May 14, 2025 • 38 mins
- What’s undoubtedly the chattiest profession?
- If Kim K’s on the stands then so is Woody, let’s cross examine him!
- Globird billboard reveal
- Tina Arena yelled at someone for doing this one thing at her show
- Can you convince us that you’re with someone in the car?
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:04):
The Will and Woody podcast.
Speaker 2 (00:09):
Yesterday we were talking about children getting exploited, and I
don't want to go into that because I think we
might have crossed a couple of lines. But we only
asked the questions we were We just asked the question
anyway you did. But I did mention in and around
that conversation of exploiting children butchers. And I had this
to say about butchers. I remember we were to go
(00:30):
into the shops and Mum.
Speaker 3 (00:31):
Will la, Yeah, I'll go around the block. I will
meet you.
Speaker 2 (00:34):
Right certain shops that we would go into. The butcher Gary,
for example, You go in there.
Speaker 3 (00:38):
You've got an ear full from this guy. Yeah, shout up, Gary,
give me the nuggets. Butcher's talk too much.
Speaker 2 (00:43):
And I just want to put that out there. And
I remember, get into this right now, thirty one and
six five years you'd like to join the conversation. Ironically,
what is the chattiest profession in your eyes? Because butchers
are up there? And yeah, I reckon what I'd like
to go into here with you. As we start to
work our way through the chatty is profession? I'm thirty
(01:04):
one six five is what's their chat? Because I think
you can generally group their chat.
Speaker 4 (01:13):
Okay, I find the chatti's profession to be and I
think they do this because like they think it's hilarious
that you can't really respond, and it's dentists. I they
obviously know the situation. The situation is you're in my mouth.
You are currently working in my mouth, right, very special.
(01:35):
So I've got my mouth open and you've got tools
in my mouth, right, that's going on. And they god,
they go, you just you're looking at them through those
ridiculous things and you're like, you know, I can't respond.
Speaker 2 (01:48):
And they start the question like they start the sentence
by going, even tell you about the time, and.
Speaker 3 (01:52):
You're like, no, you didn't, and you've got you didn't
tell me around the time. I can't go anywhere. I
can't cut you off.
Speaker 4 (01:59):
Because you can't jump in. They've got no cue as
to like when they should start. And then sometimes you're going, oh, well,
actually sorry, can you stop talking.
Speaker 2 (02:06):
I'm just going to have your mouth over mouth white mate,
Just get just get just go really wide for me.
Speaker 3 (02:12):
Yeah.
Speaker 2 (02:12):
I Also they've got their little Greek Greek chorus in
the dental hygienis nurse who's there as well.
Speaker 5 (02:18):
The good one.
Speaker 3 (02:19):
Doctor.
Speaker 1 (02:19):
They get around everything and they hear the same stories
every every day.
Speaker 2 (02:24):
Part of the job. You've got to get around the
d Yeah, so dentis is a good one. You've hit
the nail on the head there, and that's great chat.
And I don't know about you that it is. You're
right with a dentist chat. It's often an old travel story, Yes,
something their kids are doing at the moment, hobby that
they've got into.
Speaker 1 (02:42):
Generally, it's the things that no one else will listen
to in their lives.
Speaker 4 (02:45):
My wife or my husband. Yeah, I don't want to
hear this. My friends don't want to hear this is
my one chance.
Speaker 3 (02:50):
Does it say something about dentists in general? I wouldn't
say that. J oh wow, just a thought.
Speaker 2 (02:58):
Hey, so thirteen sixty five, what do you think the
chattiest profession is, Heidi?
Speaker 3 (03:01):
What is what's the chattiest profession? Do you reckon?
Speaker 6 (03:04):
I think a travel agent. I think they just don't
know where to draw the line.
Speaker 7 (03:10):
They're just talking and talking.
Speaker 3 (03:12):
Because they're often showing off. And Heidi, I mean I
think this is important.
Speaker 2 (03:16):
Part of this is it's about what the chat is
and that for the for the travel agent exactly.
Speaker 3 (03:21):
It's about the fact that they've been there too.
Speaker 8 (03:24):
Yes, I've been there.
Speaker 4 (03:26):
You should go hear.
Speaker 3 (03:27):
They're off for the travel story.
Speaker 4 (03:28):
Think about a travel agent as well as No one's
really going in there anymore. So when someone comes in,
they're like, I want to have you for three hours.
Speaker 3 (03:35):
Don't leave, don't leave me.
Speaker 1 (03:37):
Let me keep telling you about my time in Europe.
Speaker 2 (03:40):
Yeah, and look, no one enjoys a travel story at
the best of times, let alone when you don't know
the person. Like, a travel story is guarantee to be
the worst someone goes to deliver tell you about the
time that I was in It's.
Speaker 1 (03:48):
Like, oh, I don't want to hear about.
Speaker 3 (03:50):
It, Katie.
Speaker 2 (03:52):
What is the chattiest profession on third and one six five?
And if you can qualify the chat, would love to.
Speaker 3 (03:56):
Hear that as well.
Speaker 6 (03:58):
Yeah, so hairdressing from from both sides. You got the
hairdresser and the client. I think once you head it off,
you can really keep going with that conversation.
Speaker 3 (04:10):
Is a seriotypical hairdresser chat, do you think, Katie.
Speaker 6 (04:14):
Yeah, most of it is just talking about your own
problems again.
Speaker 1 (04:19):
A lot of therapy.
Speaker 6 (04:21):
Yeah, it's a therapy session.
Speaker 4 (04:24):
Sometimes I'm a bit worried that they're not really concentrating
on my hair, Like sometimes I will try and find someone.
I just feel like you're not giving one hundred percent
attention to the belliage that you're currently.
Speaker 3 (04:36):
The layering hair a little bit too much. There they
get out of the bag.
Speaker 2 (04:43):
Vanessa on thirty one and sixty five. Vanessa, Yes, what
do you reckon?
Speaker 3 (04:48):
Is the chattiest profession?
Speaker 6 (04:50):
I think you check out cheeks can be very chatty.
Not only yep, sorry, not only are they ripping you
off for eggs? Are you're paying twelve dollars for eggs?
Speaker 7 (04:59):
But then they want to know how it's.
Speaker 4 (05:02):
Not the checkout chicks that are setting the price of
the eggs.
Speaker 2 (05:06):
One of other things the gender stereotype in there as well.
It might be a checkout man, Yeah.
Speaker 3 (05:10):
Just check out.
Speaker 4 (05:11):
It's just check out people. Now, I think they need
to be called but Vanessa, you know, sorry.
Speaker 2 (05:15):
Back swiped to see a lady good drive Vanessa. I mean,
thanks for you for being a part of the topic.
But here's where you're wrong.
Speaker 3 (05:20):
A B n C.
Speaker 1 (05:22):
Good never called the shell again, She's better a couple
of land mines.
Speaker 3 (05:26):
But I reckon. Now we're through the land mines, Vanessa.
What I agree with you here with is.
Speaker 1 (05:30):
The thing that a checkout person has.
Speaker 4 (05:32):
They've got the power of the pace of the time
that you're there, because if they're the ones scanning your objects,
they can choose to slow up or they can speak up.
These are the professions that get chatty, where it's like
there's no out.
Speaker 3 (05:44):
I can't leave temp I choose the tempo. You haven't
scanned my eggs yet?
Speaker 5 (05:48):
Yeah?
Speaker 3 (05:48):
You have me?
Speaker 5 (05:49):
You have me?
Speaker 2 (05:50):
Yeah, yeah, I think that's a good shout with the
country for me.
Speaker 3 (05:54):
Often. You know, I've been a supermaka for five years.
You know, im banned. Yeah, I forgot rageous spending.
Speaker 2 (05:59):
But often with the checkout people, they're busy, so I
find that they're chat They're not that chatty because at
the end of the day, they've got to move you on.
Speaker 5 (06:08):
Where is?
Speaker 3 (06:08):
Where is? For example, they've got they've got chatty since
check it.
Speaker 2 (06:12):
You haven't met since self check out when you see
the advent of self check out, when you choose them,
they're so excited that they want you there for as
long as.
Speaker 3 (06:19):
Is that right? That's interesting?
Speaker 2 (06:22):
Hey, yeah, so another chatty one for me. Often very
quiet is anyone that works at a wellness studio. If
you get them on a quiet day, batten down there
and then, because these are people that are dying to
give you unsolicited advice about your spirituality. So if you
linger there, if you give them anything, they're just looking
for a chink in the arms. I went recently onto
a yoga session. I actually got there very I actually
(06:46):
missed the class. So I waited around for the next class,
and I was just waiting there and I said to
this girl, I said, it's dark outside. She said, I
said it's dark outside, and she said to me, it's
really dark for geminis at the moment.
Speaker 3 (06:58):
And I was like, no, mane, it's dark for everyone.
Speaker 2 (07:00):
It's six o'clock and it's May turn around.
Speaker 3 (07:03):
And she's clearly she's paying for it. She's looking for
the entry. Let me know what I know about your soul.
Speaker 1 (07:11):
Finally, bit of astrolog someone wants to lean in white.
Speaker 2 (07:14):
I think quiet places leads to very chair and I
think these people choose these professions security guards in very
quiet places, and they've got your idea.
Speaker 4 (07:23):
It's like, again, I'm trapped. I'm trapped because you have
all the power here.
Speaker 2 (07:27):
Yeah, or even the security guard at a quiet car park,
you know, like if you get like, they they're just
they're just. If you bump into one of those guys,
good luck getting your car out of.
Speaker 4 (07:34):
There in the Wilson's car park, in the little cars
when they drive around yours.
Speaker 2 (07:43):
I know what you want and you're not getting a
conversation out of me.
Speaker 1 (07:48):
Do you reckon the chatty as profession is.
Speaker 8 (07:51):
A car salesman?
Speaker 3 (07:52):
Oh love chat Me.
Speaker 8 (07:55):
And my sister went to one a few weeks ago
and he just would not stop rambling. We were doing
a test drive and he kept going, kept going, talking
about all the tea. He was telling us everything about
how all these friends and relationships but they cheat on
their missus.
Speaker 3 (08:10):
Oh my god. And then he keeps talking so much.
Speaker 8 (08:13):
My sister ran the red light.
Speaker 2 (08:15):
Oh wait, just to get home, just to get him
out of the car.
Speaker 3 (08:19):
I'd rather die than deal with you for any car.
Speaker 4 (08:21):
Do you think the tactic is like you have to
buy this car to get away from me? Like, is
that actually his salesman?
Speaker 2 (08:26):
I think they think they struggle with with silence because
it's kind of this moment they don't give you a
chance to think.
Speaker 3 (08:33):
So they just scramble your your frequency. Maybe you'll think
about buying a car and you won't think they've got
time to talk to you again.
Speaker 2 (08:41):
Another one for me, anyone who works with some John's Ambulance,
because I mean for most of the time they're just
standing around those people. They're just waiting for you, waiting.
They're waiting with a band aid, or they're waiting with
a ship story. Lauras going, I'm telling you have a
chat with anyone from some John's ambulance. The first differ
is in john Ambulance is can you have a conversation?
Speaker 3 (09:01):
The next step is his CPR.
Speaker 2 (09:03):
I'm telling you, Okay, they can chat. Ambos in general,
surf lifeguards in general, they can talk.
