October 10, 2025 • 43 mins
- Can You Hear It
- More Baby Names
- Will reviews Taylor Swift's new album
- Rob Beckett
- "You Do The Math"
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Episode Transcript
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Speaker 1 (00:04):
The Will and Woody Podcast.
Speaker 2 (00:08):
I'm gonna heard the soft drinker.
Speaker 3 (00:14):
Darcy No, Darcy no, Darcy.
Speaker 4 (00:21):
Alrighty first cab off the rank saiday, Will, but we've
got Jemma.
Speaker 5 (00:24):
Hello, jem Hello, how are you going?
Speaker 1 (00:27):
Really good? Thank you? Really good? You know the rules.
Speaker 4 (00:31):
If you break the record and get sixteen cans in
a row, you get ten thousand dollars.
Speaker 1 (00:36):
It starts with can one though, one can of the time. Jemma,
here we go.
Speaker 5 (00:41):
All right, Oh all right, that's beer.
Speaker 1 (00:52):
Nice, jem really solid, really solid. I heard a little
bit of uncertainty in your voice. Jemmy.
Speaker 5 (01:00):
Sure, but I'm feeling good now.
Speaker 1 (01:02):
Okay, good, got your eye in or you're hearing he
can't too?
Speaker 2 (01:11):
Soft drink?
Speaker 3 (01:12):
Bang bang?
Speaker 1 (01:14):
That was certainty, Jim. Let's go one more and then
we'll get to know you a little bit. Here's cana.
Speaker 4 (01:27):
Oh here, sorry, Jim.
Speaker 1 (01:33):
Sorry, I did want to get to know you, Jim,
but I'm sorry that was soft drink. Thanks for applying.
Let's go to Britt, Brittany you ready to go?
Speaker 6 (01:46):
All right?
Speaker 3 (01:47):
Great?
Speaker 1 (01:47):
He can one?
Speaker 5 (01:56):
Yeah?
Speaker 1 (01:58):
Sorry Brett.
Speaker 4 (02:00):
Sorry Britt, but I hate to honk my own horn
or toot my own trumpet here.
Speaker 1 (02:06):
But it was a perfect crack.
Speaker 3 (02:08):
Your cracking has been actually excellent. I've got to say
that must.
Speaker 4 (02:11):
Be said, thank you. Well, it doesn't have to be said,
but it's nice that it was said.
Speaker 3 (02:14):
No, it does, because normally it's awful, so good to
point out.
Speaker 1 (02:17):
Fair enough.
Speaker 4 (02:18):
All right, we got Sharon here, Shads, you want to
win ten thousand dollars, you got to get sixteen in
a row.
Speaker 1 (02:24):
Do you play the game in your car every week.
Speaker 7 (02:27):
All the time?
Speaker 3 (02:29):
I decided? Beer nicely good, Shad, clean, crisp beers one
down his canto Shads.
Speaker 8 (02:55):
Beer again, very sorry, thanks for playing.
Speaker 3 (03:05):
It's nice to meet you.
Speaker 1 (03:06):
Sound like a bit of a flat soft drink. If
I'm being honest.
Speaker 3 (03:08):
I thought the crack was solid, the.
Speaker 1 (03:10):
Crack was good, the crack was good. I thought it
was a bit of a here we go. It was
a flat softing.
Speaker 3 (03:15):
Good work never blames his tools, that's fair, and I'm
not a good workman.
Speaker 6 (03:20):
Frankie.
Speaker 3 (03:20):
We're going to go to Frankie right now. Okay, let's get.
Speaker 1 (03:22):
Let's start with Frankie. Start with Frankie. Frankie. You're good
to go. I'm good, Frankie.
Speaker 4 (03:28):
I'm about to make you a whole lot better by
cracking you some cans.
Speaker 6 (03:31):
He's number one.
Speaker 4 (03:43):
Sorry, Frank, Sorry Frank, I heard you, Frank, I heard
your Frank.
Speaker 1 (03:48):
We started, well, we're in a bit of a cold
snap Australia. Let's go to Angela.
Speaker 4 (03:51):
Here, Angela, you've had some time to breathe, to calm down. Alright, Angela,
here we go. He's getting one beer nice for you
and for you away we're away.
Speaker 1 (04:16):
Let's go can number two and your account.
Speaker 7 (04:24):
Oh, oh soft drink nice.
Speaker 4 (04:32):
And you have to deal with the fact that I
did I hit can on mic and that may have
those those.
Speaker 5 (04:40):
Soft drinks distorted a little bit.
Speaker 1 (04:42):
And that's my bad. Ange. I'll put my hand out.
I can on mic.
Speaker 3 (04:46):
They're exploding those softies at the moment. They've been vacuum packed. Yeah,
they probably have anyway.
Speaker 1 (04:54):
And you're on two cans. You're feeling good. Let's get
you to three, shall we Here we.
Speaker 8 (04:58):
Go, oh.
Speaker 4 (05:09):
Soft drink and you go, and you've got three cans.
Speaker 1 (05:17):
I reckon. You deserve a bit of a bit of.
Speaker 2 (05:19):
A chat coming through when it's sleeping.
Speaker 5 (05:21):
At the same time.
Speaker 1 (05:23):
Just hang, who's calling? Who's calling?
Speaker 8 (05:25):
Edge?
Speaker 7 (05:26):
I don't know, I don't really want to look.
Speaker 9 (05:28):
I'm concentrating on.
Speaker 1 (05:29):
The conferences in We'll tell them to piss off conference conference.
Speaker 3 (05:34):
We'll tell them you've gone.
Speaker 4 (05:37):
Now you've got if they call back again, conference me
in all that, and we'll let them know they're live
on radio and to piss off.
Speaker 1 (05:43):
All right, and it's going to can for Here.
Speaker 8 (05:45):
We go.
Speaker 3 (05:54):
Beah bang angela, angela, angela. Gee whiz what are we
going to do with angel How many she needs? Sixteen
ten grand? Is that right? Woods, that's the exurcent equation.
Speaker 1 (06:05):
We better keep moving.
Speaker 3 (06:06):
I think we should you get through. I love this
feeling a player on the hook.
Speaker 1 (06:14):
It been it's been a while, it has been a while.
It feels good, feels good, brings it to life. Here
we go can.
Speaker 3 (06:20):
Fife beer Ah, we most sorry.
Speaker 1 (06:29):
We definitely do with us Sorry and.
Speaker 3 (06:33):
And we loved you though, so you're gonna have a
double pass to regretting you. Yeah, which a little movie
that's out and about right now. Experience a second chance
at love Regretting you in cinemas October twenty three.
Speaker 8 (06:44):
Hoover will thank you so much, Thank you.
Speaker 1 (06:47):
No worries, And Colleen who a book.
Speaker 3 (06:49):
Sorry, reading you're talking movies back gams mate, Yes, my
comprehensive review of Life of a show Girl Taylor Swifts album,
and he's just around the corner Woods before we get
to that though, Worth mean the Woods and I are
both expecting Woods firmly, and the drop zine we're about
twenty five weeks, so.
Speaker 4 (07:05):
We're not quite there yet, Worth mentioning we like to
do these things together as best mates.
Speaker 1 (07:09):
It only makes sense that we sync that up as well.
Speaker 3 (07:12):
The deal, that's the deal. So my partner Sem is
not accepting any of my proposed baby names, and.
Speaker 1 (07:19):
It's hard for me to hear.
Speaker 4 (07:20):
Like for Mim and I, it was a very collaborative
process where you know, we pitched names at each other.
We were both very respectful that were pitched most couples,
it is for us, it's not it adds hard to hear.
Speaker 3 (07:29):
It's really hard to hear, and you know, like any
mature adult, my response has been to antagonize her. Yeah,
So henceforth, probably four or five times a day now,
I just pitched really rogue, really bad names, but genuinely though. So, Yeah,
we haven't had a serious conversation about baby names in
a long time. If you missed any ever have listened
(07:52):
Randy Randy Pegasus for el that can be Peggy. I
like Peggy's fact danker. What do you think about Herbie?
(08:15):
You get one?
Speaker 10 (08:17):
You get one?
Speaker 3 (08:23):
Good Emperor Hockey, you might have found it.
Speaker 1 (08:28):
There we go one more.
Speaker 3 (08:33):
God, how's she feeling about all of this? Because we
have a bit as well, come a bit as well.
Like everyone's enjoying it. A number of people say to me,
by the way, loving that bit where you're pissing off
your partner, which I'd like to say, I'm putting my
body on the line here. She's twenty five weeks pregnant.
This is not a nice thing to do, but it
is entertaining. Yeah, and we carry on. Yeah, I appreciate it.
(08:55):
I'm glad that's what it's all about.
Speaker 1 (08:58):
To call her again.
Speaker 4 (08:58):
She did say yesterday she's just not going to answer
your calls anymore. See what happens to you the best bit?
Speaker 7 (09:06):
Oh my god, I was just about to call you.
Speaker 3 (09:08):
Oh you're okay.
Speaker 7 (09:09):
Yeah, I just got off the phone with me, And
she seems it's like sort of starting, but she doesn't
want to worry Woody yet, so she's like can you
please call Will so that if you think Michelle's already
over there or is coming. I didn't quite understand that bit.
Speaker 4 (09:26):
I'm in the I'm in the studio with Woody now.
So it's obviously a convincing performance. It's a convincing performance.
She would call me.
Speaker 1 (09:34):
She would call me.
Speaker 3 (09:36):
Wow, you tried to flip it, saim, well done. Now,
I wasn't a part of that. That's none of the
producers were either. Woll Wait, well done.
Speaker 7 (09:46):
I know you were. Baby names, well done.
Speaker 3 (09:56):
That was really good. And I think it's something that
our little baby's staying. It will probably love in the future.
Little stain, little ship stain.
Speaker 7 (10:05):
Wait, how do we spell that?
Speaker 3 (10:06):
S T A I N probably what about SG? Like t?
All right?
Speaker 5 (10:18):
Nice?
Speaker 3 (10:19):
Good for you, very good of all the names he's
in that's huge. All right, great, I'll lock it in.
Mornay birthplays.
Speaker 10 (10:35):
I've got a list. I'm going to list.
Speaker 3 (10:37):
You're trying to come at me. No, this is there's
not other bit works.
Speaker 11 (10:42):
Mornay really reality bringing you back to.
Speaker 7 (11:01):
Rhythm.
Speaker 3 (11:02):
Shut up.
Speaker 1 (11:03):
I like this.
Speaker 4 (11:04):
I think this is what this is. Next week it's
just Sam pitching baby namester well.
Speaker 12 (11:17):
Very well, Wow, Wow, she's done it.
Speaker 3 (11:27):
Very good.
Speaker 13 (11:28):
Gain daydream to be going to the library and thinking
of names all weekend, would trow.
Speaker 3 (11:46):
After dissing the Taylor swift record, the Swifties came out
in force as they as they tend to do, and
they said, well, you can't can it unless you've heard it?
And that is fair. Absolutely so I sat in a
dark room and an orange Kid dazzled earlier today, Yes,
and I listened to the Full Life of a show
Girl record cover to cover, back to back, and as promised,
I have a review ready to go. And before you
(12:09):
get into that interactive review sound bites.
Speaker 1 (12:11):
Wow, look at that you put the effort in.
Speaker 3 (12:14):
I have I've done never heard anything in bloody warm.
Now before we were scared, we're scared. We're worried like
Taylor's We know Taylor's vexatious. She's a vexatious litigant like
she should be coming for us. And as I said,
even if she doesn't sue us, she could buy the company.
She's a billionaire and then just fly us. You to
do why you mate, we're a company?
Speaker 1 (12:34):
You know that is fair? Well, maybe he's up.
Speaker 3 (12:36):
A little bit, might love it, but I might love it.
I gave it, I got it an objective listen.
Speaker 1 (12:40):
That's true and I trust you on that. Now, before
you start your.
