February 22, 2024 • 25 mins
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Episode Transcript
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Speaker 1 (00:01):
It's hot in here, and that's because we are in
TV behind the scenes where things heat up.
Speaker 2 (00:09):
That I meet the board, if we all, if we
all take our clothes up, I think it's totally fine.
Speaker 1 (00:17):
Just us on the studio. Are you do eating that
towards the producers as well? No?
Speaker 2 (00:20):
No, no, no, I wouldn't do that.
Speaker 1 (00:21):
Have you ever done a show nude? No?
Speaker 2 (00:24):
But will has? We had a bet about Rapha and
Nadal many many years ago? Yeah, it was Austraight Open
was on. I can't remember. The bet was probably that
rap on a will lose or win? Anyway, he did
the show on the nude. Yeah, was that when you
look actual like you're butt naked?
Speaker 1 (00:42):
Wow?
Speaker 2 (00:43):
Yeah, it was crazy when you're in Perth. No, not not,
not not. We were working for a different company. We
were filling in. It was the weekends. We were filling
in when because the Australia opens early in January? Right, wow,
so I think we were anyway, So anyway to answer question, yes,
we have it on the show. Note now let's get
(01:04):
onto more pressing matters. Yes, thank you, Tom itinery. Here
we go, Here we go, Let's go to the big one. Yeah,
let's just do it, Tina Arena. You texted her yesterday.
Question marks over whether that was a good text message
or not. Yep, but look at the end of the
day you fight it off and I love that for her.
The courage was brilliant. Yep. Have you received a response before?
(01:27):
And before you answer this? I think everyone needs to
remember that my partner's mum never got a response from teens.
Speaker 1 (01:34):
Has you have spoken to Michelle about that? No? Has
she heard this? You think?
Speaker 2 (01:38):
Yes? Avid? Fan of this podcast really yeah, loves it,
absolutely loves it, So I'm no doubt So she's salty. Well,
I'm not sure. I haven't discussed it with her. She
hasn't reached out to me. We haven't addressed it. You
seem to think that she might be Well, I think
I think she I think maybe I don't want to
speak for her, but I think maybe she'll be like, oh, well,
(02:00):
if she's written back to to you, will why hasn't
written back to me? Like That's how I would as
I feel. But anyway, we don't even know if you've
got a response yet. So do you have a response?
You do that, I've got as look all over your face,
it's just so obvious. By the way, if you go
(02:23):
to see Tina Arena, you can go to Tina Arena
dot com and buy tickets. Nice.
Speaker 1 (02:27):
Nice.
Speaker 2 (02:27):
You're doing Adelaide, she's doing Melbourne. She's doing the Sunshine
Coast Service. Paradise serves Paradise. Is that part of the
Sunshine Coast.
Speaker 1 (02:35):
Turn things part of the gold Yeah?
Speaker 2 (02:37):
The goalie, I get my coast. It's confused.
Speaker 1 (02:39):
Yeah so she Yeah, she's heavy back. And look, I
currently now have a text thread with tena Arena on
my phone, which is well done.
Speaker 2 (02:47):
That's that must feel good? Does that? Does that feel good?
Speaker 3 (02:50):
Oh?
Speaker 1 (02:50):
Yeah, it actually does? For three months?
Speaker 2 (02:52):
This is the best.
Speaker 1 (02:52):
Talking about you know how we're going to get that
going on? And now we talk Tina and I yet
I can say some mentions to me, you know, if
Tina a Renna comes on the radio or something, I
can go, oh, Tenda and I talk. Yeah, that's all
we took.
Speaker 2 (03:09):
Would you say we talk or we talked? Currently?
Speaker 1 (03:12):
We talk? Yeah?
Speaker 2 (03:13):
When does that become talked? How often do you need
to text her to maintain talk status? I think you
just has a shelf life for mine. I think you'd
need no disagree.
Speaker 1 (03:23):
I think it's just the capacity to message them whenever
you like without them going oh well.
Speaker 2 (03:27):
Actually sorry mate, I want to get around you, but
I think you need to exchange six back and forth
texts to be classified as talking.
Speaker 1 (03:35):
We'll get there easy. But currently we talk.
Speaker 2 (03:37):
Now at the moment, you've written one text message to her, but.
Speaker 1 (03:39):
The definition of talk present tense. We talk, Tina and
I talk. At the moment we talk to each other.
Speaker 2 (03:47):
You exchanged one.
Speaker 1 (03:49):
We're talking. We're currently in a conversation online and we
spoke on the phone. By the way, Tina and I talk.
So what I ended up sending to her just mind
every me talking to Tina Rena, I said, hey, Tin,
a great chat yesterday was dinner much chop? This is?
Speaker 2 (04:08):
That's the controversial we.
Speaker 1 (04:09):
Spoke about on the radio show. Was that gonna totally
butcher my chances of actually catching up without that? I said,
I would love to get you in next week if
you're still keen. My producer says, Wednesday afternoon works, we're
in Richmond. Cheers.
Speaker 2 (04:23):
Pretty good message. The only controversial bit, or the only
point of contention, is obviously that lamb chop joke. I
still think it's great anyway, stop leaving me in suspense.
You've got a response, Tina, she said, Tina.
Speaker 1 (04:36):
Yeah, Tina, will will over it. Do you know we're texting?
Speaker 2 (04:45):
Says Oi Oil going give me give me it looks big.
Speaker 1 (04:55):
Yeah, So she goes, hey are you?
Speaker 2 (04:58):
She said, hey you? How you? She said how you?
Speaker 1 (05:01):
Said?
Speaker 2 (05:01):
How are you? How you?
Speaker 1 (05:03):
How you? Gee?
Speaker 2 (05:04):
That's friendly, that's great? How you? Full stop?
Speaker 1 (05:08):
Why why everyone so rattled about Kate stood up for that.
Speaker 2 (05:10):
Yeah, hey you, hey you? I was just fixing my scired.
Speaker 1 (05:20):
I thought there was such She still didn't need to
say that on the podcast, just like you're just getting
me back because you got a ship game and that.
Speaker 2 (05:28):
I get that.
Speaker 1 (05:28):
Now, how are you? How you? Well?
Speaker 2 (05:32):
I'm sorry, I'm still a bit checking mother, but go on,
hey you. Oh I just think it's a bit flirty.
But anyway, I got well she didn't actually write that,
of course she didn't. Of course she didn't. That's why
everyone was so radleed mad, like we could see that
on your phone? Are you no way?
Speaker 1 (05:47):
No way?
Speaker 2 (05:48):
You wish you were hay.
Speaker 1 (05:49):
You no you No. I just needed to annoy you
and slash like you'd get a bit jealous, which is
what happened, which is awesome. kV stood up all right,
So she got lucky. So this is what she starts with,
lucky you close to how you lucky you next Wednesdays
free laugh face crying, laugh face on the side lucky.
(06:13):
I think we're finding out what Katrina said yesterday about
over fifties liking emoji. She's into it. She's into it
big time.
Speaker 2 (06:21):
So she goes so it's like, lucky you next Wednesdays free.
Speaker 1 (06:24):
Yeah, brilliant, lucky for you, next Wednesday's free. I don't
know why that's hysterical, but whatever, it's Tina Rena.
Speaker 2 (06:31):
It's good year. But that's great. That's a great start.
Speaker 1 (06:35):
Well, great start.
Speaker 2 (06:36):
And she's emoji. You're emoji, so you're right.
Speaker 1 (06:38):
Can I just like run this by you though, like
you know when you if you sent so for you.
