Bobby started out how he was surprised by the results of the first parole hearing for the Menendez Brothers and why it did not go well. Erik Menendez was denied parole after 36 years behind bars in his parole hearing yesterday. His brother is up next. Bobby talked about people being mad over Cracker Barrel changing their logo and why he thinks it’s all fake outrage. Bobby explains how touring works for smaller and bigger artists and the difference in pay and travel. Eddie found out something he never learned about Scuba Steve before that blew his mind. But that leads to Bobby giving him hard love about not living up to his potential. Eddie takes a dig at Morgan after Bobby referred to her as being ‘super intelligent’. Bobby gives an update on sending Morgan to Cleveland. We also discuss Amy Bradley Is Missing on Netflix.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
It's the Bobby Bone Show. I saw that Eric Menendez
not getting parole.
Speaker 2 (00:07):
Saw that, Yeah, said somebody's behavior in prison.
Speaker 1 (00:10):
Well, yesterday is all ridden. He had good behavior. My
family was expecting him to be parole and I was
too because I had read that story. And Eric Menindez
denied parole. This from deadline, in a blow to their freedom.
The first parole hearing for one of the Menindez brothers
did not go well. Eric Menendez was denied parole after
thirty six years behind bars. Parole Board Commissioner Robert Barton said,
(00:34):
while we give great weight to youth offender factors, your
continued willingness to commit crimes and violate prison rules was
the determining factor in rejecting the parole request. Today is Lyles.
Speaker 3 (00:48):
Oh, it's okay. So Eric was yesterday, Today is Lyles.
Speaker 1 (00:52):
I wonder if Lyle was better in class.
Speaker 3 (00:56):
I mean, brothers are different, right, Like if two of
my boys were in there, one would be a bad
prisoner and one would be a good prisoner because they
have totally different personalities.
Speaker 1 (01:05):
Yeah, I'm interested now to see if Lyle gets out
because they expected them both to get out.
Speaker 3 (01:13):
That's crazy, huh. You know what I thought, like, Man,
he's a good looking dude. Eric. Yeah, well yeah the
picture the like, dang, that's what you thought. I didn't
know he was that good looking of a dude.
Speaker 1 (01:24):
Oh I think he's a little worse looking. His aged
a bit, but yeah, he's bald right, like that was him.
Did you not know what he looked like at all
the Netflix series or anything?
Speaker 3 (01:32):
No, but I do remember what they looked like in
that court, like from just the pictures of like the
news back then. But no, I had no idea what
they look like now.
Speaker 4 (01:40):
I think Eric's the one that has hair in Lyle's
the one that doesn't.
Speaker 1 (01:43):
The one yesterday had hair because it was gray in it.
Speaker 3 (01:45):
Okay, then he doesn't look that good.
Speaker 1 (01:47):
Lyle looks good, just looks like a dude, Yeah, average
normal dude. Yeah, I got to see what the other
guy looks like.
Speaker 2 (01:57):
How did this turn into which guy is hard?
Speaker 5 (01:59):
Well?
Speaker 3 (01:59):
I didn't, it's not hotter. I just didn't realize he
was that good looking of a dude.
Speaker 1 (02:03):
Lyle live. Is it because you have a bald head? Now?
You just attracted the other dude like you?
Speaker 3 (02:07):
Maybe because yeah, I mean I saw the bald head,
and like, dude, he looks kind of ripped and looks
it looks good.
Speaker 1 (02:12):
You see it, Yeah, it looks fine. I think you
just like a bald headed dude because you're bald headed.
Speaker 3 (02:16):
And I don't like bald headed dude.
Speaker 1 (02:18):
No, but I think you're like drawn to them, and
you're hoping people agree because they'll be like, Oh, Eddie
is good looking because he's bald headed.
Speaker 3 (02:23):
That's so next level. I didn't even think of that.
Speaker 1 (02:26):
Okay, let's see what else we got here. Give me,
give me Ashley in Kentucky.
Speaker 5 (02:33):
Do you remember when you said that North Carolina had
the best of everything in their states, the oceans, the mountains,
all the things. That's why you need to be a
Panthers fan. Thanks when I.
Speaker 1 (02:49):
Stay by, finally got a little Panther contingent weighing in. Yeah,
I don't think the geography of the state's going to
affect who I'm rooting for as a team. I think
I'm gonna do too. One of the which hat looks
better on me?
Speaker 3 (03:02):
Okay, they're both blue.
Speaker 1 (03:04):
Not a big blue guy in general, more of a
red guy.
Speaker 3 (03:06):
But the blue is a different blue. It's like a baby.
Speaker 1 (03:10):
Like it's like an electric blue. Yeah, electric electric.
Speaker 3 (03:12):
It's cool looking.
Speaker 1 (03:13):
It's like a if you were to get a highlighter,
you'd like that, but you really wouldn't want your house
painted that color. Right. Cracker Brow and I haven't talked
about this last a couple days. They change its logo.
People are mad, people aren't really mad. Like I'll say this,
the new logo kind of sucks, but there's never really
been a logo that has changed my life to make
me want to yell. I'm outraged. But this is what
happens whenever somebody makes something political or people are screaming
(03:39):
about culture, and you know what they do. You know
what happens here is people will create these Hey let's
fight about these things in culture, so you don't actually
look at what's actually happening. Like that's why all these
things happen. So this doesn't matter. This is affected nobody.
It will affect nobody. Also, it does kind of suck,
and it's mostly people that will never go to Cracker
Barrel or have never gone to Cracker Burrell who are
yelling about it online.
Speaker 3 (04:01):
I go to Cracker Barrel. Yeah, that's so sad, you've
never been. It's awesome.
Speaker 1 (04:04):
I don't love the new logo, but I don't hate it.
Speaker 3 (04:07):
I mean, what did they do? Just took off the
mant the old man.
Speaker 1 (04:09):
They changed up a little bit of the font inside
the restaurants. They removed a lot of what we call
the clutter. And now it's just like stuff on the wall.
It's just different. It's different. I like the clutter. I
like all of it. But the outrage is all manufactured.
It's the same thing as the male cheerleaders, all manufactured.
(04:31):
Like a couple people get online scream about it so
other people know if they scream about it, that'll get clicks.
And it actually does affect a stock price whenever everybody's
yelling about it. Yeah it does now that being said
on my Robinhood app As soon as it bailed, I'd
bought a bunch of it, right.
Speaker 3 (04:46):
Because it's going to go back up because it's cracker barrel.
Speaker 4 (04:48):
Like.
Speaker 3 (04:48):
The food's still the food.
Speaker 1 (04:50):
Now, if they started messing with the chicken fry steak,
we'd have a problem.
Speaker 3 (04:53):
Or took away the checkers, we got a problem.
Speaker 1 (04:56):
And I'll say again, I don't love it, but nobody
is actually affected by a logo and the amount of
outrage online. It's all fake, it's all manufactured, and most
of it is done by people who have never even
stepp foot in a Cracker Barrel because they just want
to have something to scream about. Cracker Barrel is unveiled
its logo as part of a seven hundred million dollar transformation.
(05:18):
The new logo drops the barrel and the man, a
departure from the man's identity since nineteen seventy seven. The
chain is also revamping its restaurants menu in advertising to
appeal to a broader audience. While some loyal fans are
unhappy with the changees CEO Julie fiss and Messino insists
the renovations are well received and driving positive feedback. Despite
mixed reaction on social media, investors have responded shares of
(05:40):
Cracker Barrel well, this says, let me read you this,
because yesterday I did see the big news. It was
like Cracker barrels down. Despite mixed reactions on social media,
by the way, not mix. It's all been hate. But
that's what gets pushed up, is the hate. That's what
gets the engagement. Investors have responded positively with shares of
Cracker Bail up nearly eight percent for the year.
Speaker 3 (06:00):
Thank Dan. How much did you put in mistern journal?
Speaker 1 (06:01):
Maybe I'm the one that shipped all that your robinhood
at mean, look, I didn't put in like a who
whole bunch of put in like four hundred bucks or something.
Speaker 3 (06:08):
It went down. You put it in, so you changed everything.
Speaker 1 (06:11):
Let's see. Let's see cracker barrel I have and I
can just show you so you know I'm not full
of crap. It's now at fifty six thirty nine a share.
It's gone up tremendously for the day. As you can see.
Speaker 3 (06:22):
What did you get it at? Yesterday?
Speaker 1 (06:24):
Made eleven dollars? Wow, well that's not a wah out.
Speaker 3 (06:30):
It is like that's a win.
Speaker 1 (06:32):
I have made nine twelve bucks.
Speaker 3 (06:36):
Okay, don't do the lunchbox were twelve fifty?
Speaker 2 (06:39):
I know, I know, No, it's Eddie. If you were
a guy of stock, you would understand that. It is
like every penny that goes up, it feels pretty good.