Speaker 4 (12:44):
Twice rehearsed review of Taylor's album, I just want to
put it out there. Thirteen one oh six five is
the number. Obviously, don't call yet, but when you hear
Will's review, would love to hear your thoughts.
Speaker 3 (12:55):
Yeah cool.
Speaker 4 (12:56):
If you're a Taylor fan or you've heard the album
and you want to comment on what Will said about it,
Thirteen one oh sixty five is the number, But why
don't you crack in?
Speaker 3 (13:04):
Okay? Cool? So my review is called can a Billionaire
Make art good?
Speaker 1 (13:10):
Deep question?
Speaker 3 (13:10):
Great question?
Speaker 4 (13:11):
Right?
Speaker 1 (13:12):
Yeah, here we go.
Speaker 3 (13:13):
The second or multiple album curse is common in music
because once you get famous, you lose touch with the
magic which made you famous in the first place. At
that point, musicians have two options, lean in and sing
about their money, or become a reclusive hermit and maintain
a thread to who they previously were. But with friendship, bracelets,
(13:38):
album announcements on her NFL Boyfriend's podcast, and Disney paywalls,
I think we can all agree that Taylor private jettison
to herself out of that company a long time ago.
Taylor strikes somewhere in the unhappy middle between those two
and tries to make her detach reality seemed normal. The
result a song about her ex bff Charlie XCX, the
misunderstanding of a Shakespearean tragedy, and a song about her
(13:58):
boyfriend's penis entire wood. Together they read like subheadings in
one of those twenty first speeches read by six different girls.
So when our show this week, I was challenged by
Swifties to listen to this album because I was dissing
it without having listened. Fair cop, I have a crack.
I chucked the headphones on. It's a good start Woods.
It's unlike her live show. She doesn't start by stating
her name and year and burr and year of birth,
(14:20):
as if she was appearing for jury Judy. I'll be
your host this evening. My name is Taylor. So the
first song is called Ophelia, and by the end of
the first bar I was reminded of something Beethoven once said,
to play a wrong note is insignificant. To play without
passion is inexcusable, not to shame whichever year six with
(14:43):
garage band and a cassio that Taylor has used for
all her production on this record. But with this in mind,
it doesn't surprise me that the first song, Ophelia is
getting all the heat online, because it's probably as far
as most people got. I laugh out loud as just
like bill NY's desperate character and love Actually she tries
to to squeeze an extra syllable into a line at
the beginning of the second verse.
Speaker 9 (15:03):
Particularly enjoy the incredible crassness of the moment when we
try to squeeze an extra syllable into the fourth line.
Speaker 3 (15:11):
I think you're referring to if you really love Christmas.
Speaker 9 (15:16):
Come on and let it snow.
Speaker 3 (15:19):
Her version the eldest daughter of a novel of really
living fact, oh pH Evan. Now, repetition in music is beautiful.
Now brains adore it. But it has to be varied,
It has to be subtle, otherwise it quickly becomes what
(15:39):
this is a nursery rhyme. Ironic that for a woman,
despite desperate for cultural validity, she wrote a nursery rhyme
about the most intricate piece of literature ever. Made a
quick search, I assume she hasn't read Hamlet, would have
told her that Aphelia is driven mad betwixt extremities of
judy and love, and some have argued pregnancy she actually suicides,
(16:00):
and this song insists that Taylor was saved from what
invalidity by her beefcake boyfriend. I continue surprised that Jack
Johnson hasn't been cited as a collaborator because she's borrowed
his idea of repeating the same song twelve times.
Speaker 7 (16:14):
She just won.
Speaker 3 (16:16):
She's up to her old tricks of layering, and some
of the melodies are pretty. She'll never lose that. But
I just don't know what I'm listening to. Oh that's right,
a haphazard mishmash of half banked ideas jammed together from
within the echo chamber of a private jet. I'm suddenly
grateful I'm using a work computer so this doesn't poison
my Spotify. And that's saying something from a man whose
algorithm is is in the Dorothy the Dinosaur's toilet. The
(16:39):
dinosaur wow now Adele famously said when asked why she
wasn't making any more music, she said, because I'm happy.
I've got no inspiration to make anything of worth. Artists
have to suffer, They have to reach deep for saking
(16:59):
their own sanity and relationships. If they're lucky, some of
them might even make enough money to let them keep
doing what they love. And that's not everything, by the way,
Regardless of money, artists will continue to break themselves on
the rock of their passion. Van Goth died broke, having
only sold one painting in his whole life. I've got
mates who are dads with little kids, still gigging at
sticky carpeted pubs until the wee hours of the morning,
(17:20):
stretching themselves and their wives just to be back on
that hill. But their struggle is what makes the art
goodwoods so money ruins art. I don't think a billionaire
can make art. There's nothing new there. But that theory
was proved when the biggest pop star in the world,
for whom money is more of a monopoly prop than
a commodity, tried to make a new album. And I
think tried is the operative word there. As I write this,
(17:44):
my dog is whining so that I can let her
out to WI. It reminds me of something. Oh that's right.
That was Life of a Showgirl. Twelve tracks, forty minutes
of overly cryptic, privileged whining by someone pining for attention.
They've lost something my dog can actually relate to since
my daughter was born. And I'm not saying that's easy,
but maybe as our adoration turns to the Olivia Deans,
(18:04):
Billie Eilishes or Lowly Young's of the world. Rather than
panicking and farting out this, Pith Taylor could have done
what artists are admired for, actually engaging in her feelings
and writing a record that portrays them, rather than dissimulating
who she is Behind a whitewash of hollow Easter eggs
and swag. She found it a costume shop.
Speaker 1 (18:21):
Oh mercy, I let my dog out.
Speaker 3 (18:24):
Turns out she need to do a boom and as
I pick it up, it also reminds me of the record.
That's it.
Speaker 1 (18:34):
That's that's the complete you've read it.
Speaker 3 (18:39):
Wow.
Speaker 4 (18:41):
So I'm gonna say that was the negative review. I
don't know if I've misunderstood that, and all I'm going
to say.
Speaker 3 (18:50):
I tried. Let's hear from third I did my best.
Speaker 1 (18:55):
As we got it wrong.
Speaker 3 (18:56):
You're a swifty fan. We're here from you?
Speaker 1 (18:58):
Has he got it wrong? So what is you have
to do? That, so she's donate all her money or
do that?
Speaker 3 (19:03):
Bruce Wayne personal and as a business woman, I respect
the hell out of her. She made an empire. It's incredible.
I just don't think with that much money, being that
detached from what life and suffering is, you can actually
make any art.
Speaker 1 (19:16):
Yeah.
Speaker 3 (19:17):
Wow, aren't you have the lean into that and you
do the whole rapper thing or what Ricky Gervais does
or what Madonna does, which is like, I'm just I'm
worth so much money, Yeah, this is funny, right, Or
you go reclusive daft punk. We're helmets for a reason.
You don't know who they are. Bob Dylan speak to
everyone through his Twitter. Ya lives in a castle. J K.
Rowling lives in a castle because they go, if I'm
going to make art, I need to be removed from
(19:38):
the world.
Speaker 1 (19:38):
Castle life would be good.
Speaker 3 (19:39):
I think she's trying to do I think she's trying
to do both. Yeah, and I think she tried to
make this artist this you know, suffering style record, whereas
we just heard Lady Gaga. Right, she just goes, you
know what, I'm rich and I'm famous. I'm not going
to try and tell you that I'm a suffering person. Yeah, yeah, yeah, I'm.
Speaker 1 (19:55):
Not going to give you a banger. And that was
a banger that we just heard from Lady Gaga. Will
did like that one.
Speaker 3 (20:00):
I love.
Speaker 4 (20:01):
But so we've opened up the phone lines for you
guys now thirteen one oh sixty five, just as you know,
an opportunity to respond to Will's review of Taylor Swift's
new album Life of a Show Girl.
Speaker 3 (20:11):
Got Lily here. Hi Lily, Hi, Hi Lily. How old
are you?
Speaker 2 (20:15):
I'm fifteen.
Speaker 3 (20:17):
Good good to know.
Speaker 4 (20:18):
Thanks for calling, Lily, appreciate your calling. What were your
thoughts on Will's review?
Speaker 3 (20:24):
I think that.
Speaker 2 (20:25):
Will is full of himself and he was. He's always
negative and he thinks he's really smart. But I think
Taylor Swift she writes from the purpose of her fans,
and she wants them to connect with her, right and
she's a really good musician and in the way what
she does.
Speaker 3 (20:45):
That's great, and Lily like, that's honestly the fact that
you're sticking by yeah after this absolute festering none, I'm joking, no, no, no,
I know, Lily. I think the great thing about music
is as well and you know, did you hear the
audio we played just before Lily of Taylor Swift on
zayin Low. Did you hear that? Oh? So she literally said,
(21:07):
I can play it for you. Have a listen. This
is her on zay Low. Have a listen.
Speaker 14 (21:10):
If it's the first week of my album release and
you are saying either my name or my album title,
you're helping. And I have a lot of respect for
people's subjective opinions on art. I'm not the art, please.
What our goal is as entertainers is to be a mirror.
Oftentimes an album is a really really wild way to
(21:30):
look at yourself. I know that. Like on the theme
of what the show Girl is, all of this is
part of it.
Speaker 3 (21:37):
So there you go. So she said two things there
that I think are important. The first thing she said
was and sorry if this is making me sound arrogant,
Lily just ran me in any second. The first thing
she said was the fact that you're talking about it
means I win. Yeah, so we're talking about it. The
pr machine lives on and I've got full respect for that.
And the second thing is for you, Taylor. The second
thing this is for Tayler. The second thing she says
was she's not the art, per everyone's everyone's opinion is subjective.
(22:02):
So this is what's good about art is that you
can love it, I can hate it. We're there, yes,
So thank you for providing the other side of the coin.
Speaker 1 (22:11):
Thanks Lely, Thanks having the courage to call up as well, Lily,
I'm a.
Speaker 3 (22:15):
Double pass to go to what's it called Woods the movie?
Speaker 4 (22:19):
Regretting you reading you she might be a bit young
for that.
Speaker 2 (22:24):
I was going to see that movie.
Speaker 4 (22:28):
And anytime you want to call the show and just
say that, you know, Will's full of himself, arrogant and things.
Speaker 1 (22:34):
He's really smart.
Speaker 4 (22:35):
You call any time, you call anytime, give me the
whole line.
Speaker 1 (22:39):
All right, let's go to Lauren here.
Speaker 4 (22:40):
Oh now, Lauren, you are rejoining us on the radio
show you were on yesterday. Yes, having a bit of
a chat with Will, just about the whole Taylor Swift movement,
the album, etc. What are your initial thoughts on Will's
review of the album?
Speaker 5 (22:58):
Look, I am I hasn'tenthusiasm and the dedication, but at
the end of the day, perhaps he's not the target
demographic and that's fine.
Speaker 3 (23:05):
Yeah, that's pretty much summed it up. I reckon would
be part of it.
Speaker 4 (23:11):
She writes music for her fans, and you're not one
of her fans.
Speaker 5 (23:16):
Yeah, exactly, that's okay. So it still doesn't mean that
I don't think it's a bop and I love the
songs and the music, and if you don't, all good.
Speaker 3 (23:24):
That's so fine, So fine. We all agree.
Speaker 4 (23:27):
This is what the world's supposed to be, isn't it.
Us and I still haven't respect for each other.
Speaker 3 (23:33):
Don't you actually don't think really respected me? She called
me a.
Speaker 5 (23:37):
Look, she's younger. That's okay. I appreciate that you actually
listened and then had an opinion as opposed to having
an opinion before you listened. That's the only feedback I'll
give you. But you know, it's all good.
Speaker 1 (23:47):
He was doing that a lot though, to be fair,
and to.
Speaker 5 (23:49):
Be fair, she doesn't need you to listen, right, I mean,
you sort of proved your own point and the things
that she's got enough money.
Speaker 4 (23:55):
Now we started attacking, and now we start attacking it again.
