May 6, 2025 • 36 mins
- Woody and Mim are having a…….!
- Woody unveils the new billboard that’ll feature nationally!
- Elsa joins Woody in the studio
- We’ve found the worst people in the workforce!
- Myles Smith talks to Will & Woody about Ed Sheerans secret pub
See omnystudio.com/listener for privacy information.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:04):
So Will m Woody podcast.
Speaker 2 (00:10):
Will you are currently completely dressed as Elsa here in
the studio?
Speaker 3 (00:14):
A little bit embarrassed, I'd say, because you thought the
reason I've brought my daughter and my wife in here
was to try and convince her to take off her
Elsa dress to pretending to be Elsa.
Speaker 1 (00:28):
Well, that's not actually why my wife were in here.
Speaker 3 (00:33):
You can leave the dress on.
Speaker 4 (00:35):
I am like in the dress.
Speaker 2 (00:36):
I just have a question to ask Remy. Yeah, very funny.
Oh hey, Remy, you ate my nose? Can I have
my nose back?
Speaker 5 (00:46):
Oh?
Speaker 2 (00:46):
Thank you? Oh no, you atee my nose again? Okay,
hey Remy, you ate my nose?
Speaker 1 (00:53):
Remy?
Speaker 2 (00:54):
What is in mummy's tummy?
Speaker 3 (00:58):
A baby?
Speaker 5 (01:01):
A baby?
Speaker 6 (01:02):
Hello?
Speaker 1 (01:04):
I wish she put it in a little bit more
effort with a baby?
Speaker 3 (01:08):
What's in mummy's tummy?
Speaker 1 (01:10):
Is it a boy or a girl?
Speaker 7 (01:15):
We are quite.
Speaker 4 (01:19):
We got there, out go congratskuys.
Speaker 3 (01:32):
It is quite stressful though, because every time we said, wol,
do you want a brother or a sister? She says
a sister. So she tell everyone it's going to be
quite aw do you want a brother or a sister?
She's making that very clear. She wants a sister, but
we're not sure it might be a boy.
Speaker 1 (01:49):
Yeah, a boy, yeah boy.
Speaker 4 (01:51):
Yeah, maybe we should stop relying on the two year
old for comments. Here, I'm actually to her and she's
trying to eat the microphone. Great job, rem you nailed it.
How are you feeling them more importantly?
Speaker 3 (02:06):
Good?
Speaker 1 (02:06):
I mean first trimes is always pretty rough in terms
of feeling pretty shabby. But we're over that.
Speaker 3 (02:12):
Part and yeah, onto bigger things.
Speaker 1 (02:15):
Get definitely my valley, bigger nice.
Speaker 3 (02:18):
Definitely sick of this time around a definitely a way
way sick of it. And I mean there's that person
that just constantly is talking and causing a scene.
Speaker 4 (02:27):
So a little bit, but she seems excited.
Speaker 3 (02:31):
She is, she is excited, aren't you?
Speaker 1 (02:34):
Yeah? Are you going to eat the baby's nose too?
Speaker 3 (02:37):
Yeah, she's nodding.
Speaker 1 (02:39):
This is why you don't have a job on radio,
my friend.
Speaker 3 (02:41):
Yeah, it is. It's very very exciting. And does Will
look silly in his dress?
Speaker 4 (02:46):
Georgia crying out?
Speaker 7 (02:48):
Crying?
Speaker 4 (02:49):
Are you crying because you just went and got an
l's address for me and you spent two hours shopping
around costume shops for them to do something else? Yeah?
Speaker 3 (02:58):
Sorry, about that, Jay, you did a great job.
Speaker 4 (03:02):
Congrats. More news right up next as well.
Speaker 1 (03:06):
Yes, actually, business, okay, I'm going to take I have
been doing some business behind the scenes.
Speaker 4 (03:17):
William. Let's get done, let's get down.
Speaker 3 (03:24):
I told you this yesterday. Will there is a distinct
lack of billboards. Yeah, promoting this radio show.
Speaker 4 (03:31):
Yeah, everyone agrees. Apart from the advertising guys, no doubt.
Speaker 3 (03:34):
It's just we're not part of the strategy.
Speaker 4 (03:36):
Did you go with someone from marketing early on and
ghost or something?
Speaker 1 (03:40):
And how dare you make that assumption tainting my image?
Speaker 3 (03:44):
No? I don't know why, but apparently there is a strategy.
The strategy is no billboards for Will and Woody.
Speaker 1 (03:49):
So I've taken business into my own hands. I was
telling you this yesterday.
Speaker 3 (03:52):
I had this idea of billboard bombing. It's like photo bombing.
Everyone knows the concept of photo bombing. You sneak into
people's phone.
Speaker 4 (04:00):
Everyone knows the concept of photograph. You just said it.
The question don't need to explain it after.
Speaker 1 (04:03):
The question is can you sneak onto a billboard?
Speaker 4 (04:08):
Right?
Speaker 3 (04:09):
The billboards are everywhere, big companies are paying for billboards.
Can we get our faces on another company's billboards. And
as I said yesterday, I got a lot of no's
from companies.
Speaker 4 (04:22):
Well, it's hard to model it, put youslf in the issues.
It's hard to know what they're after, what they get
out of it.
Speaker 1 (04:27):
Well, my free models, it's like, we're not going to
charge you.
Speaker 4 (04:30):
But if they can pay the model fee and they
actually get something that's attractive and now it's their brand.
Speaker 3 (04:36):
And a lot of people said that to me over
the phone. But as I said to you yesterday, Will
all we needed was one yes, and we bloody got one.
Will you and me are going to with Glowbird Energy
be on one hundred billboards nationally?
Speaker 4 (04:53):
But we're not models.
Speaker 1 (04:55):
How can I be to skin up.
Speaker 3 (04:58):
Glowbird Energy, the award winning glow Bird Energy. They have
paid for one hundred billboards nationally. We are going to
be on those billboards. Will You haven't seen the billboard yet.
I've been working tirelessly, tirelessly with their team.
Speaker 4 (05:18):
But I'm not on the billboard yet. You are, Oh
damn it, I'm already on it. Where on it?
Speaker 1 (05:24):
Oh you've chosen that, I've chosen it.
Speaker 4 (05:26):
The photo.
Speaker 3 (05:27):
Yeah, Look, there's a lot of push and Paul because
you've got to appreciate I'm trying to promote our radio show.
Speaker 4 (05:33):
Surely I get signed off. Is this me? I've got
to sign off on.
Speaker 1 (05:35):
This now kind of already been signed off on.
Speaker 4 (05:37):
What do you mean it's my face.
Speaker 3 (05:39):
Yes, I was representing our company, Will and Woody Proprietary Limited.
Speaker 1 (05:43):
I only need one sick apparently.
Speaker 3 (05:45):
Anyway, there's obviously a lot of push and pul because
glow Bird they want to use the billboard to promote
their amazing energy deals.
Speaker 1 (05:51):
And the deals are amazing.
Speaker 3 (05:53):
I've got to tell you they've paid for one hundred
billboards national and you're about to see what Australia is
going to see.
Speaker 4 (05:59):
My friends, Okay, show the billboard.
Speaker 3 (06:05):
How good is that? How good is that? Tell Australia
what you see Will that that is going to be everywhere.
Speaker 4 (06:11):
It's you.
Speaker 3 (06:12):
There's a lot of me, there's a lot of me
just you. Well, no, you're there, but there's just their
tagline is partially covering you, but we've got your.
Speaker 4 (06:21):
Belly's entirely covering me.
Speaker 3 (06:23):
But I think it's good. I don't know.
Speaker 1 (06:25):
I mean, I think that's good that one hundred locations.
Speaker 4 (06:27):
Nationally, Will and I can't change that, can I.
Speaker 3 (06:30):
Well, it's been signed off on, mate, that is that
is logged in. We can't really see your face, but
I and I'm happy. If you guys want to see it.
By the way, jump onto our Instagram or TikTok, Will
and Woody.
Speaker 1 (06:41):
You can see the billboard that is going to be
rolled out nationally.
Speaker 3 (06:44):
Let us know your thoughts that look, you've got to.
Speaker 4 (06:46):
Do with them, Like at this point, what is like
a get award winning energy you got to do with
you with your shirt off in a purple search? What
is that just another man's snail trail? That's it?
Speaker 3 (06:58):
Absolutely, they're not. No, they've signed off on it. Everyone's happy.
It's a little bit confusing, and the more I look
at it, the more I like it. I think it
is kind of funny that you're completely covered. I'm sorry
I was I was hiding that, but that is funny.
Speaker 4 (07:15):
Can you just get rid of the just one of
the shrink the words and move them down or surely
there was a bit of jostling going on when they
were in the Microsoft paint or whatever they do these
things in.
Speaker 1 (07:25):
Initially we were both covered.
Speaker 3 (07:28):
Freeing me. I had to choose one of us gone
with me.
Speaker 4 (07:32):
They made the right choice.
Speaker 3 (07:33):
It anyway, you guys want to say it, get to
Will and Woody Instagram.
Speaker 4 (07:37):
It's going all over the country. Well, yeah, I don't
really care. I mean, at the end of the day,
it could be anyone that is a part of that.
Speaker 3 (07:45):
It does just look like I'm promoting global energy at
this point.
Speaker 4 (07:48):
Yeah, well you've also got your hands down your pants.
Speaker 8 (07:51):
Yeah.
Speaker 3 (07:51):
Look, there's a lot going on, but let's just say
there's a twenty four hour cooling off period. Twenty four
I'm not one hundred percent sure these actually might be
out there. If you're really unhappy with it, we might
be able to go back to him. If you really are,
all right, Well, I don't really care.
Speaker 4 (08:05):
It's not my face. The question is how do you
feel about the fact that you got your hands down
the pants and you're sealing energy.
Speaker 1 (08:11):
I think it's sexy. Okay, energy is sexy.
Speaker 3 (08:15):
Sexy is energy. Anyway, let us know what you guys think.
Let us know what you guys think Instagram, Will and
Woody TikTok Will and Woody. I think if there's an
overwhelming sentiment that this is bad, yeah, maybe we can
doesn't a radio show.
Speaker 4 (08:27):
Doesn't say will and Woody anyway, that's a good argument,
and say Fortune six it's a good argument. Just a
random guy with a purple suit with his hands down
his pants.
Speaker 1 (08:33):
It don't say Willam Woody anyway. So we can massage this.
