September 5, 2025 • 24 mins
Here's everything you missed from Jonesy & Amanda's Cutting Room Floor podcast for this week.
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Speaker 1 (00:10):
My Heart podcasts, hear more gold one on one point
seven podcasts.
Speaker 2 (00:14):
Playlists, and listen live on the Free iHeart app. It's
Usy and Donlan just funny.
Speaker 3 (00:30):
It's Cotys cutting on the cutting room floor today. You'll
(00:51):
be excited to hear this what stirrup pants are back.
Speaker 1 (00:54):
You know, when you live through the trend first time round,
it's very hard to accept that they've returned. I don't
know how I feel about it. I war stirret pants
for many, many, many years. So this is the pants
that in my day that was kind of nylon, I guess,
almost like a ski pant. And they'd have a bit
that when under your foot and came up, so you'd
wear socks, usually over the top.
Speaker 2 (01:16):
You put the socks over the top.
Speaker 1 (01:17):
Well I did, and that looked like it had tucked
into your sock.
Speaker 2 (01:21):
Okay, wouldn't it be uncomfortable on your heel? Maybe?
Speaker 1 (01:24):
I don't know, not on your heels it's in the
instep of your foot.
Speaker 3 (01:27):
Yeah, but it would feel wouldn't it feel like you've
got like something else bunched up in your shoe?
Speaker 1 (01:32):
Well, now you mention it, maybe it didn't it all.
Maybe it also felt like you were. I don't know
if i'd feel claustrophobic if I wore them. Now. The
thing is it's anti wedgie. It pulls everything out of
the areas which is which is front and back, which
feels good that it's not it's not tight.
Speaker 2 (01:47):
There because you being long in the fork.
Speaker 3 (01:50):
Once said, well, Jennifer Kelly used to say, Amanda, you're
long in the fork.
Speaker 1 (01:55):
Which meant that either I got muffin top or camel tooey.
That's my law firm. You have to pull your dacks
up high or pull them out of your area.
Speaker 2 (02:05):
Because having you as well?
Speaker 1 (02:08):
What's all this? What's all this? Brendan mum used to say.
We'd go to Fletcher Giants and she'd said, you get
a good pair of pants, you can live in them.
But look, I know it's real estate's expensive, but I
prefer to live in a pair of pants, didn't she yours?
Speaker 3 (02:20):
They say you're long in the floor fork, but you're
short in the bum crack.
Speaker 2 (02:25):
A short bum crack, is it?
Speaker 1 (02:26):
I've never been told that, you know, if that wasn't
about money that comes from you've taken a story I
told you about somebody else and.
Speaker 2 (02:32):
It had a long bump crack.
Speaker 1 (02:36):
But remember we saw a doctored photograph and it was
a shamed It was doctor where is this conversation going?
It was John Lennon and Yo co owner and they
had their love in and no, it was a photo
of them from the back there bubble fantasy.
Speaker 2 (02:48):
They're both from the album.
Speaker 1 (02:51):
But they made it his bum crack incredibly long and
hers incredibly short, and it was a fascinating photograph twist
the two, but sadly they'd been.
Speaker 3 (03:01):
I wanted to see Sean Lennon's bum crack because that
should have been perfect length bump.
Speaker 1 (03:06):
Actually, why don't your right to him?
Speaker 2 (03:11):
I know you get a lot of requests. Can you
give us a picture of this one? This release just confirmed.
Speaker 1 (03:17):
Do you have a genetic purposes? We'd like to know
how genetics work proportionately?
Speaker 2 (03:21):
Is your Bumprey thought? I thought you said that you
had a short.
Speaker 1 (03:27):
Bumper NOPC.
Speaker 2 (03:31):
S PC it's BC. What's that shot bum crack? Do you?
I've got my bum cracks good? How do you know? Okay,
you say it for me?
Speaker 1 (03:40):
You're talking out of it anyway, Stuart pans are back.
That's all we need to know.
Speaker 2 (03:46):
Look, out.
Speaker 3 (03:49):
On the cutting room floor. There's been a lot of
controversy in AFL. Recently we had the AFL w Ladies
with their controversial guernseys.
Speaker 1 (03:59):
This is the jerseys. I'm not going to say, can
I say jersey. This is the jerseys for the Indigenous
round And when you saw them, I'm sure just on display,
they would have fantastic. There was an orange semi circle
at the base of the shirt on the back with
a tree growing. But when everyone's wearing it, it looks
like they've.
Speaker 2 (04:16):
All got looks the dacks have come down.
Speaker 1 (04:18):
Their dacks have come down, like they've got Ricky Plumber's cleavage.
Speaker 2 (04:22):
Yeah.
Speaker 3 (04:23):
There's also the Dave hughes controversy. Paul Hughesy was playing
an AFL Legends game and got cleaned up, punctured his lung,
broke three ribs.
Speaker 1 (04:32):
It's that controversial, just bad luck. I don't think it's controversy.
I think it's just one of those terrible things.
Speaker 2 (04:37):
Yeah.
Speaker 3 (04:37):
Yeah, and now Snoop dog everyone's been talking about Snoop
Dogg performing at the AFL Grand Final, whether or not
he's a good fit.
Speaker 2 (04:44):
I think he's fine. He's gonna put eyes on the game, certainly.
Speaker 1 (04:47):
That was the discussion. And then just pretty much the
same week that the AFL have had a big internal
discussion about homophobic language being used on the field and
really coming out strong to try and stamp that out.
That same week, as we know, Snoop Dogg is interviewed
on a podcast and he said he went to see
a film with his grandson where there was a homosexual
(05:08):
couple and he said, how I supposed to explain this? This
is what I've signed up for a bit of a rant,
and people are going, are you a good fit for this?
I don't know.
Speaker 3 (05:14):
Well, you know what I feel that Snoop dogs come out.
I don't think he's homophobic in any sense.
Speaker 1 (05:21):
I think he might be a little old school.
Speaker 2 (05:23):
The same age as me. So where of that era?
Speaker 1 (05:26):
What era?
Speaker 2 (05:26):
Most a lot of people were of the era of
like when we were.
Speaker 1 (05:30):
Kids, of course, and that's what they.
Speaker 2 (05:32):
Thought that homosexually homosexuality was.
Speaker 1 (05:35):
Bad, yes, and well we all have I'm not saying
it is bad, no, but we've all had to overcome
what we learned in our early years.
Speaker 2 (05:42):
Of course.
Speaker 3 (05:43):
And then, in Snoops defense, he didn't go on with
a big rand about homosexuals. What he said, he was
caught off guard and had no answer for his grandson.
They're watching the show inside the movie theater, watching the
bars light you thing, yeah, and the kid says, why
are those two guys together? And he goes and he
was this is what he says. He said he was blindsided.
Speaker 1 (06:04):
That's not what he said in that initial podcast. I'm
pretty sure in that initial podcast he said, why do
I have to put up with that in the film
when I've taken my grandson to see a film. He
was a bit more derogatory than he's his so called apology.
He's had an explanation rather than apology, because what's he
gone on to say?
Speaker 3 (06:19):
Now, he's well, he's done the greatest thing in the
world to get yourself out of trouble.
Speaker 2 (06:24):
I've noticed this is.