Speaker 15 (23:58):
Right now, I feel like she is he it's willing
Rob Beckets in the studio.
Speaker 16 (24:15):
Welcome from Oh yes lads, oh the appro Yeah yeahs on.
Speaker 3 (24:21):
There live crowd. What are you talking about? So Rob's
gonna Brandy show. It's called Giraffe of Albert b I
HM Presents dot com. If you're gonna go see a
robbing at comedy dot Com doing all.
Speaker 10 (24:31):
The cities, can I stop you there?
Speaker 16 (24:33):
Basically they're all sold out apart from Gold Coast, so
let's focus on that Gold Coast, Kay ruggling sixty six
percent sold not good enough?
Speaker 1 (24:40):
Do you know much about gold Coast?
Speaker 16 (24:42):
Yeah, it's like the double concentrated version of Australia, Australian.
Speaker 3 (24:47):
Super Queensland gets very Australia.
Speaker 16 (24:51):
Oh yeah, it's almost like that, Like every morning they
wake up common lads. Remember we're carry the flag here
we are without us all.
Speaker 4 (24:58):
Turns camera maintained the identity Coast Cambridge, mad, isn't it?
Speaker 1 (25:04):
Did you go to the Parliament House?
Speaker 10 (25:08):
It's it's just not very Australian at all.
Speaker 16 (25:10):
And you've decided to build a capital city. That's the
least Australian place I've ever been.
Speaker 1 (25:14):
I think I'm wrong.
Speaker 4 (25:15):
Will We just couldn't decide the capital between Melbourne and Sydney.
Speaker 1 (25:18):
So yeah, yeah, some compromise.
Speaker 3 (25:20):
Longer, don't You aren't playing for station it's quite an
important decision that you're making here. There's no compromise.
Speaker 10 (25:28):
Keep talking.
Speaker 3 (25:30):
I nearly got to civil war between New South Wales
and Victoria.
Speaker 16 (25:33):
That would have been a great wars. One of the
best civil wars started off with daylight saving and ended
up in the streets.
Speaker 10 (25:44):
Your time zones are mental not liking that laid half
an hour? Are you sure? Are you sure half doesn't
exist anywhere else in the world.
Speaker 1 (25:52):
I can't expect.
Speaker 10 (25:53):
I've been all over the world.
Speaker 3 (25:54):
Nowhere the only half our is that the only city?
Speaker 16 (25:57):
Wow, I don't know, but for this, yeah.
Speaker 1 (26:02):
We'll go with it.
Speaker 16 (26:06):
I was an anilide right PERF, which I get is
behind because it fair enough.
Speaker 4 (26:11):
I'm pretty sure in Perth the reason they didn't want
to do like saving is because the cows would get confused,
and then also the with what extra they got.
Speaker 10 (26:19):
On what's the cows schedule?
Speaker 16 (26:21):
Looking like that they're going to get confused by.
Speaker 1 (26:28):
I was at the part and I heard the guys
say that the.
Speaker 4 (26:30):
Cows, we were worried with the extra sunlight, that the
curtains are going to get stained.
Speaker 3 (26:34):
Yeah, the curtains was a thing I heard about. I
heard about the curtains thing. Yeah, it was a thing.
It was a thing that was just people not understanding it.
Understanding the cows were lobbying part of the house.
Speaker 16 (26:47):
But yeah, but I do love doing Australia on tour.
Though crowds are quality, there's so much more up for it.
In the UK there are really drunk northern places like that.
You go to Newcastle, right man, or you go to
Cambridge and they're just like they laugh inwards. They enjoy themselves,
but there's no naise really where Australia is much more
everyone's a bit more relaxing up for it.
Speaker 3 (27:07):
Well, they've got your class you have from overseas, so
I think we're just happy that it's someone here, you.
Speaker 10 (27:12):
Know, puff they do get so yeah that it's great.
It's been, it's been brilliant. So just Gold Coast the last.
Speaker 3 (27:22):
Okay, just a quick plug unless he's made that obvious
before sold out.
Speaker 4 (27:30):
Made It's a nice day from aar and thanks gold
Coast for not buying tickets to this man so competing.
So the show is called Giraffe, Yes, and you also
went to the brit Awards last year dressed in an
inflatable giraffe suit.
Speaker 1 (27:44):
Yes, it feels like there's a lot of giraffe going
on with you. Can you explain that?
Speaker 16 (27:48):
Well, Basically, I thought the post will be funny because
of me with a massive neck. I ain't got much
of a neck anyway, shoulders and head right. It's not
no whatsoever living out my neck dreams your past. Every
city I go to, do you want to come to
the zoo meet the giraffe? I'm not some sort of
draft of her.
Speaker 3 (28:05):
Like you've done it to yourself.
Speaker 10 (28:08):
I'm going to call it next door Ferrari.
Speaker 16 (28:12):
When I went to the Bricks, I got invited to
give out an award and thought I was gonna take
a photo. So I thought, what I'll do is I'll
dress have as a giraffe and in that way I'll
steal the attention.
Speaker 1 (28:21):
Brilliant.
Speaker 10 (28:21):
So I went there.
Speaker 16 (28:22):
Absolutely in every paper it's all all the people in
their wacky outfits.
Speaker 1 (28:28):
Livid getting there there because you're in a full inflatable draft,
like the massive draft.
Speaker 16 (28:34):
If you are going to dress up in an inflatable
suit for pathetic attention seeking needs, travel deflated, travel deflated,
and then you have your finger on the button and
then as you get out of the car, that's where
it goes, I will also admit batteries of your friend.
You need, because I was starting to deflate at the
end of the red.
Speaker 10 (28:53):
Carpet, so you need.
Speaker 16 (28:54):
But I've sat there with my wife and she bless her.
She's like, you know, she knows it's something my job
will have to do. But no one wants to go
with the bloke dressed.
Speaker 1 (29:00):
As a draft.
Speaker 10 (29:02):
She wants to the cool.
Speaker 7 (29:06):
Yeah.
Speaker 16 (29:07):
So I'm sat there and I'm like, as we pull up,
because there's all these amazing rappers and the cool rock stars,
I'm pulling up and I'm like, look, I'm regretting this.
Speaker 10 (29:18):
A bit later.
Speaker 1 (29:19):
Did you have like a tax on underneath?
Speaker 10 (29:22):
You had a T shirt and track like normal clothes naked.
Speaker 16 (29:26):
In the DRAFTA discuss the aura in the rye.
Speaker 10 (29:32):
I was getting out there. Do you have to show
adolescents over it?
Speaker 16 (29:35):
Ashley Waters, who's an ex rapper, he's an actor now,
and he's in a Yeah, he's late to the table, right,
and then I've put me drafting off down the table.
Speaker 10 (29:43):
I'm just sort of having a drink and trying to
be normal.
Speaker 16 (29:45):
Yeah, And he goes, oh, sorry, I'm late everyone, And
it was a bit delaying the ceremony.
Speaker 10 (29:49):
I've just got stuck on some prick dressers. Ad what
people will do.
Speaker 3 (30:01):
During all over the country. If you're on the Gold Coast,
o buy a ticket your bricks comedy dot com.
Speaker 16 (30:07):
I love you the way you can just say whatever
you want and swear in Australia.
Speaker 10 (30:11):
I can't get away with a lot of it in
the UK.
Speaker 1 (30:13):
Have you come across some swearing since you've been here?
Speaker 16 (30:15):
Everyone just freely does it, even the doctor. The doctor
sworn me the other day, which I've never had before.
I had to get spanned bosics went well when I
arrived and he was going through like you know, saying
like what the symptoms and he was like do you smoke?
Speaker 10 (30:25):
Do you drink? And I was like, well yeah, but
I've had like three beers since I got it.
Speaker 16 (30:29):
When I will called in, Wow, absolutely, doctor, you're await
in Australia on tour about your thinker.
Speaker 10 (30:41):
I was like, fair enough, okay, I love it.
Speaker 3 (30:43):
It's good.
Speaker 10 (30:44):
It's more relaxed.
Speaker 16 (30:44):
Yeah, I'm not really a sort of like edgy comic,
you know, I'm not sort of going on and tackling
these big issues. I sort of moretal about me and
what I'm going through and make that funny and stuff
like that. But I've got routine about my pubic hair, sure,
my pubes right, and basically that I've got a pubed
up really late essentially to age yeah, sixteen six or seventeen, right, yeah,
but I did that like the UK.
Speaker 10 (31:05):
Once, I said, peered up late, right, this is starting
the routine I talked about.
Speaker 16 (31:08):
And the woman in Disgusting sat there like she ain't airy,
She's just sat there balled from birth to now.
Speaker 10 (31:18):
In a different play, just grow up.
Speaker 3 (31:20):
It's funny that you mention, because the word pricks we
were throwing around just afoid. You were saying, say that
was really funny. So you so so analy That producer
came in before to tell us that you're playing a
parrot called Enzo in a new animation movie, and she
said called the Grand Pricks of Europe, and I was like,
I would watch that, but I'm finish sure it's going
to be the Grand pre.
Speaker 10 (31:41):
It's definitely the Grand the Grand Prick of Europe.
Speaker 16 (31:44):
What an animated films?
Speaker 1 (31:48):
Who's the Grand Prick of Europe?
Speaker 10 (31:49):
The Grand Prick?
Speaker 16 (31:49):
Well, I was thinking more in anatomy terms, not personality.
Imagine what the cartoonist could.
Speaker 10 (31:57):
Get away with. Look at the size of it. Look
at it the Eifefel towers. But yeah, pre grandad talking
parrot in the.
Speaker 4 (32:07):
I heard that your kids they helped you with your
audition to become the parent.
Speaker 10 (32:12):
Yeah, movie, I.
Speaker 16 (32:12):
Was looking after him, and I liked to do like
a self tape thing, but like obviously just audio. So
they were in the room with me when I was
doing it, and I was doing this mad little parrot thing,
welcome to the grand prix of you. They're just like
pissing themselves laughing in the back. And then I was like, oh, sorry,
my kids are gonna have to listen to some with them.
But that actually sort of helped. If the kids are laughing,
it's almost like, yeah, this is good, they're already laughing.
Speaker 1 (32:37):
Children.
Speaker 8 (32:37):
Yeah.
Speaker 1 (32:38):
But yeah, but you say that to the studio.
Speaker 3 (32:41):
By the way, guys, just my kids.
Speaker 16 (32:43):
Well, I said, just if you hear anything in the
Background'm looking after the kids on my own, so you
might hear something.
Speaker 3 (32:46):
It helps, that's absolutely.
Speaker 16 (32:48):
I'm just trying to bring my kids everywhere. Should I
should have brought them here biting his gold coast.
Speaker 10 (32:51):
They're hungry.
Speaker 3 (32:54):
So speaking of these touring places I find so we
got Gold Coast in Melbourne last night. If people want
to go and buy a ticket to see Rob again,
robicket Comedy dot com. But we're looking through these places
and I heard you talking about the places that you
were going to. He's a little bit of audio of
you talking about the tour that you're on in Australia.
Speaker 9 (33:09):
Got a call from the office, Rob, can you do
some PR interviews for Australia?
Speaker 3 (33:13):
I have never good news?
Speaker 10 (33:14):
Is it happens to do extra PR?
Speaker 9 (33:15):
Looks at it camera. I don't know what your plan
app but pull your finger. That's acolutely disgrace. I've been
to camera. Let's face fact, there's not a lot going on.
So I don't know why the byril they ain't bought tickets.
Speaker 10 (33:26):
First of all, don't remember agreeing to go. I don't
know where it is. Going to have to say it
that Sydney all sold out.
Speaker 3 (33:32):
What's Tyrol's excuse, Tyl.
Speaker 10 (33:35):
Therill, I've been told it's thrill.
Speaker 1 (33:38):
How's the real going.
Speaker 16 (33:39):
Well, I've not been there yet, but he sold out.
So look, and the more of the story is, if
you shame people online, it works.
Speaker 10 (33:47):
So an interesting it is, isn't it a camera that work?
They boked some.
