May 21, 2025 • 38 mins
- Do you lie to your kids
- JLo being sued
- Phone Alone
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:04):
The Will and Woody podcast. Question for you, Yeah, question
if your daughter Max makes something for you, and let's
be honest, like, she's she's three this weekend, y'rey exciting. Okay,
but she's still at the age where hope, hope this
is doesn't land poorly.
Speaker 2 (00:22):
But she just wrote her first symphony. If that's what
you're going to Okay, Your daughter is different to mine,
and most she was translating the Bible from Latin at
the moment.
Speaker 1 (00:30):
That is extraordinary. Bilingual as well, speaks two languages.
Speaker 2 (00:33):
We'll try lingual now she speaks Latin as well. Excuse me, sorry,
hard to keep up dipping into the classics. But if
she makes something for you and it is a bit crap, No,
she just did her first Picasso.
Speaker 1 (00:43):
Actually, is that right, I'm talking to the wrong guy.
Speaker 2 (00:46):
Yeah, the theoretically, theoretically, if she made something that you
know wasn't a masterpiece, yes.
Speaker 1 (00:52):
Would you be honest with her and tell her this
is crap?
Speaker 3 (00:56):
No?
Speaker 2 (00:56):
Of course not. Well, I don't know if it's a
lie because I know what she's capable of, which you
know largely is crap. She's two years old, so for her,
I'm like, hey, mate, if I was just painting in
my hands and I had no modus skills, it's unbelievable.
Speaker 1 (01:12):
So you lower the bar. You lower the bar, the
low bar. Next question.
Speaker 2 (01:15):
It's like when they do a poo, you're like wow,
But at the end of the day, she just did
a poo. Cares if they do anything really well, if
they say to you, look at this, Yeah, you gotta
be weak at the knees for whatever they do. You're like, oh, so, at.
Speaker 1 (01:28):
What age then will you start being honest about her?
Like crap creations, like at what age does she come
home from school? And you go like, do you know what?
You need some honest feedback from dad here? You haven't
nailed it? Yeah, oh god, this because you don't want
to be dishonest with your child.
Speaker 2 (01:45):
I have a really tough to so as you know, Sam,
my partner, a Dutch lethal incredibly honest. Sometimes we're a detriment.
We had this discussion the other day.
Speaker 1 (01:56):
Who because your daughter is still too young, by the way,
keep lying, I think.
Speaker 2 (01:59):
So, Sam. Sam is quite a good hockey player and
she's got very good hand eye coordination. And we went
past a football field the other day and we saw
a kid shanker kick and I reckon. The kids were
six years old. The kid shock you kick, like kick
the ground first, just the whole thing. And Sam turned
to me and said, God, I really hope MAXs and
shit at sport. And I said, well, you know there's
a good chance she is. She's my daughter, so you
(02:20):
know she very well could be allergic to balls. So
and Sam said, if that's the case, I think I
don't think. I don't think I can go and watch her.
Oh And I said why and she was like, well,
because I'm you know, I'm not going to She's not
going to get in the car after I'm going to
say a good game if she's you know, missed the
ball by that much.
Speaker 1 (02:38):
It's interesting because I was like, Nate, come in. It's
an interesting to lemb because my.
Speaker 2 (02:42):
Mom to keep her. SEM's not going to go to
any sport until I go over the first few rounds
and see whether or she is any good. Yeah, because
I can't. Of course I'll lie, mate, You'll of course
I'll lie. Get out there, have a good time with
your friends. What that about, whether you kick it or not.
Speaker 1 (02:56):
I don't necessarily want to take this to sport, but
thirteen one oh sixty five is our number. Do you
lie when your kid makes something that's crap? Of course,
I just want to hear, and I want to hear
about the crap thing that they make.
Speaker 2 (03:10):
I think you've raised You've raised a really interesting question, though,
which is at what point do you start dipping into
because the last thing you want is for them to realize,
because this is also an awful moment, whether it's with
your parents, or with your friends or with your partner,
is when you realize that they're lying to you, because
then you can't rely on them. I know you trust
you know, I know you know.
Speaker 1 (03:30):
That's therapy.
Speaker 2 (03:31):
No, that's therapy.
Speaker 1 (03:32):
So the reason I'm talking about alarm, I know, that's
the therapist. The reason I'm talking this I don't, Well,
you do the therapist's private conversation.
Speaker 2 (03:43):
You don't deal very well with this, people telling you
you've done a good job when you've done badly.
Speaker 1 (03:47):
Okay, very good, But you don't. No, I don't because
I don't believe it. But that's so.
Speaker 2 (03:51):
Well, going to pass that on to remy Well, God,
I don't want to.
Speaker 1 (03:55):
Do a question you not me, I reckon at some
point I will need to start being honest with her
about she's something. No, no, no, but not now. Now everything
she scribbles on a piece of paper, and I'm like,
that is the best thing I've ever seen. Chuck it
in the study. I'm going to hang it on the
my wall is full.
Speaker 2 (04:12):
Just scribbles, yeah.
Speaker 1 (04:13):
Effectively, And I'm going to try and remember like that
one's a cool because she questions being so what age
double digits?
Speaker 2 (04:22):
So when she's ten, she's gonna come and go, Daddy,
I did it? Think you're painting and you're going to
go put it in the shred as way.
Speaker 1 (04:28):
No, I wouldn't say that. Go here's where you fell down.
I think we're gonna used some different colors. I love
that you made me something, but I think next.
Speaker 2 (04:36):
Time, Wow, right, do you have to I don't think No,
I don't know. I don't think there's an age. I
think they'll do it themselves. Your job as a parent.
Oh god.
Speaker 1 (04:45):
But then if you find out they're lying.
Speaker 2 (04:47):
Though, the worst it's true.
Speaker 1 (04:50):
Let's go to Tanya now though we're focusing on our
kids here, do you lie or are you honest with them?
If they make something and it's a bit.
Speaker 4 (04:59):
Crap, Look, I can be pretty honest to be yeah,
I sometimes I try to kind of go, oh my god,
that's amazing. But recently my daughter she traced her hand
like to a picture. She traced her hand kind of
on the side and turned it into a dog.
Speaker 5 (05:27):
She's sick.
Speaker 1 (05:32):
We've got two year olds. That's that's very impressive for
our girls. So she sicks. What did you say to
her when she brought home hand dog? Oh?
Speaker 4 (05:42):
Look, she sort of said, oh, do you love it?
And I was just like, well, what is it? She said,
I it's a dog, and I said, oh, it just
looks a bit more like a monster.
Speaker 1 (05:54):
Did she take the feedback?
Speaker 2 (05:55):
Ten?
Speaker 4 (05:57):
Oh, look, she did look a little bit sad, But
then I told her how much I loved it, and
I actually do. I think the worse the drawings are,
the better they are. And they actually go into a
bit of a file.
Speaker 2 (06:08):
To keep a bit of a shit sandwich.
Speaker 1 (06:10):
Then yeah, yeah, that is also a tough moment though,
when like you're trying to say that you love something.
I'm sure you've had this just max and you're like,
oh my god, yeah, like this is unbelievable. That is
like the best dinosaur I've ever seen right, and then
it's like, it's not a dinosaur, Yeah, it's a snake.
Speaker 2 (06:26):
And oh, daddy is an idiot.
Speaker 1 (06:29):
Yeah, that's lep it around for me. Let's go to
William here. William, do you lie if your kid makes
any always?
Speaker 6 (06:41):
Are you going?
Speaker 3 (06:42):
Yeah? You know what it is?
Speaker 6 (06:43):
It's not it's not it's it's it's not so much lying,
it's more crafting the truth here and how I do it. Yes, yeah,
I've got two boys, four and two, and particularly the
four year old still too young, by the way to
to kind of break the truth exactly how it is,
how it happened. However, recently athletics not not not exactly
(07:06):
the best athlete. He's not built to be exactly the
best Athlete's not too bad at discus though, But when
he finishes the race, I didn't wing kind of thing,
and it's like, hey, you know, did you have fun?
Oh yeah, dad, Oh great? You know what if you
want to win, how about we practice and how about
we do this? How about we do the things that
will make it better and easier for you.
Speaker 1 (07:26):
And that's what I mean by crafting the truth, that
is solid crafting will I really like the flip of
did you have like if Remy brings you sign again?
When she's older, I'm getting around everything she makes now
she's only two. When she's ten, if she makes me
something crap, I love the idea of going if she goes, Oh,
what do you think? Did you have fun making it?
Speaker 7 (07:43):
Oh?
Speaker 2 (07:43):
God, you're patronizing.
Speaker 1 (07:48):
I think it's good.
Speaker 2 (07:49):
I love it. Bit more important you have fun doing that,
because that's all better about fun, because it's ship Natalie.
Natalie's killed, you know. I was actually I don't know
if the Compare podcast or whatever I heard it on,
but they said that one of the hat Funnily enough,
one of the things that toddlers pick up on really
early on is when you try to convince them of
(08:10):
something that you don't believe. So you know, when you
go like yummy, they know immediately when you're when you
don't actually like it. So I don't know, there could
be some truth in the fact that.
Speaker 1 (08:25):
They already know.
Speaker 2 (08:27):
Yeah, they already know Natalie is killedale.
Speaker 4 (08:32):
Yes, I'm very honest.
Speaker 8 (08:34):
My daughter is sure.
Speaker 7 (08:35):
And she uses the wrong colors for the wrong pictures.
Speaker 4 (08:38):
For example, like chul draw son, but instead of drawing
it yellow or orange, drew it green.
Speaker 2 (08:44):
That's okay, she might Actually I actually am color blind, Natalie,
so some sunsets.
Speaker 1 (08:47):
Look here, Natalie, you've heard.
Speaker 2 (08:52):
What is that?
Speaker 9 (08:53):
It could be a watermelon.
Speaker 2 (08:54):
Oh, she's four years sold right now? Though, would I
want to talk about Jay to the l J steadily
(09:16):
sliding down a decline into the abyss?
Speaker 1 (09:21):
Jaelo still guide. We'd happily talked to Jay.
Speaker 2 (09:26):
Again. I think when she self funded her own documentary
and lost tens of millions about her love story with
Ben Affleck and then split with him, that for me
was probably the beginning of the end.
Speaker 1 (09:36):
But look, she's the hiccup was a hiccup, Will That
was a moment. That was a moment wil Band's back.
She might keep making stuff, Jos.
Speaker 2 (09:45):
She's very talented, very real, very very talented.
Speaker 10 (09:49):
Hey.
Speaker 2 (09:50):
So the reason we're talking about Jylo though, is she's
getting sued. Oh no, yeah, she's getting sued by Paparazzi company.
