Episode Transcript
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Speaker 1 (00:00):
All the comedy festivals are on all over the country.
Speaker 2 (00:02):
At the moment, you might have already seen him.
Speaker 1 (00:03):
You'd be liking to catch him if you have, because
he's absolutely.
Speaker 2 (00:06):
Popping off at the moment. Guy Montgomery, he is in
the studio. Oh wow, yeah, I can.
Speaker 3 (00:11):
I can't stop popping off at the moment. You let
to a find that when you just come I haven't
popped off like you. You're popping off.
Speaker 1 (00:18):
I mean, I just you just had a very successful
TV show on the ABC, on the Australian proodcast, and
you're foreign invader. You're coming in here very limited immigration
stuff off.
Speaker 2 (00:31):
My that's good.
Speaker 4 (00:34):
Even your opinions fly on prime time.
Speaker 2 (00:36):
I am who I am man?
Speaker 5 (00:39):
Why don't you like popping off? Popping off is good?
Speaker 4 (00:42):
No, I don't like it. I just I just can't
freaking help myself.
Speaker 2 (00:44):
Yeah.
Speaker 3 (00:45):
I'm just trying to get through a day, you know,
and all of a sudden I'm popping off.
Speaker 2 (00:54):
How you guys noticing?
Speaker 1 (00:56):
I think this is a nice hilarat Okay to tell
into Okay, what's the moment where you where you notice
that the popping off is happening.
Speaker 3 (01:04):
It was actually there was quite a nice one last
year after I've been back. I've been home in New
Zealand for a while and I was coming over to
do a show in Adelaide. I think maybe August or September.
And I got Adelaide the airport and I made it.
Speaker 4 (01:16):
I was first.
Speaker 3 (01:18):
I know, I was just over for a couple of nights,
so I didn't have any chick luggage. So I was
like the first one to get to the you know,
border security or whatever to give him a bit of paper.
Speaker 1 (01:25):
I don't think it's border security, but yeah, what do
you call them?
Speaker 5 (01:28):
Just they're the borders immigration. He is flying from overseas.
You've got us, You've got us.
Speaker 1 (01:38):
It's like back, you got to get through immigration because
you're a foreigner.
Speaker 6 (01:43):
That's so I get there and I was like, I
give the guy the car and he goes, oh my god, mate,
I love your show.
Speaker 4 (01:54):
I've been cracking up.
Speaker 3 (01:55):
And I thought, this is the best sort of welcome
I've received anywhere where I could feel there was a
change over be pretty hostile. You know, they do the
full cavity search and whatnot.
Speaker 4 (02:05):
The side room. Yeah, I might have been you actually, Yeah,
all of a suddenly you're.
Speaker 2 (02:08):
Not popping off drink a cavity search you.
Speaker 6 (02:12):
I was popping up I found a lot of stuff
that I kicked me out.
Speaker 4 (02:17):
I said, I was enjoying it too much.
Speaker 3 (02:19):
I know, I I do understand up specially you talked
about trying to stay off your phone while driving.
Speaker 5 (02:25):
Yes, how's that going for you?
Speaker 4 (02:27):
Well, it's you know, because it's against the law in
both countries.
Speaker 2 (02:32):
It's a foreigner.
Speaker 5 (02:33):
Yeah, I'm succeeding.
Speaker 3 (02:37):
I don't go on my phone when I'm in the
car anymore, you know, listening to whatever I'm listening to,
I don't change the song because there's also there's the
screens in the cars now, so you can go on
the phone, you can just go on a bigger screen.
Speaker 2 (02:48):
I found that what's the rules around that?
Speaker 5 (02:50):
What are the rules around tinkering with your screen?
Speaker 1 (02:53):
TV about it today, But I was on a silent
TV in a waiting room, so I couldn't quite decipher
what they were talking about the screen.
Speaker 5 (02:59):
I was in a news story about the screen.
