August 8, 2025 • 26 mins
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Speaker 1 (00:10):
My Heart podcasts, hear more Gold one on one point
seven podcasts.
Speaker 2 (00:14):
Playlists, and listen live on the free iHeart app on.
Speaker 3 (00:19):
Seas Flow.
Speaker 4 (00:46):
On the cutting room floor today, it's all about smells.
Speaker 1 (00:49):
Smells. We actually when I went to the logis last night,
you get dressed like at lunchtime, so you have to
I needed some deodorant. Obviously, my deodorant had run out,
and the only one I could find was one of
my son's old links. Oh dear, I was chased by
middle aged women all night. Best not I've had in ages.
Speaker 4 (01:08):
At least that away from the other smells.
Speaker 1 (01:12):
If that supposed to be that all the.
Speaker 4 (01:14):
Cans, that's just your four of your car. Sure are
you going to work at Fox Sports now?
Speaker 1 (01:25):
So let's talk about smells. I've got a couple of
stories this morning that are about smells, body chemicals and
the effect they have on us when we're not even
aware of it. This first one, the headline was Women's armpit.
Bo can be relaxing for men. So maybe I shouldn't
have bothered with Deodora last night. All the men in
the room would have been so relaxed.
Speaker 4 (01:41):
That would have been relaxed.
Speaker 1 (01:42):
Research apparently has shown that women's they've known this for
a while, that women's body odor changes throughout your menstrual cycle,
but men find it more appealing around ovulation. That's obvious
as to why, you know, while you're appealing when you're ovulating,
therefore more chances of reproduction. But the chemical cocktail responsible
for turning sweat into this subtle signal remains a mystery
(02:06):
until now. High tech chemical analysis has allowed researchers at
the University of Tokyo to pinpoint three body odor compounds
that fluctuate throughout the menstrual cycle and spike during ovulation.
So those compounds were added to umpit. Sweat samples taken
from women and men constantly rated that centers more pleasing
(02:28):
and match the faces as more attractive therefore and more
feminine when they could smell that particular scent. So when
you get a whiff of those compounds, it relaxes the
male participants reduce their levels of stress compared to the
control group. Okay, what about story number two. It's not
about number two.
Speaker 4 (02:49):
Don't smell that.
Speaker 1 (02:50):
So I saw this the other day. A woman was
talking about a scientific study where there were two groups
who were asked to produce sweat. One group sweated on
a treadmill. They ran on a treadmill and produced sweat.
Another group and which group would you prefer to be
in when skydiving? Both activity produced sweat. So they took
(03:13):
the sweat from both groups exercise sweat, skydiving sweat, and
gave those samples, fed those through you know, not fed them,
but you know what I mean, passed them on to
people who went into an fMRI machine. So this is
a third group who went into it. They didn't know
what they were smelling, and it scans their brain. That's
(03:34):
what that machine does. What happened was when they were
given the smells of the sweat from the people who'd
been on the treadmill, their brains didn't change. When they
got a whiff of the set of the sweat from
the skydivers, that sweat was a fear sweat and it
led to activity in their magdala did he say it?
(03:56):
Magdella the part of the brain that is triggered by fear.
So what this means is that when they smelt fear,
they weren't aware of why it generated their own fear. So,
as they say, here you can smell the chemicals of fear,
and you can catch fear. And the follow up to
this or not this, what this means is you should
(04:18):
always trust your gut. That's what this study was saying,
is that you have an intuition that you're not even
aware of because you're picking up subtle smells, so as
well as facial expressions, body language, all of that. We're
getting these chemicals that are telling us a story and
our bodies are responding to it. So pay attention.
Speaker 4 (04:41):
Yeah, well, all those olfactory senses.
Speaker 2 (04:45):
Michael Hutchins, for example, when that taxi driver punched him
in the head and he cooked his head on the
pavement from the assault, he lost his sense of smell
and taste.
Speaker 1 (04:54):
So he had meningitis and lost his sense.
Speaker 2 (04:56):
He lost his sense of smell and taste, and that
changed his personality because that was you know, he's a
creative person a huge.
Speaker 1 (05:03):
Way that we interact with the world in ways we're
not even aware of. So he lost two senses.
Speaker 2 (05:09):
Yeah, and he did say did he miss tasting women?
Speaker 4 (05:14):
Which I always thought he actually said that that's not me.
Speaker 2 (05:16):
But you know, poor old Hatch, he like, I'm not
saying that that's why he took his own life. But
I feel that he was he was pushing the boundaries
because he was trying to look for what he'd missed
out on.
Speaker 1 (05:29):
Have they said I thought it was death by accidental misadventure.
Speaker 2 (05:33):
I think that's always, you know, because that's a thing.
Erotic asphyxiation is a thing. People get into that.
Speaker 1 (05:39):
Yes, and wanting to push boundaries. If only he could
have smelt someone's biot with us today, if only he
would have relaxed, ovulation.
Speaker 4 (05:48):
Relaxed, if you had the lynx Africa, it.
Speaker 1 (05:53):
All goes back to that.
Speaker 4 (05:54):
It might have might have helped. But instead you've just
got the floor well of your car.
Speaker 1 (06:01):
Everybody, it's.
Speaker 4 (06:06):
On the cutting room floor today. What have we got, Amanda?
Speaker 1 (06:09):
Do you go to Ikea much?
Speaker 4 (06:10):
I haven't been for some time.
Speaker 2 (06:12):
One time my daughter and I went there just for
the meatballs alone. We'll looking for something to eat and
we're driving past an Ikea in Rome said let's get
some meatballs from Ikea.
Speaker 4 (06:21):
Yeah, and then we went throughout the whole shop.
Speaker 1 (06:24):
That's the thing. You can't just walk into the meatball, Partner.
Speaker 4 (06:27):
When you can walk right into the meatball.
Speaker 1 (06:29):
We'll ask for Alan key to serve you.
Speaker 2 (06:31):
So we went through and we bought some cushions and
a few flag We didn't eat them, but those meatballs,
good lord, they are so good.
Speaker 1 (06:40):
The reason I asked is that I've been looking at this.
They've printed here a commentary really on five ways that
IKEA kind of hack psychology. I love this turn browsers
into buyers again and again. So say you want to
go and just for the meatballs. Here's why you get
sucked in.
Speaker 2 (06:58):
Well, and I realized this after i'd been there. You
can get into the back way into our IKEA, but
it's just not really predominant.
Speaker 1 (07:07):
He like to weave you through, don't.
Speaker 2 (07:10):
You've got to go through. That's part of the experience.
They send you on this meandering path.
Speaker 1 (07:13):
That's right. So they call this the endowment effect. IKEA
lets you touch everything. You can sit on chairs, you
can open drawers, you can move a fake lamp a
couple of inches to the left or the right. And
this is because they say here, when you interact with it,
you start to feel like you own it. We're wired
to not let go of what we feel is ours.
