Episode Transcript
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Speaker 1 (00:04):
The Will and Woody Podcast. I want to talk about
new producer Georgia. Great addition to the team, just just
as outstanding work.
Speaker 2 (00:17):
Brutal.
Speaker 1 (00:17):
Yeah, I'm starting to really brutal that she offends a
lot of people. Yeah, and it happens so much that
like she does it in this way where it's it's
it's accidental. She like comes across as I always put
my foot in it, like foot in mouth kind of stuff.
But she looks for it, and she looks for it.
It just happens too much for it to be an accident.
Speaker 2 (00:35):
Up for it.
Speaker 3 (00:35):
And I had a great bit on air the other day, Yes,
and I thought Georgia was coming in here to give
me a hug afterwards.
Speaker 1 (00:41):
To be fair, this is on you, Will, but you
would assume that someone radio was.
Speaker 3 (00:45):
So good in hindsight, thinking that I did a huggable
bit on air, he felt a little bit nacissistic.
Speaker 1 (00:51):
That's on you, mate.
Speaker 2 (00:52):
But she did storm in here, yeah, with some information, mate.
Speaker 1 (00:55):
I don't think she was hugging mad. I didn't make
them anyway.
Speaker 2 (00:58):
I got way, so I got two meters towards it
with my arms.
Speaker 1 (01:01):
Outstretched, and she said, I don't do hugs. Yes, again,
I think this is more your issue. I don't think
she's wrong.
Speaker 2 (01:07):
You were work.
Speaker 1 (01:09):
It was a great bit, that was a hot bit.
But on on last week we went to the pub and.
Speaker 2 (01:17):
Effectively you didn't get a hug goodbye.
Speaker 1 (01:19):
Absolutely not. I don't even go for it though, because
I know she's not a huger. I expect that she's
put you in the box. She put you in a
box now, so you're scared of it. And what's happened
happens fast with you. Well, she's she's powerful, she's very powerful, intimidated.
But and and and I definitely wasn't going to go for.
Speaker 3 (01:36):
By the way, before we go on here, just just
to try and like type cast you a little bit.
So let's just let's stereotype the house down here.
Speaker 2 (01:43):
So she gave me a lift home the other night.
Speaker 3 (01:46):
Yeah yeah, yeah, you know, certainly didn't get a hug,
but she gave me a lift.
Speaker 1 (01:49):
Did she somehow offend you in car chat?
Speaker 2 (01:51):
A number of times?
Speaker 3 (01:52):
But but what I thought was interesting is we drive
the same if we drive If I drive home, I
drive the same route home as her.
Speaker 1 (01:59):
Sure, so this is just.
Speaker 2 (02:01):
Her personality in a nutshell right. She gets soon as
she gets.
Speaker 3 (02:04):
Into the road, no matter how busy it is, she
just gets straight in the right hand lane and just
sits in the right hand lane, which is just like absolutely.
Speaker 4 (02:13):
Not sitting there.
Speaker 1 (02:14):
I'm the fastest one.
Speaker 2 (02:15):
You see what I mean.
Speaker 1 (02:16):
So she just competitive.
Speaker 3 (02:19):
She just gets in there, and I'm like, mate, do
you know much traffic there is on the horn? I
was like, just getting the left hand lane, there's traffic
moving over there. She goes, I'm not leaving the right
hand lane. But this is it was an entitlement.
Speaker 1 (02:32):
A cyclists didn't realize it was me one time and
she started abusing me.
Speaker 3 (02:36):
With my car.
Speaker 1 (02:37):
Actually, yeah, you did. Little just a little nude took
you out anyway, all of these if I can take
you to Thursday night at the least, so we're having
a chat.
Speaker 3 (02:46):
It's just your mystery pub night, wasn't it. Actually this
is the mystery. This is the mystery rooftop.
Speaker 1 (02:51):
There's another one.
Speaker 3 (02:51):
This is why I didn't go along, by the way,
because I found out where the mystery rooftop was.
Speaker 1 (02:55):
I said to people, I was like, guys, I've booked
a surprise. I'm really excited about it.
Speaker 2 (02:59):
None of the other books you ever ever, books you know, very.
Speaker 1 (03:03):
Bad at it normally book it's a surprise. Do you
trust me? That we're on the way and where.
Speaker 2 (03:07):
No one trusted you.
Speaker 3 (03:08):
By the way, the back channeling that was going on,
everyone was like, oh god.
Speaker 1 (03:12):
We're walking towards a particular pub and in my head,
I'm like that, yeah, that's the pub. We're going to it. Anyway.
On the way, Georgia goes, oh, we're not going to
I'm not going to say the name. Yeah, yeah, yeah,
because why the hell would that be a surprise because
it's so basic. Yeah, And at that point you turn
around and go, yeah, yeah, we're going there. That's exactly
where we go. And then we got there and she
(03:32):
really hiped pictures like oh it's lovely, it's really nice.
It's really nice. Then we're sitting there for dinner, right yeah,
and I start talking.
Speaker 2 (03:40):
It was a strange surprise of it.
Speaker 3 (03:41):
It was, yeah, doesn't matter where you are in Australia,
there's a pub around the corner from me that's the
same as this pub.
Speaker 2 (03:46):
And Boody had it as a surprise for everyone.
Speaker 1 (03:48):
Secretly, I wanted to watch the footy okay to be
fair if the conversation slows down. I like having footy
over someone's shoulder. Anyway, We're sitting down and Jay, myself
and an Alisa talking about dating, how's the dating world going,
et cetera. And Jay just starts going, you know, well,
you know what, I'm right off online dating. Wow, I
just it doesn't work. It's an unnatural way to meet people.
(04:08):
It's just that it's just not the way to do it.