Speaker 1 (06:46):
What was it yesterday, Mike? What is today? By the way,
what's the date? Twenty second?
Speaker 3 (06:50):
Twenty seconds?
Speaker 1 (06:51):
So look at the twenty first, the lowest on the
twenty first, go back a little bit. Keep going down
to the lowest part on the on the scale. So
I got it forty nine, forty nine and some change,
and now it is at fifty six.
Speaker 3 (07:06):
It's pretty good, man. Like if you put thousands of
doll but I didn't.
Speaker 1 (07:10):
I didn't, No, I know.
Speaker 3 (07:11):
But like if you played the market like that where
you're like, all right, one hundred grand, dude, you'd be
so rich right now.
Speaker 1 (07:17):
Would you? Unless they continue to fall and then you
would have lost a lot of money, which is that's
the whole points easy to say that in hindsight.
Speaker 3 (07:24):
Sure, but what do they call those guys day traders,
like those of the day, the guys that pull home
big ones and then they come they pull back out.
Speaker 2 (07:29):
Sure, so they go in at like nine am and
then sell it four to fifty five pm. Is that
what you know?
Speaker 1 (07:35):
You could move it whenever you wanted to, Like if
it started to lose more you could go screw it,
or if it made a bit and you're thinking, well,
it's going to fall back down. It's all predictive.
Speaker 3 (07:42):
Yeah.
Speaker 1 (07:43):
So, but day traders do it all day a lot
all the time. But it also costs every time you
do it, Like there's a fee with everyone.
Speaker 3 (07:50):
You take out take out a stock.
Speaker 1 (07:52):
Yeah, Like every time I buy something on Robinhood, there's
like a little fee, oh too, that's how they make that.
How would they make their money ads on the app?
There are no ads on robin Hood.
Speaker 3 (08:01):
That's how I figure all the apps make money.
Speaker 1 (08:03):
Unless I have some sort of weird subscription. I don't
think I don't have anything on robin Hooday. Anyway, the
cracker barrel is fake manufactured outrage. And I'm saying that
from someone who is like, Yeah, I don't really like
to change, but I might go to Crackerbrell once every
two months.
Speaker 3 (08:20):
Yeah, you're on the road, right, like when you're driving somewhere.
Speaker 1 (08:25):
Yeah, trying to think. Maybe it's like but big cracker barrel. Guy,
for sure, don't love it. But also it doesn't change
my life one percent.
Speaker 3 (08:33):
Was the old man on a rocking chair. There's a
chair that might do it for me.
Speaker 1 (08:37):
It's a far left like there's a whole old school logo.
Speaker 3 (08:41):
The barrel.
Speaker 1 (08:41):
Yeah, nobody's actually upset about this. They just want you
to be upset so they can use that as a
reason to galvanize the group. Yeah, it's a guy, it's
not a rocking chair. He's sitting on a chair with
his elbow on a barrel.
Speaker 3 (08:53):
Okay, I think we're gonna be all right.
Speaker 1 (08:55):
I think we're gonna be all right too. Stop falling
for all this stuff. The male cheerleaders, Oh, the NFL.
The controversy. No, it's not, it's not that. There's nothing
controversy all about that. Now, one single person canceled their
season tickets because of that.
Speaker 3 (09:07):
But I really don't understand that. The old man in
the barrel, Like, how is that political?
Speaker 1 (09:12):
No, they're just going, well, they're making it more woke.
I would say they're making I would say the wokest
thing is crying about a logo.
Speaker 3 (09:17):
That's pretty woke.
Speaker 1 (09:18):
That's the wokest thing you can do. The logos change.
Speaker 3 (09:20):
I'm crying because taking out a man in the barrel, like,
to me doesn't seem who cares?
Speaker 1 (09:25):
Who cares?
Speaker 3 (09:26):
How your baby?
Speaker 1 (09:28):
You want to cry about a logo? You want to
spend your online currency on that, and the rich people
to do it that are like, I'm so mad. Cracker
Burrell is gone. You never been in a cracker barrel.
You never you grew up in New York City, you
never been in a cracker barrel. So anyway, there's.
Speaker 3 (09:42):
That I did see, like the Miami Dolphins logo, like
when they change theirs, because I guess the dolphin used
to have a helmet. Now that dolphin doesn't have a helmet.
Speaker 1 (09:51):
Even with new concussion rules.
Speaker 3 (09:52):
Yeah, even with concussion rules.
Speaker 1 (09:54):
I I'm looking at it.
Speaker 3 (09:56):
I'm trying to think that's so minor.
Speaker 1 (09:58):
That I'm looking at the Dolphins. It did have a helmet.
Speaker 3 (10:02):
Yeah, it's just I'm trying to think, like what logo
ever changed where I was so mad about it?
Speaker 1 (10:07):
Nothing, because that doesn't affect your life. You can be
annoyed when Arkansas they have this front facing hog. It's
kind of stupid. I don't like the front facing holl Oh.
Speaker 3 (10:14):
Yeah, I know what you're talking about.
Speaker 6 (10:16):
Now.
Speaker 1 (10:16):
My favorite logo and I love Arkansas more than anything.
And you know how many times to think about that?
Almost none, it's almost zero times. Sometimes it'll pop up
in a graphic. I'm like, yeah, not the best. I
like the old school stuff. Yeah, but other logos notre
dame changers. Today I think, oh.
Speaker 3 (10:31):
Yeah, yeah, yeah, he's uh I think he's carrying a football.
Speaker 1 (10:33):
Now it's like a slight Leprechaun.
Speaker 3 (10:35):
Change, he's not fighting, he's carrying a football.
Speaker 1 (10:38):
Yeah. Notre Dame onn Bell is its first new logo
in forever.
Speaker 3 (10:40):
Where's the outrage there?
Speaker 1 (10:42):
Exactly? The old guy had his arms up like this,
like fighting, yes, and the new guy is leaned forward
and running with a football, and people will be like, man,
the old one is the best. You know why, because
you're old for the most part. That's why I like
the old school razorbacks. All the front facing hogs pretty terrible.
Speaker 3 (10:59):
I remember and Miller Lte they made their can like
blue and it looked nothing like the original. I was
a little upset. I remember that I was in college.
Speaker 1 (11:06):
But you know what happened.
Speaker 3 (11:08):
He got over it.
Speaker 1 (11:09):
They went back, Okay, great, then you got over and
you would have gotten over it.
Speaker 2 (11:12):
I can't believe you even remember that.
Speaker 3 (11:13):
I remember did because I'd be like, where's the middle?
Like I never find it, and like, oh they changed
their stupid can.
Speaker 1 (11:18):
Here's the key to backlash, just in general, uh ignore
for two days. Everybody moves on with their life period.
You can do any almost anything now and get backlash.
You can't like touch kids, no, not that you can't
do like serious stuff. You can do something, but you
can do some crimes for sure. But you see the
little nas X got busted. He was walking in his underwear.
Speaker 3 (11:38):
Did he get busted? I saw the videos in.
Speaker 1 (11:40):
The morning he got arrested. He was he was in
his whitey tidies, and I was thinking, you can't afford
something better, whitey tities. That's where my mind goes.
Speaker 3 (11:48):
And I thought, like, you're alone, Like what are you
doing alone with your friends?
Speaker 1 (11:51):
Yeah?
Speaker 2 (11:52):
Yeah, something's not good.
Speaker 3 (11:53):
Not good.
Speaker 1 (11:55):
They said he might overdose.
Speaker 7 (11:56):
Yeah yeah, Because then when he got stopped by police,
he charged at him, apparently, because I thought it was
all like publicity thing, like maybe.
Speaker 1 (12:03):
He was in his white tidies and I thought, I
never looked at good and.
Speaker 7 (12:05):
White ties and like nice white boots.
Speaker 1 (12:08):
I didn't see the boots, yeah, And so I thought
maybe he was like performing something.
Speaker 2 (12:11):
Didn't he have a cone on his head, like traffic cone.
Speaker 1 (12:14):
I didn't see the traffic cone.
Speaker 6 (12:15):
I that either.
Speaker 3 (12:16):
I didn't make it that far in the video.
Speaker 1 (12:18):
I didn't either. I saw him walking and I thought, huh,
what's he doing out there? And then I read the
story said he was like.
Speaker 7 (12:24):
Going to a party, like he should come with me
to this party.
Speaker 1 (12:26):
Why didn't one of his friends like scoop him up?
Speaker 3 (12:28):
It's weird, man.
Speaker 1 (12:28):
And if they didn't scoop him up, why wouldn't like
his friend or like a manager's in the drive beside
him and be like, dude, get in the car. And
then when a cop comes, you're like, no, I got him,
I got him, I got him. Like he's multi multi,
multi millionaire. Yeah, that's pretty crazy. What are we talking about?
Speaker 3 (12:42):
Uh, the logo changes.
Speaker 1 (12:44):
Yeah, I'm kind of over that now.
Speaker 3 (12:45):
Outrageous.