Speaker 3 (08:36):
We're gonna massage. It's just a prototype. I've backed off
a lot.
Speaker 4 (08:44):
Out there.
Speaker 3 (08:45):
Can I get Glowe bet on the phone? Will I
just cards on the table. I really need to help
(09:05):
with something, and you're not gonna You're not gonna like
doing this, but you've gotta hate it if I'm being honest.
Speaker 1 (09:11):
But just know that it'll be helping the friend.
Speaker 3 (09:14):
So before I get to that, yesterday on the show,
I was talking about an issue that I'm having with
my daughter, Remy yep Rem is currently obsessed with her
Elsa dress. So this thing is shabby, it's got holes,
it's got stains, like it doesn't matter how many times
I put this thing for the washing machine. There is
a pong, but she refuses to wear anything else except
(09:36):
this Elsea dress.
Speaker 1 (09:37):
So it's also getting colder now, so it's freezing cold
in the morning. Yah, all she wants to wear is
there Elsa dress?
Speaker 3 (09:42):
So you can't put a jacket over the top of
that n because Elsa doesn't wear a jacket.
Speaker 4 (09:47):
She's the ice cream.
Speaker 3 (09:48):
Cold doesn't bother her exactly. How bad do you think
it is or how damaging do you think it will
be if I secretly behind Remy's back throw out her
favorite dress, Like is this going to be the kind
of thing that she just forgets about it in a
day and then happy days? Or is this the kind
of thing that might leave her slightly traumatized?
Speaker 4 (10:06):
You could get someone to pretend to be Elsa.
Speaker 1 (10:13):
It's a good point from you. You could get someone
to pretend to be Elsa.
Speaker 4 (10:19):
Yeah, someone that you know, there's lots of people actually
professionally I think are Elsa? Yeah, and that sounds expensive
on ice did a frozen thing recently, got a bit
of a contra deal on them.
Speaker 6 (10:30):
You know, she comes on the show. We pumped up
the show with.
Speaker 4 (10:32):
What we normally do.
Speaker 3 (10:33):
Sounds like a when we're a national radio show.
Speaker 4 (10:35):
Idea, I aspeak. We could probably ask Adina Menzeld to
come in here and be Elsa. I that'd be the cream.
Speaker 1 (10:39):
We could do that.
Speaker 4 (10:40):
All those things very available to us, we could we.
Speaker 1 (10:42):
Could that just to me, that's just setting like a
lot of work.
Speaker 6 (10:45):
Any blonde woman I do produce around least she could
be Elsa.
Speaker 4 (10:49):
Yeah, el about it.
Speaker 3 (10:50):
Actually had that idea, and now executive producers said, it's
just getting weird if you're asking to producer to dress up.
Speaker 4 (10:55):
So it's a good flake.
Speaker 1 (10:56):
So it was a good flag.
Speaker 3 (10:58):
Usually flags too much.
Speaker 1 (10:59):
But I said, I'll put that one down so.
Speaker 4 (11:02):
I can't tell her produce.
Speaker 3 (11:04):
That's his word. And as soon as he said that
back to me, I was like to hear it back,
I totally get it.
Speaker 1 (11:09):
But here's what you can do. You can ask your
best mate to dress up as Elsa.
Speaker 3 (11:13):
Why why am I doing?
Speaker 4 (11:16):
You've got the hair for it.
Speaker 1 (11:18):
She'll know it. I'm her father.
Speaker 3 (11:19):
She'll know it's man.
Speaker 4 (11:21):
Find year old man with a beard.
Speaker 3 (11:23):
Yeah well maybe well maybe she just won't look at
the beard. I think.
Speaker 1 (11:28):
Look under your desk.
Speaker 3 (11:29):
Under your desk right now, there's address, there's a wik
This is what I'm gonna need.
Speaker 1 (11:32):
I'm gonna need you to put that on.
Speaker 4 (11:33):
Why.
Speaker 1 (11:34):
I'm just I'm pulling the best friend card out mate.
I don't do it much. I'm pulling it out.
Speaker 4 (11:39):
To be fair.
Speaker 3 (11:39):
I pull this card out of fair bed.
Speaker 4 (11:40):
But I'm pulling again already out I've been flapping it
in for six years.
Speaker 3 (11:44):
Well I'm pulling that again. I just think that you
are my key to getting my daughter to What.
Speaker 4 (11:51):
Do you want me to do?
Speaker 3 (11:51):
Well, basically, I need you to train right now as Elsa.
But this is your rehearsal. My daughter is going to
come into the studio in an hour's time. I've arranged
that my wife. She's coming in and by that stage,
you're going to be ready to pretend to be Elsa.
But before we do that, we need to train. So
thirteen one oh six five is our number. There are
any kids listening right now that would like to talk
(12:13):
to Elsa?
Speaker 4 (12:14):
Am I? Elsa?
Speaker 1 (12:15):
Yep?
Speaker 4 (12:16):
Yep? What else? It doesn't sound like this?
Speaker 3 (12:19):
We'll work on that. My voice, you're gonna have to
work on that. You don't have to work on that.
Speaker 1 (12:23):
Hey, you're trained.
Speaker 6 (12:23):
You're seeing any lines here in terms of.
Speaker 1 (12:27):
I hadn't thought about anyway thirteen one oh six five.
Speaker 3 (12:31):
So I don't know.
Speaker 4 (12:34):
Yeah, I think, well it's questionable.
Speaker 1 (12:36):
I think it was more of a flag to make
one of our producers dress up.
Speaker 4 (12:39):
Definitely look asking twenty four year old to do cosplay.
Definitely an issue. We're chosen the best of two evils.
I think, what's that if any transgender people?
Speaker 3 (12:49):
Well no, I don't think. Well, well there's a question.
There's a question there.
Speaker 1 (12:52):
Keep your voice, don't change your voice.
Speaker 3 (12:54):
Okay, I think Elsa, now that you've you it has
changed your voice.
Speaker 1 (13:00):
Thirteen one o six five.
Speaker 4 (13:01):
Yeah, what is this like a litmus test to see
if I can be Elsa?
Speaker 3 (13:06):
This is just your rehearsal. Yeah, okay, do you want
to talk to Elsa?
Speaker 6 (13:10):
I'm Elsa.
Speaker 1 (13:12):
I'll explain it.
Speaker 3 (13:13):
So my daughter refuses to wear anything but an Elsa
dress right now, and it's just it's dirty, it's it's
getting cold outside, it's got holes, it's got ribs, and
there's a bit of a pong about it.
Speaker 4 (13:23):
Now.
Speaker 1 (13:23):
It was actually your idea yesterday.
Speaker 3 (13:25):
You were like, hey, why don't you get someone to
dress up as Elsa and then say to her, hey,
it's Elsa. I need a spare change of clothes. Can
I have that dress? And it's a way of stopping
my daughter when we're in the Elsa dress.
Speaker 1 (13:39):
I think it's genius. I think it's brilliant.
Speaker 3 (13:41):
So right now, my daughter and my wife are going
to be coming into the studio in about an hour's
time where hopefully this whole this whole plan can play out.
But I think you need to do a little bit
of rehearsal with you with your Elsa. Let's get your
Elsa up to scratch. So we've got some kids that
have called on thirteen one oh sixty five that we're
king to have a chat to Elsa on the radio. So,
(14:04):
so I think from this point on, you were Elsa.
Speaker 4 (14:06):
Yeah, I'm in the character.
Speaker 3 (14:07):
Okay, okay, we've got THEA here, Hi, THEA.
Speaker 7 (14:13):
Hello.
Speaker 4 (14:14):
Hi.
Speaker 1 (14:14):
Do you you're a big fan of Elsa?
Speaker 5 (14:17):
Yeah?
Speaker 3 (14:17):
Okay, Well I've actually got little Elsa, I mean big
Elsa or just Elsa right here?
Speaker 1 (14:25):
Do you want to say hello to Elsa?
Speaker 5 (14:27):
Yeah?
Speaker 1 (14:29):
Go on Elsa?
Speaker 5 (14:30):
He Hello, Hello, Hello? Where I was dress?
Speaker 4 (14:43):
Why do I wear a blue dress?
Speaker 9 (14:45):
Because oh my, it's cold cold blues?
Speaker 4 (14:52):
Ye?
Speaker 7 (14:54):
I put my white dress in with the colors. When
you think, yes, the thing or what do you want
for Christmas?
Speaker 3 (15:05):
Isn't it? Let's go to Brooklyn here? Hey, hey, hey,
really good, really good, really good? Brooklyn? Is it a
special day? Today? Is today special? For you, Brooklyn.
Speaker 5 (15:19):
It's my eleventh birthday.
Speaker 3 (15:21):
Hey Brooklyn, would you like Elsa to sing Happy birthday
for you?
Speaker 4 (15:25):
Yes?
Speaker 1 (15:26):
Okay? Else Elsea, Yeah, come on sing sing Elsa.
Speaker 7 (15:36):
Happy Birthday.
Speaker 4 (15:45):
That's all else has got. You've got to pay her
for more than that.
Speaker 9 (15:52):
The ice castle takes the ice castle knees up, keep
big overheads running, the fridges on full at the moment,
global warming Eve here.
Speaker 3 (16:04):
Elsa will be here all night. Try the veal, Hi, Eve, Hello, Hi,
you've got a request.
Speaker 1 (16:12):
You've got a request for Elsa?
Speaker 5 (16:15):
Oh yeah, do you reckon?
Speaker 3 (16:17):
You could see let it go?
Speaker 1 (16:19):
I think she could.
Speaker 8 (16:20):
I think she normally she does charge your fee for
let it go? Come on, I need normally full accompaniment
and one Elsa? Is there a backing track?
Speaker 1 (16:33):
Here we go?
Speaker 4 (16:37):
Else, I genuinely don't get that high.
Speaker 1 (16:40):
Sorry, give it go, Else, give it a go?
Speaker 4 (16:44):
Shut up? Who's laughing in the background? There? Let let
it go? Let it go? You have to pay for
anything more than that. That's all you get?
Speaker 8 (16:55):
What you.
Speaker 3 (16:57):
That was amazing?
Speaker 4 (17:00):
All the best man to one and All says that
sometimes we do a little thing called a hook or
a tease, where we say something before a song in
(17:22):
order to keep you listening.
Speaker 3 (17:24):
During the song, drive Tirut and drive.
Speaker 4 (17:26):
Time spent listening and they put our numbers up. And
so what I said before the song was them a
little hook or a little teas whereby I said, Gordon
Ramsey's so bad at his job that he puts some
in the hospital and he's related to that person. And
I'm just gonna be honest with you, guys, that's a lie.
