June 17, 2024 • 6 mins
As the whole world talks about the 6 minute sex scene from Bridgerton this week, Ali finds the script and recreates the moment on air with Max.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Meg's one or two point three, Max and Ali in
the morning. All right, if you have a Bridgeton fan
at home and you have not seen them for.
Speaker 2 (00:07):
The last little while, that's okay because.
Speaker 1 (00:09):
The final episodes of season three have dropped and it
all happened Thursday night, that's when they were released. And
to say that it was a bit soucy, there's an understatement.
For those that you don't know Bridgington, it's like a
period drama and it's basically lots of people all dressed
up in their finery and they have to go on
(00:31):
the dating scene.
Speaker 3 (00:32):
It's like the eighteen hundreds in or something Mayfair.
Speaker 1 (00:35):
Picture the really dark blue area of the monopoly board.
That's where we're hanging out.
Speaker 4 (00:39):
Very multicultural London in the thirty minutes that I watched
of it. It's very different in Bridgington in real.
Speaker 1 (00:44):
Life because the person behind it is Chondre Rhymes, and
she does Gray's Anatomy, and she is a black writer,
and so she always puts in a really diverse cast.
So that's part of the reason why I think people
love it. The other reason is because they turn some
of the big hits that are going around on the
radio station into classic tunes and they do some awesome
dance numbers.
Speaker 3 (01:03):
I enjoy that. In my brief fora into Bridgeton.
Speaker 1 (01:06):
So what you didn't stick around for, though, was the
final consummation of Colin Bridgeton and Penelope Featherington's relationship.
Speaker 3 (01:16):
Colin.
Speaker 1 (01:16):
Now, Penelope was always a bit of a wallflower. Her
two older sisters got married off into the market really easily,
but she never felt that she was good enough, and
she had always had.
Speaker 2 (01:28):
The hots for Colin.
Speaker 3 (01:29):
She's the redhead, yes, yeah, yeah.
Speaker 1 (01:31):
And the people who really follow Bridgeton do what you
always do when there is an amazing couple. You give
them a couple name like Branjelina.
Speaker 3 (01:38):
Oh cool, what have you got Poland I quite like it, Actually,
I quite like it.
Speaker 1 (01:43):
So we were left on this big swinging, you know, cliffhanger,
because they ended up having a fight just when it
looked like they were going to get together. But come
back to it and guess what, Not only are they kissing,
but they were involved in a six minute love scene.
Speaker 3 (01:59):
Success if it's essentially an adult film.
Speaker 1 (02:02):
Well this and this is where I think I can
help you max with your relationship and the romance for
your beautiful wife, Eliza.
Speaker 3 (02:09):
She'd be awake now, she might be listening.
Speaker 2 (02:11):
Well, she might be staying in bed when she finishes this.
Let me tell Okay, all right, so what I've done.
Speaker 3 (02:16):
You've got a lot of papers in front of the script.
Speaker 1 (02:20):
For this moment, all right, okay, and I've highlighted your lines,
as Colin Bridgiten.
Speaker 3 (02:27):
They're all highlighters.
Speaker 2 (02:31):
This is what it is. He does all the work,
That's what I'm saying. All Right, here we go.
Speaker 1 (02:35):
I am Penelope Featherington, and just picture this. We're in
a dark sort of room with opulent furnishings, beautiful, heavy
heavy drapes, candlelight because of course there was no electricity
back then, and there's a large mirror in front.
Speaker 3 (02:52):
Okay, here with me, I am. Do I have to
do an accent?
Speaker 4 (02:55):
Yeah?
Speaker 3 (02:55):
I love gez.
Speaker 2 (03:02):
Come on, here we go.
Speaker 3 (03:02):
Here we go, all right, Colin Bridgeston.
Speaker 2 (03:05):
But once you hear this, seriously, oh, I think the
gaspings coming in.
Speaker 3 (03:09):
A little bit early.
Speaker 2 (03:10):
Once you hear this, you won't have to watch it.
Speaker 4 (03:12):
Okay, you are the This is just me complimenting you,
the cleverest, bravest woman I have ever known. You make
me feel seen in ways I have never felt seen before.
And then there is the way your hair cascades down
your shoulder you do have long hair out, the way
(03:32):
your eyes shine.
Speaker 3 (03:33):
When you look at me like two blue pools, the.
Speaker 4 (03:36):
Firmness of your limbs, part of just so, the softness
of your skin. And then there are other parts I've
been treating a fast.
Speaker 3 (03:47):
Hang on, breathing fast.
Speaker 2 (03:48):
I feel that you're rushing this. By the way, breathing
is the director in me.