Speaker 3 (09:09):
If you have a yarn with those guys. Yeah, let's
go to Laura Shiman.
Speaker 2 (09:13):
Laura, anyone at the fishmonger, anyone in manga and or
deli and or butcher.
Speaker 4 (09:19):
Anyone who sells something very chatty Laura, Laura, what's the
chattiest profession Right now?
Speaker 3 (09:25):
We're going at all of them.
Speaker 6 (09:28):
I American teachers, and I love teachers.
Speaker 7 (09:30):
Sorry, sending lots of love to all teachers.
Speaker 6 (09:34):
Oh my God, they can talk and talk and talk.
Speaker 3 (09:37):
Yeah, I think teachers that Yeah, so it's a parent teacher,
is it, Laura, that's when they get Yeah.
Speaker 2 (09:45):
I have an undone one that our girls are only two,
so we haven't done that yet. Is that a Is
that why they do the timer on the because there
are like ten minutes appointments, aren't.
Speaker 6 (09:52):
They They never they always go over time and you
have to always apoldcast the star and it's just I
reckon teachers.
Speaker 5 (10:02):
Yeah.
Speaker 4 (10:02):
Sorry, it is set up like speed Daddy, so you've
got a little when you go to the next teacher.
Speaker 3 (10:06):
Yeah. I used to go to the parent teacher interviews
for who for Mewards.
Speaker 2 (10:14):
Kim Kay took the stands in the Grandpa.
Speaker 3 (10:19):
Robbers in her own case.
Speaker 2 (10:20):
Really of the Grandpa Robbers, she's the victim in this case.
Totally wild story. I mean, I'm sure you guys are
all across. At twenty and sixteen, she's in Paris. She
gets allegedly robbed at gunpoint in her hotel room. So
there's a bunch of guys that were still.
Speaker 4 (10:36):
Saying allegedly because one of the guys released a book
saying I robbed him.
Speaker 3 (10:40):
She got robbed.
Speaker 2 (10:40):
I think they alleged the gunpoint. The gunpoint thing might
be alleged at this stage. Just got to be careful
anyway they go in there. They still millions dollars worth
of jewels. Hilariously, she rocks up on the stands today.
Speaker 3 (10:52):
Wearing millions of dollars worth of jewels.
Speaker 1 (10:54):
The grandpa robbers, he's the ones you didn't get.
Speaker 2 (10:57):
Yeah, that's right. So she gets, she's bound and gagged,
she's put in the bath like it actually really it's
really terrified. She on the stands today crying saying that
you know, she's getting tired with the zip ties and
she she's I'm going to die here like this is
it's characterly the most traumatizing thing I think any of
us can think about going through.
Speaker 1 (11:17):
So and she had to relive it on the stand,
which is yeah, full on intense.
Speaker 2 (11:21):
But I am interested in this idea would of cross examination,
which also I would say, if you get cross examined properly,
can be it can be very Traumatic's.
Speaker 4 (11:32):
Seen it all the movies and TV shows that the
person on the stand, they get too emotional or they
get angry or defensive, and you always know at that
moment that the person who's cross examining them as an
ail has got them and got them because I always
watched them, got them to squeal.
Speaker 3 (11:46):
I always watching the person on the stand and like,
why did you get emotional? Yeah, that's what they want.
Hold on, you've got five minutes. Just the way these
guys work, wizards, it's there. They're masters of their craft,
aren't they.
Speaker 2 (11:59):
They They put you in a corner and make you
feel like you haven't got an option.
Speaker 3 (12:04):
They twist you.
Speaker 2 (12:05):
They push your maulation, they push your buttons, and I
think we're probably best if we can get a live
example of that on air. So Woods, I've gone and
organized to somebody who does cross examining for a living
professional barrister, guy by the name of Mark Goldblatt.
Speaker 3 (12:24):
This guy's good.
Speaker 2 (12:26):
So Mark joins us right now. Mark, Welcome to willin Woody, Koday.
Speaker 3 (12:32):
Guys, how are you outstanding? Mark?
Speaker 5 (12:34):
So?
Speaker 4 (12:35):
So you are you are somebody who cross examines people
when they're on the stand.
Speaker 7 (12:39):
Mark, I do I enjoy it? Oh?
Speaker 5 (12:42):
You enjoy it?
Speaker 3 (12:42):
Of course you do? Sweet for these guys sport. Are
we on the right page here? Mark?
Speaker 4 (12:48):
With you're trying to get almost like an emotional reaction
out of the person to show their guilt. I fully
appreciate that I've been a little bit reductive there, But
is that what you're trying to do.
Speaker 7 (12:59):
I'm not so much skilled because I do civil little,
but yeah, you want to get them to admit something
that's going to help your clients, right, yeah?
Speaker 4 (13:07):
And it is it about setting the trap, Mark, Like
you're just you're asking all these questions which everyone's like,
why are you asking that? And the whole thing's like
a bit of a mouse trap.
Speaker 7 (13:15):
Sometimes it's always good fun when you can manage that.
Speaker 2 (13:18):
Oh God, are you in a successful relationship?
Speaker 3 (13:21):
Mark? I hope you don't mind me asking the question.
Speaker 7 (13:23):
I am in a successful relationship, ber right.
Speaker 3 (13:27):
I don't know how you guys managed to hold onto
those but anyway.
Speaker 2 (13:30):
Yeah, well I just much just get to just get
the better of you, like surely because you've got this
deep of superpower. Like I knew if I was, if
I had the superpower argument up my sleeve.
Speaker 3 (13:39):
I see, is it your wife that you have, Mark?
Speaker 7 (13:42):
I I have a wife. I've never won an argument
against that.
Speaker 1 (13:47):
So the skills don't work at home, unfortunately.
Speaker 3 (13:50):
What I want to do is.
Speaker 2 (13:52):
I would love for you to cross examine Woody. I know,
I don't know what though, Well, this is the thing,
so r e P. I think we're killing him the
tender EP these days. So he's contacted Mark already and
given Mark something. Woulds that you'll be one way or
the other on the proposition that Mark puts to you. Okay,
not going to tell you what that is just yet.
(14:12):
What do you think that could be?
Speaker 3 (14:14):
There's so many crimes I've committed.
Speaker 4 (14:15):
Will you're trying you're doing what Mark does?
Speaker 3 (14:25):
Could it be the changing of the locks? No comment?
Could it be? No comment? Mark?
Speaker 1 (14:29):
Is that a bad sign? If I say no comment?
Speaker 7 (14:33):
We're going to put I think we're going to put
you under oath.
Speaker 2 (14:38):
Yeah, yeah, we're going to put you under it. So
we're going to go to a song. We're going to
put you on oath. We're going to find need to
find a Bible or something similarly holy within the studio,
and we're going to put you on oath and Mark's
and cross examine you on that thing right at mixing
you don't know what it is. It is going to
come out very quickly what that thing is. And that
part of the craft the place that none of us
want to be. We've all seen that. We've all seen
(14:58):
those courtroom dramas. The witness stand in a spot where
they are their lawyers out there and cross examining hard.
Speaker 3 (15:05):
That's where you don't want to be.
Speaker 4 (15:06):
And they always they crack, they get emotional, and it
effectively proves that they're guilty of whatever they're accused of doing.
Speaker 1 (15:12):
And I feel like when I watch it though at
home on the couch.
Speaker 3 (15:15):
I'm like, together, you could hold out. You've got to
keep together five minutes here.
Speaker 2 (15:20):
Which is why we've got Mark Goldblatt, professional barrister, on
the phone right now.
Speaker 3 (15:25):
Mark, welcome back to Willen.
Speaker 7 (15:26):
It's great to have you here, mate.
Speaker 3 (15:28):
Okay, so Mark is obviously you know he's ready to go.
Speaker 2 (15:32):
It makes people squeal for a living Yeah, okay, well
not mate, Okay, So Woodrow, we're going to get to
make an oath. We couldn't find a Bible. Is a
box of Sultan vinegar d lights.
Speaker 4 (15:42):
I love these things, the sea, Sultan bol Samic vinegar.
So yes, I've got my hand on those d lights
right now.
Speaker 7 (15:48):
And what do I have to say?
Speaker 3 (15:52):
Yeah, swear to tell the truth. The whole truth and
mother truth. So help you God, to help you d lights.
Speaker 2 (15:58):
Yes, great again, So I will not lie before we
do this, Woods, I need you to just block your
ears for a second, yep, because I'm going to tell
everybody what you're about to get cross examined on.
Speaker 3 (16:10):
Right.
Speaker 2 (16:10):
I don't want you to know that. I want you
to figure it out as it goes on. Block your
ears please, Okay. When Woody was on a cycling trip
in April, Mimy banked him some cupcakes and he threw
all of them in the bin. That is what he's
going to get cross examined on. Mark knows that. Mark,
I know you can hear this. You are ready to go?
(16:33):
Woulds unblock your ears?
Speaker 3 (16:35):
Mark? The witness is yours?
Speaker 7 (16:38):
Thank you? Your name a full name, Edward Whitelaw, Yes
it is. And do you wonder if I call you Woody?
Speaker 3 (16:45):
That's fine?
Speaker 7 (16:46):
Oh good? And I put it to your professional radio broadcaster.
Speaker 3 (16:50):
Correct, Yes, yes, yes I am.
Speaker 7 (16:52):
And you got a wife for the name Mimmy.
Speaker 3 (16:55):
Yes, yes, my wife's name is Miby.
Speaker 7 (16:57):
Now would you tell me this to spend a sea
bit of time on a bicycle.
Speaker 4 (17:02):
Yes, I've got two bikes, a cargo bike and then
a more regular gravel bike, and with.
Speaker 7 (17:08):
That gravel bike perhaps have been getting some worker around
the weekend fifth and sixth of April.
Speaker 3 (17:14):
I don't have my calendar in front of me.
Speaker 7 (17:17):
Mark granted Classic menusing to you.
Speaker 3 (17:20):
Yes it does.
Speaker 1 (17:20):
Yes, I partook in that event in Beachworth on.
Speaker 7 (17:25):
That and it was the weekend of the fifth and
the sixth of April.
Speaker 4 (17:29):
It sounds like you've done your research and if that's
the date, then yes, that's when I did it.
Speaker 7 (17:33):
It's a competition ride. It's a fairly long ride, wouldn't it.
Would you agree with me? Uh?
Speaker 4 (17:37):
Well, I'm sure the court would agree. That was quite
an impressive ride.
Speaker 7 (17:41):
And you need to take You need to take fuel
with you. You need to take stuff to eat during
that ride, otherwise you're probably going to bomb, can't you.
Speaker 3 (17:49):
Yes, fueling is very important.
Speaker 7 (17:52):
Is your lovely wife Mimi? What does she like to
do in her spare time?
Speaker 3 (17:56):
She likes to paint, loves we love to walk together.
Speaker 7 (18:01):
What's she like in the kitchen?
Speaker 3 (18:02):
Outstanding?
Speaker 4 (18:03):
She likes to bake, baking not necessarily what she loves do?
I think she she doesn't like following recipes, not to
say that she hasn't.
Speaker 7 (18:11):
Baked I'll put it to you, or that she in
fact baked something for you for that ride, that weekend
ride down in Beachworth.
Speaker 1 (18:18):
Do you recall that that is Yeah, that's is she
said that, Mark.
Speaker 3 (18:21):
Yeah, that is coming back to me.
