June 30, 2025 • 37 mins
- Ever wanted to know how Uptown Funk was made? Mark Ronson tells us!
- Are you a once in a lifetime, generational talent? Call us and prove it!
- Pet psychic Jacqui tells us EXACTLY what she needs to be able to find Will dressed as a pussy.
- Can you hear it - $100 per can is back!
- Lingo Bingo
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Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:04):
The Will and Woody Podcast.
Speaker 2 (00:06):
Mark Ronson is on the show right now with us
here at Will and Woody. He's got a brand new
song with Ray called Suzanne. Mark, welcome back to Will
them wood ten years on.
Speaker 3 (00:17):
It's pleasure to have you.
Speaker 4 (00:19):
Yeah, it's great to be back. They thought about you
a lot over the last hang out.
Speaker 2 (00:24):
I can imagine same what he was so intimidated by you,
he didn't actually ask you a question for the whole interview.
Speaker 4 (00:30):
So thanks you do you want us to ask you?
Speaker 3 (00:33):
Well, the problem was that Will took all the good
questions Mark. Yeah, we had a good brainstorm, and I
think Will took all the good ones. Please, So I
ended up commenting on your shoes that you were wearing. Okay,
and all right, thank you? Full license? Okay? Would you
say we're in inspiration behind Susan the new one with Ray? Yes, confirm.
(00:55):
I think we knew that, but good to confirm.
Speaker 2 (00:58):
Hey made Let's actually talk about some music because like
the band is going to get a hold of this interview.
So we actually spoke to Lady Gaga recently, which is
really cool. I know you've worked with her heap, and
we were just talking about that kind of a classic
songwriting process or his ideas process for anyone who's creative.
She was saying that she often wakes up in the
(01:20):
middle of the night and kind of like records her
song ideas or melodies into her phone because she doesn't
want to lose them. And I think it's really interesting
for you and who is a creative person. You're constantly like,
oh my god, if I lose this, I'm not gonna
be able to keep it. And I can empathize when
it comes to, you know, putting chords down in particular
in sequence, they feel like very slippery. But I was
(01:41):
listening to another chat with a guy called grind Chatton,
who's the lead singer of Fontane's. I don't know if
you know him, but he was saying that he actually
never panic writes or panic records his thoughts down because
it takes away the agency of his creativity. So he's like,
I back my creativity in to always come up with
the idea or recreate the idea, and if I I panic,
(02:01):
then I'm almost like undermining my capacity to remake that moment.
Fascinating to know from you, are you a like an
audio note guy? Because I was reading for when you
wrote I'm just can for the Barbie soundtrack.
Speaker 3 (02:13):
That was a fun note where you were like, I
gotta get this down.
Speaker 1 (02:17):
Yeah, that's your pros.
Speaker 4 (02:18):
I think that can you just I'm just going to
move to a quiet zone for.
Speaker 3 (02:22):
Real, real quick.
Speaker 5 (02:23):
Is that all right?
Speaker 3 (02:23):
Yeah, no worries. I'm in a haunted house.
Speaker 2 (02:27):
It really does look okay, craepy, super creepy with the shadow,
the painting, what is going on.
Speaker 4 (02:35):
I do record voice notes because yeah, I do worry
that it's not going to be that. I do think
that there's something to be said that if the idea
is that great and might stay in your hand. But
I actually I meditate every morning where I try to,
I'm gonna have two tiny kids, so it doesn't happen
that often. But sometimes if an idea that comes to
(02:56):
me in the middle of the meditation, I'd be like, oh,
I can't bring the meditor it's bad. But also I
don't want to forget this idea. So sometimes, but then
if I've become so obsession and meditating that I'm trying
to keep playing the idea like the broken rackets, I
don't lose it then, So yeah, sometimes I'll just quickly
set into the oue then go back to you know,
my spiritual transcendence.
Speaker 2 (03:18):
Wow, that's interesting because it really does go against everything
you should be doing when you're meditating.
Speaker 3 (03:23):
He is following a thought train. But it's funny how like.
Speaker 4 (03:27):
It's completely it's the kind of thing you shouldn't be
doing while you're meditating.
Speaker 3 (03:30):
But also that's you count really stop.
Speaker 4 (03:33):
When the ideas come to you, you know, and too,
I just don't really come to me that often, so I.
Speaker 3 (03:37):
Just need them. Another person you've worked with mark is
Bruno Mars Uptown Funk, obviously a huge track all around
the world. You were working on that song for six
months before Bruno got on board.
Speaker 4 (03:52):
So the song took seven months to write, but we
were wroting.
Speaker 3 (03:55):
We were when the very.
Speaker 4 (03:56):
First date Bruno was on drums, I was on bass,
and Jeff Basker was since and we wrote it and
then for six months we were kind of like we
just never could never quite get it. And the first
night we wrote the whole first first we nearly gave
up so many times, and then I'd wait till everybody
just kind of forgot that we were all getting on
each other's nerves and then I'd be like, hey, you
(04:18):
guys want to get on that song. But it wasn't
until Bruno came six months kind of into it with
a doodo. Bruno Phil came out with that, and then
it suddenly was like the missing piece that we needed
to glue to hold the whole song together. From there
it just kind of like it's really kind of just
but even getting the guitar bit and yeah, I was
(04:39):
so stressed about finishing this song. I was trying to
get the perfect guitar bit. And it was the hottest
day of the year in London, and I went out
to a restaurant and I fainted in the restaurant and
threw up in the toilet. My friend had to carry
me back.
Speaker 3 (04:51):
And then I finished that game, finished that damn guitar line.
When I came to you were in part responsible for,
I would say, one of the biggest songs of the
last decade in Uptown Funk with Bruno Mars. But I
heard that when you were trying to put that song
together it was really hard to get into the same
room as Bruno.
Speaker 6 (05:11):
Well, we were making Uptown Funk over the course of
seven months. I had to go a lot of the
times wherever Bruno was on tour. So I think the
last session was in Toronto. He was playing there, you know,
sold out shows Toronto, and then you know, right after
the show he'd come back to the studio so we
could finish this song. But I had this special five
string bass that you hear on the song that I
(05:33):
had to bring it everywhere we went. It was the
sound kind of the sound of the song. I got
on this little flight from New York to Toronto, like
one hour long flight, put my big bass in this
little closet when you walk on the flight, and during
the flight the bass fell over somehow got stuck that
they couldn't open the door to the closet when the
plane landed, and then the captain had all this stuff
(05:56):
in there, all the flight crew had all this stuff
in there, so they had to send this whole team
on to unscrew the door and take it on, like
take my base out. So the Uptown Front Mace caused
a lot of grief to the Air Canada pilots that day,
But then I'd like to think it brought them a
lot of joy too, Sure I did.
Speaker 2 (06:17):
I was speaking about bringing people a lot of joy. Mate,
I know you've got a brand new book which is
going to bring a lot of people a lot of joy.
It's called Night People, How to be a DJ in
nineties New York City. I know that is how you
started your career in music, underage, at one point playing
in all sorts of clubs in New York.
Speaker 1 (06:34):
Why did you Why did you not writing the book?
Speaker 6 (06:37):
I wrote this book for a lot of reasons. I
wanted to celebrate a certain scene, you know, New York
hip hop scene in the nineties, and I also wanted
to get give people a sense of what being a
gigging DJ is really like. You know, I think when
people think of DJs, they automatically think clamorous Calvin Harris
maybe on stage one hundred thousand people going crazy, but
(07:00):
you know you And also djang is playing in bog Yeah,
it's d bowling alleys. Yeah, all sorts of shit, five
nights a week for you know, back then we were
doing it for sometimes seventy five bucks.
Speaker 1 (07:11):
If you don't get pretty much dealing.
Speaker 6 (07:12):
With all the stress and headaches of lunatic club owners
and like drum people are asking for a request, but
also just loving it so much and that feeling of
like when you lift the crowd at that moment.
Speaker 3 (07:23):
You dropped the right records, there's.
Speaker 6 (07:25):
Nothing better than it. So I wanted to make this
book to talk about the sort of high hive and
the low lows of something that I love doing so
much and I've done for so long.
Speaker 3 (07:37):
Cool and Will he cannot to sign Mark, He totally
gets it. Hey gets the early gig stuff because I'm
gonna be honest with you, Ma, and Will want me
telling you this, but we'll on the weekend. Actually DJed
at a Cold Plunge and Sauna studio.
Speaker 6 (07:53):
I think djang at a Cold Plunge is very cool.
Speaker 1 (07:58):
Thanks, no question.
Speaker 6 (07:59):
Appreciate the subjective puns. You could go heavy on this
sort of ice spice A very good.
Speaker 2 (08:08):
Yeah.
Speaker 6 (08:10):
I have a feeling your class your classier than that.
Speaker 3 (08:15):
It's ava. Thank you. Thanks the route, Yeah, I'm went
the ambient route. I appreciate that.
Speaker 1 (08:21):
And I'll take this an invitation for us to play
back to back sometime.
Speaker 3 (08:24):
I would have liked the puns. Can I just say
for the record, Will, Yeah, I would like You're not.
Speaker 2 (08:28):
Cool, Hey, Mark, it's been brilliant, mate, so good to
talk to you.
Speaker 1 (08:31):
Thank you so much again for coming on the show.
Speaker 7 (08:33):
Thank you, guys.
Speaker 6 (08:34):
I hope to see you well, at least not have
to wait another ten years.
Speaker 2 (08:39):
I think I could be the best mouth trumpeter of
our generation.
Speaker 3 (08:45):
I wish I could pull you down here, but you
are exceptional at the mouth trump I'll have.
Speaker 1 (08:49):
You guys have taste that in a second.
Speaker 3 (08:51):
Oh jeez, what a hook. You're not going anywhere now.
