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May 20, 2025 • 41 mins
  • Denzel Washington gets annoyed at little things, as do we!
  • Harry Garside talks to us about getting back into professional boxing
  • What are some of the great stooges?
  • What’s your partner been banned from?
  • How many things can 100k get you?
  • Battle of the gens

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Episode Transcript

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Speaker 1 (00:04):
The Will and Woody Podcast.

Speaker 2 (00:10):
Someone with one hundred thousand dollars tomorrow, all thanks to
the brand new version the Wall, and Harry Garside's going
to join us really, so don't interrupt my anchoring every again.

Speaker 1 (00:22):
That you're going to really give it to me during
the next song.

Speaker 2 (00:24):
I reckon.

Speaker 3 (00:25):
Anyway, let's talk about Denzel Washington. He's absolutely lost on
the Red carpet. Denzel seems like a pretty cool customer.
Usually Denesel Washington, I would say so, seems like a.

Speaker 2 (00:37):
Bit of a megalomaniac from.

Speaker 3 (00:39):
Well, when he's on the screen. Maybe that's his character,
that's he's acting. He's acting Will.

Speaker 2 (00:43):
No, I mean like outside of that, I understand what
he's an actor.

Speaker 3 (00:46):
Oh well, no, I think he's I haven't seen him
too much Hubris, Eh well, I haven't seen him lose
it in public like this. He's just walking the Cahn
Red carpet and he goes past some photographers, so.

Speaker 2 (01:00):
They call it the Red carnt out of interest.

Speaker 1 (01:04):
Not sure.

Speaker 2 (01:04):
Oh, there is an opportunity.

Speaker 3 (01:05):
There, No doubt that'd be great for marketing, No doubt
the Red carn But anyway, he's on the red can
and he can't keep his anger down when he passes
some photographers, and like, I'm not one hundred percent sure
what's happened here, because obviously I'm getting a visual of
this from the story from a while.

Speaker 1 (01:23):
You hear exactly what he's saying. But I think what's
happened is that they took a.

Speaker 3 (01:28):
Photo of him from his bad side, and Denzel is
obviously very insecure about what appears to be the left
side of his face, and he has just launched at
these photographers. Now, I want to say again that I'm
not one hundred percent sure if that's the reason that
he got really angry, but it would appear to me
that when you take a photo from Denzel's left he

(01:49):
gets very very angry. And it's a perfect example, I think,
well of just like I think we all have small
things in our lives.

Speaker 2 (01:58):
Sorry, I hope it's an example of something, because well,
that really was a meaningless story, wasn't it.

Speaker 1 (02:04):
Well, mate, well yeah, that's the point. The point is
it seems like nothing, but.

Speaker 2 (02:07):
He absolutely cracked it, right.

Speaker 1 (02:10):
He is like staring at this photographer, pointing at it.
Abusive language.

Speaker 3 (02:14):
I imagine I didn't hear it digitally, but I imagine
he's swearing there.

Speaker 2 (02:17):
So that's the hole in the audio.

Speaker 1 (02:19):
No, no audio.

Speaker 2 (02:20):
Did you want to do a real life role play?

Speaker 1 (02:23):
No, no I don't.

Speaker 3 (02:26):
But a few people got worried about that outside you
did you absolutely?

Speaker 1 (02:30):
But again this is like he hates that, right.

Speaker 3 (02:32):
So I think we all have small things in our
lives that we get way too angry out though to
try and relate to Denzel. So for me, for example,
if I lose the sock in.

Speaker 2 (02:41):
The wash, yeah, like that sucks.

Speaker 1 (02:44):
That ruins my entire day. That's like a house clear.
I need to go for a walk around the block.
I get so angry.

Speaker 3 (02:53):
Another one for me, if I'm driving in my car
and I make the effort to let went into the traffic, Yeah,
I have pulled to the side. I like, they know
I have pulled to the side to let them in. Yeah,
and they don't give me some indication of appreciation. Yeah,
I need to pull that car over and I just
have five minutes out. Wow, I get so angry. That

(03:15):
says a lot more about you anything? They are you anything?

Speaker 2 (03:17):
There? Well?

Speaker 1 (03:18):
These things do they say a lot about it?

Speaker 2 (03:20):
A favor for the sake of somebody's you know, for
the sake of it.

Speaker 1 (03:22):
Give me a small weight, Just give just give me
an Just give me one finger.

Speaker 2 (03:25):
You don't need it.

Speaker 1 (03:26):
Just give me a wink.

Speaker 2 (03:27):
You don't need it. Just give me a No. Don't
let them in.

Speaker 3 (03:30):
If that's what you're doing it, don't Now, I don't.
Here's another one for me. When I'm at cafes. You know,
when someone's done with the newspaper. Yeah, they've clearly they've
they've read the newspaper, and the breakfast comes, and rather
than returning the newspaper to the communal area in the cafe,
they just folded in half and put it on the
edge of their table.

Speaker 2 (03:47):
You're like, I don't have a newspaper, but you go
and ask for it.

Speaker 1 (03:50):
No, but then they say that I'm still ready to it.

Speaker 2 (03:52):
Well that might be no, but they're not.

Speaker 1 (03:53):
They're eating their breakfast.

Speaker 2 (03:54):
Might be picking it. They might be picking through.

Speaker 1 (03:57):
I'm sure. Yeah, you would be with someone.

Speaker 3 (03:59):
You you'd fold the paper and you'd say that paper's mine,
as fell like our number thirteen one oh sixty five.

Speaker 2 (04:06):
Get your phone out of that.

Speaker 1 (04:08):
I like to be off the screens.

Speaker 2 (04:10):
Speaking of small things that you get angry about. You
on the photography side of things. If you ask someone
to take your photo, what ding dong. I hate it
when people still do landscape.

Speaker 1 (04:22):
I think that's in the moment landscape, but like, is
it not?