Speaker 4 (18:22):
She I love carrot cake, Mark, Yeah, And I'm sure
the court agrees.
Speaker 3 (18:27):
That's a delicious cake.
Speaker 7 (18:29):
And she went out a way to make some carrot
cakes for you for your.
Speaker 3 (18:32):
Ride, didn't she She did?
Speaker 4 (18:34):
Well, absolutely, I tasted it, Mark, actually because I brought
it into work. I shared a few of these cupcakes
with the teams, with the kind of person I am, Mark,
and we all had a good taste.
Speaker 3 (18:46):
It was a lovely cupcake.
Speaker 7 (18:47):
Make Did you tell her that you ate the cupcakes
during your ride in bitch Worth?
Speaker 4 (18:52):
Well, as I said to you before, Mark, during the ride,
there's only so many things that you can carry on.
Speaker 7 (18:58):
Answer the question did you the cupcakes the ride?
Speaker 4 (19:02):
Well, if the specific question is during the ride, well,
I didn't have them.
Speaker 3 (19:07):
During the ride. And that's not to say that I
didn't have them, that I didn't have.
Speaker 7 (19:14):
I put it to you, wouldy that in fact you
tasted the cupcakes, didn't like them very much and actually
tossed them.
Speaker 4 (19:21):
You can say that, well, you can put whatever you want, mate.
Speaker 7 (19:25):
Jim, Jim, and I that you're under oath. Well, well,
I don't think the witness is being responses to the question.
Speaker 3 (19:34):
Doesn't sound like it.
Speaker 7 (19:35):
Yeah, okay, I have no further question.
Speaker 3 (19:45):
Really quite good. Yeah, you're very good.
Speaker 2 (19:48):
You lobbed so many positives his way, so he kind
of just had a bit of an ego about him.
Speaker 7 (19:54):
We call it the scorpion technique. We do a little
bit of easy questions to lure you in and and
it works really best when you've got two answers that
are totally contradictory to each other, and you can say
to the witness over which one of them is the truth,
of which one of them is the lie. It always
plays out very well. But this was really as good.
Speaker 3 (20:15):
Scorpion. Yeah, great to be school.
Speaker 2 (20:18):
Yeah, I think you're about to get scorpion when you
get home by Mimi as well, So I'm allowed.
Speaker 3 (20:25):
Thanks Mark, thank you so much. That was a pleasure.
Speaker 7 (20:28):
Thank you, thank you so much.
Speaker 5 (20:30):
Mark.
Speaker 3 (20:30):
God But here on will and what embarrassed law? That
was awesome, Jack, that I figured it out.
Speaker 2 (20:38):
I was like, I know, I can see them with
a penny drops for you. I ampling folded next to
a very busy road, which we do not advise at home.
Speaker 3 (20:57):
Well, you do it advice like gripping.
Speaker 4 (21:00):
You can advise that if you're with an incredibly trustworthy
and caring best friend. And those are the safe hands
are in my friend, and those safe hands have also
done an incredible business deal because we are going to
be on one hundred billboards nationally. We are currently standing
in front of one of those billboards.
Speaker 3 (21:20):
Yes, the slight catch hence the traffic. Yes, so heaps
of cars are seeing this billboard.
Speaker 4 (21:26):
Yes, people are already wondering who are Will and Woody?
They want to know more about the radio show. The
small caveat or small factor of this which makes it
interesting is that we are sharing the billboard with Glowbird Energy.
Speaker 3 (21:41):
Any of what this has happened, have a listen.
Speaker 4 (21:43):
It is Will you and me are going to with
Glowbird Energy be on one hundred billboards nationally.
Speaker 3 (21:53):
But we're not models.
Speaker 4 (21:55):
How can it be to spine show the billboards.
Speaker 3 (22:00):
There's a lot of me, just you. We've got your belly.
Speaker 1 (22:03):
We can't really see your face, And the more I.
Speaker 3 (22:05):
Look at it, the more I like it.
Speaker 4 (22:07):
I think it is kind of funny that you're completely covered.
Adam Ferrier a consumer psychologist, and you are the founder
of thinker Bell. What are your thoughts on the idea
of Will and I facing the wrong way?
Speaker 7 (22:20):
I am trying to be plu it is a idea.
Speaker 4 (22:25):
Well, we decided that the way we want to go
about this billboard is to face the wrong way.
Speaker 2 (22:31):
The photographer that we actually took these photos with, oh
I hated it. We said, can you take some photos
of us from behind? He fully stops down, gets everyone
in like a halftime huddle at the pooty, and goes, guys,
you do realize you're about to get one hundred billboards nationally.
This is an opportunity that you would never normally get.
This is your chance to put your face in everyone's minds.
Speaker 3 (22:50):
Yeah, and you're not doing that. He said.
Speaker 1 (22:55):
The dumbest thing, he said, it's to our faces.
Speaker 3 (22:58):
I've got a big boss on the phone.
Speaker 4 (23:00):
How bad do you think the idea is of us
facing the wrong way on a billboard?
Speaker 7 (23:05):
Oh? Boys, it just doesn't work for me.
Speaker 3 (23:07):
I mean, you know.
Speaker 9 (23:08):
When you're a billboard, you need to keep it nice
and short, nice and simply.
Speaker 7 (23:12):
You need to go eye contact. Let's be honest.
Speaker 9 (23:15):
You're at my office door every week complaining about, oh,
there's no marketing, there's no marketing.
Speaker 5 (23:21):
We do that. Yeah, that is.
Speaker 3 (23:22):
True, Like it's just the back of your head.
Speaker 4 (23:24):
How damaging would it be for Will and I if
we did just go forth with the idea of us
facing the wrong way?
Speaker 3 (23:29):
Oh well, it could be your last marketing that.
Speaker 5 (23:31):
We ever do.
Speaker 2 (23:32):
But again, you guys didn't technically do it, so it
is I mean, there is.
Speaker 3 (23:36):
That all right.
Speaker 4 (23:38):
So for the first time ever, we'll be revealing to
Will the billboard that will be shown all around Australia.
Speaker 3 (23:45):
It's changed. It's changed, so it's changed.
Speaker 5 (23:49):
How many slides do we get away.
Speaker 3 (23:50):
For There's a few, so it's okay, old pad, it
does change.
Speaker 4 (23:54):
It's a digital billboard and we're one of six companies
that get promoted.
Speaker 3 (23:58):
Last night, I was trying to explain it.
Speaker 2 (24:00):
Someone in the logic was lost to me that we
have one hundred billboards nationally, our first seven billboards, and
we're not choosing to put our faces on that.
Speaker 3 (24:07):
Yeah, and it's a shame, I wasn't there.
Speaker 5 (24:09):
What's the logic is?
Speaker 3 (24:11):
In every single billboard.
Speaker 4 (24:13):
You see, people are always facing the front.
Speaker 3 (24:16):
We're being different it, Pops.
Speaker 4 (24:19):
It stands out from the other billboards because we are
facing I don't know who we are way any second.
Speaker 5 (24:26):
Now here we go.
Speaker 2 (24:27):
So we're actually gonna get a live contrasts here of
what a good billard you know, a normal.
Speaker 3 (24:32):
Billboard does, and then what our billboard does.
Speaker 5 (24:34):
And you know what's the.
Speaker 4 (24:35):
Effect, Yes, exactly, yes, the difference between a boring standard
everyone's done it before billboard and our billboard, which is different. Okay,
it's a digital billboard, and we're one of six companies
that get promoted.
Speaker 1 (24:47):
I reckon, it's up next.
Speaker 3 (24:49):
Good around, Okay, remove your billboard.
Speaker 5 (24:51):
I mean.
Speaker 6 (24:54):
We are very clear.
Speaker 5 (24:55):
Here we are, Oh god, here we are.
Speaker 2 (24:59):
It, Pops get award winning energy, will and Woody not
award winning brilliant.
Speaker 3 (25:05):
That's clever, great, right, great?
Speaker 2 (25:10):
Don't you just think when my dad we're gone and
my dad gone, it's quick back to cars?
Speaker 3 (25:14):
Quick? But look at all the cars that would have
sayen that.
Speaker 9 (25:19):
We actually got a bad time of the traffic. Well,
we'll wait for the next rotation. But we probably should
go to the traffic and adds on something. We're gonna
go back to the radio studio.
Speaker 2 (25:32):
We're on a billboard for five seconds on a vacant road.
Speaker 5 (25:36):
That was worth it.
Speaker 4 (25:36):
That would have been five five seconds, five hundred more listeners.
Speaker 3 (25:40):
Look at all the cars now, we got on a
shocking time.
Speaker 5 (25:46):
Alright, really Woods.
Speaker 2 (25:57):
I'm not sure if you know this, but our favorite
is my favorite pop star in the world is currently touring.
Speaker 3 (26:05):
Claus Sorry, Tina, of course, Tina. Of course she's been
in this studio. Last year, she was in this studio.
Speaker 4 (26:16):
Because past her at her house and she wasn't happy
about that about.
Speaker 2 (26:23):
It, but she came in, We made friends, she came in,
got an amazing chat, amazing chat, lovely woman.
Speaker 3 (26:29):
So she is touring at the moment.
Speaker 2 (26:33):
She's at Palais Theater last night, and I think this
is where it gets interesting for you. Was so the
Palais Theater in Melbourne's and killed her. And there's been
a few reports of things that have come out at
that show. Largely there's been some there's apparently a bit
of a stoush that erupted in the crowd. Staus stoush
verbal or physical both think and Tina said, guys, just
(26:54):
chill out, calm down, no staushes, no staushes, just last
a bit of calm in the room. I only love exactly.
You listening to my voice should be in heaven, not hell.
So she does that bit and then this one really
struck me. So apparently a few people left the dance
floor or the pit if you like to go to
(27:15):
the bathroom. Sure, and Tina was quite offended by that.
And you know they were going to the toilet though,
but I think that's that was the not sure, but
it's got a sixth sense for it. Yeah, And what
she ended up saying was back in my day, you
wouldn't leave to go to the toilet unless you were
shitting your pants.
Speaker 3 (27:40):
You said that on stage. Good stuff from Tina. So
she's been a bit of feintish.
Speaker 2 (27:45):
She had a bit of a crack people going to
the bathroom, and I just thought like, well, it's interesting,
isn't it. It's hard to know at what point you
can and can't go to the bathroom, and Tina, you
can't go mid gig and right now I'd like to
play a little game with you of where you can
and can't go to the bathroom?
Speaker 3 (27:57):
Wards, great, great guy, great game.
Speaker 1 (28:01):
Okay, Now I got very weird about going to the toilet.
Speaker 4 (28:06):
You know this what I get weird about going to
you do so I don't think.
Speaker 2 (28:10):
Because really, what this comes down to for me is
the fact that other people will know that you've gone.
So I think it's going to be a ten minute
bathroom run.
Speaker 3 (28:19):
Ten minutes, well, it's got.
Speaker 4 (28:20):
To be ambiguous as to what you've been doing in there.
So ten minutes isn't ambiguous, mate, I think five minutes is.
Speaker 2 (28:24):
Ambiguous to who's got Okay, five minutes, five minutes, it's
a five minute run.
Speaker 3 (28:29):
Can you or can't you? Go to the bathroom?
Speaker 2 (28:32):
First meeting of your new partner's parents, I go to
It's at their house by the way, and I know
I had the dinner table altogether.
