creatures fucked it up.
Speaker 3 (02:49):
So I was like, fuck, yeah. I never was into
telling people where I was at, but I.
Speaker 4 (02:54):
Would check it after I had already left, which is
how you're supposed.
Speaker 5 (02:57):
To do it.
Speaker 2 (02:58):
True.
Speaker 5 (02:58):
Indeed, Yeah, I was raised in suburbs where like quite
a few white kids would tell like too much about
what their families were doing, and some of them would
get ribbed during spring break or like the vacation. So
like I was just like, I'm not telling people ship.
Speaker 4 (03:13):
Wow, factory five hours ago.
Speaker 2 (03:19):
Time to kick in the Dome? No?
Speaker 5 (03:21):
Yeah not yeah Lingering right, wasn't the movie about that?
Like it was a real story too, Like that was
about I don't know, Yeah.
Speaker 2 (03:31):
I know what it was about, but I didn't know
they were for Squaring.
Speaker 5 (03:33):
Well, no, they weren't four squarings, but the teens were
basically watching like uh like Perez Hilton and sh like that.
And so when celebrities were on vacation, yeah, like we
just go to Paris Hilton's house, Yeah.
Speaker 3 (03:44):
And just basically walk in because people leave their house
was open, because you know, they would think, who's no
breaking in that neighborhood?
Speaker 2 (03:50):
Wow?
Speaker 5 (03:51):
Yeah, teenagers that's who think about it, right?
Speaker 2 (03:54):
You know other white people that's who.
Speaker 3 (03:56):
Yeah, people with no sense, just like you then going
there with.
Speaker 5 (04:02):
His glasses on.
Speaker 3 (04:04):
Let me tell you how one time I always talk
about this. I grew up in Houston, and there's this
area of Houston called River Oaks. If you know River Roads,
you know, it's Beverly Hills in Houston. It's outrageous. And
me and my boy were going to a party that
wasn't in River Roads because you know what we'd be
doing going to a party of roads. But I think
we were going through River Roads to get to this party,
and we stopped because of his car might have been
(04:24):
having car trouble or whatever. I mean not thirty seconds
and there was a cop on our ass, like what
are you doing in this neighborhood?
Speaker 2 (04:31):
Boy? You know like get on out of here.
Speaker 3 (04:35):
So no, yeah, I already know I'm not trying to
break into missus Hilton's house, miss.
Speaker 2 (04:39):
Hilton whatever, none of the above.
Speaker 3 (04:43):
But this is for all nerds where we're always not
just talking about kit those and beds. You know, sometimes
we talk about geek and pop culture as well, and
we do have mister Brandon American columns here, and since
we don't want to talk about you know, your middle
name too much because it's all trifle the news for.
Speaker 4 (05:02):
That America America problem, you know, I'm damn it, I'm
gonna I said, I was just saying a little bit.
Speaker 3 (05:11):
I'm gonna say something because I'm gonna post this threat earlier,
and now you know I deleted it before I posted it,
So why not just say it on here?
Speaker 2 (05:20):
Yeah, always a good strategy.
Speaker 3 (05:21):
You know, less chances of it being like spread around
and somebody showing it in my face later in court.
Speaker 2 (05:28):
I'm sure to just play it or use my voice
as AI anyway that'd be.
Speaker 5 (05:32):
That would be hilarious if like you got caught up
with some audio they just played episodes of four on
Nerds and you just got your head of your heads.
Speaker 3 (05:39):
Like gosh, we'll see the thing that I'm already told
me not to say that, the thing that I've already
accepted is because there's thousands of hours of me talking,
they can make me say whatever I want.
Speaker 2 (05:49):
Yep, I mean whatever they want. So I'm already doomed if.
Speaker 3 (05:54):
That, you know, being the case, because people aren't gonna
believe me when I say I didn't say that.
Speaker 2 (05:59):
They're gonna be like, no.
Speaker 3 (06:00):
Ben said that, you know, being you know, you know,
you know, Yeah, that's to be the end of it.
So there's you know, I have no hope already. So
let me just say what I was going to say anyway,
I was gonna say that my thread was what I
was gonna post was I don't think it's possible to
fit some America because I don't think it's broken in
terms of the people who created it. Like in terms
(06:23):
of people who created it, it's working just fine. It's
working to its maximum for that matter. So I don't
think it's possible to fix something that isn't broken. Is
what my thread was going to be about, and why
I'm you know, looking at stradaddling because I don't think
it's possible to fix something that's not broken.
Speaker 1 (06:43):
That is the statement in and of itself. I don't
have no notes.
Speaker 5 (06:47):
Yeah, we're not gonna let yeah, we're not gonna say hey,
change your mind, man, like, no.
Speaker 2 (06:56):
Wrong, because it's not broken.
Speaker 3 (06:58):
So you know it's not it'll get better for the
people who made it, you know, for everyone else.
Speaker 1 (07:05):
So what about the people who can't leave.
Speaker 3 (07:07):
Hunker down an informed community, like because that was my
other option, you know, that was my real and that's
still an option I'm considering because I really do love
my community in Brooklyn. And I just had a recent
experience that we've you know, yet to really talk about.
But this summer I got to visit off Noel Farm
in Vermont for a fellowship, the Better Sales Fellowship.
Speaker 1 (07:29):
And so you and I talked about it.
Speaker 3 (07:31):
Well, yeah, you and I have definitely talked about it obviously,
you know, and you're born and I will let you know.
And I've talked to a bunch of other fellows. You
might meet some of them this weekend. But we had
a distression about it, and it's very difficult to talk
to people who haven't been there for it, and most
of them haven't. Some of them have significant others they
barely distrusted with. So that's you know, I consider you
(07:53):
a very valued friend for that.
Speaker 2 (07:55):
Thanks and sister.
Speaker 3 (07:56):
But one thing I definitely am human being to be
more you know, accurate, because that's something else I learned there.
But another thing I've already learned there is the value
of community. I mean extreme What I learned there is
the value of community and how important it is in
situations like this, and how important it's always been to
black people and African people worldwide and indigenous people, et cetera.
(08:20):
You know, people, the people you know, as I would say,
the majority of people on this planet.
Speaker 2 (08:25):
You know, as I would say, it's always been very important.
Speaker 3 (08:28):
So I would say, just hunker down and you know,
work on your community, because that's something I'm seriously doing.
Even as I'm making plans for Skadetto. I want to
see about getting a because we have a refrigerator a
few blocks down that people can just put food into,
but I want to see about getting one on our corner.
You know.
Speaker 2 (08:48):
Things to that nature.
Speaker 3 (08:49):
I would love to if I do stay in this house,
I'm going to plant a garden on our roof, you know,
things of that nature. So I would that is My
advice to people is to serious work on your community,
help out ignore the capitalist system as much as possible, Like,
learn to barter and trade with each other, learn to
(09:10):
talk to your neighbors, put down your phone, stop looking
at screens, and talk to people.
Speaker 2 (09:16):
All of these things.
Speaker 3 (09:17):
So that's the advice I would give right now, and
that's the advice I would give in any situation. That's
how you know we've survived through everything. And I mean
that's just how humanity has survived through everything.
Speaker 5 (09:27):
I know about bartering. Man, I play animal crossings, and
my bartering skills are not good.
Speaker 2 (09:31):
But animal crossing.
Speaker 3 (09:32):
From what I'm saying, it's some ruthless There ain't no
bartering because my man got you.
Speaker 2 (09:37):
In like tom Bell, Man, tom Bell got you on
some straight slavery.
Speaker 3 (09:41):
I mean yeah, sharecropping, right, Like you had to work
for him and you had to buy stuff from his store, right,
Am I correct?
Speaker 2 (09:48):
Right?
Speaker 1 (09:49):
He controls the market.
Speaker 2 (09:50):
Yeah, and like he pays you and you buy stuff from.
Speaker 4 (09:53):
Him, yes, yes, and the money the bells are his currency,
and you also work for him.
Speaker 1 (09:59):
That is kind of share croppers.
Speaker 5 (10:01):
You live on this land, right, It's like what a
college professor makes you buy their textbook.
Speaker 4 (10:05):
You're like, what, yeah, I did buy a land from
from from tom Nook rather tom Nook, okay.
Speaker 3 (10:12):
And yeah, so you're a sharecropper and.
Speaker 4 (10:16):
Across a lot of slaves love differentsitions.
Speaker 5 (10:20):
Well that's why a lot of people just spend time
fishing and ship. You know, they got they gotta have
some peaceful time away from the slavery.
Speaker 1 (10:26):
Because you gonna go fishing by yourself.
Speaker 4 (10:28):
It's just a stick on the ground that had.
Speaker 2 (10:31):
That is so sad.
Speaker 5 (10:32):
They just real quiet.
Speaker 3 (10:34):
They know how, they know how slavery based their game is,
so they keep some type of relaxation.
Speaker 5 (10:40):
And you know, there's gonna be a game like this
and this is the Sstopian world with living and there's
definite gonna be an RPG at some point where you
were black sharecropper and like your pastime it is just
a road to get some fresh water from the well.
Like that's like that's like a side mission.
Speaker 2 (11:00):
You're you're you're taking it easy on America, bro. I
can't believe. I'm sure there already has been.
Speaker 3 (11:06):
You know, you're a slave for a day, you know,
video game, but yeah, that is coming.
Speaker 2 (11:11):
If not but oh god, if.
Speaker 5 (11:12):
There's roots the video game for PS five, I'm gonna
lose my ship.
Speaker 3 (11:15):
PS seven definitely let's go back. Yeah, we gotta wait. No,
we got to wait till America fully gets there, you
know what I mean. But let's go back to the Animal
Crossing being a share cropping game, because I'm not.
Speaker 2 (11:32):
I'm really mad.
Speaker 3 (11:34):
The game is so slavery based that they really had
to give you a time to relax. Do you want
to talk to Stopian? It's right there, that's that. It's
just you know, Stopian, And.
Speaker 5 (11:44):
I mean that's all hours right every Dystopian book there's
always like a free period right for people to like decompress,
whether that's like you know, they're doing like exercising, or
they're like allowed to communicate with each other for like
an hour or something that, like whether it's George Orwell
or some other like ship.
Speaker 2 (12:00):
Why has nobody talked about this about Animal Crossing? I
know people hate because.
Speaker 4 (12:04):
It was an escape, but I will say this, if
you haven't been in your Animal Crossing house in like
a very long time, do you know what happens when
you go back into your house?
Speaker 2 (12:14):
Tom whips you.
Speaker 5 (12:16):
Jesus don't you lose things?
Speaker 4 (12:20):
You get roaches, Yeah, okay, you get roaches, and then
you have to stop out, find and exterminate each and
everyone in roaches, every animal animal across the one you
played during the pandemic. If you like, say, for example,
you know like if I went in my game right now,
you going your game right now. I don't know the
last time you played. I haven't played in years. Go
(12:43):
in your house right now, and anybody listening going, I
know you haven't touched animal cross in a mini Go
into your house right now.
Speaker 5 (12:50):
It's gonna be like Resident Evil told be way worse
than that.
Speaker 2 (12:55):
For what would be like ghosts and ghoules and gopins
up in there.
Speaker 4 (12:59):
Well you want you know something when you step on
the roaches, little ghosts comes the little spirit pops up stuff.
Speaker 5 (13:04):
No, like the Luigi mansion Ship.
Speaker 2 (13:08):
I would have been a band in my house just
to do that joint.
Speaker 5 (13:11):
That's wild. I mean games are really intensity these days.
So I would believe Tatiana because I played I tried
to play in Resident Evil seven, and that's in first person,
like it's the first person.
Speaker 4 (13:20):
Oh yes, no, I remember when I sho came out.
I said why the fun would you want to play
that first person?
Speaker 5 (13:26):
It was scary, so you can't get out?
Speaker 1 (13:28):
Can you get out of that review at all?
Speaker 2 (13:30):
Nope?
Speaker 5 (13:31):
Nope.
Speaker 1 (13:33):
I remember it being that way.
Speaker 2 (13:34):
And it ramps up.
Speaker 5 (13:35):
Too because it's like vampires and white kens and then
like there's these tall women in this mansion.
Speaker 3 (13:39):
Yeah, no, it's fucking scary. No, Like that's like, there's
this damn I can't remember a name of it. They
may be a sequel for it too, But it was
PS five and you're you play as a woman first person.
It's like you're a tribal indigenous person and the game
deals was like psychosis and other things of that nature.
So there's definitely a lot of ill you know, things
(14:01):
you see and stuff, but the game itself is just
you know. It was one of the first PS five
games where I saw where it just click it there
where it was so beautiful, and I was like, I'm
never you know, I played like, you know, twenty minutes
to the demo or whatever. I'm like, no way, because
this game looks so real and it's about horror and
horrible things happening to this person and his first person.
Speaker 2 (14:22):
I'm good. And then they went and made a sequel,
and I've never seen either.
Speaker 4 (14:25):
You know, the Harbor ones are usually the most beautiful,
just like.
Speaker 3 (14:29):
Yeah, it was so that was like the way that
woman looked, you know, was so real that it was
scary to me. Like I'm not seen a game other
than like The Last of Us Too, which is another
one I'll never play because I watched the trailer when
they dropped that joint at whatever you know, the big
conference was, and I remember being like, Yo, this is
(14:51):
the most beautiful game I've ever seen it.
Speaker 5 (14:53):
I'll never play because it's intense. No, like the first
one gave me anxiety. I remember that it was like,
is this what it is?
