October 2, 2025 • 5 mins
We were lucky enough to chat to Margot Robbie and Diego Calva!
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Jersey and Amanda jam Nys.
Speaker 2 (00:03):
Pump Up the Jam.
Speaker 1 (00:04):
Twenty years of Jonesy Diamandra's on sale now through book Tapia.
Deets are on our website. What about Margo Robbie.
Speaker 3 (00:10):
We have interviewed her throughout the years, from her first
Hollywood movies to the giant superstardom that she encompasses now.
And every single time, Brendan, you're obsessed with buying her
a present.
Speaker 2 (00:22):
I like to get her a little gift Thatcher, that's all.
Speaker 3 (00:25):
Who doesn't like one of those?
Speaker 4 (00:26):
You know what?
Speaker 2 (00:27):
It wouldn't kill her to give me a gift?
Speaker 4 (00:28):
Thatcher with you?
Speaker 1 (00:30):
And here we are, Diego Margo, how are you? Congratulations
on the movie? First things first, Diego Margo. Amanda and
I have a bit of a relationship in the past.
So some time ago, we brought you a Bunnings vaucher,
remember that when the it on year because it was
all Oscar bars, and I said to build a shelf
so you can put your oscar and that didn't manifest,
(00:52):
So then we got a BWS boucher to drown her sorrows.
But then watching this particular movie, there's a lot of
lot going on in that movie like you you cry
on queue, you throw up on que. There's a I
don't want to be spoiler alert. He there's a snake thing.
So I have man and I chipped in. We got
your chemist Warehouse gift card.
Speaker 3 (01:12):
I don't know if the anti venine is in our
four five.
Speaker 1 (01:15):
But also we should give Diego something. Course it's down
here and this is for you and my friend Australian
delicacy because he had his little face.
Speaker 2 (01:24):
This is this. You've heard me talk about a lot
off like little rings, little.
Speaker 1 (01:33):
Rings, like an engagement in Australia.
Speaker 2 (01:34):
Be careful be sharing those with me after this. Thank
you for the audition.
Speaker 3 (01:41):
Was was unusual in that it was in the director's backyard. Diego,
you get flown to l A. The picture of the
two of you in someone's backyard. I imagine you're playing
totem tennis or picking up the dog poose. But there
was some incredible chemistry that went on that day. It
wasn't there.
Speaker 2 (01:55):
Yeah, it was amazing, didn't you tell it.
Speaker 4 (01:58):
I like to see that. I owned being cast in
this movie to Margot because it was my first time
in LA, my first time working with superstars, meeting them
and chasel and everything, and I don't know. We've been
trying to explain what happened, but I guess when something
is meant to be is meant to be. Absolutely.
Speaker 3 (02:15):
The film tells the story of early Hollywood and the
transition into talkies and how not everyone survives that transition,
but it's also the debauch raucous life that so many
people in Hollywood were living. That opening scene of that
incredible party, there's nudity, there's sex, there's drugs, there's urination.
It's all happening.
Speaker 1 (02:34):
It's every classification pretty much. It must be a class there's.
Speaker 2 (02:38):
A lot of bodily fluids film.
Speaker 3 (02:41):
How is that just another day at the office or
are you aware that when the director says action, weird
stuff's happening it.
Speaker 2 (02:47):
Honestly, we've always said it. You've become desensitized so fast
to the nudity, to the kind of extreme content it was.
It's funny. At first you're kind of like, WHOA is
this happening? And then by day three you're just like
another day at the office. Honestly, people just stopped even
covering up up in between two. Yeah, because you're just
so used to it. At some point whatever, and.
Speaker 3 (03:08):
When the director to assume the positions, you go, oh
my god, we're seeing the position.
Speaker 1 (03:12):
Oh yeah, today you're straddling an ice sculpt.
Speaker 2 (03:14):
Yes, yes, yes, at that party scene. I think Jeane
Smart said just don't look down and don't back up.
It's a wisdom.
Speaker 1 (03:25):
I like how it goes that era from silent movies
to the talkies, and a lot of people don't know that,
but there was a big struggle for a lot of
actors to adapt from those two two themes. What would
be the next thing for you guys, Like, as a
young actor, did you think about that? Did you think, Wow,
what will be our next what will be our talkie?
As it were?