It's a straight up lie. But now you're here, We've
got you here. But you know you start. I mean,
not that you didn't want to stick around through that
last absolute bell through of a tune, but doci. But
(17:49):
let's just get down what this story is actually about.
So it's arguably the most nothing story I've seen in
the last two to three years. I reckon. They've they've
basically sandwiched together. They just want to put Gordon round
dinner story. There's the Grand Prix, his daughter I didn't
know this is an influencer, okay, And they've also managed
to crowbar in there the fact that David Beckham had
a fiftieth birthday. So it's actually a modern Actually, this,
(18:12):
I imagine is what happens at the Daily Mail. They're like, right, guys,
we've got David Beckhams fiftieth, we've got the Grand Prix,
we've got Gordon Ramsey, let's get it. And Gordon Ramsey's daughter.
By the way, no one really cares about god food poisoning.
Let's just throw some let's just throw some ideas around.
How do we make a story out of that?
Speaker 3 (18:27):
Yeah? Totally, So what is the story? How'd they do it?
Speaker 4 (18:31):
I'm still trying to do so. Gordon Ramsey arrives at
the Miami Grand Prix yep, after he's been partying in
London for David Beckhams fiftieth. Okay, so there's part one
all the time, anyone, Yeah, yeah, seriously that's going on.
Speaker 6 (18:49):
Yep.
Speaker 4 (18:50):
He rocks up with his wife. They have a great
time at the Grand Prix, at the Grand Prix after
David Beckhams fiftieth. It now, I don't think see this
week gets hard. So so meanwhile, right, Gordon and Tana,
that's Gordon Ramsey's wife. Their daughter Holly couldn't go to
(19:13):
the Grand Prix because she got food poisoning, right, not
from be Beckham's fiftieth, but from a restaurant that she
went out to and she posted a photo of herself
with like, you know, water and vitamins, saying, can't go
to the Grand Prix.
Speaker 1 (19:29):
Oh god, that is a nothing story.
Speaker 4 (19:31):
So that's the whole thing. That is the whole thing. Yeah, right,
quite remarkable, I argue with the most nothing story of
the year. But wait for it. I've got a really
long bow that I want to draw here because I
think we might well, this is actually analysis I do,
and I think it's a cracker. I saw it and
I was like, analyst's got nothing to do with the story,
but I like the phone topic. So she's gone, you
(19:52):
got food poisoning, but your dad's a chef. This analysis
is right, you got food poisoning, your dad's a Chef's
your dad must be bad at his job.
Speaker 3 (20:02):
That that is a stretch.
Speaker 4 (20:05):
It's there.
Speaker 3 (20:05):
But didn't you get food poison from another restaurant?
Speaker 4 (20:07):
Absolutely?
Speaker 5 (20:08):
Yeah?
Speaker 1 (20:08):
But does he own the restaurant, own the restaurant?
Speaker 4 (20:13):
Nothing to do with the restaurant?
Speaker 1 (20:14):
Was he the coach for one of the chefs?
Speaker 4 (20:16):
I think yeah, he wants there you go. So look,
let's let's now that we're done with this story. Let's
move on because I do think that this is a
very funny concept for people to call up to us
right now on thirty one and six five and actively
admit that they are really bad at what they do.
Speaker 1 (20:34):
Can it be past jobs?
Speaker 4 (20:36):
Could be a past job? Could? I mean? Like? I mean,
I mean I would prefer the current job. Okay, so
if you've got some if you are someone who just
really feels like you're about at the job, I mean
better doesn't know. I feel like I could probably call
in thirty little election burned there.
Speaker 3 (20:51):
Yeah, give us pet he wouldn't be doing what be
doing now, he's downtime. Give us corpeate, Yeah, no doubt.
Yeah for mine, it's a previous job. I mean, it's
debatable if I'm good at this job. I'm not really
sure it can be. It definitely can be, but previous job.
I think every other job I've had I've been very
very poor at. And this is back on the election.
(21:11):
Actually look at us going for the election.
Speaker 4 (21:13):
Oh yeah, because you yeah, you worked for the AEC.
Speaker 1 (21:16):
I was at a poling both.
Speaker 3 (21:17):
It was my job to have the electoral role and
put lines through people's names.
Speaker 1 (21:22):
Yeah, anyway, I didn't know that. I thought I just
had to find their names on the electoral role.
Speaker 4 (21:26):
A lot of people got fines that day.
Speaker 3 (21:27):
Yeah, yeah, yeah, like would have been over one hundred.
Speaker 1 (21:30):
We went over one hundred.
Speaker 3 (21:30):
People because of me.
Speaker 4 (21:34):
All right, So yeah, so thirteen one six five. Do
you suck at your current job?
Speaker 1 (21:39):
I had a hotel job.
Speaker 3 (21:41):
I was a bell attendant, which meant I thought I
was just the guy that hit the bell. Yeah, it
turns out you've got to take the bags to the
people's rooms. A lot of bags got left in the
lobby that day, will before I got fired.
Speaker 4 (21:53):
Do you suck at your job? And the phone line
has been blocked by all the producers trying to call
in at the same time.
Speaker 3 (21:58):
Guys.
Speaker 4 (21:59):
Oh sweet, fine, so cheap, so pathetic. Really, yes, call yourself.
There we go, Sarah. Sarah, you suck at your current job,
and I, first of all, appreciate your honesty.
Speaker 3 (22:20):
I'd like to really suck.
Speaker 4 (22:22):
I've been at my work for like ten years and
I've never got an employee.
Speaker 3 (22:25):
Of the quarter and I've been moved to like four
or five different section. What do you do? Sorry, Sarah?
What's what?
Speaker 5 (22:33):
I can't disclose that, but.
Speaker 3 (22:35):
What's your role? Like, what are you actually doing from
nine to five?
Speaker 4 (22:37):
Sarah? Are your waiter? Are you your chef, your bartender? Everything?
And why do you suck? Like just because you don't care?
Or you know?
Speaker 3 (22:49):
I care and I'm so lovely and friendly, but no
one else seems to care.
Speaker 4 (22:53):
Like all the bosses, I.
Speaker 2 (22:54):
Don't think like me.
Speaker 1 (22:56):
Why don't you think you're getting employee of the quarter?
Speaker 3 (23:00):
Maybe they hate doesn't like me.
Speaker 4 (23:02):
I don't know who knows.
Speaker 3 (23:03):
I hate what it would be popular school competition.
Speaker 1 (23:07):
You know what I mean?
Speaker 4 (23:08):
Sure?
Speaker 7 (23:08):
Sure, sure, So you're good to be the popular child
and I'm not popular.
Speaker 4 (23:13):
You're good waiter, Sarah. You're a good waiter. Like if
you're come in taking my order? Would you? Yeah?
Speaker 5 (23:18):
Like if you come in, come on?
Speaker 10 (23:22):
I like, no, I can't dispose too much.
Speaker 4 (23:25):
I just do you just pretend to in front of
the house. I've walked into the restaurant. Well, how are
you greeting me? Go for it?
Speaker 3 (23:30):
Good morning?
Speaker 5 (23:31):
How are you?
Speaker 3 (23:32):
What are the specials today? Sarah?
Speaker 5 (23:35):
Well, it depends on what the specials are.
Speaker 4 (23:39):
I'm going to be honest. What are the specials depends
on what they are? Obviously, mate, That's why I'm asking you. Wow, hey,
look any want to go here. But I went and
saw christy Burg the other night from my for a
birthday treat for my mom Illi Mother's Day. President was Yeah,
(24:00):
he's lost it. Yeah, he's lost at christ Burgh. The
lady had read.
Speaker 3 (24:06):
He's obviously in an area or yeah, in that age
bracket and at the level of fame where no one's
telling him like.
Speaker 4 (24:12):
So he's still doing the two hours he's gone over
the hill I've never seen. We're at Hamer Hall, by
the way, the most respected sounding room in Victoria, if
not Australia.
Speaker 3 (24:23):
Did he do that because he.
Speaker 4 (24:25):
Didn't get that he didn't. But by the way, the
best part about this is the backing right, like his voice,
his voice right. He got up there just with a guitar,
and he was wearing a suit jacket and it was
too big for him and he's so the sleeve of
his suit jacket was hitting the strings of his guitar
(24:46):
on an electric so you could hear he duffed the cords.
Speaker 3 (24:49):
Chris.
Speaker 4 (24:50):
He got out there and some of the song about
that he'd just written about Blackbeard the Pirate people left
him droves. Yeah, my mum, mum, Mum wrote a formal
plate a classic, right between the eyes, classic, Mamma. We're
talking about people that he's also apparently notoriously thin skinned,
Christal Birk.
Speaker 3 (25:09):
So hopefully he's not listening.
Speaker 4 (25:11):
He's touring in Australia right now. Crystal, how are you
welcome to the show. Hello, Hey, Crystal, talk to me,
Talk to me. We're talking about people that suck at
their job. Appreciate the honesty. You were once awful at
your job.
Speaker 10 (25:23):
Yes, I was.
Speaker 4 (25:24):
I worked in a bar service hospitality job when I
was in high school and I just could not differentiate
between the barbeue sauce and the chocolate sauce.
Speaker 10 (25:31):
So as constant saving Barbie sauce milkshakes.
Speaker 4 (25:36):
I've got a very talented man and Miles Smith who
joins us in this city. Welcome Miles. Great to have
you here. You got into it in the song, didn't
It got into it, very into it. You're talking about
how attractive everyone is in Australia.
Speaker 1 (25:53):
It's unbelievable.
Speaker 10 (25:54):
Yeah, the average level of human here is wild.
Speaker 1 (25:58):
See single Mile.
Speaker 10 (26:00):
I never I always say this in answers. If I
have a girlfriend, I love you dearly, and if I don't,
I can't wait to find you.
Speaker 1 (26:06):
That's how I.
Speaker 3 (26:07):
Answer that question.
Speaker 1 (26:11):
So, how have you fold?
Speaker 4 (26:15):
I'm trying to do you think he's single? Or taken
off that answer single?
Speaker 10 (26:24):
No comment?
Speaker 4 (26:24):
Yeah, fair enough?
Speaker 3 (26:25):
It was it was It felt like a lure.
Speaker 4 (26:28):
Do you know what it is?