Speaker 2 (04:26):
Who's using landscape? I'm not going to post it up
as my Facebook background profile. You know when they used
to put the you know that that wide shot, Like,
no one's doing that anymore. Why do we need landscape?
I'm not flipping the phone, dude, We're just gonna look
like sardines on a sixteen to nine when I'm holding
the like, just take the photo. You just all in
use the zoom button.

Speaker 1 (04:45):
I find if it's four or more, I've got to
go landscape.

Speaker 2 (04:49):
That's a landscape photographer. Go go and buy a nikon
and piss off and photograph a sunset. Emily is killed, Emily,
little thing that annoys you. Sorry, Emily, you sound like
a landscape person as well. Sorry about that.

Speaker 4 (05:04):
I came my husbands.

Speaker 2 (05:06):
Yeah, it's a real middle aged around down you know
a little bit, just to get your options.

Speaker 1 (05:14):
Give the options. Little thing that you talk to me,
my pet peeve.

Speaker 5 (05:20):
I used to work at a McDonald's in a fruit
court center, and my pet papers when people leave rubbish
on the table.

Speaker 6 (05:27):
It's not it's.

Speaker 2 (05:31):
I mean, it is outrageous when Emily spinal pillow for
you good stuff.

Speaker 1 (05:35):
That's sort of an environment thing though, It's just like
the bin is right there in the mall.

Speaker 2 (05:39):
I just put at the guys. What about people who
sign off emails with just the first letter of their
first do that? You do that?

Speaker 1 (05:49):
You do? I told you that DICKO does it. Digson
in a week later. No one's got time to write
I double L. You're just doing double you dare you
got those people?

Speaker 2 (05:59):
It's a good feel.

Speaker 1 (06:01):
It's a real flex.

Speaker 2 (06:02):
I'm so busy you You're like, God, I just write
your name.

Speaker 3 (06:07):
I'm so busy, I can't write the rest of my
Name't rageous.

Speaker 2 (06:10):
It's kind of familiar though, look at you.

Speaker 3 (06:12):
You're gonna start doing it, Josh.

Speaker 2 (06:16):
What's a little thing.

Speaker 1 (06:17):
That annoys you? My friend?

Speaker 7 (06:19):
It's something that probably shouldn't but people that don't return
the trolleys to the trolley ba. It is the smallest
thing and if it defines a goosh human being, and
it just boils my blood watching people even in car spaces.

Speaker 1 (06:33):
Josh, have you got history being there?

Speaker 3 (06:35):
I've always thought the person who stacks together those trolleys
and taken back to the store, that's one of the
hardest jobs to ever do.

Speaker 1 (06:41):
Was that you, Josh?

Speaker 7 (06:42):
Well, I was a bit younger. I was pushing some
trollies around my steel. But I don't think it's st.

Speaker 1 (06:50):
You've got two trolley returners in here, Josh. Don't you
worry about that, my friend.

Speaker 2 (06:53):
People that I'm banned from the zero market? Actually, what
about people that put not because I did anything wrong?
People put there when you know when people get little
dogs chauhahas fish on freeze dash ones and they put
them in their handbag. You know, when they put them
in their bag, we'll just find keep it in your bake,

(07:14):
keeping your bait. It's absolutely fine. It doesn't give you
a license to bring the dog into the cafe and
sit on the seat with the dog. Ah. So you
think I don't know why that pissed me off? It
really gift get shocked. You can't bring it's about you
don't even know there's a dog in there. It's so small.
Scares the ship out of here. Yeah, you knock your
coffee over. This is sounding very specific.

Speaker 1 (07:36):
Happened to you?

Speaker 2 (07:36):
This morning, obviously, Michelle. They should have to declare, like
when you go through customs, that you've got a dog
in your bag. Just why we had customs all of
a sudden, because it customs. You declare things customers, right,
you declare. I think you should have to declare when
you go somewhere, just so you know, live creature in
my handbag, so when you walk into the caf. It's

(07:57):
a pretty fair thing to do.

Speaker 1 (07:58):
So make a public announcement at a cafe.

Speaker 2 (08:00):
Excuse me before I walk in here, I've got a
live animal on me on my person. That's it's like
you to have to put your fire firearms down at
the front, and.

Speaker 1 (08:07):
You're very angry, Michelle, what are you going to do?

Speaker 2 (08:11):
Coffee? Okay?

Speaker 8 (08:13):
I think my peppy is. You know, when you're traveling
in the traffic and you've got roadwork and you've got
to stick it out forty forty kilometers and there are
pots that you're thirty nine, you're thirty eight, You're like,
I'm waiting for it to say thank you, and if
it doesn't say thank you, I might just have to
do a hui.

Speaker 6 (08:30):
And go back again.

Speaker 1 (08:32):
You know, it gains me Michelle when it says roadwork.

Speaker 3 (08:35):
You know, I don't know if you find this, but
you know when it says roadworks, it says slight to
forty and you're like, yeah, great, no worries, I'll do it.
You go to forty and you go, you go for
you know, five minutes or so, there's not one sign
of roadworks.

Speaker 1 (08:45):
Oh yeah, that is this a big prank the camera?
Where was the roadworks?

Speaker 2 (08:51):
Yeah, it's I just forgot to take the sign down.
You don't realize that has impected me that or just
vic Rydes is filming. You're you're driving. It's a good
bit a shot at the Christmas party at the ind
of the year.

Speaker 1 (09:04):
Enough, you got me, Chris, what small thing gets you annoyed? Mate?

Speaker 2 (09:09):
Yeah?

Speaker 9 (09:10):
Guys, look, this is something else men can probably all
relate to. But my missus threw out my couple of
pairs of old Calvin Klein unders. Yes they were a
little bit loose in certain areas, and yes they had
a few holes, but on the only one that season.

Speaker 2 (09:25):
You know.