Let's just go back quickly to the lamb chop. Gag
was doing much.
Speaker 2 (06:44):
Chopped because she so she she made lamb chops and
Casey Howe's missed that.
Speaker 1 (06:48):
Yeah, so yeah, go Tom, Tom, Well what are you saying?
Speaker 2 (06:54):
What's the joke there? Like, what's the other pun?
Speaker 1 (06:57):
It's a pun? But what is doing?
Speaker 2 (07:00):
Yeah?
Speaker 1 (07:01):
And then like, was it any good?
Speaker 2 (07:03):
Is that that much chop? You've never heard that before?
Ah right, really, I'm worried that she might not know
that either.
Speaker 1 (07:11):
So good.
Speaker 2 (07:11):
Well, maybe I think it's an old saying much chop. Yeah,
I'm not sure as much chops much chop?
Speaker 1 (07:17):
Yeah, he's not sure he's any good. It feels like
it sounds like a sporting Oh yeah, it's maybe much
chop chop. He's not much job. Yeah, I know that
it could be a sporting thing.
Speaker 2 (07:28):
Not much chop meaning origin. Here we go, not much
chop origin, did you know? Back in the late nineteenth century,
chop was also used to refer to something with class,
or validated as genuine or good. Thus first chop means
first class. This evolved in Australian and New Zealand English
into the informal not much chop meaning not so good.
Wow and amazingly, that was written in the South China
(07:50):
Morning Post.
Speaker 1 (07:52):
You you you're big on that South China Morning Post.
Speaker 2 (07:55):
I don't subscriber.
Speaker 1 (07:56):
I don't think that's ad fast to get.
Speaker 2 (07:58):
You first note and the interaction between Cantonese and English
people in British occupied South China. It spread through Chinese
workers at sea and was adopted by British seamen. Chop
chop means hurry.
Speaker 1 (08:09):
Oh yeah, chop chop.
Speaker 2 (08:10):
It's different, that's chop chop.
Speaker 1 (08:12):
Okay, alright, well let's chop chop back into the text.
Speaker 2 (08:15):
Shall we answer to your question, Tom, chop choppy.
Speaker 3 (08:19):
I didn't know what it meant, but because you were
all laughing, I was just like, oh, I actually thought
chop was a reference to a willie and the size
of it.
Speaker 2 (08:27):
You can also refer to a chop as a penis
quite a big chop.
Speaker 3 (08:31):
I thought was mildly inappropriate to Tina Arena books as
you all got around it.
Speaker 1 (08:36):
Yesterday just floated a dick gag in my first text
to Tina.
Speaker 2 (08:40):
That's why I was confused.
Speaker 1 (08:41):
My friend, I would have appreciated it, just a little
bit of a red Oh you're going, WHOA can't fly
with the dick gag to Tina?
Speaker 3 (08:51):
My god, But Katrina was given the Filmyta likes.
Speaker 1 (08:55):
It just had like a lost in translation. You know,
English is your fifth language, all right, so.
Speaker 2 (09:02):
CHOP's also slang for a drug?
Speaker 1 (09:05):
Oh my god?
Speaker 2 (09:06):
All right, carry on joke some research like I.
Speaker 1 (09:10):
For you next Wednesday's free last laughing face on the
side hot start. So the reason I brought up the
chop b it is I think it's funny that if
she got the gag, if someone writes a gag like
that to me, or just a gag and a message,
my first line in my next message is a reference
to the gag that they made.
Speaker 2 (09:25):
Yes, you let me know you acknowledge that, I go joke.
Speaker 1 (09:27):
Haha, yeah, haha, right, well that could be the laughing
on the side. Then she said, let me know, Oh,
maybe get a good point, Tommy. Although yeah, I.
Speaker 2 (09:38):
Think she's laughing in her own life. I think she's
I think she's laughing because she's going lucky you like
the joke is that like.
Speaker 1 (09:47):
Oh, let me know what the details are and I'll
come by. I'll be sure to have all my dates
so that you can get around the tour for you
got for me awesome and then three thank you hands
and then emoji is hard and then laughing laughing face
on the side.
Speaker 2 (10:05):
She's done, She's done five emojis already. It's unbelievable.
Speaker 1 (10:09):
Does that sound like a plan? Tina per ps.
Speaker 2 (10:13):
Oh wow, ps g this is unbelievable.
Speaker 1 (10:17):
Dinner was great. Thank you. Oh so she ends up
getting around.
Speaker 2 (10:22):
She understood. I think.
Speaker 1 (10:25):
It was a reference to the lamb. But I don't
think she.
Speaker 2 (10:27):
Didn't much chop. No, she said it was good. Your
response to wasn't much chop is? Yes, it was good.
There she gets it. Didn't find it funny, she's grown
up in Australia. Didn't find funny.
Speaker 1 (10:36):
But she got it.
Speaker 2 (10:36):
But she responded to you.
Speaker 1 (10:37):
How good.
Speaker 2 (10:38):
That's a great message, right, you're gonna write back now?
Speaker 1 (10:43):
Yeah? Sure, so it sounds perfect.
Speaker 2 (10:45):
Sounds perfect, just two o'clock, sound okay?
Speaker 1 (10:47):
I will.
Speaker 2 (10:48):
I just think I just think this is an opportunity.
You were spending so much time talking about the fact
that you want to be you're you're currently talking with
tina A Rena. We talk. We talk now. I'm over
the belief we disagree on. I think there's to be
a bit more back and forth before you can say
that you're talking.
Speaker 1 (11:03):
I had a phone conversation with her and we had
two texts now back and forth.
Speaker 2 (11:06):
That doesn't sound as good as we talk. I want
you to be able to say we talk now. I
just think there's an opportunity here to get one more
extract one more text.
Speaker 1 (11:12):
Out of it. We're not extracting you and these verbs.
Speaker 2 (11:16):
Sorry to get a bit of a bit of verbal
verbal tennis.
Speaker 1 (11:21):
Going on, Oh yeah, what are you thinking?
Speaker 2 (11:22):
I don't know. I had had a thought yet, but
I'm just thinking, like, let's just not right back. Sounds good,
see next week. I just think we need to go, like,
you know, that sounds great. Why don't we lock in
the time. Why don't we say, can you do two thirty?
Give her the address, do the business stuff, get that down,
and then I just think you ps her back? She
psu u ps her.
Speaker 1 (11:39):
She didn't technically she didn't write ps. She's just like
new lined. So she wrote Tina, Oh right, okay, it
was great. Thank you.
Speaker 2 (11:46):
Next time you read a message back from her, yeah,
read it word forward. Because you're messing with us, and
I can't appropriately give you advice if I don't know
the actual information.
Speaker 1 (11:55):
I don't want your advice to you don't know or
you need absolutely not affording you some space in this
because I find it funny, but don't to.
Speaker 2 (12:04):
Afford don't continued.
Speaker 1 (12:05):
I'll take the thing for a second that I want
your advice when texting anyone, Well, particularly after that time
that you stole my phone and texted back that Swiss
ski instructor who I was texting sa Sena.
Speaker 2 (12:18):
Yeah, yeah, yeah, that was great.
Speaker 1 (12:19):
That didn't that.
Speaker 2 (12:19):
Didn't go well.
Speaker 1 (12:20):
Your opening line was, Sena, I seen you brilliant, brilliant, brilliant.
And then and then I think he said, are you
related to the Warrior princess? Anyway? She didn't expect to me,
which she didn't text back.