And she goes on and on about how bad it is,
and then she turns to me and she goes, anyway,
how did you meet Mim? And there was a pause,
and in my head I was like, I kind of
I kind of want to lie here because you really
put your foot in it. And then I informed her
that Mim and I met online at this very pub
(04:29):
actually secret date. So again, this is happening far too much.
But I want to take you to the moment where
for me, I was like, I think I do want
to lie about how Mim and I met because I
think saying that you.
Speaker 2 (04:46):
Need some you feel like it's embarrassing for you.
Speaker 1 (04:48):
I think a more fun story would be nice. But
thirteen one, six y five is our number. I want
to know if there's anyone else out there who lies
about how they met their partner?
Speaker 5 (04:57):
Yeah?
Speaker 2 (04:57):
Right, is it?
Speaker 1 (04:58):
Are you embarrassed about how you met your pretty? Sure?
And what's the lie you go for?
Speaker 3 (05:03):
And maybe you can take a bit of creative inspiration.
I'd love that from what they now say.
Speaker 1 (05:08):
I'd love that I met a former partner at a wake?
Was it open about that one? I'll tell you that much,
because apparently that is the wrong place, by surprise, that's right.
Speaker 2 (05:19):
George is probably on the Oh you're off the apps now?
Speaker 3 (05:21):
Aren't you matter very clear that it's not cool to
meet what's the cool app to date on?
Speaker 2 (05:25):
Now?
Speaker 3 (05:26):
I'm not on any of the think I said it's
the catalyst for destroying human connections.
Speaker 1 (05:31):
Wow, that's right that it was used to see you
on an app?
Speaker 2 (05:34):
Right now? If you're on a dating app, don't lie.
Look at her.
Speaker 1 (05:37):
You're going to try she's She's right, she was on
at the moment, thirty dollars on.
Speaker 2 (05:43):
You mean Lando, stop talking to you? What do you want?
What do you want?
Speaker 6 (05:47):
I'm on a hinge, hinge.
Speaker 3 (05:48):
I told you hinge still think. But if you meet
someone who met in twenty ten, it's Tinder. They're always
met on Tinder.
Speaker 1 (05:54):
Bumble had a few years. Yeah, years in the sun.
Let's got a grace here. Grace you like your grandpa,
specifically grandpa about how you met your partner?
Speaker 7 (06:05):
Yeah, well like he made my granny when they were
like yeah, like eighteen, like hometown sweethearts and yeah, I
just I think I'm same. Like he just was like, oh,
people meet, I'm dating out or online, like I can't
believe that. You know, how did you and your busin meet?
And I was like, yeah, yeah at a coffee shop.
Speaker 1 (06:24):
Yeah, yeah, coffee shop. Coffee shop's nice, actually funny. And
Andy Lee's on the show later on. I'm not sure
whether he still rolls with this one, but he gave
Beck he's now fiance. Actually they're engaged. He left his
email address for her when he went to the cafe.
Speaker 3 (06:42):
Not his personally manail dress. I think it was the
Hamish and Andy business account.
Speaker 1 (06:45):
And at Hamish dot com or something.
Speaker 3 (06:52):
TI.
Speaker 1 (06:54):
TI, if your husband likes to lie about how you met?
Speaker 8 (06:59):
Yes, and I don't know why, but we are now
married I think thirteen years. I can't remember, but we
originally did meet online. And he tells everyone that we
met at subway. I was a subway girl.
Speaker 1 (07:13):
I take if you're going to go for the line subway,
is that like a fantasy? It is the subway, the
sandwich artist, the sandwiches artist.
Speaker 8 (07:22):
I'm kind of outing him now, amn't I?
Speaker 1 (07:24):
Yeah, buddy, so you met him?
Speaker 9 (07:25):
Hang on?
Speaker 3 (07:26):
Is there any depth to the story though, tip like,
is it a is a wood Woody Allen style meet cusu?
Speaker 2 (07:31):
Or is it just he was heating up the meat balls?
What's the what's the bio?
Speaker 4 (07:37):
I don't know. I'm going to have to ask him.
Speaker 8 (07:39):
I'm actually from work now, so I will ask him
on the drive home.
Speaker 1 (07:44):
Maybe we can get you to on the show tomorrow.
I think there's something going on there that he wants
you to dress up as a subway sandwich artist, and
I think that's something that's really exciting for the two
of you to explore. So so far, you have no
concrete alternative to meet online.
Speaker 2 (07:58):
I would appreciate your subway.
Speaker 1 (08:00):
Actually it is to work out fancy feelings.
Speaker 10 (08:02):
She's there.
Speaker 1 (08:04):
She was actually over the stretch, one of the best.
According to her.
Speaker 5 (08:08):
Well the visor very well Ray Raise called Ray Fancy
feelings is a very rogue reference Ray, you lied about
how you met your ex husband.
Speaker 4 (08:22):
Okay, So I was in year eleven, actually ten when
I got engaged him. But I was in year eleven
and I'd never had a boyfriend in my life, and
I just sent to school and I told all my
friends at school that I was engaged and I was
getting married in two weeks, and they were tripping out
and they just had to make up this It was
an arranged marriage. So I meet him at the airport.
Speaker 7 (08:39):
Obviously I didn't know from a.
Speaker 2 (08:41):
Bus wow wow, sorry, he did he fly in for
the marriage or you flew in?
Speaker 4 (08:48):
I was born here. He flew in and he's been
here seeing Oh.
Speaker 3 (08:51):
Okay, son, So your parents were like, this guy is
going to come over and he'll be your husband. You're
sixteen years old.
Speaker 4 (08:56):
Well, what my late dad did actually say to him
was if I didn't marry him, that he die in
the war back in Lebanon. So me, with my beautiful
soft heart, I believed it, and I brought him out here,
and needless to say, we were married for twenty five years.