Speaker 2 (08:55):
The reason I the reason that I I I want
to know that from you guys, if you think you're
the best at something in your generation, is because Taylor
Swift's ex Matt Healey from the band In nineteen seventy five,
he was a Glasstow and he was about to play
his band's hit Chocolate Now. I want you to have
a listen to this song properly, because he says something
(09:15):
about this song afterwards.
Speaker 1 (09:17):
This is a song.
Speaker 3 (09:33):
I can't hear what he's saying, but it's it's upbeat.
Speaker 2 (09:39):
It's kind of like it's going to like play school
meets like a dead animal anyway.
Speaker 3 (09:46):
So that's aggressive review.
Speaker 2 (09:49):
So before he goes into the song, he says this
to everyone at Glastonbury, you have.
Speaker 3 (09:54):
Listen what this moment is made to me realize is
that I probably the best I'm probably the best song
of my generation.
Speaker 4 (10:04):
A poet, ladies, gentleman's what I am generational words thing
and just just I just work to remind you, you know,
in the next couple of minutes these lyrics is poetry,
I plead for you.
Speaker 3 (10:18):
I mean, people are laughing, but is he joking?
Speaker 2 (10:20):
Well, you hope he's joking Woods because if he's not,
I mean Beyonce called.
Speaker 3 (10:30):
Oh right, so he's he's saying I'm better than her.
Speaker 1 (10:34):
Yeah, man of his generation.
Speaker 2 (10:35):
Yeah, Poni Her probably called in as well and was like,
I don't think so, mate. And this is serious, yeah,
serious singer songwriters.
Speaker 3 (10:46):
I'm not really across Maddie. Heally, you know music more
than me. Where does he sit?
Speaker 7 (10:50):
So?
Speaker 3 (10:50):
Is he?
Speaker 4 (10:50):
Is he?
Speaker 2 (10:50):
Like?
Speaker 3 (10:51):
Is he awesome? And I've just been living under a rock?
Or is he No?
Speaker 2 (10:54):
No, he's I know you've been under and look I think, Adele,
I mean like, I mean really and again, but.
Speaker 3 (11:01):
I'm playing and I'm just playing.
Speaker 2 (11:03):
These are just the commercial ones, like the obvious ones
off the top of my head, like everyone knows these people.
Speaker 3 (11:11):
So where is heels? His heels in the top.
Speaker 2 (11:14):
Ten somewhere between here and Wankerville, in which he is
the president. I I, yeah, look, yeah, I think I
think he was joking. I just you know, even nowhere
near it, Like, you know, if he was in the conversation,
I think it's funny that he.
Speaker 3 (11:30):
Makes that joke. Sure, but he's he's kind.
Speaker 2 (11:34):
But you know, like he's not all the way out
of the conversation either, like he's performing at Glassonby, he's
in that weird half way house.
Speaker 3 (11:40):
We're making those jokes. It's like, well, were you Like
were you serious though? Do you know what I mean?
Speaker 2 (11:45):
Like, if you had to be an out of wide
out of the conversation he makes that joke, it's like,
oh god, he's always taking Yes, he's joke exactly, Like, oh,
but you're right, he's in You're a.
Speaker 3 (11:57):
Yeah, yeah make that comment. You you do kind of
believe you think that? Yeah.
Speaker 2 (12:01):
So anyway, I toyed around with this and I was like, well, look,
if we're all just going to sit here and boast
about what we're the best out of our generation, my
mouth trumpet's unbelievable.
Speaker 3 (12:09):
It actually is extraordinary.
Speaker 2 (12:11):
And I think if you're gonna If you're gonna call
with something that you think you are the best out
of your generation, you've got to be able to put
it on show.
Speaker 1 (12:17):
You got to be able to prove it in some way.
Speaker 3 (12:19):
I can't put mine on show, but you have seen
this in play. I am the best in my generation
at discreetly leaving social events. I am. Yeah, you're a
good spoke. I buy myself two to three hours where
it's like, at what time did he? Actually? I can
shout for that, someone do a pop in. I'm there
for ten minutes, but I think I've bought myself like
(12:40):
a four hour appearance because I come in and I'm loud.
Sometimes I feel like you're still there, but you're not.
Exactly it's incredible, exactly.
Speaker 1 (12:46):
Yeah, you do that very well.
Speaker 2 (12:47):
Yeah, OK, do you want to hear a bit of
the mouth show the other thing that I think I
am incredible at in my generation.
Speaker 3 (12:52):
I'm sure. I'm sure you have a few ordering food
very good in that could be the best of my generation.
That is true.
Speaker 2 (13:00):
I'm also very good at if I know nothing about something,
If someone asked me a question about something that I
know nothing about, I'm very good at bringing up another fact. Yes,
within that question infurio that makes me seem like I
know something about it.
Speaker 3 (13:14):
You'll ask you a question about crocodiles and you'll go,
m crocodiles, Well, speaking of other water mammals, Yeah, let
me tell you about the shark. It's ridiculous. Yeah, how
you do it?
Speaker 7 (13:22):
Yeah?
Speaker 2 (13:23):
Yeah, So you can think of a question over the song, Okay, sure,
and I'll be able to show that off. Yeah, sure,
and I will. I'll wheel out the mouth trumpet on
the other side as well. Okay, is there too much
of matisse? You want to hear your mouth trumpet that
people want to hear the mouth trumpet?
Speaker 3 (13:33):
Okay, all right, maybe there's give us a few bars
and if you want to hear the rest of the song,
we need to stick around.
Speaker 2 (13:39):
I'm going to go for a famous trumpet song again,
thirteen one O six y five. If you think you're
a generational talent at something, here we go. This is
when the Saints go marching in.
Speaker 3 (13:48):
Which is an AFL football team.
Speaker 1 (13:50):
So it's just famous.
Speaker 3 (13:51):
Oh is it really? Yeah? Adapted by an AFL me. Okay,
here we go.
Speaker 1 (14:09):
Exact like, tell you very much, no one's competing with that.
Speaker 3 (14:13):
No, it's it's it's umble and aragon. Just more mouth
trumpet up nexton I think maybe just call for a request.
What do you want to hear on the mouth trumpet?
What do you Van Morrison like? What do you want?
What drum solo do you want to hear? Up next?
Speaker 2 (14:29):
I'll tell you what if you you can mouth trump
it better than me, I will also take that call.
Speaker 3 (14:33):
We did just hear a little bit of that sample.
A lot of people are saying they want to hear more,
but we are going to go to the calls first. Sure,
I hope you've got a second song up your sleeve
for there?
Speaker 1 (14:42):
Will I do there?
Speaker 3 (14:43):
Mate? What you like?
Speaker 5 (14:44):
Uh?
Speaker 3 (14:44):
Well, we've got Mark ronson actually on the show. I
want you do uptown funk. Okay. Later on, let's go
to Liam a hard one. Liam. Are you a generational talent?
What are you the best in your generation? At?
Speaker 8 (14:59):
I can accord tongue twisters?
Speaker 3 (15:01):
Say, can you give me my talent?
Speaker 8 (15:05):
So the one of the paper bag was the most
A box of mixed biscuits, biscuit mixer?
Speaker 5 (15:12):
What is it?
Speaker 3 (15:12):
A box?
Speaker 2 (15:13):
A box of Jesus came into the first word, A
box of mixed biscuits in a biscuit mixer.
Speaker 3 (15:21):
Okay, you say it fast, Lamb.
Speaker 8 (15:23):
I bought some mixed biscuits mixer.
Speaker 3 (15:25):
Can you say? Can you say square cut punt quick?
Three times? I come, and he's good at it, he
won't slip. All right, let's give it a try. Lam
you're back, Liam say square cut punt three times? No? No, no, no, no, no, Hey,
I know.
Speaker 1 (15:44):
The tongue ties is actually.
Speaker 2 (15:47):
Were cut punt or a punt cut square? Okay, that's
the tongue twist.
Speaker 3 (15:54):
Do you hear that? Lamb lamb Okay.
Speaker 8 (16:00):
Square cut punt? Well cut square?
Speaker 1 (16:07):
You're the best?
Speaker 3 (16:08):
Well? He never said? Everyone, do you want to give
six fight? Well? Liam, that is a talent. That's extraordinary.
That's good stuff. Chris. What are you the best in
your generation at? Yeah, guys, I reckon, I am the
best at doing water droplet sounds like a leaky tap
with my mouth. Give it to me, Give it to me, Chris? Ready, boys, Yeah,
(16:32):
that's pretty good. Hey, Chris, have you ever genuinely made
someone believe that there was a leak in a room?
Speaker 1 (16:37):
I do it all the time to my kids.
Speaker 3 (16:39):
That's I mean, have you have you have you pulled
it off with an adult though, Because let's be honest,
I can make Remy believe that I.
Speaker 8 (16:44):
Actually I have done it once with the Misses when
we stayed in the hotel, was dripping through the night.
Speaker 2 (16:51):
You sounds like a dream to go away with Chris,
spend the whole night of.
Speaker 3 (16:58):
Every hotel and on holiday. I get I'd get the
get the porter up and going sorry, there's a leak
in this room. I'm pretty sure. Let's go to Michael Michael.
Speaker 2 (17:09):
Do you think you're the best in your generation generational talent?
Speaker 3 (17:12):
Michael Michael, Oh, you're talking to Kermit, not Michael. We
go Kermit back five. You have no have been on
the show Analyse. You love this guy, don't she doesna.
Speaker 2 (17:31):
Junior producer analysis put across good on your Kermit?
Speaker 3 (17:35):
I mean you want to ask him anything? Well, I
actually just want to know if you've got a song
request for Will. I'm want to move off the Kermit
voice still. I mean, he's so good at the mouth trumpet, Kermit.
I'm sure you've got to sung up your sleeve that
you want Will to play.
Speaker 8 (17:46):
Yeah, yeah, I want I want him to do some weird.