Speaker 10 (26:29):
I've got a lot of friends in the industry, and
the one thing they say is keep part of your
personal life as private as possible. So for me, if
I do have a girlfriend, I love you very dearly,
and if you don't, I can't wait to meet you.
For me, it's just separating that clever.
Speaker 4 (26:42):
What other what other parts are leaving private? Oh?
Speaker 10 (26:46):
My, my belly fat at the moment. But I am
on a on a training regime, so that won't be
private for too much longer.
Speaker 3 (26:54):
So what who?
Speaker 1 (26:55):
Who has enforced the trainer regime or are you enforcing
the training?
Speaker 10 (26:59):
I spent the whole last year after stargaz and I
had enough. I had enough money to buy fast food constantly,
and I went, I went, So it was like Ubers
every day.
Speaker 1 (27:09):
What's your hed of choice there?
Speaker 3 (27:11):
Nando's is so good. Banger, yeah, banger. Someone have to
like take you on the shoulder and go like, hey,
you're like quite a famous moment.
Speaker 10 (27:28):
I went, I went over Christian and she's like, I
went over Christmas.
Speaker 3 (27:36):
She was like healthy, Yeah moment.
Speaker 4 (27:41):
Yeah order, I think this is we're talking about.
Speaker 10 (27:45):
So it's a bit different than menus at home. So
we've got a great imitator burger. You got something similar
because I don't eat meat anymore, all right, And it's
like the most schoeous pea protein thing in a wrap
with Perry tam sauce, Perry chips, broccoli.
Speaker 4 (28:00):
Anger.
Speaker 10 (28:00):
Can't beat.
Speaker 1 (28:01):
What's your order? That's a pretty healthy order.
Speaker 4 (28:03):
Actually, you've got a pretty hell you got a pretty
healthy order as well.
Speaker 1 (28:06):
I just go, I'll get like twelve tenders.
Speaker 4 (28:11):
Don't shame me.
Speaker 3 (28:12):
Don't shame me.
Speaker 4 (28:14):
Man, I thought this was the same space or you
just getting Harry in my private life?
Speaker 3 (28:24):
Thank you very much.
Speaker 1 (28:31):
Oh cool, I read somewhere. It's just speaking of your mum.
Speaker 3 (28:35):
Is she also pretty brutal with feedback to your music
as well?
Speaker 4 (28:38):
Yeah?
Speaker 1 (28:38):
So what are we talking?
Speaker 10 (28:40):
I mean, it's really awesome because the more sort of
successful you get in music, the less people tell your
music's bad, even if they think they do. And so
my mum's just been on equivocally honest from the start.
Speaker 3 (28:51):
So she doesn't like.
Speaker 10 (28:52):
Something, it's not one of your best well, you know what,
it's like our language of love, and I wouldn't have
it any other way. And you standing, Yeah, it's really
refreshing and really good to have. And yeah, and if
she loves something, she'll she'll tell me this is amazing.
I love it, so cool, really good.
Speaker 1 (29:08):
It's usually accurate or are there are times where it's
just like year off banger, it's weird.
Speaker 10 (29:14):
She's got more technical as we've gone on, but it's
absolutely rubbish. She's like, oh, the tambourine sounds of what
you're talking about. A kick drum love.
Speaker 3 (29:26):
Put down the one.
Speaker 1 (29:29):
Maybe should add the harmony.
Speaker 10 (29:31):
There's seven parts in there. So yeah, but you know what,
I take it with a picture of Sultan love. But
if she greves, she grews, she don't. She definitely dote.
Speaker 4 (29:40):
It sounds like you need to take everything with the pinch.
It's alt right now, because there really has been a
pretty astronomical rise to stardom, and you know, playing shows
all over the world really quickly. I saw some some
footage of you when Nice to Meet You was getting
played in the radio. A lot, and it's you chatting
with the taxi driver about it.
Speaker 3 (29:57):
Yeah, nothing new like Dieuzy. Do you like this song?
Speaker 5 (30:02):
No?
Speaker 3 (30:03):
I did like and I thought they played eight billion times,
you know, So.
Speaker 4 (30:13):
I'm gonna be honest. We played it a lot. Tambourini's
attitude about that. I'm telling you right now, I want
to talk. So you're about to go. You're doing this
tour in Australia right outcome more shows, then you're going
going on tour with it year and is that right?
Speaker 3 (30:32):
Yeah?
Speaker 4 (30:32):
I will be, I will be. It's mad. So I
heard that there's another song just sort of come out
called My First Heartbreak, right, which is which is about
your dad leaving you? Is that right? Yeah?
Speaker 10 (30:43):
Yeah, it's a It's a really deep and personal song
and it took me a while to write and it
was just a part of my life from sort of
like childhood to being an adult where I sort of
wrote a story of just how my relationship with that
situation sort of grew and going from sort of like
being really confused to being really angry to sort of
being at a point of like, hey, when I get
to that point of being a father, I hope I
(31:04):
think do things differently and it sort of came out
like that and really natural, but took two years to
put out into the world because I wasn't comfortable because
some parts of my life I keep private. That part
I was ready to let go.
Speaker 4 (31:15):
And did it Did it have something to do with that?
Is I read that it influenced the ur realising that song.
Speaker 10 (31:21):
Yeah, I played it for Ford at his house and
you know, I played you and yeah, yeah, well.
Speaker 4 (31:27):
In the pub. He's got a pub in his house,
doesn't he saw that?
Speaker 1 (31:30):
Is he have a tunnel to his pub?
Speaker 10 (31:31):
Is that I don't know his public knowledge, But I'm
not saying no.
Speaker 4 (31:38):
It's awesome. It's awesome.
Speaker 3 (31:41):
It's real you're in his private pub. Allegedly.
Speaker 10 (31:52):
I played in many records that day, and that one
particularly got a bit teary, and I was like, hey,
like this is a super important song, and you know,
it's like not every song you have to think about, ah,
this has to be on radio or this has to
do this is like sometimes songs just have a purpose
in the world, and you know, they meet people where
they need it.
Speaker 1 (32:07):
And you know, for me, that was.
Speaker 10 (32:09):
Something there was a perspective that I never thought about
about how other people would respond to it. It was
always an in dialogue and so yeah, not too long
after I put it out, that's.
Speaker 3 (32:17):
So nice they give you any other advice, Like, he's
obviously a great person to lend the year of giving
that the's Banes.
Speaker 1 (32:23):
Were at all before he's super super famous.
Speaker 3 (32:25):
Did he give you other advice going into this world
and becoming super popular.
Speaker 10 (32:28):
Yeah, He's all about just staying true to who you are.
And I know it sounds so cliche, but I could
see how it gets difficult. But also at the same time,
I think when you're you're raised in a certain way,
and when your values are those that you've been given
to by amazing people around you, just the more you
stick to them sort of, the better life is.
Speaker 4 (32:45):
And for me, I.
Speaker 10 (32:45):
Always try to stay grounded, always try to stay within
my remit and just enjoy music for the reason I
got into it, and that's just because I love it.
Speaker 4 (32:52):
Yeah, right, And a good reminder with dad song for example,
that you know, even someone like you who is very grounded,
once you're in this sort of slipstream which is looks
hectic by the way from me out, you know, we
get a lot of people through here that your age
or younger even who sort of stardom comes really quickly
and it's very hard to keep fitting the ground. I'm
(33:12):
often reminded of like the you know, I don't know
if you can't swimming, if you've been in Australia, if
you're too scared. Sometimes poems are too scared to go
out in the water. But sometimes you get you get
your feet taken out from underneath you, and you can't,
you can't stay standing anymore. And I'm often reminded of
that watching young artists come through here. There's often a
sense of like, she's the momentums really ripping me away
right now. So it must be nice to get confirmation
(33:33):
from somebody who's sort of you know, out there surfing,
so to speak, to be like, hey, look there are
other things you don't You don't need to get caught
up in this all the time.
Speaker 10 (33:40):
But you know what, I was just waiting for the punchline,
because so far this interview, you've been, you've been, You've
got me so many times it's.
Speaker 4 (33:47):
Like where is it gone? Literally, I don't care.
Speaker 10 (34:00):
You're you're bang on with that man. And it can
be hard and it can be difficult, but I think, yeah,
you know, you guys are lovely. I'm sure that you've
had many a chance to let your egos overwhelm you.
Speaker 4 (34:09):
But why yeah, why that's a really good but you
know that that's.
Speaker 1 (34:18):
Why we didn't.
Speaker 3 (34:19):
We refused to talk to you in the air. That
guy kind of in me away from the studio males.
Speaker 4 (34:25):
We've got into a beautiful area with you. But there
is a slightly juvenile question. And this is this is
coming from our junior producer, an La. So he's outside
and he's recently had some gut issues, but she found
out that you had food poisoning while you're performing shows
after Anandos and Toronto on.
Speaker 10 (34:44):
It has to Yeah for me, it's like I've been
playing shows since I was like eleven years old.
Speaker 4 (34:49):
Really yeah, yeah, right.
Speaker 10 (34:51):
Old pubs or clubs and stuff like I remember times
I used to like be in a bar and see
like one guy like sinking a guinness looking at me like,
shut up.
Speaker 4 (35:02):
Bean, it's in his private time.
Speaker 3 (35:07):
I can see you.
Speaker 10 (35:09):
Pretty sure it was you, but no, but and then
having to convince him I was good by the end
of the night. And so now that I get to
walk out in front of like thousands of people to
night and you know, being able to do the thing
I love is I never want that, Yeah, I never
want to miss that.
Speaker 4 (35:25):
Well, mate, it's been a pleasure talking to you, it
really has. Thank you. Thank you so much for coming
in and congratulations on all your success. Appreciate good luck
with the tour, Go hard on the rider obviously yours.
Speaker 3 (35:40):
Sushishi from Toronto stopped.
Speaker 4 (35:46):
It's great to have you any mate. So Mole's latest single,
as we all know, it's nice to meet you ep
A minute, a moment. He's out May twenty three, brand
new music from you, Miles.
Speaker 10 (35:58):
Yes, and hope you guys play it just as much
you did.
Speaker 4 (36:02):
Not.
Speaker 3 (36:02):
Nice to meet you and everybody.
Speaker 4 (36:04):
You've had your cup, You've had your quite over the year.
Mill Smith and Wood, It's kiss
So Will m Woody podcast.
Speaker 2 (00:10):
Will you are currently completely dressed as Elsa here in
the studio?
Speaker 3 (00:14):
A little bit embarrassed, I'd say, because you thought the
reason I've brought my daughter and my wife in here
was to try and convince her to take off her
Elsa dress to pretending to be Elsa.