Speaker 16 (33:52):
I was going when I got there that the guys went, well,
the thing is, Rob, you are going up against the.
Speaker 1 (33:56):
Floria Art Florida. What's the Floria?
Speaker 7 (33:58):
Now?
Speaker 10 (33:58):
I don't want to pick a pick an enemy in camera.
Speaker 16 (34:03):
I think I might just have to sacrifice camera and
then just come back and do the other places.
Speaker 10 (34:07):
And that may be the whipping Boy.
Speaker 16 (34:08):
But Floridad is when because obviously here your spring starts
when it's not Easter. So Melburne Hemisphere we know springs
coming because there's chocolate and Easter bunnies and all that, right,
but here there's no real like this is a start spring.
So they do florid Ad, which is basically they've loaded
tulips in the pow.
Speaker 1 (34:26):
Yeah, and that's your own competition.
Speaker 16 (34:27):
Exactly what kind of serial killer is walking in the
park at night when it's there for two weeks.
Speaker 10 (34:36):
When I'm on for one night the Florida and it's
a night fest? Who was looking at chulip at night?
Speaker 16 (34:41):
Also, you're in a capital seat of Australia. It's a
Dutch flower. It's got nothing to do with Australia six
of eucalyptus in get the temperature up? Can you move camera?
You've moved it once, Give another one. Start the discussions again,
Melbourne camera se which one's gonna be capital as we
(35:02):
know you won't agree.
Speaker 10 (35:03):
Build a nuba? Is that possible?
Speaker 3 (35:07):
In therell maybe.
Speaker 10 (35:11):
Australians replied to Instagram, going, I don't know where that
is either.
Speaker 3 (35:14):
We had to look it up.
Speaker 16 (35:15):
It's now from Sydney according to my promoter. And if
it's not, I'll be having words.
Speaker 3 (35:22):
Hey, do you get to see Rob's show draft available?
Rob Beckett Comedy dot com. Rob is great to have
you on the studio. Thanks for the laughs, man, thanks
for having us. Go and check out his show. Rob
Beckett in Australia, Rob Becktt Comedy dot Com. As I said, man, cheers, cheers, guys, Woodrow.
Right now, we're taking over the radio for the next
ten minutes with Freedom Fridays, we take our life.
Speaker 4 (35:46):
We pitch a lot of ideas, a lot of great ideas,
rare that we pitch a bad one. The problem is
there's only so much room in the radio show, so
you guys don't hear a lot of those purely Golden
Crispy Ideas. Every Friday we get to re pitch an
idea that didn't make the show, now will I've got
a feeling it's just been a little bit of chatter
(36:06):
going on behind the scenes here that we both want
to get an idea in the show which comes off
the same audio.
Speaker 3 (36:14):
Yes, yes, well you said the cringiest thing it's ever
been said in the world.
Speaker 1 (36:17):
Yeah sure, okay, of all times.
Speaker 3 (36:19):
Let's stay it on the history of radio, in the
history of human parlance. You said something yesterday which was crucifiable.
Speaker 6 (36:26):
Yep.
Speaker 1 (36:26):
And why don't we hear it?
Speaker 3 (36:28):
You once crashed your old car, George, the Toyota into
a poll George. Yeah, when you were the captain of
our school fence at the schools, at the school Trust
training and Monday morning he goes do the math and
you and I shouldn't have said that.
Speaker 1 (36:45):
That was also very lame.
Speaker 3 (36:47):
So it was so lame.
Speaker 1 (36:48):
I was very lame. It was such a in my head,
it seemed school when I was at.
Speaker 3 (36:53):
School, guys, guys, how good? What a legend.
Speaker 4 (36:59):
So I did become a laughing stock for the rest
of the radio show yesterday hit some more Audio.
Speaker 3 (37:05):
Thirteen when I six five, you guys do the math?
Speaker 1 (37:08):
Please don't.
Speaker 4 (37:09):
I'm sorry, I'm sorry, I should be probably talking about it.
Speaker 3 (37:12):
I love the show.
Speaker 1 (37:13):
That hapn't for the entire radio show.
Speaker 4 (37:14):
So look, my idea of that is that at this
point in time, it's impossible to make the same you
do the math sound cool?
Speaker 3 (37:25):
Oh my god, we have the same idea, i'd say.
Speaker 1 (37:27):
Sometimes great minds. So that's it.
Speaker 4 (37:29):
So yeah, exactly, So throwing down the gauntlet for anyone
right now on thirteen the double though.
Speaker 3 (37:35):
Right, Like, first of all, you were flexing about the
fact that you were hungover because you were drinking while
you were at school and hence crashed your car. So
that was the first part that was super dorky, weird,
kind of like dad style. You never should be said
against flex it's very sad. And then on the other hand,
after you've finished that, it really do you guys do
the math? Bit?
Speaker 1 (37:53):
Yeah, you do the math, That's what I say. Oh yeah, shocking.
Speaker 3 (37:57):
It was like a combination of like it felt like
I was watching a workout video, you know, like a hack, you.
Speaker 12 (38:06):
Know what I mean.
Speaker 3 (38:07):
It's like, you know, you've just done ten presses at
one hundred and you do the math. I won't know
how much I just lifted. You do the math. So
I think I think you think it's very I think
that the trick here, because we want to try it.
You guys have to say you guys do the math
and make it sound cool. Yes, the trick is you've
kind of got a bet. It's on two fronts here
because you got you guys do the math on its
(38:27):
own is really bad lame. We learned that yesterday obviously, Lane,
well we all knew that before yesterday. You just only
one person that before yesterday. And then the other part
of this that was actually the thing that you're saying
that we need to do the math about.
Speaker 1 (38:42):
Yeah, I mean that's.
Speaker 3 (38:44):
Got to be cool. Yeah, So I think this is impossible,
That's what I'm saying. I don't think anyone can make
the expression you guys do the math cool.
Speaker 4 (38:52):
I don't try it. Thirteen one O six five is
the number. Say something and then finish it with you
do the math, and it has to be math, not maths. Yeah,
you do the math. If anyone can do that, bloody hell.
Speaker 3 (39:07):
It was a very very you do the math, Yes,
is a desperately invalid dad one clinging to something, and
that's he's told a story from his past. He's had
a couple of beers, still got it. His sixteen year
old's got to gathering going on, got it, and he's
telling a story about an athletics record. You guys do
the math?
Speaker 1 (39:25):
Still got it?
Speaker 4 (39:26):
So the gauntlet was thrown down, which again you and
I both agree we think it's impossible.
Speaker 16 (39:30):
I do.
Speaker 4 (39:30):
Can you possibly put you do the math in a
sentence and make it sound cool?
Speaker 3 (39:36):
I don't think it's possible. Would I really don't.
Speaker 1 (39:39):
Let's go to Sharon here. Sharon. Firstly, a lot of
respects for you having to crack it.
Speaker 5 (39:43):
This, Sharon, Oh thank you?
Speaker 4 (39:47):
All right, I mean, Sharon, let's just crack into it.
Shall we go for it?
Speaker 5 (39:52):
Yes?
Speaker 2 (39:53):
Okay, So well, you know they've been married for six
months and they've just had a baby.
Speaker 5 (39:58):
So you do the math.
Speaker 15 (40:01):
You've done Wow, Wow, she's done it.
Speaker 3 (40:06):
Yeah, he's done it. So you just make it. You
just make it factual.
Speaker 1 (40:11):
That's what she did.
Speaker 3 (40:12):
No ego there.
Speaker 1 (40:14):
I wonder though, you can you get hey on sharing?
Speaker 3 (40:17):
Can you give me the alternative? Now? Can you do
it with ego?
Speaker 2 (40:24):
Not really?
Speaker 3 (40:25):
Just give us another scenario.
Speaker 5 (40:28):
Oh god, now you put me on the spot.
Speaker 11 (40:31):
Me in one in.
Speaker 4 (40:34):
Because I have to say here. I've got to say here,
like I think you've you've used the saying appropriately loophole,
but I don't think you sounded cool.
Speaker 3 (40:42):
Then.
Speaker 4 (40:42):
I think you just went like I've used it correctly.
So you're gonna get the prize.
Speaker 3 (40:47):
Showcase here, she gets the showcase.
Speaker 1 (40:50):
I think she does it.
Speaker 4 (40:51):
She can make it sound cool now because you've used
it appropriately.
Speaker 1 (40:54):
If you can now.
Speaker 3 (40:55):
She may found a bit of a loophole. Didn't she
find a loophole? You just got You're basically saying this
adds up. It's like Meg, my bladder's empty. I just
took away. You do the math. Yeah there's no yeah, right,
that's just got strange. But like one plus one equals too. Well, no,
but that's that's just that is just math, you know
what I mean. No, but that's what I'm saying, Like
(41:16):
she's just very factual. Yeah, sure works, But she's taken
out the ego.
Speaker 1 (41:20):
Yeah yeah, yeah, yeah, we want to bring back the ego. Sharon.
Speaker 4 (41:22):
I want you to say something and I want you
to sound cool.
Speaker 1 (41:25):
At the end of it.
Speaker 3 (41:32):
You can have a second, Sharon, you never seeking to
think about it. I'm gonna go to Jess. You ever
think about it? Okay, because I think I don't want to.
You know, it is tough. I'll put it on the
spotches in peak aunt traffic.
Speaker 1 (41:40):
Jess, you've heard the conversation behaving with Sharon.
Speaker 4 (41:42):
It sounds like Sharon used it appropriately but didn't sound cool.
You think you can sound cool.
Speaker 2 (41:47):
I can try, my Beth.
Speaker 1 (41:48):
You better go Jess.
Speaker 2 (41:51):
All right, So my best friend and her boyfriend have
recently broken up, and now there's one less friend in
our group. You do the math?
Speaker 1 (42:00):
They just come on.
Speaker 4 (42:01):
I think, once again, you've just used it appropriate, which
is you know, if you had to do a head
count of your friendship group.
Speaker 1 (42:07):
I get it, because they've broken up. It's not going
to make it.
Speaker 3 (42:10):
The flex would be like my best friend and her
boyfriend just broke up and I got myself a new boyfriend.
Speaker 1 (42:16):
You do the math.
Speaker 8 (42:18):
That would have been good, well, not cool.
Speaker 3 (42:20):
But you know it was actually nasty. Yeah, very nasty,
But you thought I had to be. Let's going to Sharon. Yeah, sure, sure, sure, Sharon.
Speaker 4 (42:28):
I think that's the closest we've come by the way
you there, because that that had that arrogance. Yeah again,
nasty behavior got to be the egos that you've stolen
someone's partner, Sharon, Sharon, you've had something to think.
Speaker 1 (42:38):
Come on, make it sound cool, Sharon.
Speaker 2 (42:42):
Oh, I didn't even hear what the other like said
the phone.
Speaker 3 (42:45):
Don't worry about it. You play your own game, Shares,
play your own game.
Speaker 2 (42:54):
Look, it's Friday afternoon, and I think that that's probably
all I've got trying to focus on this. I think
so that I don't have a car accident.
Speaker 3 (43:02):
And then what do you say?
Speaker 1 (43:08):
Finish at Sharon?
Speaker 3 (43:10):
Finish?
Speaker 10 (43:10):
What's that?
Speaker 3 (43:11):
Mame?
Speaker 4 (43:13):
Can you do the math?
Speaker 3 (43:17):
Sharon? The arrogance? The arrogance? Well, wait, cards you do
Peak Hour the Buddy math? Well done, Chaz. You can
have yourself. Do I say the showcase today?
Speaker 7 (43:32):
Oh?
Speaker 1 (43:32):
I threw that around?
Speaker 8 (43:33):
You did?
Speaker 3 (43:34):
Just say? The showcase ran in prising at the moment,
the producers there hating me at the moment. But I
feel like I'm going to give it to it. I
don't know. I said I said we would. No, I
don't have to give it to it. What you say
you can have a can you hear at Stubby Holder?
Speaker 2 (43:45):
Sharon, Oh, thank you.