Speaker 3 (15:02):
Not that like because when you know you're slitting somebody's
throat and it looked nah, man, that was way too much,
way way.
Speaker 5 (15:10):
At least if the words The Last of Us Too,
Jesus the least the disturber that you're going to see
in that game, well.
Speaker 3 (15:17):
Then yeah, that's why I'll never played, and why I've
never watched anything but the first episode of the second season.
And I'm good kind of like you know, talk town
of saw a movie today that you know, we really
can't talk about just yet. But it's another one I
ain't never gonna see.
Speaker 4 (15:32):
I can tell you what I saw, not I saw, No,
I just thought about it, like I don't even know,
so I'm not trying to get in trouble.
Speaker 1 (15:38):
Yeah, but it was a dark fucking movie.
Speaker 6 (15:40):
I'll say that, Yeah, Bargo, Right, Yeah.
Speaker 2 (15:44):
Yeah, Margo.
Speaker 4 (15:46):
It was dark as fuck. And you guys will know
as soon as I can't tell.
Speaker 5 (15:51):
You, like speaking nature, dark in tone, everything.
Speaker 2 (15:55):
Like all of the above, all of the above, all.
Speaker 5 (15:59):
Of the a I have a film written for some
like dark movies in the fall, yeah, which is Avatar.
Looks like it's gonna be the darkest one even Definitely
I did a lot of dark tone things.
Speaker 4 (16:10):
But you know, I find it interesting because like these
films have been and granted, you know, all the horrible
stuff has happened the last like the extra extra horrible
on top of the horrible has happened the last two
three years. These things are in development for two, three, four,
sometimes more years, so when they're there is in a
different error when they're creating it, and then by the
(16:30):
time and release it, it tends to coincide with what's happening.
Speaker 3 (16:34):
But not writers that's the thing. Yeah, writers are usually
reading and when you read, you're gonna you know, see
friends and that's right, anticipate like.
Speaker 5 (16:44):
And also the directors too, right, we're talking about like,
you know, upcoming movies with James Cameron, Paul Thomas Anderson,
like rich white guys. Yeah, very specifics have the circle.
So they're hearing things way way ordinary people sorty hearing
things that are already emotion years. Oh, I want to
take a I want to give my take on like
what that's go look like for society. So by the
(17:04):
time they finally get to this thing.
Speaker 4 (17:06):
And actually matching up with you know, our imertaining life
type shit.
Speaker 2 (17:10):
Yeah.
Speaker 3 (17:11):
And then also that's the other thing that we talked about.
We've been talking about a lot on the show recently,
is how a lot of sci fi and fantasy, especially
so fi, because it helps determine the world we live in,
has not been showing hope. And I feel that's a weakness.
And you know, as much as I don't like contributing
things to whiteness, it's yet another weakness of whiteness because
(17:36):
it's a I mean, a lot of writers, for one,
working writers in Hollywood are white males, and a lot
of these white males don't have hope in their own
lives because they tend to be quite self destructive, et cetera.
Speaker 2 (17:49):
They got their own issues and they don't know how to.
Speaker 3 (17:54):
Look inside and outside of themselves for inspiration, Like you know,
of a spiritual base, I would say, is what made
people not have that inner hope or be able to
see a better future.
Speaker 5 (18:06):
To that point, I would also say lack of shame
and like this is that I think, you know, lack
of humility and something like these. You know, I did
a drumk Black History show a few weeks ago and
use him a food and drink and I talked about
Ryan Cooler. So how we started talking about centers Ryan Googler.
I talked about how humil like he showed a like
humility in the press run in regards to like how
much he listens to the black female creatives and how
(18:30):
much he takes like them and like his wife's word
and advice, Like he's not just like, you know, like
most white dudes in Hollywood who are just like my
idea is the best idea debate? That's like why when
you hear other people outside but directors say like, oh, yeah,
this person's really great collaborator and communicator. Blah blah blah.
I take that seriously there, versus a director being like
I listen to everybody, I'm the best, but yeah, like
(18:54):
to to the initial initial talking point, like, yeah, I
definitely think some of these creatives just they have insight
into a world that will never understand, like and like
master level of wealth and access that just like is
so foreign and abstracted, even like the people that like,
you know, writer, you know, writers and creatives on this call,
like I don't even think you can't even imagine the
dark channels that I mean, James Cameron literally made a
(19:17):
ship where he could go to the bottom of the
ocean like no one else had like done the ship before.
That's crazy.
Speaker 3 (19:23):
And then you want to talk about you know, hubris
and nihilism that also goes into it as well. What's
his name Joe ez Eras I think it is. He's
the screenwriter of Just Slip My Mind. It's Basic and
se right, Sharon Stone, et cetera. That's Basic and sing
right film.
Speaker 1 (19:42):
That's Sharon Stone.
Speaker 3 (19:43):
Yeah, okay, yeah, he's the screenwriter Basic and see This Man,
Girls and show Girl. Oh my god, no, no, no,
not did he write show Girls, sugarl No, because I
thought that was who.
Speaker 1 (19:55):
Yet he wrote show Girls. I'm reading it Girls.
Speaker 2 (20:00):
One, yeah, Paul, second one. There was a second one,
but that just came up.
Speaker 5 (20:08):
Wait wait can we just watch that right now?
Speaker 2 (20:10):
Can we just? I wish we could.
Speaker 3 (20:12):
But that just came up on threads today and I
didn't know it was real either. Somebody was like, but
show Girls too is even better, and I was like,
I didn't know it was even you know, I'm watching
it tonight. I was sorry, alien Earth, I'm definitely watching
show Girls perfectly.
Speaker 2 (20:27):
She's not at it right, I don't think so. All right,
but why you look up that?
Speaker 6 (20:33):
Where are you from? Different places? This man so wild?
It is so wild, different places. It was crazy. You
know the sex scene in the pool?
Speaker 5 (20:48):
God, was that a poor Yeah it was a pool.
I thought it was a fountain, but yeah.
Speaker 3 (20:53):
It looks like a found because they're like up against Yeah. Anyway,
that screen writer was recent paid two million dollars for
de spec script of a Basic Instinct sequel that he
said would destroy wotness. So like, when we that's what
(21:15):
I'm talking about. When we talk about, you know, predictive.
You have to remember these are the type of people
who are in power, who are not only predicting things,
but they're creating themes that lead to the things they
want to see, right right, And so that's what I
was talking about. You know, when we don't have hope
in films and things of that nature, when you have
someone who's actively saying, I want to destroy wokeness with
(21:37):
whatever goofy ass sequel they made to you know, a
thirty forty year old movie that's probably gonna be trashed
in the first place. Secondly, they get two million more
if they even make the damn faith. So this man's
about to make full million, possibly off of this million
off of this movie. And then they want and then
their goal is to destroy the very thing that would
basically save humanity.
Speaker 1 (22:00):
Is who's giving you the money?
Speaker 2 (22:02):
Studio?
Speaker 1 (22:02):
Is that who?
Speaker 2 (22:04):
Someone? Who? You know? Also?
Speaker 4 (22:06):
I would like to That's what I want. I just
want to know what a source of all this ship is,
you know.
Speaker 3 (22:11):
The devil, And by the devil, I means some you know,
living and breathing, you know, possibly you know, allegedly Caucasian male.
Speaker 1 (22:30):
Has anybody seen world of the War, War of the World,
the new one.
Speaker 5 (22:36):
Our fans have been for Median Poker have been like,
please please review this movie. Wrong break right now.
Speaker 4 (22:40):
But man, Brandon, I've seen the stuff I've seen. When
it comes to this, it has a three percent Rotten Tomatoes.
Speaker 2 (22:52):
That's better than the zero, which.
Speaker 4 (22:53):
Is actually better than a lot of ship on it.
I looked at the list's there's ship.
Speaker 2 (22:57):
That's worse, but it had zero for a minute. It did.
Speaker 4 (23:00):
Yeah, I'm talking about who gave it two tomatoes to
even get to that.
Speaker 5 (23:04):
But I'm telling you it's gonna be like, it's gonna
bump up a little bit. It's probably because my co host,
Justin Brown's couldna give it a positive review. Just speak.
Speaker 4 (23:12):
I'm hearing from like the worst movie I ever made,
type shit to like it's so bad as good type
shit like.
Speaker 1 (23:17):
No, it's nice and it's a nice Cube thing. From
what I've seen, it don't even look so bad is good.
Speaker 3 (23:22):
It just looks it's a horrible Amazon commercial. And that's
the most disrespectful and disturbing thing about it.
Speaker 5 (23:30):
That's an Amazon movie.
Speaker 4 (23:31):
It's an Amazon movie and literally talks about Amazon products
throughout the movie.
Speaker 5 (23:36):
I don't know anything about Amazon. Like I stopped watching
Amazon stuff after Invincible, Like I'm just I can't support
the company, right, so I'll just I'll watch the screens
when I get for Invincible season four. But that's it, Like,
so I can't that's Amazon movie, Like that's crazy.
Speaker 3 (23:51):
Yeah, now I've been canceled Amazon Prime, so that was
the end of that. But I do know it's an
Amazon movie because at one point to save the world,
I used Toe son daughter. Yeah, Amazon Prime Daughter's boyfriend, Yes,
happens to be an Amazon drone pilot. Yes, so ice
(24:13):
Cube has to go on Amazon though, because the dude
just can't do it without ice Cube actually placing the
ordery so my man can then pilot the drone to
ice Cube with a USB in it.
Speaker 1 (24:25):
Mind you, mind you.
Speaker 4 (24:26):
Ice Cube has been hacking every three sight unseen throughout
the entire movie, but for Amazon, he has to place
the order like a record person.
Speaker 3 (24:34):
And also can't unlock his door at this place because
he's no.
Speaker 4 (24:39):
It's like the most wildest thing and it might have
even been shot during pandemic.
Speaker 2 (24:43):
It was okay during pandemic, and.
Speaker 4 (24:46):
Everything takes place from the viewpoint of his computer screen
and then there's like a you know, two dollars budget
when it comes to the CGI and the effects. Like
I was just a pall. Like I was like, like,
y'all are like did they releases? Because they knew it
was so bad and they wanted to like get popular
off the hype like they thought there was gonna be
(25:07):
a cult classic Like why why bother?
Speaker 5 (25:09):
It's possible. I mean it's possible because ice Cube it
doesn't shy away from like you know, terrible row on
ice on Twitter and all that stuff. And yeah, they
probably trying to like do a flip like you know,
the way to B movies sometimes do it or like
you know, people like her, but.
Speaker 1 (25:24):
To me knows what it is.
Speaker 4 (25:26):
You know what I'm saying like this is this is
odd to me just for it's just like now, are
y'all to high hard in terms of trying to find
a cold classic too?
Speaker 3 (25:34):
Like I remember there was this two B show I
think it was that I always wanted to watch that
I never got to see, where this woman had like
a golden arm or something. And I remember seeing the
scene where the doctor was like, you know, I have
to cut it off and she's.
Speaker 4 (25:47):
Like no, doctor, I love my gold.
Speaker 5 (25:48):
In the arm, and I was like, I just so literal,
so literal. It's like, so you kid on me with
my sister and got her pregnant. But then all so
you've been sleeping with my aunt in the bedroom that
we shared. It's so lately just long diatribes that are
just insane. It's all about cheating. A lot of black
(26:10):
to B movies about cheating.
Speaker 2 (26:12):
Yeah, this is the white woman they're going on on.
Speaker 5 (26:14):
I'm sure. I'm sure white to be movies that were insane.
Oh my god.
Speaker 3 (26:19):
I know you had something else to say about c
but you were also talking about how he was trolling
all the time. And you know, remember this is the
man who just recently was like yo, I can't believe
what's happening right now with the government.
Speaker 4 (26:34):
I'm tired of these people like living long enough to
see themselves become the villain like.
Speaker 2 (26:41):
Legend. You do not.
Speaker 3 (26:42):
Understand how much this like, like you know, Cube was
ice Cube.
Speaker 4 (26:51):
Everybody's just going off the deep and I'm like, what
the I mean going on?
Speaker 2 (26:55):
You running around, you know, in her career with Giant
Dido's on her headlines, even talking about.
Speaker 4 (27:00):
That creative side I never saying why are you just
villainizing yourself like this and then just come like are
you okay?
Speaker 3 (27:09):
She was already the villain of me. That's Hugh started
off as like, you know, fuck the police. You know,
once upon a time in the projects, like his early albums,
you know, just insane, classic run. That man had a
pure classic hip hop. I mean I'm talking way before
you know we'd be clubbing a trash tube to me,
you know, I'm talking classic. This man was a god
(27:32):
of rap and yeah, and it was him.
Speaker 2 (27:35):
And now.
Speaker 1 (27:38):
I don't know this man, I don't know who.
Speaker 2 (27:41):
I think it started with are We There Yet?
Speaker 1 (27:43):
It did start there.
Speaker 4 (27:44):
He got that Hollywood money, still borderline himself.
Speaker 3 (27:49):
Yeah, but I just blamed that. That's where it starts,
you know, like cause Friday was cool. But when you
start doing are we there yet? Type movies, that's when
it's like, oh no, it's you know.
Speaker 5 (27:57):
I played Triple X, State of the Union. There we go,
you right, That's when like things start getting roll. Top
of Survey because I remember I remember Teenager when they
the trailer for it, I was like, wait, wait, so
y'all just going to place Ben Diesel little but notice I.
Speaker 1 (28:12):
Asked questions when here did that come out?
Speaker 2 (28:16):
Who thought that switch? That's like, there's gotta be I mean,
he's up there with like when.