Speaker 4 (07:35):
Yeah, okay, yeah, I get that.
Speaker 1 (07:37):
So when you see say an Ikea bathroom. There's a toilet,
you interact with it.
Speaker 4 (07:45):
Excuse me, that's not plumbed in, sir.
Speaker 1 (07:48):
What about this one choice bracketing? So there'll be three
three sofa colors, five lamps. Not overwhelming, but just enough.
IKEA's limited variety model reduces cognitive load, so you think
you're choosing freely, but they're controlling your options. If there
was a whole lot of stuff, you'd feel overwhelmed. Choices
(08:08):
are harder this and if there's only one thing that's different,
there's a few little options that make you feel like
you're in control, but there's few enough that you're not overwhelmed.
Speaker 4 (08:19):
Yeah. I see that when you go to restaurants and
they have too much stuff on the.
Speaker 1 (08:23):
Home menus that have ninety thousand things on, like some
old Italian restaurant that'll have six pages of menu, I think,
how can they possibly have all these fresh ingredients that
they bought at the market.
Speaker 4 (08:34):
It's just passed to Giuseppe, whip it up and make.
Speaker 1 (08:37):
It gee, and you get spit in yours on bed.
Speaker 2 (08:40):
No Giuseppe is my local Italian restaurant, is he? Yeah,
it's got too many items on these thing though.
Speaker 1 (08:46):
What about price lulling? What's that that dollar forty nine
lint roller that's not there to make money. Apparently it's
there to relax your spending resistance. So small winds up
front make you more open to big ticket items later.
So cheap first expensive later. So do you ever feel
(09:07):
like that, it's like breaking the seal. Yeah, if you're
out shopping like my girlfriends and I, or if I'm
overseas and I want for buying something, you think, God,
I've gone all day and through all these shops.
Speaker 4 (09:17):
I've got to buy something.
Speaker 1 (09:17):
I've got to buy something. So if you buy something
small breaks the seal, I can keep going.
Speaker 4 (09:22):
My son did that to me.
Speaker 2 (09:24):
I was he worked at Reese Wreese Plumbing Supplies, and
I went in just to get some silicon, some bathroom silicon,
a tube of it. I was going past Morges's shop
and I went in there. I said, I'll get some
silicon six dollar purchase. But as soon as I bought
that six dollar purchase, you suddenly look around the shop
a little bit.
Speaker 4 (09:40):
I'm chatting to my son, and then there was this.
Speaker 2 (09:43):
Saltwater chlorinador there, and I said, oh, man, look at
the they've come a long way, and he said, yeah,
well they got Well that's on special. It's on sale
right now, and I said, and I said, well, what's
it usually working? He said, well, you usually it's sixteen
hundred dollars and I went, wow, So what's it now?
And he said eight hundred and I.
Speaker 1 (09:57):
Said wow, did you buy it?
Speaker 2 (09:59):
Next minute, I've bought it well similarly, and then I said,
my son got me a discoun and the bus said no,
not really, that's just what it's getting sold for.
Speaker 4 (10:06):
Got your beauty.
Speaker 1 (10:07):
The I went into a friend's florist and she's sent
bits and pieces, flowers, coffee, ob je dar But I
went in and bought some flowers and a coffee, not
expensive purchases at all. But my other friend is with
me said I'm surprised you're not buying that, and I said,
what do you mean? I looked up on the wall.
It's a giant fiberglass rhino head with a light in
(10:28):
its horn. And guess what you bought it? I bought it.
I've had it for years. But I bought that in
a coffee florist's shop. What are the chances?
Speaker 4 (10:38):
Is it expensive?
Speaker 1 (10:39):
Yes? All right? How about this time based control. There's
a reason that it feels like a journey through Ikia.
Ikia's long path slows you down, but the cafeteria break
speeds you up. It's intentional pacing, so they control how
fast you do it when you need a sugar hit,
(10:59):
when you exhausted. They manage your tempo to manage your decisions.
Brillant and finally, assembly as investment. Flat pack furniture isn't
just efficient, is it. It's sticky, meaning the more effort
you put into building it, the more you value the
end product. It says, effort equals ownership equals satisfaction. Even
(11:22):
if the shelf leans, so you feel connected to it
in a way you may not from another piece of furniture,
which means you might be a return customer.
Speaker 2 (11:30):
I'm guessing I remember that when I put my leaning
shelf out on the junk path for council cleanup.
Speaker 1 (11:35):
I like to get a flat pack, take it out
of the bit of my car and put it straightish
I bother building it.
Speaker 5 (11:43):
Hey, hey, everybody, here's some more Jelsey and a man's
curtain room for Hey. Hey, hey, get ready, everybody, here's
some more Josy and a man's curtain room for Hey, Hey, hey.
Speaker 2 (11:55):
Are you ready for on the cutting room floor today?
I like talking about postpartum.
Speaker 1 (12:02):
Do you brandan post part Do you love anything that's Latin?
Speaker 3 (12:06):
Yeap?
Speaker 1 (12:06):
Postpartum means you know past baby? Is that past birth?
Speaker 4 (12:10):
Have you had the baby?
Speaker 1 (12:11):
What does partum actually mean?
Speaker 2 (12:14):
My Latin isn't great, but it means have you had
the baby?
Speaker 4 (12:17):
After something's happened?
Speaker 1 (12:18):
All right? This woman says, here mom's moms, tell me
the most unhinged thing you did freshly postpartum. Not like
I cried a lot a I only WoT pajamas. I'm
talking unhinged and the results are great. Did Helen become unhinged?
Speaker 4 (12:32):
Not on hings.
Speaker 2 (12:33):
She got very emotional though. After our first child was born.
I remember coming home and she's just crying. I said,
what's the matter. And one of the mum's mums group
had bib embrace overalls, denim BIBB embrace overalls and she
said yes. I said yes, And she said I don't
have BIBB embrace overalls. I said, well, we can get
you bibb and brace overalls if you want to wear them.
Speaker 4 (12:54):
You don't have to cry about it. You don't understand.
Speaker 2 (12:59):
If I could get to the shop that sells bib
embrace overalls, I would get them. But it is ten
o'clock at night and we're in a small country town.
Speaker 1 (13:08):
Well, this is a kind of thing that happens. And
these responses to this were terrific. I went outside at
three am and a bathrobe to hit a bush with
a stick because of a frog kept croaking outside my
window and I wanted to sleep. I dreamt I had twins,
said someone. I woke up in a panic because I
couldn't find the other baby. I was looking for fifteen
minutes before I realized only had wine.
Speaker 4 (13:28):
Did you ever get any of this?
Speaker 1 (13:29):
I'm sure I did. I'm sure I did. I had
the kind of paranoia where I had a breathing mat
in the cot, so if Liam kind of wasn't breathing,
it would set off an alarm. I had a temperature gauge,
I had all that frew through stuff, so I didn't
have to rush in every five minutes to see to
put a mirror under his nose to see his breathing.