Speaker 3 (43:49):
You do the math.
Speaker 1 (43:50):
We don't have many brass left
The Will and Woody Podcast.
Speaker 2 (00:08):
I'm gonna heard the soft drinker.
Speaker 3 (00:14):
Darcy No, Darcy no, Darcy.
Speaker 4 (00:21):
Alrighty first cab off the rank saiday, Will, but we've
got Jemma.
Speaker 5 (00:24):
Hello, jem Hello, how are you going?
Speaker 1 (00:27):
Really good? Thank you? Really good? You know the rules.
Speaker 4 (00:31):
If you break the record and get sixteen cans in
a row, you get ten thousand dollars.
Speaker 1 (00:36):
It starts with can one though, one can of the time. Jemma,
here we go.
Speaker 5 (00:41):
All right, Oh all right, that's beer.
Speaker 1 (00:52):
Nice, jem really solid, really solid. I heard a little
bit of uncertainty in your voice. Jemmy.
Speaker 5 (01:00):
Sure, but I'm feeling good now.
Speaker 1 (01:02):
Okay, good, got your eye in or you're hearing he
can't too?
Speaker 2 (01:11):
Soft drink?
Speaker 3 (01:12):
Bang bang?
Speaker 1 (01:14):
That was certainty, Jim. Let's go one more and then
we'll get to know you a little bit. Here's cana.
Speaker 4 (01:27):
Oh here, sorry, Jim.
Speaker 1 (01:33):
Sorry, I did want to get to know you, Jim,
but I'm sorry that was soft drink. Thanks for applying.
Let's go to Britt, Brittany you ready to go?
Speaker 6 (01:46):
All right?
Speaker 3 (01:47):
Great?
Speaker 1 (01:47):
He can one?
Speaker 5 (01:56):
Yeah?
Speaker 1 (01:58):
Sorry Brett.
Speaker 4 (02:00):
Sorry Britt, but I hate to honk my own horn
or toot my own trumpet here.
Speaker 1 (02:06):
But it was a perfect crack.
Speaker 3 (02:08):
Your cracking has been actually excellent. I've got to say
that must.
Speaker 4 (02:11):
Be said, thank you. Well, it doesn't have to be said,
but it's nice that it was said.
Speaker 3 (02:14):
No, it does, because normally it's awful, so good to
point out.
Speaker 1 (02:17):
Fair enough.
Speaker 4 (02:18):
All right, we got Sharon here, Shads, you want to
win ten thousand dollars, you got to get sixteen in
a row.
Speaker 1 (02:24):
Do you play the game in your car every week.
Speaker 7 (02:27):
All the time?
Speaker 3 (02:29):
I decided? Beer nicely good, Shad, clean, crisp beers one
down his canto Shads.
Speaker 8 (02:55):
Beer again, very sorry, thanks for playing.
Speaker 3 (03:05):
It's nice to meet you.
Speaker 1 (03:06):
Sound like a bit of a flat soft drink. If
I'm being honest.
Speaker 3 (03:08):
I thought the crack was solid, the.
Speaker 1 (03:10):
Crack was good, the crack was good. I thought it
was a bit of a here we go. It was
a flat softing.
Speaker 3 (03:15):
Good work never blames his tools, that's fair, and I'm
not a good workman.
Speaker 6 (03:20):
Frankie.
Speaker 3 (03:20):
We're going to go to Frankie right now. Okay, let's get.
Speaker 1 (03:22):
Let's start with Frankie. Start with Frankie. Frankie. You're good
to go. I'm good, Frankie.
Speaker 4 (03:28):
I'm about to make you a whole lot better by
cracking you some cans.
Speaker 6 (03:31):
He's number one.
Speaker 4 (03:43):
Sorry, Frank, Sorry Frank, I heard you, Frank, I heard
your Frank.
Speaker 1 (03:48):
We started, well, we're in a bit of a cold
snap Australia. Let's go to Angela.
Speaker 4 (03:51):
Here, Angela, you've had some time to breathe, to calm down. Alright, Angela,
here we go. He's getting one beer nice for you
and for you away we're away.
Speaker 1 (04:16):
Let's go can number two and your account.
Speaker 7 (04:24):
Oh, oh soft drink nice.
Speaker 4 (04:32):
And you have to deal with the fact that I
did I hit can on mic and that may have
those those.
Speaker 5 (04:40):
Soft drinks distorted a little bit.
Speaker 1 (04:42):
And that's my bad. Ange. I'll put my hand out.
I can on mic.
Speaker 3 (04:46):
They're exploding those softies at the moment. They've been vacuum packed. Yeah,
they probably have anyway.
Speaker 1 (04:54):
And you're on two cans. You're feeling good. Let's get
you to three, shall we Here we.
Speaker 8 (04:58):
Go, oh.
Speaker 4 (05:09):
Soft drink and you go, and you've got three cans.
Speaker 1 (05:17):
I reckon. You deserve a bit of a bit of.
Speaker 2 (05:19):
A chat coming through when it's sleeping.
Speaker 5 (05:21):
At the same time.
Speaker 1 (05:23):
Just hang, who's calling? Who's calling?
Speaker 8 (05:25):
Edge?
Speaker 7 (05:26):
I don't know, I don't really want to look.
Speaker 9 (05:28):
I'm concentrating on.
Speaker 1 (05:29):
The conferences in We'll tell them to piss off conference conference.
Speaker 3 (05:34):
We'll tell them you've gone.
Speaker 4 (05:37):
Now you've got if they call back again, conference me
in all that, and we'll let them know they're live
on radio and to piss off.
Speaker 1 (05:43):
All right, and it's going to can for Here.
Speaker 8 (05:45):
We go.
Speaker 3 (05:54):
Beah bang angela, angela, angela. Gee whiz what are we
going to do with angel How many she needs? Sixteen
ten grand? Is that right? Woods, that's the exurcent equation.
Speaker 1 (06:05):
We better keep moving.
Speaker 3 (06:06):
I think we should you get through. I love this
feeling a player on the hook.
Speaker 1 (06:14):
It been it's been a while, it has been a while.
It feels good, feels good, brings it to life. Here
we go can.
Speaker 3 (06:20):
Fife beer Ah, we most sorry.
Speaker 1 (06:29):
We definitely do with us Sorry and.
Speaker 3 (06:33):
And we loved you though, so you're gonna have a
double pass to regretting you. Yeah, which a little movie
that's out and about right now. Experience a second chance
at love Regretting you in cinemas October twenty three.
Speaker 8 (06:44):
Hoover will thank you so much, Thank you.
Speaker 1 (06:47):
No worries, And Colleen who a book.
Speaker 3 (06:49):
Sorry, reading you're talking movies back gams mate, Yes, my
comprehensive review of Life of a show Girl Taylor Swifts album,
and he's just around the corner Woods before we get
to that though, Worth mean the Woods and I are
both expecting Woods firmly, and the drop zine we're about
twenty five weeks, so.
Speaker 4 (07:05):
We're not quite there yet, Worth mentioning we like to
do these things together as best mates.
Speaker 1 (07:09):
It only makes sense that we sync that up as well.
Speaker 3 (07:12):
The deal, that's the deal. So my partner Sem is
not accepting any of my proposed baby names, and.
Speaker 1 (07:19):
It's hard for me to hear.
Speaker 4 (07:20):
Like for Mim and I, it was a very collaborative
process where you know, we pitched names at each other.
We were both very respectful that were pitched most couples,
it is for us, it's not it adds hard to hear.
Speaker 3 (07:29):
It's really hard to hear, and you know, like any
mature adult, my response has been to antagonize her. Yeah,
So henceforth, probably four or five times a day now,
I just pitched really rogue, really bad names, but genuinely though. So, Yeah,
we haven't had a serious conversation about baby names in
a long time. If you missed any ever have listened
(07:52):
Randy Randy Pegasus for el that can be Peggy. I
like Peggy's fact danker. What do you think about Herbie?
(08:15):
You get one?
Speaker 10 (08:17):
You get one?
Speaker 3 (08:23):
Good Emperor Hockey, you might have found it.
Speaker 1 (08:28):
There we go one more.
Speaker 3 (08:33):
God, how's she feeling about all of this? Because we
have a bit as well, come a bit as well.
Like everyone's enjoying it. A number of people say to me,
by the way, loving that bit where you're pissing off
your partner, which I'd like to say, I'm putting my
body on the line here. She's twenty five weeks pregnant.
This is not a nice thing to do, but it
is entertaining. Yeah, and we carry on. Yeah, I appreciate it.
(08:55):
I'm glad that's what it's all about.
Speaker 1 (08:58):
To call her again.
Speaker 4 (08:58):
She did say yesterday she's just not going to answer
your calls anymore. See what happens to you the best bit?
Speaker 7 (09:06):
Oh my god, I was just about to call you.
Speaker 3 (09:08):
Oh you're okay.
Speaker 7 (09:09):
Yeah, I just got off the phone with me, And
she seems it's like sort of starting, but she doesn't
want to worry Woody yet, so she's like can you
please call Will so that if you think Michelle's already
over there or is coming. I didn't quite understand that bit.
Speaker 4 (09:26):
I'm in the I'm in the studio with Woody now.
So it's obviously a convincing performance. It's a convincing performance.
She would call me.
Speaker 1 (09:34):
She would call me.
Speaker 3 (09:36):
Wow, you tried to flip it, saim, well done. Now,
I wasn't a part of that. That's none of the
producers were either. Woll Wait, well done.
Speaker 7 (09:46):
I know you were. Baby names, well done.
Speaker 3 (09:56):
That was really good. And I think it's something that
our little baby's staying. It will probably love in the future.
Little stain, little ship stain.
Speaker 7 (10:05):
Wait, how do we spell that?
Speaker 3 (10:06):
S T A I N probably what about SG? Like t?
All right?
Speaker 5 (10:18):
Nice?
Speaker 3 (10:19):
Good for you, very good of all the names he's
in that's huge. All right, great, I'll lock it in.
Mornay birthplays.
Speaker 10 (10:35):
I've got a list. I'm going to list.
Speaker 3 (10:37):
You're trying to come at me. No, this is there's
not other bit works.
Speaker 11 (10:42):
Mornay really reality bringing you back to.
Speaker 7 (11:01):
Rhythm.
Speaker 3 (11:02):
Shut up.
Speaker 1 (11:03):
I like this.
Speaker 4 (11:04):
I think this is what this is. Next week it's
just Sam pitching baby namester well.
Speaker 12 (11:17):
Very well, Wow, Wow, she's done it.
Speaker 3 (11:27):
Very good.
Speaker 13 (11:28):
Gain daydream to be going to the library and thinking
of names all weekend, would trow.
Speaker 3 (11:46):
After dissing the Taylor swift record, the Swifties came out
in force as they as they tend to do, and
they said, well, you can't can it unless you've heard it?
And that is fair. Absolutely so I sat in a
dark room and an orange Kid dazzled earlier today, Yes,
and I listened to the Full Life of a show
Girl record cover to cover, back to back, and as promised,
I have a review ready to go. And before you
(12:09):
get into that interactive review sound bites.
Speaker 1 (12:11):
Wow, look at that you put the effort in.
Speaker 3 (12:14):
I have I've done never heard anything in bloody warm.
Now before we were scared, we're scared. We're worried like
Taylor's We know Taylor's vexatious. She's a vexatious litigant like
she should be coming for us. And as I said,
even if she doesn't sue us, she could buy the company.
She's a billionaire and then just fly us. You to
do why you mate, we're a company?
Speaker 1 (12:34):
You know that is fair? Well, maybe he's up.
Speaker 3 (12:36):
A little bit, might love it, but I might love it.
I gave it, I got it an objective listen.
Speaker 1 (12:40):
That's true and I trust you on that. Now, before
you start your.
Speaker 4 (12:44):
Twice rehearsed review of Taylor's album, I just want to
put it out there. Thirteen one oh six five is
the number. Obviously, don't call yet, but when you hear
Will's review, would love to hear your thoughts.