So she was at the the g GE Weekend Glamour
Great Event. Yeah, the Golden Globe Weekend Glamour Awards. She's
out there, she's she looks gorgeous. Has an age today,
By the way, I repon. She's in the ageless character
(10:12):
character category with Tom Cruise. It's a few people in there,
isn't there who else is in there? Pitt, Brad, Pitt,
DiCaprio is not aging. Yeah, it's weird, isn't it.
Speaker 1 (10:22):
They're all doing hyperbaric chambers and you know, magnesium showers
and they live like like, I think the key to
not aging is just don't live.
Speaker 2 (10:33):
Yeah, well, look she looks beautiful. She's at the GG
Weekend Glamor Awards, which I watched all weekend and she
had a ball.
Speaker 1 (10:39):
Did she win?
Speaker 2 (10:40):
No, it's just the Weekend Glamor. Man, there's no awards there.
They just kind of struck their stuff. It just gets
you a bit excited. It's a taste testing. You're wet
your whistle, you're right? Oh yeah, here they all here
are the stars?
Speaker 1 (10:49):
Your whistle?
Speaker 3 (10:49):
Is we sure? Sure?
Speaker 2 (10:57):
Is hey? So anyway, she's on the he's on the
carpet at the GG Weekend Glamours Awesome. Yeah, goresome wedding
her vessel. She's out there anyway. So she gets these
photos taken of her, right, and obviously she sees one
of them online and she reposts.
Speaker 1 (11:18):
It okay to Instagram and to x Oh she didn't
credit them, Well she didn't.
Speaker 2 (11:24):
They've just said that's our copyright. Yeah, fair enough, and
they sue her. So they're suing her for one hundred
and fifty thousand US dollars for posting a photo of
herself woods. Yeah, what are the rules there? Surely she's
her own intellectual property. And look, i'd love to get
into a legal debate, and I've got another bit to
get to and I don't think you'll actually have anything
interesting to say about it. Nice, So she's in an argument.
Speaker 1 (11:48):
I would have had a crack, but we hadn't.
Speaker 2 (11:50):
Been able to speak for the last two minutes, so
I'm going to rule you out. So I think it's
pretty fascinating that she's technically in an argument with herself,
which I had a little bit of fun with this morning,
having an argument. Well, Jayla's effectively suing yourself like it's
a photo of her. She's in the photo she posted.
It's very straight.
Speaker 1 (12:07):
Do you realize now how hard it is to argue
with you? You're the worst person to argue within the world.
Speaker 2 (12:11):
So arguing with yourselves really hard.
Speaker 1 (12:14):
But you in particular, because you're very good. But if
you argue yourself, it'd be the end of the world.
Speaker 2 (12:18):
Is shocking. I flawed myself. I checkmated myself a couple
of times. Very frustrating. Do you want to try and
have an argument with yourself right now? Because it's tricky.
Speaker 1 (12:27):
I'm not following.
Speaker 2 (12:28):
What do you mean?
Speaker 11 (12:29):
So like?
Speaker 2 (12:30):
So you've got to play both sides of the argument.
Speaker 1 (12:32):
Am I me?
Speaker 2 (12:33):
Yes?
Speaker 3 (12:34):
Right?
Speaker 1 (12:35):
Okay? So I'm angry at me for something. Choose someone
that you want to argue about recently haven't reached.
Speaker 2 (12:41):
Choose someone that you want to argue with yourself about,
and you've got to argue both sides.
Speaker 1 (12:44):
Do I change my name for confusion?
Speaker 2 (12:46):
So don't worry about that, don't?
Speaker 1 (12:47):
Okay? Okay, hey mate, we want to talk to you
for a bit. Did you lose a sock in the wash?
Speaker 2 (12:55):
Well?
Speaker 1 (12:55):
No, I wouldn't say it's lost at this point, I'd
say it's misplaced. Why do you what is saying that?
Speaker 7 (13:03):
You know?
Speaker 1 (13:03):
How you know how angry I get about lost socks?
I just I don't know what possibly happened in there
for you to have to to to wait?
Speaker 2 (13:11):
Who am I? It's getting better, getting deep? I want
to see if you guys can do this. So what
we're going to do, Yeah, it's hard to know how
far the rabbit hole goes there. So what I want
to do right now? Thirty one of six or five.
(13:32):
If you're willing to have an argument with yourself, oh yeah,
great on the radio. If you think you pull yourself,
give us a call and maybe you are going to
be having an argument with yourself, or maybe there is
actually someone in the car who you're there to have
an argument with. Alon. Now some people may say I'll
stretched this segment, but look, I just thought it was
(13:54):
a good opportunity for it topical integration. If I really
had to break it down what we're talking about. Jennifer Lopa,
she's suing herself effectively. Ye, she's posted a photo of
herself and she's big sued for posting that photo of herself,
which just seems ridiculous. Seems like she's having an argument
with herself. So I thought, gee, whiz was normally we
play final Line on a Wednesday.
Speaker 1 (14:13):
Yeah, we love it.
Speaker 2 (14:14):
We love phonal line. So you give us a call.
Thirteen one oh sixty five. We have to try and
guess whether you are in the car by yourself or
whether there's someone in the car with you. So I
thought just to spice it up this week in lieu
of in the vein of Jennifer Lope's having an argument
with herself, where you have to guess, are you having
an argument with yourself, genius or is there someone in
(14:36):
the car with you that you're actually arguing with?
Speaker 1 (14:39):
It's just normal final line, but you're having an argument,
and then we decided you're buy yourself or someone exactly right.
It's brilliant, absolutely brilliant.
Speaker 2 (14:45):
I appreciate that, mate. So I don't think anyone's going
to be able to have an argument by theirself, and
I've been trying all morning to do it. It's really hard.
Speaker 1 (14:54):
You just forget who you are, You get lost in
the vortics. Well, why don't we go to Lisa here
before before Lisa get into your argument. I'm sorry to
make you hold off, but Lisa, who are you in
the car with arguing with?
Speaker 3 (15:05):
Oh? My sister?
Speaker 1 (15:06):
What's her name?
Speaker 3 (15:09):
Remy beautiful?
Speaker 2 (15:12):
And what do you what are you currently arguing about? Lisa?
Speaker 8 (15:15):
Yeah, just we really want to get at early night's sleep.
We've got heaps on tomorrow, so we've sort of said
there's no going on phones and just wasting two hours
of scrolling through our phones looking at rubbish.
Speaker 1 (15:28):
Okay, well don't don't go into your arguments now. Let's
you and Remy have a crack start arguing.
Speaker 8 (15:35):
All right, So, hey, you know tonight after dinner, we've
got so much on tomorrow. I was just thinking we
are definitely going to not go on our phones all night.
We're just got an early night's sleep. We've got heaps
on tomorrow.
Speaker 6 (15:47):
Are you serious?
Speaker 5 (15:48):
You are so boring? Oh my god, Like we can.
Speaker 8 (15:52):
Do whatever we've got to do tonight.
Speaker 3 (15:53):
We can do it.
Speaker 2 (15:54):
Lisa.
Speaker 1 (15:57):
It's hard, it is, really, Lisa. You are by yourself
of course.
Speaker 2 (16:01):
Oh send you really what he mad for that one?
There was no changes kidding. Wow again, this could be bad,
could be good.
Speaker 1 (16:16):
L Who are you in the car with right now?
Speaker 2 (16:18):
L having a fight with h.
Speaker 5 (16:20):
Hi, I'm in the car with my mom.
Speaker 1 (16:21):
What's what's what's what's mom's name?
Speaker 2 (16:23):
Andrea won't ask what the arguments because then we'll get
into the content crack in l fight with your mom?
Speaker 10 (16:31):
All right?
Speaker 11 (16:31):
Mom?
Speaker 10 (16:32):
You know how I'm doing the washing and I want
to put the washing basket back where the laundry is.
I get so annoyed when you leave it outside. But
why there's like no problem leaving it outside. I don't
understand what you were trying to get at because I
like the routine of taking things out of the washing machine,
(16:54):
putting them in the baskets, then outside on the line,
and then I don't want to have to go back
outside in look old to go get the working basket,
and it just ruins everything. Well, maybe if you just.
Speaker 2 (17:07):
Give you another pass. I got a long way.
Speaker 1 (17:10):
I didn't think Andrea had started talking. Then I realized, no,
that is Andrea. Yeah, but it is exactly the same as.
Speaker 2 (17:18):
I don't think anyone's going to be able to do this.
Speaker 1 (17:19):
Well, let's go to REMYO has called another Remy Hi,
Remy Hi. Who are you fighting with?
Speaker 2 (17:29):
In them?
Speaker 9 (17:30):
I'm in the car with my mom. I'm fighting with
my mom.
Speaker 2 (17:32):
We're also fighting with your mom.
Speaker 1 (17:35):
What's her name?
Speaker 9 (17:36):
Rem Kylie?
Speaker 1 (17:38):
Kylie?
Speaker 9 (17:38):
All right, okay, all right, So you know how we
have dinner tonight, like the important family dinner that's seen
on the roster for like two months. Yeah, so I
kind of have to cancel Bailey's asked me to come
over for dinner.
Speaker 5 (17:58):
So is in three hours?
Speaker 3 (18:01):
Yeah?
Speaker 5 (18:02):
But no, but like no, Nannie are coming, Grandma are coming,
since parents are coming, that's ridiculous. Three hours notice, Remy,
we're on the way home from work now I need
you to help me get dinner ready. But no, no,
you're gonna have to call Bailey and telling me how.
Speaker 2 (18:20):
Stop there? Stop there? We know this is real.
Speaker 1 (18:21):
I'm just loving the fight.
Speaker 2 (18:22):
I reckon. We that is legit. You I I'm just
loving the fight. Do you think for a second that
that Remy could be doing that by yourself? No, you
don't think that's what that is? Mummy. There, the Remy
is there by herself. You got to drop your pants
and do a that for the studio table.
Speaker 1 (18:42):
I planned on doing that anyway. But sure, no problem, Remy.
Your mum is actually there, and I reckon you actually
do want to go to Bailey tonight and this is
a heated fight?
Speaker 9 (18:52):
Well yeah, my mum is shit, but no, he is
coming over tonight. We are leaving home tonight. O.
Speaker 2 (19:00):
God, great argument, make argument, I mean it's great. Start.
Nobody managed to pull off the solo argument.
Speaker 1 (19:07):
No, no, it's impossible.
Speaker 2 (19:10):
It's impossible.
Speaker 1 (19:10):
I reckon, we should get a trained actor or actress
on the showder can you have an argument with yourself?
I don't reckon. Even Rebecca Gidney could do it.
Speaker 2 (19:17):
We can't give me on the show. You you were
telling us recently there was an actress, big actress you
wanted to have on the show recently.
Speaker 1 (19:23):
Her name's an Always boll O.