Speaker 3 (06:25):
A really anything you do wrong, you can get out
by saying these simple words.
Speaker 2 (06:30):
Teach me how to learn I am not perfect.
Speaker 1 (06:34):
And he said, I've got a lot of gay friends
and they sent me a.
Speaker 2 (06:36):
Lot of laughs. Yeap, But teach me how to learn
I'm not perfect.
Speaker 1 (06:39):
That's the thing. That's where you say I need to
do better.
Speaker 3 (06:42):
Yeah, yeah, And people instantly oh, Snoop, you're right, that's good.
Speaker 2 (06:46):
You know, you could do anything, and I'll teach me
how to learn. You know, I want to do better.
Speaker 1 (06:51):
And yeah, okay, well, at some point you can't defend yourself.
You have to lie. In addition, at the fire roll
over you. You have to let the fire of opinion
roll over you.
Speaker 2 (07:01):
Do you think do you think they'll cancel? Snoop?
Speaker 1 (07:04):
Depends if Barnesy's free.
Speaker 2 (07:05):
Barns he could do it.
Speaker 3 (07:06):
Barnes he's already always ready to go in case of
situation break glass unless Barnsey does something controversial.
Speaker 1 (07:14):
No, I think Barnes would be ready to go, which
you can't have Barnzy every time.
Speaker 3 (07:18):
No, no, no, but Snoop, though they would have played some
sort of deposit.
Speaker 2 (07:22):
Surely there'd be a deposit.
Speaker 1 (07:23):
Would there be clauses in the deposit if he says
something inappropriate?
Speaker 2 (07:26):
And again, dog he's a.
Speaker 3 (07:28):
Rapper, and like with the deposit when they pay with
the check? You know, is that mister dog.
Speaker 2 (07:32):
Dogg or dawg?
Speaker 1 (07:36):
You know that there's a whole snoopyr real first name.
Speaker 2 (07:39):
What's actually Calvin Brotus? Okay, whatever, well.
Speaker 1 (07:42):
That's his name that's what they have crisis managers on
speed dial. I've got one. Have you got one?
Speaker 2 (07:46):
No?
Speaker 1 (07:48):
I don't really have one, but people do media crisis managers.
I met someone whose husband does that and all her
friends phone her when she's in crisis. Your husband on
what do I do? And pretty much the advice is
lie down, let the fire roll over you and say
I promised to learn and do better.
Speaker 3 (08:02):
Until something else controversial happens. Case in point, remember we
had Doc Nissan for our Backyard Jam series. He was
the pioneer of that as it came to pass, and
luckily for us, it was before social media. But Doc
came along a bit inebriated, tongue patched. The mom of
the house said inappropriate things to the daughter. I told
(08:23):
the son to f off, picked a fight with the dad.
Dad was going to call the police, and I said,
well it is he is a rock star and.
Speaker 1 (08:31):
You've had a rock blessing. Why these things have happened.
Speaker 3 (08:34):
So the next day I get a call from the
management of the radio station, what the happened with Doc
Nisen at Heathcoat yesterday last night? And I explained, the
guy wants to call the cops. He wants to go
to the newspaper. I went, oh god, So then he
hung up and then about forty minutes later, course back.
Speaker 2 (08:50):
Everything's okay. We've just found.
Speaker 3 (08:52):
Todd mckennie in a park with no pants on.
Speaker 1 (08:56):
Todd took one for the team.
Speaker 3 (08:59):
Because Tod at the time was working at Mix FM,
which was part of our network, and that's kissed.
Speaker 1 (09:04):
These days, he could say he didn't have his pants
on because he was lying down in the fire.
Speaker 2 (09:09):
That's what you do. Just let the fire roll over here.
That's all you gotta do.
Speaker 1 (09:15):
Get ready, everybody here, Jorgy, Hana, go get ready, everybody here, Georgy.
Speaker 3 (09:31):
On the cutting room floor today. It must be hard
beating a drug dealer, I would imagine, because you're selling
the drugs to your customers, but you've got police after you.
Then you've got other drug dealers after you, and then
you've got customers that might not even pay for the drugs.
Speaker 1 (09:46):
Do you have other drug people after you because you're
on their patch? In the bill, that's what happens is
you're on your.
Speaker 2 (09:54):
Pat you're on your patch.
Speaker 3 (09:55):
You look at what happened to Stuart McGill, like they
joke him away and they're going to drop his fingers.
Speaker 2 (09:59):
Off, and he was on their patch. He had nothing
to do with the drug deal He just innocently.
Speaker 3 (10:05):
I think he was just in the rest and there
was a guy and another guy and he said, you
know what.
Speaker 2 (10:12):
You two guys.
Speaker 1 (10:13):
She'd like you should be friends.
Speaker 3 (10:14):
You should be friends. Stuart is just a matchmaker. He's
putting people together. So I would be hired being a
drug dealer. But also what about a drug customer. You
go and buy your drugs and then you get ripped
off buy the drug dealer.
Speaker 1 (10:28):
And you actually can't do anything because you can't go
to the police.
Speaker 3 (10:31):
Can't go to the cops, or can you casing point?
Is this lady in America? This recently popped up on
my feed.
Speaker 1 (10:37):
I gave her a twenty and she didn't give me nothing.
Is why does show you twenty dollar bill? I gave
her a twenty dollar bill for what?
Speaker 2 (10:44):
For anything?
Speaker 1 (10:45):
I don't care whatever it's for. But she can give
me my money bag if she ain't gonna do nothing
with it. Okay, Well, you planning to buy some drugs?
Speaker 2 (10:52):
What kind of drugs do you want to buy? Rock rock?
Speaker 1 (10:55):
Yes, I was you get your twenty dollars for twenty dollars.
She gave me some plaster and now.
Speaker 4 (10:59):
You want your twenty dollars bag because she didn't supply
you with crack cocaine.
Speaker 1 (11:03):
Well, if she shouldn't give me that, I think no class.
She should have said, no, what's going on?
Speaker 2 (11:09):
She come around her a while ago. It used to
be some people in the red or whatever it used
to see. We were just sitting out here on the
porch in some church.
Speaker 1 (11:14):
So she said, you.
Speaker 3 (11:14):
Don't have anything about I said, no, babe, we don't
have nothing to sell.
Speaker 2 (11:16):
So she lets the one around the corner. Did she
come back ten minutes later.
Speaker 5 (11:20):
Holler, give my money back up, And no, you ain't
bouyt nothing from here.
Speaker 2 (11:22):
And I don't disrespect my child. This is my child.
I don't seal creck cross child.
Speaker 1 (11:31):
She believed good lives the cop.
Speaker 3 (11:34):
The cop said, I came, man, I'll go and see.
The lady has gone and seen.
Speaker 1 (11:38):
And she said, I've got a thing to sell. I've
got my childhood. Don't respect to my child.
Speaker 2 (11:41):
Don't you suspect me in front of my child. I'm
a prostitute.
Speaker 3 (11:46):
Nothing wrong with the oldest professional in the world. But
that's what it is. I remember years.
Speaker 2 (11:51):
Ago, back in my days, when he is to pin
take in a bit of the weed.
Speaker 3 (11:54):
I was up at King's Cross and I was playing
in an amusement ka Upper King's Cross, as the kids
at the time did. And this guy settles up to
me and says, hey, you want to buy some weed.