Speaker 3 (03:02):
It makes sense. I'm trying to stay off my phone
more in general. You know, I'm doing a lot of
reading while driving now, I'm getting to a lot of
the classics Savski, Dickens, other authors whose surname begins with.
Speaker 4 (03:22):
It wasn't a prepared but because if it was prepared, I.
Speaker 2 (03:25):
Would to hear.
Speaker 1 (03:27):
For sure, for sure, I'm frantically trying to think of
with a D surname.
Speaker 2 (03:32):
Now, yeah, we'll find it. Yeah, we'll get.
Speaker 5 (03:35):
There or you leave, we'll find it.
Speaker 3 (03:37):
Okay, Well, and there's no rush to Why don't we
all take thirty seconds?
Speaker 5 (03:41):
It was Dawkins Richard Richard.
Speaker 1 (03:44):
Yeah, yeah, yeah, just allowed.
Speaker 2 (03:55):
I like someone in the crowd and when they were
playing no.
Speaker 3 (03:58):
Deal, some might there'll be some Australian authors screaming at
the radio right now. Yeah, yeah, we don't even think
out loud.
Speaker 4 (04:09):
Let's I know they say this is a big no.
Speaker 2 (04:11):
On radio fifteen second Stiles trying and think of it all.
Speaker 4 (04:17):
It's hard when you're under pressure.
Speaker 2 (04:19):
I'm really sure.
Speaker 5 (04:20):
How do you try?
Speaker 2 (04:21):
Oh?
Speaker 1 (04:21):
Oh, Trent Dalton, he's a guy, big listenersults.
Speaker 2 (04:30):
Yeah, Hey, we're going to go to a song. I
really do. Hey, mate, let's talk about this.
Speaker 1 (04:39):
I know we've spoken about it before, but I think
it is if people aren't across it. You have got
this podcast called the worst idea of All time, Yes,
where you watch a really bad movie over and over
again with your co host.
Speaker 3 (04:50):
What's you decide on the bad movie? Well, I've got
to say, first of all, we just choose. Initially, we
just chose grown Ups because we thought it's funnier to
do the sequel to a film that maybe shouldn't have
been made them you know, what's worse than the original. Sure,
And then the next year we did Six and the
City two to follow the sequel rule, and then everyone
thought we only did sequels, so we did a different one.
(05:12):
But we've I mean, we had to retire the concept
because we're still talking to each other both on and off. Mike,
we're old man.
Speaker 4 (05:21):
We started that like eleven years yeah, yeah, and it's
a young man's game. It dates back a long way.
And so now, yeah, we don't do that.
Speaker 3 (05:29):
We've still got one which we do with some guys
in America who have a podcast called My Brother and
Me called Till Death to Us Blant. Yeah, yeah, yeah,
that's an annual watch and review of Paul Blant more
Cop two brilliant and that one is from now until
the end of Lny of Time as the plan. So
we've all got ears or successes too, So that one's
going to go until someone drops off, they'll die, and
(05:50):
then we'll get a new we'll get a new co
host in and that's going to be quite an interesting
episode that one. And you know, god will Yeah, it's
not you know, thirty forty fifty year.
Speaker 1 (06:00):
Every year you're going to meet up with these guys
and talk about Paul Black.
Speaker 3 (06:04):
That's right, But so because what will happen? Of course, Yeah,
we will mourn the loss of our fallen colleague. Yeah,
it'd be great to get some fresh eyes on the movie.
Speaker 1 (06:16):
Because a lot of people listening right now, knowing ore demographic,
who would have seen Sex and the City two. How
many times have you seen Sex and the City two?
Speaker 4 (06:23):
I think that their final telly is fifty six?
Speaker 1 (06:26):
Okay, oh my what and you're talking about that every week?
So what what is the thing for you?
Speaker 2 (06:35):
Top line?
Speaker 1 (06:38):
Like, if you had to tell someone something about Sex
and the City that is most remarkable to you about
that movie, what would you say?
Speaker 4 (06:44):
It's two and a half hours long. I think it's
one of the big problems with the movie.