Speaker 3 (28:40):
I feel like you've brought this up for a reason.
Speaker 4 (28:42):
You know that when I went to go and meet
my old partner's parents that I was so paranoid about
the idea of needing to go to the toilet during
the dinner that I arrived and I went I don't
want to be in that situation. I'll better quickly take
away in the front yard and that ended up being
a mistake.
Speaker 3 (28:58):
Oh she saw you, she saw me.
Speaker 1 (29:00):
I never won go back after that.
Speaker 4 (29:02):
So I think my answer to that is choose during dinner,
don't try and do it.
Speaker 2 (29:07):
Okay, so you would, you well know you wouldn't you
were so scared of doing it, you don't know.
Speaker 3 (29:12):
The answer is no, you're not.
Speaker 2 (29:14):
You're not leaving a dinner table with your partner's parents
for a five minute stop down to go to the bathroom.
Speaker 3 (29:19):
You're just not knowing in their right mind is doing that.
I'm sorry.
Speaker 1 (29:21):
I think if you excuse yourself, you can excuse yourself
as much as you like.
Speaker 2 (29:25):
But you know that the family is sitting there thinking,
you know, they're talking about it. You're desecrating there, or
they'd be exchanging looks, they'd be exchange there'd be a gag.
Speaker 3 (29:32):
The dad would make a joke, you know, make it joke,
you know, make a joke. Wonder what he's doing in there? Yeah,
you hate that, You hate that. Hate that.
Speaker 2 (29:39):
Number Two, you drop your child off at daycare, you
ask if you can use the in house toilet. Yeah,
I done that. Actually, you know, you know, I've got
a rule in my life. Where if I see a toilet,
I use it.
Speaker 3 (29:56):
You know that's used to take a toilet? I dropped
off for me? Absolutely fine.
Speaker 2 (30:01):
Is it one of those little ones where it's like
a foot off for use the kid?
Speaker 3 (30:05):
There's an adult toilet.
Speaker 4 (30:09):
I'm here as well, use one of these thirty centimeters toilets?
Speaker 3 (30:14):
Where do you think that toilet? Use the toilet?
Speaker 5 (30:17):
So?
Speaker 3 (30:18):
I thought you were in there. To be fair, that
was using one of the tiny Everyone thought that it
sounded like that he's an adult. Is the Cares toilet okay?
Final one? It's wild white color, wild answers though it's
a no from both me and both of them. You
wouldn't us to take care toilet? What if you were
going somewhere else straight after it? After drop off? You
can't do it?
Speaker 5 (30:37):
Do it?
Speaker 3 (30:38):
I don't like holding a tenderun approach often. Three.
Speaker 2 (30:42):
Yeah, visiting a friend in hospital, they're sick, of course
they're going to toilet.
Speaker 3 (30:48):
I used I was visiting dad in hospitals toilet.
Speaker 4 (30:50):
I was visiting my brother who just a bit yeah yeah, yeah,
but I was just like in the room.
Speaker 3 (30:56):
I was like to is you John, It's fine?
Speaker 1 (31:00):
He was with that it's not his, his wife his
while he has got.
Speaker 3 (31:04):
The room, nobody it's it's it's it's his wives.
Speaker 4 (31:07):
But he would be using that toilet too, his wives toilet.
Speaker 3 (31:11):
Yeah.
Speaker 4 (31:11):
Yeah, she was fine with them, but she I didn't
really ask no exactly.
Speaker 3 (31:16):
This is back along.
Speaker 4 (31:25):
You're calling us and you're trying to convince this you're
in the car with someone else on thirteen one sixty five.
The trick is someone else might actually be there, or
you may just be putting on a voice. See if
you can pull our pants down, Shane. Now you're going
to try and pull our pants of course. Who are
you in the car with.
Speaker 3 (31:47):
Your brother Jake? Okay? Where where have you and Jake been?
Just at work? But are you work Brisbane?
Speaker 1 (31:56):
That's very specific?
Speaker 3 (31:58):
Thank you? I know what do you do.
Speaker 7 (32:02):
Working at engineering? Firm?
Speaker 3 (32:04):
Engineering? Okay, we'll check it out up.
Speaker 7 (32:06):
Is it really?
Speaker 4 (32:07):
I think it's you know, I mean the Brisbane answer
was weird. But Shane, can you check your brother Jake
on the phone place?
Speaker 5 (32:13):
Yeah?
Speaker 7 (32:13):
I certainly can.
Speaker 4 (32:14):
I was pretty line h Hi Jake?
Speaker 1 (32:19):
Oh yeah you were pretty good.
Speaker 3 (32:22):
Jake. What did you engineer today at work?
Speaker 5 (32:25):
With?
Speaker 3 (32:26):
Rather? Shane?
Speaker 4 (32:28):
Just the world are you just putting your hand kind
of like over the receiver.
Speaker 3 (32:36):
Sorry, I think it's just you, Shane. Yeah, he's all right,
God yeah really I hope he doesn't do that when
he goes in for a sike at work. Oh, the dumbest.
(32:57):
Let's go to Nathan here, Shane. Ok we love it,
We love Brisbone. Nathan. Hello, Hey, hey, good mate. Who
are you in the car with Mohammed? Sorry, Ahmed, Mohammed? Muhammad?
How do you know Mohammed? We have work mates, work mates?
Speaker 1 (33:17):
Okay, can you throw Mohammad on the phone please? By Mohammed?
Speaker 6 (33:26):
Are you going?
Speaker 5 (33:28):
Yeah?
Speaker 3 (33:28):
Pretty good?
Speaker 1 (33:29):
Pretty good?
Speaker 3 (33:31):
Yeah? Where are you both off to?
Speaker 7 (33:35):
Getting back from work?
Speaker 5 (33:37):
Yeah?
Speaker 3 (33:37):
You came back from work? Okay, yeah, but where are
you going?
Speaker 7 (33:40):
You're covered with Are you dropping off of the train station?
Speaker 3 (33:44):
Okay? Yeah, okay, we might we might move on to Jordie.
Speaker 4 (33:48):
I reckon, okay, just to feel Okay, yeah, when you
get that feeling, I generally go with you.
Speaker 3 (33:55):
That's too.
Speaker 4 (33:55):
I think what I'm going to say is that's too genuine.
People don't want to hear your answer. But that's too too,
And that's great.
Speaker 2 (34:01):
Let's move on to Jordany if it was Nathan putting
on a voice, and I think it might have crossed
the line.
Speaker 3 (34:05):
I agree with that. Jeordie's here.
Speaker 1 (34:06):
Luckily it wasn't Nathan putting on a voice. It was
too we don't know that we do.
Speaker 2 (34:11):
Let's go to Jordi here, Jordy, I know, I think,
but if I just want to I just want to
verify that if we don't know that, if it was
a voice, I don't think it's appropriate.
Speaker 3 (34:18):
I agree with that. Let's go Jordy. Jordy, who are
you in the.
Speaker 5 (34:23):
Car with I got my son in the car with me.
Speaker 4 (34:26):
So how old is your son, Jordy?
Speaker 3 (34:30):
And what's his name?
Speaker 7 (34:31):
Samuel?
Speaker 3 (34:32):
Samuel? Okay?
Speaker 1 (34:34):
Can you throw your son Samuel on the phone?
Speaker 5 (34:36):
Place ll I?
Speaker 1 (34:41):
Samuel, you sound like you've got a deeper voice than
your dad.
Speaker 7 (34:44):
Jordie said, I'm chubby, that's all.
Speaker 3 (34:48):
Oh, Jesus, I get picked on a lot. Oh. I
definitely wasn't preferring to that. I wasn't paring for yourself, Chubby.
Speaker 7 (34:58):
Oh, I've just always been beat.
Speaker 3 (35:00):
Okay, I'm picked on about that, mate. That sucks.
Speaker 1 (35:04):
What do you learn at school today, Samuel?
Speaker 7 (35:08):
We just had the mess was really hard that's hard.
Speaker 4 (35:12):
Okay, I'm gonna I'm gonna have it, Georgie. I think
this is just you, mate, and am I am? I
right there before I say anything else? Yes, mate, why
did you take in such a weird place?
Speaker 5 (35:23):
Like?
Speaker 4 (35:23):
Come on, man, what are you doing? This whole backstory
that doesn't exist?
Speaker 3 (35:30):
Picked on?
Speaker 4 (35:31):
He Look, he's obviously he's trying to method. He's playing
with us emotionally because then all of a sudden we
were feeling bad. But Samuel, he doesn't exist anyway. But
an interesting game.
Speaker 3 (35:40):
I'll tell you what. We've really pushed the boundaries of
the code to appreciate the minds guys.
Speaker 2 (35:44):
Really just the callers across today. You're actually talking to
them before we put them on the air. That'll be handy.
Speaker 3 (35:50):
Why don't we go today? Do you want to?
Speaker 2 (35:52):
Because I feel like these guys are just didn't get
these guys fired at the moment?
Speaker 3 (35:56):
Is it is it? Get Will and Wood? He canceled
non moment? What's going on? WHI should we go to Eduena?
Are we going to find out she's also doing a
bit of accent work. What's she doing? She also got
a child who is getting picked on? I'm reliably informed
that Edwina is.
Speaker 4 (36:09):
Clear okay, saying I've been informed, so you two of them? Right,
well done, well done, I've been ind It's not me,
but go to Aena.
Speaker 1 (36:24):
Do you want to go to ire?
Speaker 4 (36:28):
We're professional adults. Were handling it well, hied Waena?
Speaker 3 (36:31):
Hi, gosh, how are you very good?
Speaker 1 (36:33):
Thank you? Are you in the car with Edwena?
Speaker 6 (36:36):
I'm like my friend Rose from work?
Speaker 3 (36:39):
Rose?
Speaker 1 (36:40):
And does Rose have any emotional backstory or anything or where?
Speaker 6 (36:43):
She's my work wife and we work together all the
time and we're nurses and.
Speaker 2 (36:50):
This matters a duennabody have the same ethnicity.
Speaker 3 (36:55):
Yes, okay, chuck her.
Speaker 1 (36:57):
One throw on Rose?
Speaker 5 (37:03):
Hi?
Speaker 3 (37:05):
Rose?
Speaker 1 (37:06):
Hello, he Rose?
Speaker 8 (37:08):
Yes?
Speaker 3 (37:08):
What shoes?
Speaker 1 (37:09):
Is Edwena wearing hawkers hot.
Speaker 3 (37:14):
At the moment?
Speaker 4 (37:14):
You got some hockers Woods, I've got some hockers. Yeah,
I've got the transport but not important. Great nurses, I
heard that a lot of time on your feet?
Speaker 1 (37:22):
Okay, yes? And what are you doing tonight? You're going
to hang out tonight? Rose, Edwina's driving me home. Okay,
does hand the phone back to Edwina right now?
Speaker 3 (37:33):
Please?
Speaker 7 (37:34):
Okay, hang on?
Speaker 3 (37:36):
Yes, God, Edwena.
Speaker 2 (37:39):
What shoes is Rose wearing nikes?
Speaker 3 (37:45):
Is that right now?
Speaker 4 (37:48):
I think you're playing the game where you're you're trying
to go.
Speaker 1 (37:51):
Super similar to throw Us.