Speaker 2 (12:02):
I want to buy foil? Oh yeah, yeah, sure, yeah,
no worries.
Speaker 3 (12:06):
And I was on pinball machine D and I said
how much he has? Fifteen bucks? Oh okay, sweet, that
sounds pretty good. The going rate of a foil then
was about twenty so I thought this is a good deal. Anyway,
takes me a fifteen bucks. I'm playing the bit more machine.
I just presumed he'd come.
Speaker 1 (12:23):
Back, and did he? Brenda?
Speaker 2 (12:26):
I finished the game. Oh okay, where's old mate? Nowhere
to be seen? And I asked other people and then
did you get his name? No? And I said, well
no I didn't.
Speaker 1 (12:38):
Oh yeah, I got his name. It's Keith, oh Keith,
As if that would make any difference, did you get
his name?
Speaker 2 (12:44):
Did you get his name? This is what people said.
Speaker 1 (12:48):
You know, Brendan, You know I don't like drug stories.
Well just like them and I was at home drinking
Strawberry Quick. At the time, we had very divergent lives.
Speaker 3 (12:58):
You were mainline and Strawberry Quick, and I was happy
for you were selling selling yourself a Strawberry Quick.
Speaker 1 (13:08):
I had the local named Strawberry Slow Wow. Oh yuck.
Speaker 2 (13:12):
Dear, dear, don't do drugs.
Speaker 1 (13:14):
Stick on the quick.
Speaker 2 (13:17):
Hey, everybody on the cutting room floor today clowns.
Speaker 1 (13:26):
No one likes them. No one likes a clown. I
just have a stuffed clown that sat on my bed.
Didn't mind that scary clown. Scary clown and did look
a bit scary. I think I got it after I
had my wisdom teeth out or something. I was probably
about fifteen.
Speaker 2 (13:42):
Who gave you the clown? She thought this wild cheat?
You up?
Speaker 1 (13:46):
Well, I think so, and I did it sat on
my bed for ages. It's the sort of thing you
could normally give a seven year old. But you know,
I was a late blue You.
Speaker 2 (13:53):
Were a late developer.
Speaker 3 (13:55):
But with the clown, was it was it one of
the floppy clowns?
Speaker 2 (13:58):
Big, I just give us something.
Speaker 1 (13:59):
It was a floppy one. It wasn't one of those
creepy porcelain faced.
Speaker 2 (14:03):
Oh yeah, that's no.
Speaker 1 (14:05):
This was just a stitched one that had like crossed
stitch for and things like that.
Speaker 3 (14:09):
For some reason in my algo, that's our algorithm for
the unhip.
Speaker 2 (14:14):
This popped up.
Speaker 3 (14:15):
It's a genuine how to instructional video from the eighties
on how to be a clown.
Speaker 2 (14:24):
You're thinking of embarking on being a clown, I.
Speaker 1 (14:26):
Have embarked on being a clown. I was a clown.
Speaker 2 (14:29):
Okay, well, let's just sit on that front minute.
Speaker 3 (14:32):
So there was an instructional video from the Clanning Institute.
Speaker 2 (14:35):
There's such a thing about how you.
Speaker 3 (14:37):
Go and be a clan and where you go planning to.
For example, in this one, it demonstrates a retirement home.
Speaker 4 (14:45):
When you're ready to laun Charlotte into the unknown, possibly
the best place to begin is in a nursing home
or a care center for the elderly. When you enter
the nursing home, do not stand there with your group
in a large cluster of clowns. Clowns can look rather
intimidating if you see a lot of them in one place. True,
(15:05):
be sure to choose a partner. Two clowns together really great.
If you attempt to make visits with three or four,
you outnumber the person so much that they may feel
a bit uneasy.
Speaker 2 (15:16):
Full clowns a.
Speaker 4 (15:18):
Couple of cautions. Don't fulfill any request that is made
of you by a patient. One reason is simply this.
The elderly really receive you quite well. I think it's
because they already know how vulnerable they are. They're lonely,
and they long for touch. If they're in need of touch,
you touch them.
Speaker 2 (15:33):
Oh touch.
Speaker 4 (15:37):
There are a few common sense rules that every clown
ought to be aware of before planning to go into
a nursing home. First, call the activities director or the
manager of the institution and get permission to come. A second,
if it's your first time, plan on about a half
hour visit. During that one half hour visit of non
speaking clowning, you will discover a lot of energy has
been expended. You're going to have your heartstrings tugged as
(16:00):
you hear their plenty of voices asking you to help
them out of bed or into bed, or to take
them outdoors, or to hand them something. The best rule
of found is is don't do it.
Speaker 2 (16:11):
Cuts ups, don't do it.
Speaker 1 (16:13):
So there's mixed messages there because it.
Speaker 2 (16:15):
Says touch a clown touch I made a clown.
Speaker 1 (16:19):
First of all. It says things are going to be
asked of you don't do it, but you can touch them.
Speaker 2 (16:25):
Yeah.
Speaker 3 (16:26):
Yeah, I don't know if I was in hospital. I
have been in hospital a few times for various things.
Last thing I want is some clown trying to cheer
me up.
Speaker 1 (16:34):
I know there was just someone playing guitar that it
was going around bed to bed when my dad was
in hospital, and he can be ornery, and my brother
and I looked at each other and we saw that
the guitarist was coming over to sit near Dad. Which,
how are we going to deal with this? Dad's going
to be rude to him. We just know it.
Speaker 2 (16:49):
And what would Arthur say?
Speaker 1 (16:51):
Well, in the end, the man said, just want to
play you a song? And Dad looked at our faces.
He said that would be lovely. And he sat there
with a spoonchy face the whole time.
Speaker 3 (16:59):
Because I'd have a scoonchy, scoonchy face unless it was slash.
And he brought his stratocaster it and started doing Sweet Child
of Mine.
Speaker 1 (17:07):
Well, I've done some clown in my university. Yes, who
used to go to I went to Bathist study and
in our drama class, we did a clowning workshop and
so we went to Sophala Fair and did street clowning
in the streets.
Speaker 3 (17:21):
You know.
Speaker 2 (17:22):
Cephala in itself is cute.
Speaker 3 (17:25):
Yeah, but it's a place where you get old time prospectors.
Speaker 2 (17:27):
Come on, kids, I'm going to show you a pan gold.
You could become a millionaire.
Speaker 3 (17:31):
And you're looking at this guy and go, come on, mate,
you don't even have teeth or shoes.
Speaker 2 (17:35):
How are you going to show me to be a meionnaire.
Speaker 1 (17:37):
But also you get hippies and you get a cross
section of people who were going to enjoy our clowning work.
Speaker 2 (17:42):
Nice town to drive through and have a bit of
a ganderatte.
Speaker 1 (17:45):
See a clown. Be kind, don't give them anything. They
ausked for a spongebath. You say no.
Speaker 2 (17:50):
One time, many.
Speaker 3 (17:51):
Years ago, my mother in law mate who I love, dearly,
upon herself to do a bit of clowning around the community,
around the community of more woolenbar She go to old
folks homes.
Speaker 1 (18:03):
She'd go just as a clown, dressed.