Speaker 2 (19:26):
Jesus, we've got one hundred thousand dollars to give away
you ems impossible. Every mission has led to this mission impossible,
the final reckoning in cinemas. Now, William wooded someone here,
(19:48):
your time starts now. It was happening tomorrow. Would's the
biggest giveaway of our radio careers. I'm going to say
the biggest giveaway that any of you in your cars
listening right now have ever heard on radio. One hundred
found dollars. If you wind it back to the nineties,
it was every second day, but not in modern radio.
One hundred thousand dollars to give away. That is, not
(20:10):
to turn your nose up at, mate, they.
Speaker 1 (20:12):
Not to turn your nose up at, not to scoff at,
not to don't do anything but be amazed by it,
and someone will win one hundred thousand dollars. This isn't
tomorrow someone has the chance to win one hundred thousand dollars.
Speaker 2 (20:22):
No, there's no consolation prize here. No one's walking away
in a Suzuki. No, sir, re there were one hundred
thousand dollars. We three people, three people in the draw,
yes tomorrow. Two of those people are already in there.
Speaker 1 (20:37):
If you're not across it, we've been doing impossible missions ourselves.
Speaker 2 (20:41):
But you've been bloody hard. I mean you've been suspended
from the roof. We've had to diffuse a bomb.
Speaker 1 (20:45):
Yeah, I mean, let's listen to a bit of that.
Here was me hanging from a roof trying to change
your password.
Speaker 2 (20:51):
Finish my passway has been Yeah, we've got forty seconds
to get you out of there. Okay, bring me up.
I'm setting you up.
Speaker 7 (21:00):
Unbelievable.
Speaker 12 (21:00):
First vision of.
Speaker 2 (21:01):
Gold that was huge, good stuff.
Speaker 1 (21:06):
I was unbelievable at that second mission was trying to
do takes or show differently. Yeah, well we don't show
the outtakes. Tom Cruise doesn't show the outtakes. He doesn't
nail him one.
Speaker 2 (21:14):
They do. They do a whole YouTube thing on you know,
him trying to do it, and maybe we should release
the outtakes of what he been signed from the roof. Actually,
I was amazing. He broke the cables.
Speaker 1 (21:25):
No, and I've got a very sore back still. Thankfully
the company is paying for my Cairo bills. The second challenge, though,
it was attempting will to diffuse a bomb?
Speaker 2 (21:34):
Do you know how to do morse code?
Speaker 8 (21:36):
Yeah?
Speaker 2 (21:36):
Of course noo. Yeah, so those are our missions. So
I ended up get us getting covered in slime. I
haven't seen that in the mission possible movie.
Speaker 1 (21:51):
No.
Speaker 2 (21:51):
One was a bit of a a little bit of
producer fun that one, no doubt, Just a weally bin
full of slime hovering over our heads.
Speaker 1 (21:57):
And it could have been warm slime that would have
been nice, but it was freezing, cold.
Speaker 2 (22:01):
Freezing, freezing colet. We're both in suits. Got told to
dress our finest that day. Yeah, we did.
Speaker 1 (22:06):
My nipple almost fell off anyway. So two of the
three finalists have been decided.
Speaker 2 (22:11):
Tomorrow, we've got Kelsey, We've got Maddie, and you guys
have had to watch this stuff all the way along
and just answer questions about these mission I possile movies,
which Kelsey and Maddie did so beautifully. But the final
mission involves the movie that came out last weekend, Mission Impossible,
the Final Reckoning. Absolutely.
Speaker 1 (22:26):
The question you had to answer about the movie if
you'd seen it was how many times did a message
self destruct that was sent to Ethan Hunt? Now so
many of you have answered that question at Willinwoody dot com,
and we will be calling one of you.
Speaker 2 (22:40):
Yes.
Speaker 1 (22:40):
The real excitement for this whole bit has been the
fact that we've had access to the Tom Cruise.
Speaker 2 (22:45):
Yep, you heard Simon Pegg in the opener there. It's
been great having Peg on board. We had to be
with him last night. Lovely guy, love good screenwriter. Good screenwriter.
Speaker 1 (22:52):
Yeah, I mean when we talked about that a lot.
How do you go about screenwriter? Anyway, We're not going
to go into a catch up with Peg no, but yes, Tom.
Speaker 2 (23:00):
He was polished, but he really is the diagnos no.
Speaker 1 (23:03):
Dad, and he knows that when he signs up the
Mission Impossible, he knows no one's watching these movies for me.
They're obviously watching it for Tom Cruise.
Speaker 2 (23:10):
And we do get access to Tall the one and
only as he calls you guys to let you know
you're in the drawer.
Speaker 1 (23:15):
He was him calling Kelsey and Maddy.
Speaker 11 (23:19):
Kelsey, Tom Cruise, Hi, you're in the drawer between one
hundred thousand dollars. Oh my gosh, I'm gonna have to
hear you say something, go Kelsey.
Speaker 3 (23:31):
Yeah, I want to hear you say show me the money,
show me the money. I'm gonna have to hear screaming,
show me the money. Mattie. I'm gonna need you to
see something for me. Okay, show me the money, show
me the money, give it a little bit of something more, Maddie,
what have you got?
Speaker 2 (23:52):
Show me the money?
Speaker 3 (23:54):
You were in me the chance between one hundred thousand dollars.
Speaker 5 (23:59):
I'm getting on my dark and he's screaming this.
Speaker 1 (24:04):
Up next we have access to Tom Cruise again again.
Wow is he still in carn I actually don't know. Yeah.
Again the thumb's he's still in car.
Speaker 2 (24:15):
He's still going to remind us that he does his
own stuff because we know that, like we've seen it.
We get it, matey, it's the whole bit.
Speaker 1 (24:21):
Look, I can't speak for Tom.
Speaker 2 (24:22):
Might in another selling point.
Speaker 1 (24:23):
Maybe what would you go for if you were Tom Cruise.
Speaker 2 (24:26):
I'm in great shape.
Speaker 3 (24:27):
He is in.
Speaker 1 (24:28):
He's in many states of undress in the new movie.
I don't think he's ever been in such good show. No,
we've got a number to call. Yes, keep your phone
close by. Do not let this ring out, because this
might be you and Tom Cruise is going to be
the one to let them. Benity that there's been contact made.
Speaker 2 (24:46):
We are going to get Tom Cruise crossed.
Speaker 4 (24:50):
Hello.
Speaker 2 (24:52):
Hello, is that Fee speaking?
Speaker 3 (24:54):
Yes?
Speaker 7 (24:55):
Hey?
Speaker 2 (24:55):
Fs will what are you here?
Speaker 5 (24:57):
Oh my god, Hello, I'm good.
Speaker 6 (25:01):
Thank you.
Speaker 2 (25:02):
Your work? What do you do? Faith?
Speaker 7 (25:05):
I work at a school for autistic children?
Speaker 2 (25:08):
Great?
Speaker 1 (25:09):
Awesome, Yeah, awesome. We're just calling a couple of people
who are hoping to be that third finals for one
hundred thousand dollars Fee, Oh my god, what would you
what would you use on hundred thousand dollars for?
Speaker 7 (25:21):
Oh my gosh, I would throw Tom Cruise appreciation party,
especially everyone to dress up as their favorite favorite Ethan
from any of the.
Speaker 1 (25:30):
Films, because who is your favorite? Who's your favorite?
Speaker 3 (25:33):
Mention?
Speaker 7 (25:34):
Impossible? Free is my favorite because it's all about his
wife and everything.
Speaker 2 (25:38):
Oh, we're talking about this the other day. It's a
great movie.
Speaker 1 (25:43):
They're all good. But yeah, so that's your I'm getting
the vibe that you are a little bit of a
crush on Ethan.
Speaker 7 (25:49):
Have thee I do, honestly, so up said it's like
I'm happily married. But honestly, Ethan, it's my my absolute
hall past I reckon.
Speaker 2 (25:59):
It's so just to like take this to the real world,
which I know is ridiculous. But say if you met
Tom Cruise, Yeah, it's not no interest in Tom Cruise.
So would it be convincing enough for Tom to go like,
all right, I'll leave the room and come back in
and I'll be Ethan and then you'd be Yeah, that's awesome.
Speaker 1 (26:20):
We're a very special guest who has something.
Speaker 2 (26:23):
I tell you.
Speaker 1 (26:24):
His name is Tom Cruise.
Speaker 3 (26:28):
Oh my god, him Cruise.
Speaker 13 (26:33):
Oh my god, how are you okay?
Speaker 11 (26:39):
You're about to be great. You're in the draw tween
one hundred thousand dollars.
Speaker 7 (26:47):
Thank you so much.
Speaker 9 (26:49):
Oh my god.
Speaker 1 (26:51):
Do you want to tell Tom what you were telling us?
Speaker 6 (26:54):
Oh?
Speaker 7 (26:54):
I just love you, especially as Ethan Hunt. If I'm
going to win some money, I will throw a party
in your honor and everyone can dress as their favorite
version of you.
Speaker 3 (27:06):
Wow, that's great, great Fifi, Yes, did you know I
do all my own stuff.
Speaker 7 (27:14):
I know it's amazing.
Speaker 11 (27:16):
Show me the money, Fife, show me the money.
Speaker 9 (27:19):
That's what I hope. Show me the money.
Speaker 11 (27:22):
Scream it for me, Fife, show me the money, Show
me the money. Good work, fefee call self destruct.
Speaker 1 (27:33):
That's very good, Tom, that is very good stuff.
Speaker 2 (27:36):
That's why you're the best.
Speaker 1 (27:39):
Tom's got faith A can congratulations tomorrow you've got a
one in three chance of winning one hundred thousand dollars.
Speaker 7 (27:47):
Oh my god, that's actually insane.
Speaker 2 (27:49):
Can you believe you this spoke to Tom Crows.
Speaker 5 (27:51):
I can't.
Speaker 10 (27:52):
Oh my gosh.
Speaker 1 (27:53):
Yeah, everything you imagined, the more faith it.
Speaker 7 (27:57):
Was, everything I imagine him more absolutely.
Speaker 2 (27:59):
Gradually is someone means one hundred thousand or so? It's you,
it's Maddie, or it's Kelsey.
Speaker 12 (28:06):
Each of you.
Speaker 2 (28:06):
Well, we're gonna pick you up in an unmarked car.
It's an impossible styles dress up feefair record convoy limousines.
You'll be sent to an undisclosed location, hung from your ankles,
and then you need to escape that in order to
get into the draw using only a Swiss army knife.
Speaker 1 (28:23):
So it's gonna be great to watch tomorrow. Some of
you may die, but that is a you have to
sign a waiver. Oh yeah, big way, yeah, absolute yeah.
Speaker 2 (28:31):
Life on the line there, and as I said, some
of you may die, but that is a sacrifice we
are willing to make. J Flip's on the show.
Speaker 13 (28:42):
Whoo, what's up?