Speaker 1 (00:28):
Well, that's not actually why my wife were in here.
Speaker 3 (00:33):
You can leave the dress on.
Speaker 4 (00:35):
I am like in the dress.
Speaker 2 (00:36):
I just have a question to ask Remy. Yeah, very funny.
Oh hey, Remy, you ate my nose? Can I have
my nose back?
Speaker 5 (00:46):
Oh?
Speaker 2 (00:46):
Thank you? Oh no, you atee my nose again? Okay,
hey Remy, you ate my nose?
Speaker 1 (00:53):
Remy?
Speaker 2 (00:54):
What is in mummy's tummy?
Speaker 3 (00:58):
A baby?
Speaker 5 (01:01):
A baby?
Speaker 6 (01:02):
Hello?
Speaker 1 (01:04):
I wish she put it in a little bit more
effort with a baby?
Speaker 3 (01:08):
What's in mummy's tummy?
Speaker 1 (01:10):
Is it a boy or a girl?
Speaker 7 (01:15):
We are quite.
Speaker 4 (01:19):
We got there, out go congratskuys.
Speaker 3 (01:32):
It is quite stressful though, because every time we said, wol,
do you want a brother or a sister? She says
a sister. So she tell everyone it's going to be
quite aw do you want a brother or a sister?
She's making that very clear. She wants a sister, but
we're not sure it might be a boy.
Speaker 1 (01:49):
Yeah, a boy, yeah boy.
Speaker 4 (01:51):
Yeah, maybe we should stop relying on the two year
old for comments. Here, I'm actually to her and she's
trying to eat the microphone. Great job, rem you nailed it.
How are you feeling them more importantly?
Speaker 3 (02:06):
Good?
Speaker 1 (02:06):
I mean first trimes is always pretty rough in terms
of feeling pretty shabby. But we're over that.
Speaker 3 (02:12):
Part and yeah, onto bigger things.
Speaker 1 (02:15):
Get definitely my valley, bigger nice.
Speaker 3 (02:18):
Definitely sick of this time around a definitely a way
way sick of it. And I mean there's that person
that just constantly is talking and causing a scene.
Speaker 4 (02:27):
So a little bit, but she seems excited.
Speaker 3 (02:31):
She is, she is excited, aren't you?
Speaker 1 (02:34):
Yeah? Are you going to eat the baby's nose too?
Speaker 3 (02:37):
Yeah, she's nodding.
Speaker 1 (02:39):
This is why you don't have a job on radio,
my friend.
Speaker 3 (02:41):
Yeah, it is. It's very very exciting. And does Will
look silly in his dress?
Speaker 4 (02:46):
Georgia crying out?
Speaker 7 (02:48):
Crying?
Speaker 4 (02:49):
Are you crying because you just went and got an
l's address for me and you spent two hours shopping
around costume shops for them to do something else? Yeah?
Speaker 3 (02:58):
Sorry, about that, Jay, you did a great job.
Speaker 4 (03:02):
Congrats. More news right up next as well.
Speaker 1 (03:06):
Yes, actually, business, okay, I'm going to take I have
been doing some business behind the scenes.
Speaker 4 (03:17):
William. Let's get done, let's get down.
Speaker 3 (03:24):
I told you this yesterday. Will there is a distinct
lack of billboards. Yeah, promoting this radio show.
Speaker 4 (03:31):
Yeah, everyone agrees. Apart from the advertising guys, no doubt.
Speaker 3 (03:34):
It's just we're not part of the strategy.
Speaker 4 (03:36):
Did you go with someone from marketing early on and
ghost or something?
Speaker 1 (03:40):
And how dare you make that assumption tainting my image?
Speaker 3 (03:44):
No? I don't know why, but apparently there is a strategy.
The strategy is no billboards for Will and Woody.
Speaker 1 (03:49):
So I've taken business into my own hands. I was
telling you this yesterday.
Speaker 3 (03:52):
I had this idea of billboard bombing. It's like photo bombing.
Everyone knows the concept of photo bombing. You sneak into
people's phone.
Speaker 4 (04:00):
Everyone knows the concept of photograph. You just said it.
The question don't need to explain it after.
Speaker 1 (04:03):
The question is can you sneak onto a billboard?
Speaker 4 (04:08):
Right?
Speaker 3 (04:09):
The billboards are everywhere, big companies are paying for billboards.
Can we get our faces on another company's billboards. And
as I said yesterday, I got a lot of no's
from companies.
Speaker 4 (04:22):
Well, it's hard to model it, put youslf in the issues.
It's hard to know what they're after, what they get
out of it.
Speaker 1 (04:27):
Well, my free models, it's like, we're not going to
charge you.
Speaker 4 (04:30):
But if they can pay the model fee and they
actually get something that's attractive and now it's their brand.
Speaker 3 (04:36):
And a lot of people said that to me over
the phone. But as I said to you yesterday, Will
all we needed was one yes, and we bloody got one.
Will you and me are going to with Glowbird Energy
be on one hundred billboards nationally?
Speaker 4 (04:53):
But we're not models.
Speaker 1 (04:55):
How can I be to skin up.
Speaker 3 (04:58):
Glowbird Energy, the award winning glow Bird Energy. They have
paid for one hundred billboards nationally. We are going to
be on those billboards. Will You haven't seen the billboard yet.
I've been working tirelessly, tirelessly with their team.
Speaker 4 (05:18):
But I'm not on the billboard yet. You are, Oh
damn it, I'm already on it. Where on it?
Speaker 1 (05:24):
Oh you've chosen that, I've chosen it.
Speaker 4 (05:26):
The photo.
Speaker 3 (05:27):
Yeah, Look, there's a lot of push and Paul because
you've got to appreciate I'm trying to promote our radio show.
Speaker 4 (05:33):
Surely I get signed off. Is this me? I've got
to sign off on.
Speaker 1 (05:35):
This now kind of already been signed off on.
Speaker 4 (05:37):
What do you mean it's my face.
Speaker 3 (05:39):
Yes, I was representing our company, Will and Woody Proprietary Limited.
Speaker 1 (05:43):
I only need one sick apparently.
Speaker 3 (05:45):
Anyway, there's obviously a lot of push and pul because
glow Bird they want to use the billboard to promote
their amazing energy deals.
Speaker 1 (05:51):
And the deals are amazing.
Speaker 3 (05:53):
I've got to tell you they've paid for one hundred
billboards national and you're about to see what Australia is
going to see.
Speaker 4 (05:59):
My friends, Okay, show the billboard.
Speaker 3 (06:05):
How good is that? How good is that? Tell Australia
what you see Will that that is going to be everywhere.
Speaker 4 (06:11):
It's you.
Speaker 3 (06:12):
There's a lot of me, there's a lot of me
just you. Well, no, you're there, but there's just their
tagline is partially covering you, but we've got your.
Speaker 4 (06:21):
Belly's entirely covering me.
Speaker 3 (06:23):
But I think it's good. I don't know.
Speaker 1 (06:25):
I mean, I think that's good that one hundred locations.
Speaker 4 (06:27):
Nationally, Will and I can't change that, can I.
Speaker 3 (06:30):
Well, it's been signed off on, mate, that is that
is logged in. We can't really see your face, but
I and I'm happy. If you guys want to see it.
By the way, jump onto our Instagram or TikTok, Will
and Woody.
Speaker 1 (06:41):
You can see the billboard that is going to be
rolled out nationally.
Speaker 3 (06:44):
Let us know your thoughts that look, you've got to.
Speaker 4 (06:46):
Do with them, Like at this point, what is like
a get award winning energy you got to do with
you with your shirt off in a purple search? What
is that just another man's snail trail? That's it?
Speaker 3 (06:58):
Absolutely, they're not. No, they've signed off on it. Everyone's happy.
It's a little bit confusing, and the more I look
at it, the more I like it. I think it
is kind of funny that you're completely covered. I'm sorry
I was I was hiding that, but that is funny.
Speaker 4 (07:15):
Can you just get rid of the just one of
the shrink the words and move them down or surely
there was a bit of jostling going on when they
were in the Microsoft paint or whatever they do these
things in.
Speaker 1 (07:25):
Initially we were both covered.
Speaker 3 (07:28):
Freeing me. I had to choose one of us gone
with me.
Speaker 4 (07:32):
They made the right choice.
Speaker 3 (07:33):
It anyway, you guys want to say it, get to
Will and Woody Instagram.
Speaker 4 (07:37):
It's going all over the country. Well, yeah, I don't
really care. I mean, at the end of the day,
it could be anyone that is a part of that.
Speaker 3 (07:45):
It does just look like I'm promoting global energy at
this point.
Speaker 4 (07:48):
Yeah, well you've also got your hands down your pants.
Speaker 8 (07:51):
Yeah.
Speaker 3 (07:51):
Look, there's a lot going on, but let's just say
there's a twenty four hour cooling off period. Twenty four
I'm not one hundred percent sure these actually might be
out there. If you're really unhappy with it, we might
be able to go back to him. If you really are,
all right, Well, I don't really care.
Speaker 4 (08:05):
It's not my face. The question is how do you
feel about the fact that you got your hands down
the pants and you're sealing energy.
Speaker 1 (08:11):
I think it's sexy. Okay, energy is sexy.
Speaker 3 (08:15):
Sexy is energy. Anyway, let us know what you guys think.
Let us know what you guys think Instagram, Will and
Woody TikTok Will and Woody. I think if there's an
overwhelming sentiment that this is bad, yeah, maybe we can
doesn't a radio show.
Speaker 4 (08:27):
Doesn't say will and Woody anyway, that's a good argument,
and say Fortune six it's a good argument. Just a
random guy with a purple suit with his hands down
his pants.
Speaker 1 (08:33):
It don't say Willam Woody anyway. So we can massage this.
Speaker 3 (08:36):
We're gonna massage. It's just a prototype. I've backed off
a lot.
Speaker 4 (08:44):
Out there.
Speaker 3 (08:45):
Can I get Glowe bet on the phone? Will I
just cards on the table. I really need to help
(09:05):
with something, and you're not gonna You're not gonna like
doing this, but you've gotta hate it if I'm being honest.
Speaker 1 (09:11):
But just know that it'll be helping the friend.