Speaker 2 (18:05):
As a clown.
Speaker 3 (18:06):
And then one time we're up there having a barbecue
and I had my son who at the time was four.
My nephew would be similar age and his niece or
you know that bracket between eight and four, and maybe.
Speaker 2 (18:20):
To go by myself to come out of dressed as
a clown.
Speaker 3 (18:22):
I've got a photo of it somewhere and the kids
look anything but happy.
Speaker 1 (18:26):
Did they know it was their grandmother?
Speaker 3 (18:27):
Yeah, they're going and one of them, my son's going
as grandma as may has Grammy lost it?
Speaker 2 (18:37):
Has she? Should we be putting it in some sort
of home?
Speaker 1 (18:40):
And what did you say?
Speaker 2 (18:41):
I said, yeah, probably.
Speaker 3 (18:43):
Because when you put a mentally drenched clown into a home,
who goes and visits them?
Speaker 1 (18:49):
Don't give them anything?
Speaker 3 (18:50):
A psychologist m anyway, if you see a gaggle of clowns.
Speaker 2 (18:56):
Be kind, yeah, or it could be management of visiting.
Speaker 1 (18:59):
Don't ask for a spongeba.
Speaker 2 (19:05):
Everybody. It's time for Johnsy and a man's cutting room
for everybody. It's time for johns and Amanda's cutting room wall,
and it's the cutting room on the cutting room floor.
You like boats, don't you?
Speaker 1 (19:21):
Ah, I get seasick, but I have owned a boat
in the past.
Speaker 2 (19:24):
That's right. You had a boat, what was it?
Speaker 1 (19:26):
A small sailing boat? When we live near the water
at one point yep, and it was great. Harley is
to race cars and found the boat quite tricky because
he'd think it takes too long to make decisions. He
was used to making instant decisions. You have to turn
a corner after half an hour before start making the move.
Speaker 2 (19:43):
Sailing is a bit like that. Harley didn't sail as
a youngster.
Speaker 1 (19:47):
No, well, he grew up in England. I guess they
sail at England. They do, but no, he didn't.
Speaker 3 (19:51):
I one of the I was never good at sport,
but I was good at sailing. I did enjoy it
when I was a youngster. I learned to sail when
I was nine years of age and I still sail
quite quite regularly. And I've always had a hand in boats.
And there's an odd saying the greatest moment of your
life is when you bo. There's too great moments when
you be a boat owner, when you buy the boat,
and then when you.
Speaker 2 (20:11):
Sell the boat. Because they are the biggest money pit.
Speaker 5 (20:15):
In stress pit the history of the world. They are
stress and is that what you've only read of them?
Speaker 3 (20:20):
And as well as my mate sailor Jerry says, the
problem with boats is they're fine until you put them
in the water.
Speaker 2 (20:27):
And he's a ship right, so he knows hardly too well.
Speaker 3 (20:29):
I don't know if you saw that image of the
one point four million dollar yacht sinking fifteen minutes after
its maiden voyage.
Speaker 1 (20:37):
Did you see that out Titanic? What happened? Well, I
don't want to super yacht. Is it massive?
Speaker 2 (20:42):
It was fairly big.
Speaker 3 (20:43):
It was, you know, I reckon probably about twenty meters long,
and how much it were? One point four million dollars
and they've pushed it off as a chip straight over
and so.
Speaker 1 (20:55):
Oh so the minute it was launched, yeah, pretty much.
I thought it had a bit of a sailor around.
Speaker 2 (21:00):
I don't know what happened there.
Speaker 1 (21:02):
It seems to take the buns out. They have buns,
don't they know.
Speaker 2 (21:07):
But they do have things caught sea cocks.
Speaker 3 (21:10):
So they've got a sea cock that lets water inside
for the various plumbing in the boat, for your toilet,
for your engine cooling.
Speaker 1 (21:17):
Little Dad used to have a little sailing bottle that
had a bung in the back.
Speaker 2 (21:20):
What sort of sailing boat did Arthur have?
Speaker 5 (21:23):
Name?
Speaker 1 (21:23):
Some name some small ones?
Speaker 2 (21:24):
Was a sailing boat?
Speaker 1 (21:25):
Yeah? I had a little catamaran for a while, and
then he got a small sailing a single man's sailing boat.
Yeah right, I'm sure there were bungs.
Speaker 2 (21:33):
Did they have a venturi?
Speaker 3 (21:34):
A ventury works as the boat is moving, it opens
up and the water drains out and then it closes.
Speaker 1 (21:40):
This was years ago. It might have been before a
venturi was invented.
Speaker 2 (21:42):
No Venturiers have been around since the fourteenth corner ships.
Speaker 1 (21:45):
Yeah, well, dad, was a long time before that.
Speaker 2 (21:49):
I'm intrigued about that.
Speaker 1 (21:50):
Well, anyway, tell me what happened here.
Speaker 3 (21:51):
You think, Oh, it looks to me that they didn't
put enough ballast in it, or was poorly designed and
built to top heavy and it's fallen over.
Speaker 1 (22:00):
Maybe you know what they did. Maybe the baliage thing
is that what it's called when you smash a bottle
of champagne against it to christen it. Maybe that unhinged
it somehow.
Speaker 3 (22:13):
No, I didn't see anyone cracking champagne over it, and
obviously not afterwards.
Speaker 2 (22:18):
Those things that they they're very gaudy, those boats.
Speaker 3 (22:21):
It's a gaudy boat, very top heavy, gaudy.
Speaker 5 (22:25):
The chandeliers will do that that that that can happen
one yeah, but you look at the history of boats,
you know from the Titanic unsingable.
Speaker 2 (22:33):
Don't call a boat unsingable. We learned that from from that.
All all the boats that have sunk in time.
Speaker 3 (22:40):
They're always fraught with stories of I guess cockiness. And
perhaps these people as they pushed it off into the
water thought that.
Speaker 1 (22:49):
Yeah, but you'd be straight backed in the manufacturer, wouldn't you.
Come on, mate, Come on mate, bec.
Speaker 2 (22:55):
Iff and fun.
Speaker 1 (22:58):
Want my money back.
Speaker 2 (22:59):
Have a boat and camp and fish and a mate,
come on, sold me?
Speaker 1 (23:02):
Is this because of the buns?
Speaker 2 (23:04):
Is this what it is? But you've got to check
your cock when you go on out in the boat.
Speaker 3 (23:08):
Now, that's why it's a thing. Don't make anything of this.
And there's two schools I thought. Sailors they usually close
up the sea cock because there's a chance that that
could fail and flood your boat and sink. And the
sea cock in this point cools the engine down. Stinkboat operators.
Speaker 1 (23:28):
If you've got what you need as an engine, if
you're just sailing, no.
Speaker 3 (23:30):
Well you needed to get around if you want to
do a little motor boating, So what you do.
Speaker 2 (23:36):
And sailors they'll leave their sea cock closed.
Speaker 3 (23:39):
But what happens if you start the engine the engine
is not cooling down, You burn out your impeller. Stinkboat
owners tend to leave their sea cocks open because of
the aforementioned burning out your impellers.
Speaker 1 (23:50):
And constantly using the motor, and constantly.
Speaker 2 (23:52):
Using the motor. Very good that girl there, you've been
on the cock before.