Speaker 5 (28:24):
They switched to Jim Carry with Jamie Kennedy for.
Speaker 3 (28:26):
No, wait, okay, that's another one. But we can we
can make a list right here. This might need to
be one of your net and then we can talk
about the show. But this might be another one we
need to talk for your show. When people end the
series franchises, George Pony and Batman is like, you know,
the legendary example. But ice Cube might be up there
(28:49):
for ending the Triple Les franchise. You know, because Vincisa
was rolling strong.
Speaker 1 (28:55):
There were a lot of movies before that.
Speaker 4 (28:57):
It was.
Speaker 5 (29:00):
There's a Triple X movie. Then you know Vin Diesel
was acting all crazy.
Speaker 2 (29:04):
Oh came after Yeah, there was a.
Speaker 5 (29:07):
Third one after that. Oh they were both in it
with Samuel Jackson. It's no, no, so bad Pops from
the third add it's so yeah, it's everything is crazy,
Like I think. I think because I'm such a fan
of movies, especially like from starting the nineties, like nothing
(29:29):
surprises me anymore.
Speaker 2 (29:30):
Like Vin Dison really needed to fast in the furious, like,
have I told?
Speaker 5 (29:35):
Have I told the story on this podcast about when
I ran walked by Vin Diese with the Universal Lot.
I was walking like with some other writers for the program.
We were just walking to the gate to get out,
and in front of us ahead is a suv, a
bodyguard looking dude, and then a ball guy talking to
a little white lady that we can see but we
can't see the ball dude from the front. But he
(29:55):
has a fast nine jacket. He's wearing a fast nine
leather jack. He's a ball dead guy. And I'm like,
there's no way this has been Diesel on a Universal
Lot wearing a fast nine jacket. That just be so insane,
Like it's so unnecessary and of course you will get
closer to me here. Hey, you know, I was talking
to the director about fast too, and it's just I'm
just like, God, what.
Speaker 2 (30:15):
Do you do?
Speaker 5 (30:17):
But you don't need to do this?
Speaker 2 (30:18):
They know who you are. No, No, they don't.
Speaker 3 (30:21):
Not enough for him, you know, it needs to be
instant when everybody sees him.
Speaker 2 (30:24):
Oh yeah, long.
Speaker 1 (30:25):
Enough to see yourself come the villain.
Speaker 5 (30:28):
I just love that. Every Timeking like it's always talking
about how weird Ben Diesel was like, he's just like
it's an open secret how crazy this guy is. But
no one like like still, I have a friend.
Speaker 3 (30:40):
Who used to date Vin Diesel and they were quite upset.
She was proud upset that, uh, he has a twin
brother that he never spoke about.
Speaker 5 (30:48):
Yeah, a lot of people don't know that he has
a brother.
Speaker 3 (30:50):
Yeah she also has, so she was kind of you know,
like upsetting him for not you know what. Yeah, he's
also to the Dragons role player game, so I always
thought it was school for that. But you know, in
saying for everything else, like I mean this should you play?
Speaker 5 (31:07):
Want to speak directer who works with the Diesel and
he said, uh, for this movie called Knock Around Guys,
and Diesel has like a small role in this fucking movie.
Speaker 2 (31:16):
Yeah.
Speaker 5 (31:16):
He said that Vin Diesel will like go off by
himself and be like I'm just trying to get in
the mindset of a man who everyone knows his name,
Like it so weird. Shit, It's like you you're like
ten pages of the script, Like what do you okay?
Speaker 4 (31:28):
I've been Diesel's twin brothers, like the Nigazone version of him, Like.
Speaker 1 (31:33):
What I've never looked it's like literally the inverse.
Speaker 2 (31:38):
I've known this role, I've known this fact forever, and
I never got hair.
Speaker 5 (31:42):
It's been Diesel's real name, Mark Sinclair.
Speaker 4 (31:47):
That sucks wild wow, crazy enough, But this is a
great segue because we're talking about all of these bad
movies and you actually have a new live show out
and then tell us about it.
Speaker 2 (32:01):
Yeah.
Speaker 5 (32:02):
Starting on Thursday, September fourth, I'm starting a new monthly
show called What the Film aka WTF, where I'm just
talking about crazy ass movies, the productions behind them, FuMB
movie at Trivia. We're gonna have some people doing some
movie soundtrack karaoke and stuff. It's just like, you know,
like I want to kind of capitalize on like the
successful format like drum black history and like apply it
(32:23):
to film and television, like cause it's just so much fun.
Like films are universal and stuffy that I think they're
like there's a lot of opportunity to bring people together
in like a fun, positive way, especially like you know,
community spaces. Like you know, we were talking offline about
need for community and stuff like that. So that's what
the basis of What the Film is. Okay, I'm excited
to have you both want to talk about. We haven't
(32:45):
decided on the movie that y'all want to talk about,
but given like what already people have pitched, I'm excited
to get into the nineties because that's gonna be the
first show's theme.
Speaker 2 (32:54):
Say what other people will pick?
Speaker 5 (32:55):
No, no, no, that's gonna be surprised. You gotta come
through to the show.
Speaker 4 (32:58):
So so when we come through, we're not gonna know
or do we get to pick any.
Speaker 5 (33:01):
You'll pick your movie. You'll know what the movie is,
but you want to know what the movies the other
guests that they picked got it. I'm doing. I'm doing
a montage of all like the crazy nineties, like teen
movies and just what white kids were able to get
away with in the nineties and how that's like led
to where we are now.
Speaker 3 (33:17):
Yeah see, I'm thinking eighties when like weird because a
weird science and can't buy.
Speaker 2 (33:23):
Me lover to the eighties.
Speaker 5 (33:24):
That's eighties.
Speaker 2 (33:25):
What's some nineties ones?
Speaker 4 (33:27):
Like what specifically what we just talked about earlier?
Speaker 1 (33:30):
Actually I might want to do that one.
Speaker 5 (33:32):
Well, I'm talking a lot about like the early like
the mid to early nineteen nineteen. I'm talking like coming
of age, like I'm talking about blank check heavyweights, First Kid,
First Kid, I remember nowhere, I'm talking about unhinged like
young white kids just wow it out movies. Yeah, and
(33:54):
now those kids are older. You know the guy was
in First Kid. He's like a crypto currency pioneer who
likes high own to Puerto Rico, take advantage of tax
and syentis and shit.
Speaker 1 (34:03):
Of course he does, of course he does. So how
many shows are you having?
Speaker 5 (34:08):
So right now we have September and October books and
then hopefully if things are successful with continue in November December,
and it's just going to constantly change every month to
different themes. Obviously had October will be horror themed and
then November will hopefully be like family film themes and stuff.
So there's a lot you can do there, especially like
with movies like Soap Food and The Family Stone and
stuff like that.
Speaker 1 (34:28):
And where where and when?
Speaker 5 (34:30):
Yes, Thursday, September fourth at Littlefield in Brooklyn, New York.
Tickets are a buil but proto Blackens dot com for
all you know those tickets and yeah, looking forward to
having me on. We also have Afeir of Eisenberg from
NPR and the Homie Justin Brown from the Media Poker
podcast on Nice.
Speaker 1 (34:46):
Oh Yes, what up, Justin?
Speaker 2 (34:48):
Yeah?
Speaker 1 (34:48):
What the film? W twe s.
Speaker 3 (34:50):
Yeah, it's so crazy that you mentioned all those movies
and I'm like, where do I mean? I was going
in the movie theater every weekend in the nineties, especially
the early nineties, and I have no idea about it
any of them joints.
Speaker 5 (35:01):
Okay, what about obviously, like you know, the big Blockbusters
Independence Day and Been in Black Oh yeah, I mean,
but I had to talk about like I was talking
about the first time seeing Independence Day in the theater opening,
Oh my god, and being like, oh, Will Smith's gonna
be a movie star? Like I remember the audience reaction
like oh this, this motherfucker is gonna blow.
Speaker 3 (35:16):
I definitely, yes, I had an Independence Day poster. I
was like, you know, into and just before the film
came out, you know, I was like into theories about
what this movie was gonna be poster everything, Yeah.
Speaker 4 (35:29):
Because like this I'm supposed to see that movie.
Speaker 3 (35:31):
But the ship had all kinds of designs on the bottom,
so people were like, Oh, it's trying to be like
Egyptian related and this and that, and you know, then
that's just.
Speaker 5 (35:39):
The guy that those guys at Stargate, right, yeah.
Speaker 3 (35:42):
Yeah, so there's nuts, Yes it is. Movie Stargate is
definitely nuts. Okay, yeah, but all those I mean like
and then also in the nineties, around that time, I
was really like into you know, I was being a
film door, so I was watching all like independent joints,
and you know, I was heavy and the Reservoir Dogs
when they first dropped, and.
Speaker 1 (36:02):
You know the bad nineties movie right, oh.
Speaker 5 (36:07):
Yeah, I mean it makes you more fun. Yeah, I
mean's just so unhing. I mean, does Belly still.
Speaker 2 (36:13):
Make the nineties?
Speaker 4 (36:14):
This is what when it gets subjective and I'm like,
is it bad or is that just a classic at
that Billy.
Speaker 5 (36:19):
Belly nineteen ninety eight, Oh my god, but oh my god,
opening is one of the best open Oh my god
is iconic.
Speaker 2 (36:27):
But that's why the movie talk about, sure you don't
eat no.
Speaker 4 (36:32):
Books, but if that's the case, then you open up,
you opening up. Cameron's whole catalog paid in full all
this ship.
Speaker 5 (36:38):
Oh I mean paid in ful. But that paidful I
think came out in two thousand.
Speaker 2 (36:41):
Yeah, yeah, yeah, I knew short he was be paid for.
Speaker 5 (36:46):
You know, I have a friend named Sid who lives
in Long Island City. He's got like one of those
like nice ass apartments, like those high rises and stuff.
He out of nowhere just has a mural of wood.
Harris Cameron and I forgot the other dude from paid
him full nice and they're just it's on his walls.
Speaker 2 (37:05):
Indian dude.
Speaker 5 (37:07):
He had no context about the movies, just like yeah,
just really like this art was like, yo, you got
an iconic paid him. Wow, I can't believe.
Speaker 2 (37:16):
First movie out. I kind of came, oh my brother brother.
Speaker 3 (37:24):
Yeah, first movie out, murk oh Man, I might have
to do Belly. I have like so many Belly stories
because I was you know, and I was like Howard
and we had the bootleg.
Speaker 2 (37:36):
Like the Belly Bootleg is.
Speaker 3 (37:38):
Complete, not completely different, but as a completely different score.
And the Belly Bootleg is what got me into PJ.
Harvey and Trick.
Speaker 5 (37:45):
Well.
Speaker 3 (37:45):
I was already in the Tricky but PJ. Harvey I
had no idea about. And the Belly Bootleg has Broken
Homes by PJ. Harvey on it, and it's incredible. And
the movie, yeah, about how far into that movie does
that song play? What do you mean broken Home? It's
a scene where what's the name is walking around oiled
up in the prison.
Speaker 5 (38:06):
God, there's so much baby oil on that, but.
Speaker 2 (38:09):
It's just shorty what's the you know, uh DM girl,
the one that.
Speaker 5 (38:13):
Just keeps Keisha Keisha the way and she's flowed up
the whole movie.
Speaker 2 (38:19):
Yeah, and she's.
Speaker 3 (38:19):
Oiled up in prison and they play broken homes over
her scene. But yeah, the music is a bit different
than the Blue Leg. And I watched the Blueleg so
many times before I ever saw the final cut.
Speaker 5 (38:29):
The crazy thing about that movie is they've ran out
of money, and it's so plaintly obvious by the time
we get to the end. But it shows times Square
at New Year's Eve. But he's like Africa. I can't
believe what.
Speaker 3 (38:43):
I mean, egregious, the fact that this movie goes about it.
Speaker 1 (38:48):
Could you chop it up now? Like I'm gonna do it?
Speaker 2 (38:50):
Oh no, I mean we're gonna do it live. But
I'm talking about you know, like there's a don't trust me.
Speaker 3 (38:54):
I can go on and on about Belly, I can
quote this ship like anyway. But the movie goes from
a couple of drug dealers to a whole conspiracy film
about the president and some other ship.
Speaker 5 (39:05):
So it is I don't remember that the church, and.
Speaker 3 (39:08):
It is so because it's it's like it's something turns
into hype Williams trying to have a conscience. I guess
about all the nonsense, and he went on screen and.
Speaker 5 (39:17):
Because he realized to sell his soul to the double
to get the rest of this movie made Yeah.
Speaker 2 (39:21):
I mean he told us so to the devil a
long time before that.
Speaker 5 (39:23):
So, I mean in that movie, DMX literally says fuck
a book.
Speaker 3 (39:27):
It's the same, No, Shorty can't eat no books. It's
one of my favorite lines of all time. That's exactly yes.
And then when it rains, niggas get wet. I mean no,
I can quote DMX in that movie all day and night.
You want to go home, I'll take you home. Does
(39:48):
every line it's all you want to go.
Speaker 5 (39:54):
One of my first meetings with the Malcolm D. Lee
shout to Malcolm Lee and Black Belt Productions, I pitched
maybe Like because I had to pitch a bunch of
ideas to possibly write. I did pitch DMX the story
about DMX in Persone, the FBI agent and what would
have happened if like he actually got away with it
for a little bit, like what kind of things that
he got into? And then but there was like no,
(40:15):
they're there, you know, like it was just a long joke.