(13:51):
Because I know I would have been that kind of.
Speaker 4 (13:52):
How one used to worry about that with our eldest
all the time. Is he alive? Is your life? Check going?
Speaker 5 (13:56):
Jack?
Speaker 1 (13:57):
Well, we've got great footage of dressing Liam to take
him home from the hospital. And he was asleep, and
we put eighteen layers of clothes on him, and he
was so tiny. The gloves fell off, the hat fell off,
his hands kept going inside the clothes, and I kept persevering,
and I thought, how many layers do I dressing him?
Who cares? Jack comes along and virtually stick a hose
(14:20):
on him in the backyard, and you're done.
Speaker 4 (14:21):
You're on your own.
Speaker 2 (14:22):
I like this one here, a lady wrote she made
her husband stand in the bathroom holding the baby while
she showered so she could see the baby at all times.
The woman in your life doesn't trust you with the baby.
It's like you've got the baby and I go, will.
Speaker 4 (14:37):
You be all right with them? Yeah, of course I'll
be all right with it. And then they think you're
going to sell it or do something with it.
Speaker 1 (14:42):
Yes, And that's where bad habits begin, because you need
to let your husband know you trust him or else
it's a slave to you. It's a rod to your
own back, this woman said. I kept saying, I was
taking my son to the vet instead of the pediatrician.
This was one I dialed nine on one in a panic.
I saw on the monitor that someone was standing over
my baby's crib in the middle of the night. It
was me. I was standing there.
Speaker 4 (15:03):
So she's looked at that.
Speaker 2 (15:04):
Yeah, because I've got a grandson now and my kids.
Speaker 4 (15:09):
My son, he talks to me like I've never had
a baby in my life.
Speaker 1 (15:12):
But that's the nature.
Speaker 4 (15:13):
You're holding him too tight, Dad is too tight.
Speaker 2 (15:16):
And then they've got this monitor that you could they
can look at the kid anywhere, and you just see
this little baby just in the bed with little little
glowing eyes. Because it's night vision camera, it looks like
with a sasquatch videos, you know, with a film.
Speaker 4 (15:29):
Yeah, that's a sasquatch over there.
Speaker 1 (15:32):
Because I think every generation has new ways of doing things,
or they believe they do. And as the older person brandan,
you have to be shut your neck, I do, and
be respectful that they know best.
Speaker 4 (15:44):
Yeah I do.
Speaker 1 (15:45):
I say this to my mother times since you've had
a baby, Yeah, of course.
Speaker 2 (15:48):
And I say this to my mother because my mother
is one of those people called spade Spade and has
always done that, and I said, Mom, it's not your
business to raise my children like she used to do
this to me. And so her relationship with the grandkids
I don't think as a solid I said, just be
a nana who gives them money and support. Don't tell
(16:09):
them to put on weight. We don't like their neck
tattoo or any of that stuff. It's none of your business.
Speaker 1 (16:13):
Your grandson have a neck tatto he's only six months old,
Well you.
Speaker 4 (16:17):
Get a discout because it's very small.
Speaker 1 (16:19):
And also at that age you want them to put
on weight. About this one. When filling out paperwork in
the hospital, I put my parents' names in the parents
section for my firstborn. Takes a while to get ready,
to get used to the fact that.
Speaker 4 (16:30):
You're the parent, because suddenly you're a parent.
Speaker 1 (16:32):
You're a parent.
Speaker 4 (16:33):
That's exactly what happens.
Speaker 1 (16:34):
It's a parent. You're a parent.
Speaker 4 (16:35):
You know, every generation blames the one before.
Speaker 1 (16:39):
I love Mike and the MCCA.
Speaker 2 (16:40):
That's from the teachings of great Latin philosophers, Mike and
the mccans.
Speaker 1 (16:44):
You could have actually got some overalls from the mechanics.
Speaker 4 (16:47):
These are all good ideas.
Speaker 2 (16:48):
Now on the cutting room floor today, did just see
the story about this guy. He's built a Lego project,
incredibly impressive. He spent two hundred thousand dollars, but it's
cost him, not just financially but personally. He's had two
divorces because of his session with Lego.
Speaker 1 (17:10):
Describe the Lego project. What do you get for two
hundred thousand dollars?
Speaker 2 (17:13):
He's built a replica of the Star Wars Battle of Gionosis.
Speaker 1 (17:17):
Oh my god, what's that?
Speaker 4 (17:18):
It's fifteen foot long and it is amazing.
Speaker 2 (17:23):
It's got the clones being made, it's got everything in there,
and it's all proportionately correct and great.
Speaker 1 (17:30):
So I'm just looking at this story here. Two hundred
thousand dollars. Yep, cost Hume his marriages. Two marriages, Yeah,
two marriages.
Speaker 4 (17:39):
Go on down the drain, because he's love of the
little brick.
Speaker 3 (17:42):
You know what.
Speaker 1 (17:44):
This story isn't real. I've just verified it. What's weird
is that this man has made this Lego project and
it cost him over two hundred thousand dollars. The shock
of this is it hasn't cost him his marriages. I
don't know if he's married, but this is one of
those made up stories. But weirdly, the real part of
(18:04):
it is real. He has spent two hundred thousand dollars
and made what did you call it? The Star Wars?
What is it?
Speaker 4 (18:09):
The Battle of Gionosis?
Speaker 1 (18:11):
Are you disappointed that his marriages haven't ended? I'm shocked
that he might still be in a relationships.
Speaker 4 (18:16):
I looked you, I looked at this story. But he's
got a girl.
Speaker 1 (18:19):
Well, but you know you like train set.
Speaker 4 (18:23):
I love trains.
Speaker 1 (18:23):
If it was a two hundred thousand dollars train set
that was over fifteen feet long, you'd say, how brilliant.
So why is this nerdy?
Speaker 4 (18:30):
And that's not train sets aren't nerdy?
Speaker 1 (18:32):
Oh my god, are you joking?
Speaker 6 (18:34):
You?
Speaker 1 (18:34):
And Rod Stewart, he's obsessed with them.
Speaker 4 (18:37):
He's got a great train set. He was on the
front of Train Modelers Monthly in the Nude.
Speaker 1 (18:44):
It was a very good front.
Speaker 4 (18:45):
I had a great train set. I had a really
good train set.
Speaker 1 (18:48):
And what era did you have it? And what was
it made of?
Speaker 4 (18:51):
I was young. It started off just with a layout,
the flatboard.
Speaker 1 (18:56):
And it was the old school one.
Speaker 2 (18:57):
Yeah, the dad put together for me, and I just
had the trains going around. But then I discovered chicken
wire and plastra.
Speaker 1 (19:03):
Ap paris your love of a diorama?
Speaker 2 (19:05):
Yeah, and it just and I started. I made a
mountain rain, and then I started making.
Speaker 4 (19:10):
More mountain range.