Speaker 3 (17:52):
We can do a bit of a duet here, if
you'd like Kurmit, what do you think?
Speaker 5 (17:55):
Yeah, right, okay, we're oky, Okay, okay, this is no
one wants this, but you two are going to enjoy it,
all right, No.
Speaker 3 (18:08):
Practices in Kermit. Alright, I won, I won, one, two, three, four.
Speaker 7 (18:17):
Were the ring?
Speaker 3 (18:22):
Alright. Mark Romson's on the show later blame Matt Kermit.
Speaker 2 (18:30):
It's gad to hear your voice, mate. You can have yourself.
You can you hear Toby Holder? Thanks for calling the show.
Speaker 3 (18:35):
It's the real guy, that's the real you. This woman
joined us on air, I'm gonna say two weeks ago,
and she was effectively telling us about her extraordinary ability
(18:56):
to be able to find missing pats. That's right. She
said that her method is effectively, she finds out about
a missing pet, you're get in contact with her, and
she is able to find these missing pets on Google
Maps and is anywhere in the world. That's right, Will.
So then anyway, we got thinking and we were like,
we just love to put this to the test on
the radio show. So we got her back on the
(19:17):
show last week and said this, what if Will dressed
up like a pussy cat and we dropped Will somewhere,
would you be able to feel where Will is if
he went full method. We're talking the outfit, we're talking
the whiskers, we're talking the meowing.
Speaker 7 (19:33):
Yeah.
Speaker 9 (19:34):
Yeah, you could do with.
Speaker 3 (19:35):
Me as well.
Speaker 8 (19:37):
Yeah, and I'll have foes under five minutes.
Speaker 1 (19:40):
You'll have the coordinates in under five minutes.
Speaker 8 (19:42):
Yeah.
Speaker 3 (19:42):
So I have to act like a cat while I'm
in hiding. You have to do that, yeah, yeah, five minutes.
It's a perfect radio spot. Jackie joins us on the
phone right now, Hello, Jackie, Hello, Hello, Hello, Hello here Jackie.
You're still up for the challenge. Yes, okay, so are we?
(20:05):
We are? We are so in on this. Australia is
in on this. So Jackie, just to confirm we are,
we're going to fly you into the radio studio. You're
across this, yes, okay, amazing, So you'll be You'll be
in the radio studio with me, Jackie. Will Will is
going to be somewhere in Australia dressed as a pussy cat. Yes,
(20:26):
in fire. So what what other information do you need
other than the fact that Will is somewhere in Australia
dressed as a pussy cat?
Speaker 8 (20:32):
Okay, so I would need a way went from, like
if I'm looking for missing cat or dog or where
did they missing from?
Speaker 3 (20:42):
Yeah? Okay, so if you last point, if it is
if it is left from the radio studio, that would
be enough for you. Yes, okay, unbelievable. Is there any
other information you need?
Speaker 8 (20:53):
Another as a was from him, or a piece of
jewelry or doing a hat he wears reguly or something.
Speaker 3 (21:02):
Okay, okay, so one of his possessions. It's blanky blank
blank blanky okay, So just something something like he's watch
what he wears a watch? Okay?
Speaker 2 (21:17):
And can I drive from the location that I leave from, Jackie?
Speaker 1 (21:20):
Or I need a walk?
Speaker 8 (21:23):
Actually it's harder to clack in a car. I mean
you better walk on like you were a cat. We
left home and run away?
Speaker 1 (21:33):
Okay, I actually run away?
Speaker 3 (21:35):
Okay? What if this cat could ride a bike?
Speaker 7 (21:38):
Can run a bike?
Speaker 3 (21:40):
Okay?
Speaker 2 (21:40):
Okay, no, no, So I need to have walked to
the place where I'm going, Okay, yep, yep, Okay, that's
absolutely fine.
Speaker 1 (21:47):
And then so and then but then what's the proximity then, Jackie?
Speaker 2 (21:50):
Because if I'm walking and then you know, you know
that I've been gone for half an hour.
Speaker 8 (21:54):
Well no, you could say, well, you could say to
me my cat or he he's a cow? Right, we've
gone missing last night o'clock at night, someone might ring mess.
Speaker 3 (22:10):
Okay, so so so, Jackie, we just need to say
to you Will went Will went missing from the radio studio.
Say at mid day we could say to you ye,
and then later that afternoon if you're in the studio,
you will still be able to tell me where he
is on Google.
Speaker 1 (22:25):
Yes, okay, that is and.
Speaker 3 (22:27):
Sorry, Jackie. Final question from me, how long does Will
have to live like a pussy cat for this to
be pulled off?
Speaker 7 (22:33):
Like?
Speaker 3 (22:33):
Does he need to be a pussy cat for two
to three days?
Speaker 7 (22:37):
As long as it's before me?
Speaker 3 (22:40):
Yeah? Beforehand? Does he need to live like a cat
for two days?
Speaker 8 (22:44):
Yeah he could do that?
Speaker 3 (22:45):
Yeah yeah, great, that's you just said he could do that.
I'm sorry, it'll help me. Sorry, I'm not doing that, Jackie.
Another sorry, another question?
Speaker 8 (22:55):
Do you before before you need?
Speaker 3 (22:59):
It will be fun? It lives like a cabin Jackie.
Do you have any doubt in your mind that you
maybe won't be able to find him or are you
one hundred percent confident?
Speaker 1 (23:10):
So I want to throw this to phones wood.
Speaker 3 (23:12):
Let's keep Jackie on the phone. There's got any doubts
about this. I mean, I'm sure there are some se
s workers who have recovered people, people who track people
for a living, does pets mate peoples, people that have
lost their pet before. Because I think if Jackie can.
Speaker 1 (23:29):
Pull this off, this is unbelievable.
Speaker 2 (23:30):
But I'm sure there are a lot of people listening
right now who are going that what Jackie does is
bloody hard.
Speaker 3 (23:35):
It's an idea of how hard it.
Speaker 2 (23:37):
Is to find a pet that goes missing. Thirteen one
oh sixty five, Jackie Clairvoyant dot com. If you're want
to go and get Jackie to find your pet, Jackie's
going to find me in a pussy Cat onesI later
in the week.
Speaker 3 (23:51):
And what are we asking? Do you think Jackie can
do it?
Speaker 1 (23:53):
Do you think she can pull it off?
Speaker 3 (23:54):
Okay, great, yeah, great, brilliant Jackie wants to hear it
goes thirty one sixty five. Can she pull it off?
I'm a believer, jack I'm a believer.
Speaker 2 (24:03):
You've found pets in Romania, you found them in New York.
You're on course constantly internationally to find people's pets. So
really making it a domestic or a national issue should
be easier for you.
Speaker 7 (24:15):
It should be easier. It's easier for me to find
a pet if a pets hasn't been taken into your house,
because I see what the pets is from their perspective.
Speaker 3 (24:24):
You see what the peties from the bush. So you're
going to be looking through my eyes, Jackie. Yes, don't
do anything naughty when you're heart Now you go and
take away from when are you looking through my eyes?
Speaker 7 (24:40):
From?
Speaker 9 (24:40):
When?
Speaker 3 (24:40):
Yeah?
Speaker 7 (24:41):
From when I start looking for you?
Speaker 3 (24:43):
Oh my god, my gosh.
Speaker 2 (24:45):
Well don't look for me anytime this week, Jock, can
you stay out of my head?
Speaker 3 (24:54):
And Jackie so so be honest, be honest, Jackie. Have
you ever been employed by someone and then not being
able to find the pet?
Speaker 7 (25:02):
I have it deployed by someone to look for a pet,
and we have to try to think, actually, if I
haven't found I no, I found a cat for somebody
who was ten.
Speaker 3 (25:14):
Years found a cat that was missing for ten years.
Speaker 9 (25:18):
Two years?
Speaker 3 (25:20):
Did you're unbelievable? All right, Well let's go to Dylan here.
Dylan and Jackie can find me.
Speaker 8 (25:24):
Absolutely no chance, oh.
Speaker 3 (25:28):
Dylan, Dylan grounds Dylan. I mean you've heard her. She's
she's an international pet psychic. She can see what the
cats and dogs see. Why don't you think she'll be
able to do a Dylan?
Speaker 8 (25:39):
I was following my dogs about escaped my Facebook message
posted by the local community. Yeah, I didn't find him.
I lost him for a week.
Speaker 3 (25:47):
Do you want do you want Jackie to find him?
Is he still.
Speaker 5 (25:55):
Good?
Speaker 2 (25:56):
Well, now you can skip the cue that deal Jackie
clairvoyant dot com. Jackie can bind him like that. You
could have found him gooding in jack Yes, you did?
Speaker 3 (26:03):
You know where he was already? Jackie?
Speaker 7 (26:05):
Which one?
Speaker 3 (26:07):
There's too many? There's too many, Jackie. I got another
question for you. How long have you? How long have
you known that you can see what pet's see when
they're missing?
Speaker 7 (26:19):
How long have I known? How long have I been
able to do this?
Speaker 8 (26:23):
I have known since.
Speaker 7 (26:24):
I was two years old my father, my father was
in the Air Force and we were based in Singapore,
and my mother used to have coffee mornings for the
mums of babies to come around. And I started talking
to this ladies tummy and saying as a baby in
there and talking to the baby, and she said she'd
been trying her baby about ten years and hadn't had success.
(26:46):
But then she went back to the UK and wrote
a letter of my mother telling her I know what happened,
but I was pregnant, Jackie.
Speaker 2 (26:55):
Play that music again, Player music easy, Jaggie.
Speaker 3 (27:00):
Jackie beca. This is more than just finding pets. You
can you can talk to babies in the womb. My
my wife as a child in the womb. Could you
chat to them?
Speaker 2 (27:11):
Yeah, you can see through your child's eyes, mate, Jackie.
Speaker 3 (27:16):
I think we've got a big week with you, mate,
so we're.