Speaker 4 (37:53):
But I still believe you are by yourself, Edwini, you're
trying to play the game. Yeah, I'm one hundred percent
sure you by yourself.
Speaker 7 (38:02):
Yeah, I'm by myself.
The Will and Woody podcast.
Speaker 2 (00:09):
Yesterday we were talking about children getting exploited, and I
don't want to go into that because I think we
might have crossed a couple of lines. But we only
asked the questions we were We just asked the question
anyway you did. But I did mention in and around
that conversation of exploiting children butchers. And I had this
to say about butchers. I remember we were to go
(00:30):
into the shops and Mum.
Speaker 3 (00:31):
Will la, Yeah, I'll go around the block. I will
meet you.
Speaker 2 (00:34):
Right certain shops that we would go into. The butcher Gary,
for example, You go in there.
Speaker 3 (00:38):
You've got an ear full from this guy. Yeah, shout up, Gary,
give me the nuggets. Butcher's talk too much.
Speaker 2 (00:43):
And I just want to put that out there. And
I remember, get into this right now, thirty one and
six five years you'd like to join the conversation. Ironically,
what is the chattiest profession in your eyes? Because butchers
are up there? And yeah, I reckon what I'd like
to go into here with you. As we start to
work our way through the chatty is profession? I'm thirty
(01:04):
one six five is what's their chat? Because I think
you can generally group their chat.
Speaker 4 (01:13):
Okay, I find the chatti's profession to be and I
think they do this because like they think it's hilarious
that you can't really respond, and it's dentists. I they
obviously know the situation. The situation is you're in my mouth.
You are currently working in my mouth, right, very special.
(01:35):
So I've got my mouth open and you've got tools
in my mouth, right, that's going on. And they god,
they go, you just you're looking at them through those
ridiculous things and you're like, you know, I can't respond.
Speaker 2 (01:48):
And they start the question like they start the sentence
by going, even tell you about the time, and.
Speaker 3 (01:52):
You're like, no, you didn't, and you've got you didn't
tell me around the time. I can't go anywhere. I
can't cut you off.
Speaker 4 (01:59):
Because you can't jump in. They've got no cue as
to like when they should start. And then sometimes you're going, oh, well,
actually sorry, can you stop talking.
Speaker 2 (02:06):
I'm just going to have your mouth over mouth white mate,
Just get just get just go really wide for me.
Speaker 3 (02:12):
Yeah.
Speaker 2 (02:12):
I Also they've got their little Greek Greek chorus in
the dental hygienis nurse who's there as well.
Speaker 5 (02:18):
The good one.
Speaker 3 (02:19):
Doctor.
Speaker 1 (02:19):
They get around everything and they hear the same stories
every every day.
Speaker 2 (02:24):
Part of the job. You've got to get around the
d Yeah, so dentis is a good one. You've hit
the nail on the head there, and that's great chat.
And I don't know about you that it is. You're
right with a dentist chat. It's often an old travel story, Yes,
something their kids are doing at the moment, hobby that
they've got into.
Speaker 1 (02:42):
Generally, it's the things that no one else will listen
to in their lives.
Speaker 4 (02:45):
My wife or my husband. Yeah, I don't want to
hear this. My friends don't want to hear this is
my one chance.
Speaker 3 (02:50):
Does it say something about dentists in general? I wouldn't
say that. J oh wow, just a thought.
Speaker 2 (02:58):
Hey, so thirteen sixty five, what do you think the
chattiest profession is, Heidi?
Speaker 3 (03:01):
What is what's the chattiest profession? Do you reckon?
Speaker 6 (03:04):
I think a travel agent. I think they just don't
know where to draw the line.
Speaker 7 (03:10):
They're just talking and talking.
Speaker 3 (03:12):
Because they're often showing off. And Heidi, I mean I
think this is important.
Speaker 2 (03:16):
Part of this is it's about what the chat is
and that for the for the travel agent exactly.
Speaker 3 (03:21):
It's about the fact that they've been there too.
Speaker 8 (03:24):
Yes, I've been there.
Speaker 4 (03:26):
You should go hear.
Speaker 3 (03:27):
They're off for the travel story.
Speaker 4 (03:28):
Think about a travel agent as well as No one's
really going in there anymore. So when someone comes in,
they're like, I want to have you for three hours.
Speaker 3 (03:35):
Don't leave, don't leave me.
Speaker 1 (03:37):
Let me keep telling you about my time in Europe.
Speaker 2 (03:40):
Yeah, and look, no one enjoys a travel story at
the best of times, let alone when you don't know
the person. Like, a travel story is guarantee to be
the worst someone goes to deliver tell you about the
time that I was in It's.
Speaker 1 (03:48):
Like, oh, I don't want to hear about.
Speaker 3 (03:50):
It, Katie.
Speaker 2 (03:52):
What is the chattiest profession on third and one six five?
And if you can qualify the chat, would love to.
Speaker 3 (03:56):
Hear that as well.
Speaker 6 (03:58):
Yeah, so hairdressing from from both sides. You got the
hairdresser and the client. I think once you head it off,
you can really keep going with that conversation.
Speaker 3 (04:10):
Is a seriotypical hairdresser chat, do you think, Katie.
Speaker 6 (04:14):
Yeah, most of it is just talking about your own
problems again.
Speaker 1 (04:19):
A lot of therapy.
Speaker 6 (04:21):
Yeah, it's a therapy session.
Speaker 4 (04:24):
Sometimes I'm a bit worried that they're not really concentrating
on my hair, Like sometimes I will try and find someone.
I just feel like you're not giving one hundred percent
attention to the belliage that you're currently.
Speaker 3 (04:36):
The layering hair a little bit too much. There they
get out of the bag.
Speaker 2 (04:43):
Vanessa on thirty one and sixty five. Vanessa, Yes, what
do you reckon?
Speaker 3 (04:48):
Is the chattiest profession?
Speaker 6 (04:50):
I think you check out cheeks can be very chatty.
Not only yep, sorry, not only are they ripping you
off for eggs? Are you're paying twelve dollars for eggs?
Speaker 7 (04:59):
But then they want to know how it's.
Speaker 4 (05:02):
Not the checkout chicks that are setting the price of
the eggs.
Speaker 2 (05:06):
One of other things the gender stereotype in there as well.
It might be a checkout man, Yeah.
Speaker 3 (05:10):
Just check out.
Speaker 4 (05:11):
It's just check out people. Now, I think they need
to be called but Vanessa, you know, sorry.
Speaker 2 (05:15):
Back swiped to see a lady good drive Vanessa. I mean,
thanks for you for being a part of the topic.
But here's where you're wrong.
Speaker 3 (05:20):
A B n C.
Speaker 1 (05:22):
Good never called the shell again, She's better a couple
of land mines.
Speaker 3 (05:26):
But I reckon. Now we're through the land mines, Vanessa.
What I agree with you here with is.
Speaker 1 (05:30):
The thing that a checkout person has.
Speaker 4 (05:32):
They've got the power of the pace of the time
that you're there, because if they're the ones scanning your objects,
they can choose to slow up or they can speak up.
These are the professions that get chatty, where it's like
there's no out.
Speaker 3 (05:44):
I can't leave temp I choose the tempo. You haven't
scanned my eggs yet?
Speaker 5 (05:48):
Yeah?
Speaker 3 (05:48):
You have me?
Speaker 5 (05:49):
You have me?
Speaker 2 (05:50):
Yeah, yeah, I think that's a good shout with the
country for me.
Speaker 3 (05:54):
Often. You know, I've been a supermaka for five years.
You know, im banned. Yeah, I forgot rageous spending.
Speaker 2 (05:59):
But often with the checkout people, they're busy, so I
find that they're chat They're not that chatty because at
the end of the day, they've got to move you on.
Speaker 5 (06:08):
Where is?
Speaker 3 (06:08):
Where is? For example, they've got they've got chatty since
check it.
Speaker 2 (06:12):
You haven't met since self check out when you see
the advent of self check out, when you choose them,
they're so excited that they want you there for as
long as.
Speaker 3 (06:19):
Is that right? That's interesting?
Speaker 2 (06:22):
Hey, yeah, so another chatty one for me. Often very
quiet is anyone that works at a wellness studio. If
you get them on a quiet day, batten down there
and then, because these are people that are dying to
give you unsolicited advice about your spirituality. So if you
linger there, if you give them anything, they're just looking
for a chink in the arms. I went recently onto
a yoga session. I actually got there very I actually
(06:46):
missed the class. So I waited around for the next class,
and I was just waiting there and I said to
this girl, I said, it's dark outside. She said, I
said it's dark outside, and she said to me, it's
really dark for geminis at the moment.
Speaker 3 (06:58):
And I was like, no, mane, it's dark for everyone.
Speaker 2 (07:00):
It's six o'clock and it's May turn around.
Speaker 3 (07:03):
And she's clearly she's paying for it. She's looking for
the entry. Let me know what I know about your soul.
Speaker 1 (07:11):
Finally, bit of astrolog someone wants to lean in white.
Speaker 2 (07:14):
I think quiet places leads to very chair and I
think these people choose these professions security guards in very
quiet places, and they've got your idea.
Speaker 4 (07:23):
It's like, again, I'm trapped. I'm trapped because you have
all the power here.
Speaker 2 (07:27):
Yeah, or even the security guard at a quiet car park,
you know, like if you get like, they they're just
they're just. If you bump into one of those guys,
good luck getting your car out of.
Speaker 4 (07:34):
There in the Wilson's car park, in the little cars
when they drive around yours.
Speaker 2 (07:43):
I know what you want and you're not getting a
conversation out of me.
Speaker 1 (07:48):
Do you reckon the chatty as profession is.
Speaker 8 (07:51):
A car salesman?
Speaker 3 (07:52):
Oh love chat Me.
Speaker 8 (07:55):
And my sister went to one a few weeks ago
and he just would not stop rambling. We were doing
a test drive and he kept going, kept going, talking
about all the tea. He was telling us everything about
how all these friends and relationships but they cheat on
their missus.
Speaker 3 (08:10):
Oh my god. And then he keeps talking so much.
Speaker 8 (08:13):
My sister ran the red light.
Speaker 2 (08:15):
Oh wait, just to get home, just to get him
out of the car.
Speaker 3 (08:19):
I'd rather die than deal with you for any car.
Speaker 4 (08:21):
Do you think the tactic is like you have to
buy this car to get away from me? Like, is
that actually his salesman?
Speaker 2 (08:26):
I think they think they struggle with with silence because
it's kind of this moment they don't give you a
chance to think.
Speaker 3 (08:33):
So they just scramble your your frequency. Maybe you'll think
about buying a car and you won't think they've got
time to talk to you again.
Speaker 2 (08:41):
Another one for me, anyone who works with some John's Ambulance,
because I mean for most of the time they're just
standing around those people. They're just waiting for you, waiting.
They're waiting with a band aid, or they're waiting with
a ship story. Lauras going, I'm telling you have a
chat with anyone from some John's ambulance. The first differ
is in john Ambulance is can you have a conversation?
Speaker 3 (09:01):
The next step is his CPR.
Speaker 2 (09:03):
I'm telling you, Okay, they can chat. Ambos in general,
surf lifeguards in general, they can talk.
Speaker 3 (09:09):
If you have a yarn with those guys. Yeah, let's
go to Laura Shiman.
Speaker 2 (09:13):
Laura, anyone at the fishmonger, anyone in manga and or
deli and or butcher.