Speaker 1 (12:47):
Yeah, I was on something and lone Lazac got me.
I don't know what that was, requested me out. Ramondo
wants to know the difference between a sprinter van and
a touring tour bus. Right where did this come from?
Speaker 8 (12:57):
Well, just because the artists come in here and they say, yeah,
we were finally able to afford one of the big buses,
and I was thinking, what's the difference in a sprinter
bus and a big bus. They're both buses that transport
you places that seem relaxing.
Speaker 1 (13:14):
So I understand that question. A sprinter bus is not
a bus, it's a van, so it's big though it's big. Yeah,
it's big.
Speaker 3 (13:21):
It's border of the size of a real bus.
Speaker 1 (13:23):
Okay, so with the bus you have to have a
driver that has a CDL because the bus is significantly
bigger than a van. In the bus, there are actual
bunks depending on what your bus is like. When we
do ours, usually I'll have a back bedroom, but you
can also just do that to be all bunks, so
you can have twelve bunks in a bus. You can
(13:45):
have like three people in a sprinter van and somebody
has to drive from the band the sprinter van. There's
really nowhere to sleep. You don't really drive overnight and
give everybody time to sleep a lot of space. You
don't have a kitchen, you don't have a bathroom. Bus
has had all that bathrooms, kitchens, TVs. It is a
significant difference, and it's a massive price difference though, Like
(14:06):
for me to rent a bus, because I never bought
a bus because we were on the road sporadically and
when I was doing stand up, I just flew into
places for a bus for a weekend. It was about
five thousand dollars not including gas, not including driver, and
you have to take two drivers if you drive over
eight hours, so you're talking about, you know, sixty five
hundred bucks a weekend just for the bus because that's
(14:30):
gas and driver. Sprinter van, you just got to keep
it up and one of the band members drives and
everybody kind of crams in, and some people can get
back through and laid down, some can't. So it is significant.
But a sprinter van is a move up from like
a small van or a car or truck or dragging
a U haul. You know, it's all relative to the
money that you're making. And there are times when people,
(14:52):
let's say you're opening for a major artist, I'll use
Luke Bryan because he was here last week. I don't
know that this is the case for Luke's toiler. I'm
gonna be Luke Brian to be the baby act of three.
There are three acts on a major concert bill. There's
the main act, there's the main support, there's the baby act.
Sometimes the baby act will make like five grand a show.
Their fee, what they have to pay is more than
(15:13):
five grand. So sometimes these artists lose money by going
out and doing these shows, which is why they have
to do other little things on the road while they're out.
A merch is a massive part of an artist and
making their money now. But a bus is very expensive,
so when you move to a bus, it means either
you can afford it finally, or you feel like the
investment into the bus, even though you can't quite afford
it yet, is worth it because it allows you to
(15:37):
sleep and be more rested when you get places.
Speaker 8 (15:39):
And then I was also, is it the difference showering
and one you can just take a shower you can't,
but nobody really showers and buses it's gross.
Speaker 1 (15:46):
So and what's the point. You can go to the bathroom,
there's a TV, many multiple TVs. If you have to
take it dup, you can, most don't. There's kind of
a rule don't take it up on the bus. You
can pee, you don't have to stop at a gas
station to do it.
Speaker 3 (16:00):
Ray, it's like it's like getting an apartment, like a
studio versus a two bedroom apartment, right, but both work.
Speaker 1 (16:07):
Yeah, I would say it's even more than that. I
would say it's like having a bedroom when you're renting
it from somebody that has an apartment and getting your
own apartment with multiple rooms. Yeah it works. It works,
but again you do not rest as much and you'll
have a professional driver. You don't get to relax. There's
no bathroom. You got to stop all the time. You
gotta keep filling up gas. Because it's a van. It's
(16:29):
fifteen percent as comfortable as a bus. It still works, sure,
but one of the band's got to switch out and
drive all the time because there's only so many places
in a sprinter van. You don't even have room to
bring somebody on to be a bus driver because you
got five people in your band.
Speaker 8 (16:44):
I just thought it was an extra ten feet, Like, who.
Speaker 1 (16:47):
No, it's significant, Yeah it is.
Speaker 8 (16:50):
It's like I was finally able to afford an extra
two foot bus.
Speaker 1 (16:54):
Holy crap, man, you made it. If that were the case,
I would agree with you. It is not the case.
You're talking about probably forty five hundred bucks a weekend difference. Okay,
that's a lot of money. And when you're not making that,
that's a lot of money. Yeah, the new games on
the big bus. Sure, yep, absolutely, you so in the
big bus two whenever you the big bus too. Here's
(17:16):
another benefit. When you get to your place, you don't
have hotel rooms. There's no need to buy hotel rooms
because everybody stays in the bus you sleep in the bus,
and also the bus widens you stop. Newish buses have
the it goes and that part where the bench seats
are it comes out and makes the room even bigger.
Did not know that, So it turns into a little apartment. Sure,
(17:38):
because you stay there for the night, and usually the
bus only moves overnight because the bus is only driving
while everybody's asleep. Because there's also.
Speaker 8 (17:48):
These buses part down here that I think are teddy
swims and they don't look that great.
Speaker 1 (17:53):
I mean, they look pretty uncomfortable.
Speaker 3 (17:55):
Why are they teddy swims?
Speaker 2 (17:56):
Because he did multiple nights in town.
Speaker 3 (17:58):
Okay, they've been here all week.
Speaker 2 (17:59):
Yeah, I thought they were kiddy Perry first.
Speaker 1 (18:02):
I heard it have a devil on them?
Speaker 3 (18:03):
Oh yeah, yeah, that makes sense.
Speaker 1 (18:05):
You know ours they're steaming. Yeah okay, But that's why
there is a significant difference, And there's a big financial
like it's a commitment to get a bus again, I
would have to pay all in six seven thousand dollars
just to have a bus for the whole group, and
without making any money back, and hopefully you make that
(18:25):
money back from playing shows.
Speaker 3 (18:27):
Got it?
Speaker 4 (18:29):
Uh?
Speaker 1 (18:29):
Eddie thinks scuba might be the most interesting man in
the world.
Speaker 3 (18:32):
Yeah, dude, he told me something. I'm like, what are
you talking about? You know, ground Lands, you know, like
the Pew the improv Troop. Yeah, yeah, it's like it's
like comedy school in La or whatever. And Scuba just
nonchalant and tells me he's like, yeah, man, I used
to be a part of the Groundlands. What he said. Yeah,
I was there for I don't know a few years.
And he's like, I started the buy I I auditioned.
(18:54):
I okay, go ahead, and.
Speaker 9 (18:56):
He did a great job.
Speaker 3 (18:56):
What you gotta go ahead? Tell the story ours shot.
Speaker 4 (19:00):
Yeah.
Speaker 10 (19:00):
So when I moved to LA, one of the things
I wanted to do was get into the the camera
side of things, and so I was like, well, Groundlings
as a kid, I always heard about it, Will Ferrell
all those people they did that, and so I signed
up for did the audition with the whole process, took
all the classes I was doing a while. I was
doing seacrests in the morning and then doing that at night.
Classes I think were three nights a week.
Speaker 1 (19:23):
How much do you have to pay for that?
Speaker 10 (19:24):
It was It wasn't a lot of money because I
think it was around four hundred dollars for what four
I think it was like for six weeks.
Speaker 9 (19:30):
Okay, so it really wasn't a lot of money.
Speaker 10 (19:32):
When you think about what you got out of it
and what you're learning and who you're learning from. It
was pretty cool to be a part of the experience.
Speaker 1 (19:38):
What level did you get to?
Speaker 10 (19:39):
I got all the way to we do start to
do character development intermediate and you start getting ready for shows.
And then I had my son and that became the
new priority, and so I had to step away from
that and.
Speaker 9 (19:51):
I gave it up.
Speaker 1 (19:54):
You could do it while you had a sign.
Speaker 9 (19:55):
No, my god no.
Speaker 10 (19:56):
So it was my first kid and every night at
he cold probably attest to this, having old were you.
Speaker 9 (20:01):
I was.
Speaker 10 (20:05):
Like thirty something early thirties when I was there doing
it when he was born, and so I mean I
had my full time job with Ryan, which was a
monster of a of a commitment, and then my kid
and helped my wife out. So I just every night
being there three nights a week and trying to balance
the kid life, which I know it seems to be
(20:25):
a recurring thing.
Speaker 8 (20:26):
I know.
Speaker 1 (20:26):
You you do something, you're saying nothing. I've said nothing.
Speaker 3 (20:30):
Face he knows where you're going.
Speaker 1 (20:32):
I wasn't going to go that. I was just listening.
We didn't want to do it, Nope, nope, I wasn't
going to say that. I wasn't going to say anything
about priorities. Your kid was a priority. Yeah, But but
it is.
Speaker 3 (20:44):
Crazy that he could have been like Will Ferrell.