I lied and my brother used to pay baseball and
I told him that I fell in love with him
because he played baseball and I fell in love with
(09:18):
my brother's baseball matches and I mean there but he
could speak English, so yeah.
Speaker 1 (09:23):
My right, the first time you saw this guy was
at the airport and I was like, that's going to
be your husband.
Speaker 2 (09:30):
Yeah, and he didn't speak English. Did you speak his
language though?
Speaker 10 (09:36):
Yeah?
Speaker 4 (09:36):
Yeah, yeah, we were brought up speaking both language.
Speaker 10 (09:38):
Yeah.
Speaker 1 (09:39):
It was a now married for twenty five years, so
it obviously went pretty well.
Speaker 4 (09:43):
Right, Yeah, arranged marriages do pretty good unless they, like, yeah,
accidentally fall into someone else's pants, but like that's a
different story.
Speaker 3 (09:52):
Right now, you want to talk about torture. Psychologue in
front a bit strange.
Speaker 1 (09:55):
Yeah, no, I'm right into the torture will I always
have psychologic all torture is the fave, and one have
it a little bit of a play with you now please.
So there's a council Westminster Counsel in the UK. A
judge has just classified that there's a certain activity that
happens on the street that's been classified as psychological torture.
(10:20):
Have a guess what you think it is. You would
see it, I would say almost every day. You would
see it, even on the streets of Australia. It's been
classified as torturing somebody else. It's it's torturous apparently to
anyone who's.
Speaker 3 (10:34):
Activity on the phone on speaker phone that that should
be classified on public transport.
Speaker 1 (10:41):
What are your thoughts on people answering the phone on
public transport? Because I'm a I'm a sure band, not
that not that. I'll give you a clue.
Speaker 2 (10:55):
Busking, busking. The sheer dog gets her plenty.
Speaker 1 (11:01):
That's how tones and I started. Yes, that's our any
swim started.
Speaker 3 (11:04):
There was the swim dog on the dogs when they're busking,
everyone starts on the streets sell dog also known as busking.
Speaker 2 (11:14):
So dog.
Speaker 1 (11:14):
Yeah, So apparently a judge has basically said, yes, busking
is psychological torture.
Speaker 2 (11:20):
Really sometimes I quite like busking. I agree that sometimes
it's annoying.
Speaker 1 (11:24):
They've got issues with the repetition of it. There was
a company in the repetition. Well, I think they're saying
that these buskers do the same song a lot over
and over that and the obviously it's a transient location,
so like, well the first time you've heard this song
because you're walking past. But for the companies that are there.
Speaker 3 (11:45):
Over and over, you have to apply for a permit.
I think, I think like it's very illegal to bust
without a permit.
Speaker 2 (11:53):
Right, you get moved on really quick. Well, appears you're
making money.
Speaker 1 (11:57):
Yeah yeah, right, Well apparently there was a company nearby
that some of their staff had to work in cupboards.
They have said because they were so sick of the
repetitive songs. They were working from the cupboards.
Speaker 2 (12:07):
That's fair.
Speaker 1 (12:07):
People are doing double glazed windows, et cetera. But look,
despite yes, hearing the same song over and over being
quite torturous, I agree.
Speaker 2 (12:16):
What's your least favorite form of busking? Yeah, my least favorite?
Speaker 3 (12:20):
Yeah, yeah, because there's some buzz some busking that I
look at and I go, gee, whiz you are You're
so talented. You know when they get like that, you
know when they tip the empty drums upside down and they.
Speaker 1 (12:32):
Unbelieva rum solo.
Speaker 2 (12:35):
You know that'sred. I watched that all day long.
Speaker 1 (12:37):
I've even seen them doing it with like, you know,
can empty cans. They build a trunk, making different noises
and stick extraordinary.
Speaker 3 (12:46):
No, that's great, But on the other night, I would
going to a concert at ham Hole in Melbourne, and
I walked past the guy on the bridge and he
had the iPod out, the iPad out.
Speaker 1 (12:57):
He wears the Fluo, the Floro gear. Right, he's good,
he's amazing. You're gonna say he's bad, how dare you?
And no, where's the where's the sunnies? He's the speed
dealer Sunnis and he is just going for it. You've
got a bad word to how dire you?
Speaker 2 (13:10):
I thought he was joking. I'm going to get on.
Speaker 1 (13:12):
I'm going to get him on the shade.
Speaker 3 (13:14):
Because we couldn't decide whether I was like, is he
deliberately ship like is he doing this to go I'm
so bad that other people should that you're paying that,
paying me for pity.
Speaker 2 (13:26):
But then one of my friends like, he's cleverer than that.
He's deliberately bad.
Speaker 1 (13:29):
He wants you pity.
Speaker 10 (13:30):
I don't know.
Speaker 1 (13:31):
I thought he was quite good.
Speaker 3 (13:32):
He's singing Cold Play songs, reading them off an iPad
and nailing it in Fluoro green, Yes with speed Dealers
Sunday with not with a tinny backing track.
Speaker 1 (13:42):
He's got a speaker on a little trolley with him
as well, so you can move around, and a headset. Yeah,
well we'll get him on. He's on tomorrow. I can
live at five.
Speaker 2 (13:50):
Oh my god, you actually we actually probably could get him. Actually,
do you know what great exposure for him I'm talking about. Okay,
I think we have to I.
Speaker 1 (14:00):
Mean because I think he's busy.
Speaker 2 (14:02):
He could be.
Speaker 1 (14:04):
He could be unless this is shown, because he is busy,
man show. I'd love to have him anyway. I just thought, though,
basking not so bad. So thirteen one oh sixty five,
right now, torture me. I want to be tortured.
Speaker 3 (14:15):
Why audibly tortured? Well, it has to be very audibly sensitive.
You can't handle much, so.