Speaker 3 (03:51):
Okay, breathing heavily is highlighted. Yes, come on, you must
tell me to stop. If you do not wish for this.
Speaker 2 (03:59):
I do not wish for you to stop.
Speaker 3 (04:01):
You can do the next bit in brackets, Lie down,
chuckle softly.
Speaker 2 (04:09):
You got it doing. You don't read the bits and
braggets can do the bits and bragget.
Speaker 3 (04:15):
Giggle, giggle, giggle. You are so beautiful. Tell me what
to do. I will do everything. No, tell me you
could touch me where anyway? Not there? Where does she touch?
Just get not there?
Speaker 2 (04:32):
Well you just see the hand go beneath it.
Speaker 3 (04:34):
No, not there, God, no, you idiot, not there? Not yet?
May I breathing heavily?
Speaker 4 (04:42):
Oh?
Speaker 2 (04:42):
Yes, why did you stop?
Speaker 3 (04:45):
Are you ready? Is there more this? Oh my god?
Chuckle softly. This may hurt. You told me this is
going to be romantic. This may hurt. I cannot help it,
I promise, but it should only be this first time.
Speaker 4 (05:06):
All right, It is all right, Yes, I guess, keep going.
Speaker 3 (05:14):
Keep going. So many brackets, so many brackets, Colin sighing,
that's me, I'm moaning. Ah, both chuckling, haha. Is it
all right?
Speaker 2 (05:22):
It was perfect? Can we do it again?
Speaker 3 (05:25):
Give me five minutes, Love, maybe ten.
Speaker 1 (05:29):
I don't know that you were really into it, you reckon. No,
I just don't think you're into the romance.
Speaker 3 (05:36):
Of it all.
Speaker 4 (05:36):
But reading that, reading that, what were the bits that
really I mean, apart from all of it.
Speaker 3 (05:43):
This is a four page script for everyone playing at home.
Speaker 4 (05:47):
This may hurt, but after chuckling, chuckles softly, this is
going to hurt, Love, Who is this psychopath?
Speaker 3 (05:54):
Colins?
Speaker 2 (05:55):
The best? You're gonna have to go and watch it
now because I'm not going to tell you what happened.
Speaker 3 (06:00):
Thing heavily, What do you think I'm.
Speaker 2 (06:03):
To your feminine? You know energy?
Speaker 3 (06:07):
Sure? Why not? You could touch me where anywhere? Not
there
Meg's one or two point three, Max and Ali in
the morning. All right, if you have a Bridgeton fan
at home and you have not seen them for.
Speaker 2 (00:07):
The last little while, that's okay because.
Speaker 1 (00:09):
The final episodes of season three have dropped and it
all happened Thursday night, that's when they were released. And
to say that it was a bit soucy, there's an understatement.
For those that you don't know Bridgington, it's like a
period drama and it's basically lots of people all dressed
up in their finery and they have to go on
(00:31):
the dating scene.
Speaker 3 (00:32):
It's like the eighteen hundreds in or something Mayfair.
Speaker 1 (00:35):
Picture the really dark blue area of the monopoly board.
That's where we're hanging out.
Speaker 4 (00:39):
Very multicultural London in the thirty minutes that I watched
of it. It's very different in Bridgington in real.
Speaker 1 (00:44):
Life because the person behind it is Chondre Rhymes, and
she does Gray's Anatomy, and she is a black writer,
and so she always puts in a really diverse cast.
So that's part of the reason why I think people
love it. The other reason is because they turn some
of the big hits that are going around on the
radio station into classic tunes and they do some awesome
dance numbers.
Speaker 3 (01:03):
I enjoy that. In my brief fora into Bridgeton.
Speaker 1 (01:06):
So what you didn't stick around for, though, was the
final consummation of Colin Bridgeton and Penelope Featherington's relationship.
Speaker 3 (01:16):
Colin.
Speaker 1 (01:16):
Now, Penelope was always a bit of a wallflower. Her
two older sisters got married off into the market really easily,
but she never felt that she was good enough, and
she had always had.
Speaker 2 (01:28):
The hots for Colin.
Speaker 3 (01:29):
She's the redhead, yes, yeah, yeah.
Speaker 1 (01:31):
And the people who really follow Bridgeton do what you
always do when there is an amazing couple. You give
them a couple name like Branjelina.
Speaker 3 (01:38):
Oh cool, what have you got Poland I quite like it, Actually,
I quite like it.
Speaker 1 (01:43):
So we were left on this big swinging, you know, cliffhanger,
because they ended up having a fight just when it
looked like they were going to get together. But come
back to it and guess what, Not only are they kissing,
but they were involved in a six minute love scene.