Speaker 4 (40:17):
Yeah, did you pitch this with a straight face?
Speaker 5 (40:20):
Oh yeah, I pitched a lot of the saying stuff. Yeah,
it was great, Like yeah, mediapocoron fans would love all
the stuff I pitched to the studio. They'd be like,
oh he really said Okay.
Speaker 3 (40:30):
Yeah, I used to be the same way in writing rooms.
And then and he pitched me I've always and it
comes from being at Howard. I always tell people that
because I used to tell people like because one at
Howard my name was you know, d just signified or
been I mean, and people would not believe either one.
And then so I would start to tell people my
name was, uh, Scrooge mc duck, and I would just
(40:50):
say it with a straight face and people would believe me.
Speaker 1 (40:54):
The top of the delivery.
Speaker 2 (40:55):
That's yeah.
Speaker 3 (40:56):
Like you know, if you meet someone on Howard's campus
and they don't know you from ship and you telling
me name is Scrooge mc duck with a straight face, people.
Speaker 4 (41:03):
I guess that's not what he goes by, because who
am I to say anything to the contrary, I'm like,
I just got here too, I'm just my third day
out here.
Speaker 3 (41:11):
So after that, I learned you can pitch things to
anybody if you just say it.
Speaker 5 (41:15):
With a f.
Speaker 3 (41:18):
My goodness, yo, Scrooge mid Duck and people would be like, okay, Scrooture.
I had to stop myself from crying, like you know, yeah.
Speaker 5 (41:28):
But I mean a lot of the stuff, like especially
when it comes to writing anyway, like things change, Yeah,
like somebody just people are excited about, like they're like
a week later, we're gonna we're gonna cut. Oh my god,
who cares if you pitch a bunch of crazy stuff
like worre saying they can say is no, we're just
stare at you blakely yep.
Speaker 3 (41:45):
And that's like I said, I always tell people it
goes back to Howard because like when whenever I'm being
rooms and people are like, oh my god, you're so brave.
Speaker 2 (41:52):
You're telling all these pitchers and stuff.
Speaker 3 (41:55):
And I'm like, I used to walk across the campus
and broad daylight to holler at a shorty you know
what I mean, Like everyone looking at you and you
had to walk up to her cold and be like, hey,
how you doing.
Speaker 5 (42:06):
It all in those sunglasses?
Speaker 6 (42:09):
Nah, it would have been much easier, like your big daddy,
she can't see me.
Speaker 3 (42:18):
If I had these when I was telling people I
was scrowged with duck. Oh my god, it has been over.
Speaker 2 (42:24):
Oh.
Speaker 5 (42:24):
They would have been ripping you apart. On Facebook. They
would have been like, hey, this is a crazy dude.
Then scrooged with duck with glasses and dreads and these.
I don't know, y'all.
Speaker 2 (42:34):
Hey, we didn't have Facebook. Thank god.
Speaker 5 (42:36):
He keeps asking me about Marble.
Speaker 3 (42:40):
That was the thing I didn't talk about none of
that ship at Howard because it wasn't cool, you know
what I mean?
Speaker 5 (42:44):
What did y'all get Facebook?
Speaker 1 (42:46):
It was cool when I was there.
Speaker 3 (42:47):
Facebook came right when I was leaving high school.
Speaker 2 (42:51):
Facebook right when I was leaving it from Facebook.
Speaker 5 (42:54):
Did you get access to Facebook and high school or no?
Speaker 1 (42:56):
I got I got asked to it when I got
to Howard.
Speaker 5 (42:58):
Yeah, yeah, I missed.
Speaker 1 (43:00):
That because I was one.
Speaker 4 (43:01):
Like back in the day when it was just college students,
we were like one. We were probably the one chocolate
Chip cookie school and you know Chip and the cookie,
because I was like, well, the black schools was on there,
but we.
Speaker 3 (43:12):
Was on that bitch because honestly, I remember my man
was like, I'm a former black Facebook you know, that
was just playing like he was going to go and
do like that's how early it was, you know, and
I was really like, okay, but I'm about to graduate.
Why would I give a ship about something that for college?
Speaker 2 (43:26):
You know.
Speaker 3 (43:26):
That's because that's how they opened it up. Yeah, and
then it was like yeah, and then it became you know, worldwide.
At the time, I was like, I don't either way.
Speaker 4 (43:35):
And then our moms got on it, and then it
became the dystopian state.
Speaker 3 (43:39):
Yeah, because for a while, Facebook was beautiful for a
quick minute, how well, it was beautiful and I'm sorry, sorry,
then we all died. You missed all of that. It's
all out there on the internet.
Speaker 5 (43:55):
Facebook when it was exclusive was like pre thanos m.
Speaker 2 (43:58):
C u mm hmmm. And then you know, now now
it's pick and choose. You might get a banger, you
might not.
Speaker 3 (44:08):
Yeah, you might learn that a lot of your friends
from back then have turned into you know, yeah. I
saw a comedian say that, like, you know, social media
they have different uses, this for this, just for this
and Facebook is for finding out what your.
Speaker 2 (44:22):
Friends have turned, you know, conservative, crazy.
Speaker 4 (44:24):
Reprobably Oh yeah, yeah, I wouldn't know because I haven't
used Facebook in years.
Speaker 5 (44:28):
Years.
Speaker 2 (44:29):
We'll go on there years. Why why would I do that?
Speaker 3 (44:33):
Just so you can know, Like that's before you get
to Howard homecoming this time you'll be like, oh yeah.
Speaker 2 (44:38):
This one.
Speaker 1 (44:39):
I don't need to associated with them anyway.
Speaker 4 (44:42):
It's like that, like if I haven't associated with you
all this time, basically just like Facebook to me, you know, straight.
Speaker 3 (44:48):
Up, And I'll say this on the show. This dude,
I'm not gonna say your name just because anyway, like
I barely knew them at Howard, you know, you one
of them catching and you'd see you know whatever, you know,
like people might be in the party, et cetera. You know,
I'm beating uh woo whoop. The other day, you know,
he came up on my feed Facebook again and he
had a picture with our current mayor hashtag. I like him,
(45:11):
mister MIXI, mister Mixie. My man and him are hugged
up tight. So you know, my man just roasted in
the comments, I mean obviously roasted in the comments, of course,
And I'm roasting him in the comments at one point,
and he's asking me, do you know how to turn off,
you know, the comments so I can just poost a
picture and net him.
Speaker 2 (45:31):
I was saying, no, Negro, I don't know how to
turn off ship, but I do know.
Speaker 5 (45:36):
While you ask, well, you're asking homies pr team because
I wondering why you're asking me roasted all the time too, Yeah.
Speaker 3 (45:43):
And I'm like, no, I don't know how to turn
it off, but I do know how to turn on
me boasting your ass for the dumb ass ship.
Speaker 5 (45:49):
Did y'all see did y'all see Adams talking about how
he must be Dominican because every time the Dominicans he
feels part of the community.
Speaker 1 (45:56):
So this is over his mouth.
Speaker 2 (46:01):
Like he's just, hey, hey, you do not.
Speaker 1 (46:06):
Like that, nigga, don't.
Speaker 2 (46:09):
I don't know how.
Speaker 1 (46:11):
Did we get here?
Speaker 5 (46:12):
Are you?
Speaker 3 (46:13):
In that sentence? I just hermano or something he had.
Speaker 1 (46:17):
He trying to speak Spanish.
Speaker 5 (46:19):
Yeah, this guy's off his mind. That's the one thing
is he has no shape. Yeah again, we're going back
to George Santos. He has no shame.
Speaker 3 (46:26):
We're going back. Yeah, Peter Thield, you know it set
her down the line. There is no shame, you know,
involved in these people.
Speaker 4 (46:33):
I'm still on when he literally went to walk Luigi
with the law enforcement, you know, the alleged alleged Luigi.
Speaker 1 (46:45):
Aligi Luigi freedlow my nigga Luigi.
Speaker 4 (46:47):
But just the way he was just involved, I'm like,
why is the mayor of New York involved in this?
Speaker 1 (46:53):
Like what the do you have to do.
Speaker 2 (46:54):
With this my city? That's fine?
Speaker 1 (46:58):
The riddler like you just can't he from that, like
should do anybody else?
Speaker 5 (47:03):
He definitely said to Luigi one to one, He's like,
this is my city. I here like the joker, I'm chaos.
You know, he says, a wild ship today guy one
to one with no microphones on, he's such a I'm chaos, chaos.
Speaker 2 (47:24):
You didn't wanted the movie tonight before?
Speaker 4 (47:29):
We should use that as a as a commercial for
for for whoever you want, but for me, mom, Doddy,
just just all the I mean ship this nigga Adams has.
Speaker 2 (47:37):
Said, we didn't make up ship.
Speaker 4 (47:41):
He said thousands of hours.
Speaker 5 (47:44):
Let's just turned a two years ago, like New York
had that crazy flooding right with the schools or like
school buses were in trouble four.
Speaker 1 (47:52):
Years ago, what about fucking two three weeks ago.
Speaker 5 (47:55):
Yeah, but remember like two years ago when he was like,
if you didn't know the what was gonna get that crazy?
You must have been living under a rock. I'm like, what,
you're a man, it's like crazy. It's like if you
got the diabetes, you shouldn't be eating sugar.
Speaker 4 (48:10):
Like and he said that, And the fact the sad
part is you're not exaggerating.
Speaker 1 (48:15):
That's what That's what sounds like he.
Speaker 5 (48:17):
Has no empathy, has no shame, Like he's a sociopath,
you know.
Speaker 3 (48:23):
To wrap this up, I recently saw a study they
said that a lot of CEOs of big corporations qualify
for all the things that would label somebody's sociopath.
Speaker 2 (48:35):
In real life.
Speaker 5 (48:36):
You have to, I think, in order like in order
to be as cut throat as you need to be,
especially in business, and like I used to be not
even thinking like you don't have to be cutthroat to
be in business, especially entertainmently, it's like giving like everything
any business. You know, the writing stuff with Gordon with
drunk black history and stuff. It's like, oh no, even
people you think you can trust, like will screw you.
Wilburt it's oh yeah in business in general, Like I've
(48:58):
talked to so many people who are like and like
big companies and be like, oh yeah, Like the people
I thought we were gonna be my writer or die like
turned against me. Blah blah blah. I literally saw we
work leadership fall apart and they were like as stick
as thieves and ship. I saw that close and personal.
That was crazy.
Speaker 2 (49:16):
Whoa that ended?
Speaker 3 (49:17):
I mean not ly, you know, like I said, buildia
community of folks, you know what I mean. Don't don't
we focus on this capitalist un you know what I mean. Yeah,
I mean that's very that's the really the biggest problem.
But like I say, people a lot of us too
much want to emulate, you know, this system instead of
getting rid of this system. That's the problem. Like as
(49:38):
much shout out to those brothers who own that clothing line.
This is this is logar. We need more black billionaires
and it's just so like, no, we need no billionaires.
You know, no one ever needs that much money ever
in the story. Yeah, yeah, we need more black community airs.
Speaker 5 (49:57):
This motherfucker don't miss no, he's fucking good.
Speaker 2 (50:00):
That motherfucker, don't miss man, he's good. Put it on
a T shirt, be on me, I might have.
Speaker 1 (50:18):
Hey what's up? Internet's in a fan fam.
Speaker 4 (50:20):
This is Tatiana King for four All Nerds and I
want to thank you so much for listening and watching
The four All Nerds. Make sure you like and subscribe
to us only on YouTube.
Speaker 3 (51:31):
For All Nerds Shows a member of the Loudspeaker's Network,
where we will always say rest in peace to our founder,
combat Jack.
Speaker 1 (51:38):
For All Nerds Shows powered by our listeners.
Speaker 4 (51:41):
Everything we do, from our podcasts, live events, our website
are all independently funded. Please continue to support us through
our Patreon page at patreon dot com.
Speaker 1 (51:50):
Slash for All Nerds
That's what I want. I just want to know what
a source of all this?
Speaker 2 (00:03):
You know, the devil.
Speaker 3 (00:07):
And by the double I means some you know, living
and breathing possibly you know, allegedly Caucasian male.
Speaker 2 (00:29):
And welcome back to another episode of the Four All Nerds.
So it's your boy, dj.
Speaker 3 (00:33):
Ben, I mean a k a big Dick Grayson energy
Edward didn't but please Bundy allowed Jordan here in the
Spaceship tonight, yo, And as always, I'm.
Speaker 4 (00:48):
Joined by Tatiana King d Grand that was a tech
also known as BARRETTA.
Speaker 1 (00:52):
Scott King, Lambeau, Calrizian Gucci Mane.
Speaker 4 (00:55):
Dolorean Doc Hockey, the Coldest Winter Soldier ever and the
ting of the North.
Speaker 2 (01:01):
I think of cal ol bundie shirt mightse.
Speaker 1 (01:05):
I like it.
Speaker 2 (01:06):
I don't know, man, you never know.
Speaker 3 (01:09):
We also have a very special returning guest who's working
on becoming one of the mayors out of here.
Speaker 2 (01:15):
Like I mean, how many times you've been on this show.
Speaker 1 (01:17):
Now, the mayor of the Spaceship.
Speaker 5 (01:19):
It's been a few times, y'all. This is Brandon Collins
aka Fertal Blacks aka American Collins aka mister drum Black
History aka too much sugar. Akat mister Collins, y'all doing today?
Speaker 2 (01:30):
Nice?
Speaker 1 (01:30):
Very nice, welcome back.