Speaker 1 (14:21):
You should be able to do it. Do anything right
up next on thirteen one oh six five, to torture me.
Speaker 2 (14:28):
You're gonna hate that.
Speaker 1 (14:30):
Well, maybe I'll be able to handle it. Yeah, it's
pretty it's pretty bad. That's pretty bad.
Speaker 2 (14:36):
Gone gone, pretty bad.
Speaker 3 (14:38):
Catulated and I realized that we realize that's a double
loss because we lose listeners at the same time.
Speaker 1 (14:42):
Then it's a poison shallous. It's a poison shallers.
Speaker 2 (14:46):
And there's no way, no.
Speaker 3 (14:47):
Matter what you do, that your audible torture is going
to be as bad as this guy. Well, and I've
got some audio of him.
Speaker 2 (14:53):
Here he is doing a classic.
Speaker 1 (15:03):
You can all you can hear the people, but he
brings the people in. Listen to the excitement that he's bringing.
He might have been nailing the notes, but I reckon.
He does a great show, And personally, I mean, I
would go down there just to watch him. I don't
even care that I couldn't be in his radius. Open invitation.
I don't know if he's down there with his wireless
(15:24):
listening to Drive Time Radio, but open invitation. I'm not
sure what his name is. Frankie Lee mate, if you
can get here to the station tomorrow, you're on. You're
on a one off performance on radio. He deserves the
stage right now.
Speaker 10 (15:38):
Though.
Speaker 1 (15:40):
Torture us, well, you know, let's let's just push through it,
will Kathy. You think you can do something too audibly
torturous burping? Yeah you can burp on demand?
Speaker 10 (15:57):
Yeah? Oh I can do this.
Speaker 2 (16:00):
Yeah, hear what you were doing?
Speaker 1 (16:07):
What's the second thing you're doing?
Speaker 4 (16:09):
The second one was my docks.
Speaker 2 (16:11):
Oh you're dark.
Speaker 1 (16:12):
You're making ducks quack, making ducks quack.
Speaker 2 (16:16):
Oh God, I'm feeling.
Speaker 1 (16:18):
I wouldn't say it's torturous. I thought the ducks were cute.
Speaker 2 (16:22):
Have you got a torturer's playing.
Speaker 1 (16:25):
Oh, shocking noise, shocking noise, audibly torturous. I'd say, I'm
surprised you did that on radio. Well, you asked me, mate,
I don't want to go. I didn't want to go.
Speaker 2 (16:36):
You have to go there.
Speaker 1 (16:37):
I didn't want to go.
Speaker 2 (16:38):
Terrific, it's shocking. I can't believe you pulled that one
out there.
Speaker 1 (16:41):
I know, very quick, head in the back of the
head the whole time. I didn't want to use it.
Let's go to Josie here, so bad shocking noise.
Speaker 8 (16:51):
Has made you?
Speaker 1 (16:56):
This is the bit, right, this is the bit that's
not actually how you wow?
Speaker 4 (17:00):
Are you having sign with a little microprough.
Speaker 3 (17:15):
Over the last fourteen months, if you're a music fan,
you've been wondering who the body hell is going to
be playing the Beatles four part movie set Woods Clever
Do a movie from each band member's perspective.
Speaker 1 (17:29):
That is just good money, that's.
Speaker 2 (17:30):
Cash, that's just clever.
Speaker 1 (17:31):
Stuff in the bank, that's just clever. And you save
you save Paul till the end.
Speaker 3 (17:36):
Yeah, oh, you know, I don't think it's get people
to official land, particularly when you get into you he's
going to be playing him. So Barry Kogan's playing Ringo Star.
Speaker 1 (17:46):
Oh yeah, he's good.
Speaker 2 (17:48):
What Yeah, going to salt Burn? Yeah, I thought Saltburn
was overrated.
Speaker 3 (17:52):
We've been over this. There's no narrative. It's just a
big old tragedy. Oh it turns out everyone's a sick.
Speaker 10 (17:59):
The great.
Speaker 1 (17:59):
Yeah, that's good acting.
Speaker 2 (18:01):
I don't know.
Speaker 1 (18:02):
I think we've all done that before, haven't we. So anyway,
so good Kogan is inside into you.
Speaker 2 (18:07):
I don't know if he's in.
Speaker 3 (18:08):
And also he's playing Ringo Star. They who gives a
ship like Ringo Star is still alive. Nobody really cares.
He owns super yachts in the Caribbean.
Speaker 2 (18:14):
Sounds good. I know, it's fine.
Speaker 1 (18:16):
It's just he was never a great musician. He never
a great drumper. They got rid of him for a reason,
it's sure, the Beatles.
Speaker 2 (18:20):
Because he couldn't actually drumph Yeah right. It seems like
a lovely guy, seems very friendly.
Speaker 1 (18:25):
You've got to have your good people in your teams though,
you know what I mean, Like, you're not that talented,
but I'm good for vibe. Kind of guy would have
been great on the tour bus, I imagine. And I'm
sure the movie will cover that, you'll.
Speaker 3 (18:35):
Yeah, but I just want to watch a whole movie
that put Barry Kogan on the tour bus.
Speaker 5 (18:38):
Yeah.
Speaker 3 (18:39):
Anyway, I've worked done as well Barry Kogan recently. I
didn't know that, But there you go. I'm just suggesting
that might be the case.
Speaker 2 (18:46):
I don't know that at all.
Speaker 3 (18:47):
While I'm shooting from the Hypno, let's get into the
piece of wet lettuce that he's going to be playing.
Paul McCartney, a man I simply cannot stand anymore. It
is Paul mescal.
Speaker 11 (18:58):
Hey.
Speaker 1 (19:00):
The only reason you're off him is because, sure he's
spoiled Gladiator too. He didn't bring in the best performance.