Speaker 2 (03:45):
I think we're like the big shift in the industry
that we're all making the transition with right now is
not as seismic as what it was. Obviously going from
silent to talkies was more drastic, but you know, the
theatrical verse streaming is definitely the biggest shake up in
the industry.
Speaker 4 (03:59):
I think, at least holograms like one day they are
not going to need actors anymore. So we really have
to make money, like.
Speaker 2 (04:07):
We most we need a hustle now because our avatars
are going to be breaking it in in a decade
and we'll be out of work.
Speaker 3 (04:14):
There must be incredible pinch me moments, Margo. Even though
you've worked in the industry for so long, you sit
next to Brad Pitt at the Golden Globes, your teenage
self must be thinking and diego Welcome to Australia. I
hope you soak it all. You know, you're just loving it.
Speaker 4 (04:29):
I love it. I are actually going to stay for
one extra day because it's just hard to come to
Sydney and don't be able to see the city. So yeah,
I'm happy about it.
Speaker 1 (04:37):
Well, you gotta be careful when you walk out in
the street with those burgher rings, Mate, you might be
set upon.
Speaker 3 (04:44):
Do you still feel it too, Margo? Do you still
have the I can't believe my luck moments. It's not
like it's hard work and talent, but.
Speaker 2 (04:51):
It's also like you can work hard and not get
as lucky as I've gotten in life. So I all
the time, and particularly being on this film set, it
was there was very much a feeling of we are
so lucky to get to do what we do and
we just got to give it out all like everyone
on this film. I don't mean just in front of
the camera, behind the camera too. There was a real
energy of it was like everyone was behaving, like no
(05:14):
one was going to let them make a movie ever again.
And maybe it's because we just come out of COVID,
and maybe because this movie is so big and so
crazy that it seemed insane that anyone was paying for
it and letting us do it at all. But there
was a real feeling of like we have to go
for it.
Speaker 3 (05:27):
While you feel the energy come off the screen, Yeah.
Speaker 1 (05:30):
Well, you guys worked incredibly hard and I really enjoyed
it. It was such a great absolutely and it's a treat
to catch up with you again. Margo Diego. It's great
to meet you. Thank you, thank you for having us.
Thank you so crazy at Chemists ware House mat Muscles
on special.
Speaker 3 (05:47):
It's one scene we didn't see exactly
Jersey and Amanda jam Nys.
Speaker 2 (00:03):
Pump Up the Jam.
Speaker 1 (00:04):
Twenty years of Jonesy Diamandra's on sale now through book Tapia.
Deets are on our website. What about Margo Robbie.
Speaker 3 (00:10):
We have interviewed her throughout the years, from her first
Hollywood movies to the giant superstardom that she encompasses now.
And every single time, Brendan, you're obsessed with buying her
a present.
Speaker 2 (00:22):
I like to get her a little gift Thatcher, that's all.
Speaker 3 (00:25):
Who doesn't like one of those?
Speaker 4 (00:26):
You know what?
Speaker 2 (00:27):
It wouldn't kill her to give me a gift?
Speaker 4 (00:28):
Thatcher with you?
Speaker 1 (00:30):
And here we are, Diego Margo, how are you? Congratulations
on the movie? First things first, Diego Margo. Amanda and
I have a bit of a relationship in the past.
So some time ago, we brought you a Bunnings vaucher,
remember that when the it on year because it was
all Oscar bars, and I said to build a shelf
so you can put your oscar and that didn't manifest,
(00:52):
So then we got a BWS boucher to drown her sorrows.
But then watching this particular movie, there's a lot of
lot going on in that movie like you you cry
on queue, you throw up on que. There's a I
don't want to be spoiler alert. He there's a snake thing.
So I have man and I chipped in. We got
your chemist Warehouse gift card.
Speaker 3 (01:12):
I don't know if the anti venine is in our
four five.
Speaker 1 (01:15):
But also we should give Diego something. Course it's down
here and this is for you and my friend Australian
delicacy because he had his little face.
Speaker 2 (01:24):
This is this. You've heard me talk about a lot
off like little rings, little.
Speaker 1 (01:33):
Rings, like an engagement in Australia.
Speaker 2 (01:34):
Be careful be sharing those with me after this. Thank
you for the audition.
Speaker 3 (01:41):
Was was unusual in that it was in the director's backyard. Diego,
you get flown to l A. The picture of the
two of you in someone's backyard. I imagine you're playing
totem tennis or picking up the dog poose. But there
was some incredible chemistry that went on that day. It
wasn't there.