Speaker 1 (20:47):
No, we couldn't like Will Ferrell. He could have done me.
Who knows what he could have done. I'm not putting
a cap on what he could have done. But it's
unfair to say somebody in an intermediate level was going
to be Will Ferrell if he didn't stick to it.
Speaker 9 (20:57):
Well, I mean that was like that.
Speaker 10 (20:58):
So the first year, so you have thought audition and
they play you based on that. Most people get thrown
into beginning A or B. I skipped A, went to B,
and then I went to beginners, which is the next one,
and there's one A next one, and there's intermedia, which
is like that when you start doing Sunday Company and
doing shows.
Speaker 3 (21:12):
Maybe he could have been or pee wee something.
Speaker 9 (21:15):
It was fun, it was cool. It was the coolest
thing ever.
Speaker 10 (21:17):
Like I think it was probably the greatest experience I
had in my life, and I have some friends from
it still and made some great connections.
Speaker 3 (21:22):
But you were good, right, like you?
Speaker 9 (21:23):
I was really good at it. I'm dude, I'm serious.
I was very good at it.
Speaker 1 (21:27):
I'm sure you were. I'm sure you are.
Speaker 2 (21:28):
So what, like, what were you better at that? Or basketball?
Speaker 1 (21:33):
Ground played in the NBA?
Speaker 2 (21:36):
He was almost NBA level.
Speaker 1 (21:37):
I've said nothing scood, but I just am listening and
that's cool, man, I like it.
Speaker 2 (21:41):
No, I'm serious, Like, because you said you were talented basketball,
so were you? Do you think you were more talented
at basketball? Or do you think the Groundling things was
even bigger like you could have been.
Speaker 10 (21:49):
The Groundings definitely was much more my forte than than basketball, and.
Speaker 1 (21:53):
You could have played in the NBA and the Groundings
was still better.
Speaker 9 (21:56):
Yeah for sure. Yeah, yeah, he must have been really good.
Speaker 10 (21:58):
Idea, but you are the most talented that I've ever known. Then,
pretty amazing, you know, I at least give it my shot.
I go out and try things I want to do,
and it just depends on I don't commit well, I
do commit to her, and then all of a sudden,
I have these massive life events that happen and then
I have to I guess.
Speaker 1 (22:12):
Excuses because any point you could have gotten back in.
Of course, at any point even here, it doesn't matter.
I don't want to go. I don't want to be
this person. And look, I don't want to be this person.
Kids are dream killers. I don't like me. I don't
like I don't like me. Right now, you've had every
opportunity to go back and do this and you've chosen
not to, and yet you go. I could have been
(22:32):
I could have been it. You're a co rico.
Speaker 9 (22:34):
How could he do it?
Speaker 1 (22:34):
Now that we have three kids and one he kept
having kids.
Speaker 9 (22:37):
And we're not in l anymore, so I can't go
to growling.
Speaker 1 (22:39):
So it's there's some elementary version here.
Speaker 9 (22:43):
There, bunk. I'd rather have a.
Speaker 1 (22:44):
Brother in law that was in Second City forever second
He is a good one too. Yeah, yeah, I'm very
few c I'm very familiar, uh and my the producer,
his wife, the producer of my comedy special same they're
big improv like high level. Then moved to Chicago after
after LA.
Speaker 3 (23:00):
Yeah, so that would have been.
Speaker 1 (23:02):
I'm familiar with the scene. But you know what, Scoob,
But you could have been the next Wilfarel and.
Speaker 10 (23:07):
Not even that, though, I have to look at everything
as like what I get from that. So even though
I had a kid and it kind of halted everything,
I lot, I learned a lot of great skills from
it and had a lot of great relationships come from it.
So that's the way I look. He's because I could
dwell like you, I do want to push forward. But then,
but then I also have to deal with my wife,
who is the ultimate and whatever she says go.
Speaker 9 (23:26):
So she's like, you're stretching yourself.
Speaker 10 (23:28):
Then you're not present here and you have a you
have a kid that's brand new, you have to give
something up.
Speaker 1 (23:33):
Yeah, I completely agree, And I think you're a very
talented person. So I'd like to lead by saying that
I think you're very talented. No, no, no, but no,
But here we go. There is a common theme. I
didn't want to go down this road. Lunch Boxes launched me.
He's put me into the catapult and told and and
and pulled the string.
Speaker 2 (23:50):
I'm just saying. I mean, Bobby sat back for a
good two minutes.
Speaker 1 (23:53):
I was going to say nothing.
Speaker 10 (23:54):
I was just going to I saw your face though
your face volumes in his he was.
Speaker 3 (24:03):
But he was doing it though, like, how long were
you doing it?
Speaker 1 (24:05):
Three years?
Speaker 9 (24:06):
For almost two years.
Speaker 1 (24:07):
So the thing is I could be and I also
did piano Eddie, but but I learned I learned piano
at no, but eight months I could have been Yeah,
I could have been John. I could have been John.
Speaker 11 (24:16):
Tesh No, no, yes, but I could have also moved
to LA and said, oh I wanted to do this,
and then not done it at all, and then he
did it off completely.
Speaker 2 (24:29):
Don't do this, don't do it.
Speaker 1 (24:33):
Don't be that cynical.
Speaker 10 (24:34):
And there are all the tools in my tool bag
to get me ultimately what I want.
Speaker 1 (24:37):
And I love that you know what you you be
because I think you know. I think you're really talented.
Speaker 9 (24:41):
Thank you?
Speaker 1 (24:42):
No, No, do you know that?
Speaker 9 (24:43):
I don't know?
Speaker 1 (24:44):
Yeah, but you're not saying English. Yeah you know you're not.
Speaker 8 (24:49):
No.
Speaker 10 (24:49):
Yes, there's moments that I feel like it, and there's
moments like right now that I'm like, I don't really know.
Speaker 1 (24:53):
I don't think it has anything to do with talent. Yeah,
I think you have a commitment issue. I think you've
done a lot of things. Quit Yeah, from.
Speaker 9 (25:03):
Lay it on me, I got pretty thick skin.
Speaker 1 (25:04):
Let's go it's not about thick skin. We've had these conversations. Yeah,
forever it was I'm gonna write a script, I'm gonna
do a show, I'm gonna I'm gonna do this show
if I just had time. It's always if something wouldn't
have happened, you were always going to do something. That's
that's been a consistent with And the thing is, you
have so much potential, if so much, but you always
make excuses for the reason things don't get done.
Speaker 10 (25:23):
But it's usually other commitments that I have to prioritize. Okay,
what becomes more important and a lot.
Speaker 1 (25:28):
Of amen are our priority. So nobody with a family
has ever done anything no for the family. No, I
don't think so.
Speaker 3 (25:36):
Or they neglected it doesn't matter exactly.
Speaker 9 (25:38):
Are they neglected their family?
Speaker 10 (25:40):
That's the big thing right there, And it leads to divorce,
and it leads to like what I grew up with
with a father who was not there.
Speaker 1 (25:45):
You had a divorce.
Speaker 10 (25:46):
Exactly, but that led to because my wife didn't when
have at the time that one, I have kids and
she was cheating on me.
Speaker 1 (25:50):
Yeah, that's a factor, but imagine if you wouldn't have
been I'm just saying that has a history of quitting
things just in general, and then saying, man, it could
have been so good.
Speaker 3 (26:03):
But I feel like if we knew Scuba before the family,
it looked like he was doing things okay, and then
the family came and it just stopped everything. And now
every dream that he has now he really can't do
because the family is the price.
Speaker 1 (26:16):
So once you have a family, you can't make you
can't do anything anymore.
Speaker 3 (26:18):
If you want to be a participant in the family. Correct.
Speaker 1 (26:21):
I would say also, I think being there for your
family is awesome, and I think if that is what
you want to do, you have to sacrifice other things.
What you've done. Yeah, but you can't. You can't always
go back. But I could have done this. You gotta
just go. I'm family guy. I love it. I've sacrificed
to do this and I'm great at it. Not I
really want to get the show done. But oh I moved.
(26:42):
Doctor Phil wouldn't let me.
Speaker 3 (26:43):
I see what you're saying. So when people ask like, so, what,
like what are you doing, I'm like, Oh, I'm a
family man. I could have been the grain and I'm
a damn good family man.
Speaker 1 (26:52):
Yeah. No, It's like Scuba does a lot have you
heard of his segment is a classic rock it's not
a family segment. I think about it every days. Thing
is songgoing? Is that classic rock? So that's an excellent segment.
Thank you.
Speaker 2 (27:05):
I got a question.
Speaker 1 (27:05):
Yeah, if he was so good at.
Speaker 2 (27:07):
The Growling Groundling, I didn't know what your guys are
crowning Groundlings. Don't you think they would have been like, hey, Scuba, man,
I really don't think I understand you've got a family now,
but hey man, come on, dude, come back, come back?