Speaker 2 (19:08):
Like we all know that, mate, we all know that.
Speaker 3 (19:11):
But Pedro Pascal got given a script which was Gladiator,
to which I'm sure he was reading on the toilet
at the time. I imagine when if I get the
Centers script as an actor, I'd read it a bit
on the toilet, straight to the j and and Pedro
Pascal would have had every right in the world to
wipe his bottom with that script and say I don't
want to have anything to do with this.
Speaker 2 (19:29):
He would have. But Pedro Pascal being an actor, Yes,
got it. Yeah, turned up on the day and did
a great performance. Yep.
Speaker 12 (19:37):
I thought Denzel was great too. You question questions, Denzel,
what do you want me to do? Just do the
thing you always do. What'd you in the academy for
training day? You know, any kind of like arrogant. Nobody
knows whether they can trust you or not.
Speaker 3 (19:50):
You kind of flash your teeth a few times with
people in the eye a few times, smack someone.
Speaker 2 (19:53):
Around at some point, make him a little bit scared.
Do that, but do it in Gladiator.
Speaker 3 (19:58):
So Denzel's doing his thing. Awesome, Pascal goes, all right,
I'll act. Yeah, it actually holds it together. Yeah yeah, yeah,
poor Mescal. Yeah he rocked up trying to do that.
Speaker 2 (20:09):
What what was that he did? Normal people meet the gladiator.
That's why he did. He rocked up. He was a
sad I did want to be a gladiator. Yeah, I
mean love can't do it.
Speaker 1 (20:20):
He tried to do a sensitive new age guy. But
he's also a fearless leader, and I just don't think
those two couple of.
Speaker 2 (20:25):
Well, he was wet, he was soggy. I didn't buy
him for a second.
Speaker 1 (20:30):
The evid of audio of him browsing up his troops.
We are not well, it's not it didn't even make
sense that. Sorry, can we just jobs?
Speaker 2 (20:43):
Can we like the big line?
Speaker 3 (20:45):
So you know, you know all though the first Gladiator,
you know we've got great lines in there, you know,
strength and honor.
Speaker 2 (20:50):
Yeah, you know there's a big part of Gladiator one.
Speaker 1 (20:52):
If you feel this on your neck, fear not.
Speaker 3 (20:56):
Unbelievable Russell great gear Gladiator the line from Gladiator too,
and I Reckon Meskill wrote this one himself.
Speaker 1 (21:06):
Now come on, no.
Speaker 2 (21:08):
That's not felt.
Speaker 3 (21:09):
But the line he has from the start of the
movie is where death hairs. We are where death is
not where.
Speaker 2 (21:17):
Here is.
Speaker 10 (21:19):
What that day?
Speaker 2 (21:21):
We are not well?
Speaker 5 (21:23):
We are?
Speaker 3 (21:25):
That is not.
Speaker 1 (21:26):
Oh god, I would, I would, I would drop my
sword and I would quit. I am.
Speaker 2 (21:32):
He's in a hole.
Speaker 3 (21:32):
He's in a whole bunch of hot water right now.
For having a crack at Donald Trump and the Press
Club did an impersonation impersonation Trump. If you haven't heard it,
have a listen. This is this is Malcolm Turnbot the
Press Club.
Speaker 13 (21:45):
That means you get a brick bat or a truth
social post. You know I'm saying you're weak and ineffectually.
You know who don't know anything about China Jaya. Uh,
then then you should uh yeah, if you won't, if
you speak by that, you shouldn't be.
Speaker 2 (22:03):
In the job.
Speaker 3 (22:04):
Danny Ovation very great man, and he joins us right now.
Actually just follow up on his comments from this, Malcolm Chamer,
welcome to the show.
Speaker 10 (22:13):
Well and what he wasn't I am far at the
National Press Club. I was really on song there. People
burst into a spontaneous round of applause, and I felt like,
it doesn't feel like seven years since I walked away
from the Prime ministership, walked away or well, backstabbed by Scimo.
But I've refused to disappear, haven't I? Most prime ministers
(22:36):
go on and just fade away. Julia, you wouldn't know
where she is now, Tony munching or Amion somewhere, who
knows what scom I was doing happy clapping in a
Hillsong church, but I refused to go away, and I
was I was loving it.
Speaker 2 (22:52):
Yes, it looks like it. How do you how do
you procure and invited a place like that? And and
the other question.
Speaker 3 (22:58):
Woods and I were talking just before mister Turboy's this
looks like quite lavish lunches that go on at the
Press Club, Like what actually goes on behind closed doors
when you get there?
Speaker 2 (23:07):
And who's who's there?
Speaker 10 (23:09):
Oh, I can tell you what the Press Club feels like.
It's catered by the liberal the labor party, be for
the boys and chicken for the girls. The gravy you
could stand a spoon up in it. Tell you what
it's not Foi Gras and Sandra Vesi at the Press
Club communists by the feel off? And how do you
(23:31):
procure an invite? Well, like I an't always do invite yourself.
I suggest that maybe things have been a little bit
pallid over there and in a parlous way, and they
made a bit of a bit of lafe. But Malcolm Turnbull,
Malcolm Black Turnbull, can I.
Speaker 1 (23:48):
Ask you, mister Turnbull, what what there's a there's a
there's a famous phone call that comes to mind between
yourself and Donald Trump. Gonna ask you what actually happened
on that phone call, mister Turnbull.
Speaker 10 (24:01):
Well, he told me to f off and flamm the
fine out.
Speaker 1 (24:06):
Yeah right.
Speaker 10 (24:07):
What he was doing is you know classic Donald Trump stuff.