Speaker 2 (12:36):
Well, that's her loss. I think, yeah, don't do PS. Then,
so I'm saying, get the business out of the way, Okay,
new business. The business is, how does two thirty sound
next Wednesday? Give her the address of the set?
Speaker 1 (12:48):
So how's perfect?
Speaker 2 (12:50):
Perfect?
Speaker 1 (12:52):
How's two pm next Wednesday sound? Just two pm next Wednesday?
Speaker 2 (12:57):
Suit you? Yeah? PS will bring the ice, which is
a reference to the fact that she doesn't have a freezer.
Speaker 1 (13:05):
Just two pm next Wednesday, suit you. And then should
we get her a gift? I should warn you get
a nice woody fat or something like that.
Speaker 2 (13:14):
No, I don't mind that, but I think she'll find
that funny. Yeah, I don't mind the idea of teasing
me to get a laugh. I'm okay to I like
a gift. Yeah, I think we should get an ice machine.
I know a good one, Avanti, I've got it.
Speaker 1 (13:26):
Oh she has it, that's right, Devanti.
Speaker 2 (13:29):
Yeah, that's it. It's an industrial ice machine.
Speaker 1 (13:32):
It's for the best, all right. I'm oabing to give
her a nice machine. That sounds good. It's like a
commercial one that's six hundred bucks. You can just get
like a little a little nice for like one hundred
and forty b I.
Speaker 2 (13:42):
Did a big one because it for my my cold tub.
But a day. Yeah, are you making forty five kilos
of ice a day? Yeah? Yeah, so you've got to
put that much into your tub. The cops are getting
under you.
Speaker 1 (13:54):
Oh bang oheeky devil. So so well, I've sent that,
so we'll leave that there. Oh you want to have
a little bit.
Speaker 2 (14:04):
Of something back and forth, new line?
Speaker 1 (14:06):
Yeah, I've sent the text, but under I can sender
a new text.
Speaker 2 (14:14):
There could be an an what a nice like a
drug joke. She doesn't have a freezer. She doesn't have
a freezer. Oh yeah, you know it's it's hot in Melbourne, right, yep,
you'd really need that ice today. Sorry sorry sorry, sorry, sorry, sorry,
but work with me here do we do.
Speaker 1 (14:35):
We you're making a callback to like something that got
brought up for thirty seconds in a phone call three
or four days ago.
Speaker 2 (14:40):
Now she knows she doesn't have a freezer, so it's
front of mine for her. I'm sure she knows struggling.
Speaker 1 (14:46):
It's front of mine for her. Why would be in
front of mine.
Speaker 2 (14:48):
That you're struggling without that freezer today? Want me to
drop you a bag later? Oh my god? Oh from
the servo going past yours tonight, trying me to drop
you over a bag of ice. Well, okay, should we
get off the should we move off the freezer thing? Okay, okay, okay.
(15:11):
I was also thinking about making Lamb chops tonight.
Speaker 1 (15:14):
She read it.
Speaker 2 (15:16):
I see now she's got three receipts on she's.
Speaker 1 (15:18):
Got very receipts.
Speaker 2 (15:20):
What about what about?
Speaker 1 (15:21):
Hey?
Speaker 2 (15:22):
Just quickly, I can't stop thinking about Lamb chops.
Speaker 1 (15:26):
I'm not gonna say you can't stop thinking about Okay, Hey,
you're fucking nowhere, dude. What fine?
Speaker 2 (15:31):
I'm just throwing out there. I'm just throwing about there,
trying to help okay go again, thinking about how to
dream about lamb right now?
Speaker 1 (15:39):
What I'm not doing. I'm not messaging Tina Rena about
dropping off a bag of ice or about lamb chops.
Like we've got a foot in the door with Tina.
She thinks we're normal people. She's coming into the studio.
We just don't want to botch that. Like that's going
to be great. We can ruin all of our hard
work by asking her about bags of ice and lamb chop.
Speaker 2 (16:00):
I just think more fortune favors the brave. You know,
a ship is safe in the harbor, but that's not
what it was built for. Mate, Let's get it into
the open seas. Let's take a risk.
Speaker 1 (16:08):
Who's the ship in this?
Speaker 2 (16:09):
You thought so that is a friendship, but friendship.
Speaker 1 (16:13):
But you're still happily in the harbor. You're just sending
me out.
Speaker 2 (16:16):
Yeah, and yeah, it'd be good for you. It'll be
good for you. Just to hear me out, Just hit
me out. I had a dream about lamb chops last night.
What did you see? What did you see? He is
in your chops with again?
Speaker 1 (16:29):
I just she'l Paprika. I know the answer, plenty can't remember.
Speaker 2 (16:33):
I've heard ship chat Paprika.
Speaker 1 (16:35):
Oh yeah me.
Speaker 2 (16:36):
What's probably my favorite spies is what's your favorite spies.
I'm just let's just get a bit of back and
forth going here, you know what I mean?
Speaker 1 (16:41):
Like this is really why this I reminded why your
game is so bad?
Speaker 2 (16:46):
Well, I managed to secure the hottest woman in Australia.
My partner mim. So thank you, thank well, thank you,
thank you. So you want to back right up there? Mate?
Speaker 1 (17:00):
So so are we done? Well? You got you got? Okay,
you've got one minute to convince me some.
Speaker 2 (17:12):
Warm up with the ice stuff or the lamb chop
stuff or cold.
Speaker 1 (17:15):
On both, cold on both?
Speaker 2 (17:18):
No, no, no, no, that's not fair. Okay, you can't
bring up the wine. Oh hey, I'll be nah too creepy.
Speaker 1 (17:27):
She did ask me to listen to her new record, so.
Speaker 2 (17:30):
Can you ask her a question about the new record?
Have you listened to any of the new record yet?
Are you saving that for a big I have.
Speaker 1 (17:37):
I've listened to a couple.
Speaker 2 (17:38):
Do you have a question about that record or a
comment to make about that record?
Speaker 1 (17:41):
Does one song in French and one song in English?
Speaker 2 (17:43):
Okay? What was the hardest thing about? No, that sounds
like an interview question.
Speaker 1 (17:47):
Yeah, I could just ask for a copy of the CD.
Speaker 2 (17:54):
I think I think the best woot forward is the
ice pad poops you want to get?
Speaker 1 (17:58):
What would you like to pair with the shadi? Food wise,
we haven't. We haven't got to the shady yet. She
told me we're not talking shardi until we do the interview.
Speaker 2 (18:04):
Did you pair your chop with the shardi last night?
Did you pair your chop with a shardi last night?
Speaker 1 (18:10):
I wouldn't have.
Speaker 2 (18:12):
It was two nights ago, now, Tina, two nights ago.
Did you pair your chop with a shardi? What wine
did you have with your chop?
Speaker 1 (18:19):
That is so fucking right?
Speaker 2 (18:21):
Where'd you get your chops from?
Speaker 1 (18:23):
Don't mind that I'm in the area.
Speaker 2 (18:24):
I can't start thinking.
Speaker 1 (18:27):
Where'd you get your ride through?
Speaker 2 (18:30):
On the way home?
Speaker 4 (18:32):
Saygeon, No, it's contextual, it's relatable, And then yeah.
Speaker 2 (18:42):
And then you go, I know that place. Have you
have you met Darryl? Darryl is the best man in
meat in the area. And then you said, yeah, I
could also grab you a couple of chops if you want,
and I drop them off.
Speaker 3 (18:54):
Did you send all that in French as well? And
then sign off? Halfway through the new album, She's gonna
love that.
Speaker 2 (19:02):
I like that. I was I was also.