Speaker 9 (09:26):
And now she has replaced them with these brand new
pair of tidy whiteies. So now here I am picking
and pulling at myself all day because I'm uncomfortable, like
you know that were mine?

Speaker 2 (09:36):
You know, yeah, imagine if you changed your jocks over Chris,
can you imagine? I?

Speaker 9 (09:43):
Yeah, I'm just absolutely annoyed.

Speaker 2 (09:46):
We can hear that. We can hear that. Chris Harry
Garside's in the studio, fresh from his return to boxing mate. Welcome.
We've been talking quite chat about this, but how's a feel.

Speaker 10 (10:00):
Yeah, I am so bloody grateful to be back. I
felt like for the back end of twenty twenty four,
I was definitely considering other options outside of boxing. I
really wasn't sure if I was ever going to get
back in the ring again. So I'm happy that I
stepped away and really sort of wanted to make sure
that when if I was to step back in that
I'm doing it for the right reasons. And I just
feel very focused and you know, very switched on for

(10:23):
what's next.

Speaker 3 (10:24):
What was the turning point for you, because I know
it was very unsure about professional boxing and staff, Like,
was there a moment where it was like, yep, I
want to go back.

Speaker 5 (10:31):
Yeah.

Speaker 10 (10:31):
I think it's it was more around like you know
that book Regrets of the Dying. There's a book and
it's like they and I just was like constantly thinking about, like,
what am I going to be like when I'm seventy
eighty on my deathbed, you know, And I think twenty seven,
I turned twenty out this year, arguably your athletic prime
for the next four or five years, Like this is
the time to do it. So I've dedicated so much

(10:52):
of my life to it. It makes me feel so alive.
It makes me feel so myself because I've done it
for so long, and I just I think I would
regret it if I wasn't to give it one last nudge.
And I do think as well, I lost my respect
between the two Olympics. For myself. It doesn't matter about
anyone else, but I lost my respect as an athlete
because I got distracted with fame and the world coming

(11:13):
at me so quickly. And I just I just feel
like the big thing for me is just getting that
back over the next three four years, and then when
I've got that, hopefully I've got far enough on the
journey that I can retire with my respect.

Speaker 2 (11:23):
We spoke to you straight after the loss in Paris,
which was a shock for you, I imagine. I know you're
probably trying to compartmentalize it and put in perspective at
the time. But you know, you could hear that there
was a lot of loss or guilt or grief whatever
you want to call that. Where's the moment where you
kind of roll over and you go, oh, would am
I getting hit in the head again? It's good point,

(11:46):
is that right with what I'm saying, there was there
was like a loss or definitely definitely.

Speaker 10 (11:51):
I also think it's almost like people ask me, like,
if I could go back to Paris, you know and
change the outcome, would you? And I don't know if
I would. I really do think like the universe pools.
I'm quite spiritual, but the universe pulls you in the
way that you desire. You need to learn the lesson
and I learned so many things from that loss in Paris.
But then also the twenty year journey leading into the loss,

(12:12):
you know, I needed to sort of get distracted by
fame and I needed to maybe not sharp as the
best athlete that I possibly could be, so then I
can reflect on that and go like what actually is
important to me, you know, and showing up as an
athlete and before a tournament starts and looking yourself in
the mirror, going like, I am truly the best athlete
I possibly can be the best man that I can
be in this moment right now, and regardless of an outcome,

(12:34):
like that's.

Speaker 2 (12:35):
All that matters.

Speaker 10 (12:35):
You know, you've won already. And I don't know if
I felt like that prior to Paris, because I was distracted, you.

Speaker 3 (12:40):
Know, in the time though, in the moment before Paris,
though you felt ready, you filled one hundred percent in
that moment.

Speaker 10 (12:46):
Yeah, So I kept saying to myself it was almost
like a justification, right, So I kept saying, like I
felt so relaxed, I felt so ready, and I kept saying,
this must be the difference between a bronze medal and
a gold medal. This must be how gold medals feel.
So everything I was feeling before Paris, I was justifying it.
Where it's like, that's not the difference between a bronze
medal and a gold medal. The feelings of relaxedness and

(13:06):
you know, feeling ready for the moment and just super
blase a like that's the difference between not even getting
an outcome, you know. Yeah, you know, for an athlete,
it's really important to feel nervous Yeah, to feel, you know,
to feel like the world is potentially going to crumble
if you don't make ends meet you know, which.

Speaker 3 (13:21):
Is that how you felt before the professional fight last week?
Like look back to that, like I'm nervous.

Speaker 7 (13:26):
Yeah.

Speaker 10 (13:27):
For me, I've just got something to prove to myself again,
you know, like I know what I'm capable of, and
I just twenty twenty three, twenty twenty four, I didn't
meet it, you know, and I've got to reflect on that.
And you know, if you continuously run the same pattern,
it's like, you know, that's up to you if you
want to realize that and grow. And I just want
this year and the years to come and be a
lot better than the last two.

Speaker 3 (13:44):
And post fight, of course, you get a little bit delirious.
I imagine I've never had a boxing fight, but I
think it was twelve hours after the fight, I received
a nude photo for.

Speaker 1 (13:53):
A new Harry Yeah.

Speaker 10 (13:54):
Yeah, yeah, yeah, give the people what they.

Speaker 2 (13:58):
Want, Yeah, exactly. I think he's trying to act a
little bit weird about vibe back in the boxing ring.
Ended up first professional boxing fight last week against Charlie
Bell in Sydney. Tkoo Freeman playing at home is a
technical knockout, so the referee basically goes, I think you've

(14:19):
lost it. You're still standing, but no longer with us.

Speaker 10 (14:21):
Yeah, I kind of felt felt if it happened a
little bit earlier, I would understand it. But I kind
of felt sorry for my opponent, Charlie Bell, like I do,
think he'd probably deserved to make it to the end.
He only had three minutes.