He was he was backflipping on a previous agreement. We
didn't want to take illegal immigrants or margareants or whatever
you call them. Yeah, and we'd agreed to send them
to the United States of America and then he said, no,
(24:28):
keep them the poor people caught in the middle. I
said I won't stand for it, and then he glittled me.
And so that's a little bit of a grudge going
on there.
Speaker 1 (24:39):
Yeah, we can hear that.
Speaker 10 (24:42):
Yeah, I'm one that I can nurture a grudge. I
can bring it into full flower over many years, like
an old vine in the Rhone Valley until it bears fruit.
And yeah, if you cross me, I'll never forget.
Speaker 1 (24:58):
And mister Turble, wow, was actually this is a total coincidence,
malcome to unbelievable. I happened to be in your street coincidentally,
and and yes, that's exactly.
Speaker 10 (25:09):
Right delivering the leaflet.
Speaker 2 (25:14):
I was, I was hope you got it.
Speaker 1 (25:18):
Were interviewing Billy. I'm not sure if you're across her work,
mister Turnbull, but I thought I am.
Speaker 10 (25:25):
And the last song that I was just listening to
it whilst I was on hold, I love it. I
love that song. Well, don't give up, don't give up.
Speaker 2 (25:35):
I don't think that was.
Speaker 1 (25:37):
Unfortunately, mister Turnbull. During our interview with Billie Eilish, there
was the noise of a whipper snipper going off, and
I caught a glimpse of a gentleman wearing only speedos
whipper snippering in his bookyard. And there's a little bit
of chatter amongst our radio team that maybe what that was.
You are you someone who does whip a snipper outside
in the speedos, mister Turle.
Speaker 10 (25:57):
Well, it couldn't have been, mate. I haven't done any
man your labor. My hands are as smooth as silk,
but I don't insist that the gardeners do have a
kind of a beachy feel to them. So it could
have been margat Pedro's out there and Lucy loves it,
Lucy blind holding back the blinds and having a look
(26:21):
at Bedro and his spados. Now, Billie interview, was this
the one where you made the girl crime?
Speaker 9 (26:27):
Yes, yes, I'm saying it.
Speaker 10 (26:29):
I'm a big fan.
Speaker 2 (26:31):
Thanks, Marg.
Speaker 10 (26:32):
I'm going to tell you what. You poured some sauce
on that day, didn't you? How long we are drafting that?
Or a brown those?
Speaker 5 (26:44):
Oh?
Speaker 3 (26:44):
Malcolm has been great to have you on the show
before we go the arm finding out? Now, yeah, I
definitely am one, believably.
Speaker 2 (26:51):
I mean this does be like a bit of a
cool back to the nineties radio.
Speaker 3 (26:56):
But Donald Trump is called wrong with nies right, I
don't knowd Trump is mister Trump?
Speaker 10 (27:07):
Wow?
Speaker 2 (27:08):
Are you?
Speaker 6 (27:08):
I know?
Speaker 9 (27:09):
It is good to be back on the number seven
rated drive show. It is Australian radio. Hamidi, I've always
been a big fan. Just kidding, just kidding. I know
who you are, Willing Woodie. Of course one's one's got
a ponytail and the other one's grumpy. What a combination.
It's the best combination we've heard since Elon teamed up
(27:31):
with Rockets.
Speaker 2 (27:32):
What mister Trump, what do you think of Malcolm's impression
of you?
Speaker 9 (27:38):
Well, frankly, I think it's the worst thing that's ever
happened in the history of the world. And I don't
think I'm overstating this. Everyone agrees with me because I'm
always right. And I'm now putting a tariffs, a new
tariff that we've just come up in the war room
that no more Malcolms will be allowed in the United
States of America. If your name is Malcolm and you
try to come into the United States, will be shot
(27:59):
in this read like a dog.
Speaker 2 (28:01):
All right, Wow, that seems aggressive.
Speaker 10 (28:06):
I've got the worst. That's the worst Normald Trumpet person.
Speaker 1 (28:27):
And Lee's in the study.
Speaker 2 (28:31):
Great to have you an in mate.
Speaker 1 (28:33):
So that's a new applause. Yea, change things up. We'll
change things up.
Speaker 6 (28:37):
People think you're not innovating full sound effect over all.
Speaker 1 (28:41):
Was it like, let's go through everyone from start?
Speaker 2 (28:42):
That's a good question.
Speaker 3 (28:43):
Our ap captain peop Pens had a real issue with
the game show music.
Speaker 2 (28:46):
Now, I'm not sure. Was this still knocking around while
you were.
Speaker 1 (28:51):
Yes, yes, that's next it Well, he doesn't like it.
He thinks it's time to move on.
Speaker 2 (28:59):
He has got a bit used.
Speaker 1 (29:01):
It was every time we did anything, generally speaking, if
a break is slowing down a little bit, we'll just
start playing the game.
Speaker 6 (29:12):
Breakfast shows would always play music underneath, just to kick
the ball in the air. I'm always wary of when
I'm watching any drama or scripted comedy if a music
you just starts from nowhere, I always go, oh, you
guys didn't think this scene was good enough?
Speaker 3 (29:26):
Is that right?
Speaker 1 (29:27):
It's like, oh, you thought this labored a bit. See
now you're just trying to trick me with some music
and it's worked quick.
Speaker 2 (29:32):
You never turn after you content brand, you can't turn
it off. You get a note Ben Ben watching The
Bob and the Beautiful that gets.
Speaker 6 (29:39):
So annoyed because I'll be watching something I go, she
goes what No, No, carry on, carry on, and then
I can't actually let it go, like did you see
the continue.
Speaker 1 (29:50):
We're wearing a hat. You're not wearing a hat?
Speaker 2 (29:52):
Come on.
Speaker 1 (29:54):
Every time? You also someone who picks the killer all
the time, like you're just like you know who the
bad person is. Very early in any TV show or movie,
I like, I like the pause to discuss what are
we thinking?