Speaker 3 (09:14):
So before I get to that, yesterday on the show,
I was talking about an issue that I'm having with
my daughter, Remy yep Rem is currently obsessed with her
Elsa dress. So this thing is shabby, it's got holes,
it's got stains, like it doesn't matter how many times
I put this thing for the washing machine. There is
a pong, but she refuses to wear anything else except
(09:36):
this Elsea dress.
Speaker 1 (09:37):
So it's also getting colder now, so it's freezing cold
in the morning. Yah, all she wants to wear is
there Elsa dress?
Speaker 3 (09:42):
So you can't put a jacket over the top of
that n because Elsa doesn't wear a jacket.
Speaker 4 (09:47):
She's the ice cream.
Speaker 3 (09:48):
Cold doesn't bother her exactly. How bad do you think
it is or how damaging do you think it will
be if I secretly behind Remy's back throw out her
favorite dress, Like is this going to be the kind
of thing that she just forgets about it in a
day and then happy days? Or is this the kind
of thing that might leave her slightly traumatized?
Speaker 4 (10:06):
You could get someone to pretend to be Elsa.
Speaker 1 (10:13):
It's a good point from you. You could get someone
to pretend to be Elsa.
Speaker 4 (10:19):
Yeah, someone that you know, there's lots of people actually
professionally I think are Elsa? Yeah, and that sounds expensive
on ice did a frozen thing recently, got a bit
of a contra deal on them.
Speaker 6 (10:30):
You know, she comes on the show. We pumped up
the show with.
Speaker 4 (10:32):
What we normally do.
Speaker 3 (10:33):
Sounds like a when we're a national radio show.
Speaker 4 (10:35):
Idea, I aspeak. We could probably ask Adina Menzeld to
come in here and be Elsa. I that'd be the cream.
Speaker 1 (10:39):
We could do that.
Speaker 4 (10:40):
All those things very available to us, we could we.
Speaker 1 (10:42):
Could that just to me, that's just setting like a
lot of work.
Speaker 6 (10:45):
Any blonde woman I do produce around least she could
be Elsa.
Speaker 4 (10:49):
Yeah, el about it.
Speaker 3 (10:50):
Actually had that idea, and now executive producers said, it's
just getting weird if you're asking to producer to dress up.
Speaker 4 (10:55):
So it's a good flake.
Speaker 1 (10:56):
So it was a good flag.
Speaker 3 (10:58):
Usually flags too much.
Speaker 1 (10:59):
But I said, I'll put that one down so.
Speaker 4 (11:02):
I can't tell her produce.
Speaker 3 (11:04):
That's his word. And as soon as he said that
back to me, I was like to hear it back,
I totally get it.
Speaker 1 (11:09):
But here's what you can do. You can ask your
best mate to dress up as Elsa.
Speaker 3 (11:13):
Why why am I doing?
Speaker 4 (11:16):
You've got the hair for it.
Speaker 1 (11:18):
She'll know it. I'm her father.
Speaker 3 (11:19):
She'll know it's man.
Speaker 4 (11:21):
Find year old man with a beard.
Speaker 3 (11:23):
Yeah well maybe well maybe she just won't look at
the beard. I think.
Speaker 1 (11:28):
Look under your desk.
Speaker 3 (11:29):
Under your desk right now, there's address, there's a wik
This is what I'm gonna need.
Speaker 1 (11:32):
I'm gonna need you to put that on.
Speaker 4 (11:33):
Why.
Speaker 1 (11:34):
I'm just I'm pulling the best friend card out mate.
I don't do it much. I'm pulling it out.
Speaker 4 (11:39):
To be fair.
Speaker 3 (11:39):
I pull this card out of fair bed.
Speaker 4 (11:40):
But I'm pulling again already out I've been flapping it
in for six years.
Speaker 3 (11:44):
Well I'm pulling that again. I just think that you
are my key to getting my daughter to What.
Speaker 4 (11:51):
Do you want me to do?
Speaker 3 (11:51):
Well, basically, I need you to train right now as Elsa.
But this is your rehearsal. My daughter is going to
come into the studio in an hour's time. I've arranged
that my wife. She's coming in and by that stage,
you're going to be ready to pretend to be Elsa.
But before we do that, we need to train. So
thirteen one oh six five is our number. There are
any kids listening right now that would like to talk
(12:13):
to Elsa?
Speaker 4 (12:14):
Am I? Elsa?
Speaker 1 (12:15):
Yep?
Speaker 4 (12:16):
Yep? What else? It doesn't sound like this?
Speaker 3 (12:19):
We'll work on that. My voice, you're gonna have to
work on that. You don't have to work on that.
Speaker 1 (12:23):
Hey, you're trained.
Speaker 6 (12:23):
You're seeing any lines here in terms of.
Speaker 1 (12:27):
I hadn't thought about anyway thirteen one oh six five.
Speaker 3 (12:31):
So I don't know.
Speaker 4 (12:34):
Yeah, I think, well it's questionable.
Speaker 1 (12:36):
I think it was more of a flag to make
one of our producers dress up.
Speaker 4 (12:39):
Definitely look asking twenty four year old to do cosplay.
Definitely an issue. We're chosen the best of two evils.
I think, what's that if any transgender people?
Speaker 3 (12:49):
Well no, I don't think. Well, well there's a question.
There's a question there.
Speaker 1 (12:52):
Keep your voice, don't change your voice.
Speaker 3 (12:54):
Okay, I think Elsa, now that you've you it has
changed your voice.
Speaker 1 (13:00):
Thirteen one o six five.
Speaker 4 (13:01):
Yeah, what is this like a litmus test to see
if I can be Elsa?
Speaker 3 (13:06):
This is just your rehearsal. Yeah, okay, do you want
to talk to Elsa?
Speaker 6 (13:10):
I'm Elsa.
Speaker 1 (13:12):
I'll explain it.
Speaker 3 (13:13):
So my daughter refuses to wear anything but an Elsa
dress right now, and it's just it's dirty, it's it's
getting cold outside, it's got holes, it's got ribs, and
there's a bit of a pong about it.
Speaker 4 (13:23):
Now.
Speaker 1 (13:23):
It was actually your idea yesterday.
Speaker 3 (13:25):
You were like, hey, why don't you get someone to
dress up as Elsa and then say to her, hey,
it's Elsa. I need a spare change of clothes. Can
I have that dress? And it's a way of stopping
my daughter when we're in the Elsa dress.
Speaker 1 (13:39):
I think it's genius. I think it's brilliant.
Speaker 3 (13:41):
So right now, my daughter and my wife are going
to be coming into the studio in about an hour's
time where hopefully this whole this whole plan can play out.
But I think you need to do a little bit
of rehearsal with you with your Elsa. Let's get your
Elsa up to scratch. So we've got some kids that
have called on thirteen one oh sixty five that we're
king to have a chat to Elsa on the radio. So,
(14:04):
so I think from this point on, you were Elsa.
Speaker 4 (14:06):
Yeah, I'm in the character.
Speaker 3 (14:07):
Okay, okay, we've got THEA here, Hi, THEA.
Speaker 7 (14:13):
Hello.
Speaker 4 (14:14):
Hi.
Speaker 1 (14:14):
Do you you're a big fan of Elsa?
Speaker 5 (14:17):
Yeah?
Speaker 3 (14:17):
Okay, Well I've actually got little Elsa, I mean big
Elsa or just Elsa right here?
Speaker 1 (14:25):
Do you want to say hello to Elsa?
Speaker 5 (14:27):
Yeah?
Speaker 1 (14:29):
Go on Elsa?
Speaker 5 (14:30):
He Hello, Hello, Hello? Where I was dress?
Speaker 4 (14:43):
Why do I wear a blue dress?
Speaker 9 (14:45):
Because oh my, it's cold cold blues?
Speaker 4 (14:52):
Ye?
Speaker 7 (14:54):
I put my white dress in with the colors. When
you think, yes, the thing or what do you want
for Christmas?
Speaker 3 (15:05):
Isn't it? Let's go to Brooklyn here? Hey, hey, hey,
really good, really good, really good? Brooklyn? Is it a
special day? Today? Is today special? For you, Brooklyn.
Speaker 5 (15:19):
It's my eleventh birthday.
Speaker 3 (15:21):
Hey Brooklyn, would you like Elsa to sing Happy birthday
for you?
Speaker 4 (15:25):
Yes?
Speaker 1 (15:26):
Okay? Else Elsea, Yeah, come on sing sing Elsa.
Speaker 7 (15:36):
Happy Birthday.
Speaker 4 (15:45):
That's all else has got. You've got to pay her
for more than that.
Speaker 9 (15:52):
The ice castle takes the ice castle knees up, keep
big overheads running, the fridges on full at the moment,
global warming Eve here.
Speaker 3 (16:04):
Elsa will be here all night. Try the veal, Hi, Eve, Hello, Hi,
you've got a request.
Speaker 1 (16:12):
You've got a request for Elsa?
Speaker 5 (16:15):
Oh yeah, do you reckon?
Speaker 3 (16:17):
You could see let it go?
Speaker 1 (16:19):
I think she could.
Speaker 8 (16:20):
I think she normally she does charge your fee for
let it go? Come on, I need normally full accompaniment
and one Elsa? Is there a backing track?
Speaker 1 (16:33):
Here we go?
Speaker 4 (16:37):
Else, I genuinely don't get that high.
Speaker 1 (16:40):
Sorry, give it go, Else, give it a go?
Speaker 4 (16:44):
Shut up? Who's laughing in the background? There? Let let
it go? Let it go? You have to pay for
anything more than that. That's all you get?
Speaker 8 (16:55):
What you.
Speaker 3 (16:57):
That was amazing?
Speaker 4 (17:00):
All the best man to one and All says that
sometimes we do a little thing called a hook or
a tease, where we say something before a song in
(17:22):
order to keep you listening.
Speaker 3 (17:24):
During the song, drive Tirut and drive.
Speaker 4 (17:26):
Time spent listening and they put our numbers up. And
so what I said before the song was them a
little hook or a little teas whereby I said, Gordon
Ramsey's so bad at his job that he puts some
in the hospital and he's related to that person. And
I'm just gonna be honest with you, guys, that's a lie.
It's a straight up lie. But now you're here, We've
got you here. But you know you start. I mean,
not that you didn't want to stick around through that
last absolute bell through of a tune, but doci. But
(17:49):
let's just get down what this story is actually about.