Speaker 3 (19:03):
One questions in French and then just say dot dot
dot halfway through the new album.
Speaker 2 (19:13):
Yeah, what is it?
Speaker 1 (19:18):
Laniel?
Speaker 2 (19:19):
I'd say in English, also Tina, and then.
Speaker 1 (19:21):
Go to Frenchiel, Yeah do that.
Speaker 2 (19:24):
Yeah, I like that. That's good for mel j.
Speaker 1 (19:28):
It's a bit suckassy though, you know what I mean. Yeah, wait,
and at least what do you think you're animated? I
like this.
Speaker 3 (19:35):
I really like what al Ja said.
Speaker 2 (19:38):
I think it's brilliant.
Speaker 3 (19:38):
Do the first half in English and then just do
the chop comment in French and be like oh halfway
through the album Sinar.
Speaker 1 (19:45):
But like so I have to reference to the fact
that like love the fact that you do a I
think this song, by the way, I'll play for you.
I'll play for you in French. I'll give you the
French and the English.
Speaker 2 (20:04):
You could say something like it would appear.
Speaker 1 (20:07):
It would have been we birth speak French.
Speaker 2 (20:10):
Loving the bilingual album because it again, it just sounds
like I'm hitting on her, which I'm just not. That
was a bit flir you know what I mean.
Speaker 1 (20:16):
Like, I just I just a little bit I'm not.
Speaker 2 (20:18):
I think it's a little like it's a bit show offye,
which is like like, look.
Speaker 1 (20:24):
If I was hitting on her, then totally different.
Speaker 2 (20:26):
You could bring up the prawn cupboard again.
Speaker 1 (20:28):
I would have shut this down.
Speaker 2 (20:29):
But what's that You could bring up the prawn covered
again French.
Speaker 1 (20:32):
Yeah, okay, so the new record.
Speaker 2 (20:35):
You could say, Hey, I know we talked about prawn
cupbods a couple of days ago. Do you know anyone
who has a prawn covered or you could do it guy,
because we have a prawn guy on the show, remember
in the day.
Speaker 1 (20:48):
Yeah, used to.
Speaker 2 (20:50):
I fully appreciate you don't have a prawn cupboard, Tina,
but do you want some prawns?
Speaker 1 (20:55):
We've got some prawns at the station. Yeah. By the way,
I know I asked the silly question about prawn covered
the other day.
Speaker 2 (21:00):
Turns out we've got a lot of prawns here. Did
you want me? Did you did you want to.
Speaker 1 (21:04):
Have you still got some of those frozen prawns? I reckon, Yeah,
I reckon we do from four years ago to hang on.
So I'm writing her a fresh message, just saying, by
the way, a bit of a silly question about the
prawn cupboard.
Speaker 2 (21:15):
But we've just got a lot of prawns here at
the station. Is any chance you won a couple of them?
Speaker 1 (21:21):
Yeah? I think I think.
Speaker 2 (21:22):
I look, I think that honestly best gear is.
Speaker 1 (21:25):
The chops, isn't it. I'm riding through it. By the way,
I'm riding through way home. I'm looking for a real
hankering for to keep cutting out that suburb.
Speaker 2 (21:35):
Got a real hankering for some chops?
Speaker 1 (21:37):
Where, Kate? Why are you? Kate? Why are you so
upset about this? Talk to me? Yeah, I mean you
have got bad game, but I'm interested so bad? Yeah,
that's bad. Really what would you write a practical request?
Speaker 2 (21:48):
Though?
Speaker 1 (21:48):
Like? Where could where does a man get some chops
in Melbourne these days?
Speaker 2 (21:51):
Yeah? That's what I like about it. It's not that
you're not playing a game, you're not fluing, you're not
showing off. You're just all we're doing here is trying
to get a conversation. But it's not casual. It's super specific.
Speaker 1 (22:03):
Well, no, one just asks what's casual? Then? But no,
I'm not just asking where she got her chops from.
She told me she was having lamb chops, so you know,
she's sort of what what what would your casual question be?
Speaker 2 (22:12):
Then I'd say I've been listening to the album, really
loving it, particularly the one in French. Yeah, that's that
would be that. That's pretty clear as well.
Speaker 1 (22:22):
Should do the one is very nice?
Speaker 2 (22:23):
Yeah by the way.
Speaker 1 (22:26):
Oh, it's called don't say yeah.
Speaker 2 (22:29):
Yeah, I think is right. By the way, been listening
to the album, Yeah, oh beautiful, excuse me, don't say
you look at us.
Speaker 1 (22:40):
Don't dancing on the ice.
Speaker 2 (22:42):
That would be a safety hazard, very slippery.
Speaker 3 (22:48):
Yea to.
Speaker 2 (22:50):
Oh my god, amazing, wow, dish what she's saying sevi.
Speaker 1 (23:05):
I'll put it into Google friends like well maybe likewods
you can just hear the English version because she sings
in two languages.
Speaker 2 (23:12):
Go again. So on the album did she do a
French one and an English one? Oh my god?
Speaker 1 (23:19):
The only singer in the world to have a single
in number one single in three different languages.
Speaker 2 (23:26):
This is the.
Speaker 3 (23:26):
English I remember the laughter.
Speaker 1 (23:33):
Wow, lifting off the wall.
Speaker 2 (23:36):
Wow, what a woman in the bella good this is
good stuff. We put ourselves together.
Speaker 1 (23:46):
This is nice.
Speaker 2 (23:47):
I think you should do Kv's message and then say, ps,
where'd you get your chops from? Come on middle grad.
Speaker 1 (23:55):
By the way, she read that message about fifteen minutes ago.
She responded ship. She responded ship good stuff, isn't it.
Speaker 2 (24:04):
No, she hasn't yet been listening to the album. My
only problem was just.
Speaker 1 (24:09):
Now by the way, now, oh right, for the one.
Speaker 3 (24:13):
It's in between messages. It's not like you forgot to
put something on. You've sat by your phone thought it
for another fifteen minutes.
Speaker 2 (24:20):
No, he was busy. He was busy. He had another
meeting to run to. He had a meeting to run to.
Speaker 1 (24:24):
I was going to say, also, by the way, also, yeah, well.
Speaker 2 (24:28):
You did cook it out. Block don't come out block
them out.
Speaker 1 (24:30):
We've done you and me.
Speaker 2 (24:31):
Let's by the way, by the way, been listening to
the album.
Speaker 1 (24:35):
Podcast, he's kind of sabotaged. You will don't listen to also,
been listening to the album, not laughing it?
Speaker 2 (24:41):
Ps. Where do you getch ops from? Come on? Come on?
What's that crap? Let's I'm sorry, sorry, but you're trying
to wrap me up the music obviously.
Speaker 1 (24:51):
I've been listening to the album and then emoticon hit
it with an emoticon.
Speaker 2 (24:54):
Yeah, he likes that.
Speaker 1 (24:56):
Just the okay, just the perfect Yes, No, I can't
hear what the job was.
Speaker 2 (25:00):
But she won't respond to that. There's no question there
there's no question there, and then you're going to be
sitting Yes.
Speaker 1 (25:06):
Where do you get you jobs from?
Speaker 2 (25:07):
Just go on goys Chat. This is Jo tap this
and John. Just block him out, Just block him out us.
Speaker 1 (25:11):
Where'd you get jobs from?
Speaker 2 (25:13):
Brilliant? Brilliant? See you to my did he send it?
You idiot?