Speaker 2 (27:17):
Gonna keep things moving here one, he goes on. Later
in the week, I will go in hiding somewhere as
a pussy cat. Jackie will find me within five minutes
by looking through my eyes.
Speaker 7 (27:30):
Need your photos? All I need is want to do
is look at Jackie.
Speaker 3 (27:34):
Do you want the photo with or without me? And
the Onesie? You want me one with thee as a little.
Speaker 7 (27:48):
I would have the drink.
Speaker 5 (27:55):
No.
Speaker 3 (27:56):
No. If you know the difference between beer and soft
ring based on the sound of the can opening, you
can win yourself just a lot of sweet sweet cash,
will Stacey. It's one hundred bucks a can. You want
to go for can one. Yep, all right, let's do it.
Here it is.
Speaker 1 (28:16):
That's why I've called dickhead.
Speaker 3 (28:19):
Fair enough.
Speaker 7 (28:25):
Soft ing.
Speaker 3 (28:27):
Sorry, stayce, that was a beer. Can you hear it?
Speaker 1 (28:36):
Stubby holder for you?
Speaker 3 (28:38):
There's days still trying to get rid of them before
the end of financial years, So we've got one day
to go. Let's go to Kathy. Here, Kathy, the energy.
I like it.
Speaker 8 (28:51):
I'm actually thinking I'm not going to get any right,
but I get to talk to you, so that's a bonus.
Speaker 3 (28:55):
Ah, there you go, Kath. Great to talk to you too,
Kat Here is can one. Let's get you some cash
as well.
Speaker 8 (29:10):
That sounds like a beer.
Speaker 3 (29:12):
You called it, right, Kath. That was a coke. That
was a soft drink. Yeah, that's what it is, you mate.
Why don't take two? Take two? Kathy, take it, Take
one for the whole family. Cat will give you five. Tommy,
you want to play? Can you hear it? So far
we've given away zero dollars? Are you actually good at this? Tommy?
Speaker 7 (29:34):
I am all right.
Speaker 3 (29:35):
Is that your child in the background that I heard there?
Speaker 8 (29:37):
Oh? Yeah, my son's been telling me to call you guys.
Speaker 3 (29:39):
All right, let's do it for him. Oh, Hello, mate,
what's your name? Did you say Jocelyn?
Speaker 8 (29:47):
Jocelyn?
Speaker 3 (29:47):
And said I love that. Jocelyn was a great name,
strong name. Let's do it for Jocelyn and Nathan. Here's
can one Tommy.
Speaker 5 (30:02):
Beer.
Speaker 3 (30:06):
One hundred bucks, Tommy, one hundred bucks. Let's go straight
to canto. Tommy, you're on a heater shutter, Tommy, you
would immediately tell.
Speaker 2 (30:22):
Me, yeah, go Are you sharing the cash with the kids, Tommy?
Speaker 5 (30:28):
Oh? I got I need one more so they can
share it between the three of them.
Speaker 3 (30:31):
Oh wow, So who currently has one hundred dollars out
of your two kids? Then tell me just me? Okay,
so all the money is going to you, all right,
but this plit is my kids. Okay, kids? Are you
already if he gets it's one hundred bucks each? Yeah,
they're focused. They're very focused.
Speaker 7 (30:50):
I like it.
Speaker 3 (30:51):
That want to put off dad? Alright, it's just dawned
on them. More money than they could ever imagine. Can
three for three hundred bucks?
Speaker 2 (31:01):
Oh?
Speaker 7 (31:09):
Shut?
Speaker 3 (31:13):
That was so to my friend. Three hundred boxes?
Speaker 8 (31:16):
Yes?
Speaker 7 (31:19):
Can I can?
Speaker 3 (31:19):
I can? I ask you? What's Nathan going to spend
the money on?
Speaker 1 (31:22):
I think it's Mason?
Speaker 3 (31:23):
Would is it Mason? Excuse me. What's what's Mason going
to buy with his money? What are you gonna buy?
Buddyke Poke Pokemon strong strong choice, let's get.
Speaker 1 (31:38):
And what was that one?
Speaker 5 (31:39):
We're going away on a family trip.
Speaker 3 (31:41):
Oh, all right, let's let's go to Malaysia, Laisia, yes, truth,
all right, well, let's let's cover your whole trip here, Mason, Jocelyn, Tommy,
let's do it. Can can four hundred dollars one hundred
tell us.
Speaker 7 (32:08):
Beer?
Speaker 3 (32:09):
Oh, Tommy, he's on one.
Speaker 1 (32:10):
Tommy, he's got five hundred bucks?
Speaker 8 (32:13):
Wow?
Speaker 1 (32:14):
Or four hundred bucks?
Speaker 3 (32:15):
Four hundred You've got four hundred dollars, Tommy. I'm not
sure we're able to give the kids the cash if
it does involve beer, but we'll sort that out in
the back end. A last saw that we don't know
where it goes once she's in it too. You're very welcome,
but very welcome, Mason.
Speaker 1 (32:30):
How much we go?
Speaker 3 (32:30):
This is for five hundred bucks? Yeah, five hundred bucks?
Speaker 1 (32:33):
Okay?
Speaker 3 (32:34):
This is I mean, this is this is a night's
Ta coom Oregon, like a real deliicious place in Malaysia.
All right, here we go, Tommy, for five hundred bucks.
Speaker 1 (32:41):
Here are children, man, what are you talking about?
Speaker 3 (32:46):
A penhouse? Shudder? Oh, Tommy, all right, so that was
a big run though, made four hundred bucks on How
good is that? Oh, pleasure guys than you know, and
(33:09):
buy some Pokemon cards, get some Malaysia, have the time
of your life.
Speaker 7 (33:14):
Appreciate it.
Speaker 3 (33:16):
Oh, no, worries it all Tommy.
Speaker 1 (33:17):
They say that.
Speaker 3 (33:19):
I think one of them sounds a lot like Elmo.
You said about my daughter as well. That's just that's
just kids man. Squeaky voice, what of Elm? I going
on there?
Speaker 2 (33:28):
I don't like Tommy was always putting the voices on
with him if he was, do you.
Speaker 5 (33:32):
Know what I mean?
Speaker 3 (33:32):
There's a final leone about that. Yeah, Tommy, Tommy, I
think he's Tommy. Are you actually in the car there
or are you with the kids as well?
Speaker 2 (33:40):
Oh?
Speaker 6 (33:41):
What do you think you here?
Speaker 3 (33:44):
That's real? That's real, boy, that's a chu real. And
does your workplace have a linger that you think anyone
outside of your occupation wouldn't understand? So we put that
(34:06):
to the test. You dropped straight into your lingo and
we try and guess what your occupation is. We got
Sarah here, Sarah, welcome to the show. Drops straight into
your lingo.
Speaker 9 (34:14):
Please, So we're going to have to do the potentially
a arm if she hasn't shrummed.
Speaker 3 (34:21):
If I haven't sm srum shrummed, can you just shrumm?
Can you say that first line again?
Speaker 9 (34:29):
Sorry, Sarah, we're gonna have to do a V A M,
V R MVRM potentially. Sorry, we're going to have to
do a V and a potentially an A R M
if she hasn't shrumped.
Speaker 3 (34:42):
Is it trommed or tromp.
Speaker 9 (34:44):
Tromp trum tromp.
Speaker 3 (34:46):
Trommed trump sounds like prompt could but like you.
Speaker 2 (34:51):
Know, trum, she should prompt trumps a Jewish maybe shrom
like shmir.
Speaker 3 (34:57):
No, So what I'm hearing shrom Yeah, yeah, Yeah, what
I'm hearing is you shrom in a sentence. I don't
know what trum means. It's going to Sarah. I think
that's giving away too much given let's break down what
she said though. She's she's talking about V E M
S and then if that doesn't work.
Speaker 9 (35:18):
We're going to have to do a V yeah, V
and a potentially an ARM.
Speaker 3 (35:24):
And potentially an a R. So like an arm, No,
an arm, it's a sometimes acronyms sound like words words,
but they are the word.
Speaker 1 (35:36):
Or we're going to be schrom and or she's shrom.
Speaker 3 (35:40):
Look I'm not I'm gonna be where she's shrom.
Speaker 9 (35:42):
It could be something to do with an arm or
what about?
Speaker 3 (35:45):
Could she be an mbo like trump?
Speaker 1 (35:46):
Could could trom be an acronym.
Speaker 3 (35:48):
For she's having over? No over? Medical time? Are you
are you? Are you an obstetrician?
Speaker 9 (36:00):
Sarah, I'm actually a midwife.
Speaker 3 (36:03):
Oh, vaginal examination at the start of vaginal examination.
Speaker 9 (36:13):
Rupture of membrane. Wow, it's not spontaneous rupture of membranes?
Speaker 2 (36:19):
Is that a Shromyes, spontaneous rupture membrane membrane.
Speaker 3 (36:26):
And that's pretty pretty full on Sarah.
Speaker 9 (36:28):
Yeah.
Speaker 3 (36:29):
Yeah, it just means she's probably, you know, breaking the water.
That's fine. Is a breaking of the waters?
Speaker 9 (36:36):
Yeah, sum isn't natural and the A is the artificial.
Speaker 2 (36:41):
So when you go in there and you break the
arm essentially like a stretch and sweep Sarah, is that
we're talking there?
Speaker 3 (36:48):
Yeah?
Speaker 9 (36:49):
I think like that, but you just use a little
hook like a Crosier hook.
Speaker 3 (36:53):
I reckon when I'm in the I'm going to be
in the birth in sweet in October. I'm going to
be I'm going to be dropping this. Are we shroman?
Are we arming? Where we are?
Speaker 7 (37:00):
Can I do the vie?
Speaker 3 (37:01):
Yep, I'd love to vie if we could have told
you that, Hey, Sarah, did you hear what do you
give birth? Last week?