Or do they just say, you know what I mean?
They just let people leave.
Speaker 1 (27:20):
I think if you're in intermediate there's not a lot
of investment there. Some they're probably like, we'd love to
see you come back whenever you can, right, Yeah.
Speaker 10 (27:27):
It's pretty much like that. My teacher Ian was like, dude,
I love to have you back, same thing. But I
understand your priorities, your work and your family.
Speaker 9 (27:33):
You know that. Wish you the best of luck, come
back whatever.
Speaker 1 (27:35):
I want everybody to understand.
Speaker 9 (27:36):
I love Scuba.
Speaker 2 (27:37):
So have you ever heard from me in since I have?
Speaker 9 (27:39):
About I still I said, I have a lot of
It's like a football.
Speaker 1 (27:41):
Coach where the team depends on the players being there
and to win. Okay, look, I think you are are
a fantastic person, a great family man.
Speaker 9 (27:50):
Thank you, one of the best.
Speaker 3 (27:51):
Yep, because that's your priority, dude.
Speaker 9 (27:55):
That's my number one priority is my family.
Speaker 1 (27:57):
You're super consistent. That's currency is consistent. Yeah. Uh, And
I think you're really good at your job here. I believe,
I believe in you. But you do have a history.
We all have our histories of things that are annoying.
Your history is not committing to something, moving off of
it and then claiming you would have been really good
at it. Yes, yeah, and that's it. That's good. That's
a great. Worst quality, yeah, because at least I try it.
(28:17):
I don't know. The worst quality might be choking people
out and then waking up from a stupor going like, oh,
that's such rage. I couldn't even see me kill that person. Yeah,
who would ever do That's that's a tough one for you,
that's tough. That's tough for whoever that was. That's tough.
Speaker 9 (28:27):
Yeah.
Speaker 3 (28:28):
Yeah, I don't know what you're talking about.
Speaker 10 (28:30):
But again I say I look at it as all
these things that are tools and so my time wasn't
to be able to do that in this timeline, but
I learned from that and maybe the ultimate goal is
to take all those things and put it into what
I'm doing now a.
Speaker 1 (28:42):
Man, Do you think there's a timeline where you are
on Saturday Night Live?
Speaker 9 (28:45):
Oh for sure? Yeah?
Speaker 3 (28:45):
Nice?
Speaker 9 (28:46):
Yeah, yeah, definitely.
Speaker 10 (28:47):
I'm playing NBA one time line, yes, yes. Now the
other timeline your.
Speaker 1 (28:51):
Final contract, you'll play the Magic for a very little
hometown discount.
Speaker 9 (28:53):
Yeah, definitely.
Speaker 1 (28:54):
Yeah, that's awesome.
Speaker 9 (28:54):
I directed a movie with Steven Spielberg.
Speaker 1 (28:56):
Did you write the script?
Speaker 10 (28:57):
I wrote the script for he was doing it now. God,
it's a whole like franchise. There's like, there's like toys
in the merchandise.
Speaker 9 (29:03):
It's pretty cool.
Speaker 1 (29:04):
Man.
Speaker 3 (29:04):
Which one do you like better? Though?
Speaker 1 (29:06):
Which timeline?
Speaker 9 (29:07):
The family timeline?
Speaker 1 (29:08):
Because you know why why your family man, family Man
is the best. In the end, we are our priorities,
That's what we are. We are our prior We prioritize
what's important to us. You have really like one two
and a half priorities in life that you really can
focus in on, and we are those priorities, good, bad, neutral,
(29:31):
That's who we are and it's hard to be really
great at anything. It's hard being great as a family
man or woman. It's hard being great in a career.
It's hard having balance. All that's hard because you have
to commit. It's when you don't commit that's when it
kind of sucks. But you've committed scuba. You have made
your life what you wanted it to be. But I
would just say, claim less of what you could have
been good at. Okay, Yeah, yeah, it's just annoying. But
(29:55):
we all have our annoying things.
Speaker 3 (29:56):
Yeah.
Speaker 1 (29:56):
Yeah, and Eddie did this. Eddie set you up and
lunchbox knocked you down, and then and then it just
made he just made He laid you out on a
plate and wanted me to attack you. And I apologized.
I did not do anything I shouldn't have done that.
Speaker 3 (30:07):
I was just I was saying that he did something
cool back in the day.
Speaker 1 (30:10):
I tried not to do that. I sat here and
I bit those little things in my mouth a little side.
I saw it, and I was like, you know, let's
Goob have his moment. That's really cool. Let's brag on him.
Eddie just kept going in lunchboxes like, well, this feels
familiar and I'm like, you know what, dunk on him.
Let's get him, let me jump in. Okay, that's pretty
cool man, Thank you.
Speaker 9 (30:26):
It was cool cool.
Speaker 2 (30:27):
But you got to say you got to get Bobby
his props too, because he held back for two minutes.
Speaker 1 (30:31):
No, I don't need props, Eddie passport you haven't yet.
Speaker 3 (30:35):
No, no, I don't have the passport yet. But I
did not have to bug my wife about my mom about.
Speaker 1 (30:40):
The Oh no, oh, no, I slipped.
Speaker 3 (30:44):
Oh my god, I do that one all the time.
And I don't know why.
Speaker 1 (30:47):
I know why.
Speaker 3 (30:48):
I explained to him.
Speaker 1 (30:49):
You think your wife is your mom?
Speaker 3 (30:51):
I don't.
Speaker 1 (30:51):
Yes, you do. She don't care the money she takes
care of Yes, that is exactly what you do.
Speaker 5 (30:55):
Say that.
Speaker 3 (30:56):
Don't even put it in my head. It's not true.
Speaker 1 (30:57):
You do it all the time. I know you treat
your wife like she's your mom. No, no, I do not.
Who takes care of the money.
Speaker 3 (31:05):
My wife.
Speaker 1 (31:06):
Who's in charge of the kids, well, both of us.
Speaker 3 (31:10):
She's with the kids more than I am.
Speaker 1 (31:11):
But h and who do you count on to make
sure that your life is comfortable?
Speaker 3 (31:14):
My wife? Yeah? But and where's my mom in that? No,
she is your mom My mom doesn't count the money.
Speaker 1 (31:20):
No, no she did. She is your mom, your wife?
Speaker 3 (31:23):
No, No, she's not. Dude, I'm not gonna listen to you. Hey,
do that thing where I'm not gonna do this. I'm
not gonna do this.
Speaker 1 (31:28):
I can't. You are since he does that around the room,
don't you think Eddie treats his wife like it's his mom?
Speaker 9 (31:34):
Oh my god, you're looking at me. Yeah you yeah,
you know I'm saying, yeah, you totally do.
Speaker 3 (31:39):
Why and you even just said that.
Speaker 10 (31:40):
You just called her your mom again, you've done that's
just so many I'm dyslexic guys, stuff in my head.
Speaker 1 (31:47):
You called her your ewol.
Speaker 2 (31:48):
Yeah, your wife is the mother role. She does everything
your mother did you and so to you. And so
you're just like used to your mom doing it. You
want your wife to do it for you too.
Speaker 3 (31:57):
You know I did back in the day. I have
my my wife learn how to cook like my mom.
Speaker 2 (32:02):
See that's what I'm saying.
Speaker 1 (32:03):
Look, you want another mom, and your wife is your mom.
Speaker 3 (32:06):
My mom does live in Texas, but that doesn't a lot. Yes,
so maybe I want my wife.
Speaker 1 (32:11):
It's that role.
Speaker 3 (32:13):
It's that role that is so messed up. I cannot know.
That's not that.
Speaker 1 (32:16):
Had you done it once, I'd be like, that's funny,
frody and slip, get a little joke. You've done it
like three or four times.
Speaker 3 (32:21):
No I did. I don't think of my wife as
my mom.
Speaker 1 (32:25):
You don't have to think of your wife as your mom.
Speaker 3 (32:27):
Then why do those words just come out?
Speaker 1 (32:29):
Because you don't have to think about it. It is
in you that position in your organization. She is serving
as your wife and your mom.
Speaker 4 (32:35):
No, no, Morgan, come on, who is on the other
side of you and has to tell you to read emails? Yes,
a little bit.
Speaker 1 (32:46):
You need a mommy in your life.
Speaker 4 (32:47):
You do need this.
Speaker 3 (32:49):
I need Amy here. She would speak to the dyslexic
thing with me.
Speaker 1 (32:52):
That's not dyslexia.
Speaker 3 (32:53):
Yeah, dude, words are just all over my head. And
then his wife and mom.
Speaker 1 (32:56):
That's not just random words.
Speaker 3 (32:57):
What wife? Mom? Doesn't rhyme? Really?
Speaker 1 (32:59):
No, no, that's but those are directly associated.
Speaker 3 (33:03):
Anyway. Anyway, I don't have to bug my mom about
getting my birth certificate because I found it online and
it's coming. They said, I'll be here in like a.