Speaker 2 (14:31):
This is a weird thing. We were talking about this
in the song before, and we're talking about how many
rounds boxing were, and you told me that the longest
fight ever recorded was in two hundred and something. It
was like two hundred and something rounds. You wanting something round?

Speaker 1 (14:40):
Crazy?

Speaker 2 (14:41):
And then I said, well, how many is it now thirteen?
He said, no, no, it's twelve, but I wish it
was fifteen. Why do you want? Why do you want longer?

Speaker 11 (14:48):
Like? Why?

Speaker 2 (14:49):
I look at that and I'm just like, okay, cool.
If I cannot that guy out really quickly, get the
hell out of here, that'd be great. But there's something
about boxes. We You do love the punish, don't you.

Speaker 10 (14:57):
Oh, it's arguably the best place you can go in
the world.

Speaker 2 (15:00):
You feel, you feel so alive.

Speaker 10 (15:04):
And don't get me wrong, I always feel like, let's
say you're not fighting, but like this sounds so silly
to say I reckon road rage is a good thing.
And the says like obviously obviously not getting out of
the context, obviously not getting out of your car, and
like fighting someone, but like letting you had a bit
of emotion, Like it's nice to sort of, you know,
get that frustration out, you know, before you turns it up.

(15:24):
That's why I think boxing for me anyway, it's just
a place where I can go and it's an energy exchange.
I release and then I'm just neutral and I build
up some pentape energy.

Speaker 2 (15:34):
Let it go.

Speaker 1 (15:35):
Every time I fight.

Speaker 2 (15:36):
It's the best and I can feel it on you.
Now you feel relieved, you feel alive.

Speaker 10 (15:39):
I'm here. Yeah, that's also like monkeys on a spinning
rock in the middle of nowhere.

Speaker 5 (15:45):
Up.

Speaker 10 (15:45):
It's good to do some fun things.

Speaker 2 (15:46):
I love that. I love that, and I love that
you're no longer addicted to the fame or anything like that.
But you are in the next season of Dancing with
the Stars.

Speaker 1 (15:52):
Which is very exciting. Caught out body can't wait for it.

Speaker 2 (16:00):
I can't dance to Save Me life. And we're talking
before about the LA Olympics, So twenty twenty eight is
that on the Kazi? Is that something you want to
you want to aim for now?

Speaker 10 (16:08):
I'm so I'm so unsure, Like I'm one of the
most patriotic people you will meet, but I am very
conscious that I think, I think to travel as an
Olympic athlete, you travel overseas so much, and I just
I'm really conscious that I want to be dad by
thirty five, you know, and I'm twenty seven and twenty
eight this year, and I just think when you travel
so much as an Olympic athlete, you can't foster relationships

(16:29):
and communion. Yeah, for sure, And that's something that I
am conscious of, and but it would be hard to
sort of rule it out completely. I'm sure when it
gets closer and closer, Yeah, we're in that grand and gold.
There's no greater.

Speaker 3 (16:39):
Onor how old will you be at thirty one thirty one?
And in the boxing world, is thirty one still a
pretty good age.

Speaker 10 (16:46):
To be Yeah, I'd say probably up until about thirty
three and then you can Yeah, so like definitely still
competitive Olympic boxing is young people it's a lot more
like average age, probably twenty five six.

Speaker 2 (16:58):
Does the head knock things that to play to be
down because I was the longer that you get hit
in the head. For now we know that, you know,
there's obviously some pretty horrific repercussions with that, with everything
that's going on at the moment, with examining people's brains
after they've been playing contact sports, et cetera.

Speaker 10 (17:12):
Yeah, I've definitely, I've definitely made a deal with myself
that I want to be in the sport for three
four years and I want to try and push it
as far as I can gain my respect back to
an athlete. But if I get knocked out at all
that process, I'll walk away.

Speaker 2 (17:24):
Oh wow, Okay, being a dad, that's a wise decision. Yeah,
being a dad is.

Speaker 10 (17:28):
Way more important. And you don't want your kid, you know,
I really want to be a dad.

Speaker 2 (17:32):
I can't wait for that day.

Speaker 10 (17:33):
But I don't want my kid getting a secondary version
of me because I've dedicated.

Speaker 2 (17:37):
My whole life to something.

Speaker 10 (17:39):
You know, and I think I think being of service
to someone as a dad would be way more more
special and way more important.

Speaker 2 (17:44):
Oh mate, You'll be a great dad. Because of that,
because you're already thinking about it. That's awesome. You seem
to be taking all of your decisions as always with
a lot of poise and a lot of thoughts. So
it's very cool to have you in the studio as
always and get all your thoughts. You inspiring mate. Thanks
coming in.

Speaker 10 (17:58):
Thanks boys, always good to be in.

Speaker 2 (18:00):
What is life's greatest stooging?

Speaker 7 (18:03):
Oh stooge?

Speaker 11 (18:04):
Now?

Speaker 2 (18:05):
Now, the pioneer of the great stooge is the guy
that you just heard there. That's Josh who called the
show the other day. And I haven't heard the words
stooged in a long time. It really does procure a
certain type of mess around where you've been squeezed out

(18:26):
all aligned in a very unfair fashion. Absolutely, but it's
almost like it's it's too petty to admit that. I
almost I think comes with a bit of a stooging.
But they're ugly. I think they're ugly. They're not they're
not pretty moments in life great stoogings with So this
is this was Josh's. This is Josh when he called

(18:46):
us with his great stooging every weekend.

Speaker 5 (18:50):
I was out there in the lawns Now.

Speaker 9 (18:52):
I'm the oldest in a family of five. I thought
when I moved out that my little brother would take
the raim. Lucky for him, Mum and Dad decided to
hire Jim's knowing.

Speaker 2 (19:01):
So you no way, o stooge.