Speaker 2 (28:44):
Cre What is art? Mate? We're pretty excited about playing this.
Just go Cowgirl. We're gonna play it up next. We're
gona have a little chat with Jay first, but you
go get yourself a seven inch final Woods that you
even know what that is? Big fella, I've you're trying
to be cool? You know what a seven inch is?
Speaker 11 (29:05):
No?
Speaker 1 (29:05):
Sorry, no, I just thought vinyl was vinyl. Do you
want to explain to me what a seven inch vinyl is?
Speaker 2 (29:14):
Yeah?
Speaker 12 (29:14):
Wait, I've got it right next to Okay, okay, it's
the smaller sized vinyl.
Speaker 2 (29:18):
Little single, guy, I have an inches.
Speaker 1 (29:21):
I've never understood that, So what's the idea behind making
it smaller?
Speaker 2 (29:25):
It's a single, so you get one track, so you
get you get Disco Cowgirl, and if you buy it,
you have a chance to be to FaceTime with g
They'll FaceTime you if you're ordered by midnight Thursday, twenty second. Yeah,
there's a little.
Speaker 13 (29:37):
Cheky surprise on it as well, A little surprise.
Speaker 1 (29:41):
Okay, can you sell the FaceTime a bit more? G?
Why would I want to be facetiming with you?
Speaker 13 (29:46):
Well, we're having a great time, a great chat if.
Speaker 2 (29:51):
You want this, mate? Are you not having the time
of your life?
Speaker 13 (30:00):
This is actually going pretty well?
Speaker 2 (30:01):
You feel like he was saying that, didn't it? What
have you got to say?
Speaker 1 (30:04):
I actually always loved chatting with you G. Last time
you were in the studio, G, you were playing the
drums on my barm.
Speaker 2 (30:12):
Do you recall that?
Speaker 13 (30:13):
I did you have smooth ass?
Speaker 10 (30:15):
Mate?
Speaker 3 (30:15):
It?
Speaker 13 (30:15):
It was nice?
Speaker 1 (30:16):
Thank you have. I mean it was very entertaining for us.
We've got a lot of hits online when you did that. G.
Have you ever thought of incorporating that into your live performances?
Speaker 3 (30:27):
No?
Speaker 12 (30:27):
But you know, there might be some Aussie shows on
the carts. There'll be some big drum solos as always,
and I think we should involve some cheeks bloody.
Speaker 1 (30:36):
Oh I love it and I'm not sure your cheeks. Yeah,
that's what I was going to say. It's going to
make sure it's my cheeks.
Speaker 2 (30:42):
Gee, you're you're a multi instrumentalist. I know that you
play a lot of the instruments on this tune. I
was just wondering people come to perform with you, is
there something in their contract where it's like, hey, just
so you know, mate, you know you're on guitar, but
you are the second best guitarist in the band, and
at any stage I can come over and cost your
(31:02):
instrument and you just have to sort of stand by
and watch it while I shred.
Speaker 3 (31:08):
No.
Speaker 12 (31:08):
I feel like everyone in my band we play every instrument,
so we switch every song.
Speaker 13 (31:14):
That's part of the show.
Speaker 12 (31:16):
Although, like my instrument is drums, I wouldn't say I'm
even the best drummer in the band. I've I've hired
some musicians that are way better than me, so that
I feel inspired and I want to get better at
each instrument. But part of it is that everyone in
the band has to play drums and has to play
at least three instruments because we switch every song.
Speaker 13 (31:36):
I've currently just taken up the saxophone.
Speaker 1 (31:38):
As of last week, my cheeks tick they were doing
the saxophone. Your performance has seem very very physically demanding
as well. G And I've read a little bit just
about the preparation that you go through for your performances.
Can you run us through a bit of that?
Speaker 13 (31:54):
Uh yeah?
Speaker 12 (31:56):
Or there's singing on the treadmill, there's singing and skipping,
and then there's headstands.
Speaker 13 (32:01):
Which seems to be the one everyone likes to hear about.
Speaker 1 (32:05):
You're so you're all the weights on your head, you're
upside down, and you'll punch out a whole song.
Speaker 13 (32:10):
Yeah, or just like some warm ups. It's just like
some like runs, like you know, and so.
Speaker 1 (32:15):
How does the rest of the gym feel when you're
on the treadmill or doing your skipping and singing at
the same time.
Speaker 13 (32:21):
I normally do the singing in private.
Speaker 10 (32:23):
Yeah.
Speaker 12 (32:23):
Sure, I have done headstands in a hotel gym and
got some weird looks. But it helps my core because
when you're drumming and singing, you have to keep your
core still while all your four limbs are moving about,
and you've got to keep your head and neck and
call so straight on the microphone.
Speaker 1 (32:42):
Would you never just go for the old the Britney
microphone g just like, you know, stick that to the face.
You don't have to worry about the call.
Speaker 13 (32:49):
I tried that back in twenty eighteen. But the symbol bleed.
Speaker 12 (32:52):
The sound of symps though ridiculously loud, and those microphones
they're not directional enough to just you cup vocal in
the other sounds around it bleed in, So it made
it just like a harder vocal to team for the
mixed engineer.
Speaker 2 (33:08):
Yeah. Wow, And I never thought that you would be
having an audiophile conversation with Jeff flipp There you go.
That's just made all my Christmas woods. You clearly had
no idea what they were talking about either. I just
saw the eyes tried to keep up with it.
Speaker 1 (33:23):
I'm learning a lot in this chat. Actually seven in
final audio blea directional mics.
Speaker 2 (33:29):
I get it. It's a private tutorial. And you mentioned
just before the idea that you were really keen to
do a key change. Yeah, right, which is which is
part of the song? Which this is it?
Speaker 1 (33:44):
I just just see your face, watching your tension on
the table, saying I never felt this.
Speaker 2 (33:53):
Way, Oh red height, red heart, I mean I feel
that not's it. Musically, key change is much harder radio
key change. We do it all the time. Oh yeah,
just talk to you up here. That's a good one.
Speaker 1 (34:12):
He's a professional as well.
Speaker 2 (34:13):
Je, don't you worry. I've been working for years on
that one.
Speaker 1 (34:16):
Not everyone can do that.
Speaker 2 (34:20):
Pretty okay, you mentioned before Phil Collins Beyonce, I know,
rad key change. I mean it is kind of a
it almost feels like a bit of an old school trick.
That's a that's a bit forgotten now, he said a
bit in musicals and things like that. Why why did
you aspire so hard to get that done? And why
is it so forgotten?
Speaker 12 (34:38):
I feel like back, you know, this this really eighties inspired,
and back in the eighties, there wasn't as many tricks.
You know, if I want a sax solo, I can
go in and find a sax solo and just drag
it in. Back then, you had to find as many
tricks as you could, so there was you know, a
lot of songs that would do crazy chord progressions, and
the musicality in the eighties was so fun and expressive
(35:01):
because the songs could never be boring. You needed more
tricks and more chords and more you know, variation and
more sounds and adding a key change. She just gave
that last chorus extra.
Speaker 2 (35:12):
Yeah, it's really kill It's really it's almost Whitney pretty
famous for a key change at the end of all.
You've got to have the range, though, G You've got
to have the range. Bravo and getting up there.
Speaker 13 (35:22):
Oh thanks mate.
Speaker 12 (35:23):
Yeah, a lot of trial and error, just giving it
a crack basically, Yeah, just pushing my vocals and see
what comes out of my face.
Speaker 2 (35:31):
Basically, Yeah, singing, singing.
Speaker 1 (35:34):
So is that in the recording studio, G, You'll you'll
have like a day where it's like, today's the day
I'm going to try and hit it. I'm going to
get up there and you'll do all sorts of warm
ups and stuff and then have a number of cracks
at hitting the not Yeah.
Speaker 12 (35:47):
I'll normally do like an eight minute warm up that's
just on YouTube, and then it'll be a vocal like
day and me and Aiden, who I write and produce
all the songs with, we'll just give a crack of
three songs during that.
Speaker 13 (36:00):
But then when it comes to the end we do
an ad lib.
Speaker 12 (36:03):
Take and that's where I just go crazy and I
try a bunch of stuff, whether it's like holding a
note as long as I can, singing as high as
I can, adding random repeats and echoes of other vocals,
but yeah, that one.
Speaker 13 (36:16):
I just we were just mucking around and then it
ended up working.
Speaker 2 (36:20):
Oh sick. It sounds great again. People should go and
get Disco cow Girl at seven inch. Fine, for get
it before tomorrow night. G might be giving you a FaceTime.
That's the big prize there, Hey, G away from your music.
I don't know if you can see, but I mean
I recently went to Turkey and got the plugs in
the hair looks good. Woods recently went for the undercut,
(36:41):
the pink style, undercut all the way around the hair
a bit fast.
Speaker 13 (36:44):
I just cut all my hair off as well.
Speaker 2 (36:47):
That's where I was going with it. I know you
recently got the full lob off?
Speaker 1 (36:51):
Am I right in saying as well? Gee, that Kim
Kardashian's hairstylist was the one who did the snip on
the hair.
Speaker 2 (37:00):
Wow, you seem embarrassed. You seem embarrassed. But what with
the hamlet out of the mouth there?
Speaker 3 (37:04):
What?
Speaker 2 (37:04):
What is that not something you want to admit to
your mate?
Speaker 13 (37:10):
No, it's it's so awesome.
Speaker 12 (37:11):
I went from not cutting my hair since I was
twelve years old to having Kim Kardashians. Yeah, my hair
so It's just pretty wild when I hear it back
because it's like, oh, yeah, that happened. But I had
the best person in the beers to do the job,
so you know, I trusted him with everything.
Speaker 1 (37:28):
Chris Appleton, he's Kim Kardashian's hairstyle. So when you go
and see someone like him, is it like does he
decide what to do? Like do you just trust him? Really?
Speaker 2 (37:40):
Yeah, basically you're not telling you to do.
Speaker 12 (37:43):
My wife's best friend, and you know he's the guy,
he's the hair guy.
Speaker 13 (37:47):
He's the best at what he does.
Speaker 12 (37:49):
Krashelle mentioned to him that I was going to cut
my hair. Haven't done it since I was twelve. I'll
do it and I just trusted him with my life
and I love it.
Speaker 1 (37:58):
It looks does he cut it?
Speaker 13 (37:59):
I was like, this is a great idea, Thank you.
Speaker 1 (38:02):
It looks awesome.
Speaker 2 (38:03):
The song sounds bloody awesome as well. Disco Cowgirl. I'll
say it one last time, seven inch final If you
get it before tomorrow night, Gee is going to FaceTime out.
It doesn't matter what you're sitting on.
Speaker 4 (38:14):
Gee.