So it's arguably the most nothing story I've seen in
the last two to three years. I reckon. They've they've
basically sandwiched together. They just want to put Gordon round
dinner story. There's the Grand Prix, his daughter I didn't
know this is an influencer, okay, And they've also managed
to crowbar in there the fact that David Beckham had
a fiftieth birthday. So it's actually a modern Actually, this,
(18:12):
I imagine is what happens at the Daily Mail. They're like, right, guys,
we've got David Beckhams fiftieth, we've got the Grand Prix,
we've got Gordon Ramsey, let's get it. And Gordon Ramsey's daughter.
By the way, no one really cares about god food poisoning.
Let's just throw some let's just throw some ideas around.
How do we make a story out of that?
Speaker 3 (18:27):
Yeah? Totally, So what is the story? How'd they do it?
Speaker 4 (18:31):
I'm still trying to do so. Gordon Ramsey arrives at
the Miami Grand Prix yep, after he's been partying in
London for David Beckhams fiftieth. Okay, so there's part one
all the time, anyone, Yeah, yeah, seriously that's going on.
Speaker 6 (18:49):
Yep.
Speaker 4 (18:50):
He rocks up with his wife. They have a great
time at the Grand Prix, at the Grand Prix after
David Beckhams fiftieth. It now, I don't think see this
week gets hard. So so meanwhile, right, Gordon and Tana,
that's Gordon Ramsey's wife. Their daughter Holly couldn't go to
(19:13):
the Grand Prix because she got food poisoning, right, not
from be Beckham's fiftieth, but from a restaurant that she
went out to and she posted a photo of herself
with like, you know, water and vitamins, saying, can't go
to the Grand Prix.
Speaker 1 (19:29):
Oh god, that is a nothing story.
Speaker 4 (19:31):
So that's the whole thing. That is the whole thing. Yeah, right,
quite remarkable, I argue with the most nothing story of
the year. But wait for it. I've got a really
long bow that I want to draw here because I
think we might well, this is actually analysis I do,
and I think it's a cracker. I saw it and
I was like, analyst's got nothing to do with the story,
but I like the phone topic. So she's gone, you
(19:52):
got food poisoning, but your dad's a chef. This analysis
is right, you got food poisoning, your dad's a Chef's
your dad must be bad at his job.
Speaker 3 (20:02):
That that is a stretch.
Speaker 4 (20:05):
It's there.
Speaker 3 (20:05):
But didn't you get food poison from another restaurant?
Speaker 4 (20:07):
Absolutely?
Speaker 5 (20:08):
Yeah?
Speaker 1 (20:08):
But does he own the restaurant, own the restaurant?
Speaker 4 (20:13):
Nothing to do with the restaurant?
Speaker 1 (20:14):
Was he the coach for one of the chefs?
Speaker 4 (20:16):
I think yeah, he wants there you go. So look,
let's let's now that we're done with this story. Let's
move on because I do think that this is a
very funny concept for people to call up to us
right now on thirty one and six five and actively
admit that they are really bad at what they do.
Speaker 1 (20:34):
Can it be past jobs?
Speaker 4 (20:36):
Could be a past job? Could? I mean? Like? I mean,
I mean I would prefer the current job. Okay, so
if you've got some if you are someone who just
really feels like you're about at the job, I mean
better doesn't know. I feel like I could probably call
in thirty little election burned there.
Speaker 3 (20:51):
Yeah, give us pet he wouldn't be doing what be
doing now, he's downtime. Give us corpeate, Yeah, no doubt.
Yeah for mine, it's a previous job. I mean, it's
debatable if I'm good at this job. I'm not really
sure it can be. It definitely can be, but previous job.
I think every other job I've had I've been very
very poor at. And this is back on the election.
(21:11):
Actually look at us going for the election.
Speaker 4 (21:13):
Oh yeah, because you yeah, you worked for the AEC.
Speaker 1 (21:16):
I was at a poling both.
Speaker 3 (21:17):
It was my job to have the electoral role and
put lines through people's names.
Speaker 1 (21:22):
Yeah, anyway, I didn't know that. I thought I just
had to find their names on the electoral role.
Speaker 4 (21:26):
A lot of people got fines that day.
Speaker 3 (21:27):
Yeah, yeah, yeah, like would have been over one hundred.
Speaker 1 (21:30):
We went over one hundred.
Speaker 3 (21:30):
People because of me.
Speaker 4 (21:34):
All right, So yeah, so thirteen one six five. Do
you suck at your current job?
Speaker 1 (21:39):
I had a hotel job.
Speaker 3 (21:41):
I was a bell attendant, which meant I thought I
was just the guy that hit the bell. Yeah, it
turns out you've got to take the bags to the
people's rooms. A lot of bags got left in the
lobby that day, will before I got fired.
Speaker 4 (21:53):
Do you suck at your job? And the phone line
has been blocked by all the producers trying to call
in at the same time.
Speaker 3 (21:58):
Guys.
Speaker 4 (21:59):
Oh sweet, fine, so cheap, so pathetic. Really, yes, call yourself.
There we go, Sarah. Sarah, you suck at your current job,
and I, first of all, appreciate your honesty.
Speaker 3 (22:20):
I'd like to really suck.
Speaker 4 (22:22):
I've been at my work for like ten years and
I've never got an employee.
Speaker 3 (22:25):
Of the quarter and I've been moved to like four
or five different section. What do you do? Sorry, Sarah?
What's what?
Speaker 5 (22:33):
I can't disclose that, but.
Speaker 3 (22:35):
What's your role? Like, what are you actually doing from
nine to five?
Speaker 4 (22:37):
Sarah? Are your waiter? Are you your chef, your bartender? Everything?
And why do you suck? Like just because you don't care?
Or you know?
Speaker 3 (22:49):
I care and I'm so lovely and friendly, but no
one else seems to care.
Speaker 4 (22:53):
Like all the bosses, I.
Speaker 2 (22:54):
Don't think like me.
Speaker 1 (22:56):
Why don't you think you're getting employee of the quarter?
Speaker 3 (23:00):
Maybe they hate doesn't like me.
Speaker 4 (23:02):
I don't know who knows.
Speaker 3 (23:03):
I hate what it would be popular school competition.
Speaker 1 (23:07):
You know what I mean?
Speaker 4 (23:08):
Sure?
Speaker 7 (23:08):
Sure, sure, So you're good to be the popular child
and I'm not popular.
Speaker 4 (23:13):
You're good waiter, Sarah. You're a good waiter. Like if
you're come in taking my order? Would you? Yeah?
Speaker 5 (23:18):
Like if you come in, come on?
Speaker 10 (23:22):
I like, no, I can't dispose too much.
Speaker 4 (23:25):
I just do you just pretend to in front of
the house. I've walked into the restaurant. Well, how are
you greeting me? Go for it?
Speaker 3 (23:30):
Good morning?
Speaker 5 (23:31):
How are you?
Speaker 3 (23:32):
What are the specials today? Sarah?
Speaker 5 (23:35):
Well, it depends on what the specials are.
Speaker 4 (23:39):
I'm going to be honest. What are the specials depends
on what they are? Obviously, mate, That's why I'm asking you. Wow, hey,
look any want to go here. But I went and
saw christy Burg the other night from my for a
birthday treat for my mom Illi Mother's Day. President was Yeah,
(24:00):
he's lost it. Yeah, he's lost at christ Burgh. The
lady had read.
Speaker 3 (24:06):
He's obviously in an area or yeah, in that age
bracket and at the level of fame where no one's
telling him like.
Speaker 4 (24:12):
So he's still doing the two hours he's gone over
the hill I've never seen. We're at Hamer Hall, by
the way, the most respected sounding room in Victoria, if
not Australia.
Speaker 3 (24:23):
Did he do that because he.
Speaker 4 (24:25):
Didn't get that he didn't. But by the way, the
best part about this is the backing right, like his voice,
his voice right. He got up there just with a guitar,
and he was wearing a suit jacket and it was
too big for him and he's so the sleeve of
his suit jacket was hitting the strings of his guitar
(24:46):
on an electric so you could hear he duffed the cords.
Speaker 3 (24:49):
Chris.
Speaker 4 (24:50):
He got out there and some of the song about
that he'd just written about Blackbeard the Pirate people left
him droves. Yeah, my mum, mum, Mum wrote a formal
plate a classic, right between the eyes, classic, Mamma. We're
talking about people that he's also apparently notoriously thin skinned,
Christal Birk.
Speaker 3 (25:09):
So hopefully he's not listening.
Speaker 4 (25:11):
He's touring in Australia right now. Crystal, how are you
welcome to the show. Hello, Hey, Crystal, talk to me,
Talk to me. We're talking about people that suck at
their job. Appreciate the honesty. You were once awful at
your job.
Speaker 10 (25:23):
Yes, I was.
Speaker 4 (25:24):
I worked in a bar service hospitality job when I
was in high school and I just could not differentiate
between the barbeue sauce and the chocolate sauce.
Speaker 10 (25:31):
So as constant saving Barbie sauce milkshakes.
Speaker 4 (25:36):
I've got a very talented man and Miles Smith who
joins us in this city. Welcome Miles. Great to have
you here. You got into it in the song, didn't
It got into it, very into it. You're talking about
how attractive everyone is in Australia.
Speaker 1 (25:53):
It's unbelievable.
Speaker 10 (25:54):
Yeah, the average level of human here is wild.
Speaker 1 (25:58):
See single Mile.
Speaker 10 (26:00):
I never I always say this in answers. If I
have a girlfriend, I love you dearly, and if I don't,
I can't wait to find you.
Speaker 1 (26:06):
That's how I.
Speaker 3 (26:07):
Answer that question.
Speaker 1 (26:11):
So, how have you fold?
Speaker 4 (26:15):
I'm trying to do you think he's single? Or taken
off that answer single?
Speaker 10 (26:24):
No comment?
Speaker 4 (26:24):
Yeah, fair enough?
Speaker 3 (26:25):
It was it was It felt like a lure.
Speaker 4 (26:28):
Do you know what it is?
Speaker 10 (26:29):
I've got a lot of friends in the industry, and
the one thing they say is keep part of your
personal life as private as possible. So for me, if
I do have a girlfriend, I love you very dearly,
and if you don't, I can't wait to meet you.
For me, it's just separating that clever.
Speaker 4 (26:42):
What other what other parts are leaving private? Oh?
Speaker 10 (26:46):
My, my belly fat at the moment. But I am
on a on a training regime, so that won't be
private for too much longer.
Speaker 3 (26:54):
So what who?
Speaker 1 (26:55):
Who has enforced the trainer regime or are you enforcing
the training?