Speaker 3 (06:47):
Yeah, fair enough, but you will while you will clock
if you watch a movie enough times, is all of
the main action that's all on focus, and all the
background action they'll have that out of focus. But if
you watch the movie long enough and enough times, it's
sort of like, all of a sudden, the focus is
a focus pool, and all of a sudden, all the
main action in the front of frame becomes soft focused
(07:07):
and in the background you're picking up on people are making.
Speaker 4 (07:10):
Different choices week screening, the screening.
Speaker 3 (07:13):
You know, you're watching all of the cast, the core casts,
you know the chorus line basically, and you're building out
big stories for them.
Speaker 5 (07:20):
Where's that person walking that quickly?
Speaker 4 (07:23):
Coffee guy?
Speaker 3 (07:24):
Second City, season two, there's a guy he sits down.
The girls are in the coffee shop. There's a guy
walks into the coffee shop, sits down. You see him
order a coffee. You see him drink it one, two,
three times, put it down.
Speaker 4 (07:34):
Walk out. It's all this and like one minute of
actual screen time.
Speaker 3 (07:40):
And you know, like guys like that you're not going
to see if you go to the movies once, you're
going to see a guy like that.
Speaker 4 (07:45):
We got in touch with him. Yeah, we found it,
we found him. We're tracking down.
Speaker 3 (07:51):
You know, we are giving shine all the unsung heroes
of these sorts of other crazy thing. Season one we
had grown ups too, Patrick Schwartz and Swartzeneger's son. He's
having a moment. He was sort of a bigger than
featured extra. He was there's a frat boy. There's like
four frat boys, lead by Taylor Lautner of Twilight Fame.
One of us off side is Patrick Schwarzenegger. We were
(08:13):
totally drawn to him. There was a magnetism. He was
also not turning in a particularly convincing performance. So about
twenty five screenings in a guy comes on and says,
you know, that's Donald Schwartzenegger's son, and we become consumed
by him. We have a segment on the podcast called
Patty Schwartz Party Time. We're tracking his investments, we're tracking
his relationships, we're reaching out on Twitter. At the end
of the season we get matching Patrick Schwarzeneger tattoos. And
(08:37):
for sort of eleven years, since it's just this miscellaneous
piece of trivia that no one really knows about, it's
on my ass, no one gets to see or really discuss,
and then all of a sudden he has this huge
Schwarzenegger renaissance.
Speaker 4 (08:48):
He's back in the.
Speaker 5 (08:49):
Public eye and I'm going, you don't know.
Speaker 4 (08:51):
I know this guy.
Speaker 5 (08:54):
I used to reach out to.
Speaker 3 (08:55):
We d him, we used to d on Twitching. I
got a direct line. Yeah, he's launched this product recently
called marsh Bars.
Speaker 4 (09:02):
He reckons. He solving al Zeims with a music.
Speaker 5 (09:04):
He's lost his.
Speaker 4 (09:07):
Bars. We've got him back on the line. We're saying
we want mys to sponsor our podcast. You said, what
are you thinking? And I said twenty five thousand dollars.
Speaker 3 (09:16):
He said, usually we need to see your numbers before
committing to something like that, and then I deleted Twitter.
Speaker 1 (09:25):
If you want to go and see him, get around
going Ontgomery.
Speaker 2 (09:27):
It's a great show.
Speaker 1 (09:28):
Live Nation dot com dot you to see guys show
doing Melbourne and Fresh out of Adeli doing all the
other comedy festivals I imagine.
Speaker 3 (09:35):
Yeah, you're doing the tours Sydney, Perth, Brisbane, wollongong.
Speaker 4 (09:40):
O, bat All, the major Newcastle.
Speaker 1 (09:44):
Don't call it a center. You sound like a foreigner
Live Nation. You should do that exit.
Speaker 4 (09:49):
You were doing how do you say Foreigner's talk again?
Speaker 2 (09:53):
Live on
Speaker 5 (09:58):
Kiss