Speaker 2 (38:14):
Great to have you on the show as always. Great,
Thanks so much mate, all the best, mate, good luck
with the new chunes,
The Will and Woody podcast. Question for you, Yeah, question
if your daughter Max makes something for you, and let's
be honest, like, she's she's three this weekend, y'rey exciting. Okay,
but she's still at the age where hope, hope this
is doesn't land poorly.
Speaker 2 (00:22):
But she just wrote her first symphony. If that's what
you're going to Okay, Your daughter is different to mine,
and most she was translating the Bible from Latin at
the moment.
Speaker 1 (00:30):
That is extraordinary. Bilingual as well, speaks two languages.
Speaker 2 (00:33):
We'll try lingual now she speaks Latin as well. Excuse me, sorry,
hard to keep up dipping into the classics. But if
she makes something for you and it is a bit crap, No,
she just did her first Picasso.
Speaker 1 (00:43):
Actually, is that right, I'm talking to the wrong guy.
Speaker 2 (00:46):
Yeah, the theoretically, theoretically, if she made something that you
know wasn't a masterpiece, yes.
Speaker 1 (00:52):
Would you be honest with her and tell her this
is crap?
Speaker 3 (00:56):
No?
Speaker 2 (00:56):
Of course not. Well, I don't know if it's a
lie because I know what she's capable of, which you
know largely is crap. She's two years old, so for her,
I'm like, hey, mate, if I was just painting in
my hands and I had no modus skills, it's unbelievable.
Speaker 1 (01:12):
So you lower the bar. You lower the bar, the
low bar. Next question.
Speaker 2 (01:15):
It's like when they do a poo, you're like wow,
But at the end of the day, she just did
a poo. Cares if they do anything really well, if
they say to you, look at this, Yeah, you gotta
be weak at the knees for whatever they do. You're like, oh, so, at.
Speaker 1 (01:28):
What age then will you start being honest about her?
Like crap creations, like at what age does she come
home from school? And you go like, do you know what?
You need some honest feedback from dad here? You haven't
nailed it? Yeah, oh god, this because you don't want
to be dishonest with your child.
Speaker 2 (01:45):
I have a really tough to so as you know, Sam,
my partner, a Dutch lethal incredibly honest. Sometimes we're a detriment.
We had this discussion the other day.
Speaker 1 (01:56):
Who because your daughter is still too young, by the way,
keep lying, I think.
Speaker 2 (01:59):
So, Sam. Sam is quite a good hockey player and
she's got very good hand eye coordination. And we went
past a football field the other day and we saw
a kid shanker kick and I reckon. The kids were
six years old. The kid shock you kick, like kick
the ground first, just the whole thing. And Sam turned
to me and said, God, I really hope MAXs and
shit at sport. And I said, well, you know there's
a good chance she is. She's my daughter, so you
(02:20):
know she very well could be allergic to balls. So
and Sam said, if that's the case, I think I
don't think. I don't think I can go and watch her.
Oh And I said why and she was like, well,
because I'm you know, I'm not going to She's not
going to get in the car after I'm going to
say a good game if she's you know, missed the
ball by that much.
Speaker 1 (02:38):
It's interesting because I was like, Nate, come in. It's
an interesting to lemb because my.
Speaker 2 (02:42):
Mom to keep her. SEM's not going to go to
any sport until I go over the first few rounds
and see whether or she is any good. Yeah, because
I can't. Of course I'll lie, mate, You'll of course
I'll lie. Get out there, have a good time with
your friends. What that about, whether you kick it or not.
Speaker 1 (02:56):
I don't necessarily want to take this to sport, but
thirteen one oh sixty five is our number. Do you
lie when your kid makes something that's crap? Of course,
I just want to hear, and I want to hear
about the crap thing that they make.
Speaker 2 (03:10):
I think you've raised You've raised a really interesting question, though,
which is at what point do you start dipping into
because the last thing you want is for them to realize,
because this is also an awful moment, whether it's with
your parents, or with your friends or with your partner,
is when you realize that they're lying to you, because
then you can't rely on them. I know you trust
you know, I know you know.
Speaker 1 (03:30):
That's therapy.
Speaker 2 (03:31):
No, that's therapy.
Speaker 1 (03:32):
So the reason I'm talking about alarm, I know, that's
the therapist. The reason I'm talking this I don't, Well,
you do the therapist's private conversation.
Speaker 2 (03:43):
You don't deal very well with this, people telling you
you've done a good job when you've done badly.
Speaker 1 (03:47):
Okay, very good, But you don't. No, I don't because
I don't believe it. But that's so.
Speaker 2 (03:51):
Well, going to pass that on to remy Well, God,
I don't want to.
Speaker 1 (03:55):
Do a question you not me, I reckon at some
point I will need to start being honest with her
about she's something. No, no, no, but not now. Now everything
she scribbles on a piece of paper, and I'm like,
that is the best thing I've ever seen. Chuck it
in the study. I'm going to hang it on the
my wall is full.
Speaker 2 (04:12):
Just scribbles, yeah.
Speaker 1 (04:13):
Effectively, And I'm going to try and remember like that
one's a cool because she questions being so what age
double digits?
Speaker 2 (04:22):
So when she's ten, she's gonna come and go, Daddy,
I did it? Think you're painting and you're going to
go put it in the shred as way.
Speaker 1 (04:28):
No, I wouldn't say that. Go here's where you fell down.
I think we're gonna used some different colors. I love
that you made me something, but I think next.
Speaker 2 (04:36):
Time, Wow, right, do you have to I don't think No,
I don't know. I don't think there's an age. I
think they'll do it themselves. Your job as a parent.
Oh god.
Speaker 1 (04:45):
But then if you find out they're lying.
Speaker 2 (04:47):
Though, the worst it's true.
Speaker 1 (04:50):
Let's go to Tanya now though we're focusing on our
kids here, do you lie or are you honest with them?
If they make something and it's a bit.
Speaker 4 (04:59):
Crap, Look, I can be pretty honest to be yeah,
I sometimes I try to kind of go, oh my god,
that's amazing. But recently my daughter she traced her hand
like to a picture. She traced her hand kind of
on the side and turned it into a dog.
Speaker 5 (05:27):
She's sick.
Speaker 1 (05:32):
We've got two year olds. That's that's very impressive for
our girls. So she sicks. What did you say to
her when she brought home hand dog? Oh?
Speaker 4 (05:42):
Look, she sort of said, oh, do you love it?
And I was just like, well, what is it? She said,
I it's a dog, and I said, oh, it just
looks a bit more like a monster.
Speaker 1 (05:54):
Did she take the feedback?
Speaker 2 (05:55):
Ten?
Speaker 4 (05:57):
Oh, look, she did look a little bit sad, But
then I told her how much I loved it, and
I actually do. I think the worse the drawings are,
the better they are. And they actually go into a
bit of a file.
Speaker 2 (06:08):
To keep a bit of a shit sandwich.
Speaker 1 (06:10):
Then yeah, yeah, that is also a tough moment though,
when like you're trying to say that you love something.
I'm sure you've had this just max and you're like,
oh my god, yeah, like this is unbelievable. That is
like the best dinosaur I've ever seen right, and then
it's like, it's not a dinosaur, Yeah, it's a snake.
Speaker 2 (06:26):
And oh, daddy is an idiot.
Speaker 1 (06:29):
Yeah, that's lep it around for me. Let's go to
William here. William, do you lie if your kid makes
any always?
Speaker 6 (06:41):
Are you going?
Speaker 3 (06:42):
Yeah? You know what it is?
Speaker 6 (06:43):
It's not it's not it's it's it's not so much lying,
it's more crafting the truth here and how I do it. Yes, yeah,
I've got two boys, four and two, and particularly the
four year old still too young, by the way to
to kind of break the truth exactly how it is,
how it happened. However, recently athletics not not not exactly
(07:06):
the best athlete. He's not built to be exactly the
best Athlete's not too bad at discus though, But when
he finishes the race, I didn't wing kind of thing,
and it's like, hey, you know, did you have fun?
Oh yeah, dad, Oh great? You know what if you
want to win, how about we practice and how about
we do this? How about we do the things that
will make it better and easier for you.
Speaker 1 (07:26):
And that's what I mean by crafting the truth, that
is solid crafting will I really like the flip of
did you have like if Remy brings you sign again?
When she's older, I'm getting around everything she makes now
she's only two. When she's ten, if she makes me
something crap, I love the idea of going if she goes, Oh,
what do you think? Did you have fun making it?
Speaker 7 (07:43):
Oh?
Speaker 2 (07:43):
God, you're patronizing.
Speaker 1 (07:48):
I think it's good.
Speaker 2 (07:49):
I love it. Bit more important you have fun doing that,
because that's all better about fun, because it's ship Natalie.
Natalie's killed, you know. I was actually I don't know
if the Compare podcast or whatever I heard it on,
but they said that one of the hat Funnily enough,
one of the things that toddlers pick up on really
early on is when you try to convince them of
(08:10):
something that you don't believe. So you know, when you
go like yummy, they know immediately when you're when you
don't actually like it. So I don't know, there could
be some truth in the fact that.
Speaker 1 (08:25):
They already know.
Speaker 2 (08:27):
Yeah, they already know Natalie is killedale.
Speaker 4 (08:32):
Yes, I'm very honest.
Speaker 8 (08:34):
My daughter is sure.
Speaker 7 (08:35):
And she uses the wrong colors for the wrong pictures.
Speaker 4 (08:38):
For example, like chul draw son, but instead of drawing
it yellow or orange, drew it green.
Speaker 2 (08:44):
That's okay, she might Actually I actually am color blind, Natalie,
so some sunsets.
Speaker 1 (08:47):
Look here, Natalie, you've heard.
Speaker 2 (08:52):
What is that?
Speaker 9 (08:53):
It could be a watermelon.
Speaker 2 (08:54):
Oh, she's four years sold right now? Though, would I
want to talk about Jay to the l J steadily
(09:16):
sliding down a decline into the abyss?
Speaker 1 (09:21):
Jaelo still guide. We'd happily talked to Jay.
Speaker 2 (09:26):
Again. I think when she self funded her own documentary
and lost tens of millions about her love story with
Ben Affleck and then split with him, that for me
was probably the beginning of the end.
Speaker 1 (09:36):
But look, she's the hiccup was a hiccup, Will That
was a moment. That was a moment wil Band's back.
She might keep making stuff, Jos.
Speaker 2 (09:45):
She's very talented, very real, very very talented.
Speaker 10 (09:49):
Hey.
Speaker 2 (09:50):
So the reason we're talking about Jylo though, is she's
getting sued. Oh no, yeah, she's getting sued by Paparazzi company.