Speaker 3 (01:59):
Success if it's essentially an adult film.
Speaker 1 (02:02):
Well this and this is where I think I can
help you max with your relationship and the romance for
your beautiful wife, Eliza.
Speaker 3 (02:09):
She'd be awake now, she might be listening.
Speaker 2 (02:11):
Well, she might be staying in bed when she finishes this.
Let me tell Okay, all right, so what I've done.
Speaker 3 (02:16):
You've got a lot of papers in front of the script.
Speaker 1 (02:20):
For this moment, all right, okay, and I've highlighted your lines,
as Colin Bridgiten.
Speaker 3 (02:27):
They're all highlighters.
Speaker 2 (02:31):
This is what it is. He does all the work,
That's what I'm saying. All Right, here we go.
Speaker 1 (02:35):
I am Penelope Featherington, and just picture this. We're in
a dark sort of room with opulent furnishings, beautiful, heavy
heavy drapes, candlelight because of course there was no electricity
back then, and there's a large mirror in front.
Speaker 3 (02:52):
Okay, here with me, I am. Do I have to
do an accent?
Speaker 4 (02:55):
Yeah?
Speaker 3 (02:55):
I love gez.
Speaker 2 (03:02):
Come on, here we go.
Speaker 3 (03:02):
Here we go, all right, Colin Bridgeston.
Speaker 2 (03:05):
But once you hear this, seriously, oh, I think the
gaspings coming in.
Speaker 3 (03:09):
A little bit early.
Speaker 2 (03:10):
Once you hear this, you won't have to watch it.
Speaker 4 (03:12):
Okay, you are the This is just me complimenting you,
the cleverest, bravest woman I have ever known. You make
me feel seen in ways I have never felt seen before.
And then there is the way your hair cascades down
your shoulder you do have long hair out, the way
(03:32):
your eyes shine.
Speaker 3 (03:33):
When you look at me like two blue pools, the.
Speaker 4 (03:36):
Firmness of your limbs, part of just so, the softness
of your skin. And then there are other parts I've
been treating a fast.
Speaker 3 (03:47):
Hang on, breathing fast.
Speaker 2 (03:48):
I feel that you're rushing this. By the way, breathing
is the director in me.
Speaker 3 (03:51):
Okay, breathing heavily is highlighted. Yes, come on, you must
tell me to stop. If you do not wish for this.
Speaker 2 (03:59):
I do not wish for you to stop.
Speaker 3 (04:01):
You can do the next bit in brackets, Lie down,
chuckle softly.
Speaker 2 (04:09):
You got it doing. You don't read the bits and
braggets can do the bits and bragget.
Speaker 3 (04:15):
Giggle, giggle, giggle. You are so beautiful. Tell me what
to do. I will do everything. No, tell me you
could touch me where anyway? Not there? Where does she touch?
Just get not there?
Speaker 2 (04:32):
Well you just see the hand go beneath it.
Speaker 3 (04:34):
No, not there, God, no, you idiot, not there? Not yet?
May I breathing heavily?
Speaker 4 (04:42):
Oh?
Speaker 2 (04:42):
Yes, why did you stop?
Speaker 3 (04:45):
Are you ready? Is there more this? Oh my god?
Chuckle softly. This may hurt. You told me this is
going to be romantic. This may hurt. I cannot help it,
I promise, but it should only be this first time.
Speaker 4 (05:06):
All right, It is all right, Yes, I guess, keep going.
Speaker 3 (05:14):
Keep going. So many brackets, so many brackets, Colin sighing,
that's me, I'm moaning. Ah, both chuckling, haha. Is it
all right?
Speaker 2 (05:22):
It was perfect? Can we do it again?
Speaker 3 (05:25):
Give me five minutes, Love, maybe ten.
Speaker 1 (05:29):
I don't know that you were really into it, you reckon. No,
I just don't think you're into the romance.
Speaker 3 (05:36):
Of it all.
Speaker 4 (05:36):
But reading that, reading that, what were the bits that
really I mean, apart from all of it.
Speaker 3 (05:43):
This is a four page script for everyone playing at home.
Speaker 4 (05:47):
This may hurt, but after chuckling, chuckles softly, this is
going to hurt, Love, Who is this psychopath?
Speaker 3 (05:54):
Colins?
Speaker 2 (05:55):
The best? You're gonna have to go and watch it
now because I'm not going to tell you what happened.
Speaker 3 (06:00):
Thing heavily, What do you think I'm.
Speaker 2 (06:03):
To your feminine? You know energy?
Speaker 3 (06:07):
Sure? Why not? You could touch me where anywhere? Not
there
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