Speaker 9 (37:07):
Actually, I wanted to try to get through to you, guys,
because the one thing that he should have been doing,
with that excessive way, you should have been getting up
The Will and Woody Podcast.
Speaker 2 (00:06):
Mark Ronson is on the show right now with us
here at Will and Woody. He's got a brand new
song with Ray called Suzanne. Mark, welcome back to Will
them wood ten years on.
Speaker 3 (00:17):
It's pleasure to have you.
Speaker 4 (00:19):
Yeah, it's great to be back. They thought about you
a lot over the last hang out.
Speaker 2 (00:24):
I can imagine same what he was so intimidated by you,
he didn't actually ask you a question for the whole interview.
Speaker 4 (00:30):
So thanks you do you want us to ask you?
Speaker 3 (00:33):
Well, the problem was that Will took all the good
questions Mark. Yeah, we had a good brainstorm, and I
think Will took all the good ones. Please, So I
ended up commenting on your shoes that you were wearing. Okay,
and all right, thank you? Full license? Okay? Would you
say we're in inspiration behind Susan the new one with Ray? Yes, confirm.
(00:55):
I think we knew that, but good to confirm.
Speaker 2 (00:58):
Hey made Let's actually talk about some music because like
the band is going to get a hold of this interview.
So we actually spoke to Lady Gaga recently, which is
really cool. I know you've worked with her heap, and
we were just talking about that kind of a classic
songwriting process or his ideas process for anyone who's creative.
She was saying that she often wakes up in the
(01:20):
middle of the night and kind of like records her
song ideas or melodies into her phone because she doesn't
want to lose them. And I think it's really interesting
for you and who is a creative person. You're constantly like,
oh my god, if I lose this, I'm not gonna
be able to keep it. And I can empathize when
it comes to, you know, putting chords down in particular
in sequence, they feel like very slippery. But I was
(01:41):
listening to another chat with a guy called grind Chatton,
who's the lead singer of Fontane's. I don't know if
you know him, but he was saying that he actually
never panic writes or panic records his thoughts down because
it takes away the agency of his creativity. So he's like,
I back my creativity in to always come up with
the idea or recreate the idea, and if I I panic,
(02:01):
then I'm almost like undermining my capacity to remake that moment.
Fascinating to know from you, are you a like an
audio note guy? Because I was reading for when you
wrote I'm just can for the Barbie soundtrack.
Speaker 3 (02:13):
That was a fun note where you were like, I
gotta get this down.
Speaker 1 (02:17):
Yeah, that's your pros.
Speaker 4 (02:18):
I think that can you just I'm just going to
move to a quiet zone for.
Speaker 3 (02:22):
Real, real quick.
Speaker 5 (02:23):
Is that all right?
Speaker 3 (02:23):
Yeah, no worries. I'm in a haunted house.
Speaker 2 (02:27):
It really does look okay, craepy, super creepy with the shadow,
the painting, what is going on.
Speaker 4 (02:35):
I do record voice notes because yeah, I do worry
that it's not going to be that. I do think
that there's something to be said that if the idea
is that great and might stay in your hand. But
I actually I meditate every morning where I try to,
I'm gonna have two tiny kids, so it doesn't happen
that often. But sometimes if an idea that comes to
(02:56):
me in the middle of the meditation, I'd be like, oh,
I can't bring the meditor it's bad. But also I
don't want to forget this idea. So sometimes, but then
if I've become so obsession and meditating that I'm trying
to keep playing the idea like the broken rackets, I
don't lose it then, So yeah, sometimes I'll just quickly
set into the oue then go back to you know,
my spiritual transcendence.
Speaker 2 (03:18):
Wow, that's interesting because it really does go against everything
you should be doing when you're meditating.
Speaker 3 (03:23):
He is following a thought train. But it's funny how like.
Speaker 4 (03:27):
It's completely it's the kind of thing you shouldn't be
doing while you're meditating.
Speaker 3 (03:30):
But also that's you count really stop.
Speaker 4 (03:33):
When the ideas come to you, you know, and too,
I just don't really come to me that often, so I.
Speaker 3 (03:37):
Just need them. Another person you've worked with mark is
Bruno Mars Uptown Funk, obviously a huge track all around
the world. You were working on that song for six
months before Bruno got on board.
Speaker 4 (03:52):
So the song took seven months to write, but we
were wroting.
Speaker 3 (03:55):
We were when the very.
Speaker 4 (03:56):
First date Bruno was on drums, I was on bass,
and Jeff Basker was since and we wrote it and
then for six months we were kind of like we
just never could never quite get it. And the first
night we wrote the whole first first we nearly gave
up so many times, and then I'd wait till everybody
just kind of forgot that we were all getting on
each other's nerves and then I'd be like, hey, you
(04:18):
guys want to get on that song. But it wasn't
until Bruno came six months kind of into it with
a doodo. Bruno Phil came out with that, and then
it suddenly was like the missing piece that we needed
to glue to hold the whole song together. From there
it just kind of like it's really kind of just
but even getting the guitar bit and yeah, I was
(04:39):
so stressed about finishing this song. I was trying to
get the perfect guitar bit. And it was the hottest
day of the year in London, and I went out
to a restaurant and I fainted in the restaurant and
threw up in the toilet. My friend had to carry
me back.
Speaker 3 (04:51):
And then I finished that game, finished that damn guitar line.
When I came to you were in part responsible for,
I would say, one of the biggest songs of the
last decade in Uptown Funk with Bruno Mars. But I
heard that when you were trying to put that song
together it was really hard to get into the same
room as Bruno.
Speaker 6 (05:11):
Well, we were making Uptown Funk over the course of
seven months. I had to go a lot of the
times wherever Bruno was on tour. So I think the
last session was in Toronto. He was playing there, you know,
sold out shows Toronto, and then you know, right after
the show he'd come back to the studio so we
could finish this song. But I had this special five
string bass that you hear on the song that I
(05:33):
had to bring it everywhere we went. It was the
sound kind of the sound of the song. I got
on this little flight from New York to Toronto, like
one hour long flight, put my big bass in this
little closet when you walk on the flight, and during
the flight the bass fell over somehow got stuck that
they couldn't open the door to the closet when the
plane landed, and then the captain had all this stuff
(05:56):
in there, all the flight crew had all this stuff
in there, so they had to send this whole team
on to unscrew the door and take it on, like
take my base out. So the Uptown Front Mace caused
a lot of grief to the Air Canada pilots that day,
But then I'd like to think it brought them a
lot of joy too, Sure I did.
Speaker 2 (06:17):
I was speaking about bringing people a lot of joy. Mate,
I know you've got a brand new book which is
going to bring a lot of people a lot of joy.
It's called Night People, How to be a DJ in
nineties New York City. I know that is how you
started your career in music, underage, at one point playing
in all sorts of clubs in New York.
Speaker 1 (06:34):
Why did you Why did you not writing the book?
Speaker 6 (06:37):
I wrote this book for a lot of reasons. I
wanted to celebrate a certain scene, you know, New York
hip hop scene in the nineties, and I also wanted
to get give people a sense of what being a
gigging DJ is really like. You know, I think when
people think of DJs, they automatically think clamorous Calvin Harris
maybe on stage one hundred thousand people going crazy, but
(07:00):
you know you And also djang is playing in bog Yeah,
it's d bowling alleys. Yeah, all sorts of shit, five
nights a week for you know, back then we were
doing it for sometimes seventy five bucks.
Speaker 1 (07:11):
If you don't get pretty much dealing.
Speaker 6 (07:12):
With all the stress and headaches of lunatic club owners
and like drum people are asking for a request, but
also just loving it so much and that feeling of
like when you lift the crowd at that moment.
Speaker 3 (07:23):
You dropped the right records, there's.
Speaker 6 (07:25):
Nothing better than it. So I wanted to make this
book to talk about the sort of high hive and
the low lows of something that I love doing so
much and I've done for so long.
Speaker 3 (07:37):
Cool and Will he cannot to sign Mark, He totally
gets it. Hey gets the early gig stuff because I'm
gonna be honest with you, Ma, and Will want me
telling you this, but we'll on the weekend. Actually DJed
at a Cold Plunge and Sauna studio.
Speaker 6 (07:53):
I think djang at a Cold Plunge is very cool.
Speaker 1 (07:58):
Thanks, no question.
Speaker 6 (07:59):
Appreciate the subjective puns. You could go heavy on this
sort of ice spice A very good.
Speaker 2 (08:08):
Yeah.
Speaker 6 (08:10):
I have a feeling your class your classier than that.
Speaker 3 (08:15):
It's ava. Thank you. Thanks the route, Yeah, I'm went
the ambient route. I appreciate that.
Speaker 1 (08:21):
And I'll take this an invitation for us to play
back to back sometime.
Speaker 3 (08:24):
I would have liked the puns. Can I just say
for the record, Will, Yeah, I would like You're not.
Speaker 2 (08:28):
Cool, Hey, Mark, it's been brilliant, mate, so good to
talk to you.
Speaker 1 (08:31):
Thank you so much again for coming on the show.
Speaker 7 (08:33):
Thank you, guys.
Speaker 6 (08:34):
I hope to see you well, at least not have
to wait another ten years.
Speaker 2 (08:39):
I think I could be the best mouth trumpeter of
our generation.
Speaker 3 (08:45):
I wish I could pull you down here, but you
are exceptional at the mouth trump I'll have.
Speaker 1 (08:49):
You guys have taste that in a second.
Speaker 3 (08:51):
Oh jeez, what a hook. You're not going anywhere now.
Speaker 2 (08:55):
The reason I the reason that I I I want
to know that from you guys, if you think you're
the best at something in your generation, is because Taylor
Swift's ex Matt Healey from the band In nineteen seventy five,
he was a Glasstow and he was about to play
his band's hit Chocolate Now. I want you to have
a listen to this song properly, because he says something
(09:15):
about this song afterwards.