Speaker 2 (19:11):
And then one day Dad said to me, he said,
you've got more mountain range than training. I'd covered the
whole the Alps. There was literally a foot of train
track left. Everything was just And then one of the
Dad's mates came to.
Speaker 4 (19:24):
Look at it.
Speaker 2 (19:24):
He said, that's impressive. But you had no idea what
train's in there? There could be anything.
Speaker 1 (19:27):
Why didn't you make the mountain range beside the train
I had? Why did the train have to be underneath it?
Speaker 2 (19:33):
Because it's in a tunnel and I have the little
tunnel and I didn't extend, then all have.
Speaker 1 (19:38):
To be in the tunnel.
Speaker 4 (19:39):
What are your critic?
Speaker 1 (19:40):
What are you working for? Civil engineering? Big? Civil engineering
got to you.
Speaker 2 (19:45):
I'm moving mountains. I'm putting mountains back on the track.
And then it all ended with my brother and I
had a huge punch up. Every story ends with that,
and we both fell on top of the train seat.
Speaker 4 (19:58):
Dad came into the rood and to separate us, and.
Speaker 2 (20:00):
He said it looked like Godzilla.
Speaker 4 (20:04):
And some other Japanese king con.
Speaker 2 (20:09):
Sling each other on this giant train layout, and and
next it was out on the junk pile.
Speaker 1 (20:13):
That would have been quite painful landing on that chicken wire.
Speaker 4 (20:16):
And the plaster for powers.
Speaker 1 (20:17):
Well, for my brother it was yeah, it was what
a flex to tell us that you won. I once
made he wrecked the training set. I once made a
a thing for art at school. You know the King
of Id that soon character.
Speaker 4 (20:31):
The King is a think.
Speaker 1 (20:32):
I made a replica. It was so lifelike. It was
frightening of the King of Id, And so I made
him chicken wire. I'm never good at craft. I don't
like craft. You could have used to big a orchy
bottle for those I wasn't smoking a bomb.
Speaker 4 (20:49):
He used a smaller orchi bottle for that.
Speaker 1 (20:51):
It was this big. Look what I'm doing my hands?
How big is that?
Speaker 4 (20:53):
That's from the table or no, not from the ground.
Speaker 1 (20:57):
From the It wasn't like it wasn't the size of me.
It's how big is that? I?
Speaker 4 (21:04):
Okay, from the bench right about two and a half.
Speaker 1 (21:07):
Yeah, So it was big, and so chicken wire, paper
mache and for his hair, strands of yellow wool made
the crown everything, handed it in for school, came home.
It's the way I remember it. It wasn't long after
came home from school. We had to skip out the
front of our house, and that was right at the
(21:27):
top of it. MoMA chucked it out. She was very
non sentimental with those.
Speaker 4 (21:32):
That was my year twelve, major work, pretty much pretty much,
and it's out on the skipp Did anyone take it?
Speaker 1 (21:40):
A in those days, no one stole from your skip
b Who would take that?
Speaker 2 (21:44):
And then you went to university and broke out the
smaller orchy bottle.
Speaker 6 (21:51):
It sells you. It sells on.
Speaker 4 (22:09):
The cutting room floor.
Speaker 2 (22:10):
If you want to stop something, you can't complain about
it because the more you complain about.
Speaker 4 (22:14):
It, it will keep self perpetuating.
Speaker 1 (22:17):
Isn't that the barber streisand.
Speaker 4 (22:18):
Effect the bart How does this go?
Speaker 1 (22:22):
She complained, I think about she has a cliff frontage
in Malibu. She was complaining about something.
Speaker 4 (22:29):
I think it was her bush. There was too much
bush around the area and the bush had to be cleared.
Speaker 1 (22:35):
Something happened and she complained about it.
Speaker 4 (22:36):
I was going to catch fire that bush.
Speaker 1 (22:38):
No one would have known that she had this cliff
front abode until she spoke about it, and then everyone
kind of knew the privileged positions it watches Barbar Streisan
put a backfired on her.
Speaker 4 (22:49):
Somehow lived in a little firebrow house.
Speaker 1 (22:51):
No, but if you complain about something and you're a
giant richie, you have to be very careful because it
can backfire.
Speaker 4 (22:57):
Yeah, are you taking notes, Sarahmanda am I Brandon?
Speaker 1 (23:00):
I know why you're talking about this is don't complain
because it's going to happen again and again and again.
They actually the Royals have this saying, never complain, never explain. Yeah,
so royal pain.
Speaker 2 (23:11):
Dave Groll from the Food Fighters people throw mentos up
on the stage. I've forgotten why, but he hates it
and he goes, I'm going to I'm gonna kick your ass.
Speaker 1 (23:19):
If only they thrown condom. Well, what's been happening in
the WNBA? So, for those of you who don't know,
this is the women's basketball league in the States. Someone
threw something onto the court and I'll tell you what
it is in a minute, and that has now become viral.
Someone threw a sex toy, a bright green, iridescent green
(23:42):
sex toy, and so that has gone the idea of
this has gone viral three times now over the past week.
A WNBA game has been brought to a halt because
the sex toy has been launched from the stands. So
the first time it happened, the scores were tied up
between two teams, the Atlanta Dream and the Golden State Valkyries,
(24:05):
dying stages of this contest, scores tied up. As I said,
little under a minute left on the clock, hugely tense.
This object comes flying onto the court, narrowly avoiding the players.
It was a bright green sex toy, and so security
stepped in arrested a fan who was charged with this
orderly conduct, public indecency in Disney exposure, and criminal trespass.
(24:27):
So they're quite serious charge. It is for just throwing
a sexual projectile. So in the wake of this, the
an Indiana Fever star player Sophie Cunningham took to X
to plead with fans to stop it. She said, stop
throwing dildos on the court. You go to hurt one
of us. That's a sentence you don't ever dream. You'll
have to.
Speaker 4 (24:46):
Post imagine not unlone if it just hits you. But
if you rolled your ankle on it.
Speaker 1 (24:51):
What that insurance claim? How's that going to look? But
what's happened is that spurred on more attacks aimed at her.
She has found herself on the receiving end of a
sex toy strike. So this object came flying towards her
and so she then took to social media to say,
it didn't hit me. I knew I shouldn't have tweeted it.
And at the same time in Brooklyn, a fourth sex
(25:12):
toy was thrown. But how embarrassing for the person's throwing.
It didn't reach the court. It hit another fan in
the back of the head in the front row. So
this is actually we're talking about it.
Speaker 3 (25:22):
Now.
Speaker 1 (25:22):
Social media has gone into a frenzy clips and memes
of floating people's timelines. So all the security in the
world can't stop this craziness. And the players are saying
just stop. Barbro Streis and says, don't throw it in
my bullsh No, no one knows why, well, just someone
doing it. And then in this world of social media,
(25:44):
it happened again and again and again. Why didn't someone
throw a dictionary somewhere once? In social media there's a
book of words. People enjoy it
Speaker 4 (26:01):
For some more jaun zy and Don manus Ho
My Heart podcasts, hear more Gold one on one point
seven podcasts.