So she was at the the g GE Weekend Glamour
Great Event. Yeah, the Golden Globe Weekend Glamour Awards. She's
out there, she's she looks gorgeous. Has an age today,
By the way, I repon. She's in the ageless character
(10:12):
character category with Tom Cruise. It's a few people in there,
isn't there who else is in there? Pitt, Brad, Pitt,
DiCaprio is not aging. Yeah, it's weird, isn't it.
Speaker 1 (10:22):
They're all doing hyperbaric chambers and you know, magnesium showers
and they live like like, I think the key to
not aging is just don't live.
Speaker 2 (10:33):
Yeah, well, look she looks beautiful. She's at the GG
Weekend Glamor Awards, which I watched all weekend and she
had a ball.
Speaker 1 (10:39):
Did she win?
Speaker 2 (10:40):
No, it's just the Weekend Glamor. Man, there's no awards there.
They just kind of struck their stuff. It just gets
you a bit excited. It's a taste testing. You're wet
your whistle, you're right? Oh yeah, here they all here
are the stars?
Speaker 1 (10:49):
Your whistle?
Speaker 3 (10:49):
Is we sure? Sure?
Speaker 2 (10:57):
Is hey? So anyway, she's on the he's on the
carpet at the GG Weekend Glamours Awesome. Yeah, goresome wedding
her vessel. She's out there anyway. So she gets these
photos taken of her, right, and obviously she sees one
of them online and she reposts.
Speaker 1 (11:18):
It okay to Instagram and to x Oh she didn't
credit them, Well she didn't.
Speaker 2 (11:24):
They've just said that's our copyright. Yeah, fair enough, and
they sue her. So they're suing her for one hundred
and fifty thousand US dollars for posting a photo of
herself woods. Yeah, what are the rules there? Surely she's
her own intellectual property. And look, i'd love to get
into a legal debate, and I've got another bit to
get to and I don't think you'll actually have anything
interesting to say about it. Nice, So she's in an argument.
Speaker 1 (11:48):
I would have had a crack, but we hadn't.
Speaker 2 (11:50):
Been able to speak for the last two minutes, so
I'm going to rule you out. So I think it's
pretty fascinating that she's technically in an argument with herself,
which I had a little bit of fun with this morning,
having an argument. Well, Jayla's effectively suing yourself like it's
a photo of her. She's in the photo she posted.
It's very straight.
Speaker 1 (12:07):
Do you realize now how hard it is to argue
with you? You're the worst person to argue within the world.
Speaker 2 (12:11):
So arguing with yourselves really hard.
Speaker 1 (12:14):
But you in particular, because you're very good. But if
you argue yourself, it'd be the end of the world.
Speaker 2 (12:18):
Is shocking. I flawed myself. I checkmated myself a couple
of times. Very frustrating. Do you want to try and
have an argument with yourself right now? Because it's tricky.
Speaker 1 (12:27):
I'm not following.
Speaker 2 (12:28):
What do you mean?
Speaker 11 (12:29):
So like?
Speaker 2 (12:30):
So you've got to play both sides of the argument.
Speaker 1 (12:32):
Am I me?
Speaker 2 (12:33):
Yes?
Speaker 3 (12:34):
Right?
Speaker 1 (12:35):
Okay? So I'm angry at me for something. Choose someone
that you want to argue about recently haven't reached.
Speaker 2 (12:41):
Choose someone that you want to argue with yourself about,
and you've got to argue both sides.
Speaker 1 (12:44):
Do I change my name for confusion?
Speaker 2 (12:46):
So don't worry about that, don't?
Speaker 1 (12:47):
Okay? Okay, hey mate, we want to talk to you
for a bit. Did you lose a sock in the wash?
Speaker 2 (12:55):
Well?
Speaker 1 (12:55):
No, I wouldn't say it's lost at this point, I'd
say it's misplaced. Why do you what is saying that?
Speaker 7 (13:03):
You know?
Speaker 1 (13:03):
How you know how angry I get about lost socks?
I just I don't know what possibly happened in there
for you to have to to to wait?
Speaker 2 (13:11):
Who am I? It's getting better, getting deep? I want
to see if you guys can do this. So what
we're going to do, Yeah, it's hard to know how
far the rabbit hole goes there. So what I want
to do right now? Thirty one of six or five.
(13:32):
If you're willing to have an argument with yourself, oh yeah,
great on the radio. If you think you pull yourself,
give us a call and maybe you are going to
be having an argument with yourself, or maybe there is
actually someone in the car who you're there to have
an argument with. Alon. Now some people may say I'll
stretched this segment, but look, I just thought it was
(13:54):
a good opportunity for it topical integration. If I really
had to break it down what we're talking about. Jennifer Lopa,
she's suing herself effectively. Ye, she's posted a photo of
herself and she's big sued for posting that photo of herself,
which just seems ridiculous. Seems like she's having an argument
with herself. So I thought, gee, whiz was normally we
play final Line on a Wednesday.
Speaker 1 (14:13):
Yeah, we love it.
Speaker 2 (14:14):
We love phonal line. So you give us a call.
Thirteen one oh sixty five. We have to try and
guess whether you are in the car by yourself or
whether there's someone in the car with you. So I
thought just to spice it up this week in lieu
of in the vein of Jennifer Lope's having an argument
with herself, where you have to guess, are you having
an argument with yourself, genius or is there someone in
(14:36):
the car with you that you're actually arguing with?
Speaker 1 (14:39):
It's just normal final line, but you're having an argument,
and then we decided you're buy yourself or someone exactly right.
It's brilliant, absolutely brilliant.
Speaker 2 (14:45):
I appreciate that, mate. So I don't think anyone's going
to be able to have an argument by theirself, and
I've been trying all morning to do it. It's really hard.
Speaker 1 (14:54):
You just forget who you are, You get lost in
the vortics. Well, why don't we go to Lisa here
before before Lisa get into your argument. I'm sorry to
make you hold off, but Lisa, who are you in
the car with arguing with?
Speaker 3 (15:05):
Oh? My sister?
Speaker 1 (15:06):
What's her name?
Speaker 3 (15:09):
Remy beautiful?
Speaker 2 (15:12):
And what do you what are you currently arguing about? Lisa?
Speaker 8 (15:15):
Yeah, just we really want to get at early night's sleep.
We've got heaps on tomorrow, so we've sort of said
there's no going on phones and just wasting two hours
of scrolling through our phones looking at rubbish.
Speaker 1 (15:28):
Okay, well don't don't go into your arguments now. Let's
you and Remy have a crack start arguing.
Speaker 8 (15:35):
All right, So, hey, you know tonight after dinner, we've
got so much on tomorrow. I was just thinking we
are definitely going to not go on our phones all night.
We're just got an early night's sleep. We've got heaps
on tomorrow.
Speaker 6 (15:47):
Are you serious?
Speaker 5 (15:48):
You are so boring? Oh my god, Like we can.
Speaker 8 (15:52):
Do whatever we've got to do tonight.
Speaker 3 (15:53):
We can do it.
Speaker 2 (15:54):
Lisa.
Speaker 1 (15:57):
It's hard, it is, really, Lisa. You are by yourself
of course.
Speaker 2 (16:01):
Oh send you really what he mad for that one?
There was no changes kidding. Wow again, this could be bad,
could be good.
Speaker 1 (16:16):
L Who are you in the car with right now?
Speaker 2 (16:18):
L having a fight with h.
Speaker 5 (16:20):
Hi, I'm in the car with my mom.
Speaker 1 (16:21):
What's what's what's what's mom's name?
Speaker 2 (16:23):
Andrea won't ask what the arguments because then we'll get
into the content crack in l fight with your mom?
Speaker 10 (16:31):
All right?
Speaker 11 (16:31):
Mom?
Speaker 10 (16:32):
You know how I'm doing the washing and I want
to put the washing basket back where the laundry is.
I get so annoyed when you leave it outside. But
why there's like no problem leaving it outside. I don't
understand what you were trying to get at because I
like the routine of taking things out of the washing machine,
(16:54):
putting them in the baskets, then outside on the line,
and then I don't want to have to go back
outside in look old to go get the working basket,
and it just ruins everything. Well, maybe if you just.
Speaker 2 (17:07):
Give you another pass. I got a long way.
Speaker 1 (17:10):
I didn't think Andrea had started talking. Then I realized, no,
that is Andrea. Yeah, but it is exactly the same as.
Speaker 2 (17:18):
I don't think anyone's going to be able to do this.
Speaker 1 (17:19):
Well, let's go to REMYO has called another Remy Hi,
Remy Hi. Who are you fighting with?
Speaker 2 (17:29):
In them?
Speaker 9 (17:30):
I'm in the car with my mom. I'm fighting with
my mom.
Speaker 2 (17:32):
We're also fighting with your mom.
Speaker 1 (17:35):
What's her name?
Speaker 9 (17:36):
Rem Kylie?
Speaker 1 (17:38):
Kylie?
Speaker 9 (17:38):
All right, okay, all right, So you know how we
have dinner tonight, like the important family dinner that's seen
on the roster for like two months. Yeah, so I
kind of have to cancel Bailey's asked me to come
over for dinner.
Speaker 5 (17:58):
So is in three hours?
Speaker 3 (18:01):
Yeah?
Speaker 5 (18:02):
But no, but like no, Nannie are coming, Grandma are coming,
since parents are coming, that's ridiculous. Three hours notice, Remy,
we're on the way home from work now I need
you to help me get dinner ready. But no, no,
you're gonna have to call Bailey and telling me how.
Speaker 2 (18:20):
Stop there? Stop there? We know this is real.
Speaker 1 (18:21):
I'm just loving the fight.
Speaker 2 (18:22):
I reckon. We that is legit. You I I'm just
loving the fight. Do you think for a second that
that Remy could be doing that by yourself? No, you
don't think that's what that is? Mummy. There, the Remy
is there by herself. You got to drop your pants
and do a that for the studio table.
Speaker 1 (18:42):
I planned on doing that anyway. But sure, no problem, Remy.
Your mum is actually there, and I reckon you actually
do want to go to Bailey tonight and this is
a heated fight?
Speaker 9 (18:52):
Well yeah, my mum is shit, but no, he is
coming over tonight. We are leaving home tonight. O.
Speaker 2 (19:00):
God, great argument, make argument, I mean it's great. Start.
Nobody managed to pull off the solo argument.
Speaker 1 (19:07):
No, no, it's impossible.
Speaker 2 (19:10):
It's impossible.
Speaker 1 (19:10):
I reckon, we should get a trained actor or actress
on the showder can you have an argument with yourself?
I don't reckon. Even Rebecca Gidney could do it.
Speaker 2 (19:17):
We can't give me on the show. You you were
telling us recently there was an actress, big actress you
wanted to have on the show recently.
Speaker 1 (19:23):
Her name's an Always boll O.