Speaker 1 (25:34):
To take me a fu
Speaker 2 (25:38):
Clothes be left behind
It's hot in here, and that's because we are in
TV behind the scenes where things heat up.
Speaker 2 (00:09):
That I meet the board, if we all, if we
all take our clothes up, I think it's totally fine.
Speaker 1 (00:17):
Just us on the studio. Are you do eating that
towards the producers as well? No?
Speaker 2 (00:20):
No, no, no, I wouldn't do that.
Speaker 1 (00:21):
Have you ever done a show nude? No?
Speaker 2 (00:24):
But will has? We had a bet about Rapha and
Nadal many many years ago? Yeah, it was Austraight Open
was on. I can't remember. The bet was probably that
rap on a will lose or win? Anyway, he did
the show on the nude. Yeah, was that when you
look actual like you're butt naked?
Speaker 1 (00:42):
Wow?
Speaker 2 (00:43):
Yeah, it was crazy when you're in Perth. No, not not,
not not. We were working for a different company. We
were filling in. It was the weekends. We were filling
in when because the Australia opens early in January? Right, wow,
so I think we were anyway, So anyway to answer question, yes,
we have it on the show. Note now let's get
(01:04):
onto more pressing matters. Yes, thank you, Tom itinery. Here
we go, Here we go, Let's go to the big one. Yeah,
let's just do it, Tina Arena. You texted her yesterday.
Question marks over whether that was a good text message
or not. Yep, but look at the end of the
day you fight it off and I love that for her.
The courage was brilliant. Yep. Have you received a response before?
(01:27):
And before you answer this? I think everyone needs to
remember that my partner's mum never got a response from teens.
Speaker 1 (01:34):
Has you have spoken to Michelle about that? No? Has
she heard this? You think?
Speaker 2 (01:38):
Yes? Avid? Fan of this podcast really yeah, loves it,
absolutely loves it, So I'm no doubt So she's salty. Well,
I'm not sure. I haven't discussed it with her. She
hasn't reached out to me. We haven't addressed it. You
seem to think that she might be Well, I think
I think she I think maybe I don't want to
speak for her, but I think maybe she'll be like, oh, well,
(02:00):
if she's written back to to you, will why hasn't
written back to me? Like That's how I would as
I feel. But anyway, we don't even know if you've
got a response yet. So do you have a response?
You do that, I've got as look all over your face,
it's just so obvious. By the way, if you go
(02:23):
to see Tina Arena, you can go to Tina Arena
dot com and buy tickets. Nice.
Speaker 1 (02:27):
Nice.
Speaker 2 (02:27):
You're doing Adelaide, she's doing Melbourne. She's doing the Sunshine
Coast Service. Paradise serves Paradise. Is that part of the
Sunshine Coast.
Speaker 1 (02:35):
Turn things part of the gold Yeah?
Speaker 2 (02:37):
The goalie, I get my coast. It's confused.
Speaker 1 (02:39):
Yeah so she Yeah, she's heavy back. And look, I
currently now have a text thread with tena Arena on
my phone, which is well done.
Speaker 2 (02:47):
That's that must feel good? Does that? Does that feel good?
Speaker 3 (02:50):
Oh?
Speaker 1 (02:50):
Yeah, it actually does? For three months?
Speaker 2 (02:52):
This is the best.
Speaker 1 (02:52):
Talking about you know how we're going to get that
going on? And now we talk Tina and I yet
I can say some mentions to me, you know, if
Tina a Renna comes on the radio or something, I
can go, oh, Tenda and I talk. Yeah, that's all
we took.
Speaker 2 (03:09):
Would you say we talk or we talked? Currently?
Speaker 1 (03:12):
We talk? Yeah?
Speaker 2 (03:13):
When does that become talked? How often do you need
to text her to maintain talk status? I think you
just has a shelf life for mine. I think you'd
need no disagree.
Speaker 1 (03:23):
I think it's just the capacity to message them whenever
you like without them going oh well.
Speaker 2 (03:27):
Actually sorry mate, I want to get around you, but
I think you need to exchange six back and forth
texts to be classified as talking.
Speaker 1 (03:35):
We'll get there easy. But currently we talk.
Speaker 2 (03:37):
Now at the moment, you've written one text message to her, but.
Speaker 1 (03:39):
The definition of talk present tense. We talk, Tina and
I talk. At the moment we talk to each other.
Speaker 2 (03:47):
You exchanged one.
Speaker 1 (03:49):
We're talking. We're currently in a conversation online and we
spoke on the phone. By the way, Tina and I talk.
So what I ended up sending to her just mind
every me talking to Tina Rena, I said, hey, Tin,
a great chat yesterday was dinner much chop? This is?
Speaker 2 (04:08):
That's the controversial we.
Speaker 1 (04:09):
Spoke about on the radio show. Was that gonna totally
butcher my chances of actually catching up without that? I said,
I would love to get you in next week if
you're still keen. My producer says, Wednesday afternoon works, we're
in Richmond. Cheers.
Speaker 2 (04:23):
Pretty good message. The only controversial bit, or the only
point of contention, is obviously that lamb chop joke. I
still think it's great anyway, stop leaving me in suspense.
You've got a response, Tina, she said, Tina.
Speaker 1 (04:36):
Yeah, Tina, will will over it. Do you know we're texting?
Speaker 2 (04:45):
Says Oi Oil going give me give me it looks big.
Speaker 1 (04:55):
Yeah, So she goes, hey are you?
Speaker 2 (04:58):
She said, hey you? How you? She said how you?
Speaker 1 (05:01):
Said?
Speaker 2 (05:01):
How are you? How you?
Speaker 1 (05:03):
How you? Gee?
Speaker 2 (05:04):
That's friendly, that's great? How you? Full stop?
Speaker 1 (05:08):
Why why everyone so rattled about Kate stood up for that.
Speaker 2 (05:10):
Yeah, hey you, hey you? I was just fixing my scired.
Speaker 1 (05:20):
I thought there was such She still didn't need to
say that on the podcast, just like you're just getting
me back because you got a ship game and that.
Speaker 2 (05:28):
I get that.
Speaker 1 (05:28):
Now, how are you? How you? Well?
Speaker 2 (05:32):
I'm sorry, I'm still a bit checking mother, but go on,
hey you. Oh I just think it's a bit flirty.
But anyway, I got well she didn't actually write that,
of course she didn't. Of course she didn't. That's why
everyone was so radleed mad, like we could see that
on your phone? Are you no way?
Speaker 1 (05:47):
No way?
Speaker 2 (05:48):
You wish you were hay.
Speaker 1 (05:49):
You no you No. I just needed to annoy you
and slash like you'd get a bit jealous, which is
what happened, which is awesome. kV stood up all right,
So she got lucky. So this is what she starts with,
lucky you close to how you lucky you next Wednesdays
free laugh face crying, laugh face on the side lucky.
(06:13):
I think we're finding out what Katrina said yesterday about
over fifties liking emoji. She's into it. She's into it
big time.
Speaker 2 (06:21):
So she goes so it's like, lucky you next Wednesdays free.
Speaker 1 (06:24):
Yeah, brilliant, lucky for you, next Wednesday's free. I don't
know why that's hysterical, but whatever, it's Tina Rena.
Speaker 2 (06:31):
It's good year. But that's great. That's a great start.
Speaker 1 (06:35):
Well, great start.
Speaker 2 (06:36):
And she's emoji. You're emoji, so you're right.
Speaker 1 (06:38):
Can I just like run this by you though, like
you know when you if you sent so for you.
Let's just go back quickly to the lamb chop. Gag
was doing much.