Speaker 3 (12:55):
Yeah cool.
Speaker 4 (12:56):
If you're a Taylor fan or you've heard the album
and you want to comment on what Will said about it,
Thirteen one oh sixty five is the number, But why
don't you crack in?
Speaker 3 (13:04):
Okay? Cool? So my review is called can a Billionaire
Make art good?
Speaker 1 (13:10):
Deep question?
Speaker 3 (13:10):
Great question?
Speaker 4 (13:11):
Right?
Speaker 1 (13:12):
Yeah, here we go.
Speaker 3 (13:13):
The second or multiple album curse is common in music
because once you get famous, you lose touch with the
magic which made you famous in the first place. At
that point, musicians have two options, lean in and sing
about their money, or become a reclusive hermit and maintain
a thread to who they previously were. But with friendship, bracelets,
(13:38):
album announcements on her NFL Boyfriend's podcast, and Disney paywalls,
I think we can all agree that Taylor private jettison
to herself out of that company a long time ago.
Taylor strikes somewhere in the unhappy middle between those two
and tries to make her detach reality seemed normal. The
result a song about her ex bff Charlie XCX, the
misunderstanding of a Shakespearean tragedy, and a song about her
(13:58):
boyfriend's penis entire wood. Together they read like subheadings in
one of those twenty first speeches read by six different girls.
So when our show this week, I was challenged by
Swifties to listen to this album because I was dissing
it without having listened. Fair cop, I have a crack.
I chucked the headphones on. It's a good start Woods.
It's unlike her live show. She doesn't start by stating
her name and year and burr and year of birth,
(14:20):
as if she was appearing for jury Judy. I'll be
your host this evening. My name is Taylor. So the
first song is called Ophelia, and by the end of
the first bar I was reminded of something Beethoven once said,
to play a wrong note is insignificant. To play without
passion is inexcusable, not to shame whichever year six with
(14:43):
garage band and a cassio that Taylor has used for
all her production on this record. But with this in mind,
it doesn't surprise me that the first song, Ophelia is
getting all the heat online, because it's probably as far
as most people got. I laugh out loud as just
like bill NY's desperate character and love Actually she tries
to to squeeze an extra syllable into a line at
the beginning of the second verse.
Speaker 9 (15:03):
Particularly enjoy the incredible crassness of the moment when we
try to squeeze an extra syllable into the fourth line.
Speaker 3 (15:11):
I think you're referring to if you really love Christmas.
Speaker 9 (15:16):
Come on and let it snow.
Speaker 3 (15:19):
Her version the eldest daughter of a novel of really
living fact, oh pH Evan. Now, repetition in music is beautiful.
Now brains adore it. But it has to be varied,
It has to be subtle, otherwise it quickly becomes what
(15:39):
this is a nursery rhyme. Ironic that for a woman,
despite desperate for cultural validity, she wrote a nursery rhyme
about the most intricate piece of literature ever. Made a
quick search, I assume she hasn't read Hamlet, would have
told her that Aphelia is driven mad betwixt extremities of
judy and love, and some have argued pregnancy she actually suicides,
(16:00):
and this song insists that Taylor was saved from what
invalidity by her beefcake boyfriend. I continue surprised that Jack
Johnson hasn't been cited as a collaborator because she's borrowed
his idea of repeating the same song twelve times.
Speaker 7 (16:14):
She just won.
Speaker 3 (16:16):
She's up to her old tricks of layering, and some
of the melodies are pretty. She'll never lose that. But
I just don't know what I'm listening to. Oh that's right,
a haphazard mishmash of half banked ideas jammed together from
within the echo chamber of a private jet. I'm suddenly
grateful I'm using a work computer so this doesn't poison
my Spotify. And that's saying something from a man whose
algorithm is is in the Dorothy the Dinosaur's toilet. The
(16:39):
dinosaur wow now Adele famously said when asked why she
wasn't making any more music, she said, because I'm happy.
I've got no inspiration to make anything of worth. Artists
have to suffer, They have to reach deep for saking
(16:59):
their own sanity and relationships. If they're lucky, some of
them might even make enough money to let them keep
doing what they love. And that's not everything, by the way,
Regardless of money, artists will continue to break themselves on
the rock of their passion. Van Goth died broke, having
only sold one painting in his whole life. I've got
mates who are dads with little kids, still gigging at
sticky carpeted pubs until the wee hours of the morning,
(17:20):
stretching themselves and their wives just to be back on
that hill. But their struggle is what makes the art
goodwoods so money ruins art. I don't think a billionaire
can make art. There's nothing new there. But that theory
was proved when the biggest pop star in the world,
for whom money is more of a monopoly prop than
a commodity, tried to make a new album. And I
think tried is the operative word there. As I write this,
(17:44):
my dog is whining so that I can let her
out to WI. It reminds me of something. Oh that's right.
That was Life of a Showgirl. Twelve tracks, forty minutes
of overly cryptic, privileged whining by someone pining for attention.
They've lost something my dog can actually relate to since
my daughter was born. And I'm not saying that's easy,
but maybe as our adoration turns to the Olivia Deans,
(18:04):
Billie Eilishes or Lowly Young's of the world. Rather than
panicking and farting out this, Pith Taylor could have done
what artists are admired for, actually engaging in her feelings
and writing a record that portrays them, rather than dissimulating
who she is Behind a whitewash of hollow Easter eggs
and swag. She found it a costume shop.
Speaker 1 (18:21):
Oh mercy, I let my dog out.
Speaker 3 (18:24):
Turns out she need to do a boom and as
I pick it up, it also reminds me of the record.
That's it.
Speaker 1 (18:34):
That's that's the complete you've read it.
Speaker 3 (18:39):
Wow.
Speaker 4 (18:41):
So I'm gonna say that was the negative review. I
don't know if I've misunderstood that, and all I'm going
to say.
Speaker 3 (18:50):
I tried. Let's hear from third I did my best.
Speaker 1 (18:55):
As we got it wrong.
Speaker 3 (18:56):
You're a swifty fan. We're here from you?
Speaker 1 (18:58):
Has he got it wrong? So what is you have
to do? That, so she's donate all her money or
do that?
Speaker 3 (19:03):
Bruce Wayne personal and as a business woman, I respect
the hell out of her. She made an empire. It's incredible.
I just don't think with that much money, being that
detached from what life and suffering is, you can actually
make any art.
Speaker 1 (19:16):
Yeah.
Speaker 3 (19:17):
Wow, aren't you have the lean into that and you
do the whole rapper thing or what Ricky Gervais does
or what Madonna does, which is like, I'm just I'm
worth so much money, Yeah, this is funny, right, Or
you go reclusive daft punk. We're helmets for a reason.
You don't know who they are. Bob Dylan speak to
everyone through his Twitter. Ya lives in a castle. J K.
Rowling lives in a castle because they go, if I'm
going to make art, I need to be removed from
(19:38):
the world.
Speaker 1 (19:38):
Castle life would be good.
Speaker 3 (19:39):
I think she's trying to do I think she's trying
to do both. Yeah, and I think she tried to
make this artist this you know, suffering style record, whereas
we just heard Lady Gaga. Right, she just goes, you
know what, I'm rich and I'm famous. I'm not going
to try and tell you that I'm a suffering person. Yeah, yeah, yeah, I'm.
Speaker 1 (19:55):
Not going to give you a banger. And that was
a banger that we just heard from Lady Gaga. Will
did like that one.
Speaker 3 (20:00):
I love.
Speaker 4 (20:01):
But so we've opened up the phone lines for you
guys now thirteen one oh sixty five, just as you know,
an opportunity to respond to Will's review of Taylor Swift's
new album Life of a Show Girl.
Speaker 3 (20:11):
Got Lily here. Hi Lily, Hi, Hi Lily. How old
are you?
Speaker 2 (20:15):
I'm fifteen.
Speaker 3 (20:17):
Good good to know.
Speaker 4 (20:18):
Thanks for calling, Lily, appreciate your calling. What were your
thoughts on Will's review?
Speaker 3 (20:24):
I think that.
Speaker 2 (20:25):
Will is full of himself and he was. He's always
negative and he thinks he's really smart. But I think
Taylor Swift she writes from the purpose of her fans,
and she wants them to connect with her, right and
she's a really good musician and in the way what
she does.
Speaker 3 (20:45):
That's great, and Lily like, that's honestly the fact that
you're sticking by yeah after this absolute festering none, I'm joking, no, no, no,
I know, Lily. I think the great thing about music
is as well and you know, did you hear the
audio we played just before Lily of Taylor Swift on
zayin Low. Did you hear that? Oh? So she literally said,
(21:07):
I can play it for you. Have a listen. This
is her on zay Low. Have a listen.
Speaker 14 (21:10):
If it's the first week of my album release and
you are saying either my name or my album title,
you're helping. And I have a lot of respect for
people's subjective opinions on art. I'm not the art, please.
What our goal is as entertainers is to be a mirror.
Oftentimes an album is a really really wild way to
(21:30):
look at yourself. I know that. Like on the theme
of what the show Girl is, all of this is
part of it.
Speaker 3 (21:37):
So there you go. So she said two things there
that I think are important. The first thing she said
was and sorry if this is making me sound arrogant,
Lily just ran me in any second. The first thing
she said was the fact that you're talking about it
means I win. Yeah, so we're talking about it. The
pr machine lives on and I've got full respect for that.
And the second thing is for you, Taylor. The second
thing this is for Tayler. The second thing she says
was she's not the art, per everyone's everyone's opinion is subjective.
(22:02):
So this is what's good about art is that you
can love it, I can hate it. We're there, yes,
So thank you for providing the other side of the coin.
Speaker 1 (22:11):
Thanks Lely, Thanks having the courage to call up as well, Lily,
I'm a.
Speaker 3 (22:15):
Double pass to go to what's it called Woods the movie?
Speaker 4 (22:19):
Regretting you reading you she might be a bit young
for that.
Speaker 2 (22:24):
I was going to see that movie.
Speaker 4 (22:28):
And anytime you want to call the show and just
say that, you know, Will's full of himself, arrogant and things.
Speaker 1 (22:34):
He's really smart.
Speaker 4 (22:35):
You call any time, you call anytime, give me the
whole line.
Speaker 1 (22:39):
All right, let's go to Lauren here.
Speaker 4 (22:40):
Oh now, Lauren, you are rejoining us on the radio
show you were on yesterday. Yes, having a bit of
a chat with Will, just about the whole Taylor Swift movement,
the album, etc. What are your initial thoughts on Will's
review of the album?
Speaker 5 (22:58):
Look, I am I hasn'tenthusiasm and the dedication, but at
the end of the day, perhaps he's not the target
demographic and that's fine.
Speaker 3 (23:05):
Yeah, that's pretty much summed it up. I reckon would
be part of it.
Speaker 4 (23:11):
She writes music for her fans, and you're not one
of her fans.
Speaker 5 (23:16):
Yeah, exactly, that's okay. So it still doesn't mean that
I don't think it's a bop and I love the
songs and the music, and if you don't, all good.
Speaker 3 (23:24):
That's so fine, So fine. We all agree.
Speaker 4 (23:27):
This is what the world's supposed to be, isn't it.
Us and I still haven't respect for each other.
Speaker 3 (23:33):
Don't you actually don't think really respected me? She called
me a.
Speaker 5 (23:37):
Look, she's younger. That's okay. I appreciate that you actually
listened and then had an opinion as opposed to having
an opinion before you listened. That's the only feedback I'll
give you. But you know, it's all good.
Speaker 1 (23:47):
He was doing that a lot though, to be fair,
and to.
Speaker 5 (23:49):
Be fair, she doesn't need you to listen, right, I mean,
you sort of proved your own point and the things
that she's got enough money.
Speaker 4 (23:55):
Now we started attacking, and now we start attacking it again.
Speaker 15 (23:58):
Right now, I feel like she is he it's willing
Rob Beckets in the studio.
Speaker 16 (24:15):
Welcome from Oh yes lads, oh the appro Yeah yeahs on.