Speaker 1 (09:17):
This is a song.
Speaker 3 (09:33):
I can't hear what he's saying, but it's it's upbeat.
Speaker 2 (09:39):
It's kind of like it's going to like play school
meets like a dead animal anyway.
Speaker 3 (09:46):
So that's aggressive review.
Speaker 2 (09:49):
So before he goes into the song, he says this
to everyone at Glastonbury, you have.
Speaker 3 (09:54):
Listen what this moment is made to me realize is
that I probably the best I'm probably the best song
of my generation.
Speaker 4 (10:04):
A poet, ladies, gentleman's what I am generational words thing
and just just I just work to remind you, you know,
in the next couple of minutes these lyrics is poetry,
I plead for you.
Speaker 3 (10:18):
I mean, people are laughing, but is he joking?
Speaker 2 (10:20):
Well, you hope he's joking Woods because if he's not,
I mean Beyonce called.
Speaker 3 (10:30):
Oh right, so he's he's saying I'm better than her.
Speaker 1 (10:34):
Yeah, man of his generation.
Speaker 2 (10:35):
Yeah, Poni Her probably called in as well and was like,
I don't think so, mate. And this is serious, yeah,
serious singer songwriters.
Speaker 3 (10:46):
I'm not really across Maddie. Heally, you know music more
than me. Where does he sit?
Speaker 7 (10:50):
So?
Speaker 3 (10:50):
Is he?
Speaker 4 (10:50):
Is he?
Speaker 2 (10:50):
Like?
Speaker 3 (10:51):
Is he awesome? And I've just been living under a rock?
Or is he No?
Speaker 2 (10:54):
No, he's I know you've been under and look I think, Adele,
I mean like, I mean really and again, but.
Speaker 3 (11:01):
I'm playing and I'm just playing.
Speaker 2 (11:03):
These are just the commercial ones, like the obvious ones
off the top of my head, like everyone knows these people.
Speaker 3 (11:11):
So where is heels? His heels in the top.
Speaker 2 (11:14):
Ten somewhere between here and Wankerville, in which he is
the president. I I, yeah, look, yeah, I think I
think he was joking. I just you know, even nowhere
near it, Like, you know, if he was in the conversation,
I think it's funny that he.
Speaker 3 (11:30):
Makes that joke. Sure, but he's he's kind.
Speaker 2 (11:34):
But you know, like he's not all the way out
of the conversation either, like he's performing at Glassonby, he's
in that weird half way house.
Speaker 3 (11:40):
We're making those jokes. It's like, well, were you Like
were you serious though? Do you know what I mean?
Speaker 2 (11:45):
Like, if you had to be an out of wide
out of the conversation he makes that joke, it's like,
oh god, he's always taking Yes, he's joke exactly, Like, oh,
but you're right, he's in You're a.
Speaker 3 (11:57):
Yeah, yeah make that comment. You you do kind of
believe you think that? Yeah.
Speaker 2 (12:01):
So anyway, I toyed around with this and I was like, well, look,
if we're all just going to sit here and boast
about what we're the best out of our generation, my
mouth trumpet's unbelievable.
Speaker 3 (12:09):
It actually is extraordinary.
Speaker 2 (12:11):
And I think if you're gonna If you're gonna call
with something that you think you are the best out
of your generation, you've got to be able to put
it on show.
Speaker 1 (12:17):
You got to be able to prove it in some way.
Speaker 3 (12:19):
I can't put mine on show, but you have seen
this in play. I am the best in my generation
at discreetly leaving social events. I am. Yeah, you're a
good spoke. I buy myself two to three hours where
it's like, at what time did he? Actually? I can
shout for that, someone do a pop in. I'm there
for ten minutes, but I think I've bought myself like
(12:40):
a four hour appearance because I come in and I'm loud.
Sometimes I feel like you're still there, but you're not.
Exactly it's incredible, exactly.
Speaker 1 (12:46):
Yeah, you do that very well.
Speaker 2 (12:47):
Yeah, OK, do you want to hear a bit of
the mouth show the other thing that I think I
am incredible at in my generation.
Speaker 3 (12:52):
I'm sure. I'm sure you have a few ordering food
very good in that could be the best of my generation.
That is true.
Speaker 2 (13:00):
I'm also very good at if I know nothing about something,
If someone asked me a question about something that I
know nothing about, I'm very good at bringing up another fact. Yes,
within that question infurio that makes me seem like I
know something about it.
Speaker 3 (13:14):
You'll ask you a question about crocodiles and you'll go,
m crocodiles, Well, speaking of other water mammals, Yeah, let
me tell you about the shark. It's ridiculous. Yeah, how
you do it?
Speaker 7 (13:22):
Yeah?
Speaker 2 (13:23):
Yeah, So you can think of a question over the song, Okay, sure,
and I'll be able to show that off. Yeah, sure,
and I will. I'll wheel out the mouth trumpet on
the other side as well. Okay, is there too much
of matisse? You want to hear your mouth trumpet that
people want to hear the mouth trumpet?
Speaker 3 (13:33):
Okay, all right, maybe there's give us a few bars
and if you want to hear the rest of the song,
we need to stick around.
Speaker 2 (13:39):
I'm going to go for a famous trumpet song again,
thirteen one O six y five. If you think you're
a generational talent at something, here we go. This is
when the Saints go marching in.
Speaker 3 (13:48):
Which is an AFL football team.
Speaker 1 (13:50):
So it's just famous.
Speaker 3 (13:51):
Oh is it really? Yeah? Adapted by an AFL me. Okay,
here we go.
Speaker 1 (14:09):
Exact like, tell you very much, no one's competing with that.
Speaker 3 (14:13):
No, it's it's it's umble and aragon. Just more mouth
trumpet up nexton I think maybe just call for a request.
What do you want to hear on the mouth trumpet?
What do you Van Morrison like? What do you want?
What drum solo do you want to hear? Up next?
Speaker 2 (14:29):
I'll tell you what if you you can mouth trump
it better than me, I will also take that call.
Speaker 3 (14:33):
We did just hear a little bit of that sample.
A lot of people are saying they want to hear more,
but we are going to go to the calls first. Sure,
I hope you've got a second song up your sleeve
for there?
Speaker 1 (14:42):
Will I do there?
Speaker 3 (14:43):
Mate? What you like?
Speaker 5 (14:44):
Uh?
Speaker 3 (14:44):
Well, we've got Mark ronson actually on the show. I
want you do uptown funk. Okay. Later on, let's go
to Liam a hard one. Liam. Are you a generational talent?
What are you the best in your generation? At?
Speaker 8 (14:59):
I can accord tongue twisters?
Speaker 3 (15:01):
Say, can you give me my talent?
Speaker 8 (15:05):
So the one of the paper bag was the most
A box of mixed biscuits, biscuit mixer?
Speaker 5 (15:12):
What is it?
Speaker 3 (15:12):
A box?
Speaker 2 (15:13):
A box of Jesus came into the first word, A
box of mixed biscuits in a biscuit mixer.
Speaker 3 (15:21):
Okay, you say it fast, Lamb.
Speaker 8 (15:23):
I bought some mixed biscuits mixer.
Speaker 3 (15:25):
Can you say? Can you say square cut punt quick?
Three times? I come, and he's good at it, he
won't slip. All right, let's give it a try. Lam
you're back, Liam say square cut punt three times? No? No, no, no, no, no, Hey,
I know.
Speaker 1 (15:44):
The tongue ties is actually.
Speaker 2 (15:47):
Were cut punt or a punt cut square? Okay, that's
the tongue twist.
Speaker 3 (15:54):
Do you hear that? Lamb lamb Okay.
Speaker 8 (16:00):
Square cut punt? Well cut square?
Speaker 1 (16:07):
You're the best?
Speaker 3 (16:08):
Well? He never said? Everyone, do you want to give
six fight? Well? Liam, that is a talent. That's extraordinary.
That's good stuff. Chris. What are you the best in
your generation at? Yeah, guys, I reckon, I am the
best at doing water droplet sounds like a leaky tap
with my mouth. Give it to me, Give it to me, Chris? Ready, boys, Yeah,
(16:32):
that's pretty good. Hey, Chris, have you ever genuinely made
someone believe that there was a leak in a room?
Speaker 1 (16:37):
I do it all the time to my kids.
Speaker 3 (16:39):
That's I mean, have you have you have you pulled
it off with an adult though, Because let's be honest,
I can make Remy believe that I.
Speaker 8 (16:44):
Actually I have done it once with the Misses when
we stayed in the hotel, was dripping through the night.
Speaker 2 (16:51):
You sounds like a dream to go away with Chris,
spend the whole night of.
Speaker 3 (16:58):
Every hotel and on holiday. I get I'd get the
get the porter up and going sorry, there's a leak
in this room. I'm pretty sure. Let's go to Michael Michael.
Speaker 2 (17:09):
Do you think you're the best in your generation generational talent?
Speaker 3 (17:12):
Michael Michael, Oh, you're talking to Kermit, not Michael. We
go Kermit back five. You have no have been on
the show Analyse. You love this guy, don't she doesna.
Speaker 2 (17:31):
Junior producer analysis put across good on your Kermit?
Speaker 3 (17:35):
I mean you want to ask him anything? Well, I
actually just want to know if you've got a song
request for Will. I'm want to move off the Kermit
voice still. I mean, he's so good at the mouth trumpet, Kermit.
I'm sure you've got to sung up your sleeve that
you want Will to play.
Speaker 8 (17:46):
Yeah, yeah, I want I want him to do some weird.
Speaker 3 (17:52):
We can do a bit of a duet here, if
you'd like Kurmit, what do you think?
Speaker 5 (17:55):
Yeah, right, okay, we're oky, Okay, okay, this is no
one wants this, but you two are going to enjoy it,
all right, No.