Speaker 2 (19:26):
Jesus, we've got one hundred thousand dollars to give away
you ems impossible. Every mission has led to this mission impossible,
the final reckoning in cinemas. Now, William wooded someone here,
(19:48):
your time starts now. It was happening tomorrow. Would's the
biggest giveaway of our radio careers. I'm going to say
the biggest giveaway that any of you in your cars
listening right now have ever heard on radio. One hundred
found dollars. If you wind it back to the nineties,
it was every second day, but not in modern radio.
One hundred thousand dollars to give away. That is, not
(20:10):
to turn your nose up at, mate, they.
Speaker 1 (20:12):
Not to turn your nose up at, not to scoff at,
not to don't do anything but be amazed by it,
and someone will win one hundred thousand dollars. This isn't
tomorrow someone has the chance to win one hundred thousand dollars.
Speaker 2 (20:22):
No, there's no consolation prize here. No one's walking away
in a Suzuki. No, sir, re there were one hundred
thousand dollars. We three people, three people in the draw,
yes tomorrow. Two of those people are already in there.
Speaker 1 (20:37):
If you're not across it, we've been doing impossible missions ourselves.
Speaker 2 (20:41):
But you've been bloody hard. I mean you've been suspended
from the roof. We've had to diffuse a bomb.
Speaker 1 (20:45):
Yeah, I mean, let's listen to a bit of that.
Here was me hanging from a roof trying to change
your password.
Speaker 2 (20:51):
Finish my passway has been Yeah, we've got forty seconds
to get you out of there. Okay, bring me up.
I'm setting you up.
Speaker 7 (21:00):
Unbelievable.
Speaker 12 (21:00):
First vision of.
Speaker 2 (21:01):
Gold that was huge, good stuff.
Speaker 1 (21:06):
I was unbelievable at that second mission was trying to
do takes or show differently. Yeah, well we don't show
the outtakes. Tom Cruise doesn't show the outtakes. He doesn't
nail him one.
Speaker 2 (21:14):
They do. They do a whole YouTube thing on you know,
him trying to do it, and maybe we should release
the outtakes of what he been signed from the roof. Actually,
I was amazing. He broke the cables.
Speaker 1 (21:25):
No, and I've got a very sore back still. Thankfully
the company is paying for my Cairo bills. The second challenge, though,
it was attempting will to diffuse a bomb?
Speaker 2 (21:34):
Do you know how to do morse code?
Speaker 8 (21:36):
Yeah?
Speaker 2 (21:36):
Of course noo. Yeah, so those are our missions. So
I ended up get us getting covered in slime. I
haven't seen that in the mission possible movie.
Speaker 1 (21:51):
No.
Speaker 2 (21:51):
One was a bit of a a little bit of
producer fun that one, no doubt, Just a weally bin
full of slime hovering over our heads.
Speaker 1 (21:57):
And it could have been warm slime that would have
been nice, but it was freezing, cold.
Speaker 2 (22:01):
Freezing, freezing colet. We're both in suits. Got told to
dress our finest that day. Yeah, we did.
Speaker 1 (22:06):
My nipple almost fell off anyway. So two of the
three finalists have been decided.
Speaker 2 (22:11):
Tomorrow, we've got Kelsey, We've got Maddie, and you guys
have had to watch this stuff all the way along
and just answer questions about these mission I possile movies,
which Kelsey and Maddie did so beautifully. But the final
mission involves the movie that came out last weekend, Mission Impossible,
the Final Reckoning. Absolutely.
Speaker 1 (22:26):
The question you had to answer about the movie if
you'd seen it was how many times did a message
self destruct that was sent to Ethan Hunt? Now so
many of you have answered that question at Willinwoody dot com,
and we will be calling one of you.
Speaker 2 (22:40):
Yes.
Speaker 1 (22:40):
The real excitement for this whole bit has been the
fact that we've had access to the Tom Cruise.
Speaker 2 (22:45):
Yep, you heard Simon Pegg in the opener there. It's
been great having Peg on board. We had to be
with him last night. Lovely guy, love good screenwriter. Good screenwriter.
Speaker 1 (22:52):
Yeah, I mean when we talked about that a lot.
How do you go about screenwriter? Anyway, We're not going
to go into a catch up with Peg no, but yes, Tom.
Speaker 2 (23:00):
He was polished, but he really is the diagnos no.
Speaker 1 (23:03):
Dad, and he knows that when he signs up the
Mission Impossible, he knows no one's watching these movies for me.
They're obviously watching it for Tom Cruise.
Speaker 2 (23:10):
And we do get access to Tall the one and
only as he calls you guys to let you know
you're in the drawer.
Speaker 1 (23:15):
He was him calling Kelsey and Maddy.
Speaker 11 (23:19):
Kelsey, Tom Cruise, Hi, you're in the drawer between one
hundred thousand dollars. Oh my gosh, I'm gonna have to
hear you say something, go Kelsey.
Speaker 3 (23:31):
Yeah, I want to hear you say show me the money,
show me the money. I'm gonna have to hear screaming,
show me the money. Mattie. I'm gonna need you to
see something for me. Okay, show me the money, show
me the money, give it a little bit of something more, Maddie,
what have you got?
Speaker 2 (23:52):
Show me the money?
Speaker 3 (23:54):
You were in me the chance between one hundred thousand dollars.
Speaker 5 (23:59):
I'm getting on my dark and he's screaming this.
Speaker 1 (24:04):
Up next we have access to Tom Cruise again again.
Wow is he still in carn I actually don't know. Yeah.
Again the thumb's he's still in car.
Speaker 2 (24:15):
He's still going to remind us that he does his
own stuff because we know that, like we've seen it.
We get it, matey, it's the whole bit.
Speaker 1 (24:21):
Look, I can't speak for Tom.
Speaker 2 (24:22):
Might in another selling point.
Speaker 1 (24:23):
Maybe what would you go for if you were Tom Cruise.
Speaker 2 (24:26):
I'm in great shape.
Speaker 3 (24:27):
He is in.
Speaker 1 (24:28):
He's in many states of undress in the new movie.
I don't think he's ever been in such good show. No,
we've got a number to call. Yes, keep your phone
close by. Do not let this ring out, because this
might be you and Tom Cruise is going to be
the one to let them. Benity that there's been contact made.
Speaker 2 (24:46):
We are going to get Tom Cruise crossed.
Speaker 4 (24:50):
Hello.
Speaker 2 (24:52):
Hello, is that Fee speaking?
Speaker 3 (24:54):
Yes?
Speaker 7 (24:55):
Hey?
Speaker 2 (24:55):
Fs will what are you here?
Speaker 5 (24:57):
Oh my god, Hello, I'm good.
Speaker 6 (25:01):
Thank you.
Speaker 2 (25:02):
Your work? What do you do? Faith?
Speaker 7 (25:05):
I work at a school for autistic children?
Speaker 2 (25:08):
Great?
Speaker 1 (25:09):
Awesome, Yeah, awesome. We're just calling a couple of people
who are hoping to be that third finals for one
hundred thousand dollars Fee, Oh my god, what would you
what would you use on hundred thousand dollars for?
Speaker 7 (25:21):
Oh my gosh, I would throw Tom Cruise appreciation party,
especially everyone to dress up as their favorite favorite Ethan
from any of the.
Speaker 1 (25:30):
Films, because who is your favorite? Who's your favorite?
Speaker 3 (25:33):
Mention?
Speaker 7 (25:34):
Impossible? Free is my favorite because it's all about his
wife and everything.
Speaker 2 (25:38):
Oh, we're talking about this the other day. It's a
great movie.
Speaker 1 (25:43):
They're all good. But yeah, so that's your I'm getting
the vibe that you are a little bit of a
crush on Ethan.
Speaker 7 (25:49):
Have thee I do, honestly, so up said it's like
I'm happily married. But honestly, Ethan, it's my my absolute
hall past I reckon.
Speaker 2 (25:59):
It's so just to like take this to the real world,
which I know is ridiculous. But say if you met
Tom Cruise, Yeah, it's not no interest in Tom Cruise.
So would it be convincing enough for Tom to go like,
all right, I'll leave the room and come back in
and I'll be Ethan and then you'd be Yeah, that's awesome.
Speaker 1 (26:20):
We're a very special guest who has something.
Speaker 2 (26:23):
I tell you.
Speaker 1 (26:24):
His name is Tom Cruise.
Speaker 3 (26:28):
Oh my god, him Cruise.
Speaker 13 (26:33):
Oh my god, how are you okay?
Speaker 11 (26:39):
You're about to be great. You're in the draw tween
one hundred thousand dollars.
Speaker 7 (26:47):
Thank you so much.
Speaker 9 (26:49):
Oh my god.
Speaker 1 (26:51):
Do you want to tell Tom what you were telling us?
Speaker 6 (26:54):
Oh?
Speaker 7 (26:54):
I just love you, especially as Ethan Hunt. If I'm
going to win some money, I will throw a party
in your honor and everyone can dress as their favorite
version of you.
Speaker 3 (27:06):
Wow, that's great, great Fifi, Yes, did you know I
do all my own stuff.
Speaker 7 (27:14):
I know it's amazing.
Speaker 11 (27:16):
Show me the money, Fife, show me the money.
Speaker 9 (27:19):
That's what I hope. Show me the money.
Speaker 11 (27:22):
Scream it for me, Fife, show me the money, Show
me the money. Good work, fefee call self destruct.
Speaker 1 (27:33):
That's very good, Tom, that is very good stuff.
Speaker 2 (27:36):
That's why you're the best.
Speaker 1 (27:39):
Tom's got faith A can congratulations tomorrow you've got a
one in three chance of winning one hundred thousand dollars.
Speaker 7 (27:47):
Oh my god, that's actually insane.
Speaker 2 (27:49):
Can you believe you this spoke to Tom Crows.
Speaker 5 (27:51):
I can't.
Speaker 10 (27:52):
Oh my gosh.
Speaker 1 (27:53):
Yeah, everything you imagined, the more faith it.
Speaker 7 (27:57):
Was, everything I imagine him more absolutely.
Speaker 2 (27:59):
Gradually is someone means one hundred thousand or so? It's you,
it's Maddie, or it's Kelsey.
Speaker 12 (28:06):
Each of you.
Speaker 2 (28:06):
Well, we're gonna pick you up in an unmarked car.
It's an impossible styles dress up feefair record convoy limousines.
You'll be sent to an undisclosed location, hung from your ankles,
and then you need to escape that in order to
get into the draw using only a Swiss army knife.
Speaker 1 (28:23):
So it's gonna be great to watch tomorrow. Some of
you may die, but that is a you have to
sign a waiver. Oh yeah, big way, yeah, absolute yeah.
Speaker 2 (28:31):
Life on the line there, and as I said, some
of you may die, but that is a sacrifice we
are willing to make. J Flip's on the show.
Speaker 13 (28:42):
Whoo, what's up?
Speaker 2 (28:44):
Cre What is art? Mate? We're pretty excited about playing this.