Speaker 3 (24:21):
There live crowd. What are you talking about? So Rob's
gonna Brandy show. It's called Giraffe of Albert b I
HM Presents dot com. If you're gonna go see a
robbing at comedy dot Com doing all.
Speaker 10 (24:31):
The cities, can I stop you there?
Speaker 16 (24:33):
Basically they're all sold out apart from Gold Coast, so
let's focus on that Gold Coast, Kay ruggling sixty six
percent sold not good enough?
Speaker 1 (24:40):
Do you know much about gold Coast?
Speaker 16 (24:42):
Yeah, it's like the double concentrated version of Australia, Australian.
Speaker 3 (24:47):
Super Queensland gets very Australia.
Speaker 16 (24:51):
Oh yeah, it's almost like that, Like every morning they
wake up common lads. Remember we're carry the flag here
we are without us all.
Speaker 4 (24:58):
Turns camera maintained the identity Coast Cambridge, mad, isn't it?
Speaker 1 (25:04):
Did you go to the Parliament House?
Speaker 10 (25:08):
It's it's just not very Australian at all.
Speaker 16 (25:10):
And you've decided to build a capital city. That's the
least Australian place I've ever been.
Speaker 1 (25:14):
I think I'm wrong.
Speaker 4 (25:15):
Will We just couldn't decide the capital between Melbourne and Sydney.
Speaker 1 (25:18):
So yeah, yeah, some compromise.
Speaker 3 (25:20):
Longer, don't You aren't playing for station it's quite an
important decision that you're making here. There's no compromise.
Speaker 10 (25:28):
Keep talking.
Speaker 3 (25:30):
I nearly got to civil war between New South Wales
and Victoria.
Speaker 16 (25:33):
That would have been a great wars. One of the
best civil wars started off with daylight saving and ended
up in the streets.
Speaker 10 (25:44):
Your time zones are mental not liking that laid half
an hour? Are you sure? Are you sure half doesn't
exist anywhere else in the world.
Speaker 1 (25:52):
I can't expect.
Speaker 10 (25:53):
I've been all over the world.
Speaker 3 (25:54):
Nowhere the only half our is that the only city?
Speaker 16 (25:57):
Wow, I don't know, but for this, yeah.
Speaker 1 (26:02):
We'll go with it.
Speaker 16 (26:06):
I was an anilide right PERF, which I get is
behind because it fair enough.
Speaker 4 (26:11):
I'm pretty sure in Perth the reason they didn't want
to do like saving is because the cows would get confused,
and then also the with what extra they got.
Speaker 10 (26:19):
On what's the cows schedule?
Speaker 16 (26:21):
Looking like that they're going to get confused by.
Speaker 1 (26:28):
I was at the part and I heard the guys
say that the.
Speaker 4 (26:30):
Cows, we were worried with the extra sunlight, that the
curtains are going to get stained.
Speaker 3 (26:34):
Yeah, the curtains was a thing I heard about. I
heard about the curtains thing. Yeah, it was a thing.
It was a thing that was just people not understanding it.
Understanding the cows were lobbying part of the house.
Speaker 16 (26:47):
But yeah, but I do love doing Australia on tour.
Though crowds are quality, there's so much more up for it.
In the UK there are really drunk northern places like that.
You go to Newcastle, right man, or you go to
Cambridge and they're just like they laugh inwards. They enjoy themselves,
but there's no naise really where Australia is much more
everyone's a bit more relaxing up for it.
Speaker 3 (27:07):
Well, they've got your class you have from overseas, so
I think we're just happy that it's someone here, you.
Speaker 10 (27:12):
Know, puff they do get so yeah that it's great.
It's been, it's been brilliant. So just Gold Coast the last.
Speaker 3 (27:22):
Okay, just a quick plug unless he's made that obvious
before sold out.
Speaker 4 (27:30):
Made It's a nice day from aar and thanks gold
Coast for not buying tickets to this man so competing.
So the show is called Giraffe, Yes, and you also
went to the brit Awards last year dressed in an
inflatable giraffe suit.
Speaker 1 (27:44):
Yes, it feels like there's a lot of giraffe going
on with you. Can you explain that?
Speaker 16 (27:48):
Well, Basically, I thought the post will be funny because
of me with a massive neck. I ain't got much
of a neck anyway, shoulders and head right. It's not
no whatsoever living out my neck dreams your past. Every
city I go to, do you want to come to
the zoo meet the giraffe? I'm not some sort of
draft of her.
Speaker 3 (28:05):
Like you've done it to yourself.
Speaker 10 (28:08):
I'm going to call it next door Ferrari.
Speaker 16 (28:12):
When I went to the Bricks, I got invited to
give out an award and thought I was gonna take
a photo. So I thought, what I'll do is I'll
dress have as a giraffe and in that way I'll
steal the attention.
Speaker 1 (28:21):
Brilliant.
Speaker 10 (28:21):
So I went there.
Speaker 16 (28:22):
Absolutely in every paper it's all all the people in
their wacky outfits.
Speaker 1 (28:28):
Livid getting there there because you're in a full inflatable draft,
like the massive draft.
Speaker 16 (28:34):
If you are going to dress up in an inflatable
suit for pathetic attention seeking needs, travel deflated, travel deflated,
and then you have your finger on the button and
then as you get out of the car, that's where
it goes, I will also admit batteries of your friend.
You need, because I was starting to deflate at the
end of the red.
Speaker 10 (28:53):
Carpet, so you need.
Speaker 16 (28:54):
But I've sat there with my wife and she bless her.
She's like, you know, she knows it's something my job
will have to do. But no one wants to go
with the bloke dressed.
Speaker 1 (29:00):
As a draft.
Speaker 10 (29:02):
She wants to the cool.
Speaker 7 (29:06):
Yeah.
Speaker 16 (29:07):
So I'm sat there and I'm like, as we pull up,
because there's all these amazing rappers and the cool rock stars,
I'm pulling up and I'm like, look, I'm regretting this.
Speaker 10 (29:18):
A bit later.
Speaker 1 (29:19):
Did you have like a tax on underneath?
Speaker 10 (29:22):
You had a T shirt and track like normal clothes naked.
Speaker 16 (29:26):
In the DRAFTA discuss the aura in the rye.
Speaker 10 (29:32):
I was getting out there. Do you have to show
adolescents over it?
Speaker 16 (29:35):
Ashley Waters, who's an ex rapper, he's an actor now,
and he's in a Yeah, he's late to the table, right,
and then I've put me drafting off down the table.
Speaker 10 (29:43):
I'm just sort of having a drink and trying to
be normal.
Speaker 16 (29:45):
Yeah, And he goes, oh, sorry, I'm late everyone, And
it was a bit delaying the ceremony.
Speaker 10 (29:49):
I've just got stuck on some prick dressers. Ad what
people will do.
Speaker 3 (30:01):
During all over the country. If you're on the Gold Coast,
o buy a ticket your bricks comedy dot com.
Speaker 16 (30:07):
I love you the way you can just say whatever
you want and swear in Australia.
Speaker 10 (30:11):
I can't get away with a lot of it in
the UK.
Speaker 1 (30:13):
Have you come across some swearing since you've been here?
Speaker 16 (30:15):
Everyone just freely does it, even the doctor. The doctor
sworn me the other day, which I've never had before.
I had to get spanned bosics went well when I
arrived and he was going through like you know, saying
like what the symptoms and he was like do you smoke?
Speaker 10 (30:25):
Do you drink? And I was like, well yeah, but
I've had like three beers since I got it.
Speaker 16 (30:29):
When I will called in, Wow, absolutely, doctor, you're await
in Australia on tour about your thinker.
Speaker 10 (30:41):
I was like, fair enough, okay, I love it.
Speaker 3 (30:43):
It's good.
Speaker 10 (30:44):
It's more relaxed.
Speaker 16 (30:44):
Yeah, I'm not really a sort of like edgy comic,
you know, I'm not sort of going on and tackling
these big issues. I sort of moretal about me and
what I'm going through and make that funny and stuff
like that. But I've got routine about my pubic hair, sure,
my pubes right, and basically that I've got a pubed
up really late essentially to age yeah, sixteen six or seventeen, right, yeah,
but I did that like the UK.
Speaker 10 (31:05):
Once, I said, peered up late, right, this is starting
the routine I talked about.
Speaker 16 (31:08):
And the woman in Disgusting sat there like she ain't airy,
She's just sat there balled from birth to now.
Speaker 10 (31:18):
In a different play, just grow up.
Speaker 3 (31:20):
It's funny that you mention, because the word pricks we
were throwing around just afoid. You were saying, say that
was really funny. So you so so analy That producer
came in before to tell us that you're playing a
parrot called Enzo in a new animation movie, and she
said called the Grand Pricks of Europe, and I was like,
I would watch that, but I'm finish sure it's going
to be the Grand pre.
Speaker 10 (31:41):
It's definitely the Grand the Grand Prick of Europe.
Speaker 16 (31:44):
What an animated films?
Speaker 1 (31:48):
Who's the Grand Prick of Europe?
Speaker 10 (31:49):
The Grand Prick?
Speaker 16 (31:49):
Well, I was thinking more in anatomy terms, not personality.
Imagine what the cartoonist could.
Speaker 10 (31:57):
Get away with. Look at the size of it. Look
at it the Eifefel towers. But yeah, pre grandad talking
parrot in the.
Speaker 4 (32:07):
I heard that your kids they helped you with your
audition to become the parent.
Speaker 10 (32:12):
Yeah, movie, I.
Speaker 16 (32:12):
Was looking after him, and I liked to do like
a self tape thing, but like obviously just audio. So
they were in the room with me when I was
doing it, and I was doing this mad little parrot thing,
welcome to the grand prix of you. They're just like
pissing themselves laughing in the back. And then I was like, oh, sorry,
my kids are gonna have to listen to some with them.
But that actually sort of helped. If the kids are laughing,
it's almost like, yeah, this is good, they're already laughing.
Speaker 1 (32:37):
Children.
Speaker 8 (32:37):
Yeah.
Speaker 1 (32:38):
But yeah, but you say that to the studio.
Speaker 3 (32:41):
By the way, guys, just my kids.
Speaker 16 (32:43):
Well, I said, just if you hear anything in the
Background'm looking after the kids on my own, so you
might hear something.
Speaker 3 (32:46):
It helps, that's absolutely.
Speaker 16 (32:48):
I'm just trying to bring my kids everywhere. Should I
should have brought them here biting his gold coast.
Speaker 10 (32:51):
They're hungry.
Speaker 3 (32:54):
So speaking of these touring places I find so we
got Gold Coast in Melbourne last night. If people want
to go and buy a ticket to see Rob again,
robicket Comedy dot com. But we're looking through these places
and I heard you talking about the places that you
were going to. He's a little bit of audio of
you talking about the tour that you're on in Australia.
Speaker 9 (33:09):
Got a call from the office, Rob, can you do
some PR interviews for Australia?
Speaker 3 (33:13):
I have never good news?
Speaker 10 (33:14):
Is it happens to do extra PR?
Speaker 9 (33:15):
Looks at it camera. I don't know what your plan
app but pull your finger. That's acolutely disgrace. I've been
to camera. Let's face fact, there's not a lot going on.
So I don't know why the byril they ain't bought tickets.
Speaker 10 (33:26):
First of all, don't remember agreeing to go. I don't
know where it is. Going to have to say it
that Sydney all sold out.
Speaker 3 (33:32):
What's Tyrol's excuse, Tyl.
Speaker 10 (33:35):
Therill, I've been told it's thrill.
Speaker 1 (33:38):
How's the real going.
Speaker 16 (33:39):
Well, I've not been there yet, but he sold out.
So look, and the more of the story is, if
you shame people online, it works.
Speaker 10 (33:47):
So an interesting it is, isn't it a camera that work?
They boked some.
Speaker 16 (33:52):
I was going when I got there that the guys went, well,
the thing is, Rob, you are going up against the.