Speaker 3 (18:08):
Practices in Kermit. Alright, I won, I won, one, two, three, four.
Speaker 7 (18:17):
Were the ring?
Speaker 3 (18:22):
Alright. Mark Romson's on the show later blame Matt Kermit.
Speaker 2 (18:30):
It's gad to hear your voice, mate. You can have yourself.
You can you hear Toby Holder? Thanks for calling the show.
Speaker 3 (18:35):
It's the real guy, that's the real you. This woman
joined us on air, I'm gonna say two weeks ago,
and she was effectively telling us about her extraordinary ability
(18:56):
to be able to find missing pats. That's right. She
said that her method is effectively, she finds out about
a missing pet, you're get in contact with her, and
she is able to find these missing pets on Google
Maps and is anywhere in the world. That's right, Will.
So then anyway, we got thinking and we were like,
we just love to put this to the test on
the radio show. So we got her back on the
(19:17):
show last week and said this, what if Will dressed
up like a pussy cat and we dropped Will somewhere,
would you be able to feel where Will is if
he went full method. We're talking the outfit, we're talking
the whiskers, we're talking the meowing.
Speaker 7 (19:33):
Yeah.
Speaker 9 (19:34):
Yeah, you could do with.
Speaker 3 (19:35):
Me as well.
Speaker 8 (19:37):
Yeah, and I'll have foes under five minutes.
Speaker 1 (19:40):
You'll have the coordinates in under five minutes.
Speaker 8 (19:42):
Yeah.
Speaker 3 (19:42):
So I have to act like a cat while I'm
in hiding. You have to do that, yeah, yeah, five minutes.
It's a perfect radio spot. Jackie joins us on the
phone right now, Hello, Jackie, Hello, Hello, Hello, Hello here Jackie.
You're still up for the challenge. Yes, okay, so are we?
(20:05):
We are? We are so in on this. Australia is
in on this. So Jackie, just to confirm we are,
we're going to fly you into the radio studio. You're
across this, yes, okay, amazing, So you'll be You'll be
in the radio studio with me, Jackie. Will Will is
going to be somewhere in Australia dressed as a pussy cat. Yes,
(20:26):
in fire. So what what other information do you need
other than the fact that Will is somewhere in Australia
dressed as a pussy cat?
Speaker 8 (20:32):
Okay, so I would need a way went from, like
if I'm looking for missing cat or dog or where
did they missing from?
Speaker 3 (20:42):
Yeah? Okay, so if you last point, if it is
if it is left from the radio studio, that would
be enough for you. Yes, okay, unbelievable. Is there any
other information you need?
Speaker 8 (20:53):
Another as a was from him, or a piece of
jewelry or doing a hat he wears reguly or something.
Speaker 3 (21:02):
Okay, okay, so one of his possessions. It's blanky blank
blank blanky okay, So just something something like he's watch
what he wears a watch? Okay?
Speaker 2 (21:17):
And can I drive from the location that I leave from, Jackie?
Speaker 1 (21:20):
Or I need a walk?
Speaker 8 (21:23):
Actually it's harder to clack in a car. I mean
you better walk on like you were a cat. We
left home and run away?
Speaker 1 (21:33):
Okay, I actually run away?
Speaker 3 (21:35):
Okay? What if this cat could ride a bike?
Speaker 7 (21:38):
Can run a bike?
Speaker 3 (21:40):
Okay?
Speaker 2 (21:40):
Okay, no, no, So I need to have walked to
the place where I'm going, Okay, yep, yep, Okay, that's
absolutely fine.
Speaker 1 (21:47):
And then so and then but then what's the proximity then, Jackie?
Speaker 2 (21:50):
Because if I'm walking and then you know, you know
that I've been gone for half an hour.
Speaker 8 (21:54):
Well no, you could say, well, you could say to
me my cat or he he's a cow? Right, we've
gone missing last night o'clock at night, someone might ring mess.
Speaker 3 (22:10):
Okay, so so so, Jackie, we just need to say
to you Will went Will went missing from the radio studio.
Say at mid day we could say to you ye,
and then later that afternoon if you're in the studio,
you will still be able to tell me where he
is on Google.
Speaker 1 (22:25):
Yes, okay, that is and.
Speaker 3 (22:27):
Sorry, Jackie. Final question from me, how long does Will
have to live like a pussy cat for this to
be pulled off?
Speaker 7 (22:33):
Like?
Speaker 3 (22:33):
Does he need to be a pussy cat for two
to three days?
Speaker 7 (22:37):
As long as it's before me?
Speaker 3 (22:40):
Yeah? Beforehand? Does he need to live like a cat
for two days?
Speaker 8 (22:44):
Yeah he could do that?
Speaker 3 (22:45):
Yeah yeah, great, that's you just said he could do that.
I'm sorry, it'll help me. Sorry, I'm not doing that, Jackie.
Another sorry, another question?
Speaker 8 (22:55):
Do you before before you need?
Speaker 3 (22:59):
It will be fun? It lives like a cabin Jackie.
Do you have any doubt in your mind that you
maybe won't be able to find him or are you
one hundred percent confident?
Speaker 1 (23:10):
So I want to throw this to phones wood.
Speaker 3 (23:12):
Let's keep Jackie on the phone. There's got any doubts
about this. I mean, I'm sure there are some se
s workers who have recovered people, people who track people
for a living, does pets mate peoples, people that have
lost their pet before. Because I think if Jackie can.
Speaker 1 (23:29):
Pull this off, this is unbelievable.
Speaker 2 (23:30):
But I'm sure there are a lot of people listening
right now who are going that what Jackie does is
bloody hard.
Speaker 3 (23:35):
It's an idea of how hard it.
Speaker 2 (23:37):
Is to find a pet that goes missing. Thirteen one
oh sixty five, Jackie Clairvoyant dot com. If you're want
to go and get Jackie to find your pet, Jackie's
going to find me in a pussy Cat onesI later
in the week.
Speaker 3 (23:51):
And what are we asking? Do you think Jackie can
do it?
Speaker 1 (23:53):
Do you think she can pull it off?
Speaker 3 (23:54):
Okay, great, yeah, great, brilliant Jackie wants to hear it
goes thirty one sixty five. Can she pull it off?
I'm a believer, jack I'm a believer.
Speaker 2 (24:03):
You've found pets in Romania, you found them in New York.
You're on course constantly internationally to find people's pets. So
really making it a domestic or a national issue should
be easier for you.
Speaker 7 (24:15):
It should be easier. It's easier for me to find
a pet if a pets hasn't been taken into your house,
because I see what the pets is from their perspective.
Speaker 3 (24:24):
You see what the peties from the bush. So you're
going to be looking through my eyes, Jackie. Yes, don't
do anything naughty when you're heart Now you go and
take away from when are you looking through my eyes?
Speaker 7 (24:40):
From?
Speaker 9 (24:40):
When?
Speaker 3 (24:40):
Yeah?
Speaker 7 (24:41):
From when I start looking for you?
Speaker 3 (24:43):
Oh my god, my gosh.
Speaker 2 (24:45):
Well don't look for me anytime this week, Jock, can
you stay out of my head?
Speaker 3 (24:54):
And Jackie so so be honest, be honest, Jackie. Have
you ever been employed by someone and then not being
able to find the pet?
Speaker 7 (25:02):
I have it deployed by someone to look for a pet,
and we have to try to think, actually, if I
haven't found I no, I found a cat for somebody
who was ten.
Speaker 3 (25:14):
Years found a cat that was missing for ten years.
Speaker 9 (25:18):
Two years?
Speaker 3 (25:20):
Did you're unbelievable? All right, Well let's go to Dylan here.
Dylan and Jackie can find me.
Speaker 8 (25:24):
Absolutely no chance, oh.
Speaker 3 (25:28):
Dylan, Dylan grounds Dylan. I mean you've heard her. She's
she's an international pet psychic. She can see what the
cats and dogs see. Why don't you think she'll be
able to do a Dylan?
Speaker 8 (25:39):
I was following my dogs about escaped my Facebook message
posted by the local community. Yeah, I didn't find him.
I lost him for a week.
Speaker 3 (25:47):
Do you want do you want Jackie to find him?
Is he still.
Speaker 5 (25:55):
Good?
Speaker 2 (25:56):
Well, now you can skip the cue that deal Jackie
clairvoyant dot com. Jackie can bind him like that. You
could have found him gooding in jack Yes, you did?
Speaker 3 (26:03):
You know where he was already? Jackie?
Speaker 7 (26:05):
Which one?
Speaker 3 (26:07):
There's too many? There's too many, Jackie. I got another
question for you. How long have you? How long have
you known that you can see what pet's see when
they're missing?
Speaker 7 (26:19):
How long have I known? How long have I been
able to do this?
Speaker 8 (26:23):
I have known since.
Speaker 7 (26:24):
I was two years old my father, my father was
in the Air Force and we were based in Singapore,
and my mother used to have coffee mornings for the
mums of babies to come around. And I started talking
to this ladies tummy and saying as a baby in
there and talking to the baby, and she said she'd
been trying her baby about ten years and hadn't had success.
(26:46):
But then she went back to the UK and wrote
a letter of my mother telling her I know what happened,
but I was pregnant, Jackie.
Speaker 2 (26:55):
Play that music again, Player music easy, Jaggie.
Speaker 3 (27:00):
Jackie beca. This is more than just finding pets. You
can you can talk to babies in the womb. My
my wife as a child in the womb. Could you
chat to them?
Speaker 2 (27:11):
Yeah, you can see through your child's eyes, mate, Jackie.
Speaker 3 (27:16):
I think we've got a big week with you, mate,
so we're.
Speaker 2 (27:17):
Gonna keep things moving here one, he goes on. Later
in the week, I will go in hiding somewhere as
a pussy cat. Jackie will find me within five minutes
by looking through my eyes.