Speaker 6 (30:05):
You guys been watching White Lotus absolutely okay because after
episode one my early call I've said, oh no, I
think right, And.
Speaker 1 (30:14):
It was after like the first scene episode you who's
going to do? So there's there's what we can do.
Speaker 2 (30:23):
First episode, it's the first scene, there's a shooting.
Speaker 6 (30:25):
Lots of gun shops going on, and I actually said
to Beck pretty full on scene to start with, because
it sounds like someone's having a mass Shooting's just fun, sure,
we you know it's fun.
Speaker 2 (30:36):
Just like one person.
Speaker 6 (30:39):
And the backstories to one Yeah, totally. And then I'm like,
you know what's happened. One of the monkeys in Thailand
has found a gun running running around and.
Speaker 2 (30:51):
That is good year. And they've been talking.
Speaker 3 (30:53):
About the monkeys from the start. They make a big
thing about the monkeys in the first episode.
Speaker 6 (30:57):
I think someone someone does try to and a monkey.
And that's what makes it feel like a bit of
he's on.
Speaker 2 (31:05):
The record now as well, he's on the record.
Speaker 1 (31:07):
We'll have you on after the finale, I reckon.
Speaker 6 (31:09):
So the problem is they showed a lot of monkeys
in episode one. They they haven't been showing monkeys a
lot since I'm going cold of my own theory, or
maybe they're burying.
Speaker 1 (31:19):
I've given you all.
Speaker 3 (31:20):
Everyone remember the monkeys now, that's all they need to do. Jeez,
I reckon looking never he's never turns off.
Speaker 1 (31:25):
He never turns off and speaking speaking of like quite
seriously about never turning off. And I mean, we could
be talking about so many things right now. So you've
got the hundred starts to nine at seven thirty. Channel
nine to nine now new Family friendly slot seven thirty.
Speaker 6 (31:38):
They've pushed us into primetime does.
Speaker 1 (31:40):
That concern you that you've got to and you're not
sure what you're like?
Speaker 6 (31:48):
What did Mike God say to Sophie in that moment?
Speaker 1 (31:51):
Is my nephews?
Speaker 6 (31:52):
Can they listen to that? But not all good or good?
Speaker 1 (31:56):
The rogue music cue for anyone that's watching.
Speaker 7 (32:00):
In the water.
Speaker 1 (32:01):
You feel some music.
Speaker 2 (32:03):
Second Secrets got that.
Speaker 1 (32:07):
You've also opened an Aussie pub in New York called
Old Mates.
Speaker 2 (32:11):
Yes.
Speaker 6 (32:11):
Yes, if anyone has friends in New York or you're
planning to go there, we'd love to see you. This
essentially is because the last Australian pub closed down in
twenty twenty. When Hayman and I moved there in twenty
eleven to the gap year, there were six Ossie venus
orsi Ish. They were not like hard there was. Yeah,
so there's no place to watch footy, no place to
get a Nozzy beer, there's no place to hear a
(32:32):
Nassy accent.
Speaker 11 (32:33):
If you're feeling in New York obviously, well I did
really after a while, if you have for long enough,
and there's thirty four thousand Aussies in Manhattan, and so
we we thought we'd we thought we build a pub,
not feel Aussie theme pub.
Speaker 6 (32:45):
You didn't see like a kangaroo next five kilometers sign
or a half no shark bitten surfboard above the bar
crocodile you we thought we like the tiles for instance,
a replica of the builder's arms in Fitzs the down
stairs laminate red lamonade bar is the rs L in
Heidelberg like a replication.
Speaker 1 (33:06):
We're just taking it from our favorite pubs around Australia.
Speaker 2 (33:08):
Wow, and it's all in this that's awesome.
Speaker 1 (33:10):
And then ham any podcast just on repeat? Yeah, absolutely,
you get treated by by B one and B two.
So you've got the hundred, you've got the pub and
we've got the dimmy and.
Speaker 3 (33:26):
Which are now in all coals and do not watch
this show now is getting picked up by the ABC
for twenty twenty five release, which is amazing. And then hilariously,
I've got to bring this up so analyse our junior
producer wrote all these on the sheet right, she's she
put all these down and then she just wrote.
Speaker 2 (33:42):
He is very busy. When do you think he will retire?
Speaker 1 (33:45):
Question I sink gen Z. Question.
Speaker 2 (33:52):
The correlation is what are you flying?
Speaker 5 (33:55):
Like?
Speaker 1 (33:55):
You setting yourself up? You can just have like a
break now.
Speaker 6 (34:00):
This is not as crazy as this sound.
Speaker 1 (34:02):
Oh really, hang on? What's going on? Because Beck said
the same thing to.
Speaker 2 (34:05):
Me, because you're doing the renaut as well.
Speaker 1 (34:08):
Well, yes, you want to go over to the break
is retiring from.
Speaker 2 (34:21):
Tinys. You're dim sims now exclusive to Carl's.
Speaker 6 (34:24):
When I say I want to do something, I very
rarely stop it. Yeah, yeah, which is a fault to
be honest. And so when we said let's try and
make a premium dim sem, this is four and a
half years ago.
Speaker 1 (34:35):
Wowah, when you say we we just made a couple
of mates? Have you sitting around? I reckon I could
do a better dim than this? Is that what happens?
It's like, does anyone know what's in a dim sem?
Speaker 3 (34:43):
Nah?
Speaker 2 (34:43):
You know what?
Speaker 6 (34:44):
We should make one with premium ingredients. That'd be funny like.
And we didn't realize how long it would take. Ye,
The minimum run was twelve thousand dimmis. Whoa what are
we going to do with twelve thousand dimmis to pop ups?
Speaker 3 (34:57):
Man?