Speaker 1 (19:07):
You are too good.

Speaker 2 (19:11):
Perfect, it's a perfect stooche. It's a perfect stooge. So
I think I love to hear from you guys on
thirty one or six flight about what you think is
life's greatest stooging. Oh, there's a few that come to
mind for me. Off just off the bat. One in
particular has got me a couple of times recently, and
it really is. I'm an impatient driver. So you know
when you're turning right at the lights, but there's no

(19:33):
dedicated green arrow. Yes, so you've got to wade out
into the intersection. Yes, very frustrated when the person in
front of you doesn't do the weight. Well, no, the
person in front of you does the weight right. They're
out there, they're halfway. You're the car behind them, and
you're like, I'm going to follow you in here, brother.

Speaker 5 (19:51):
Yeah.

Speaker 2 (19:51):
Now the de together the deer is you've got to
wait until the light turns yellow, or even if it
is a little bit I mean, I don't can don't
you wait to the light turns yellow.

Speaker 1 (20:02):
You make sure that no one's going to drive.

Speaker 2 (20:06):
But if they're, if they if they're court napping and
they missed that, then they still go they go, oh jeez,
I mean court napping. But there's just there's room enough
here for one. And then you're in the middle of
the intersection. You can't reverse because the guy behind he
has moved up to the line. And then you're getting

(20:27):
warned on either side because the other people are trying
to make it through. Great, that is a great stoogie.

Speaker 3 (20:34):
Nother stage, just on the road theme I always I'm sorry.

Speaker 1 (20:41):
I've got a stage when.

Speaker 3 (20:42):
You're following someone in a car and it's like, oh,
just follow me, I don't know the directions yet, no worries.

Speaker 1 (20:47):
And then you're very guilty of this.

Speaker 3 (20:49):
I'll be following you, following your direction, and you'll go
through an orange light and I'm like, well, I'm not
going to make the orange Yeah.

Speaker 12 (20:57):
That.

Speaker 2 (20:59):
Is a sturgy. Even when you when you're convoying, the
person in front needs to make sure you've got time.

Speaker 13 (21:04):
Yeah.

Speaker 2 (21:05):
No, I think it's just For me, there is just
every man for himself.

Speaker 1 (21:10):
You're in a convoy.

Speaker 2 (21:11):
I love looking behind and just knowing that they're in
I'm not waiting by the side of the road further up.
It's a for yourself situation. Let's get this away from
the road, because otherwise everyone's going to call it with
great road sturgings.

Speaker 1 (21:26):
Cakage. Cacage is a sturgeon every time.

Speaker 2 (21:29):
Cakage when you go is in when you go to
when you bring your own birthday cake to a restaurant.
I don't know when that was invented. Let's not make
all these financial as well, because I know that you're
going to get a real beer in your bonnet about this, okay, dude.
So another great one of life's great sturgings for me,
and I think this is this speaks to the common
man because often you know, if you're like I'm not,
I'm not a great early check in guy, neither of you,

(21:51):
Captain poop panthery. But he gets the note. If he
gets the message, would you like to online check he's
checked in five seconds? Yeah, he's sitting in seven seven.

Speaker 1 (22:00):
And been an uber on the way to the airport.

Speaker 2 (22:03):
We haven't son't we get to the back of the
plane right now. That's fine, I don't really care. But
it is fraught with danger when you've got a catered flight,
because what happens when you go on a plane they go, hey,
look we've got the beef stew right, and then we've
also got the cold cuscuss salad with seasonal bage, which
nobody wants. Nobody woulds. You're on the plane, and then

(22:25):
you get in the back of the plane. Look at
least they get a free meal on this flight. I'll
copy it. You get down at the back of your
of the beef stew with the potato, thank you very much,
and a glass of red and they go, I'm so sorry, sir,
we have run out of that option. That cuts you
so deep as you weighe through a soggy mass of
what could have been marbles, but our jumbo curs course.

(22:47):
Apparently what is who knows, mate that I don't think
we're currently beating the example I gave before of when
you wade into the intersection following a brother in arms
who's turning right at the traffic lights, and you're relying
on them to turn right at the yellow.

Speaker 1 (23:03):
Yep and to go quickly, so we go. When you
get your gas.

Speaker 2 (23:05):
We all know there's two cars. Get two cars through
that yellow light, that gets turn right, that's the deal.
The person in front gets caught napping, you get stuck
in the intersection. Everybody is angry.

Speaker 1 (23:15):
And then you're blamed Scott Free.

Speaker 2 (23:17):
The horns, the horns explode around you.

Speaker 1 (23:20):
Yes, now we're interestingly.

Speaker 2 (23:22):
The guy, but you're looking at the guy behind you.

Speaker 3 (23:24):
Give you we've got we want to take great stooge
in so thirty one sixty five corps for that. But Denise, Denise,
you're a driving instructor and you've got some comments that
you want to make about what we're still come to.

Speaker 6 (23:36):
Flight to Melbourne and give you a little bit of
a driving lesson, because really only one car is allowed
Q in the intersection, and the other guy's first to
wait behind the line.

Speaker 2 (23:45):
I don't know.

Speaker 3 (23:49):
Hang on, hang on, you're saying that you are not
legally you are not allowed to do that thing that
we all do, which is dripped into the intersection.

Speaker 6 (23:57):
Well, no, the first car can when there's only a
green light. The first car can, and the second guy
has to wait behind the solid.

Speaker 2 (24:07):
And then we're gonna have to get the book out there.

Speaker 6 (24:09):
Okay, Well, well guess what. The guy can then turn.
Maybe there's a gap in the traffic. So if the
first guy does clear the intersection and the light is
still green, will can happily go and wait at the
halfway mark? Or weah?