Speaker 7 (27:30):
Need your photos? All I need is want to do
is look at Jackie.
Speaker 3 (27:34):
Do you want the photo with or without me? And
the Onesie? You want me one with thee as a little.
Speaker 7 (27:48):
I would have the drink.
Speaker 5 (27:55):
No.
Speaker 3 (27:56):
No. If you know the difference between beer and soft
ring based on the sound of the can opening, you
can win yourself just a lot of sweet sweet cash,
will Stacey. It's one hundred bucks a can. You want
to go for can one. Yep, all right, let's do it.
Here it is.
Speaker 1 (28:16):
That's why I've called dickhead.
Speaker 3 (28:19):
Fair enough.
Speaker 7 (28:25):
Soft ing.
Speaker 3 (28:27):
Sorry, stayce, that was a beer. Can you hear it?
Speaker 1 (28:36):
Stubby holder for you?
Speaker 3 (28:38):
There's days still trying to get rid of them before
the end of financial years, So we've got one day
to go. Let's go to Kathy. Here, Kathy, the energy.
I like it.
Speaker 8 (28:51):
I'm actually thinking I'm not going to get any right,
but I get to talk to you, so that's a bonus.
Speaker 3 (28:55):
Ah, there you go, Kath. Great to talk to you too,
Kat Here is can one. Let's get you some cash
as well.
Speaker 8 (29:10):
That sounds like a beer.
Speaker 3 (29:12):
You called it, right, Kath. That was a coke. That
was a soft drink. Yeah, that's what it is, you mate.
Why don't take two? Take two? Kathy, take it, Take
one for the whole family. Cat will give you five. Tommy,
you want to play? Can you hear it? So far
we've given away zero dollars? Are you actually good at this? Tommy?
Speaker 7 (29:34):
I am all right.
Speaker 3 (29:35):
Is that your child in the background that I heard there?
Speaker 8 (29:37):
Oh? Yeah, my son's been telling me to call you guys.
Speaker 3 (29:39):
All right, let's do it for him. Oh, Hello, mate,
what's your name? Did you say Jocelyn?
Speaker 8 (29:47):
Jocelyn?
Speaker 3 (29:47):
And said I love that. Jocelyn was a great name,
strong name. Let's do it for Jocelyn and Nathan. Here's
can one Tommy.
Speaker 5 (30:02):
Beer.
Speaker 3 (30:06):
One hundred bucks, Tommy, one hundred bucks. Let's go straight
to canto. Tommy, you're on a heater shutter, Tommy, you
would immediately tell.
Speaker 2 (30:22):
Me, yeah, go Are you sharing the cash with the kids, Tommy?
Speaker 5 (30:28):
Oh? I got I need one more so they can
share it between the three of them.
Speaker 3 (30:31):
Oh wow, So who currently has one hundred dollars out
of your two kids? Then tell me just me? Okay,
so all the money is going to you, all right,
but this plit is my kids. Okay, kids? Are you
already if he gets it's one hundred bucks each? Yeah,
they're focused. They're very focused.
Speaker 7 (30:50):
I like it.
Speaker 3 (30:51):
That want to put off dad? Alright, it's just dawned
on them. More money than they could ever imagine. Can
three for three hundred bucks?
Speaker 2 (31:01):
Oh?
Speaker 7 (31:09):
Shut?
Speaker 3 (31:13):
That was so to my friend. Three hundred boxes?
Speaker 8 (31:16):
Yes?
Speaker 7 (31:19):
Can I can?
Speaker 3 (31:19):
I can? I ask you? What's Nathan going to spend
the money on?
Speaker 1 (31:22):
I think it's Mason?
Speaker 3 (31:23):
Would is it Mason? Excuse me. What's what's Mason going
to buy with his money? What are you gonna buy?
Buddyke Poke Pokemon strong strong choice, let's get.
Speaker 1 (31:38):
And what was that one?
Speaker 5 (31:39):
We're going away on a family trip.
Speaker 3 (31:41):
Oh, all right, let's let's go to Malaysia, Laisia, yes, truth,
all right, well, let's let's cover your whole trip here, Mason, Jocelyn, Tommy,
let's do it. Can can four hundred dollars one hundred
tell us.
Speaker 7 (32:08):
Beer?
Speaker 3 (32:09):
Oh, Tommy, he's on one.
Speaker 1 (32:10):
Tommy, he's got five hundred bucks?
Speaker 8 (32:13):
Wow?
Speaker 1 (32:14):
Or four hundred bucks?
Speaker 3 (32:15):
Four hundred You've got four hundred dollars, Tommy. I'm not
sure we're able to give the kids the cash if
it does involve beer, but we'll sort that out in
the back end. A last saw that we don't know
where it goes once she's in it too. You're very welcome,
but very welcome, Mason.
Speaker 1 (32:30):
How much we go?
Speaker 3 (32:30):
This is for five hundred bucks? Yeah, five hundred bucks?
Speaker 1 (32:33):
Okay?
Speaker 3 (32:34):
This is I mean, this is this is a night's
Ta coom Oregon, like a real deliicious place in Malaysia.
All right, here we go, Tommy, for five hundred bucks.
Speaker 1 (32:41):
Here are children, man, what are you talking about?
Speaker 3 (32:46):
A penhouse? Shudder? Oh, Tommy, all right, so that was
a big run though, made four hundred bucks on How
good is that? Oh, pleasure guys than you know, and
(33:09):
buy some Pokemon cards, get some Malaysia, have the time
of your life.
Speaker 7 (33:14):
Appreciate it.
Speaker 3 (33:16):
Oh, no, worries it all Tommy.
Speaker 1 (33:17):
They say that.
Speaker 3 (33:19):
I think one of them sounds a lot like Elmo.
You said about my daughter as well. That's just that's
just kids man. Squeaky voice, what of Elm? I going
on there?
Speaker 2 (33:28):
I don't like Tommy was always putting the voices on
with him if he was, do you.
Speaker 5 (33:32):
Know what I mean?
Speaker 3 (33:32):
There's a final leone about that. Yeah, Tommy, Tommy, I
think he's Tommy. Are you actually in the car there
or are you with the kids as well?
Speaker 2 (33:40):
Oh?
Speaker 6 (33:41):
What do you think you here?
Speaker 3 (33:44):
That's real? That's real, boy, that's a chu real. And
does your workplace have a linger that you think anyone
outside of your occupation wouldn't understand? So we put that
(34:06):
to the test. You dropped straight into your lingo and
we try and guess what your occupation is. We got
Sarah here, Sarah, welcome to the show. Drops straight into
your lingo.
Speaker 9 (34:14):
Please, So we're going to have to do the potentially
a arm if she hasn't shrummed.
Speaker 3 (34:21):
If I haven't sm srum shrummed, can you just shrumm?
Can you say that first line again?
Speaker 9 (34:29):
Sorry, Sarah, we're gonna have to do a V A M,
V R MVRM potentially. Sorry, we're going to have to
do a V and a potentially an A R M
if she hasn't shrumped.
Speaker 3 (34:42):
Is it trommed or tromp.
Speaker 9 (34:44):
Tromp trum tromp.
Speaker 3 (34:46):
Trommed trump sounds like prompt could but like you.
Speaker 2 (34:51):
Know, trum, she should prompt trumps a Jewish maybe shrom
like shmir.
Speaker 3 (34:57):
No, So what I'm hearing shrom Yeah, yeah, Yeah, what
I'm hearing is you shrom in a sentence. I don't
know what trum means. It's going to Sarah. I think
that's giving away too much given let's break down what
she said though. She's she's talking about V E M
S and then if that doesn't work.
Speaker 9 (35:18):
We're going to have to do a V yeah, V
and a potentially an ARM.
Speaker 3 (35:24):
And potentially an a R. So like an arm, No,
an arm, it's a sometimes acronyms sound like words words,
but they are the word.
Speaker 1 (35:36):
Or we're going to be schrom and or she's shrom.
Speaker 3 (35:40):
Look I'm not I'm gonna be where she's shrom.
Speaker 9 (35:42):
It could be something to do with an arm or
what about?
Speaker 3 (35:45):
Could she be an mbo like trump?
Speaker 1 (35:46):
Could could trom be an acronym.
Speaker 3 (35:48):
For she's having over? No over? Medical time? Are you
are you? Are you an obstetrician?
Speaker 9 (36:00):
Sarah, I'm actually a midwife.
Speaker 3 (36:03):
Oh, vaginal examination at the start of vaginal examination.
Speaker 9 (36:13):
Rupture of membrane. Wow, it's not spontaneous rupture of membranes?
Speaker 2 (36:19):
Is that a Shromyes, spontaneous rupture membrane membrane.
Speaker 3 (36:26):
And that's pretty pretty full on Sarah.
Speaker 9 (36:28):
Yeah.
Speaker 3 (36:29):
Yeah, it just means she's probably, you know, breaking the water.
That's fine. Is a breaking of the waters?
Speaker 9 (36:36):
Yeah, sum isn't natural and the A is the artificial.
Speaker 2 (36:41):
So when you go in there and you break the
arm essentially like a stretch and sweep Sarah, is that
we're talking there?
Speaker 3 (36:48):
Yeah?
Speaker 9 (36:49):
I think like that, but you just use a little
hook like a Crosier hook.
Speaker 3 (36:53):
I reckon when I'm in the I'm going to be
in the birth in sweet in October. I'm going to
be I'm going to be dropping this. Are we shroman?
Are we arming? Where we are?
Speaker 7 (37:00):
Can I do the vie?
Speaker 3 (37:01):
Yep, I'd love to vie if we could have told
you that, Hey, Sarah, did you hear what do you
give birth? Last week?
Speaker 9 (37:07):
Actually, I wanted to try to get through to you, guys,
because the one thing that he should have been doing,
with that excessive way, you should have been getting up
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