Speaker 1 (33:10):
Week or two. You need your birth certificate.
Speaker 3 (33:13):
My real birth certificate because I sent them a birth card.
Speaker 1 (33:16):
Wait, you're okay, what's going to be here in a
week or two?
Speaker 3 (33:19):
The birth certificate? Then I need to send that is
your mom sending it?
Speaker 6 (33:23):
No?
Speaker 3 (33:23):
I did not have to bug my mom okay for that,
because I thought first I was gonna call my mom
in Austin and be like, hey, will you go to
the office and get my birth certificate because you screwed up?
Speaker 1 (33:33):
Okay?
Speaker 3 (33:34):
Which whatever, I don't have to do that. Found it online.
Speaker 1 (33:36):
I got.
Speaker 3 (33:37):
I bought two birth certificates.
Speaker 1 (33:38):
So they're going to send it. Takes a couple of
weeks for that to come.
Speaker 3 (33:40):
In, Yes, and the Passport office has given me ninety
days to get them the real birth certificate or else
the whole application is done.
Speaker 1 (33:47):
Okay, So if you get it to them, then what happens.
Speaker 3 (33:50):
Then they review the whole thing again. It goes through
the process, and then I should have a passport by
I don't know. I'd say two months, Okay, are we
going anywhere in two months?
Speaker 1 (33:59):
No? Because no we're not.
Speaker 3 (34:02):
What a process, dude, I'm still not convinced it's not
Ice holding this up.
Speaker 1 (34:07):
Whose fault is it?
Speaker 3 (34:09):
My mom's to think about it.
Speaker 1 (34:13):
All right, let's take it bready, guys, we'll come back
in just a minute. Hey, Morgan, I want to go
to you for this question. Do you are you familiar
with the term a home and home? Do you know
what a home and home is? A home and a home.
So I was asked by the other Morgan, who is
(34:40):
one of my managers. She goes, hey, this person wants
to be on the Bobby Cast. And I said, oh,
I said, well, I'd consider a home and home. Do
you know what that means?
Speaker 4 (34:52):
I'd consider a home home like.
Speaker 1 (34:55):
Because the other Morgan number one as we used to
call her, didn't know what it meant. But then I realized, oh,
that's just a tight sports reference. I shouldn't have just
thrown a sports reference.
Speaker 4 (35:04):
No, I mean, is it like like a quick one,
a little quickie.
Speaker 1 (35:10):
That's weird that oddly got dirty? No? No, No, it's
so a home and home would be in sports, in
football or basketball, it's if you have two games and
you do one at your home, one at their home,
so each each team gets a home game.
Speaker 4 (35:22):
Oh yeah, I've never heard that before.
Speaker 1 (35:24):
Yeah, well no, I said, I do a home and
home with them and she said, does that mean a
home interview at your place?
Speaker 3 (35:31):
Yeah, that's what I thought.
Speaker 1 (35:32):
You didn't even know.
Speaker 3 (35:34):
No, no, no, So when does the team ever say like that?
What's what situation does the team go?
Speaker 1 (35:39):
Like in college football, if both teams are significant teams
where there's not a payout. So let's say if we're
playing if I was playing like Louisiana Monroe, which I
think is just Louisiana, now, we would pay them to
come play us and only at our stadium. We'd never
go play theirs. But if you're doing a home and home,
like we're playing Notre Dame this year, we're doing a
home and home with them Notre Dame coming to Fabville
(36:00):
and then we're going to Notre Dame. So it's a
big game for both and there's no payout because both
teams are going to get the benefit of the school
coming to their school, but ticket sales all that stuff.
Speaker 3 (36:09):
So they do that when they're building the schedule.
Speaker 1 (36:11):
When it's two teams, it's worthy to both get a
home game, got it. So this is a podcaster who's
significant who was like, Hey, they want to come on
your podcast, And I was like, I would consider a
home and home, then come to my podcast, I'll do it,
and then a couple months later I'll go and do
their podcast or vice versa. All I wanted to know
is if that was just a sports reference, or if Morgan,
who's super intelligent, if she knew what that meant, if
(36:32):
it somehow got out of sports.
Speaker 4 (36:34):
I don't think I've even seen it on social media before.
Speaker 1 (36:36):
Okay, it's just sports.
Speaker 3 (36:37):
The question, Yeah, you said Morgan's super intelligent.
Speaker 4 (36:41):
You mean, like, why do you explain that more intelligent
than you are?
Speaker 3 (36:47):
You can't even read an email? That's not what I'm saying.
Super intelligent is like.
Speaker 1 (36:51):
Why would you ask that? Well, because because I do
think Morgan's very smart.
Speaker 3 (36:54):
If you said.
Speaker 1 (36:55):
That, what's the difference in very smart and super intelligent?
Those words are all the same? These are there's a
variant is she is she super smart?
Speaker 4 (37:03):
Okay, guys, just because it easy trivia doesn't mean I'm
not intelligent.
Speaker 1 (37:07):
I agree, Well, that's like trivia. Because you suck at
trivia doesn't mean you're not smart in other parts of
of the world.
Speaker 3 (37:13):
Yeah, yeah, yeah, So it goes both ways, right, Like
there are so if I'm really good at super easy trivia.
Am I super intelligent? No, but I'm good at that.
Speaker 4 (37:22):
Part of the world, But like you're not other things.
Speaker 3 (37:24):
So yeah, but you're not good at other things. You
can't put a.
Speaker 1 (37:27):
Chair again, why would you even ask the question? Let
me stop this segment or this podcast and go like
it's more I do, she said, super intelligink Morgan is
a really smart person. I do do. I think Morgan
is also really motivated. I do.
Speaker 3 (37:41):
That's different. Motivation is different super.
Speaker 1 (37:44):
I'm not saying they're the same at all. I think
it's a good combination.
Speaker 2 (37:46):
Someone super intelligent is that's high high?
Speaker 4 (37:50):
What did you have in like school? What was your
g p A?
Speaker 3 (37:53):
I was like, I was a C plus.
Speaker 4 (37:55):
Okay, I had a four point zero. I graduated Suma kumla.
Speaker 9 (37:58):
That's different.
Speaker 1 (37:59):
Great, that's called it's not different as a plant.
Speaker 4 (38:01):
That literally no, that's intelligence.
Speaker 1 (38:03):
If you want to put it to that, it could
be both. It could be you're smart, it could be
you're motivated. You've applied yourself all that counts. Though you're
smart enough to apply yourself. People don't factor that in.
Speaker 2 (38:12):
Right because you could say you had a four point zero,
but look at like, what's that guy's name the start
of micro you just said because you didn't have a form. No, no, no,
I'm saying Bill Gates didn't graduate college.
Speaker 1 (38:21):
So that's one example. I would assume most people that
are extremely uh successful come from a background of being
extremely intelligent and having a background in education or having
an educated background.
Speaker 3 (38:34):
I should say, yeah, something just struck me weird when
you said that.
Speaker 1 (38:37):
Do you think Morgan's down?
Speaker 3 (38:38):
No?
Speaker 1 (38:38):
No, no, no, I don't what do you think Morgan is blank?
Speaker 3 (38:42):
Morgan is smart? And I would leave it right there,
like I wouldn't say that Morgan is intelligence.
Speaker 4 (38:49):
Do you know I think this calls for me uh
not helping you anymore weird on your own.
Speaker 1 (38:56):
Because and Morgan, this is how you know. He didn't
like construct this and go like this will get some
air of time. He said it immediately. I know.
Speaker 3 (39:02):
It just me weird. It's like when you said it
my head, when what.
Speaker 4 (39:05):
You know what I'm just from now, I'm going to
let you fumble. I'm not going to help you. I'm
not going to pick up your slack. I'm just gonna
let you fumble because you seem to think I'm not smart.
Speaker 1 (39:14):
He did say you were smart, say you're smart.
Speaker 2 (39:17):
Super intelligent. He didn't think you're super intelligent, Like super
intelligent means you're top of the line intelligent.
Speaker 4 (39:23):
It's like sometimes you are just like analyzing Bobby's words.
He was just saying I'm smart, just in a different way.
Speaker 2 (39:28):
No, No, super intelligent is way different than she is smart, Eddie,
go ahead.
Speaker 3 (39:33):
Sometimes like Bobby and I would be talking and he'll
be like, dude, I had dinner with this guy, like
he's so smart, and and then I'll meet him. I'm like, dude,
this guy really is smart, Like that's crazy. And you
won't say he's super intelligent. You'll just say he's so smart,
and he will be a brilliant person, Like that's so smart.
I don't even understand what he's saying.
Speaker 2 (39:52):
So when you hear.
Speaker 1 (39:54):
Morgan, you gave her the the Fridays and coming out
of you.
Speaker 2 (39:57):
So what you're saying is Morgan didn't jump off the
page super intelligent like the people you've met when Bobby
says they're really smart.