Speaker 2 (24:23):
I disagree? I think I disagree there, and thinking, well
everyone disagrees though there's no single person in their car
right now. You're turning right right now, and you're the
second car in line. You are not reversing back behind
that line. It is your god given right to wade
out behind that car in front. I prefer to with
the second car.

Speaker 1 (24:43):
Sometimes it's three out there's comfortably.

Speaker 2 (24:46):
Of course, you just get as close as you possibly
can you but out there press, of course, put the
pressure on, bitter perceived pressure. Just let's go back on
st do you ever? Do you ever to them if
they don't like if there's a gap. Sometimes when I
look up there's a gap in the traffic, I'm like,

(25:07):
this guy's got to turn right here. If he doesn't
turn right, I will let him know. I have an
embarrassingly high pitched horn. Aaron, we are we are talking
great Sturgings. I'm thirty.

Speaker 14 (25:20):
What do you think?

Speaker 2 (25:21):
What do you think his life's greatest sturging? Was that?

Speaker 4 (25:25):
Sorry?

Speaker 2 (25:25):
What's the life's greatest sturgeing? Aeron the question? Just a bit?

Speaker 7 (25:30):
Yeah, Well I was the family dishwasher for many years.

Speaker 14 (25:35):
Yes, and then Tom and Dad numerous times we should
get a dishwasher.

Speaker 5 (25:40):
And he always said, why would I win? You're my dishwasher.

Speaker 2 (25:42):
Oh well, and then as soon as I move out?

Speaker 7 (25:46):
What did he do here?

Speaker 2 (25:49):
That's a great It does sound a lot like Josh
who called up the first very similar.

Speaker 1 (25:54):
Just Josh's brother Aaron, the parents, Boddy.

Speaker 3 (25:57):
Hell, let's got Nathan here, Nathan talking about stoogings.

Speaker 1 (26:02):
What's a great stoogee in the life, my friend?

Speaker 9 (26:05):
Yeah, the good old Macrosoft serves being broken every time
you want a soft serve.

Speaker 2 (26:13):
This is a great stogi. Yeah, yeah, well said you
know that. That's the audio game we've been playing. You
know what else is a great stooging? When you go
to McDonald's and you love Mack you ey the way
we love me, absolutely love it, love it. But you
know when you go there and they go, thanks very
much in your order. Can you go and wait in that.

Speaker 1 (26:33):
And then it goes past on a big order.

Speaker 2 (26:38):
Fat shame you. They put you in the fat chameau.
Order was so big we couldn't hand it through the
window at the time. Open your boot mate, I would
love to hear from you. Thirteen one and sixty five guys,
please give us. If your partner's been banned from something,

(27:00):
it can be a place, it can be a thing
I have. I have banned my partner Sem from any
charger in the house which has not been color coded
for her.

Speaker 1 (27:10):
Oh, what's her? What's her glory?

Speaker 2 (27:12):
And I just used like, let's put a little bit
of a marker on their little red marker, right, that's yours,
that's yours, and we live. We've got a consensual, loving
relationship with sm with no issues of goosive control. Hey,
I have a call yesterday for the radio show where
a woman convinced her partner that he'd been banned from
a golf club.

Speaker 13 (27:33):
My husband's really competitive at golf and went through a
stage where he just couldn't handle losing against his best mates,
So every time he lost or wasn't happy with his score,
he would snap a club.

Speaker 11 (27:46):
My son also works at the local club where my
husband plays, so I got him to organize that next time,
they went in a group to ban my husband from
playing because we're all sick of having a pay for
your club.

Speaker 1 (28:00):
Totally fair enough, it's a financial issue.

Speaker 3 (28:02):
At the end of the day, it is let's go
to Monica.

Speaker 1 (28:07):
Here, Monica, where did your partner get banned?

Speaker 4 (28:11):
He was actually banned off the PlayStation network, the whole network.
We had a bit of an argument and I reported
his account, so he got banned for thirty days. And
he was in the middle of this FEEDBA Championship, so
we a thousand dollars into it, and yeah, he lost
it all.

Speaker 1 (28:32):
He does he know it was you that put the
complaint in now, Monica.

Speaker 4 (28:35):
I told him a few months later.

Speaker 1 (28:37):
How did he react?

Speaker 5 (28:39):
He lost it.

Speaker 4 (28:39):
He didn't talk to me for a good two weeks.

Speaker 2 (28:42):
How do you go about report?

Speaker 4 (28:45):
I just reported our chat as abusive, and yet PlayStation
acknowledged that and banned him.

Speaker 1 (28:52):
It does get abusive to the chat. I've only played
online game in once.

Speaker 2 (28:55):
I was you bull you got bullied.

Speaker 3 (28:57):
I felt so bad about myself and fourteen year old
kids that were bullying me during Call of Judy.

Speaker 2 (29:03):
Really because you weren't killing people fast enough.

Speaker 3 (29:05):
Well, I was just letting down the entire team apparently,
and I acidentally dropped a grid and at one point
and killed my entire teament really, and they were called.

Speaker 1 (29:12):
Like, you're obviously an old man who's never played before.

Speaker 3 (29:14):
They were like, go back to campaign mode, and I
was like, what is that? I was going to Nicole here, Nicole,
your partner's been banned from something.

Speaker 14 (29:25):
Yeah, he's been banned from the slides raging waters.

Speaker 5 (29:29):
Whoa, whoa, Because you know how when.

Speaker 14 (29:33):
You go down you meant to leave a certain amount
of time in between the next person going down, or
he kept going. He sent my fun down and just
kept going down straight after it. So on the third
time he tried it, they said, walk back down. You're
not coming back up.

Speaker 2 (29:47):
Wow, Why was he going? He's going to try for
his son so he can catch him, right, He was just.

Speaker 14 (29:52):
Trying to go down so he could catch him.

Speaker 2 (29:54):
Yeah, surely it's your son, Nicholes's a bit of fun there.
Surely it was fun. Yeah, But.