Speaker 2 (06:44):
Chopped because she so she she made lamb chops and
Casey Howe's missed that.
Speaker 1 (06:48):
Yeah, so yeah, go Tom, Tom, Well what are you saying?
Speaker 2 (06:54):
What's the joke there? Like, what's the other pun?
Speaker 1 (06:57):
It's a pun? But what is doing?
Speaker 2 (07:00):
Yeah?
Speaker 1 (07:01):
And then like, was it any good?
Speaker 2 (07:03):
Is that that much chop? You've never heard that before?
Ah right, really, I'm worried that she might not know
that either.
Speaker 1 (07:11):
So good.
Speaker 2 (07:11):
Well, maybe I think it's an old saying much chop. Yeah,
I'm not sure as much chops much chop?
Speaker 1 (07:17):
Yeah, he's not sure he's any good. It feels like
it sounds like a sporting Oh yeah, it's maybe much
chop chop. He's not much job. Yeah, I know that
it could be a sporting thing.
Speaker 2 (07:28):
Not much chop meaning origin. Here we go, not much
chop origin, did you know? Back in the late nineteenth century,
chop was also used to refer to something with class,
or validated as genuine or good. Thus first chop means
first class. This evolved in Australian and New Zealand English
into the informal not much chop meaning not so good.
Wow and amazingly, that was written in the South China
(07:50):
Morning Post.
Speaker 1 (07:52):
You you you're big on that South China Morning Post.
Speaker 2 (07:55):
I don't subscriber.
Speaker 1 (07:56):
I don't think that's ad fast to get.
Speaker 2 (07:58):
You first note and the interaction between Cantonese and English
people in British occupied South China. It spread through Chinese
workers at sea and was adopted by British seamen. Chop
chop means hurry.
Speaker 1 (08:09):
Oh yeah, chop chop.
Speaker 2 (08:10):
It's different, that's chop chop.
Speaker 1 (08:12):
Okay, alright, well let's chop chop back into the text.
Speaker 2 (08:15):
Shall we answer to your question, Tom, chop choppy.
Speaker 3 (08:19):
I didn't know what it meant, but because you were
all laughing, I was just like, oh, I actually thought
chop was a reference to a willie and the size
of it.
Speaker 2 (08:27):
You can also refer to a chop as a penis
quite a big chop.
Speaker 3 (08:31):
I thought was mildly inappropriate to Tina Arena books as
you all got around it.
Speaker 1 (08:36):
Yesterday just floated a dick gag in my first text
to Tina.
Speaker 2 (08:40):
That's why I was confused.
Speaker 1 (08:41):
My friend, I would have appreciated it, just a little
bit of a red Oh you're going, WHOA can't fly
with the dick gag to Tina?
Speaker 3 (08:51):
My god, But Katrina was given the Filmyta likes.
Speaker 1 (08:55):
It just had like a lost in translation. You know,
English is your fifth language, all right, so.
Speaker 2 (09:02):
CHOP's also slang for a drug?
Speaker 1 (09:05):
Oh my god?
Speaker 2 (09:06):
All right, carry on joke some research like I.
Speaker 1 (09:10):
For you next Wednesday's free last laughing face on the
side hot start. So the reason I brought up the
chop b it is I think it's funny that if
she got the gag, if someone writes a gag like
that to me, or just a gag and a message,
my first line in my next message is a reference
to the gag that they made.
Speaker 2 (09:25):
Yes, you let me know you acknowledge that, I go joke.
Speaker 1 (09:27):
Haha, yeah, haha, right, well that could be the laughing
on the side. Then she said, let me know, Oh,
maybe get a good point, Tommy. Although yeah, I.
Speaker 2 (09:38):
Think she's laughing in her own life. I think she's
I think she's laughing because she's going lucky you like
the joke is that like.
Speaker 1 (09:47):
Oh, let me know what the details are and I'll
come by. I'll be sure to have all my dates
so that you can get around the tour for you
got for me awesome and then three thank you hands
and then emoji is hard and then laughing laughing face
on the side.
Speaker 2 (10:05):
She's done, She's done five emojis already. It's unbelievable.
Speaker 1 (10:09):
Does that sound like a plan? Tina per ps.
Speaker 2 (10:13):
Oh wow, ps g this is unbelievable.
Speaker 1 (10:17):
Dinner was great. Thank you. Oh so she ends up
getting around.
Speaker 2 (10:22):
She understood. I think.
Speaker 1 (10:25):
It was a reference to the lamb. But I don't
think she.
Speaker 2 (10:27):
Didn't much chop. No, she said it was good. Your
response to wasn't much chop is? Yes, it was good.
There she gets it. Didn't find it funny, she's grown
up in Australia. Didn't find funny.
Speaker 1 (10:36):
But she got it.
Speaker 2 (10:36):
But she responded to you.
Speaker 1 (10:37):
How good.
Speaker 2 (10:38):
That's a great message, right, you're gonna write back now?
Speaker 1 (10:43):
Yeah? Sure, so it sounds perfect.
Speaker 2 (10:45):
Sounds perfect, just two o'clock, sound okay?
Speaker 1 (10:47):
I will.
Speaker 2 (10:48):
I just think I just think this is an opportunity.
You were spending so much time talking about the fact
that you want to be you're you're currently talking with
tina A Rena. We talk. We talk now. I'm over
the belief we disagree on. I think there's to be
a bit more back and forth before you can say
that you're talking.
Speaker 1 (11:03):
I had a phone conversation with her and we had
two texts now back and forth.
Speaker 2 (11:06):
That doesn't sound as good as we talk. I want
you to be able to say we talk now. I
just think there's an opportunity here to get one more
extract one more text.
Speaker 1 (11:12):
Out of it. We're not extracting you and these verbs.
Speaker 2 (11:16):
Sorry to get a bit of a bit of verbal
verbal tennis.
Speaker 1 (11:21):
Going on, Oh yeah, what are you thinking?
Speaker 2 (11:22):
I don't know. I had had a thought yet, but
I'm just thinking, like, let's just not right back. Sounds good,
see next week. I just think we need to go, like,
you know, that sounds great. Why don't we lock in
the time. Why don't we say, can you do two thirty?
Give her the address, do the business stuff, get that down,
and then I just think you ps her back? She
psu u ps her.
Speaker 1 (11:39):
She didn't technically she didn't write ps. She's just like
new lined. So she wrote Tina, Oh right, okay, it
was great. Thank you.
Speaker 2 (11:46):
Next time you read a message back from her, yeah,
read it word forward. Because you're messing with us, and
I can't appropriately give you advice if I don't know
the actual information.
Speaker 1 (11:55):
I don't want your advice to you don't know or
you need absolutely not affording you some space in this
because I find it funny, but don't to.
Speaker 2 (12:04):
Afford don't continued.
Speaker 1 (12:05):
I'll take the thing for a second that I want
your advice when texting anyone, Well, particularly after that time
that you stole my phone and texted back that Swiss
ski instructor who I was texting sa Sena.
Speaker 2 (12:18):
Yeah, yeah, yeah, that was great.
Speaker 1 (12:19):
That didn't that.
Speaker 2 (12:19):
Didn't go well.
Speaker 1 (12:20):
Your opening line was, Sena, I seen you brilliant, brilliant, brilliant.
And then and then I think he said, are you
related to the Warrior princess? Anyway? She didn't expect to me,
which she didn't text back.