Speaker 4 (01:32):
That's an old that's an old record held by like
just Blaze right being mayor of for All Nerds or
Joe Illedge. Nah, just top up in a random Oh.
Speaker 3 (01:45):
Yeah, no, I mean I mean for two hours. I
mean when you talk about for that Yeah, it was
definitely just ba. It's like the most random, you know,
conversations that were also very intellectual and enlightening.
Speaker 2 (01:56):
Definitely just place. I'll just talk about the mayor.
Speaker 3 (01:58):
I remember when when you were the mayor of was
that thing four square?
Speaker 2 (02:03):
Yeah?
Speaker 1 (02:03):
Oh my god, I know, throw bad.
Speaker 3 (02:07):
I don'tly remember it because somebody brought it up on
Thursday the other day because I was like, oh ship.
People will used to be like, yo, I'm here, here, here,
I'm the mayor.
Speaker 4 (02:13):
It used to me that that girl, I ain't gonna
hold you. It used to be that girl. I used
to be mayor of a few places, and you would
battle it out, like somebody take your may of ship
if you just miss a visit or whatever.
Speaker 2 (02:24):
I never once thought of it.
Speaker 5 (02:25):
I was a school counselor at a private all girls
high school.
Speaker 2 (02:29):
Wow.
Speaker 5 (02:29):
A lot of them were posting on four Square. They're
talking about me about like there was creepy dudes ever
popping up. Yeah, because you keep publicly sharing where you're at.
Speaker 4 (02:36):
Like yeah, I mean listen, it was all right until
it wasn't.
Speaker 2 (02:41):
No, it was never all right. People.
Speaker 4 (02:43):
People wasn't doing all that extra stuff until until it
got real popular, and then all of a sudden, the
creatures fucked it up.
Speaker 3 (02:49):
So I was like, fuck, yeah. I never was into
telling people where I was at, but I.
Speaker 4 (02:54):
Would check it after I had already left, which is
how you're supposed.
Speaker 5 (02:57):
To do it.
Speaker 2 (02:58):
True.
Speaker 5 (02:58):
Indeed, Yeah, I was raised in suburbs where like quite
a few white kids would tell like too much about
what their families were doing, and some of them would
get ribbed during spring break or like the vacation. So
like I was just like, I'm not telling people ship.
Speaker 4 (03:13):
Wow, factory five hours ago.
Speaker 2 (03:19):
Time to kick in the Dome? No?
Speaker 5 (03:21):
Yeah not yeah Lingering right, wasn't the movie about that?
Like it was a real story too, Like that was
about I don't know, Yeah.
Speaker 2 (03:31):
I know what it was about, but I didn't know
they were for Squaring.
Speaker 5 (03:33):
Well, no, they weren't four squarings, but the teens were
basically watching like uh like Perez Hilton and sh like that.
And so when celebrities were on vacation, yeah, like we
just go to Paris Hilton's house, Yeah.
Speaker 3 (03:44):
And just basically walk in because people leave their house
was open, because you know, they would think, who's no
breaking in that neighborhood?
Speaker 2 (03:50):
Wow?
Speaker 5 (03:51):
Yeah, teenagers that's who think about it, right?
Speaker 2 (03:54):
You know other white people that's who.
Speaker 3 (03:56):
Yeah, people with no sense, just like you then going
there with.
Speaker 5 (04:02):
His glasses on.
Speaker 3 (04:04):
Let me tell you how one time I always talk
about this. I grew up in Houston, and there's this
area of Houston called River Oaks. If you know River Roads,
you know, it's Beverly Hills in Houston. It's outrageous. And
me and my boy were going to a party that
wasn't in River Roads because you know what we'd be
doing going to a party of roads. But I think
we were going through River Roads to get to this party,
and we stopped because of his car might have been
(04:24):
having car trouble or whatever. I mean not thirty seconds
and there was a cop on our ass, like what
are you doing in this neighborhood?
Speaker 2 (04:31):
Boy? You know like get on out of here.
Speaker 3 (04:35):
So no, yeah, I already know I'm not trying to
break into missus Hilton's house, miss.
Speaker 2 (04:39):
Hilton whatever, none of the above.
Speaker 3 (04:43):
But this is for all nerds where we're always not
just talking about kit those and beds. You know, sometimes
we talk about geek and pop culture as well, and
we do have mister Brandon American columns here, and since
we don't want to talk about you know, your middle
name too much because it's all trifle the news for.
Speaker 4 (05:02):
That America America problem, you know, I'm damn it, I'm
gonna I said, I was just saying a little bit.
Speaker 3 (05:11):
I'm gonna say something because I'm gonna post this threat earlier,
and now you know I deleted it before I posted it,
So why not just say it on here?
Speaker 2 (05:20):
Yeah, always a good strategy.
Speaker 3 (05:21):
You know, less chances of it being like spread around
and somebody showing it in my face later in court.
Speaker 2 (05:28):
I'm sure to just play it or use my voice
as AI anyway that'd be.
Speaker 5 (05:32):
That would be hilarious if like you got caught up
with some audio they just played episodes of four on
Nerds and you just got your head of your heads.
Speaker 3 (05:39):
Like gosh, we'll see the thing that I'm already told
me not to say that, the thing that I've already
accepted is because there's thousands of hours of me talking,
they can make me say whatever I want.
Speaker 2 (05:49):
Yep, I mean whatever they want. So I'm already doomed if.
Speaker 3 (05:54):
That, you know, being the case, because people aren't gonna
believe me when I say I didn't say that.
Speaker 2 (05:59):
They're gonna be like, no.
Speaker 3 (06:00):
Ben said that, you know, being you know, you know,
you know, Yeah, that's to be the end of it.
So there's you know, I have no hope already. So
let me just say what I was going to say anyway,
I was gonna say that my thread was what I
was gonna post was I don't think it's possible to
fit some America because I don't think it's broken in
terms of the people who created it. Like in terms
(06:23):
of people who created it, it's working just fine. It's
working to its maximum for that matter. So I don't
think it's possible to fix something that isn't broken. Is
what my thread was going to be about, and why
I'm you know, looking at stradaddling because I don't think
it's possible to fix something that's not broken.
Speaker 1 (06:43):
That is the statement in and of itself. I don't
have no notes.
Speaker 5 (06:47):
Yeah, we're not gonna let yeah, we're not gonna say hey,
change your mind, man, like, no.
Speaker 2 (06:56):
Wrong, because it's not broken.
Speaker 3 (06:58):
So you know it's not it'll get better for the
people who made it, you know, for everyone else.
Speaker 1 (07:05):
So what about the people who can't leave.
Speaker 3 (07:07):
Hunker down an informed community, like because that was my
other option, you know, that was my real and that's
still an option I'm considering because I really do love
my community in Brooklyn. And I just had a recent
experience that we've you know, yet to really talk about.
But this summer I got to visit off Noel Farm
in Vermont for a fellowship, the Better Sales Fellowship.
Speaker 1 (07:29):
And so you and I talked about it.
Speaker 3 (07:31):
Well, yeah, you and I have definitely talked about it obviously,
you know, and you're born and I will let you know.
And I've talked to a bunch of other fellows. You
might meet some of them this weekend. But we had
a distression about it, and it's very difficult to talk
to people who haven't been there for it, and most
of them haven't. Some of them have significant others they
barely distrusted with. So that's you know, I consider you
(07:53):
a very valued friend for that.
Speaker 2 (07:55):
Thanks and sister.
Speaker 3 (07:56):
But one thing I definitely am human being to be
more you know, accurate, because that's something else I learned there.
But another thing I've already learned there is the value
of community. I mean extreme What I learned there is
the value of community and how important it is in
situations like this, and how important it's always been to
black people and African people worldwide and indigenous people, et cetera.
(08:20):
You know, people, the people you know, as I would say,
the majority of people on this planet.
Speaker 2 (08:25):
You know, as I would say, it's always been very important.
Speaker 3 (08:28):
So I would say, just hunker down and you know,
work on your community, because that's something I'm seriously doing.
Even as I'm making plans for Skadetto. I want to
see about getting a because we have a refrigerator a
few blocks down that people can just put food into,
but I want to see about getting one on our corner.
You know.
Speaker 2 (08:48):
Things to that nature.
Speaker 3 (08:49):
I would love to if I do stay in this house,
I'm going to plant a garden on our roof, you know,
things of that nature. So I would that is My
advice to people is to serious work on your community,
help out ignore the capitalist system as much as possible, Like,
learn to barter and trade with each other, learn to
(09:10):
talk to your neighbors, put down your phone, stop looking
at screens, and talk to people.
Speaker 2 (09:16):
All of these things.
Speaker 3 (09:17):
So that's the advice I would give right now, and
that's the advice I would give in any situation. That's
how you know we've survived through everything. And I mean
that's just how humanity has survived through everything.
Speaker 5 (09:27):
I know about bartering. Man, I play animal crossings, and
my bartering skills are not good.
Speaker 2 (09:31):
But animal crossing.
Speaker 3 (09:32):
From what I'm saying, it's some ruthless There ain't no
bartering because my man got you.
Speaker 2 (09:37):
In like tom Bell, Man, tom Bell got you on
some straight slavery.
Speaker 3 (09:41):
I mean yeah, sharecropping, right, Like you had to work
for him and you had to buy stuff from his store, right,
Am I correct?
Speaker 2 (09:48):
Right?
Speaker 1 (09:49):
He controls the market.
Speaker 2 (09:50):
Yeah, and like he pays you and you buy stuff from.
Speaker 4 (09:53):
Him, yes, yes, and the money the bells are his currency,
and you also work for him.
Speaker 1 (09:59):
That is kind of share croppers.
Speaker 5 (10:01):
You live on this land, right, It's like what a
college professor makes you buy their textbook.
Speaker 4 (10:05):
You're like, what, yeah, I did buy a land from
from from tom Nook rather tom Nook, okay.
Speaker 3 (10:12):
And yeah, so you're a sharecropper and.
Speaker 4 (10:16):
Across a lot of slaves love differentsitions.
Speaker 5 (10:20):
Well that's why a lot of people just spend time
fishing and ship. You know, they got they gotta have
some peaceful time away from the slavery.
Speaker 1 (10:26):
Because you gonna go fishing by yourself.
Speaker 4 (10:28):
It's just a stick on the ground that had.
Speaker 2 (10:31):
That is so sad.
Speaker 5 (10:32):
They just real quiet.
Speaker 3 (10:34):
They know how, they know how slavery based their game is,
so they keep some type of relaxation.
Speaker 5 (10:40):
And you know, there's gonna be a game like this
and this is the Sstopian world with living and there's
definite gonna be an RPG at some point where you
were black sharecropper and like your pastime it is just
a road to get some fresh water from the well.
Like that's like that's like a side mission.
Speaker 2 (11:00):
You're you're you're taking it easy on America, bro. I
can't believe. I'm sure there already has been.
Speaker 3 (11:06):
You know, you're a slave for a day, you know,
video game, but yeah, that is coming.
Speaker 2 (11:11):
If not but oh god, if.
Speaker 5 (11:12):
There's roots the video game for PS five, I'm gonna
lose my ship.
Speaker 3 (11:15):
PS seven definitely let's go back. Yeah, we gotta wait. No,
we got to wait till America fully gets there, you
know what I mean. But let's go back to the Animal
Crossing being a share cropping game, because I'm not.
Speaker 2 (11:32):
I'm really mad.
Speaker 3 (11:34):
The game is so slavery based that they really had
to give you a time to relax. Do you want
to talk to Stopian? It's right there, that's that. It's
just you know, Stopian, And.
Speaker 5 (11:44):
I mean that's all hours right every Dystopian book there's
always like a free period right for people to like decompress,
whether that's like you know, they're doing like exercising, or
they're like allowed to communicate with each other for like
an hour or something that, like whether it's George Orwell
or some other like ship.
Speaker 2 (12:00):
Why has nobody talked about this about Animal Crossing? I
know people hate because.
Speaker 4 (12:04):
It was an escape, but I will say this, if
you haven't been in your Animal Crossing house in like
a very long time, do you know what happens when
you go back into your house?
Speaker 2 (12:14):
Tom whips you.
Speaker 5 (12:16):
Jesus don't you lose things?
Speaker 4 (12:20):
You get roaches, Yeah, okay, you get roaches, and then
you have to stop out, find and exterminate each and
everyone in roaches, every animal animal across the one you
played during the pandemic. If you like, say, for example,
you know like if I went in my game right now,
you going your game right now. I don't know the
last time you played. I haven't played in years. Go
(12:43):
in your house right now, and anybody listening going, I
know you haven't touched animal cross in a mini Go
into your house right now.
Speaker 5 (12:50):
It's gonna be like Resident Evil told be way worse
than that.
Speaker 2 (12:55):
For what would be like ghosts and ghoules and gopins
up in there.
Speaker 4 (12:59):
Well you want you know something when you step on
the roaches, little ghosts comes the little spirit pops up stuff.
Speaker 5 (13:04):
No, like the Luigi mansion Ship.
Speaker 2 (13:08):
I would have been a band in my house just
to do that joint.
Speaker 5 (13:11):
That's wild. I mean games are really intensity these days.
So I would believe Tatiana because I played I tried
to play in Resident Evil seven, and that's in first person,
like it's the first person.
Speaker 4 (13:20):
Oh yes, no, I remember when I sho came out.
I said why the fun would you want to play
that first person?
Speaker 5 (13:26):
It was scary, so you can't get out?
Speaker 1 (13:28):
Can you get out of that review at all?
Speaker 2 (13:30):
Nope?