Speaker 2 (00:14):
Playlists, and listen live on the free iHeart app on.
Speaker 3 (00:19):
Seas Flow.
Speaker 4 (00:46):
On the cutting room floor today, it's all about smells.
Speaker 1 (00:49):
Smells. We actually when I went to the logis last night,
you get dressed like at lunchtime, so you have to
I needed some deodorant. Obviously, my deodorant had run out,
and the only one I could find was one of
my son's old links. Oh dear, I was chased by
middle aged women all night. Best not I've had in ages.
Speaker 4 (01:08):
At least that away from the other smells.
Speaker 1 (01:12):
If that supposed to be that all the.
Speaker 4 (01:14):
Cans, that's just your four of your car. Sure are
you going to work at Fox Sports now?
Speaker 1 (01:25):
So let's talk about smells. I've got a couple of
stories this morning that are about smells, body chemicals and
the effect they have on us when we're not even
aware of it. This first one, the headline was Women's armpit.
Bo can be relaxing for men. So maybe I shouldn't
have bothered with Deodora last night. All the men in
the room would have been so relaxed.
Speaker 4 (01:41):
That would have been relaxed.
Speaker 1 (01:42):
Research apparently has shown that women's they've known this for
a while, that women's body odor changes throughout your menstrual cycle,
but men find it more appealing around ovulation. That's obvious
as to why, you know, while you're appealing when you're ovulating,
therefore more chances of reproduction. But the chemical cocktail responsible
for turning sweat into this subtle signal remains a mystery
(02:06):
until now. High tech chemical analysis has allowed researchers at
the University of Tokyo to pinpoint three body odor compounds
that fluctuate throughout the menstrual cycle and spike during ovulation.
So those compounds were added to umpit. Sweat samples taken
from women and men constantly rated that centers more pleasing
(02:28):
and match the faces as more attractive therefore and more
feminine when they could smell that particular scent. So when
you get a whiff of those compounds, it relaxes the
male participants reduce their levels of stress compared to the
control group. Okay, what about story number two. It's not
about number two.
Speaker 4 (02:49):
Don't smell that.
Speaker 1 (02:50):
So I saw this the other day. A woman was
talking about a scientific study where there were two groups
who were asked to produce sweat. One group sweated on
a treadmill. They ran on a treadmill and produced sweat.
Another group and which group would you prefer to be
in when skydiving? Both activity produced sweat. So they took
(03:13):
the sweat from both groups exercise sweat, skydiving sweat, and
gave those samples, fed those through you know, not fed them,
but you know what I mean, passed them on to
people who went into an fMRI machine. So this is
a third group who went into it. They didn't know
what they were smelling, and it scans their brain. That's
(03:34):
what that machine does. What happened was when they were
given the smells of the sweat from the people who'd
been on the treadmill, their brains didn't change. When they
got a whiff of the set of the sweat from
the skydivers, that sweat was a fear sweat and it
led to activity in their magdala did he say it?
(03:56):
Magdella the part of the brain that is triggered by fear.
So what this means is that when they smelt fear,
they weren't aware of why it generated their own fear. So,
as they say, here you can smell the chemicals of fear,
and you can catch fear. And the follow up to
this or not this, what this means is you should
(04:18):
always trust your gut. That's what this study was saying,
is that you have an intuition that you're not even
aware of because you're picking up subtle smells, so as
well as facial expressions, body language, all of that. We're
getting these chemicals that are telling us a story and
our bodies are responding to it. So pay attention.
Speaker 4 (04:41):
Yeah, well, all those olfactory senses.
Speaker 2 (04:45):
Michael Hutchins, for example, when that taxi driver punched him
in the head and he cooked his head on the
pavement from the assault, he lost his sense of smell
and taste.
Speaker 1 (04:54):
So he had meningitis and lost his sense.
Speaker 2 (04:56):
He lost his sense of smell and taste, and that
changed his personality because that was you know, he's a
creative person a huge.
Speaker 1 (05:03):
Way that we interact with the world in ways we're
not even aware of. So he lost two senses.
Speaker 2 (05:09):
Yeah, and he did say did he miss tasting women?
Speaker 4 (05:14):
Which I always thought he actually said that that's not me.
Speaker 2 (05:16):
But you know, poor old Hatch, he like, I'm not
saying that that's why he took his own life. But
I feel that he was he was pushing the boundaries
because he was trying to look for what he'd missed
out on.
Speaker 1 (05:29):
Have they said I thought it was death by accidental misadventure.
Speaker 2 (05:33):
I think that's always, you know, because that's a thing.
Erotic asphyxiation is a thing. People get into that.
Speaker 1 (05:39):
Yes, and wanting to push boundaries. If only he could
have smelt someone's biot with us today, if only he
would have relaxed, ovulation.
Speaker 4 (05:48):
Relaxed, if you had the lynx Africa, it.
Speaker 1 (05:53):
All goes back to that.
Speaker 4 (05:54):
It might have might have helped. But instead you've just
got the floor well of your car.
Speaker 1 (06:01):
Everybody, it's.
Speaker 4 (06:06):
On the cutting room floor today. What have we got, Amanda?
Speaker 1 (06:09):
Do you go to Ikea much?
Speaker 4 (06:10):
I haven't been for some time.
Speaker 2 (06:12):
One time my daughter and I went there just for
the meatballs alone. We'll looking for something to eat and
we're driving past an Ikea in Rome said let's get
some meatballs from Ikea.
Speaker 4 (06:21):
Yeah, and then we went throughout the whole shop.
Speaker 1 (06:24):
That's the thing. You can't just walk into the meatball, Partner.
Speaker 4 (06:27):
When you can walk right into the meatball.
Speaker 1 (06:29):
We'll ask for Alan key to serve you.
Speaker 2 (06:31):
So we went through and we bought some cushions and
a few flag We didn't eat them, but those meatballs,
good lord, they are so good.
Speaker 1 (06:40):
The reason I asked is that I've been looking at this.
They've printed here a commentary really on five ways that
IKEA kind of hack psychology. I love this turn browsers
into buyers again and again. So say you want to
go and just for the meatballs. Here's why you get
sucked in.
Speaker 2 (06:58):
Well, and I realized this after i'd been there. You
can get into the back way into our IKEA, but
it's just not really predominant.
Speaker 1 (07:07):
He like to weave you through, don't.
Speaker 2 (07:10):
You've got to go through. That's part of the experience.
They send you on this meandering path.
Speaker 1 (07:13):
That's right. So they call this the endowment effect. IKEA
lets you touch everything. You can sit on chairs, you
can open drawers, you can move a fake lamp a
couple of inches to the left or the right. And
this is because they say here, when you interact with it,
you start to feel like you own it. We're wired
to not let go of what we feel is ours.
Speaker 4 (07:35):
Yeah, okay, yeah, I get that.