Just go Cowgirl. We're gonna play it up next. We're
gona have a little chat with Jay first, but you
go get yourself a seven inch final Woods that you
even know what that is? Big fella, I've you're trying
to be cool? You know what a seven inch is?
Speaker 11 (29:05):
No?
Speaker 1 (29:05):
Sorry, no, I just thought vinyl was vinyl. Do you
want to explain to me what a seven inch vinyl is?
Speaker 2 (29:14):
Yeah?
Speaker 12 (29:14):
Wait, I've got it right next to Okay, okay, it's
the smaller sized vinyl.
Speaker 2 (29:18):
Little single, guy, I have an inches.
Speaker 1 (29:21):
I've never understood that, So what's the idea behind making
it smaller?
Speaker 2 (29:25):
It's a single, so you get one track, so you
get you get Disco Cowgirl, and if you buy it,
you have a chance to be to FaceTime with g
They'll FaceTime you if you're ordered by midnight Thursday, twenty second. Yeah,
there's a little.
Speaker 13 (29:37):
Cheky surprise on it as well, A little surprise.
Speaker 1 (29:41):
Okay, can you sell the FaceTime a bit more? G?
Why would I want to be facetiming with you?
Speaker 13 (29:46):
Well, we're having a great time, a great chat if.
Speaker 2 (29:51):
You want this, mate? Are you not having the time
of your life?
Speaker 13 (30:00):
This is actually going pretty well?
Speaker 2 (30:01):
You feel like he was saying that, didn't it? What
have you got to say?
Speaker 1 (30:04):
I actually always loved chatting with you G. Last time
you were in the studio, G, you were playing the
drums on my barm.
Speaker 2 (30:12):
Do you recall that?
Speaker 13 (30:13):
I did you have smooth ass?
Speaker 10 (30:15):
Mate?
Speaker 3 (30:15):
It?
Speaker 13 (30:15):
It was nice?
Speaker 1 (30:16):
Thank you have. I mean it was very entertaining for us.
We've got a lot of hits online when you did that. G.
Have you ever thought of incorporating that into your live performances?
Speaker 3 (30:27):
No?
Speaker 12 (30:27):
But you know, there might be some Aussie shows on
the carts. There'll be some big drum solos as always,
and I think we should involve some cheeks bloody.
Speaker 1 (30:36):
Oh I love it and I'm not sure your cheeks. Yeah,
that's what I was going to say. It's going to
make sure it's my cheeks.
Speaker 2 (30:42):
Gee, you're you're a multi instrumentalist. I know that you
play a lot of the instruments on this tune. I
was just wondering people come to perform with you, is
there something in their contract where it's like, hey, just
so you know, mate, you know you're on guitar, but
you are the second best guitarist in the band, and
at any stage I can come over and cost your
(31:02):
instrument and you just have to sort of stand by
and watch it while I shred.
Speaker 3 (31:08):
No.
Speaker 12 (31:08):
I feel like everyone in my band we play every instrument,
so we switch every song.
Speaker 13 (31:14):
That's part of the show.
Speaker 12 (31:16):
Although, like my instrument is drums, I wouldn't say I'm
even the best drummer in the band. I've I've hired
some musicians that are way better than me, so that
I feel inspired and I want to get better at
each instrument. But part of it is that everyone in
the band has to play drums and has to play
at least three instruments because we switch every song.
Speaker 13 (31:36):
I've currently just taken up the saxophone.
Speaker 1 (31:38):
As of last week, my cheeks tick they were doing
the saxophone. Your performance has seem very very physically demanding
as well. G And I've read a little bit just
about the preparation that you go through for your performances.
Can you run us through a bit of that?
Speaker 13 (31:54):
Uh yeah?
Speaker 12 (31:56):
Or there's singing on the treadmill, there's singing and skipping,
and then there's headstands.
Speaker 13 (32:01):
Which seems to be the one everyone likes to hear about.
Speaker 1 (32:05):
You're so you're all the weights on your head, you're
upside down, and you'll punch out a whole song.
Speaker 13 (32:10):
Yeah, or just like some warm ups. It's just like
some like runs, like you know, and so.
Speaker 1 (32:15):
How does the rest of the gym feel when you're
on the treadmill or doing your skipping and singing at
the same time.
Speaker 13 (32:21):
I normally do the singing in private.
Speaker 10 (32:23):
Yeah.
Speaker 12 (32:23):
Sure, I have done headstands in a hotel gym and
got some weird looks. But it helps my core because
when you're drumming and singing, you have to keep your
core still while all your four limbs are moving about,
and you've got to keep your head and neck and
call so straight on the microphone.
Speaker 1 (32:42):
Would you never just go for the old the Britney
microphone g just like, you know, stick that to the face.
You don't have to worry about the call.
Speaker 13 (32:49):
I tried that back in twenty eighteen. But the symbol bleed.
Speaker 12 (32:52):
The sound of symps though ridiculously loud, and those microphones
they're not directional enough to just you cup vocal in
the other sounds around it bleed in, So it made
it just like a harder vocal to team for the
mixed engineer.
Speaker 2 (33:08):
Yeah. Wow, And I never thought that you would be
having an audiophile conversation with Jeff flipp There you go.
That's just made all my Christmas woods. You clearly had
no idea what they were talking about either. I just
saw the eyes tried to keep up with it.
Speaker 1 (33:23):
I'm learning a lot in this chat. Actually seven in
final audio blea directional mics.
Speaker 2 (33:29):
I get it. It's a private tutorial. And you mentioned
just before the idea that you were really keen to
do a key change. Yeah, right, which is which is
part of the song? Which this is it?
Speaker 1 (33:44):
I just just see your face, watching your tension on
the table, saying I never felt this.
Speaker 2 (33:53):
Way, Oh red height, red heart, I mean I feel
that not's it. Musically, key change is much harder radio
key change. We do it all the time. Oh yeah,
just talk to you up here. That's a good one.
Speaker 1 (34:12):
He's a professional as well.
Speaker 2 (34:13):
Je, don't you worry. I've been working for years on
that one.
Speaker 1 (34:16):
Not everyone can do that.
Speaker 2 (34:20):
Pretty okay, you mentioned before Phil Collins Beyonce, I know,
rad key change. I mean it is kind of a
it almost feels like a bit of an old school trick.
That's a that's a bit forgotten now, he said a
bit in musicals and things like that. Why why did
you aspire so hard to get that done? And why
is it so forgotten?
Speaker 12 (34:38):
I feel like back, you know, this this really eighties inspired,
and back in the eighties, there wasn't as many tricks.
You know, if I want a sax solo, I can
go in and find a sax solo and just drag
it in. Back then, you had to find as many
tricks as you could, so there was you know, a
lot of songs that would do crazy chord progressions, and
the musicality in the eighties was so fun and expressive
(35:01):
because the songs could never be boring. You needed more
tricks and more chords and more you know, variation and
more sounds and adding a key change. She just gave
that last chorus extra.
Speaker 2 (35:12):
Yeah, it's really kill It's really it's almost Whitney pretty
famous for a key change at the end of all.
You've got to have the range, though, G You've got
to have the range. Bravo and getting up there.
Speaker 13 (35:22):
Oh thanks mate.
Speaker 12 (35:23):
Yeah, a lot of trial and error, just giving it
a crack basically, Yeah, just pushing my vocals and see
what comes out of my face.
Speaker 2 (35:31):
Basically, Yeah, singing, singing.
Speaker 1 (35:34):
So is that in the recording studio, G, You'll you'll
have like a day where it's like, today's the day
I'm going to try and hit it. I'm going to
get up there and you'll do all sorts of warm
ups and stuff and then have a number of cracks
at hitting the not Yeah.
Speaker 12 (35:47):
I'll normally do like an eight minute warm up that's
just on YouTube, and then it'll be a vocal like
day and me and Aiden, who I write and produce
all the songs with, we'll just give a crack of
three songs during that.
Speaker 13 (36:00):
But then when it comes to the end we do
an ad lib.
Speaker 12 (36:03):
Take and that's where I just go crazy and I
try a bunch of stuff, whether it's like holding a
note as long as I can, singing as high as
I can, adding random repeats and echoes of other vocals,
but yeah, that one.
Speaker 13 (36:16):
I just we were just mucking around and then it
ended up working.
Speaker 2 (36:20):
Oh sick. It sounds great again. People should go and
get Disco cow Girl at seven inch. Fine, for get
it before tomorrow night. G might be giving you a FaceTime.
That's the big prize there, Hey, G away from your music.
I don't know if you can see, but I mean
I recently went to Turkey and got the plugs in
the hair looks good. Woods recently went for the undercut,
(36:41):
the pink style, undercut all the way around the hair
a bit fast.
Speaker 13 (36:44):
I just cut all my hair off as well.
Speaker 2 (36:47):
That's where I was going with it. I know you
recently got the full lob off?
Speaker 1 (36:51):
Am I right in saying as well? Gee, that Kim
Kardashian's hairstylist was the one who did the snip on
the hair.
Speaker 2 (37:00):
Wow, you seem embarrassed. You seem embarrassed. But what with
the hamlet out of the mouth there?
Speaker 3 (37:04):
What?
Speaker 2 (37:04):
What is that not something you want to admit to
your mate?
Speaker 13 (37:10):
No, it's it's so awesome.
Speaker 12 (37:11):
I went from not cutting my hair since I was
twelve years old to having Kim Kardashians. Yeah, my hair
so It's just pretty wild when I hear it back
because it's like, oh, yeah, that happened. But I had
the best person in the beers to do the job,
so you know, I trusted him with everything.
Speaker 1 (37:28):
Chris Appleton, he's Kim Kardashian's hairstyle. So when you go
and see someone like him, is it like does he
decide what to do? Like do you just trust him? Really?
Speaker 2 (37:40):
Yeah, basically you're not telling you to do.
Speaker 12 (37:43):
My wife's best friend, and you know he's the guy,
he's the hair guy.
Speaker 13 (37:47):
He's the best at what he does.
Speaker 12 (37:49):
Krashelle mentioned to him that I was going to cut
my hair. Haven't done it since I was twelve. I'll
do it and I just trusted him with my life
and I love it.
Speaker 1 (37:58):
It looks does he cut it?
Speaker 13 (37:59):
I was like, this is a great idea, Thank you.
Speaker 1 (38:02):
It looks awesome.
Speaker 2 (38:03):
The song sounds bloody awesome as well. Disco Cowgirl. I'll
say it one last time, seven inch final If you
get it before tomorrow night, Gee is going to FaceTime out.
It doesn't matter what you're sitting on.
Speaker 4 (38:14):
Gee.
Speaker 2 (38:14):
Great to have you on the show as always. Great,
Thanks so much mate, all the best, mate, good luck
with the new chunes,
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