Speaker 5 (13:31):
Nope.
Speaker 1 (13:33):
I remember it being that way.
Speaker 2 (13:34):
And it ramps up.
Speaker 5 (13:35):
Too because it's like vampires and white kens and then
like there's these tall women in this mansion.
Speaker 3 (13:39):
Yeah, no, it's fucking scary. No, Like that's like, there's
this damn I can't remember a name of it. They
may be a sequel for it too, But it was
PS five and you're you play as a woman first person.
It's like you're a tribal indigenous person and the game
deals was like psychosis and other things of that nature.
So there's definitely a lot of ill you know, things
(14:01):
you see and stuff, but the game itself is just
you know. It was one of the first PS five
games where I saw where it just click it there
where it was so beautiful, and I was like, I'm
never you know, I played like, you know, twenty minutes
to the demo or whatever. I'm like, no way, because
this game looks so real and it's about horror and
horrible things happening to this person and his first person.
Speaker 2 (14:22):
I'm good. And then they went and made a sequel,
and I've never seen either.
Speaker 4 (14:25):
You know, the Harbor ones are usually the most beautiful,
just like.
Speaker 3 (14:29):
Yeah, it was so that was like the way that
woman looked, you know, was so real that it was
scary to me. Like I'm not seen a game other
than like The Last of Us Too, which is another
one I'll never play because I watched the trailer when
they dropped that joint at whatever you know, the big
conference was, and I remember being like, Yo, this is
(14:51):
the most beautiful game I've ever seen it.
Speaker 5 (14:53):
I'll never play because it's intense. No, like the first
one gave me anxiety. I remember that it was like,
is this what it is?
Speaker 3 (15:02):
Not that like because when you know you're slitting somebody's
throat and it looked nah, man, that was way too much,
way way.
Speaker 5 (15:10):
At least if the words The Last of Us Too,
Jesus the least the disturber that you're going to see
in that game, well.
Speaker 3 (15:17):
Then yeah, that's why I'll never played, and why I've
never watched anything but the first episode of the second season.
And I'm good kind of like you know, talk town
of saw a movie today that you know, we really
can't talk about just yet. But it's another one I
ain't never gonna see.
Speaker 4 (15:32):
I can tell you what I saw, not I saw, No,
I just thought about it, like I don't even know,
so I'm not trying to get in trouble.
Speaker 1 (15:38):
Yeah, but it was a dark fucking movie.
Speaker 6 (15:40):
I'll say that, Yeah, Bargo, Right, Yeah.
Speaker 2 (15:44):
Yeah, Margo.
Speaker 4 (15:46):
It was dark as fuck. And you guys will know
as soon as I can't tell.
Speaker 5 (15:51):
You, like speaking nature, dark in tone, everything.
Speaker 2 (15:55):
Like all of the above, all of the above, all.
Speaker 5 (15:59):
Of the a I have a film written for some
like dark movies in the fall, yeah, which is Avatar.
Looks like it's gonna be the darkest one even Definitely
I did a lot of dark tone things.
Speaker 4 (16:10):
But you know, I find it interesting because like these
films have been and granted, you know, all the horrible
stuff has happened the last like the extra extra horrible
on top of the horrible has happened the last two
three years. These things are in development for two, three, four,
sometimes more years, so when they're there is in a
different error when they're creating it, and then by the
(16:30):
time and release it, it tends to coincide with what's happening.
Speaker 3 (16:34):
But not writers that's the thing. Yeah, writers are usually
reading and when you read, you're gonna you know, see
friends and that's right, anticipate like.
Speaker 5 (16:44):
And also the directors too, right, we're talking about like,
you know, upcoming movies with James Cameron, Paul Thomas Anderson,
like rich white guys. Yeah, very specifics have the circle.
So they're hearing things way way ordinary people sorty hearing
things that are already emotion years. Oh, I want to
take a I want to give my take on like
what that's go look like for society. So by the
(17:04):
time they finally get to this thing.
Speaker 4 (17:06):
And actually matching up with you know, our imertaining life
type shit.
Speaker 2 (17:10):
Yeah.
Speaker 3 (17:11):
And then also that's the other thing that we talked about.
We've been talking about a lot on the show recently,
is how a lot of sci fi and fantasy, especially
so fi, because it helps determine the world we live in,
has not been showing hope. And I feel that's a weakness.
And you know, as much as I don't like contributing
things to whiteness, it's yet another weakness of whiteness because
(17:36):
it's a I mean, a lot of writers, for one,
working writers in Hollywood are white males, and a lot
of these white males don't have hope in their own
lives because they tend to be quite self destructive, et cetera.
Speaker 2 (17:49):
They got their own issues and they don't know how to.
Speaker 3 (17:54):
Look inside and outside of themselves for inspiration, Like you know,
of a spiritual base, I would say, is what made
people not have that inner hope or be able to
see a better future.
Speaker 5 (18:06):
To that point, I would also say lack of shame
and like this is that I think, you know, lack
of humility and something like these. You know, I did
a drumk Black History show a few weeks ago and
use him a food and drink and I talked about
Ryan Cooler. So how we started talking about centers Ryan Googler.
I talked about how humil like he showed a like
humility in the press run in regards to like how
much he listens to the black female creatives and how
(18:30):
much he takes like them and like his wife's word
and advice, Like he's not just like, you know, like
most white dudes in Hollywood who are just like my
idea is the best idea debate? That's like why when
you hear other people outside but directors say like, oh, yeah,
this person's really great collaborator and communicator. Blah blah blah.
I take that seriously there, versus a director being like
I listen to everybody, I'm the best, but yeah, like
(18:54):
to to the initial initial talking point, like, yeah, I
definitely think some of these creatives just they have insight
into a world that will never understand, like and like
master level of wealth and access that just like is
so foreign and abstracted, even like the people that like,
you know, writer, you know, writers and creatives on this call,
like I don't even think you can't even imagine the
dark channels that I mean, James Cameron literally made a
(19:17):
ship where he could go to the bottom of the
ocean like no one else had like done the ship before.
That's crazy.
Speaker 3 (19:23):
And then you want to talk about you know, hubris
and nihilism that also goes into it as well. What's
his name Joe ez Eras I think it is. He's
the screenwriter of Just Slip My Mind. It's Basic and
se right, Sharon Stone, et cetera. That's Basic and sing
right film.
Speaker 1 (19:42):
That's Sharon Stone.
Speaker 3 (19:43):
Yeah, okay, yeah, he's the screenwriter Basic and see This Man,
Girls and show Girl. Oh my god, no, no, no,
not did he write show Girls, sugarl No, because I
thought that was who.
Speaker 1 (19:55):
Yet he wrote show Girls. I'm reading it Girls.
Speaker 2 (20:00):
One, yeah, Paul, second one. There was a second one,
but that just came up.
Speaker 5 (20:08):
Wait wait can we just watch that right now?
Speaker 2 (20:10):
Can we just? I wish we could.
Speaker 3 (20:12):
But that just came up on threads today and I
didn't know it was real either. Somebody was like, but
show Girls too is even better, and I was like,
I didn't know it was even you know, I'm watching
it tonight. I was sorry, alien Earth, I'm definitely watching
show Girls perfectly.
Speaker 2 (20:27):
She's not at it right, I don't think so. All right,
but why you look up that?
Speaker 6 (20:33):
Where are you from? Different places? This man so wild?
It is so wild, different places. It was crazy. You
know the sex scene in the pool?
Speaker 5 (20:48):
God, was that a poor Yeah it was a pool.
I thought it was a fountain, but yeah.
Speaker 3 (20:53):
It looks like a found because they're like up against Yeah. Anyway,
that screen writer was recent paid two million dollars for
de spec script of a Basic Instinct sequel that he
said would destroy wotness. So like, when we that's what
(21:15):
I'm talking about. When we talk about, you know, predictive.
You have to remember these are the type of people
who are in power, who are not only predicting things,
but they're creating themes that lead to the things they
want to see, right right, And so that's what I
was talking about. You know, when we don't have hope
in films and things of that nature, when you have
someone who's actively saying, I want to destroy wokeness with
(21:37):
whatever goofy ass sequel they made to you know, a
thirty forty year old movie that's probably gonna be trashed
in the first place. Secondly, they get two million more
if they even make the damn faith. So this man's
about to make full million, possibly off of this million
off of this movie. And then they want and then
their goal is to destroy the very thing that would
basically save humanity.
Speaker 1 (22:00):
Is who's giving you the money?
Speaker 2 (22:02):
Studio?
Speaker 1 (22:02):
Is that who?
Speaker 2 (22:04):
Someone? Who? You know? Also?
Speaker 4 (22:06):
I would like to That's what I want. I just
want to know what a source of all this ship is,
you know.
Speaker 3 (22:11):
The devil, And by the devil, I means some you know,
living and breathing, you know, possibly you know, allegedly Caucasian male.
Speaker 1 (22:30):
Has anybody seen world of the War, War of the World,
the new one.
Speaker 5 (22:36):
Our fans have been for Median Poker have been like,
please please review this movie. Wrong break right now.
Speaker 4 (22:40):
But man, Brandon, I've seen the stuff I've seen. When
it comes to this, it has a three percent Rotten Tomatoes.
Speaker 2 (22:52):
That's better than the zero, which.
Speaker 4 (22:53):
Is actually better than a lot of ship on it.
I looked at the list's there's ship.
Speaker 2 (22:57):
That's worse, but it had zero for a minute. It did.
Speaker 4 (23:00):
Yeah, I'm talking about who gave it two tomatoes to
even get to that.
Speaker 5 (23:04):
But I'm telling you it's gonna be like, it's gonna
bump up a little bit. It's probably because my co host,
Justin Brown's couldna give it a positive review. Just speak.
Speaker 4 (23:12):
I'm hearing from like the worst movie I ever made,
type shit to like it's so bad as good type
shit like.
Speaker 1 (23:17):
No, it's nice and it's a nice Cube thing. From
what I've seen, it don't even look so bad is good.
Speaker 3 (23:22):
It just looks it's a horrible Amazon commercial. And that's
the most disrespectful and disturbing thing about it.
Speaker 5 (23:30):
That's an Amazon movie.
Speaker 4 (23:31):
It's an Amazon movie and literally talks about Amazon products
throughout the movie.
Speaker 5 (23:36):
I don't know anything about Amazon. Like I stopped watching
Amazon stuff after Invincible, Like I'm just I can't support
the company, right, so I'll just I'll watch the screens
when I get for Invincible season four. But that's it, Like,
so I can't that's Amazon movie, Like that's crazy.
Speaker 3 (23:51):
Yeah, now I've been canceled Amazon Prime, so that was
the end of that. But I do know it's an
Amazon movie because at one point to save the world,
I used Toe son daughter. Yeah, Amazon Prime Daughter's boyfriend, Yes,
happens to be an Amazon drone pilot. Yes, so ice
(24:13):
Cube has to go on Amazon though, because the dude
just can't do it without ice Cube actually placing the
ordery so my man can then pilot the drone to
ice Cube with a USB in it.
Speaker 1 (24:25):
Mind you, mind you.
Speaker 4 (24:26):
Ice Cube has been hacking every three sight unseen throughout
the entire movie, but for Amazon, he has to place
the order like a record person.
Speaker 3 (24:34):
And also can't unlock his door at this place because
he's no.
Speaker 4 (24:39):
It's like the most wildest thing and it might have
even been shot during pandemic.
Speaker 2 (24:43):
It was okay during pandemic, and.
Speaker 4 (24:46):
Everything takes place from the viewpoint of his computer screen
and then there's like a you know, two dollars budget
when it comes to the CGI and the effects. Like
I was just a pall. Like I was like, like,
y'all are like did they releases? Because they knew it
was so bad and they wanted to like get popular
off the hype like they thought there was gonna be
(25:07):
a cult classic Like why why bother?
Speaker 5 (25:09):
It's possible. I mean it's possible because ice Cube it
doesn't shy away from like you know, terrible row on
ice on Twitter and all that stuff. And yeah, they
probably trying to like do a flip like you know,
the way to B movies sometimes do it or like
you know, people like her, but.
Speaker 1 (25:24):
To me knows what it is.
Speaker 4 (25:26):
You know what I'm saying like this is this is
odd to me just for it's just like now, are
y'all to high hard in terms of trying to find
a cold classic too?
Speaker 3 (25:34):
Like I remember there was this two B show I
think it was that I always wanted to watch that
I never got to see, where this woman had like
a golden arm or something. And I remember seeing the
scene where the doctor was like, you know, I have
to cut it off and she's.
Speaker 4 (25:47):
Like no, doctor, I love my gold.
Speaker 5 (25:48):
In the arm, and I was like, I just so literal,
so literal. It's like, so you kid on me with
my sister and got her pregnant. But then all so
you've been sleeping with my aunt in the bedroom that
we shared. It's so lately just long diatribes that are
just insane. It's all about cheating. A lot of black
(26:10):
to B movies about cheating.
Speaker 2 (26:12):
Yeah, this is the white woman they're going on on.
Speaker 5 (26:14):
I'm sure. I'm sure white to be movies that were insane.
Oh my god.
Speaker 3 (26:19):
I know you had something else to say about c
but you were also talking about how he was trolling
all the time. And you know, remember this is the
man who just recently was like yo, I can't believe
what's happening right now with the government.
Speaker 4 (26:34):
I'm tired of these people like living long enough to
see themselves become the villain like.
Speaker 2 (26:41):
Legend. You do not.
Speaker 3 (26:42):
Understand how much this like, like you know, Cube was
ice Cube.