Speaker 1 (07:37):
So when you see say an Ikea bathroom. There's a toilet,
you interact with it.
Speaker 4 (07:45):
Excuse me, that's not plumbed in, sir.
Speaker 1 (07:48):
What about this one choice bracketing? So there'll be three
three sofa colors, five lamps. Not overwhelming, but just enough.
IKEA's limited variety model reduces cognitive load, so you think
you're choosing freely, but they're controlling your options. If there
was a whole lot of stuff, you'd feel overwhelmed. Choices
(08:08):
are harder this and if there's only one thing that's different,
there's a few little options that make you feel like
you're in control, but there's few enough that you're not overwhelmed.
Speaker 4 (08:19):
Yeah. I see that when you go to restaurants and
they have too much stuff on the.
Speaker 1 (08:23):
Home menus that have ninety thousand things on, like some
old Italian restaurant that'll have six pages of menu, I think,
how can they possibly have all these fresh ingredients that
they bought at the market.
Speaker 4 (08:34):
It's just passed to Giuseppe, whip it up and make.
Speaker 1 (08:37):
It gee, and you get spit in yours on bed.
Speaker 2 (08:40):
No Giuseppe is my local Italian restaurant, is he? Yeah,
it's got too many items on these thing though.
Speaker 1 (08:46):
What about price lulling? What's that that dollar forty nine
lint roller that's not there to make money. Apparently it's
there to relax your spending resistance. So small winds up
front make you more open to big ticket items later.
So cheap first expensive later. So do you ever feel
(09:07):
like that, it's like breaking the seal. Yeah, if you're
out shopping like my girlfriends and I, or if I'm
overseas and I want for buying something, you think, God,
I've gone all day and through all these shops.
Speaker 4 (09:17):
I've got to buy something.
Speaker 1 (09:17):
I've got to buy something. So if you buy something
small breaks the seal, I can keep going.
Speaker 4 (09:22):
My son did that to me.
Speaker 2 (09:24):
I was he worked at Reese Wreese Plumbing Supplies, and
I went in just to get some silicon, some bathroom silicon,
a tube of it. I was going past Morges's shop
and I went in there. I said, I'll get some
silicon six dollar purchase. But as soon as I bought
that six dollar purchase, you suddenly look around the shop
a little bit.
Speaker 4 (09:40):
I'm chatting to my son, and then there was this.
Speaker 2 (09:43):
Saltwater chlorinador there, and I said, oh, man, look at
the they've come a long way, and he said, yeah,
well they got Well that's on special. It's on sale
right now, and I said, and I said, well, what's
it usually working? He said, well, you usually it's sixteen
hundred dollars and I went, wow, So what's it now?
And he said eight hundred and I.
Speaker 1 (09:57):
Said wow, did you buy it?
Speaker 2 (09:59):
Next minute, I've bought it well similarly, and then I said,
my son got me a discoun and the bus said no,
not really, that's just what it's getting sold for.
Speaker 4 (10:06):
Got your beauty.
Speaker 1 (10:07):
The I went into a friend's florist and she's sent
bits and pieces, flowers, coffee, ob je dar But I
went in and bought some flowers and a coffee, not
expensive purchases at all. But my other friend is with
me said I'm surprised you're not buying that, and I said,
what do you mean? I looked up on the wall.
It's a giant fiberglass rhino head with a light in
(10:28):
its horn. And guess what you bought it? I bought it.
I've had it for years. But I bought that in
a coffee florist's shop. What are the chances?
Speaker 4 (10:38):
Is it expensive?
Speaker 1 (10:39):
Yes? All right? How about this time based control. There's
a reason that it feels like a journey through Ikia.
Ikia's long path slows you down, but the cafeteria break
speeds you up. It's intentional pacing, so they control how
fast you do it when you need a sugar hit,
(10:59):
when you exhausted. They manage your tempo to manage your decisions.
Brillant and finally, assembly as investment. Flat pack furniture isn't
just efficient, is it. It's sticky, meaning the more effort
you put into building it, the more you value the
end product. It says, effort equals ownership equals satisfaction. Even
(11:22):
if the shelf leans, so you feel connected to it
in a way you may not from another piece of furniture,
which means you might be a return customer.
Speaker 2 (11:30):
I'm guessing I remember that when I put my leaning
shelf out on the junk path for council cleanup.
Speaker 1 (11:35):
I like to get a flat pack, take it out
of the bit of my car and put it straightish
I bother building it.
Speaker 5 (11:43):
Hey, hey, everybody, here's some more Jelsey and a man's
curtain room for Hey. Hey, hey, get ready, everybody, here's
some more Josy and a man's curtain room for Hey, Hey, hey.
Speaker 2 (11:55):
Are you ready for on the cutting room floor today?
I like talking about postpartum.
Speaker 1 (12:02):
Do you brandan post part Do you love anything that's Latin?
Speaker 3 (12:06):
Yeap?
Speaker 1 (12:06):
Postpartum means you know past baby? Is that past birth?
Speaker 4 (12:10):
Have you had the baby?
Speaker 1 (12:11):
What does partum actually mean?
Speaker 2 (12:14):
My Latin isn't great, but it means have you had
the baby?
Speaker 4 (12:17):
After something's happened?
Speaker 1 (12:18):
All right? This woman says, here mom's moms, tell me
the most unhinged thing you did freshly postpartum. Not like
I cried a lot a I only WoT pajamas. I'm
talking unhinged and the results are great. Did Helen become unhinged?
Speaker 4 (12:32):
Not on hings.
Speaker 2 (12:33):
She got very emotional though. After our first child was born.
I remember coming home and she's just crying. I said,
what's the matter. And one of the mum's mums group
had bib embrace overalls, denim BIBB embrace overalls and she
said yes. I said yes, And she said I don't
have BIBB embrace overalls. I said, well, we can get
you bibb and brace overalls if you want to wear them.
Speaker 4 (12:54):
You don't have to cry about it. You don't understand.
Speaker 2 (12:59):
If I could get to the shop that sells bib
embrace overalls, I would get them. But it is ten
o'clock at night and we're in a small country town.
Speaker 1 (13:08):
Well, this is a kind of thing that happens. And
these responses to this were terrific. I went outside at
three am and a bathrobe to hit a bush with
a stick because of a frog kept croaking outside my
window and I wanted to sleep. I dreamt I had twins,
said someone. I woke up in a panic because I
couldn't find the other baby. I was looking for fifteen
minutes before I realized only had wine.
Speaker 4 (13:28):
Did you ever get any of this?
Speaker 1 (13:29):
I'm sure I did. I'm sure I did. I had
the kind of paranoia where I had a breathing mat
in the cot, so if Liam kind of wasn't breathing,
it would set off an alarm. I had a temperature gauge,
I had all that frew through stuff, so I didn't
have to rush in every five minutes to see to
put a mirror under his nose to see his breathing.
(13:51):
Because I know I would have been that kind of.