Speaker 4 (09:19):
Anyone who sells something very chatty Laura, Laura, what's the
chattiest profession Right now?
Speaker 3 (09:25):
We're going at all of them.
Speaker 6 (09:28):
I American teachers, and I love teachers.
Speaker 7 (09:30):
Sorry, sending lots of love to all teachers.
Speaker 6 (09:34):
Oh my God, they can talk and talk and talk.
Speaker 3 (09:37):
Yeah, I think teachers that Yeah, so it's a parent teacher,
is it, Laura, that's when they get Yeah.
Speaker 2 (09:45):
I have an undone one that our girls are only two,
so we haven't done that yet. Is that a Is
that why they do the timer on the because there
are like ten minutes appointments, aren't.
Speaker 6 (09:52):
They They never they always go over time and you
have to always apoldcast the star and it's just I
reckon teachers.
Speaker 5 (10:02):
Yeah.
Speaker 4 (10:02):
Sorry, it is set up like speed Daddy, so you've
got a little when you go to the next teacher.
Speaker 3 (10:06):
Yeah. I used to go to the parent teacher interviews
for who for Mewards.
Speaker 2 (10:14):
Kim Kay took the stands in the Grandpa.
Speaker 3 (10:19):
Robbers in her own case.
Speaker 2 (10:20):
Really of the Grandpa Robbers, she's the victim in this case.
Totally wild story. I mean, I'm sure you guys are
all across. At twenty and sixteen, she's in Paris. She
gets allegedly robbed at gunpoint in her hotel room. So
there's a bunch of guys that were still.
Speaker 4 (10:36):
Saying allegedly because one of the guys released a book
saying I robbed him.
Speaker 3 (10:40):
She got robbed.
Speaker 2 (10:40):
I think they alleged the gunpoint. The gunpoint thing might
be alleged at this stage. Just got to be careful
anyway they go in there. They still millions dollars worth
of jewels. Hilariously, she rocks up on the stands today.
Speaker 3 (10:52):
Wearing millions of dollars worth of jewels.
Speaker 1 (10:54):
The grandpa robbers, he's the ones you didn't get.
Speaker 2 (10:57):
Yeah, that's right. So she gets, she's bound and gagged,
she's put in the bath like it actually really it's
really terrified. She on the stands today crying saying that
you know, she's getting tired with the zip ties and
she she's I'm going to die here like this is
it's characterly the most traumatizing thing I think any of
us can think about going through.
Speaker 1 (11:17):
So and she had to relive it on the stand,
which is yeah, full on intense.
Speaker 2 (11:21):
But I am interested in this idea would of cross examination,
which also I would say, if you get cross examined properly,
can be it can be very Traumatic's.
Speaker 4 (11:32):
Seen it all the movies and TV shows that the
person on the stand, they get too emotional or they
get angry or defensive, and you always know at that
moment that the person who's cross examining them as an
ail has got them and got them because I always
watched them, got them to squeal.
Speaker 3 (11:46):
I always watching the person on the stand and like,
why did you get emotional? Yeah, that's what they want.
Hold on, you've got five minutes. Just the way these
guys work, wizards, it's there. They're masters of their craft,
aren't they.
Speaker 2 (11:59):
They They put you in a corner and make you
feel like you haven't got an option.
Speaker 3 (12:04):
They twist you.
Speaker 2 (12:05):
They push your maulation, they push your buttons, and I
think we're probably best if we can get a live
example of that on air. So Woods, I've gone and
organized to somebody who does cross examining for a living
professional barrister, guy by the name of Mark Goldblatt.
Speaker 3 (12:24):
This guy's good.
Speaker 2 (12:26):
So Mark joins us right now. Mark, Welcome to willin Woody, Koday.
Speaker 3 (12:32):
Guys, how are you outstanding? Mark?
Speaker 5 (12:34):
So?
Speaker 4 (12:35):
So you are you are somebody who cross examines people
when they're on the stand.
Speaker 7 (12:39):
Mark, I do I enjoy it? Oh?
Speaker 5 (12:42):
You enjoy it?
Speaker 3 (12:42):
Of course you do? Sweet for these guys sport. Are
we on the right page here? Mark?
Speaker 4 (12:48):
With you're trying to get almost like an emotional reaction
out of the person to show their guilt. I fully
appreciate that I've been a little bit reductive there, But
is that what you're trying to do.
Speaker 7 (12:59):
I'm not so much skilled because I do civil little,
but yeah, you want to get them to admit something
that's going to help your clients, right, yeah?
Speaker 4 (13:07):
And it is it about setting the trap, Mark, Like
you're just you're asking all these questions which everyone's like,
why are you asking that? And the whole thing's like
a bit of a mouse trap.
Speaker 7 (13:15):
Sometimes it's always good fun when you can manage that.
Speaker 2 (13:18):
Oh God, are you in a successful relationship?
Speaker 3 (13:21):
Mark? I hope you don't mind me asking the question.
Speaker 7 (13:23):
I am in a successful relationship, ber right.
Speaker 3 (13:27):
I don't know how you guys managed to hold onto
those but anyway.
Speaker 2 (13:30):
Yeah, well I just much just get to just get
the better of you, like surely because you've got this
deep of superpower. Like I knew if I was, if
I had the superpower argument up my sleeve.
Speaker 3 (13:39):
I see, is it your wife that you have, Mark?
Speaker 7 (13:42):
I I have a wife. I've never won an argument
against that.
Speaker 1 (13:47):
So the skills don't work at home, unfortunately.
Speaker 3 (13:50):
What I want to do is.
Speaker 2 (13:52):
I would love for you to cross examine Woody. I know,
I don't know what though, Well, this is the thing,
so r e P. I think we're killing him the
tender EP these days. So he's contacted Mark already and
given Mark something. Woulds that you'll be one way or
the other on the proposition that Mark puts to you. Okay,
not going to tell you what that is just yet.
(14:12):
What do you think that could be?
Speaker 3 (14:14):
There's so many crimes I've committed.
Speaker 4 (14:15):
Will you're trying you're doing what Mark does?
Speaker 3 (14:25):
Could it be the changing of the locks? No comment?
Could it be? No comment? Mark?
Speaker 1 (14:29):
Is that a bad sign? If I say no comment?
Speaker 7 (14:33):
We're going to put I think we're going to put
you under oath.
Speaker 2 (14:38):
Yeah, yeah, we're going to put you under it. So
we're going to go to a song. We're going to
put you on oath. We're going to find need to
find a Bible or something similarly holy within the studio,
and we're going to put you on oath and Mark's
and cross examine you on that thing right at mixing
you don't know what it is. It is going to
come out very quickly what that thing is. And that
part of the craft the place that none of us
want to be. We've all seen that. We've all seen
(14:58):
those courtroom dramas. The witness stand in a spot where
they are their lawyers out there and cross examining hard.
Speaker 3 (15:05):
That's where you don't want to be.
Speaker 4 (15:06):
And they always they crack, they get emotional, and it
effectively proves that they're guilty of whatever they're accused of doing.
Speaker 1 (15:12):
And I feel like when I watch it though at
home on the couch.
Speaker 3 (15:15):
I'm like, together, you could hold out. You've got to
keep together five minutes here.
Speaker 2 (15:20):
Which is why we've got Mark Goldblatt, professional barrister, on
the phone right now.
Speaker 3 (15:25):
Mark, welcome back to Willen.
Speaker 7 (15:26):
It's great to have you here, mate.
Speaker 3 (15:28):
Okay, so Mark is obviously you know he's ready to go.
Speaker 2 (15:32):
It makes people squeal for a living Yeah, okay, well
not mate, Okay, So Woodrow, we're going to get to
make an oath. We couldn't find a Bible. Is a
box of Sultan vinegar d lights.
Speaker 4 (15:42):
I love these things, the sea, Sultan bol Samic vinegar.
So yes, I've got my hand on those d lights
right now.
Speaker 7 (15:48):
And what do I have to say?
Speaker 3 (15:52):
Yeah, swear to tell the truth. The whole truth and
mother truth. So help you God, to help you d lights.
Speaker 2 (15:58):
Yes, great again, So I will not lie before we
do this, Woods, I need you to just block your
ears for a second, yep, because I'm going to tell
everybody what you're about to get cross examined on.
Speaker 3 (16:10):
Right.
Speaker 2 (16:10):
I don't want you to know that. I want you
to figure it out as it goes on. Block your
ears please, Okay. When Woody was on a cycling trip
in April, Mimy banked him some cupcakes and he threw
all of them in the bin. That is what he's
going to get cross examined on. Mark knows that. Mark,
I know you can hear this. You are ready to go?
(16:33):
Woulds unblock your ears?
Speaker 3 (16:35):
Mark? The witness is yours?
Speaker 7 (16:38):
Thank you? Your name a full name, Edward Whitelaw, Yes
it is. And do you wonder if I call you Woody?
Speaker 3 (16:45):
That's fine?
Speaker 7 (16:46):
Oh good? And I put it to your professional radio broadcaster.
Speaker 3 (16:50):
Correct, Yes, yes, yes I am.
Speaker 7 (16:52):
And you got a wife for the name Mimmy.
Speaker 3 (16:55):
Yes, yes, my wife's name is Miby.
Speaker 7 (16:57):
Now would you tell me this to spend a sea
bit of time on a bicycle.
Speaker 4 (17:02):
Yes, I've got two bikes, a cargo bike and then
a more regular gravel bike, and with.
Speaker 7 (17:08):
That gravel bike perhaps have been getting some worker around
the weekend fifth and sixth of April.
Speaker 3 (17:14):
I don't have my calendar in front of me.
Speaker 7 (17:17):
Mark granted Classic menusing to you.
Speaker 3 (17:20):
Yes it does.
Speaker 1 (17:20):
Yes, I partook in that event in Beachworth on.
Speaker 7 (17:25):
That and it was the weekend of the fifth and
the sixth of April.
Speaker 4 (17:29):
It sounds like you've done your research and if that's
the date, then yes, that's when I did it.
Speaker 7 (17:33):
It's a competition ride. It's a fairly long ride, wouldn't it.
Would you agree with me? Uh?
Speaker 4 (17:37):
Well, I'm sure the court would agree. That was quite
an impressive ride.
Speaker 7 (17:41):
And you need to take You need to take fuel
with you. You need to take stuff to eat during
that ride, otherwise you're probably going to bomb, can't you.
Speaker 3 (17:49):
Yes, fueling is very important.
Speaker 7 (17:52):
Is your lovely wife Mimi? What does she like to
do in her spare time?
Speaker 3 (17:56):
She likes to paint, loves we love to walk together.
Speaker 7 (18:01):
What's she like in the kitchen?
Speaker 3 (18:02):
Outstanding?
Speaker 4 (18:03):
She likes to bake, baking not necessarily what she loves do?
I think she she doesn't like following recipes, not to
say that she hasn't.
Speaker 7 (18:11):
Baked I'll put it to you, or that she in
fact baked something for you for that ride, that weekend
ride down in Beachworth.
Speaker 1 (18:18):
Do you recall that that is Yeah, that's is she
said that, Mark.
Speaker 3 (18:21):
Yeah, that is coming back to me.
Speaker 4 (18:22):
She I love carrot cake, Mark, Yeah, And I'm sure
the court agrees.
Speaker 3 (18:27):
That's a delicious cake.