Speaker 1 (40:03):
Yeah, I think Morgan is what how do you want
to say it's very smart Morgan super intelligent? Well, what
would you say you are?
Speaker 3 (40:11):
I wouldn't say smart at all.
Speaker 1 (40:13):
Do you think she's smarter than you?
Speaker 3 (40:14):
Yes, okay, I would be like Eddie's Eddie's like fun
and that makes sense right, Like, but if you say,
like Eddie is so smart, I'd be like what I'd
even be like, what are you talking about?
Speaker 1 (40:25):
What do you think, Lunchbox? Do you think you're smarter
than Morgan? How would you Lunchbox, says Blank.
Speaker 2 (40:31):
I would say Lunchbox is middle of the road and
doesn't imply himself.
Speaker 1 (40:35):
He doesn't imply himself apply himself because like in school,
Like in school, I think I think he said imply
that's okay, whatever, it doesn't matter my first mean, let
me apply an empire two different things, but that's okay.
I think he his tongue just hit the side of
his tooth.
Speaker 2 (40:52):
Or I like for me in school, like I just
didn't apply myself, Like I could have had a four
point zero if I really wanted to study.
Speaker 1 (40:58):
But it sounds like screw Steve. No no, But I
just didn't study like I could have if I just
would have No.
Speaker 2 (41:04):
No, I'm saying, like I could, I wouldn't do my
homework and then I'd pass the test. So then I
get to see in the class, it's like, all right, cool,
like I don't really need to do the homework, like
it's cool.
Speaker 1 (41:12):
But do you not hear how that's the same thing
as good is like I could have done this if
i'd have just like applied myself. That's what you're saying.
Speaker 9 (41:17):
Please don't put me in him together in any sort
of it's the same.
Speaker 1 (41:20):
It's the same what he was laughing at you about
what was going on.
Speaker 2 (41:25):
I'm not worried about for though, I don't care, Like
I don't care that I didn't apply myself in school.
I did enough to get by, and that's all I
cared about in school, Like that's what I wanted to do.
I wanted to get by. I wanted to coast. I
wasn't there to Uh why do you say wanted?
Speaker 1 (41:39):
And you like like it's past tense.
Speaker 2 (41:42):
In college just in general or in school, because that's
what I mean, Like I didn't I wasn't there to study.
I was there to make friends.
Speaker 1 (41:49):
All I need.
Speaker 2 (41:50):
All I wanted to do was get by.
Speaker 1 (41:52):
Right, But then would you say it's smart for you
to have just gotten by, but then wanted and you
want so much more, like you want money fame, but
you don't do anything for it.
Speaker 2 (42:02):
Right, I mean, no, it probably wouldn't. It probably wasn't
the smartest decision.
Speaker 1 (42:06):
Now, I would say, if you're like, I'm smarter than Morgan, Like,
what are you doing now to show that you're smarter
than Morgan? Oh?
Speaker 2 (42:12):
I mean just look at me.
Speaker 3 (42:14):
What does that mean?
Speaker 1 (42:15):
I don't understand what the answers. Some one says it's
not that smart.
Speaker 2 (42:18):
Well, what does Morgan do that's so smart?
Speaker 1 (42:21):
Morgan works hard, is very productive, is trusted by the company.
They send her places, invest money in her to do
like more. The company like gives Morgan opportunities to grow
herself in a lot of different ways, like how I
just gave you examples when they ship her places to
go and cover things.
Speaker 9 (42:40):
What did you go cover?
Speaker 4 (42:42):
I went to Las Vegas, Texas? I went to Texas. Yeah,
the affiliate. I mean, I've been to Vegas too.
Speaker 1 (42:52):
I think you're very smart.
Speaker 3 (42:53):
Thank you.
Speaker 4 (42:54):
I don't know why I just like took random shots
out of this. No.
Speaker 1 (42:57):
I also thought it was funny to Eddie stopp the
whole segment for that, because I was like, sure, he's
not gonna go.
Speaker 9 (43:02):
Well you did?
Speaker 2 (43:02):
I mean you said soup. When you say someone is
super intelligent.
Speaker 3 (43:06):
Yeah, the word intelligent is different, man.
Speaker 1 (43:08):
Because you're not that intelligent. It's HiT's that different to you.
Speaker 8 (43:11):
Really?
Speaker 1 (43:11):
Yeah, it gets the same word.
Speaker 3 (43:13):
Smart and intelligence. I think it doesn't. Intelligence a bigger
valid just.
Speaker 1 (43:17):
A longer word. And smart it's the same word. Okay,
just it's not the same word. It means the same thing.
Speaker 3 (43:24):
Just sounded weird.
Speaker 1 (43:25):
If someone has extremely high intelligence or extremely high smarts,
that sounds weird. It's the same, you know, Eddie.
Speaker 4 (43:32):
It's also like, like I can teach myself all the
new programs that they come at us, and I teach
myself to then teach you.
Speaker 3 (43:37):
So Morgan, I could do that too, Like I could
YouTube it.
Speaker 1 (43:41):
Everybody always goes, I could do that. You're doing that,
don't you're jumping in here? Oh I could do that
if I wanted.
Speaker 3 (43:47):
She looks like she's around me all the time when
I'm like, like I figure stuff out.
Speaker 1 (43:51):
She's around you a lot when you're like, please help me.
Speaker 3 (43:53):
But but we're we're comparing the she'd been.
Speaker 1 (43:56):
Down with this very smart, very smart, she's super intelligent.
Speaker 3 (43:58):
She's she is not the same thing.
Speaker 1 (44:01):
She is not she's very motivated, she's disciplined. She's she's
smart enough to be disciplined.
Speaker 2 (44:09):
What about streets smart. That's totally different, right, that's really smart,
Like she may be book smart.
Speaker 1 (44:17):
I'm just asking I would say.
Speaker 4 (44:19):
I'm more street smart than I am book smart, and
I will.
Speaker 2 (44:22):
Oh my god, are you serious?
Speaker 5 (44:24):
I mean.
Speaker 4 (44:27):
One K and I have a lot of smart.
Speaker 1 (44:31):
Yes, it is what I.
Speaker 4 (44:33):
Taught myself how to understand the stock market smart.
Speaker 1 (44:36):
I think street smarts would be having to uh figure
out yourself in a difficult ish real life situation, like
on the streets. Well they say streets, but you're not
literally on the streets. But it's like having to making
wise decisions decisions in real life situations. Yes, but you
think you're street smart. You've never had to be on
a street. You grew up in an easy neighborhood. He
(44:58):
does ride his bike on the street, though, now he does.
He's developing streets smart Snawa.
Speaker 3 (45:04):
All right, sorry I interrupted that bit. Go ahead, dude,
good Uh.
Speaker 1 (45:07):
No, it's all I was just sorry, curious as to
why you did that. It's just weird.
Speaker 3 (45:11):
When you said it, was like, well, that's weird.
Speaker 1 (45:12):
We do have to send Morgan on a day trip.
It has to be Cleveland. It has to be Cleveland. Oh,
the streets. It has to be Cleveland because we committed
to Cleveland. Now Cleveland's already excited about it.
Speaker 3 (45:22):
Oh no, yeah, she's coming as we said it.
Speaker 1 (45:24):
Now Cleveland's like blow me up. The whole city's like
we can't wait to see Morgan. So I can't back
off of Cleveland. But it's been difficult looking at the
flights because she gets in light. So I have two properly,
because I'm paying for this. It's like like the company
paying for it and paying for it. So we got
two ways we can do this. One we can either
(45:45):
you can either go on a weekend or I have
a flight where you can leave at nine thirty am
to non stop Southwest. It's an hour and a half flight.
You get there at noon and you have noon until
seven thirty.
Speaker 4 (45:58):
You found a seven thirty at night.
Speaker 1 (46:00):
There's a connection back though, so you don't get back
until eleven.
Speaker 3 (46:03):
But I don't care what time you go to.
Speaker 1 (46:07):
Exactly how bad is it?
Speaker 4 (46:08):
Like how long am I traveling for that night? The
only thing is I don't like connections because it causes
for delay.
Speaker 3 (46:15):
Seven to eleven.
Speaker 2 (46:16):
This is this is the tough part of a day trip,
Like I mean, this is this is.
Speaker 4 (46:19):
Why the day trips tend to be NonStop. So like
you don't deal with delays.
Speaker 1 (46:24):
That's what that's how much it cost to uber her
to Cleveland. Oh dude, it's an uber her back do
Cleveland to Nashville.
Speaker 4 (46:32):
Oh my gosh, that's a long way.
Speaker 3 (46:34):
Okay, So four hours of travel coming back on a plane, right,
that is exactly what it's So four hours in an
uber would be the same.
Speaker 1 (46:40):
No airplanes go.
Speaker 6 (46:42):
Okay, eight hour drive, four hours on the drive, it's
probably six and a half hour.