Speaker 1 (23:57):
Good boy,
My Heart podcasts, hear more gold one on one point
seven podcasts.
Speaker 2 (00:14):
Playlists, and listen live on the Free iHeart app. It's
Usy and Donlan just funny.
Speaker 3 (00:30):
It's Cotys cutting on the cutting room floor today. You'll
(00:51):
be excited to hear this what stirrup pants are back.
Speaker 1 (00:54):
You know, when you live through the trend first time round,
it's very hard to accept that they've returned. I don't
know how I feel about it. I war stirret pants
for many, many, many years. So this is the pants
that in my day that was kind of nylon, I guess,
almost like a ski pant. And they'd have a bit
that when under your foot and came up, so you'd
wear socks, usually over the top.
Speaker 2 (01:16):
You put the socks over the top.
Speaker 1 (01:17):
Well I did, and that looked like it had tucked
into your sock.
Speaker 2 (01:21):
Okay, wouldn't it be uncomfortable on your heel? Maybe?
Speaker 1 (01:24):
I don't know, not on your heels it's in the
instep of your foot.
Speaker 3 (01:27):
Yeah, but it would feel wouldn't it feel like you've
got like something else bunched up in your shoe?
Speaker 1 (01:32):
Well, now you mention it, maybe it didn't it all.
Maybe it also felt like you were. I don't know
if i'd feel claustrophobic if I wore them. Now. The
thing is it's anti wedgie. It pulls everything out of
the areas which is which is front and back, which
feels good that it's not it's not tight.
Speaker 2 (01:47):
There because you being long in the fork.
Speaker 3 (01:50):
Once said, well, Jennifer Kelly used to say, Amanda, you're
long in the fork.
Speaker 1 (01:55):
Which meant that either I got muffin top or camel tooey.
That's my law firm. You have to pull your dacks
up high or pull them out of your area.
Speaker 2 (02:05):
Because having you as well?
Speaker 1 (02:08):
What's all this? What's all this? Brendan mum used to say.
We'd go to Fletcher Giants and she'd said, you get
a good pair of pants, you can live in them.
But look, I know it's real estate's expensive, but I
prefer to live in a pair of pants, didn't she yours?
Speaker 3 (02:20):
They say you're long in the floor fork, but you're
short in the bum crack.
Speaker 2 (02:25):
A short bum crack, is it?
Speaker 1 (02:26):
I've never been told that, you know, if that wasn't
about money that comes from you've taken a story I
told you about somebody else and.
Speaker 2 (02:32):
It had a long bump crack.
Speaker 1 (02:36):
But remember we saw a doctored photograph and it was
a shamed It was doctor where is this conversation going?
It was John Lennon and Yo co owner and they
had their love in and no, it was a photo
of them from the back there bubble fantasy.
Speaker 2 (02:48):
They're both from the album.
Speaker 1 (02:51):
But they made it his bum crack incredibly long and
hers incredibly short, and it was a fascinating photograph twist
the two, but sadly they'd been.
Speaker 3 (03:01):
I wanted to see Sean Lennon's bum crack because that
should have been perfect length bump.
Speaker 1 (03:06):
Actually, why don't your right to him?
Speaker 2 (03:11):
I know you get a lot of requests. Can you
give us a picture of this one? This release just confirmed.
Speaker 1 (03:17):
Do you have a genetic purposes? We'd like to know
how genetics work proportionately?
Speaker 2 (03:21):
Is your Bumprey thought? I thought you said that you
had a short.
Speaker 1 (03:27):
Bumper NOPC.
Speaker 2 (03:31):
S PC it's BC. What's that shot bum crack? Do you?
I've got my bum cracks good? How do you know? Okay,
you say it for me?
Speaker 1 (03:40):
You're talking out of it anyway, Stuart pans are back.
That's all we need to know.
Speaker 2 (03:46):
Look, out.
Speaker 3 (03:49):
On the cutting room floor. There's been a lot of
controversy in AFL. Recently we had the AFL w Ladies
with their controversial guernseys.
Speaker 1 (03:59):
This is the jerseys. I'm not going to say, can
I say jersey. This is the jerseys for the Indigenous
round And when you saw them, I'm sure just on display,
they would have fantastic. There was an orange semi circle
at the base of the shirt on the back with
a tree growing. But when everyone's wearing it, it looks
like they've.
Speaker 2 (04:16):
All got looks the dacks have come down.
Speaker 1 (04:18):
Their dacks have come down, like they've got Ricky Plumber's cleavage.
Speaker 2 (04:22):
Yeah.
Speaker 3 (04:23):
There's also the Dave hughes controversy. Paul Hughesy was playing
an AFL Legends game and got cleaned up, punctured his lung,
broke three ribs.
Speaker 1 (04:32):
It's that controversial, just bad luck. I don't think it's controversy.
I think it's just one of those terrible things.
Speaker 2 (04:37):
Yeah.
Speaker 3 (04:37):
Yeah, and now Snoop dog everyone's been talking about Snoop
Dogg performing at the AFL Grand Final, whether or not
he's a good fit.
Speaker 2 (04:44):
I think he's fine. He's gonna put eyes on the game, certainly.
Speaker 1 (04:47):
That was the discussion. And then just pretty much the
same week that the AFL have had a big internal
discussion about homophobic language being used on the field and
really coming out strong to try and stamp that out.
That same week, as we know, Snoop Dogg is interviewed
on a podcast and he said he went to see
a film with his grandson where there was a homosexual
(05:08):
couple and he said, how I supposed to explain this? This
is what I've signed up for a bit of a rant,
and people are going, are you a good fit for this?
I don't know.
Speaker 3 (05:14):
Well, you know what I feel that Snoop dogs come out.
I don't think he's homophobic in any sense.
Speaker 1 (05:21):
I think he might be a little old school.
Speaker 2 (05:23):
The same age as me. So where of that era?
Speaker 1 (05:26):
What era?
Speaker 2 (05:26):
Most a lot of people were of the era of
like when we were.
Speaker 1 (05:30):
Kids, of course, and that's what they.
Speaker 2 (05:32):
Thought that homosexually homosexuality was.
Speaker 1 (05:35):
Bad, yes, and well we all have I'm not saying
it is bad, no, but we've all had to overcome
what we learned in our early years.
Speaker 2 (05:42):
Of course.
Speaker 3 (05:43):
And then, in Snoops defense, he didn't go on with
a big rand about homosexuals. What he said, he was
caught off guard and had no answer for his grandson.
They're watching the show inside the movie theater, watching the
bars light you thing, yeah, and the kid says, why
are those two guys together? And he goes and he
was this is what he says. He said he was blindsided.
Speaker 1 (06:04):
That's not what he said in that initial podcast. I'm
pretty sure in that initial podcast he said, why do
I have to put up with that in the film
when I've taken my grandson to see a film. He
was a bit more derogatory than he's his so called apology.
He's had an explanation rather than apology, because what's he
gone on to say?
Speaker 3 (06:19):
Now, he's well, he's done the greatest thing in the
world to get yourself out of trouble.
Speaker 2 (06:24):
I've noticed this is.
Speaker 3 (06:25):
A really anything you do wrong, you can get out
by saying these simple words.