Speaker 10 (26:59):
I spent the whole last year after stargaz and I
had enough. I had enough money to buy fast food constantly,
and I went, I went, So it was like Ubers
every day.
Speaker 1 (27:09):
What's your hed of choice there?
Speaker 3 (27:11):
Nando's is so good. Banger, yeah, banger. Someone have to
like take you on the shoulder and go like, hey,
you're like quite a famous moment.
Speaker 10 (27:28):
I went, I went over Christian and she's like, I
went over Christmas.
Speaker 3 (27:36):
She was like healthy, Yeah moment.
Speaker 4 (27:41):
Yeah order, I think this is we're talking about.
Speaker 10 (27:45):
So it's a bit different than menus at home. So
we've got a great imitator burger. You got something similar
because I don't eat meat anymore, all right, And it's
like the most schoeous pea protein thing in a wrap
with Perry tam sauce, Perry chips, broccoli.
Speaker 4 (28:00):
Anger.
Speaker 10 (28:00):
Can't beat.
Speaker 1 (28:01):
What's your order? That's a pretty healthy order.
Speaker 4 (28:03):
Actually, you've got a pretty hell you got a pretty
healthy order as well.
Speaker 1 (28:06):
I just go, I'll get like twelve tenders.
Speaker 4 (28:11):
Don't shame me.
Speaker 3 (28:12):
Don't shame me.
Speaker 4 (28:14):
Man, I thought this was the same space or you
just getting Harry in my private life?
Speaker 3 (28:24):
Thank you very much.
Speaker 1 (28:31):
Oh cool, I read somewhere. It's just speaking of your mum.
Speaker 3 (28:35):
Is she also pretty brutal with feedback to your music
as well?
Speaker 4 (28:38):
Yeah?
Speaker 1 (28:38):
So what are we talking?
Speaker 10 (28:40):
I mean, it's really awesome because the more sort of
successful you get in music, the less people tell your
music's bad, even if they think they do. And so
my mum's just been on equivocally honest from the start.
Speaker 3 (28:51):
So she doesn't like.
Speaker 10 (28:52):
Something, it's not one of your best well, you know what,
it's like our language of love, and I wouldn't have
it any other way. And you standing, Yeah, it's really
refreshing and really good to have. And yeah, and if
she loves something, she'll she'll tell me this is amazing.
I love it, so cool, really good.
Speaker 1 (29:08):
It's usually accurate or are there are times where it's
just like year off banger, it's weird.
Speaker 10 (29:14):
She's got more technical as we've gone on, but it's
absolutely rubbish. She's like, oh, the tambourine sounds of what
you're talking about. A kick drum love.
Speaker 3 (29:26):
Put down the one.
Speaker 1 (29:29):
Maybe should add the harmony.
Speaker 10 (29:31):
There's seven parts in there. So yeah, but you know what,
I take it with a picture of Sultan love. But
if she greves, she grews, she don't. She definitely dote.
Speaker 4 (29:40):
It sounds like you need to take everything with the pinch.
It's alt right now, because there really has been a
pretty astronomical rise to stardom, and you know, playing shows
all over the world really quickly. I saw some some
footage of you when Nice to Meet You was getting
played in the radio. A lot, and it's you chatting
with the taxi driver about it.
Speaker 3 (29:57):
Yeah, nothing new like Dieuzy. Do you like this song?
Speaker 5 (30:02):
No?
Speaker 3 (30:03):
I did like and I thought they played eight billion times,
you know, So.
Speaker 4 (30:13):
I'm gonna be honest. We played it a lot. Tambourini's
attitude about that. I'm telling you right now, I want
to talk. So you're about to go. You're doing this
tour in Australia right outcome more shows, then you're going
going on tour with it year and is that right?
Speaker 3 (30:32):
Yeah?
Speaker 4 (30:32):
I will be, I will be. It's mad. So I
heard that there's another song just sort of come out
called My First Heartbreak, right, which is which is about
your dad leaving you? Is that right? Yeah?
Speaker 10 (30:43):
Yeah, it's a It's a really deep and personal song
and it took me a while to write and it
was just a part of my life from sort of
like childhood to being an adult where I sort of
wrote a story of just how my relationship with that
situation sort of grew and going from sort of like
being really confused to being really angry to sort of
being at a point of like, hey, when I get
to that point of being a father, I hope I
(31:04):
think do things differently and it sort of came out
like that and really natural, but took two years to
put out into the world because I wasn't comfortable because
some parts of my life I keep private. That part
I was ready to let go.
Speaker 4 (31:15):
And did it Did it have something to do with that?
Is I read that it influenced the ur realising that song.
Speaker 10 (31:21):
Yeah, I played it for Ford at his house and
you know, I played you and yeah, yeah, well.
Speaker 4 (31:27):
In the pub. He's got a pub in his house,
doesn't he saw that?
Speaker 1 (31:30):
Is he have a tunnel to his pub?
Speaker 10 (31:31):
Is that I don't know his public knowledge, But I'm
not saying no.
Speaker 4 (31:38):
It's awesome. It's awesome.
Speaker 3 (31:41):
It's real you're in his private pub. Allegedly.
Speaker 10 (31:52):
I played in many records that day, and that one
particularly got a bit teary, and I was like, hey,
like this is a super important song, and you know,
it's like not every song you have to think about, ah,
this has to be on radio or this has to
do this is like sometimes songs just have a purpose
in the world, and you know, they meet people where
they need it.
Speaker 1 (32:07):
And you know, for me, that was.
Speaker 10 (32:09):
Something there was a perspective that I never thought about
about how other people would respond to it. It was
always an in dialogue and so yeah, not too long
after I put it out, that's.
Speaker 3 (32:17):
So nice they give you any other advice, Like, he's
obviously a great person to lend the year of giving
that the's Banes.
Speaker 1 (32:23):
Were at all before he's super super famous.
Speaker 3 (32:25):
Did he give you other advice going into this world
and becoming super popular.
Speaker 10 (32:28):
Yeah, He's all about just staying true to who you are.
And I know it sounds so cliche, but I could
see how it gets difficult. But also at the same time,
I think when you're you're raised in a certain way,
and when your values are those that you've been given
to by amazing people around you, just the more you
stick to them sort of, the better life is.
Speaker 4 (32:45):
And for me, I.
Speaker 10 (32:45):
Always try to stay grounded, always try to stay within
my remit and just enjoy music for the reason I
got into it, and that's just because I love it.
Speaker 4 (32:52):
Yeah, right, And a good reminder with dad song for example,
that you know, even someone like you who is very grounded,
once you're in this sort of slipstream which is looks
hectic by the way from me out, you know, we
get a lot of people through here that your age
or younger even who sort of stardom comes really quickly
and it's very hard to keep fitting the ground. I'm
(33:12):
often reminded of like the you know, I don't know
if you can't swimming, if you've been in Australia, if
you're too scared. Sometimes poems are too scared to go
out in the water. But sometimes you get you get
your feet taken out from underneath you, and you can't,
you can't stay standing anymore. And I'm often reminded of
that watching young artists come through here. There's often a
sense of like, she's the momentums really ripping me away
right now. So it must be nice to get confirmation
(33:33):
from somebody who's sort of you know, out there surfing,
so to speak, to be like, hey, look there are
other things you don't You don't need to get caught
up in this all the time.
Speaker 10 (33:40):
But you know what, I was just waiting for the punchline,
because so far this interview, you've been, you've been, You've
got me so many times it's.
Speaker 4 (33:47):
Like where is it gone? Literally, I don't care.
Speaker 10 (34:00):
You're you're bang on with that man. And it can
be hard and it can be difficult, but I think, yeah,
you know, you guys are lovely. I'm sure that you've
had many a chance to let your egos overwhelm you.
Speaker 4 (34:09):
But why yeah, why that's a really good but you
know that that's.
Speaker 1 (34:18):
Why we didn't.
Speaker 3 (34:19):
We refused to talk to you in the air. That
guy kind of in me away from the studio males.
Speaker 4 (34:25):
We've got into a beautiful area with you. But there
is a slightly juvenile question. And this is this is
coming from our junior producer, an La. So he's outside
and he's recently had some gut issues, but she found
out that you had food poisoning while you're performing shows
after Anandos and Toronto on.
Speaker 10 (34:44):
It has to Yeah for me, it's like I've been
playing shows since I was like eleven years old.
Speaker 4 (34:49):
Really yeah, yeah, right.
Speaker 10 (34:51):
Old pubs or clubs and stuff like I remember times
I used to like be in a bar and see
like one guy like sinking a guinness looking at me like,
shut up.
Speaker 4 (35:02):
Bean, it's in his private time.
Speaker 3 (35:07):
I can see you.
Speaker 10 (35:09):
Pretty sure it was you, but no, but and then
having to convince him I was good by the end
of the night. And so now that I get to
walk out in front of like thousands of people to
night and you know, being able to do the thing
I love is I never want that, Yeah, I never
want to miss that.
Speaker 4 (35:25):
Well, mate, it's been a pleasure talking to you, it
really has. Thank you. Thank you so much for coming
in and congratulations on all your success. Appreciate good luck
with the tour, Go hard on the rider obviously yours.
Speaker 3 (35:40):
Sushishi from Toronto stopped.
Speaker 4 (35:46):
It's great to have you any mate. So Mole's latest single,
as we all know, it's nice to meet you ep
A minute, a moment. He's out May twenty three, brand
new music from you, Miles.
Speaker 10 (35:58):
Yes, and hope you guys play it just as much
you did.
Speaker 4 (36:02):
Not.
Speaker 3 (36:02):
Nice to meet you and everybody.
Speaker 4 (36:04):
You've had your cup, You've had your quite over the year.
Mill Smith and Wood, It's kiss
Popular Podcasts
On Purpose with Jay Shetty
I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!
24/7 News: The Latest
The latest news in 4 minutes updated every hour, every day.
Crime Junkie
Does hearing about a true crime case always leave you scouring the internet for the truth behind the story? Dive into your next mystery with Crime Junkie. Every Monday, join your host Ashley Flowers as she unravels all the details of infamous and underreported true crime cases with her best friend Brit Prawat. From cold cases to missing persons and heroes in our community who seek justice, Crime Junkie is your destination for theories and stories you won’t hear anywhere else. Whether you're a seasoned true crime enthusiast or new to the genre, you'll find yourself on the edge of your seat awaiting a new episode every Monday. If you can never get enough true crime... Congratulations, you’ve found your people. Follow to join a community of Crime Junkies! Crime Junkie is presented by audiochuck Media Company.