Speaker 2 (01:55):
Yeah, it was amazing, didn't you tell it.
Speaker 4 (01:58):
I like to see that. I owned being cast in
this movie to Margot because it was my first time
in LA, my first time working with superstars, meeting them
and chasel and everything, and I don't know. We've been
trying to explain what happened, but I guess when something
is meant to be is meant to be. Absolutely.
Speaker 3 (02:15):
The film tells the story of early Hollywood and the
transition into talkies and how not everyone survives that transition,
but it's also the debauch raucous life that so many
people in Hollywood were living. That opening scene of that
incredible party, there's nudity, there's sex, there's drugs, there's urination.
It's all happening.
Speaker 1 (02:34):
It's every classification pretty much. It must be a class there's.
Speaker 2 (02:38):
A lot of bodily fluids film.
Speaker 3 (02:41):
How is that just another day at the office or
are you aware that when the director says action, weird
stuff's happening it.
Speaker 2 (02:47):
Honestly, we've always said it. You've become desensitized so fast
to the nudity, to the kind of extreme content it was.
It's funny. At first you're kind of like, WHOA is
this happening? And then by day three you're just like
another day at the office. Honestly, people just stopped even
covering up up in between two. Yeah, because you're just
so used to it. At some point whatever, and.
Speaker 3 (03:08):
When the director to assume the positions, you go, oh
my god, we're seeing the position.
Speaker 1 (03:12):
Oh yeah, today you're straddling an ice sculpt.
Speaker 2 (03:14):
Yes, yes, yes, at that party scene. I think Jeane
Smart said just don't look down and don't back up.
It's a wisdom.
Speaker 1 (03:25):
I like how it goes that era from silent movies
to the talkies, and a lot of people don't know that,
but there was a big struggle for a lot of
actors to adapt from those two two themes. What would
be the next thing for you guys, Like, as a
young actor, did you think about that? Did you think, Wow,
what will be our next what will be our talkie?
As it were?
Speaker 2 (03:45):
I think we're like the big shift in the industry
that we're all making the transition with right now is
not as seismic as what it was. Obviously going from
silent to talkies was more drastic, but you know, the
theatrical verse streaming is definitely the biggest shake up in
the industry.
Speaker 4 (03:59):
I think, at least holograms like one day they are
not going to need actors anymore. So we really have
to make money, like.
Speaker 2 (04:07):
We most we need a hustle now because our avatars
are going to be breaking it in in a decade
and we'll be out of work.
Speaker 3 (04:14):
There must be incredible pinch me moments, Margo. Even though
you've worked in the industry for so long, you sit
next to Brad Pitt at the Golden Globes, your teenage
self must be thinking and diego Welcome to Australia. I
hope you soak it all. You know, you're just loving it.
Speaker 4 (04:29):
I love it. I are actually going to stay for
one extra day because it's just hard to come to
Sydney and don't be able to see the city. So yeah,
I'm happy about it.
Speaker 1 (04:37):
Well, you gotta be careful when you walk out in
the street with those burgher rings, Mate, you might be
set upon.
Speaker 3 (04:44):
Do you still feel it too, Margo? Do you still
have the I can't believe my luck moments. It's not
like it's hard work and talent, but.
Speaker 2 (04:51):
It's also like you can work hard and not get
as lucky as I've gotten in life. So I all
the time, and particularly being on this film set, it
was there was very much a feeling of we are
so lucky to get to do what we do and
we just got to give it out all like everyone
on this film. I don't mean just in front of
the camera, behind the camera too. There was a real
energy of it was like everyone was behaving, like no
(05:14):
one was going to let them make a movie ever again.
And maybe it's because we just come out of COVID,
and maybe because this movie is so big and so
crazy that it seemed insane that anyone was paying for
it and letting us do it at all. But there
was a real feeling of like we have to go
for it.
Speaker 3 (05:27):
While you feel the energy come off the screen, Yeah.
Speaker 1 (05:30):
Well, you guys worked incredibly hard and I really enjoyed
it. It was such a great absolutely and it's a treat
to catch up with you again. Margo Diego. It's great
to meet you. Thank you, thank you for having us.
Thank you so crazy at Chemists ware House mat Muscles
on special.
Speaker 3 (05:47):
It's one scene we didn't see exactly
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