Speaker 2 (06:30):
Teach me how to learn I am not perfect.
Speaker 1 (06:34):
And he said, I've got a lot of gay friends
and they sent me a.
Speaker 2 (06:36):
Lot of laughs. Yeap, But teach me how to learn
I'm not perfect.
Speaker 1 (06:39):
That's the thing. That's where you say I need to
do better.
Speaker 3 (06:42):
Yeah, yeah, And people instantly oh, Snoop, you're right, that's good.
Speaker 2 (06:46):
You know, you could do anything, and I'll teach me
how to learn. You know, I want to do better.
Speaker 1 (06:51):
And yeah, okay, well, at some point you can't defend yourself.
You have to lie. In addition, at the fire roll
over you. You have to let the fire of opinion
roll over you.
Speaker 2 (07:01):
Do you think do you think they'll cancel? Snoop?
Speaker 1 (07:04):
Depends if Barnesy's free.
Speaker 2 (07:05):
Barns he could do it.
Speaker 3 (07:06):
Barnes he's already always ready to go in case of
situation break glass unless Barnsey does something controversial.
Speaker 1 (07:14):
No, I think Barnes would be ready to go, which
you can't have Barnzy every time.
Speaker 3 (07:18):
No, no, no, but Snoop, though they would have played some
sort of deposit.
Speaker 2 (07:22):
Surely there'd be a deposit.
Speaker 1 (07:23):
Would there be clauses in the deposit if he says
something inappropriate?
Speaker 2 (07:26):
And again, dog he's a.
Speaker 3 (07:28):
Rapper, and like with the deposit when they pay with
the check? You know, is that mister dog.
Speaker 2 (07:32):
Dogg or dawg?
Speaker 1 (07:36):
You know that there's a whole snoopyr real first name.
Speaker 2 (07:39):
What's actually Calvin Brotus? Okay, whatever, well.
Speaker 1 (07:42):
That's his name that's what they have crisis managers on
speed dial. I've got one. Have you got one?
Speaker 2 (07:46):
No?
Speaker 1 (07:48):
I don't really have one, but people do media crisis managers.
I met someone whose husband does that and all her
friends phone her when she's in crisis. Your husband on
what do I do? And pretty much the advice is
lie down, let the fire roll over you and say
I promised to learn and do better.
Speaker 3 (08:02):
Until something else controversial happens. Case in point, remember we
had Doc Nissan for our Backyard Jam series. He was
the pioneer of that as it came to pass, and
luckily for us, it was before social media. But Doc
came along a bit inebriated, tongue patched. The mom of
the house said inappropriate things to the daughter. I told
(08:23):
the son to f off, picked a fight with the dad.
Dad was going to call the police, and I said,
well it is he is a rock star and.
Speaker 1 (08:31):
You've had a rock blessing. Why these things have happened.
Speaker 3 (08:34):
So the next day I get a call from the
management of the radio station, what the happened with Doc
Nisen at Heathcoat yesterday last night? And I explained, the
guy wants to call the cops. He wants to go
to the newspaper. I went, oh god, So then he
hung up and then about forty minutes later, course back.
Speaker 2 (08:50):
Everything's okay. We've just found.
Speaker 3 (08:52):
Todd mckennie in a park with no pants on.
Speaker 1 (08:56):
Todd took one for the team.
Speaker 3 (08:59):
Because Tod at the time was working at Mix FM,
which was part of our network, and that's kissed.
Speaker 1 (09:04):
These days, he could say he didn't have his pants
on because he was lying down in the fire.
Speaker 2 (09:09):
That's what you do. Just let the fire roll over here.
That's all you gotta do.
Speaker 1 (09:15):
Get ready, everybody here, Jorgy, Hana, go get ready, everybody here, Georgy.
Speaker 3 (09:31):
On the cutting room floor today. It must be hard
beating a drug dealer, I would imagine, because you're selling
the drugs to your customers, but you've got police after you.
Then you've got other drug dealers after you, and then
you've got customers that might not even pay for the drugs.
Speaker 1 (09:46):
Do you have other drug people after you because you're
on their patch? In the bill, that's what happens is
you're on your.
Speaker 2 (09:54):
Pat you're on your patch.
Speaker 3 (09:55):
You look at what happened to Stuart McGill, like they
joke him away and they're going to drop his fingers.
Speaker 2 (09:59):
Off, and he was on their patch. He had nothing
to do with the drug deal He just innocently.
Speaker 3 (10:05):
I think he was just in the rest and there
was a guy and another guy and he said, you
know what.
Speaker 2 (10:12):
You two guys.
Speaker 1 (10:13):
She'd like you should be friends.
Speaker 3 (10:14):
You should be friends. Stuart is just a matchmaker. He's
putting people together. So I would be hired being a
drug dealer. But also what about a drug customer. You
go and buy your drugs and then you get ripped
off buy the drug dealer.
Speaker 1 (10:28):
And you actually can't do anything because you can't go
to the police.
Speaker 3 (10:31):
Can't go to the cops, or can you casing point?
Is this lady in America? This recently popped up on
my feed.
Speaker 1 (10:37):
I gave her a twenty and she didn't give me nothing.
Is why does show you twenty dollar bill? I gave
her a twenty dollar bill for what?
Speaker 2 (10:44):
For anything?
Speaker 1 (10:45):
I don't care whatever it's for. But she can give
me my money bag if she ain't gonna do nothing
with it. Okay, Well, you planning to buy some drugs?
Speaker 2 (10:52):
What kind of drugs do you want to buy? Rock rock?
Speaker 1 (10:55):
Yes, I was you get your twenty dollars for twenty dollars.
She gave me some plaster and now.
Speaker 4 (10:59):
You want your twenty dollars bag because she didn't supply
you with crack cocaine.
Speaker 1 (11:03):
Well, if she shouldn't give me that, I think no class.
She should have said, no, what's going on?
Speaker 2 (11:09):
She come around her a while ago. It used to
be some people in the red or whatever it used
to see. We were just sitting out here on the
porch in some church.
Speaker 1 (11:14):
So she said, you.
Speaker 3 (11:14):
Don't have anything about I said, no, babe, we don't
have nothing to sell.
Speaker 2 (11:16):
So she lets the one around the corner. Did she
come back ten minutes later.
Speaker 5 (11:20):
Holler, give my money back up, And no, you ain't
bouyt nothing from here.
Speaker 2 (11:22):
And I don't disrespect my child. This is my child.
I don't seal creck cross child.
Speaker 1 (11:31):
She believed good lives the cop.
Speaker 3 (11:34):
The cop said, I came, man, I'll go and see.
The lady has gone and seen.
Speaker 1 (11:38):
And she said, I've got a thing to sell. I've
got my childhood. Don't respect to my child.
Speaker 2 (11:41):
Don't you suspect me in front of my child. I'm
a prostitute.
Speaker 3 (11:46):
Nothing wrong with the oldest professional in the world. But
that's what it is. I remember years.
Speaker 2 (11:51):
Ago, back in my days, when he is to pin
take in a bit of the weed.
Speaker 3 (11:54):
I was up at King's Cross and I was playing
in an amusement ka Upper King's Cross, as the kids
at the time did. And this guy settles up to
me and says, hey, you want to buy some weed.