Speaker 4 (13:52):
How one used to worry about that with our eldest
all the time. Is he alive? Is your life? Check going?
Speaker 5 (13:56):
Jack?
Speaker 1 (13:57):
Well, we've got great footage of dressing Liam to take
him home from the hospital. And he was asleep, and
we put eighteen layers of clothes on him, and he
was so tiny. The gloves fell off, the hat fell off,
his hands kept going inside the clothes, and I kept persevering,
and I thought, how many layers do I dressing him?
Who cares? Jack comes along and virtually stick a hose
(14:20):
on him in the backyard, and you're done.
Speaker 4 (14:21):
You're on your own.
Speaker 2 (14:22):
I like this one here, a lady wrote she made
her husband stand in the bathroom holding the baby while
she showered so she could see the baby at all times.
The woman in your life doesn't trust you with the baby.
It's like you've got the baby and I go, will.
Speaker 4 (14:37):
You be all right with them? Yeah, of course I'll
be all right with it. And then they think you're
going to sell it or do something with it.
Speaker 1 (14:42):
Yes, And that's where bad habits begin, because you need
to let your husband know you trust him or else
it's a slave to you. It's a rod to your
own back, this woman said. I kept saying, I was
taking my son to the vet instead of the pediatrician.
This was one I dialed nine on one in a panic.
I saw on the monitor that someone was standing over
my baby's crib in the middle of the night. It
was me. I was standing there.
Speaker 4 (15:03):
So she's looked at that.
Speaker 2 (15:04):
Yeah, because I've got a grandson now and my kids.
Speaker 4 (15:09):
My son, he talks to me like I've never had
a baby in my life.
Speaker 1 (15:12):
But that's the nature.
Speaker 4 (15:13):
You're holding him too tight, Dad is too tight.
Speaker 2 (15:16):
And then they've got this monitor that you could they
can look at the kid anywhere, and you just see
this little baby just in the bed with little little
glowing eyes. Because it's night vision camera, it looks like
with a sasquatch videos, you know, with a film.
Speaker 4 (15:29):
Yeah, that's a sasquatch over there.
Speaker 1 (15:32):
Because I think every generation has new ways of doing things,
or they believe they do. And as the older person brandan,
you have to be shut your neck, I do, and
be respectful that they know best.
Speaker 4 (15:44):
Yeah I do.
Speaker 1 (15:45):
I say this to my mother times since you've had
a baby, Yeah, of course.
Speaker 2 (15:48):
And I say this to my mother because my mother
is one of those people called spade Spade and has
always done that, and I said, Mom, it's not your
business to raise my children like she used to do
this to me. And so her relationship with the grandkids
I don't think as a solid I said, just be
a nana who gives them money and support. Don't tell
(16:09):
them to put on weight. We don't like their neck
tattoo or any of that stuff. It's none of your business.
Speaker 1 (16:13):
Your grandson have a neck tatto he's only six months old,
Well you.
Speaker 4 (16:17):
Get a discout because it's very small.
Speaker 1 (16:19):
And also at that age you want them to put
on weight. About this one. When filling out paperwork in
the hospital, I put my parents' names in the parents
section for my firstborn. Takes a while to get ready,
to get used to the fact that.
Speaker 4 (16:30):
You're the parent, because suddenly you're a parent.
Speaker 1 (16:32):
You're a parent.
Speaker 4 (16:33):
That's exactly what happens.
Speaker 1 (16:34):
It's a parent. You're a parent.
Speaker 4 (16:35):
You know, every generation blames the one before.
Speaker 1 (16:39):
I love Mike and the MCCA.
Speaker 2 (16:40):
That's from the teachings of great Latin philosophers, Mike and
the mccans.
Speaker 1 (16:44):
You could have actually got some overalls from the mechanics.
Speaker 4 (16:47):
These are all good ideas.
Speaker 2 (16:48):
Now on the cutting room floor today, did just see
the story about this guy. He's built a Lego project,
incredibly impressive. He spent two hundred thousand dollars, but it's
cost him, not just financially but personally. He's had two
divorces because of his session with Lego.
Speaker 1 (17:10):
Describe the Lego project. What do you get for two
hundred thousand dollars?
Speaker 2 (17:13):
He's built a replica of the Star Wars Battle of Gionosis.
Speaker 1 (17:17):
Oh my god, what's that?
Speaker 4 (17:18):
It's fifteen foot long and it is amazing.
Speaker 2 (17:23):
It's got the clones being made, it's got everything in there,
and it's all proportionately correct and great.
Speaker 1 (17:30):
So I'm just looking at this story here. Two hundred
thousand dollars. Yep, cost Hume his marriages. Two marriages, Yeah,
two marriages.
Speaker 4 (17:39):
Go on down the drain, because he's love of the
little brick.
Speaker 3 (17:42):
You know what.
Speaker 1 (17:44):
This story isn't real. I've just verified it. What's weird
is that this man has made this Lego project and
it cost him over two hundred thousand dollars. The shock
of this is it hasn't cost him his marriages. I
don't know if he's married, but this is one of
those made up stories. But weirdly, the real part of
(18:04):
it is real. He has spent two hundred thousand dollars
and made what did you call it? The Star Wars?
What is it?
Speaker 4 (18:09):
The Battle of Gionosis?
Speaker 1 (18:11):
Are you disappointed that his marriages haven't ended? I'm shocked
that he might still be in a relationships.
Speaker 4 (18:16):
I looked you, I looked at this story. But he's
got a girl.
Speaker 1 (18:19):
Well, but you know you like train set.
Speaker 4 (18:23):
I love trains.
Speaker 1 (18:23):
If it was a two hundred thousand dollars train set
that was over fifteen feet long, you'd say, how brilliant.
So why is this nerdy?
Speaker 4 (18:30):
And that's not train sets aren't nerdy?
Speaker 1 (18:32):
Oh my god, are you joking?
Speaker 6 (18:34):
You?
Speaker 1 (18:34):
And Rod Stewart, he's obsessed with them.
Speaker 4 (18:37):
He's got a great train set. He was on the
front of Train Modelers Monthly in the Nude.
Speaker 1 (18:44):
It was a very good front.
Speaker 4 (18:45):
I had a great train set. I had a really
good train set.
Speaker 1 (18:48):
And what era did you have it? And what was
it made of?
Speaker 4 (18:51):
I was young. It started off just with a layout,
the flatboard.
Speaker 1 (18:56):
And it was the old school one.
Speaker 2 (18:57):
Yeah, the dad put together for me, and I just
had the trains going around. But then I discovered chicken
wire and plastra.
Speaker 1 (19:03):
Ap paris your love of a diorama?
Speaker 2 (19:05):
Yeah, and it just and I started. I made a
mountain rain, and then I started making.
Speaker 4 (19:10):
More mountain range.
Speaker 2 (19:11):
And then one day Dad said to me, he said,
you've got more mountain range than training. I'd covered the
whole the Alps. There was literally a foot of train
track left. Everything was just And then one of the
Dad's mates came to.