Speaker 1 (30:03):
In Front gives consent. That's fair game.

Speaker 2 (30:05):
Are we still talking about water slides? Vara is killed
on thirty one six five Vera yeah, where do you
where did you where did your partner get banned from.

Speaker 5 (30:16):
From entering Paris for I can't remember the exact amount
of time, but the band's listed, but it was entering
Paris after coming from Thailand and buying some items that
they thought was counterfeit. So they thought they were there
to sell them in Paris, and so they took all
the items from them and said your name would be
listed every time you come into this.

Speaker 2 (30:37):
Country, into France or into Paris, because.

Speaker 13 (30:41):
Into France, France, what the.

Speaker 1 (30:47):
Item? What were the counterfeit items that he was bringing
in from Thailand.

Speaker 5 (30:49):
It wasn't counterfeit. It was just you know, items that
they brought to purchase for themselves that they would wear,
so Watchers jeans. But yeah, it wasn't counterfeit. It wasn't
like anything that was illegals, just you know, just its
that were for themselves.

Speaker 2 (31:04):
That's what I would say if I had of drugs
found on me as well.

Speaker 5 (31:09):
No, I wasn't like you know, two or three Watchers
or you know, street pairs of jeans, but that we're
going on a big trip.

Speaker 2 (31:17):
Yes, yes, And at the end of the day, if
it's all consensual, there are all right? Would trow In
a couple of days, we're giving away one hundred grand impossible.
Every mission has led to this Mission Impossible, the final

(31:38):
reckoning in cinemas.

Speaker 1 (31:40):
Now, willum wooded some here, your time starts could still
be you.

Speaker 3 (31:47):
If you're listening right now, you've got two days to
go and watch the new mission Impossible, which, by the way,
is an absolute trait.

Speaker 1 (31:56):
Yep, Like, if i'm you right now.

Speaker 3 (31:57):
I'm driving home, I'm pulling a sicky tomorrow calling the boss.

Speaker 1 (32:02):
Unwell, go to the movies tomorrow during the day.

Speaker 3 (32:05):
Treat that's delish, and then go to willamity dot com.
Answer this question about the movie, which is super easy.
If you've seen the film, how many times is a
message to Ethan hunt self destruct?

Speaker 2 (32:17):
Yeah?

Speaker 3 (32:18):
All right, answer that question and then we could be
calling you on tomorrow's show to let you know you've
got a one in three chance of winning one hundred
thousand dollars.

Speaker 2 (32:26):
Totally wild Woods.

Speaker 1 (32:28):
It is unbelievable.

Speaker 2 (32:29):
Got two finalists in Haley and Kelsey.

Speaker 1 (32:35):
Maddie and Kelsey. It's definitely a Kelsey.

Speaker 2 (32:38):
Kelsey in there. Definitely a tom cruise killed them both
personally on the show, unbelievable, pretty extraordinary stuff. A new
phone call tomorrow, A final finalists going in the drawder.
But do you hear you? Guys excited for one hundred
It's quite a hard number to quantify, one hundred thousand dollars,
isn't it?

Speaker 1 (32:53):
I think?

Speaker 3 (32:53):
So what can one hundred thousand dollars actually buy you?
So the producers have done a little bit of research here, Yeah,
and they have come to this information. So peanut butter.
I love peanut butter, made his peanut butter. So I
was thinking to myself, with one hundred thousand dollars, how
much peanut butter could I get? Seventeen thousand, two hundred

(33:13):
and forty one jars of peanut butter?

Speaker 1 (33:15):
He's got one hundred thousand dollars gets you?

Speaker 3 (33:17):
I mean you would be an absolute madman if you
spent your hundred k on that.

Speaker 2 (33:21):
Wow.

Speaker 3 (33:21):
But it really does give you an idea as to
what one hundred k is getting you.

Speaker 2 (33:25):
Well, I don't know who did your items what you
could do with one hundred thousand dollars. Captain poop Pans
did mine? I rep one hundred thousand dollars he said
could do half his salary for the year. Oh that's nice,
good give for some doing well. You also put here weirdly,
it would get you at six dollars a punt sixteen

(33:47):
thousand mushrooms and at eleven dollars for one nine thousand
and ninety beef wellingtons. I'm not sure what he's doing
with beef wellingtons and mushrooms, mate, but yeah, really dodgy
the dodgy man.

Speaker 1 (34:02):
A little bit size. There's more to this, isn't there?
I mean this was supposed to be a whole bit
of that. How much is one hundred thousand worths? But
you have shown your card.

Speaker 2 (34:19):
It's extraordinary. What it's extraordinary what you can get for
one hundred grand and all seriousness, I have actually got
some Georgia actually did some work on this. There's no
way Peop would have done work on this. So you
can get too busy getting beef. So if you're into
your football gunsies, you can get yourself five thousand, five
thousand football guns with one hundred that's a lot of money.

Speaker 3 (34:38):
Yep, got hair ties here you like? Then you go
through a lot of hair ties in your lifetime. Those
how many those haircuts could you get?

Speaker 2 (34:46):
That you get.

Speaker 1 (34:47):
I'd bring up the haircut. You know my haircut.

Speaker 2 (34:50):
Look when you get the pink, when you go in
there and say do me, do me like one of
your trapeze girls, when you go in there and say
that what are they? How much is one of them
cost me forty? All right, well, here we go out.

Speaker 3 (35:09):
It's just just why don't us like go up to
fifty fifty two hundred thousand, five hundred haircuts, pink haircuts perstyle.

Speaker 1 (35:17):
Haircut Bagain, he adds a wagon. You're gonna want that money.