Speaker 2 (12:02):
I want to buy foil? Oh yeah, yeah, sure, yeah,
no worries.
Speaker 3 (12:06):
And I was on pinball machine D and I said
how much he has? Fifteen bucks? Oh okay, sweet, that
sounds pretty good. The going rate of a foil then
was about twenty so I thought this is a good deal. Anyway,
takes me a fifteen bucks. I'm playing the bit more machine.
I just presumed he'd come.
Speaker 1 (12:23):
Back, and did he? Brenda?
Speaker 2 (12:26):
I finished the game. Oh okay, where's old mate? Nowhere
to be seen? And I asked other people and then
did you get his name? No? And I said, well
no I didn't.
Speaker 1 (12:38):
Oh yeah, I got his name. It's Keith, oh Keith,
As if that would make any difference, did you get
his name?
Speaker 2 (12:44):
Did you get his name? This is what people said.
Speaker 1 (12:48):
You know, Brendan, You know I don't like drug stories.
Well just like them and I was at home drinking
Strawberry Quick. At the time, we had very divergent lives.
Speaker 3 (12:58):
You were mainline and Strawberry Quick, and I was happy
for you were selling selling yourself a Strawberry Quick.
Speaker 1 (13:08):
I had the local named Strawberry Slow Wow. Oh yuck.
Speaker 2 (13:12):
Dear, dear, don't do drugs.
Speaker 1 (13:14):
Stick on the quick.
Speaker 2 (13:17):
Hey, everybody on the cutting room floor today clowns.
Speaker 1 (13:26):
No one likes them. No one likes a clown. I
just have a stuffed clown that sat on my bed.
Didn't mind that scary clown. Scary clown and did look
a bit scary. I think I got it after I
had my wisdom teeth out or something. I was probably
about fifteen.
Speaker 2 (13:42):
Who gave you the clown? She thought this wild cheat?
You up?
Speaker 1 (13:46):
Well, I think so, and I did it sat on
my bed for ages. It's the sort of thing you
could normally give a seven year old. But you know,
I was a late blue You.
Speaker 2 (13:53):
Were a late developer.
Speaker 3 (13:55):
But with the clown, was it was it one of
the floppy clowns?
Speaker 2 (13:58):
Big, I just give us something.
Speaker 1 (13:59):
It was a floppy one. It wasn't one of those
creepy porcelain faced.
Speaker 2 (14:03):
Oh yeah, that's no.
Speaker 1 (14:05):
This was just a stitched one that had like crossed
stitch for and things like that.
Speaker 3 (14:09):
For some reason in my algo, that's our algorithm for
the unhip.
Speaker 2 (14:14):
This popped up.
Speaker 3 (14:15):
It's a genuine how to instructional video from the eighties
on how to be a clown.
Speaker 2 (14:24):
You're thinking of embarking on being a clown, I.
Speaker 1 (14:26):
Have embarked on being a clown. I was a clown.
Speaker 2 (14:29):
Okay, well, let's just sit on that front minute.
Speaker 3 (14:32):
So there was an instructional video from the Clanning Institute.
Speaker 2 (14:35):
There's such a thing about how you.
Speaker 3 (14:37):
Go and be a clan and where you go planning to.
For example, in this one, it demonstrates a retirement home.
Speaker 4 (14:45):
When you're ready to laun Charlotte into the unknown, possibly
the best place to begin is in a nursing home
or a care center for the elderly. When you enter
the nursing home, do not stand there with your group
in a large cluster of clowns. Clowns can look rather
intimidating if you see a lot of them in one place. True,
(15:05):
be sure to choose a partner. Two clowns together really great.
If you attempt to make visits with three or four,
you outnumber the person so much that they may feel
a bit uneasy.
Speaker 2 (15:16):
Full clowns a.
Speaker 4 (15:18):
Couple of cautions. Don't fulfill any request that is made
of you by a patient. One reason is simply this.
The elderly really receive you quite well. I think it's
because they already know how vulnerable they are. They're lonely,
and they long for touch. If they're in need of touch,
you touch them.
Speaker 2 (15:33):
Oh touch.
Speaker 4 (15:37):
There are a few common sense rules that every clown
ought to be aware of before planning to go into
a nursing home. First, call the activities director or the
manager of the institution and get permission to come. A second,
if it's your first time, plan on about a half
hour visit. During that one half hour visit of non
speaking clowning, you will discover a lot of energy has
been expended. You're going to have your heartstrings tugged as
(16:00):
you hear their plenty of voices asking you to help
them out of bed or into bed, or to take
them outdoors, or to hand them something. The best rule
of found is is don't do it.
Speaker 2 (16:11):
Cuts ups, don't do it.
Speaker 1 (16:13):
So there's mixed messages there because it.
Speaker 2 (16:15):
Says touch a clown touch I made a clown.
Speaker 1 (16:19):
First of all. It says things are going to be
asked of you don't do it, but you can touch them.
Speaker 2 (16:25):
Yeah.
Speaker 3 (16:26):
Yeah, I don't know if I was in hospital. I
have been in hospital a few times for various things.
Last thing I want is some clown trying to cheer
me up.
Speaker 1 (16:34):
I know there was just someone playing guitar that it
was going around bed to bed when my dad was
in hospital, and he can be ornery, and my brother
and I looked at each other and we saw that
the guitarist was coming over to sit near Dad. Which,
how are we going to deal with this? Dad's going
to be rude to him. We just know it.
Speaker 2 (16:49):
And what would Arthur say?
Speaker 1 (16:51):
Well, in the end, the man said, just want to
play you a song? And Dad looked at our faces.
He said that would be lovely. And he sat there
with a spoonchy face the whole time.
Speaker 3 (16:59):
Because I'd have a scoonchy, scoonchy face unless it was slash.
And he brought his stratocaster it and started doing Sweet Child
of Mine.
Speaker 1 (17:07):
Well, I've done some clown in my university. Yes, who
used to go to I went to Bathist study and
in our drama class, we did a clowning workshop and
so we went to Sophala Fair and did street clowning
in the streets.
Speaker 3 (17:21):
You know.
Speaker 2 (17:22):
Cephala in itself is cute.
Speaker 3 (17:25):
Yeah, but it's a place where you get old time prospectors.
Speaker 2 (17:27):
Come on, kids, I'm going to show you a pan gold.
You could become a millionaire.
Speaker 3 (17:31):
And you're looking at this guy and go, come on, mate,
you don't even have teeth or shoes.
Speaker 2 (17:35):
How are you going to show me to be a meionnaire.
Speaker 1 (17:37):
But also you get hippies and you get a cross
section of people who were going to enjoy our clowning work.
Speaker 2 (17:42):
Nice town to drive through and have a bit of
a ganderatte.
Speaker 1 (17:45):
See a clown. Be kind, don't give them anything. They
ausked for a spongebath. You say no.
Speaker 2 (17:50):
One time, many.
Speaker 3 (17:51):
Years ago, my mother in law mate who I love, dearly,
upon herself to do a bit of clowning around the community,
around the community of more woolenbar She go to old
folks homes.
Speaker 1 (18:03):
She'd go just as a clown, dressed.
Speaker 2 (18:05):
As a clown.