Speaker 7 (18:29):
And she went out a way to make some carrot
cakes for you for your.
Speaker 3 (18:32):
Ride, didn't she She did?
Speaker 4 (18:34):
Well, absolutely, I tasted it, Mark, actually because I brought
it into work. I shared a few of these cupcakes
with the teams, with the kind of person I am, Mark,
and we all had a good taste.
Speaker 3 (18:46):
It was a lovely cupcake.
Speaker 7 (18:47):
Make Did you tell her that you ate the cupcakes
during your ride in bitch Worth?
Speaker 4 (18:52):
Well, as I said to you before, Mark, during the ride,
there's only so many things that you can carry on.
Speaker 7 (18:58):
Answer the question did you the cupcakes the ride?
Speaker 4 (19:02):
Well, if the specific question is during the ride, well,
I didn't have them.
Speaker 3 (19:07):
During the ride. And that's not to say that I
didn't have them, that I didn't have.
Speaker 7 (19:14):
I put it to you, wouldy that in fact you
tasted the cupcakes, didn't like them very much and actually
tossed them.
Speaker 4 (19:21):
You can say that, well, you can put whatever you want, mate.
Speaker 7 (19:25):
Jim, Jim, and I that you're under oath. Well, well,
I don't think the witness is being responses to the question.
Speaker 3 (19:34):
Doesn't sound like it.
Speaker 7 (19:35):
Yeah, okay, I have no further question.
Speaker 3 (19:45):
Really quite good. Yeah, you're very good.
Speaker 2 (19:48):
You lobbed so many positives his way, so he kind
of just had a bit of an ego about him.
Speaker 7 (19:54):
We call it the scorpion technique. We do a little
bit of easy questions to lure you in and and
it works really best when you've got two answers that
are totally contradictory to each other, and you can say
to the witness over which one of them is the truth,
of which one of them is the lie. It always
plays out very well. But this was really as good.
Speaker 3 (20:15):
Scorpion. Yeah, great to be school.
Speaker 2 (20:18):
Yeah, I think you're about to get scorpion when you
get home by Mimi as well, So I'm allowed.
Speaker 3 (20:25):
Thanks Mark, thank you so much. That was a pleasure.
Speaker 7 (20:28):
Thank you, thank you so much.
Speaker 5 (20:30):
Mark.
Speaker 3 (20:30):
God But here on will and what embarrassed law? That
was awesome, Jack, that I figured it out.
Speaker 2 (20:38):
I was like, I know, I can see them with
a penny drops for you. I ampling folded next to
a very busy road, which we do not advise at home.
Speaker 3 (20:57):
Well, you do it advice like gripping.
Speaker 4 (21:00):
You can advise that if you're with an incredibly trustworthy
and caring best friend. And those are the safe hands
are in my friend, and those safe hands have also
done an incredible business deal because we are going to
be on one hundred billboards nationally. We are currently standing
in front of one of those billboards.
Speaker 3 (21:20):
Yes, the slight catch hence the traffic. Yes, so heaps
of cars are seeing this billboard.
Speaker 4 (21:26):
Yes, people are already wondering who are Will and Woody?
They want to know more about the radio show. The
small caveat or small factor of this which makes it
interesting is that we are sharing the billboard with Glowbird Energy.
Speaker 3 (21:41):
Any of what this has happened, have a listen.
Speaker 4 (21:43):
It is Will you and me are going to with
Glowbird Energy be on one hundred billboards nationally.
Speaker 3 (21:53):
But we're not models.
Speaker 4 (21:55):
How can it be to spine show the billboards.
Speaker 3 (22:00):
There's a lot of me, just you. We've got your belly.
Speaker 1 (22:03):
We can't really see your face, And the more I.
Speaker 3 (22:05):
Look at it, the more I like it.
Speaker 4 (22:07):
I think it is kind of funny that you're completely covered.
Adam Ferrier a consumer psychologist, and you are the founder
of thinker Bell. What are your thoughts on the idea
of Will and I facing the wrong way?
Speaker 7 (22:20):
I am trying to be plu it is a idea.
Speaker 4 (22:25):
Well, we decided that the way we want to go
about this billboard is to face the wrong way.
Speaker 2 (22:31):
The photographer that we actually took these photos with, oh
I hated it. We said, can you take some photos
of us from behind? He fully stops down, gets everyone
in like a halftime huddle at the pooty, and goes, guys,
you do realize you're about to get one hundred billboards nationally.
This is an opportunity that you would never normally get.
This is your chance to put your face in everyone's minds.
Speaker 3 (22:50):
Yeah, and you're not doing that. He said.
Speaker 1 (22:55):
The dumbest thing, he said, it's to our faces.
Speaker 3 (22:58):
I've got a big boss on the phone.
Speaker 4 (23:00):
How bad do you think the idea is of us
facing the wrong way on a billboard?
Speaker 7 (23:05):
Oh? Boys, it just doesn't work for me.
Speaker 3 (23:07):
I mean, you know.
Speaker 9 (23:08):
When you're a billboard, you need to keep it nice
and short, nice and simply.
Speaker 7 (23:12):
You need to go eye contact. Let's be honest.
Speaker 9 (23:15):
You're at my office door every week complaining about, oh,
there's no marketing, there's no marketing.
Speaker 5 (23:21):
We do that. Yeah, that is.
Speaker 3 (23:22):
True, Like it's just the back of your head.
Speaker 4 (23:24):
How damaging would it be for Will and I if
we did just go forth with the idea of us
facing the wrong way?
Speaker 3 (23:29):
Oh well, it could be your last marketing that.
Speaker 5 (23:31):
We ever do.
Speaker 2 (23:32):
But again, you guys didn't technically do it, so it
is I mean, there is.
Speaker 3 (23:36):
That all right.
Speaker 4 (23:38):
So for the first time ever, we'll be revealing to
Will the billboard that will be shown all around Australia.
Speaker 3 (23:45):
It's changed. It's changed, so it's changed.
Speaker 5 (23:49):
How many slides do we get away.
Speaker 3 (23:50):
For There's a few, so it's okay, old pad, it
does change.
Speaker 4 (23:54):
It's a digital billboard and we're one of six companies
that get promoted.
Speaker 3 (23:58):
Last night, I was trying to explain it.
Speaker 2 (24:00):
Someone in the logic was lost to me that we
have one hundred billboards nationally, our first seven billboards, and
we're not choosing to put our faces on that.
Speaker 3 (24:07):
Yeah, and it's a shame, I wasn't there.
Speaker 5 (24:09):
What's the logic is?
Speaker 3 (24:11):
In every single billboard.
Speaker 4 (24:13):
You see, people are always facing the front.
Speaker 3 (24:16):
We're being different it, Pops.
Speaker 4 (24:19):
It stands out from the other billboards because we are
facing I don't know who we are way any second.
Speaker 5 (24:26):
Now here we go.
Speaker 2 (24:27):
So we're actually gonna get a live contrasts here of
what a good billard you know, a normal.
Speaker 3 (24:32):
Billboard does, and then what our billboard does.
Speaker 5 (24:34):
And you know what's the.
Speaker 4 (24:35):
Effect, Yes, exactly, yes, the difference between a boring standard
everyone's done it before billboard and our billboard, which is different. Okay,
it's a digital billboard, and we're one of six companies
that get promoted.
Speaker 1 (24:47):
I reckon, it's up next.
Speaker 3 (24:49):
Good around, Okay, remove your billboard.
Speaker 5 (24:51):
I mean.
Speaker 6 (24:54):
We are very clear.
Speaker 5 (24:55):
Here we are, Oh god, here we are.
Speaker 2 (24:59):
It, Pops get award winning energy, will and Woody not
award winning brilliant.
Speaker 3 (25:05):
That's clever, great, right, great?
Speaker 2 (25:10):
Don't you just think when my dad we're gone and
my dad gone, it's quick back to cars?
Speaker 3 (25:14):
Quick? But look at all the cars that would have
sayen that.
Speaker 9 (25:19):
We actually got a bad time of the traffic. Well,
we'll wait for the next rotation. But we probably should
go to the traffic and adds on something. We're gonna
go back to the radio studio.
Speaker 2 (25:32):
We're on a billboard for five seconds on a vacant road.
Speaker 5 (25:36):
That was worth it.
Speaker 4 (25:36):
That would have been five five seconds, five hundred more listeners.
Speaker 3 (25:40):
Look at all the cars now, we got on a
shocking time.
Speaker 5 (25:46):
Alright, really Woods.
Speaker 2 (25:57):
I'm not sure if you know this, but our favorite
is my favorite pop star in the world is currently touring.
Speaker 3 (26:05):
Claus Sorry, Tina, of course, Tina. Of course she's been
in this studio. Last year, she was in this studio.
Speaker 4 (26:16):
Because past her at her house and she wasn't happy
about that about.
Speaker 2 (26:23):
It, but she came in, We made friends, she came in,
got an amazing chat, amazing chat, lovely woman.
Speaker 3 (26:29):
So she is touring at the moment.
Speaker 2 (26:33):
She's at Palais Theater last night, and I think this
is where it gets interesting for you. Was so the
Palais Theater in Melbourne's and killed her. And there's been
a few reports of things that have come out at
that show. Largely there's been some there's apparently a bit
of a stoush that erupted in the crowd. Staus stoush
verbal or physical both think and Tina said, guys, just
(26:54):
chill out, calm down, no staushes, no staushes, just last
a bit of calm in the room. I only love exactly.
You listening to my voice should be in heaven, not hell.
So she does that bit and then this one really
struck me. So apparently a few people left the dance
floor or the pit if you like to go to
(27:15):
the bathroom. Sure, and Tina was quite offended by that.
And you know they were going to the toilet though,
but I think that's that was the not sure, but
it's got a sixth sense for it. Yeah, And what
she ended up saying was back in my day, you
wouldn't leave to go to the toilet unless you were
shitting your pants.
Speaker 3 (27:40):
You said that on stage. Good stuff from Tina. So
she's been a bit of feintish.
Speaker 2 (27:45):
She had a bit of a crack people going to
the bathroom, and I just thought like, well, it's interesting,
isn't it. It's hard to know at what point you
can and can't go to the bathroom, and Tina, you
can't go mid gig and right now I'd like to
play a little game with you of where you can
and can't go to the bathroom?
Speaker 3 (27:57):
Wards, great, great guy, great game.
Speaker 1 (28:01):
Okay, Now I got very weird about going to the toilet.
Speaker 4 (28:06):
You know this what I get weird about going to
you do so I don't think.
Speaker 2 (28:10):
Because really, what this comes down to for me is
the fact that other people will know that you've gone.
So I think it's going to be a ten minute
bathroom run.
Speaker 3 (28:19):
Ten minutes, well, it's got.
Speaker 4 (28:20):
To be ambiguous as to what you've been doing in there.
So ten minutes isn't ambiguous, mate, I think five minutes is.
Speaker 2 (28:24):
Ambiguous to who's got Okay, five minutes, five minutes, it's
a five minute run.
Speaker 3 (28:29):
Can you or can't you? Go to the bathroom?
Speaker 2 (28:32):
First meeting of your new partner's parents, I go to
It's at their house by the way, and I know
I had the dinner table altogether.
Speaker 3 (28:40):
I feel like you've brought this up for a reason.