Speaker 1 (33:56):
Floria Art Florida. What's the Floria?
Speaker 7 (33:58):
Now?
Speaker 10 (33:58):
I don't want to pick a pick an enemy in camera.
Speaker 16 (34:03):
I think I might just have to sacrifice camera and
then just come back and do the other places.
Speaker 10 (34:07):
And that may be the whipping Boy.
Speaker 16 (34:08):
But Floridad is when because obviously here your spring starts
when it's not Easter. So Melburne Hemisphere we know springs
coming because there's chocolate and Easter bunnies and all that, right,
but here there's no real like this is a start spring.
So they do florid Ad, which is basically they've loaded
tulips in the pow.
Speaker 1 (34:26):
Yeah, and that's your own competition.
Speaker 16 (34:27):
Exactly what kind of serial killer is walking in the
park at night when it's there for two weeks.
Speaker 10 (34:36):
When I'm on for one night the Florida and it's
a night fest? Who was looking at chulip at night?
Speaker 16 (34:41):
Also, you're in a capital seat of Australia. It's a
Dutch flower. It's got nothing to do with Australia six
of eucalyptus in get the temperature up? Can you move camera?
You've moved it once, Give another one. Start the discussions again,
Melbourne camera se which one's gonna be capital as we
(35:02):
know you won't agree.
Speaker 10 (35:03):
Build a nuba? Is that possible?
Speaker 3 (35:07):
In therell maybe.
Speaker 10 (35:11):
Australians replied to Instagram, going, I don't know where that
is either.
Speaker 3 (35:14):
We had to look it up.
Speaker 16 (35:15):
It's now from Sydney according to my promoter. And if
it's not, I'll be having words.
Speaker 3 (35:22):
Hey, do you get to see Rob's show draft available?
Rob Beckett Comedy dot com. Rob is great to have
you on the studio. Thanks for the laughs, man, thanks
for having us. Go and check out his show. Rob
Beckett in Australia, Rob Becktt Comedy dot Com. As I said, man, cheers, cheers, guys, Woodrow.
Right now, we're taking over the radio for the next
ten minutes with Freedom Fridays, we take our life.
Speaker 4 (35:46):
We pitch a lot of ideas, a lot of great ideas,
rare that we pitch a bad one. The problem is
there's only so much room in the radio show, so
you guys don't hear a lot of those purely Golden
Crispy Ideas. Every Friday we get to re pitch an
idea that didn't make the show, now will I've got
a feeling it's just been a little bit of chatter
(36:06):
going on behind the scenes here that we both want
to get an idea in the show which comes off
the same audio.
Speaker 3 (36:14):
Yes, yes, well you said the cringiest thing it's ever
been said in the world.
Speaker 1 (36:17):
Yeah sure, okay, of all times.
Speaker 3 (36:19):
Let's stay it on the history of radio, in the
history of human parlance. You said something yesterday which was crucifiable.
Speaker 6 (36:26):
Yep.
Speaker 1 (36:26):
And why don't we hear it?
Speaker 3 (36:28):
You once crashed your old car, George, the Toyota into
a poll George. Yeah, when you were the captain of
our school fence at the schools, at the school Trust
training and Monday morning he goes do the math and
you and I shouldn't have said that.
Speaker 1 (36:45):
That was also very lame.
Speaker 3 (36:47):
So it was so lame.
Speaker 1 (36:48):
I was very lame. It was such a in my head,
it seemed school when I was at.
Speaker 3 (36:53):
School, guys, guys, how good? What a legend.
Speaker 4 (36:59):
So I did become a laughing stock for the rest
of the radio show yesterday hit some more Audio.
Speaker 3 (37:05):
Thirteen when I six five, you guys do the math?
Speaker 1 (37:08):
Please don't.
Speaker 4 (37:09):
I'm sorry, I'm sorry, I should be probably talking about it.
Speaker 3 (37:12):
I love the show.
Speaker 1 (37:13):
That hapn't for the entire radio show.
Speaker 4 (37:14):
So look, my idea of that is that at this
point in time, it's impossible to make the same you
do the math sound cool?
Speaker 3 (37:25):
Oh my god, we have the same idea, i'd say.
Speaker 1 (37:27):
Sometimes great minds. So that's it.
Speaker 4 (37:29):
So yeah, exactly, So throwing down the gauntlet for anyone
right now on thirteen the double though.
Speaker 3 (37:35):
Right, Like, first of all, you were flexing about the
fact that you were hungover because you were drinking while
you were at school and hence crashed your car. So
that was the first part that was super dorky, weird,
kind of like dad style. You never should be said
against flex it's very sad. And then on the other hand,
after you've finished that, it really do you guys do
the math? Bit?
Speaker 1 (37:53):
Yeah, you do the math, That's what I say. Oh yeah, shocking.
Speaker 3 (37:57):
It was like a combination of like it felt like
I was watching a workout video, you know, like a hack, you.
Speaker 12 (38:06):
Know what I mean.
Speaker 3 (38:07):
It's like, you know, you've just done ten presses at
one hundred and you do the math. I won't know
how much I just lifted. You do the math. So
I think I think you think it's very I think
that the trick here, because we want to try it.
You guys have to say you guys do the math
and make it sound cool. Yes, the trick is you've
kind of got a bet. It's on two fronts here
because you got you guys do the math on its
(38:27):
own is really bad lame. We learned that yesterday obviously, Lane,
well we all knew that before yesterday. You just only
one person that before yesterday. And then the other part
of this that was actually the thing that you're saying
that we need to do the math about.
Speaker 1 (38:42):
Yeah, I mean that's.
Speaker 3 (38:44):
Got to be cool. Yeah, So I think this is impossible,
That's what I'm saying. I don't think anyone can make
the expression you guys do the math cool.
Speaker 4 (38:52):
I don't try it. Thirteen one O six five is
the number. Say something and then finish it with you
do the math, and it has to be math, not maths. Yeah,
you do the math. If anyone can do that, bloody hell.
Speaker 3 (39:07):
It was a very very you do the math, Yes,
is a desperately invalid dad one clinging to something, and
that's he's told a story from his past. He's had
a couple of beers, still got it. His sixteen year
old's got to gathering going on, got it, and he's
telling a story about an athletics record. You guys do
the math?
Speaker 1 (39:25):
Still got it?
Speaker 4 (39:26):
So the gauntlet was thrown down, which again you and
I both agree we think it's impossible.
Speaker 16 (39:30):
I do.
Speaker 4 (39:30):
Can you possibly put you do the math in a
sentence and make it sound cool?
Speaker 3 (39:36):
I don't think it's possible. Would I really don't.
Speaker 1 (39:39):
Let's go to Sharon here. Sharon. Firstly, a lot of
respects for you having to crack it.
Speaker 5 (39:43):
This, Sharon, Oh thank you?
Speaker 4 (39:47):
All right, I mean, Sharon, let's just crack into it.
Shall we go for it?
Speaker 5 (39:52):
Yes?
Speaker 2 (39:53):
Okay, So well, you know they've been married for six
months and they've just had a baby.
Speaker 5 (39:58):
So you do the math.
Speaker 15 (40:01):
You've done Wow, Wow, she's done it.
Speaker 3 (40:06):
Yeah, he's done it. So you just make it. You
just make it factual.
Speaker 1 (40:11):
That's what she did.
Speaker 3 (40:12):
No ego there.
Speaker 1 (40:14):
I wonder though, you can you get hey on sharing?
Speaker 3 (40:17):
Can you give me the alternative? Now? Can you do
it with ego?
Speaker 2 (40:24):
Not really?
Speaker 3 (40:25):
Just give us another scenario.
Speaker 5 (40:28):
Oh god, now you put me on the spot.
Speaker 11 (40:31):
Me in one in.
Speaker 4 (40:34):
Because I have to say here. I've got to say here,
like I think you've you've used the saying appropriately loophole,
but I don't think you sounded cool.
Speaker 3 (40:42):
Then.
Speaker 4 (40:42):
I think you just went like I've used it correctly.
So you're gonna get the prize.
Speaker 3 (40:47):
Showcase here, she gets the showcase.
Speaker 1 (40:50):
I think she does it.
Speaker 4 (40:51):
She can make it sound cool now because you've used
it appropriately.
Speaker 1 (40:54):
If you can now.
Speaker 3 (40:55):
She may found a bit of a loophole. Didn't she
find a loophole? You just got You're basically saying this
adds up. It's like Meg, my bladder's empty. I just
took away. You do the math. Yeah there's no yeah, right,
that's just got strange. But like one plus one equals too. Well, no,
but that's that's just that is just math, you know
what I mean. No, but that's what I'm saying, Like
(41:16):
she's just very factual. Yeah, sure works, But she's taken
out the ego.
Speaker 1 (41:20):
Yeah yeah, yeah, yeah, we want to bring back the ego. Sharon.
Speaker 4 (41:22):
I want you to say something and I want you
to sound cool.
Speaker 1 (41:25):
At the end of it.
Speaker 3 (41:32):
You can have a second, Sharon, you never seeking to
think about it. I'm gonna go to Jess. You ever
think about it? Okay, because I think I don't want to.
You know, it is tough. I'll put it on the
spotches in peak aunt traffic.
Speaker 1 (41:40):
Jess, you've heard the conversation behaving with Sharon.
Speaker 4 (41:42):
It sounds like Sharon used it appropriately but didn't sound cool.
You think you can sound cool.
Speaker 2 (41:47):
I can try, my Beth.
Speaker 1 (41:48):
You better go Jess.
Speaker 2 (41:51):
All right, So my best friend and her boyfriend have
recently broken up, and now there's one less friend in
our group. You do the math?
Speaker 1 (42:00):
They just come on.
Speaker 4 (42:01):
I think, once again, you've just used it appropriate, which
is you know, if you had to do a head
count of your friendship group.
Speaker 1 (42:07):
I get it, because they've broken up. It's not going
to make it.
Speaker 3 (42:10):
The flex would be like my best friend and her
boyfriend just broke up and I got myself a new boyfriend.
Speaker 1 (42:16):
You do the math.
Speaker 8 (42:18):
That would have been good, well, not cool.
Speaker 3 (42:20):
But you know it was actually nasty. Yeah, very nasty,
But you thought I had to be. Let's going to Sharon. Yeah, sure, sure, sure, Sharon.
Speaker 4 (42:28):
I think that's the closest we've come by the way
you there, because that that had that arrogance. Yeah again,
nasty behavior got to be the egos that you've stolen
someone's partner, Sharon, Sharon, you've had something to think.
Speaker 1 (42:38):
Come on, make it sound cool, Sharon.
Speaker 2 (42:42):
Oh, I didn't even hear what the other like said
the phone.
Speaker 3 (42:45):
Don't worry about it. You play your own game, Shares,
play your own game.
Speaker 2 (42:54):
Look, it's Friday afternoon, and I think that that's probably
all I've got trying to focus on this. I think
so that I don't have a car accident.
Speaker 3 (43:02):
And then what do you say?
Speaker 1 (43:08):
Finish at Sharon?
Speaker 3 (43:10):
Finish?
Speaker 10 (43:10):
What's that?
Speaker 3 (43:11):
Mame?
Speaker 4 (43:13):
Can you do the math?
Speaker 3 (43:17):
Sharon? The arrogance? The arrogance? Well, wait, cards you do
Peak Hour the Buddy math? Well done, Chaz. You can
have yourself. Do I say the showcase today?
Speaker 7 (43:32):
Oh?
Speaker 1 (43:32):
I threw that around?
Speaker 8 (43:33):
You did?
Speaker 3 (43:34):
Just say? The showcase ran in prising at the moment,
the producers there hating me at the moment. But I
feel like I'm going to give it to it. I
don't know. I said I said we would. No, I
don't have to give it to it. What you say
you can have a can you hear at Stubby Holder?
Speaker 2 (43:45):
Sharon, Oh, thank you.
Speaker 3 (43:49):
You do the math.
Speaker 1 (43:50):
We don't have many brass left
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