Speaker 3 (18:06):
And then one time we're up there having a barbecue
and I had my son who at the time was four.
My nephew would be similar age and his niece or
you know that bracket between eight and four, and maybe.
Speaker 2 (18:20):
To go by myself to come out of dressed as
a clown.
Speaker 3 (18:22):
I've got a photo of it somewhere and the kids
look anything but happy.
Speaker 1 (18:26):
Did they know it was their grandmother?
Speaker 3 (18:27):
Yeah, they're going and one of them, my son's going
as grandma as may has Grammy lost it?
Speaker 2 (18:37):
Has she? Should we be putting it in some sort
of home?
Speaker 1 (18:40):
And what did you say?
Speaker 2 (18:41):
I said, yeah, probably.
Speaker 3 (18:43):
Because when you put a mentally drenched clown into a home,
who goes and visits them?
Speaker 1 (18:49):
Don't give them anything?
Speaker 3 (18:50):
A psychologist m anyway, if you see a gaggle of clowns.
Speaker 2 (18:56):
Be kind, yeah, or it could be management of visiting.
Speaker 1 (18:59):
Don't ask for a spongeba.
Speaker 2 (19:05):
Everybody. It's time for Johnsy and a man's cutting room
for everybody. It's time for johns and Amanda's cutting room wall,
and it's the cutting room on the cutting room floor.
You like boats, don't you?
Speaker 1 (19:21):
Ah, I get seasick, but I have owned a boat
in the past.
Speaker 2 (19:24):
That's right. You had a boat, what was it?
Speaker 1 (19:26):
A small sailing boat? When we live near the water
at one point yep, and it was great. Harley is
to race cars and found the boat quite tricky because
he'd think it takes too long to make decisions. He
was used to making instant decisions. You have to turn
a corner after half an hour before start making the move.
Speaker 2 (19:43):
Sailing is a bit like that. Harley didn't sail as
a youngster.
Speaker 1 (19:47):
No, well, he grew up in England. I guess they
sail at England. They do, but no, he didn't.
Speaker 3 (19:51):
I one of the I was never good at sport,
but I was good at sailing. I did enjoy it
when I was a youngster. I learned to sail when
I was nine years of age and I still sail
quite quite regularly. And I've always had a hand in boats.
And there's an odd saying the greatest moment of your
life is when you bo. There's too great moments when
you be a boat owner, when you buy the boat,
and then when you.
Speaker 2 (20:11):
Sell the boat. Because they are the biggest money pit.
Speaker 5 (20:15):
In stress pit the history of the world. They are
stress and is that what you've only read of them?
Speaker 3 (20:20):
And as well as my mate sailor Jerry says, the
problem with boats is they're fine until you put them
in the water.
Speaker 2 (20:27):
And he's a ship right, so he knows hardly too well.
Speaker 3 (20:29):
I don't know if you saw that image of the
one point four million dollar yacht sinking fifteen minutes after
its maiden voyage.
Speaker 1 (20:37):
Did you see that out Titanic? What happened? Well, I
don't want to super yacht. Is it massive?
Speaker 2 (20:42):
It was fairly big.
Speaker 3 (20:43):
It was, you know, I reckon probably about twenty meters long,
and how much it were? One point four million dollars
and they've pushed it off as a chip straight over
and so.
Speaker 1 (20:55):
Oh so the minute it was launched, yeah, pretty much.
I thought it had a bit of a sailor around.
Speaker 2 (21:00):
I don't know what happened there.
Speaker 1 (21:02):
It seems to take the buns out. They have buns,
don't they know.
Speaker 2 (21:07):
But they do have things caught sea cocks.
Speaker 3 (21:10):
So they've got a sea cock that lets water inside
for the various plumbing in the boat, for your toilet,
for your engine cooling.
Speaker 1 (21:17):
Little Dad used to have a little sailing bottle that
had a bung in the back.
Speaker 2 (21:20):
What sort of sailing boat did Arthur have?
Speaker 5 (21:23):
Name?
Speaker 1 (21:23):
Some name some small ones?
Speaker 2 (21:24):
Was a sailing boat?
Speaker 1 (21:25):
Yeah? I had a little catamaran for a while, and
then he got a small sailing a single man's sailing boat.
Yeah right, I'm sure there were bungs.
Speaker 2 (21:33):
Did they have a venturi?
Speaker 3 (21:34):
A ventury works as the boat is moving, it opens
up and the water drains out and then it closes.
Speaker 1 (21:40):
This was years ago. It might have been before a
venturi was invented.
Speaker 2 (21:42):
No Venturiers have been around since the fourteenth corner ships.
Speaker 1 (21:45):
Yeah, well, dad, was a long time before that.
Speaker 2 (21:49):
I'm intrigued about that.
Speaker 1 (21:50):
Well, anyway, tell me what happened here.
Speaker 3 (21:51):
You think, Oh, it looks to me that they didn't
put enough ballast in it, or was poorly designed and
built to top heavy and it's fallen over.
Speaker 1 (22:00):
Maybe you know what they did. Maybe the baliage thing
is that what it's called when you smash a bottle
of champagne against it to christen it. Maybe that unhinged
it somehow.
Speaker 3 (22:13):
No, I didn't see anyone cracking champagne over it, and
obviously not afterwards.
Speaker 2 (22:18):
Those things that they they're very gaudy, those boats.
Speaker 3 (22:21):
It's a gaudy boat, very top heavy, gaudy.
Speaker 5 (22:25):
The chandeliers will do that that that that can happen
one yeah, but you look at the history of boats,
you know from the Titanic unsingable.
Speaker 2 (22:33):
Don't call a boat unsingable. We learned that from from that.
All all the boats that have sunk in time.
Speaker 3 (22:40):
They're always fraught with stories of I guess cockiness. And
perhaps these people as they pushed it off into the
water thought that.
Speaker 1 (22:49):
Yeah, but you'd be straight backed in the manufacturer, wouldn't you.
Come on, mate, Come on mate, bec.
Speaker 2 (22:55):
Iff and fun.
Speaker 1 (22:58):
Want my money back.
Speaker 2 (22:59):
Have a boat and camp and fish and a mate,
come on, sold me?
Speaker 1 (23:02):
Is this because of the buns?
Speaker 2 (23:04):
Is this what it is? But you've got to check
your cock when you go on out in the boat.
Speaker 3 (23:08):
Now, that's why it's a thing. Don't make anything of this.
And there's two schools I thought. Sailors they usually close
up the sea cock because there's a chance that that
could fail and flood your boat and sink. And the
sea cock in this point cools the engine down. Stinkboat operators.
Speaker 1 (23:28):
If you've got what you need as an engine, if
you're just sailing, no.
Speaker 3 (23:30):
Well you needed to get around if you want to
do a little motor boating, So what you do.
Speaker 2 (23:36):
And sailors they'll leave their sea cock closed.
Speaker 3 (23:39):
But what happens if you start the engine the engine
is not cooling down, You burn out your impeller. Stinkboat
owners tend to leave their sea cocks open because of
the aforementioned burning out your impellers.
Speaker 1 (23:50):
And constantly using the motor, and constantly.
Speaker 2 (23:52):
Using the motor. Very good that girl there, you've been
on the cock before.
Speaker 1 (23:57):
Good boy,
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