Speaker 4 (28:42):
You know that when I went to go and meet
my old partner's parents that I was so paranoid about
the idea of needing to go to the toilet during
the dinner that I arrived and I went I don't
want to be in that situation. I'll better quickly take
away in the front yard and that ended up being
a mistake.
Speaker 3 (28:58):
Oh she saw you, she saw me.
Speaker 1 (29:00):
I never won go back after that.
Speaker 4 (29:02):
So I think my answer to that is choose during dinner,
don't try and do it.
Speaker 2 (29:07):
Okay, so you would, you well know you wouldn't you
were so scared of doing it, you don't know.
Speaker 3 (29:12):
The answer is no, you're not.
Speaker 2 (29:14):
You're not leaving a dinner table with your partner's parents
for a five minute stop down to go to the bathroom.
Speaker 3 (29:19):
You're just not knowing in their right mind is doing that.
I'm sorry.
Speaker 1 (29:21):
I think if you excuse yourself, you can excuse yourself
as much as you like.
Speaker 2 (29:25):
But you know that the family is sitting there thinking,
you know, they're talking about it. You're desecrating there, or
they'd be exchanging looks, they'd be exchange there'd be a gag.
Speaker 3 (29:32):
The dad would make a joke, you know, make it joke,
you know, make a joke. Wonder what he's doing in there? Yeah,
you hate that, You hate that. Hate that.
Speaker 2 (29:39):
Number Two, you drop your child off at daycare, you
ask if you can use the in house toilet. Yeah,
I done that. Actually, you know, you know, I've got
a rule in my life. Where if I see a toilet,
I use it.
Speaker 3 (29:56):
You know that's used to take a toilet? I dropped
off for me? Absolutely fine.
Speaker 2 (30:01):
Is it one of those little ones where it's like
a foot off for use the kid?
Speaker 3 (30:05):
There's an adult toilet.
Speaker 4 (30:09):
I'm here as well, use one of these thirty centimeters toilets?
Speaker 3 (30:14):
Where do you think that toilet? Use the toilet?
Speaker 5 (30:17):
So?
Speaker 3 (30:18):
I thought you were in there. To be fair, that
was using one of the tiny Everyone thought that it
sounded like that he's an adult. Is the Cares toilet okay?
Final one? It's wild white color, wild answers though it's
a no from both me and both of them. You
wouldn't us to take care toilet? What if you were
going somewhere else straight after it? After drop off? You
can't do it?
Speaker 5 (30:37):
Do it?
Speaker 3 (30:38):
I don't like holding a tenderun approach often. Three.
Speaker 2 (30:42):
Yeah, visiting a friend in hospital, they're sick, of course
they're going to toilet.
Speaker 3 (30:48):
I used I was visiting dad in hospitals toilet.
Speaker 4 (30:50):
I was visiting my brother who just a bit yeah yeah, yeah,
but I was just like in the room.
Speaker 3 (30:56):
I was like to is you John, It's fine?
Speaker 1 (31:00):
He was with that it's not his, his wife his
while he has got.
Speaker 3 (31:04):
The room, nobody it's it's it's it's his wives.
Speaker 4 (31:07):
But he would be using that toilet too, his wives toilet.
Speaker 3 (31:11):
Yeah.
Speaker 4 (31:11):
Yeah, she was fine with them, but she I didn't
really ask no exactly.
Speaker 3 (31:16):
This is back along.
Speaker 4 (31:25):
You're calling us and you're trying to convince this you're
in the car with someone else on thirteen one sixty five.
The trick is someone else might actually be there, or
you may just be putting on a voice. See if
you can pull our pants down, Shane. Now you're going
to try and pull our pants of course. Who are
you in the car with.
Speaker 3 (31:47):
Your brother Jake? Okay? Where where have you and Jake been?
Just at work? But are you work Brisbane?
Speaker 1 (31:56):
That's very specific?
Speaker 3 (31:58):
Thank you? I know what do you do.
Speaker 7 (32:02):
Working at engineering? Firm?
Speaker 3 (32:04):
Engineering? Okay, we'll check it out up.
Speaker 7 (32:06):
Is it really?
Speaker 4 (32:07):
I think it's you know, I mean the Brisbane answer
was weird. But Shane, can you check your brother Jake
on the phone place?
Speaker 5 (32:13):
Yeah?
Speaker 7 (32:13):
I certainly can.
Speaker 4 (32:14):
I was pretty line h Hi Jake?
Speaker 1 (32:19):
Oh yeah you were pretty good.
Speaker 3 (32:22):
Jake. What did you engineer today at work?
Speaker 5 (32:25):
With?
Speaker 3 (32:26):
Rather? Shane?
Speaker 4 (32:28):
Just the world are you just putting your hand kind
of like over the receiver.
Speaker 3 (32:36):
Sorry, I think it's just you, Shane. Yeah, he's all right,
God yeah really I hope he doesn't do that when
he goes in for a sike at work. Oh, the dumbest.
(32:57):
Let's go to Nathan here, Shane. Ok we love it,
We love Brisbone. Nathan. Hello, Hey, hey, good mate. Who
are you in the car with Mohammed? Sorry, Ahmed, Mohammed? Muhammad?
How do you know Mohammed? We have work mates, work mates?
Speaker 1 (33:17):
Okay, can you throw Mohammad on the phone please? By Mohammed?
Speaker 6 (33:26):
Are you going?
Speaker 5 (33:28):
Yeah?
Speaker 3 (33:28):
Pretty good?
Speaker 1 (33:29):
Pretty good?
Speaker 3 (33:31):
Yeah? Where are you both off to?
Speaker 7 (33:35):
Getting back from work?
Speaker 5 (33:37):
Yeah?
Speaker 3 (33:37):
You came back from work? Okay, yeah, but where are
you going?
Speaker 7 (33:40):
You're covered with Are you dropping off of the train station?
Speaker 3 (33:44):
Okay? Yeah, okay, we might we might move on to Jordie.
Speaker 4 (33:48):
I reckon, okay, just to feel Okay, yeah, when you
get that feeling, I generally go with you.
Speaker 3 (33:55):
That's too.
Speaker 4 (33:55):
I think what I'm going to say is that's too genuine.
People don't want to hear your answer. But that's too too,
And that's great.
Speaker 2 (34:01):
Let's move on to Jordany if it was Nathan putting
on a voice, and I think it might have crossed
the line.
Speaker 3 (34:05):
I agree with that. Jeordie's here.
Speaker 1 (34:06):
Luckily it wasn't Nathan putting on a voice. It was
too we don't know that we do.
Speaker 2 (34:11):
Let's go to Jordi here, Jordy, I know, I think,
but if I just want to I just want to
verify that if we don't know that, if it was
a voice, I don't think it's appropriate.
Speaker 3 (34:18):
I agree with that. Let's go Jordy. Jordy, who are
you in the.
Speaker 5 (34:23):
Car with I got my son in the car with me.
Speaker 4 (34:26):
So how old is your son, Jordy?
Speaker 3 (34:30):
And what's his name?
Speaker 7 (34:31):
Samuel?
Speaker 3 (34:32):
Samuel? Okay?
Speaker 1 (34:34):
Can you throw your son Samuel on the phone?
Speaker 5 (34:36):
Place ll I?
Speaker 1 (34:41):
Samuel, you sound like you've got a deeper voice than
your dad.
Speaker 7 (34:44):
Jordie said, I'm chubby, that's all.
Speaker 3 (34:48):
Oh, Jesus, I get picked on a lot. Oh. I
definitely wasn't preferring to that. I wasn't paring for yourself, Chubby.
Speaker 7 (34:58):
Oh, I've just always been beat.
Speaker 3 (35:00):
Okay, I'm picked on about that, mate. That sucks.
Speaker 1 (35:04):
What do you learn at school today, Samuel?
Speaker 7 (35:08):
We just had the mess was really hard that's hard.
Speaker 4 (35:12):
Okay, I'm gonna I'm gonna have it, Georgie. I think
this is just you, mate, and am I am? I
right there before I say anything else? Yes, mate, why
did you take in such a weird place?
Speaker 5 (35:23):
Like?
Speaker 4 (35:23):
Come on, man, what are you doing? This whole backstory
that doesn't exist?
Speaker 3 (35:30):
Picked on?
Speaker 4 (35:31):
He Look, he's obviously he's trying to method. He's playing
with us emotionally because then all of a sudden we
were feeling bad. But Samuel, he doesn't exist anyway. But
an interesting game.
Speaker 3 (35:40):
I'll tell you what. We've really pushed the boundaries of
the code to appreciate the minds guys.
Speaker 2 (35:44):
Really just the callers across today. You're actually talking to
them before we put them on the air. That'll be handy.
Speaker 3 (35:50):
Why don't we go today? Do you want to?
Speaker 2 (35:52):
Because I feel like these guys are just didn't get
these guys fired at the moment?
Speaker 3 (35:56):
Is it is it? Get Will and Wood? He canceled
non moment? What's going on? WHI should we go to Eduena?
Are we going to find out she's also doing a
bit of accent work. What's she doing? She also got
a child who is getting picked on? I'm reliably informed
that Edwina is.
Speaker 4 (36:09):
Clear okay, saying I've been informed, so you two of them? Right,
well done, well done, I've been ind It's not me,
but go to Aena.
Speaker 1 (36:24):
Do you want to go to ire?
Speaker 4 (36:28):
We're professional adults. Were handling it well, hied Waena?
Speaker 3 (36:31):
Hi, gosh, how are you very good?
Speaker 1 (36:33):
Thank you? Are you in the car with Edwena?
Speaker 6 (36:36):
I'm like my friend Rose from work?
Speaker 3 (36:39):
Rose?
Speaker 1 (36:40):
And does Rose have any emotional backstory or anything or where?
Speaker 6 (36:43):
She's my work wife and we work together all the
time and we're nurses and.
Speaker 2 (36:50):
This matters a duennabody have the same ethnicity.
Speaker 3 (36:55):
Yes, okay, chuck her.
Speaker 1 (36:57):
One throw on Rose?
Speaker 5 (37:03):
Hi?
Speaker 3 (37:05):
Rose?
Speaker 1 (37:06):
Hello, he Rose?
Speaker 8 (37:08):
Yes?
Speaker 3 (37:08):
What shoes?
Speaker 1 (37:09):
Is Edwena wearing hawkers hot.
Speaker 3 (37:14):
At the moment?
Speaker 4 (37:14):
You got some hockers Woods, I've got some hockers. Yeah,
I've got the transport but not important. Great nurses, I
heard that a lot of time on your feet?
Speaker 1 (37:22):
Okay, yes? And what are you doing tonight? You're going
to hang out tonight? Rose, Edwina's driving me home. Okay,
does hand the phone back to Edwina right now?
Speaker 3 (37:33):
Please?
Speaker 7 (37:34):
Okay, hang on?
Speaker 3 (37:36):
Yes, God, Edwena.
Speaker 2 (37:39):
What shoes is Rose wearing nikes?
Speaker 3 (37:45):
Is that right now?
Speaker 4 (37:48):
I think you're playing the game where you're you're trying
to go.
Speaker 1 (37:51):
Super similar to throw Us.
Speaker 4 (37:53):
But I still believe you are by yourself, Edwini, you're
trying to play the game. Yeah, I'm one hundred percent
sure you by yourself.
Speaker 7 (38:02):
Yeah, I'm by myself.
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