Speaker 4 (26:51):
Everybody's just going off the deep and I'm like, what
the I mean going on?
Speaker 2 (26:55):
You running around, you know, in her career with Giant
Dido's on her headlines, even talking about.
Speaker 4 (27:00):
That creative side I never saying why are you just
villainizing yourself like this and then just come like are
you okay?
Speaker 3 (27:09):
She was already the villain of me. That's Hugh started
off as like, you know, fuck the police. You know,
once upon a time in the projects, like his early albums,
you know, just insane, classic run. That man had a
pure classic hip hop. I mean I'm talking way before
you know we'd be clubbing a trash tube to me,
you know, I'm talking classic. This man was a god
(27:32):
of rap and yeah, and it was him.
Speaker 2 (27:35):
And now.
Speaker 1 (27:38):
I don't know this man, I don't know who.
Speaker 2 (27:41):
I think it started with are We There Yet?
Speaker 1 (27:43):
It did start there.
Speaker 4 (27:44):
He got that Hollywood money, still borderline himself.
Speaker 3 (27:49):
Yeah, but I just blamed that. That's where it starts,
you know, like cause Friday was cool. But when you
start doing are we there yet? Type movies, that's when
it's like, oh no, it's you know.
Speaker 5 (27:57):
I played Triple X, State of the Union. There we go,
you right, That's when like things start getting roll. Top
of Survey because I remember I remember Teenager when they
the trailer for it, I was like, wait, wait, so
y'all just going to place Ben Diesel little but notice I.
Speaker 1 (28:12):
Asked questions when here did that come out?
Speaker 2 (28:16):
Who thought that switch? That's like, there's gotta be I mean,
he's up there with like when.
Speaker 5 (28:24):
They switched to Jim Carry with Jamie Kennedy for.
Speaker 3 (28:26):
No, wait, okay, that's another one. But we can we
can make a list right here. This might need to
be one of your net and then we can talk
about the show. But this might be another one we
need to talk for your show. When people end the
series franchises, George Pony and Batman is like, you know,
the legendary example. But ice Cube might be up there
(28:49):
for ending the Triple Les franchise. You know, because Vincisa
was rolling strong.
Speaker 1 (28:55):
There were a lot of movies before that.
Speaker 4 (28:57):
It was.
Speaker 5 (29:00):
There's a Triple X movie. Then you know Vin Diesel
was acting all crazy.
Speaker 2 (29:04):
Oh came after Yeah, there was a.
Speaker 5 (29:07):
Third one after that. Oh they were both in it
with Samuel Jackson. It's no, no, so bad Pops from
the third add it's so yeah, it's everything is crazy,
Like I think. I think because I'm such a fan
of movies, especially like from starting the nineties, like nothing
(29:29):
surprises me anymore.
Speaker 2 (29:30):
Like Vin Dison really needed to fast in the furious, like,
have I told?
Speaker 5 (29:35):
Have I told the story on this podcast about when
I ran walked by Vin Diese with the Universal Lot.
I was walking like with some other writers for the program.
We were just walking to the gate to get out,
and in front of us ahead is a suv, a
bodyguard looking dude, and then a ball guy talking to
a little white lady that we can see but we
can't see the ball dude from the front. But he
(29:55):
has a fast nine jacket. He's wearing a fast nine
leather jack. He's a ball dead guy. And I'm like,
there's no way this has been Diesel on a Universal
Lot wearing a fast nine jacket. That just be so insane,
Like it's so unnecessary and of course you will get
closer to me here. Hey, you know, I was talking
to the director about fast too, and it's just I'm
just like, God, what.
Speaker 2 (30:15):
Do you do?
Speaker 5 (30:17):
But you don't need to do this?
Speaker 2 (30:18):
They know who you are. No, No, they don't.
Speaker 3 (30:21):
Not enough for him, you know, it needs to be
instant when everybody sees him.
Speaker 2 (30:24):
Oh yeah, long.
Speaker 1 (30:25):
Enough to see yourself come the villain.
Speaker 5 (30:28):
I just love that. Every Timeking like it's always talking
about how weird Ben Diesel was like, he's just like
it's an open secret how crazy this guy is. But
no one like like still, I have a friend.
Speaker 3 (30:40):
Who used to date Vin Diesel and they were quite upset.
She was proud upset that, uh, he has a twin
brother that he never spoke about.
Speaker 5 (30:48):
Yeah, a lot of people don't know that he has
a brother.
Speaker 3 (30:50):
Yeah she also has, so she was kind of you know,
like upsetting him for not you know what. Yeah, he's
also to the Dragons role player game, so I always
thought it was school for that. But you know, in
saying for everything else, like I mean this should you play?
Speaker 5 (31:07):
Want to speak directer who works with the Diesel and
he said, uh, for this movie called Knock Around Guys,
and Diesel has like a small role in this fucking movie.
Speaker 2 (31:16):
Yeah.
Speaker 5 (31:16):
He said that Vin Diesel will like go off by
himself and be like I'm just trying to get in
the mindset of a man who everyone knows his name,
Like it so weird. Shit, It's like you you're like
ten pages of the script, Like what do you okay?
Speaker 4 (31:28):
I've been Diesel's twin brothers, like the Nigazone version of him, Like.
Speaker 1 (31:33):
What I've never looked it's like literally the inverse.
Speaker 2 (31:38):
I've known this role, I've known this fact forever, and
I never got hair.
Speaker 5 (31:42):
It's been Diesel's real name, Mark Sinclair.
Speaker 4 (31:47):
That sucks wild wow, crazy enough, But this is a
great segue because we're talking about all of these bad
movies and you actually have a new live show out
and then tell us about it.
Speaker 2 (32:01):
Yeah.
Speaker 5 (32:02):
Starting on Thursday, September fourth, I'm starting a new monthly
show called What the Film aka WTF, where I'm just
talking about crazy ass movies, the productions behind them, FuMB
movie at Trivia. We're gonna have some people doing some
movie soundtrack karaoke and stuff. It's just like, you know,
like I want to kind of capitalize on like the
successful format like drum black history and like apply it
(32:23):
to film and television, like cause it's just so much fun.
Like films are universal and stuffy that I think they're
like there's a lot of opportunity to bring people together
in like a fun, positive way, especially like you know,
community spaces. Like you know, we were talking offline about
need for community and stuff like that. So that's what
the basis of What the Film is. Okay, I'm excited
to have you both want to talk about. We haven't
(32:45):
decided on the movie that y'all want to talk about,
but given like what already people have pitched, I'm excited
to get into the nineties because that's gonna be the
first show's theme.
Speaker 2 (32:54):
Say what other people will pick?
Speaker 5 (32:55):
No, no, no, that's gonna be surprised. You gotta come
through to the show.
Speaker 4 (32:58):
So so when we come through, we're not gonna know
or do we get to pick any.
Speaker 5 (33:01):
You'll pick your movie. You'll know what the movie is,
but you want to know what the movies the other
guests that they picked got it. I'm doing. I'm doing
a montage of all like the crazy nineties, like teen
movies and just what white kids were able to get
away with in the nineties and how that's like led
to where we are now.
Speaker 3 (33:17):
Yeah see, I'm thinking eighties when like weird because a
weird science and can't buy.
Speaker 2 (33:23):
Me lover to the eighties.
Speaker 5 (33:24):
That's eighties.
Speaker 2 (33:25):
What's some nineties ones?
Speaker 4 (33:27):
Like what specifically what we just talked about earlier?
Speaker 1 (33:30):
Actually I might want to do that one.
Speaker 5 (33:32):
Well, I'm talking a lot about like the early like
the mid to early nineteen nineteen. I'm talking like coming
of age, like I'm talking about blank check heavyweights, First Kid,
First Kid, I remember nowhere, I'm talking about unhinged like
young white kids just wow it out movies. Yeah, and
(33:54):
now those kids are older. You know the guy was
in First Kid. He's like a crypto currency pioneer who
likes high own to Puerto Rico, take advantage of tax
and syentis and shit.
Speaker 1 (34:03):
Of course he does, of course he does. So how
many shows are you having?
Speaker 5 (34:08):
So right now we have September and October books and
then hopefully if things are successful with continue in November December,
and it's just going to constantly change every month to
different themes. Obviously had October will be horror themed and
then November will hopefully be like family film themes and stuff.
So there's a lot you can do there, especially like
with movies like Soap Food and The Family Stone and
stuff like that.
Speaker 1 (34:28):
And where where and when?
Speaker 5 (34:30):
Yes, Thursday, September fourth at Littlefield in Brooklyn, New York.
Tickets are a buil but proto Blackens dot com for
all you know those tickets and yeah, looking forward to
having me on. We also have Afeir of Eisenberg from
NPR and the Homie Justin Brown from the Media Poker
podcast on Nice.
Speaker 1 (34:46):
Oh Yes, what up, Justin?
Speaker 2 (34:48):
Yeah?
Speaker 1 (34:48):
What the film? W twe s.
Speaker 3 (34:50):
Yeah, it's so crazy that you mentioned all those movies
and I'm like, where do I mean? I was going
in the movie theater every weekend in the nineties, especially
the early nineties, and I have no idea about it
any of them joints.
Speaker 5 (35:01):
Okay, what about obviously, like you know, the big Blockbusters
Independence Day and Been in Black Oh yeah, I mean,
but I had to talk about like I was talking
about the first time seeing Independence Day in the theater opening,
Oh my god, and being like, oh, Will Smith's gonna
be a movie star? Like I remember the audience reaction
like oh this, this motherfucker is gonna blow.
Speaker 3 (35:16):
I definitely, yes, I had an Independence Day poster. I
was like, you know, into and just before the film
came out, you know, I was like into theories about
what this movie was gonna be poster everything, Yeah.
Speaker 4 (35:29):
Because like this I'm supposed to see that movie.
Speaker 3 (35:31):
But the ship had all kinds of designs on the bottom,
so people were like, Oh, it's trying to be like
Egyptian related and this and that, and you know, then
that's just.
Speaker 5 (35:39):
The guy that those guys at Stargate, right, yeah.
Speaker 3 (35:42):
Yeah, so there's nuts, Yes it is. Movie Stargate is
definitely nuts. Okay, yeah, but all those I mean like
and then also in the nineties, around that time, I
was really like into you know, I was being a
film door, so I was watching all like independent joints,
and you know, I was heavy and the Reservoir Dogs
when they first dropped, and.
Speaker 1 (36:02):
You know the bad nineties movie right, oh.
Speaker 5 (36:07):
Yeah, I mean it makes you more fun. Yeah, I
mean's just so unhing. I mean, does Belly still.
Speaker 2 (36:13):
Make the nineties?
Speaker 4 (36:14):
This is what when it gets subjective and I'm like,
is it bad or is that just a classic at
that Billy.
Speaker 5 (36:19):
Belly nineteen ninety eight, Oh my god, but oh my god,
opening is one of the best open Oh my god
is iconic.
Speaker 2 (36:27):
But that's why the movie talk about, sure you don't
eat no.
Speaker 4 (36:32):
Books, but if that's the case, then you open up,
you opening up. Cameron's whole catalog paid in full all
this ship.
Speaker 5 (36:38):
Oh I mean paid in ful. But that paidful I
think came out in two thousand.
Speaker 2 (36:41):
Yeah, yeah, yeah, I knew short he was be paid for.
Speaker 5 (36:46):
You know, I have a friend named Sid who lives
in Long Island City. He's got like one of those
like nice ass apartments, like those high rises and stuff.
He out of nowhere just has a mural of wood.
Harris Cameron and I forgot the other dude from paid
him full nice and they're just it's on his walls.
Speaker 2 (37:05):
Indian dude.
Speaker 5 (37:07):
He had no context about the movies, just like yeah,
just really like this art was like, yo, you got
an iconic paid him. Wow, I can't believe.
Speaker 2 (37:16):
First movie out. I kind of came, oh my brother brother.
Speaker 3 (37:24):
Yeah, first movie out, murk oh Man, I might have
to do Belly. I have like so many Belly stories
because I was you know, and I was like Howard
and we had the bootleg.
Speaker 2 (37:36):
Like the Belly Bootleg is.
Speaker 3 (37:38):
Complete, not completely different, but as a completely different score.
And the Belly Bootleg is what got me into PJ.
Harvey and Trick.
Speaker 5 (37:45):
Well.
Speaker 3 (37:45):
I was already in the Tricky but PJ. Harvey I
had no idea about. And the Belly Bootleg has Broken
Homes by PJ. Harvey on it, and it's incredible. And
the movie, yeah, about how far into that movie does
that song play? What do you mean broken Home? It's
a scene where what's the name is walking around oiled
up in the prison.
Speaker 5 (38:06):
God, there's so much baby oil on that, but.
Speaker 2 (38:09):
It's just shorty what's the you know, uh DM girl,
the one that.
Speaker 5 (38:13):
Just keeps Keisha Keisha the way and she's flowed up
the whole movie.
Speaker 2 (38:19):
Yeah, and she's.
Speaker 3 (38:19):
Oiled up in prison and they play broken homes over
her scene. But yeah, the music is a bit different
than the Blue Leg. And I watched the Blueleg so
many times before I ever saw the final cut.
Speaker 5 (38:29):
The crazy thing about that movie is they've ran out
of money, and it's so plaintly obvious by the time
we get to the end. But it shows times Square
at New Year's Eve. But he's like Africa. I can't
believe what.
Speaker 3 (38:43):
I mean, egregious, the fact that this movie goes about it.
Speaker 1 (38:48):
Could you chop it up now? Like I'm gonna do it?