Speaker 2 (35:20):
You want to look like this one hundred grand final
person in tomorrow to whim with a one in three
chance at one hundred thousand dollars. It's a huge price.
It's the biggest prize we've ever given away. Guys, we're
very very excited. Willamwidot commor on the socials for all
the details and make sure you're tuning in tomorrow as
we make someone's dreams come true. It's all thanks to

(35:40):
Mission Impossible. Junior producer Analysa is in the studio as
we try and figure out which generation is most out
of touch. It's will and Woodies of the Hello ab

(36:09):
Hi great to have you in here? Do you feel
justified as the representative of Generation Z outside because I mean,
technically George is also a GENSTA. I feel like, yeah,
it's also Katie a millennium. Yeah, he's with us, she's
with us the wall.

Speaker 15 (36:27):
I feel like I can represent.

Speaker 1 (36:29):
Yeah, okay, are you happy with that? Jay analytes representing
all of I'd like to in.

Speaker 16 (36:38):
Okay, to be fair, I think j would have the
same answers as I would.

Speaker 2 (36:42):
Is that right?

Speaker 1 (36:43):
Yeah?

Speaker 2 (36:44):
Thank you guys on the same page.

Speaker 16 (36:45):
We are like entwined, intertwined, same thing, telepathic telepathic.

Speaker 1 (36:55):
Yeah.

Speaker 3 (36:55):
Well, let's see if you'd answer the same to this question,
analys this is incredibly well known. If I said to
you the term water rats, oh, what would you say?

Speaker 16 (37:09):
I'd say, like an animal?

Speaker 1 (37:14):
Why is that incredible?

Speaker 3 (37:15):
Like this is a huge Australian movement. I would say
water rats, Like, what's coming to mind?

Speaker 16 (37:21):
Well, I've been called a water rat before and.

Speaker 15 (37:25):
After going swimming.

Speaker 3 (37:28):
Maybe I'm sure if that was a kind coming a
drowned rat.

Speaker 15 (37:32):
Maybe drowned rat.

Speaker 1 (37:34):
Sorry, yeah, no, d not great?

Speaker 2 (37:36):
Who called you that?

Speaker 15 (37:38):
Oh?

Speaker 2 (37:38):
Yeah, okay, if you've been out in the rain, sometimes people.

Speaker 15 (37:41):
Can yeah, like a drowned rat. Okay, not a drowned rat.

Speaker 2 (37:44):
Actually, this isn't meant to be therapy. If you.

Speaker 1 (37:53):
Would be a huge fan of water Rats, water Rats,
maybe a beer.

Speaker 2 (37:57):
A water rat does sound nice, delicious with the Parma water.
If that beer hasn't been made, it should be.

Speaker 15 (38:05):
I'm gonna.

Speaker 16 (38:07):
I'm going to say something if Mum loves it, I'm
saying something like a drink of some sort.

Speaker 2 (38:21):
Love you, but you're an alcoholic?

Speaker 1 (38:22):
Please?

Speaker 3 (38:23):
Does this mean anything to you?

Speaker 15 (38:29):
No?

Speaker 1 (38:30):
Iconic nineties TV show water Rats?

Speaker 17 (38:34):
Oh do you know when I first heard the start
of that song, I thought of everywhere you go the
another TV show, another old TV show with the family, Fullhouse.

Speaker 1 (38:47):
Yes, it's not full house as big as full House
that water Rats.

Speaker 2 (38:52):
Definitely it's huge.

Speaker 1 (38:53):
Should watch watch some water Rats.

Speaker 2 (38:56):
I will watch it really good.

Speaker 16 (38:59):
I wanted to know if you know who sings this song?

Speaker 2 (39:11):
Yes, making a comeback? Do you think you've actually got
four kids? But now's the time?

Speaker 1 (39:19):
But he only knows that because the producer sent in
that story.

Speaker 2 (39:24):
Idiot, giving me, give me too much fodder.

Speaker 15 (39:28):
I didn't know you read that.

Speaker 2 (39:29):
Have you got the TV theme for the next one?

Speaker 11 (39:30):
Wards?

Speaker 2 (39:32):
She might get the next one. We haven't got the theme.

Speaker 3 (39:34):
I don't think we've got the theme, but at a lease,
if I said to you, mister squiggle, oh.

Speaker 16 (39:39):
Yeah, mister squiggle, the guy who sorr it's a TV
show and they draw a squiggle on the on the
board and then this guy, mister Squiggle would come in
and make artwork out of the doodle.

Speaker 1 (39:50):
Okay, follow up question, where was mister squiggle from?

Speaker 2 (39:53):
Where's he from? Mister squiggle?

Speaker 16 (39:54):
Great us if you Australia, no squiggle your.

Speaker 2 (40:06):
Squiggle squiggle, mister squiggles siggle. It's in the open actually
when they play the theme. So I don't know if
I don't know if Dicky and our audio producer Mark
the Man Daniel can get the theme. But it is
in the It is in the opener for mister squiggle squiggle.

Speaker 3 (40:18):
Mister squiggle rhymes yes, yes, yes.

Speaker 2 (40:26):
Mister squiggle from squiggle. I don't know. I haven't think
about it. I will get the audio for it because
it's another one for it, which I think another one
another one.

Speaker 1 (40:35):
You should definitely know this.

Speaker 3 (40:37):
Give me the name of the four original wiggles.

Speaker 16 (40:42):
Oh, Jeff, wake up, Jeff, Greg Yeah, I know this. No, no, no, no,
Greg Anthony.

Speaker 7 (40:55):
Here we go.

Speaker 2 (40:56):
He's Anthony an Okay, give me colors, give me colors.

Speaker 16 (41:01):
Excuse me, Jeff, wake up, Jeff purple, Greg yellow, Anthony
blue red, Simon.

Speaker 12 (41:12):
Murray, Simon, all right, well done.

Speaker 2 (41:25):
Sing.

Speaker 15 (41:28):
Sing wait from where? Sorry I missed that.

Speaker 2 (41:42):
Yeah, you have been on the drink, haven't you,
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