Speaker 4 (19:24):
Look at it.
Speaker 2 (19:24):
He said, that's impressive. But you had no idea what
train's in there? There could be anything.
Speaker 1 (19:27):
Why didn't you make the mountain range beside the train
I had? Why did the train have to be underneath it?
Speaker 2 (19:33):
Because it's in a tunnel and I have the little
tunnel and I didn't extend, then all have.
Speaker 1 (19:38):
To be in the tunnel.
Speaker 4 (19:39):
What are your critic?
Speaker 1 (19:40):
What are you working for? Civil engineering? Big? Civil engineering
got to you.
Speaker 2 (19:45):
I'm moving mountains. I'm putting mountains back on the track.
And then it all ended with my brother and I
had a huge punch up. Every story ends with that,
and we both fell on top of the train seat.
Speaker 4 (19:58):
Dad came into the rood and to separate us, and.
Speaker 2 (20:00):
He said it looked like Godzilla.
Speaker 4 (20:04):
And some other Japanese king con.
Speaker 2 (20:09):
Sling each other on this giant train layout, and and
next it was out on the junk pile.
Speaker 1 (20:13):
That would have been quite painful landing on that chicken wire.
Speaker 4 (20:16):
And the plaster for powers.
Speaker 1 (20:17):
Well, for my brother it was yeah, it was what
a flex to tell us that you won. I once
made he wrecked the training set. I once made a
a thing for art at school. You know the King
of Id that soon character.
Speaker 4 (20:31):
The King is a think.
Speaker 1 (20:32):
I made a replica. It was so lifelike. It was
frightening of the King of Id, And so I made
him chicken wire. I'm never good at craft. I don't
like craft. You could have used to big a orchy
bottle for those I wasn't smoking a bomb.
Speaker 4 (20:49):
He used a smaller orchi bottle for that.
Speaker 1 (20:51):
It was this big. Look what I'm doing my hands?
How big is that?
Speaker 4 (20:53):
That's from the table or no, not from the ground.
Speaker 1 (20:57):
From the It wasn't like it wasn't the size of me.
It's how big is that? I?
Speaker 4 (21:04):
Okay, from the bench right about two and a half.
Speaker 1 (21:07):
Yeah, So it was big, and so chicken wire, paper
mache and for his hair, strands of yellow wool made
the crown everything, handed it in for school, came home.
It's the way I remember it. It wasn't long after
came home from school. We had to skip out the
front of our house, and that was right at the
(21:27):
top of it. MoMA chucked it out. She was very
non sentimental with those.
Speaker 4 (21:32):
That was my year twelve, major work, pretty much pretty much,
and it's out on the skipp Did anyone take it?
Speaker 1 (21:40):
A in those days, no one stole from your skip
b Who would take that?
Speaker 2 (21:44):
And then you went to university and broke out the
smaller orchy bottle.
Speaker 6 (21:51):
It sells you. It sells on.
Speaker 4 (22:09):
The cutting room floor.
Speaker 2 (22:10):
If you want to stop something, you can't complain about
it because the more you complain about.
Speaker 4 (22:14):
It, it will keep self perpetuating.
Speaker 1 (22:17):
Isn't that the barber streisand.
Speaker 4 (22:18):
Effect the bart How does this go?
Speaker 1 (22:22):
She complained, I think about she has a cliff frontage
in Malibu. She was complaining about something.
Speaker 4 (22:29):
I think it was her bush. There was too much
bush around the area and the bush had to be cleared.
Speaker 1 (22:35):
Something happened and she complained about it.
Speaker 4 (22:36):
I was going to catch fire that bush.
Speaker 1 (22:38):
No one would have known that she had this cliff
front abode until she spoke about it, and then everyone
kind of knew the privileged positions it watches Barbar Streisan
put a backfired on her.
Speaker 4 (22:49):
Somehow lived in a little firebrow house.
Speaker 1 (22:51):
No, but if you complain about something and you're a
giant richie, you have to be very careful because it
can backfire.
Speaker 4 (22:57):
Yeah, are you taking notes, Sarahmanda am I Brandon?
Speaker 1 (23:00):
I know why you're talking about this is don't complain
because it's going to happen again and again and again.
They actually the Royals have this saying, never complain, never explain. Yeah,
so royal pain.
Speaker 2 (23:11):
Dave Groll from the Food Fighters people throw mentos up
on the stage. I've forgotten why, but he hates it
and he goes, I'm going to I'm gonna kick your ass.
Speaker 1 (23:19):
If only they thrown condom. Well, what's been happening in
the WNBA? So, for those of you who don't know,
this is the women's basketball league in the States. Someone
threw something onto the court and I'll tell you what
it is in a minute, and that has now become viral.
Someone threw a sex toy, a bright green, iridescent green
(23:42):
sex toy, and so that has gone the idea of
this has gone viral three times now over the past week.
A WNBA game has been brought to a halt because
the sex toy has been launched from the stands. So
the first time it happened, the scores were tied up
between two teams, the Atlanta Dream and the Golden State Valkyries,
(24:05):
dying stages of this contest, scores tied up. As I said,
little under a minute left on the clock, hugely tense.
This object comes flying onto the court, narrowly avoiding the players.
It was a bright green sex toy, and so security
stepped in arrested a fan who was charged with this
orderly conduct, public indecency in Disney exposure, and criminal trespass.
(24:27):
So they're quite serious charge. It is for just throwing
a sexual projectile. So in the wake of this, the
an Indiana Fever star player Sophie Cunningham took to X
to plead with fans to stop it. She said, stop
throwing dildos on the court. You go to hurt one
of us. That's a sentence you don't ever dream. You'll
have to.
Speaker 4 (24:46):
Post imagine not unlone if it just hits you. But
if you rolled your ankle on it.
Speaker 1 (24:51):
What that insurance claim? How's that going to look? But
what's happened is that spurred on more attacks aimed at her.
She has found herself on the receiving end of a
sex toy strike. So this object came flying towards her
and so she then took to social media to say,
it didn't hit me. I knew I shouldn't have tweeted it.
And at the same time in Brooklyn, a fourth sex
(25:12):
toy was thrown. But how embarrassing for the person's throwing.
It didn't reach the court. It hit another fan in
the back of the head in the front row. So
this is actually we're talking about it.
Speaker 3 (25:22):
Now.
Speaker 1 (25:22):
Social media has gone into a frenzy clips and memes
of floating people's timelines. So all the security in the
world can't stop this craziness. And the players are saying
just stop. Barbro Streis and says, don't throw it in
my bullsh No, no one knows why, well, just someone
doing it. And then in this world of social media,
(25:44):
it happened again and again and again. Why didn't someone
throw a dictionary somewhere once? In social media there's a
book of words. People enjoy it
Speaker 4 (26:01):
For some more jaun zy and Don manus Ho
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