Speaker 2 (12:36):
Well, that's her loss. I think, yeah, don't do PS. Then,
so I'm saying, get the business out of the way, Okay,
new business. The business is, how does two thirty sound
next Wednesday? Give her the address of the set?
Speaker 1 (12:48):
So how's perfect?
Speaker 2 (12:50):
Perfect?
Speaker 1 (12:52):
How's two pm next Wednesday sound? Just two pm next Wednesday?
Speaker 2 (12:57):
Suit you? Yeah? PS will bring the ice, which is
a reference to the fact that she doesn't have a freezer.
Speaker 1 (13:05):
Just two pm next Wednesday, suit you. And then should
we get her a gift? I should warn you get
a nice woody fat or something like that.
Speaker 2 (13:14):
No, I don't mind that, but I think she'll find
that funny. Yeah, I don't mind the idea of teasing
me to get a laugh. I'm okay to I like
a gift. Yeah, I think we should get an ice machine.
I know a good one, Avanti, I've got it.
Speaker 1 (13:26):
Oh she has it, that's right, Devanti.
Speaker 2 (13:29):
Yeah, that's it. It's an industrial ice machine.
Speaker 1 (13:32):
It's for the best, all right. I'm oabing to give
her a nice machine. That sounds good. It's like a
commercial one that's six hundred bucks. You can just get
like a little a little nice for like one hundred
and forty b I.
Speaker 2 (13:42):
Did a big one because it for my my cold tub.
But a day. Yeah, are you making forty five kilos
of ice a day? Yeah? Yeah, so you've got to
put that much into your tub. The cops are getting
under you.
Speaker 1 (13:54):
Oh bang oheeky devil. So so well, I've sent that,
so we'll leave that there. Oh you want to have
a little bit.
Speaker 2 (14:04):
Of something back and forth, new line?
Speaker 1 (14:06):
Yeah, I've sent the text, but under I can sender
a new text.
Speaker 2 (14:14):
There could be an an what a nice like a
drug joke. She doesn't have a freezer. She doesn't have
a freezer. Oh yeah, you know it's it's hot in Melbourne, right, yep,
you'd really need that ice today. Sorry sorry sorry, sorry, sorry, sorry,
but work with me here do we do.
Speaker 1 (14:35):
We you're making a callback to like something that got
brought up for thirty seconds in a phone call three
or four days ago.
Speaker 2 (14:40):
Now she knows she doesn't have a freezer, so it's
front of mine for her. I'm sure she knows struggling.
Speaker 1 (14:46):
It's front of mine for her. Why would be in
front of mine.
Speaker 2 (14:48):
That you're struggling without that freezer today? Want me to
drop you a bag later? Oh my god? Oh from
the servo going past yours tonight, trying me to drop
you over a bag of ice. Well, okay, should we
get off the should we move off the freezer thing? Okay, okay, okay.
(15:11):
I was also thinking about making Lamb chops tonight.
Speaker 1 (15:14):
She read it.
Speaker 2 (15:16):
I see now she's got three receipts on she's.
Speaker 1 (15:18):
Got very receipts.
Speaker 2 (15:20):
What about what about?
Speaker 1 (15:21):
Hey?
Speaker 2 (15:22):
Just quickly, I can't stop thinking about Lamb chops.
Speaker 1 (15:26):
I'm not gonna say you can't stop thinking about Okay, Hey,
you're fucking nowhere, dude. What fine?
Speaker 2 (15:31):
I'm just throwing out there. I'm just throwing about there,
trying to help okay go again, thinking about how to
dream about lamb right now?
Speaker 1 (15:39):
What I'm not doing. I'm not messaging Tina Rena about
dropping off a bag of ice or about lamb chops.
Like we've got a foot in the door with Tina.
She thinks we're normal people. She's coming into the studio.
We just don't want to botch that. Like that's going
to be great. We can ruin all of our hard
work by asking her about bags of ice and lamb chop.
Speaker 2 (16:00):
I just think more fortune favors the brave. You know,
a ship is safe in the harbor, but that's not
what it was built for. Mate, Let's get it into
the open seas. Let's take a risk.
Speaker 1 (16:08):
Who's the ship in this?
Speaker 2 (16:09):
You thought so that is a friendship, but friendship.
Speaker 1 (16:13):
But you're still happily in the harbor. You're just sending
me out.
Speaker 2 (16:16):
Yeah, and yeah, it'd be good for you. It'll be
good for you. Just to hear me out, Just hit
me out. I had a dream about lamb chops last night.
What did you see? What did you see? He is
in your chops with again?
Speaker 1 (16:29):
I just she'l Paprika. I know the answer, plenty can't remember.
Speaker 2 (16:33):
I've heard ship chat Paprika.
Speaker 1 (16:35):
Oh yeah me.
Speaker 2 (16:36):
What's probably my favorite spies is what's your favorite spies.
I'm just let's just get a bit of back and
forth going here, you know what I mean?
Speaker 1 (16:41):
Like this is really why this I reminded why your
game is so bad?
Speaker 2 (16:46):
Well, I managed to secure the hottest woman in Australia.
My partner mim. So thank you, thank well, thank you,
thank you. So you want to back right up there? Mate?
Speaker 1 (17:00):
So so are we done? Well? You got you got? Okay,
you've got one minute to convince me some.
Speaker 2 (17:12):
Warm up with the ice stuff or the lamb chop
stuff or cold.
Speaker 1 (17:15):
On both, cold on both?
Speaker 2 (17:18):
No, no, no, no, that's not fair. Okay, you can't
bring up the wine. Oh hey, I'll be nah too creepy.
Speaker 1 (17:27):
She did ask me to listen to her new record, so.
Speaker 2 (17:30):
Can you ask her a question about the new record?
Have you listened to any of the new record yet?
Are you saving that for a big I have.
Speaker 1 (17:37):
I've listened to a couple.
Speaker 2 (17:38):
Do you have a question about that record or a
comment to make about that record?
Speaker 1 (17:41):
Does one song in French and one song in English?
Speaker 2 (17:43):
Okay? What was the hardest thing about? No, that sounds
like an interview question.
Speaker 1 (17:47):
Yeah, I could just ask for a copy of the CD.
Speaker 2 (17:54):
I think I think the best woot forward is the
ice pad poops you want to get?
Speaker 1 (17:58):
What would you like to pair with the shadi? Food wise,
we haven't. We haven't got to the shady yet. She
told me we're not talking shardi until we do the interview.
Speaker 2 (18:04):
Did you pair your chop with the shardi last night?
Did you pair your chop with a shardi last night?
Speaker 1 (18:10):
I wouldn't have.
Speaker 2 (18:12):
It was two nights ago, now, Tina, two nights ago.
Did you pair your chop with a shardi? What wine
did you have with your chop?
Speaker 1 (18:19):
That is so fucking right?
Speaker 2 (18:21):
Where'd you get your chops from?
Speaker 1 (18:23):
Don't mind that I'm in the area.
Speaker 2 (18:24):
I can't start thinking.
Speaker 1 (18:27):
Where'd you get your ride through?
Speaker 2 (18:30):
On the way home?
Speaker 4 (18:32):
Saygeon, No, it's contextual, it's relatable, And then yeah.
Speaker 2 (18:42):
And then you go, I know that place. Have you
have you met Darryl? Darryl is the best man in
meat in the area. And then you said, yeah, I
could also grab you a couple of chops if you want,
and I drop them off.
Speaker 3 (18:54):
Did you send all that in French as well? And
then sign off? Halfway through the new album, She's gonna
love that.
Speaker 2 (19:02):
I like that. I was I was also.