Speaker 2 (38:50):
Oh no, I mean we're gonna do it live. But
I'm talking about you know, like there's a don't trust me.
Speaker 3 (38:54):
I can go on and on about Belly, I can
quote this ship like anyway. But the movie goes from
a couple of drug dealers to a whole conspiracy film
about the president and some other ship.
Speaker 5 (39:05):
So it is I don't remember that the church, and.
Speaker 3 (39:08):
It is so because it's it's like it's something turns
into hype Williams trying to have a conscience. I guess
about all the nonsense, and he went on screen and.
Speaker 5 (39:17):
Because he realized to sell his soul to the double
to get the rest of this movie made Yeah.
Speaker 2 (39:21):
I mean he told us so to the devil a
long time before that.
Speaker 5 (39:23):
So, I mean in that movie, DMX literally says fuck
a book.
Speaker 3 (39:27):
It's the same, No, Shorty can't eat no books. It's
one of my favorite lines of all time. That's exactly yes.
And then when it rains, niggas get wet. I mean no,
I can quote DMX in that movie all day and night.
You want to go home, I'll take you home. Does
(39:48):
every line it's all you want to go.
Speaker 5 (39:54):
One of my first meetings with the Malcolm D. Lee
shout to Malcolm Lee and Black Belt Productions, I pitched
maybe Like because I had to pitch a bunch of
ideas to possibly write. I did pitch DMX the story
about DMX in Persone, the FBI agent and what would
have happened if like he actually got away with it
for a little bit, like what kind of things that
he got into? And then but there was like no,
(40:15):
they're there, you know, like it was just a long joke.
Speaker 4 (40:17):
Yeah, did you pitch this with a straight face?
Speaker 5 (40:20):
Oh yeah, I pitched a lot of the saying stuff. Yeah,
it was great, Like yeah, mediapocoron fans would love all
the stuff I pitched to the studio. They'd be like,
oh he really said Okay.
Speaker 3 (40:30):
Yeah, I used to be the same way in writing rooms.
And then and he pitched me I've always and it
comes from being at Howard. I always tell people that
because I used to tell people like because one at
Howard my name was you know, d just signified or
been I mean, and people would not believe either one.
And then so I would start to tell people my
name was, uh, Scrooge mc duck, and I would just
(40:50):
say it with a straight face and people would believe me.
Speaker 1 (40:54):
The top of the delivery.
Speaker 2 (40:55):
That's yeah.
Speaker 3 (40:56):
Like you know, if you meet someone on Howard's campus
and they don't know you from ship and you telling
me name is Scrooge mc duck with a straight face, people.
Speaker 4 (41:03):
I guess that's not what he goes by, because who
am I to say anything to the contrary, I'm like,
I just got here too, I'm just my third day
out here.
Speaker 3 (41:11):
So after that, I learned you can pitch things to
anybody if you just say it.
Speaker 5 (41:15):
With a f.
Speaker 3 (41:18):
My goodness, yo, Scrooge mid Duck and people would be like, okay, Scrooture.
I had to stop myself from crying, like you know, yeah.
Speaker 5 (41:28):
But I mean a lot of the stuff, like especially
when it comes to writing anyway, like things change, Yeah,
like somebody just people are excited about, like they're like
a week later, we're gonna we're gonna cut. Oh my god,
who cares if you pitch a bunch of crazy stuff
like worre saying they can say is no, we're just
stare at you blakely yep.
Speaker 3 (41:45):
And that's like I said, I always tell people it
goes back to Howard because like when whenever I'm being
rooms and people are like, oh my god, you're so brave.
Speaker 2 (41:52):
You're telling all these pitchers and stuff.
Speaker 3 (41:55):
And I'm like, I used to walk across the campus
and broad daylight to holler at a shorty you know
what I mean, Like everyone looking at you and you
had to walk up to her cold and be like, hey,
how you doing.
Speaker 5 (42:06):
It all in those sunglasses?
Speaker 6 (42:09):
Nah, it would have been much easier, like your big daddy,
she can't see me.
Speaker 3 (42:18):
If I had these when I was telling people I
was scrowged with duck. Oh my god, it has been over.
Speaker 2 (42:24):
Oh.
Speaker 5 (42:24):
They would have been ripping you apart. On Facebook. They
would have been like, hey, this is a crazy dude.
Then scrooged with duck with glasses and dreads and these.
I don't know, y'all.
Speaker 2 (42:34):
Hey, we didn't have Facebook. Thank god.
Speaker 5 (42:36):
He keeps asking me about Marble.
Speaker 3 (42:40):
That was the thing I didn't talk about none of
that ship at Howard because it wasn't cool, you know
what I mean?
Speaker 5 (42:44):
What did y'all get Facebook?
Speaker 1 (42:46):
It was cool when I was there.
Speaker 3 (42:47):
Facebook came right when I was leaving high school.
Speaker 2 (42:51):
Facebook right when I was leaving it from Facebook.
Speaker 5 (42:54):
Did you get access to Facebook and high school or no?
Speaker 1 (42:56):
I got I got asked to it when I got
to Howard.
Speaker 5 (42:58):
Yeah, yeah, I missed.
Speaker 1 (43:00):
That because I was one.
Speaker 4 (43:01):
Like back in the day when it was just college students,
we were like one. We were probably the one chocolate
Chip cookie school and you know Chip and the cookie,
because I was like, well, the black schools was on there,
but we.
Speaker 3 (43:12):
Was on that bitch because honestly, I remember my man
was like, I'm a former black Facebook you know, that
was just playing like he was going to go and
do like that's how early it was, you know, and
I was really like, okay, but I'm about to graduate.
Why would I give a ship about something that for college?
Speaker 2 (43:26):
You know.
Speaker 3 (43:26):
That's because that's how they opened it up. Yeah, and
then it was like yeah, and then it became you know, worldwide.
At the time, I was like, I don't either way.
Speaker 4 (43:35):
And then our moms got on it, and then it
became the dystopian state.
Speaker 3 (43:39):
Yeah, because for a while, Facebook was beautiful for a
quick minute, how well, it was beautiful and I'm sorry, sorry,
then we all died. You missed all of that. It's
all out there on the internet.
Speaker 5 (43:55):
Facebook when it was exclusive was like pre thanos m.
Speaker 2 (43:58):
C u mm hmmm. And then you know, now now
it's pick and choose. You might get a banger, you
might not.
Speaker 3 (44:08):
Yeah, you might learn that a lot of your friends
from back then have turned into you know, yeah. I
saw a comedian say that, like, you know, social media
they have different uses, this for this, just for this
and Facebook is for finding out what your.
Speaker 2 (44:22):
Friends have turned, you know, conservative, crazy.
Speaker 4 (44:24):
Reprobably Oh yeah, yeah, I wouldn't know because I haven't
used Facebook in years.
Speaker 5 (44:28):
Years.
Speaker 2 (44:29):
We'll go on there years. Why why would I do that?
Speaker 3 (44:33):
Just so you can know, Like that's before you get
to Howard homecoming this time you'll be like, oh yeah.
Speaker 2 (44:38):
This one.
Speaker 1 (44:39):
I don't need to associated with them anyway.
Speaker 4 (44:42):
It's like that, like if I haven't associated with you
all this time, basically just like Facebook to me, you know, straight.
Speaker 3 (44:48):
Up, And I'll say this on the show. This dude,
I'm not gonna say your name just because anyway, like
I barely knew them at Howard, you know, you one
of them catching and you'd see you know whatever, you know,
like people might be in the party, et cetera. You know,
I'm beating uh woo whoop. The other day, you know,
he came up on my feed Facebook again and he
had a picture with our current mayor hashtag. I like him,
(45:11):
mister MIXI, mister Mixie. My man and him are hugged
up tight. So you know, my man just roasted in
the comments, I mean obviously roasted in the comments, of course,
And I'm roasting him in the comments at one point,
and he's asking me, do you know how to turn off,
you know, the comments so I can just poost a
picture and net him.
Speaker 2 (45:31):
I was saying, no, Negro, I don't know how to
turn off ship, but I do know.
Speaker 5 (45:36):
While you ask, well, you're asking homies pr team because
I wondering why you're asking me roasted all the time too, Yeah.
Speaker 3 (45:43):
And I'm like, no, I don't know how to turn
it off, but I do know how to turn on
me boasting your ass for the dumb ass ship.
Speaker 5 (45:49):
Did y'all see did y'all see Adams talking about how
he must be Dominican because every time the Dominicans he
feels part of the community.
Speaker 1 (45:56):
So this is over his mouth.
Speaker 2 (46:01):
Like he's just, hey, hey, you do not.
Speaker 1 (46:06):
Like that, nigga, don't.
Speaker 2 (46:09):
I don't know how.
Speaker 1 (46:11):
Did we get here?
Speaker 5 (46:12):
Are you?
Speaker 3 (46:13):
In that sentence? I just hermano or something he had.
Speaker 1 (46:17):
He trying to speak Spanish.
Speaker 5 (46:19):
Yeah, this guy's off his mind. That's the one thing
is he has no shape. Yeah again, we're going back
to George Santos. He has no shame.
Speaker 3 (46:26):
We're going back. Yeah, Peter Thield, you know it set
her down the line. There is no shame, you know,
involved in these people.
Speaker 4 (46:33):
I'm still on when he literally went to walk Luigi
with the law enforcement, you know, the alleged alleged Luigi.
Speaker 1 (46:45):
Aligi Luigi freedlow my nigga Luigi.
Speaker 4 (46:47):
But just the way he was just involved, I'm like,
why is the mayor of New York involved in this?
Speaker 1 (46:53):
Like what the do you have to do.
Speaker 2 (46:54):
With this my city? That's fine?
Speaker 1 (46:58):
The riddler like you just can't he from that, like
should do anybody else?
Speaker 5 (47:03):
He definitely said to Luigi one to one, He's like,
this is my city. I here like the joker, I'm chaos.
You know, he says, a wild ship today guy one
to one with no microphones on, he's such a I'm chaos, chaos.
Speaker 2 (47:24):
You didn't wanted the movie tonight before?
Speaker 4 (47:29):
We should use that as a as a commercial for
for for whoever you want, but for me, mom, Doddy,
just just all the I mean ship this nigga Adams has.
Speaker 2 (47:37):
Said, we didn't make up ship.
Speaker 4 (47:41):
He said thousands of hours.
Speaker 5 (47:44):
Let's just turned a two years ago, like New York
had that crazy flooding right with the schools or like
school buses were in trouble four.
Speaker 1 (47:52):
Years ago, what about fucking two three weeks ago.
Speaker 5 (47:55):
Yeah, but remember like two years ago when he was like,
if you didn't know the what was gonna get that crazy?
You must have been living under a rock. I'm like, what,
you're a man, it's like crazy. It's like if you
got the diabetes, you shouldn't be eating sugar.
Speaker 4 (48:10):
Like and he said that, And the fact the sad
part is you're not exaggerating.
Speaker 1 (48:15):
That's what That's what sounds like he.
Speaker 5 (48:17):
Has no empathy, has no shame, Like he's a sociopath,
you know.
Speaker 3 (48:23):
To wrap this up, I recently saw a study they
said that a lot of CEOs of big corporations qualify
for all the things that would label somebody's sociopath.
Speaker 2 (48:35):
In real life.
Speaker 5 (48:36):
You have to, I think, in order like in order
to be as cut throat as you need to be,
especially in business, and like I used to be not
even thinking like you don't have to be cutthroat to
be in business, especially entertainmently, it's like giving like everything
any business. You know, the writing stuff with Gordon with
drunk black history and stuff. It's like, oh no, even
people you think you can trust, like will screw you.
Wilburt it's oh yeah in business in general, Like I've
(48:58):
talked to so many people who are like and like
big companies and be like, oh yeah, Like the people
I thought we were gonna be my writer or die like
turned against me. Blah blah blah. I literally saw we
work leadership fall apart and they were like as stick
as thieves and ship. I saw that close and personal.
That was crazy.
Speaker 2 (49:16):
Whoa that ended?
Speaker 3 (49:17):
I mean not ly, you know, like I said, buildia
community of folks, you know what I mean. Don't don't
we focus on this capitalist un you know what I mean. Yeah,
I mean that's very that's the really the biggest problem.
But like I say, people a lot of us too
much want to emulate, you know, this system instead of
getting rid of this system. That's the problem. Like as
(49:38):
much shout out to those brothers who own that clothing line.
This is this is logar. We need more black billionaires
and it's just so like, no, we need no billionaires.
You know, no one ever needs that much money ever
in the story. Yeah, yeah, we need more black community airs.
Speaker 5 (49:57):
This motherfucker don't miss no, he's fucking good.
Speaker 2 (50:00):
That motherfucker, don't miss man, he's good. Put it on
a T shirt, be on me, I might have.
Speaker 1 (50:18):
Hey what's up? Internet's in a fan fam.
Speaker 4 (50:20):
This is Tatiana King for four All Nerds and I
want to thank you so much for listening and watching
The four All Nerds. Make sure you like and subscribe
to us only on YouTube.
Speaker 3 (51:31):
For All Nerds Shows a member of the Loudspeaker's Network,
where we will always say rest in peace to our founder,
combat Jack.
Speaker 1 (51:38):
For All Nerds Shows powered by our listeners.
Speaker 4 (51:41):
Everything we do, from our podcasts, live events, our website
are all independently funded. Please continue to support us through
our Patreon page at patreon dot com.
Speaker 1 (51:50):
Slash for All Nerds
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