Speaker 6 (34:57):
And it was just such a dumb business idea because
we had beers partnering with us, and obviously you go
there and you have like two dimmies and then you
drink cans all day. Sure, So the beer partner they
kept all that money, and that was tens of thousands
of dollars, and we're selling a dimmy for.
Speaker 1 (35:13):
Like three dollars. Fifty were on a good day. On
the good day, we sell like five hundred. So I
was like, let's shut this down. And then a wrapper
from Coals was at one of the pop ups and
then we could put.
Speaker 6 (35:25):
Them in stores. It says on the back air fright
one seventy. And the chef text me this morning and said,
can you please tell people to air fright one eighty okay?
Speaker 1 (35:34):
And I was like, can it be that? I hate
to tell you. It says it's two hundred okay, WHI
should be one eighty a recall on the product.
Speaker 2 (35:47):
Jesus Christ, this has been releasing all coals, isn't it.
Speaker 10 (35:50):
Yeah?
Speaker 6 (35:50):
Right?
Speaker 3 (35:51):
Any So, obviously a big part of the show the
podcast now is, you know, losing touch with the common man.
So we want to know whether you've actually lost touch
with the common radio man or all radio. And we
don't test that with the highly patented game show music.
So we've got some of the music that we play
on the radio these days.
Speaker 4 (36:12):
Now.
Speaker 2 (36:12):
I don't know how. I don't know how much commercial radio.
Speaker 1 (36:13):
You listen to you oh you guys.
Speaker 6 (36:17):
Podcast, and they take out the songs.
Speaker 3 (36:19):
Beautiful blos to be Hey, So let's see whether you
can complete the lyrics on some of these songs. Yeah, because.
Speaker 6 (36:31):
And I'm so and because I'm.
Speaker 1 (36:39):
Too damn clean clean, change lyrics very hard. Racy Abrams
does she say?
Speaker 6 (36:50):
At some point she said that it's the back half
of that chorus, isn't it.
Speaker 2 (36:53):
We'll give it.
Speaker 1 (36:54):
That's the lyrics that.
Speaker 2 (36:57):
It didn't seem sad exactly, Graces in general the moment. Yeah,
here we go so wrong.
Speaker 1 (37:04):
Ex song, go and f Yourself?
Speaker 5 (37:19):
Oh, very good, just the jaded drive hosting the car,
go out of yourself.
Speaker 2 (37:26):
I do know this song.
Speaker 6 (37:27):
I don't know the lyrics, but think about a lot
of these pop songs these days. They're enunciating O Jesus.
Speaker 2 (37:37):
Pop songs these days. And you want to go another one?
Speaker 1 (37:40):
Yeah, okay, boy, I bet you think she's so cool?
Speaker 3 (37:52):
Yeah? Nice?
Speaker 2 (37:56):
Well, Well, I didn't know. I don't know that.
Speaker 10 (37:58):
What was that?
Speaker 5 (37:59):
What is that?
Speaker 6 (38:00):
It's Gracy aprons, isn't it?
Speaker 2 (38:01):
Yeah?
Speaker 1 (38:01):
Gracy again?
Speaker 6 (38:02):
Yeah, looking back like Yeah, The reason the reason I
know these songs is because Beck plays them all to
me and dancers looking at me like and and her
and her friends.
Speaker 1 (38:14):
Still, this is so funny. Actually I shouldn't be saying.
Speaker 2 (38:17):
This, but carry on.
Speaker 1 (38:18):
They go are you going to bed?
Speaker 6 (38:20):
And the great because they run their own concerts, so
they did the full Ears tour where.
Speaker 1 (38:25):
They hang on Beck and her friends. Yes, and you're
in bed, I'll go to bed.
Speaker 6 (38:29):
And then they sing till four in the morning, like
all of Taylor Swift and then Gracy Abrams. They sing
this one the time. The other thing they do is
they pretend they're in Victoria's Secret Shows and they put
on songs and they just strut up and down the
house as if they're models. And at times they've asked
me to sit there like I'm Adam Levine's apparently he dates.
Speaker 1 (38:53):
They do. The little wink to me is they go fast,
so I'm sitting there with the midst out kicking the
footy stores.
Speaker 2 (39:02):
This is the best and the worst thing I've ever
been about.
Speaker 1 (39:05):
But yeah, so all these songs are always on a.
Speaker 6 (39:09):
Normally as I'm in bed, just vaguely hearing them, So
maybe they are enunciating the lyrics. I just hear it
through five walls as I've tried to get as far
away from the from as possible.
Speaker 3 (39:21):
One hundred also returns tonight seven thirty, Channel nine and
nine Now if you want to go and see Andy
on the TV's games.
Speaker 2 (39:28):
So Mike gold seend hamish as well.
Speaker 6 (39:32):
Yes, pumped to be back. And then one hundred dozzes
from all around the country and they delivered just the
greatest stories. I'll leave you with this one. What percent
of a strange do you think have a secret family?
Speaker 10 (39:43):
Oh?
Speaker 1 (39:44):
Gotta be low the town.
Speaker 6 (39:47):
You think one ten of three?
Speaker 1 (39:50):
I have a secret family five percent?
Speaker 2 (39:52):
That's very high. And what counts you to a secret family?
Speaker 6 (39:58):
Just a family that rest of your family members don't
know no idea about. What did someone on the on
the zoom call you have a secret family? And I said, well,
there should be five people up, there's any want to
talk about it? And someone's just rung the doorbell and going, yeah, okay,
I'll have a word.
Speaker 1 (40:10):
So it's great. It's my favorite part of the show.
It's probably the same when you guys get calls killing
and surprising.
Speaker 3 (40:15):
It's a part of the show check it out Tonight
seven thirty John nine nine out.
Speaker 2 (40:20):
Thanks Andy,