Speaker 3 (19:03):
One questions in French and then just say dot dot
dot halfway through the new album.
Speaker 2 (19:13):
Yeah, what is it?
Speaker 1 (19:18):
Laniel?
Speaker 2 (19:19):
I'd say in English, also Tina, and then.
Speaker 1 (19:21):
Go to Frenchiel, Yeah do that.
Speaker 2 (19:24):
Yeah, I like that. That's good for mel j.
Speaker 1 (19:28):
It's a bit suckassy though, you know what I mean. Yeah, wait,
and at least what do you think you're animated? I
like this.
Speaker 3 (19:35):
I really like what al Ja said.
Speaker 2 (19:38):
I think it's brilliant.
Speaker 3 (19:38):
Do the first half in English and then just do
the chop comment in French and be like oh halfway
through the album Sinar.
Speaker 1 (19:45):
But like so I have to reference to the fact
that like love the fact that you do a I
think this song, by the way, I'll play for you.
I'll play for you in French. I'll give you the
French and the English.
Speaker 2 (20:04):
You could say something like it would appear.
Speaker 1 (20:07):
It would have been we birth speak French.
Speaker 2 (20:10):
Loving the bilingual album because it again, it just sounds
like I'm hitting on her, which I'm just not. That
was a bit flir you know what I mean.
Speaker 1 (20:16):
Like, I just I just a little bit I'm not.
Speaker 2 (20:18):
I think it's a little like it's a bit show offye,
which is like like, look.
Speaker 1 (20:24):
If I was hitting on her, then totally different.
Speaker 2 (20:26):
You could bring up the prawn cupboard again.
Speaker 1 (20:28):
I would have shut this down.
Speaker 2 (20:29):
But what's that You could bring up the prawn covered
again French.
Speaker 1 (20:32):
Yeah, okay, so the new record.
Speaker 2 (20:35):
You could say, Hey, I know we talked about prawn
cupbods a couple of days ago. Do you know anyone
who has a prawn covered or you could do it guy,
because we have a prawn guy on the show, remember
in the day.
Speaker 1 (20:48):
Yeah, used to.
Speaker 2 (20:50):
I fully appreciate you don't have a prawn cupboard, Tina,
but do you want some prawns?
Speaker 1 (20:55):
We've got some prawns at the station. Yeah. By the way,
I know I asked the silly question about prawn covered
the other day.
Speaker 2 (21:00):
Turns out we've got a lot of prawns here. Did
you want me? Did you did you want to.
Speaker 1 (21:04):
Have you still got some of those frozen prawns? I reckon, Yeah,
I reckon we do from four years ago to hang on.
So I'm writing her a fresh message, just saying, by
the way, a bit of a silly question about the
prawn cupboard.
Speaker 2 (21:15):
But we've just got a lot of prawns here at
the station. Is any chance you won a couple of them?
Speaker 1 (21:21):
Yeah? I think I think.
Speaker 2 (21:22):
I look, I think that honestly best gear is.
Speaker 1 (21:25):
The chops, isn't it. I'm riding through it. By the way,
I'm riding through way home. I'm looking for a real
hankering for to keep cutting out that suburb.
Speaker 2 (21:35):
Got a real hankering for some chops?
Speaker 1 (21:37):
Where, Kate? Why are you? Kate? Why are you so
upset about this? Talk to me? Yeah, I mean you
have got bad game, but I'm interested so bad? Yeah,
that's bad. Really what would you write a practical request?
Speaker 2 (21:48):
Though?
Speaker 1 (21:48):
Like? Where could where does a man get some chops
in Melbourne these days?
Speaker 2 (21:51):
Yeah? That's what I like about it. It's not that
you're not playing a game, you're not fluing, you're not
showing off. You're just all we're doing here is trying
to get a conversation. But it's not casual. It's super specific.
Speaker 1 (22:03):
Well, no, one just asks what's casual? Then? But no,
I'm not just asking where she got her chops from.
She told me she was having lamb chops, so you know,
she's sort of what what what would your casual question be?
Speaker 2 (22:12):
Then I'd say I've been listening to the album, really
loving it, particularly the one in French. Yeah, that's that
would be that. That's pretty clear as well.
Speaker 1 (22:22):
Should do the one is very nice?
Speaker 2 (22:23):
Yeah by the way.
Speaker 1 (22:26):
Oh, it's called don't say yeah.
Speaker 2 (22:29):
Yeah, I think is right. By the way, been listening
to the album, Yeah, oh beautiful, excuse me, don't say
you look at us.
Speaker 1 (22:40):
Don't dancing on the ice.
Speaker 2 (22:42):
That would be a safety hazard, very slippery.
Speaker 3 (22:48):
Yea to.
Speaker 2 (22:50):
Oh my god, amazing, wow, dish what she's saying sevi.
Speaker 1 (23:05):
I'll put it into Google friends like well maybe likewods
you can just hear the English version because she sings
in two languages.
Speaker 2 (23:12):
Go again. So on the album did she do a
French one and an English one? Oh my god?
Speaker 1 (23:19):
The only singer in the world to have a single
in number one single in three different languages.
Speaker 2 (23:26):
This is the.
Speaker 3 (23:26):
English I remember the laughter.
Speaker 1 (23:33):
Wow, lifting off the wall.
Speaker 2 (23:36):
Wow, what a woman in the bella good this is
good stuff. We put ourselves together.
Speaker 1 (23:46):
This is nice.
Speaker 2 (23:47):
I think you should do Kv's message and then say, ps,
where'd you get your chops from? Come on middle grad.
Speaker 1 (23:55):
By the way, she read that message about fifteen minutes ago.
She responded ship. She responded ship good stuff, isn't it.
Speaker 2 (24:04):
No, she hasn't yet been listening to the album. My
only problem was just.
Speaker 1 (24:09):
Now by the way, now, oh right, for the one.
Speaker 3 (24:13):
It's in between messages. It's not like you forgot to
put something on. You've sat by your phone thought it
for another fifteen minutes.
Speaker 2 (24:20):
No, he was busy. He was busy. He had another
meeting to run to. He had a meeting to run to.
Speaker 1 (24:24):
I was going to say, also, by the way, also, yeah, well.
Speaker 2 (24:28):
You did cook it out. Block don't come out block
them out.
Speaker 1 (24:30):
We've done you and me.
Speaker 2 (24:31):
Let's by the way, by the way, been listening to
the album.
Speaker 1 (24:35):
Podcast, he's kind of sabotaged. You will don't listen to also,
been listening to the album, not laughing it?
Speaker 2 (24:41):
Ps. Where do you getch ops from? Come on? Come on?
What's that crap? Let's I'm sorry, sorry, but you're trying
to wrap me up the music obviously.
Speaker 1 (24:51):
I've been listening to the album and then emoticon hit
it with an emoticon.
Speaker 2 (24:54):
Yeah, he likes that.
Speaker 1 (24:56):
Just the okay, just the perfect Yes, No, I can't
hear what the job was.
Speaker 2 (25:00):
But she won't respond to that. There's no question there
there's no question there, and then you're going to be
sitting Yes.
Speaker 1 (25:06):
Where do you get you jobs from?
Speaker 2 (25:07):
Just go on goys Chat. This is Jo tap this
and John. Just block him out, Just block him out us.
Speaker 1 (25:11):
Where'd you get jobs from?
Speaker 2 (25:13):
Brilliant? Brilliant? See you to my did he send it?
You idiot?
Speaker 1 (25:34):
To take me a fu
Speaker 2 (25:38):
Clothes be left behind
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