Speaker 1 (46:54):
It's eight hours seventeen minutes. Okay, there you go, get wrong.
Okay you think planes of cars?
Speaker 8 (46:59):
Go?
Speaker 1 (46:59):
Sends me. Oh she's not going direct.
Speaker 3 (47:02):
She would had I said, I calculated the four hours
of travel time on a plane versus what's the drive?
Speaker 1 (47:07):
Sound and as you were going.
Speaker 3 (47:09):
We're smart, man, I promise five hundred and twenty one miles.
Speaker 1 (47:12):
Ooh, what's the Uber price?
Speaker 7 (47:14):
It doesn't even give me an option. It gives me
an option to rent a car on Uber.
Speaker 1 (47:18):
That's interesting. I wonder if we rented a car back
and you just dropped it off here.
Speaker 4 (47:23):
Yeah, I think at that point I'd rather do the
not NonStop, because I think the drive is at least
eight hours.
Speaker 1 (47:30):
Yeah, yeah, so I could. I could get you there,
just leave it nine thirty in the morning and you
get back at eleven, and you could come in later
the next morning. That wouldn't be a problem. Would you
want to do that?
Speaker 4 (47:43):
Say that one more time? Sorry I was reading comments.
Speaker 1 (47:45):
No, I'm saying you could. You could do that. Leave
it your flights at nine thirty, do the day trip
in Cleveland, leave it seven thirty, get back at eleven.
But and you could even come in late the next
morning because you'd be getting back in late.
Speaker 4 (47:55):
Yeah, I could do that.
Speaker 1 (47:56):
Would you do that? Because round trip it looks like
it's three hundred and fifteen dollars. I don't want paying that.
Speaker 3 (48:02):
What can I interject? Oh my god, I feel like
she needs to come in on time, because that's the
whole point of a day trip. Like, the whole point
of the day trip is like, well, a day.
Speaker 4 (48:11):
Trip is non stop flights, and we're doing something.
Speaker 1 (48:15):
Is non stop flights.
Speaker 4 (48:18):
Everybody's doing NonStop like.
Speaker 1 (48:21):
It's getting there, but it's doing it all on one day, Eddie.
Don't understand your point, Like, if you're giving her.
Speaker 3 (48:27):
You can come in late, like normal people wouldn't be
able to do that on.
Speaker 1 (48:29):
It not normal normal people don't have their boss pay
for them to go on a fun trip in the
middle of the day.
Speaker 3 (48:33):
That's true.
Speaker 7 (48:34):
Dang your hater today.
Speaker 3 (48:35):
Man, No, no, I'm just trying to do this right.
Speaker 1 (48:39):
You're not doing anything.
Speaker 3 (48:41):
You're right, you're doing it, and you're paying for it.
Speaker 1 (48:43):
The point is she would go she would shoot content
the whole time, load it up to our YouTube, talk
about it the next day. She come in later. She
could she get to be come in for the podcast
when we do this part two or the show. I
don't know. We can figure it out. Or she didn't
have to come in late. You just get in late.
We've done that before, had a work shows, didn't get
un till mid nine. You just get up and get
(49:03):
our butts to work. So the only way I could
find it, Morgan, unless you want to come back, do
like four hours there and come back.
Speaker 4 (49:11):
No, we can do that. Other one, okay, the worst
one I saw one that was like leaving at five am.
You don't you still don't get into close to noon,
and that.
Speaker 1 (49:18):
Was rough, because that's what this is. You get in
at the noon, but you don't have to leave till nine.
Speaker 4 (49:21):
Thirty, yeah, or seven thirty seven.
Speaker 1 (49:24):
Nine. You leave at nine thirty in the morning.
Speaker 4 (49:27):
Yes, but the night one is seven.
Speaker 1 (49:29):
And you can fly back at seven thirty. Okay, And
there's one stop in I don't know where's MDW.
Speaker 3 (49:36):
I go, oh, Chicago?
Speaker 1 (49:37):
Yeah, okay, all right, right, uh, we'll get that going.
I think that's that's fun. And Cleveland wants to see you,
and I want to see Cleveland. There you go.
Speaker 4 (49:45):
Are you know how many people have sent me stuff
to go see? I'm excited.
Speaker 3 (49:47):
Are you not going to do with the Rock and
Roll Hall of Fame you have to go to Yeah,
because that's what Bobby's assistant said to do.
Speaker 7 (49:52):
Yeah, yeah, rock and.
Speaker 4 (49:53):
Roll is one of them. And then there was a
few different things. It's on the water too, which is cool.
Speaker 1 (49:58):
The city.
Speaker 4 (49:58):
Yeah, Lake Michigan. No, you can just uber and walk around.
Speaker 3 (50:03):
Cleveland's on Lake Michigan.
Speaker 1 (50:05):
You probably just.
Speaker 4 (50:05):
Down to Lake Michigan. There's a lake right there.
Speaker 1 (50:07):
You probably just go downtown. Everything's downtown, so it's like
all walking and new bringing, right, Yeah, I would imagine
so taking a game.
Speaker 3 (50:14):
Have you ever been to Cleveland?
Speaker 4 (50:16):
I've never been to Ohio.
Speaker 1 (50:17):
I don't think I've ever been to Cleveland either. I've
been to Cincinnati.
Speaker 3 (50:22):
How's that?
Speaker 1 (50:23):
Didn't mind it?
Speaker 9 (50:24):
Yeah?
Speaker 1 (50:25):
I like the campus. We went to Cincinnati, rayment with
us to that football went and that the football stadium
sity is in the middle of the campus.
Speaker 8 (50:32):
Yeah, but they're so far apart. Because Cincinnati's definitely doable.
Cleveland way too far. But yeah, it's a huge state.
Speaker 3 (50:39):
Morgan. It's Lake Erie.
Speaker 1 (50:40):
Oh it is one of the great.
Speaker 3 (50:41):
Like one of the great lakes.
Speaker 4 (50:42):
Yeah, I knew, I just saw water. It didn't really.
Speaker 1 (50:46):
Uh, RAYMONDO wants to know who's somebody in the stret
you want to meet that's new or you have another
chance to meet? Why who do you want to meet? Well?
I screwed up with Toby Keith.
Speaker 8 (50:52):
I always knew I need to get a picture with him,
and my wife even told me, she said, hey, his
health isn't great. If he comes in studio, get a
picture with him. He came in studio, didn't get a picture,
and then sadly, tragically he passed away a month later. Okay,
So if there's somebody that comes in here, I need
to take advantage of taking a picture. Eddie's now goobern
(51:13):
out an every guest for some reason, right, So Eddie's
kind of led me down this path and my wife,
why are weird and.
Speaker 1 (51:18):
Out on every guest?
Speaker 3 (51:19):
Now, what are you talking about? I get pictures because
if you never know how long it's gonna last, I
want pictures with these people.
Speaker 1 (51:24):
But we've been doing the show for I don't know,
fifteen years.
Speaker 3 (51:26):
Here I have pictures with everyone.
Speaker 1 (51:27):
You don't and sometimes you'll jump and I don't whatever,
but then you'll chase him out of the room sometimes, yeah.
Speaker 3 (51:31):
Just to change to change the background. So it's not
all on the stage, you know what I mean.
Speaker 1 (51:36):
Eddie's now getting paid on Instagram, and so I wants
every picture. Not true, that's not true.
Speaker 3 (51:40):
It is don't know. That is true. I do get
paid on Instagram, but that's not why I'm doing it.
I really want these memories cause, like you know, Garth Brooks,
we've met multiple times. So if Garth comes in, I'm
not gonna ask for a picture. I already have one.
Speaker 6 (51:52):
Ray.
Speaker 1 (51:52):
I'm sorry to cut you off. No, I was just
saying that.
Speaker 8 (51:55):
My wife said, when Zach Topp and Gavin Adcock come in,
I have to get.
Speaker 1 (52:00):
A picture with them. They've both been in the past three.
Speaker 8 (52:01):
Months, right, and so that's definitely my fault. But next
time they swing by, I'm grabbing their arm and getting
a picture with them.
Speaker 1 (52:08):
Zach tops on we recorded that he even performs. It's
gonna be on next Friday show because when his album
comes out, I got.
Speaker 3 (52:13):
A picture of him, of him we know with him
with him, it's pretty cool, Okay?
Speaker 1 (52:18):
Is it?
Speaker 3 (52:19):
Is it unacceptable? Like what?
Speaker 1 (52:20):
No, it's just how you do it?
Speaker 3 (52:22):
What do I do?
Speaker 1 (52:22):
You're kind of like whether they call him a germ gurmy.
Speaker 3 (52:27):
I try to do it while he's already up there
with you, like real.
Speaker 2 (52:29):
Quick, he starts to walk off, and he goes, oh,
hold on, and he starts to jumping like you're just
the way you say it is.
Speaker 3 (52:34):
Really, I just need to work on my approach because
I do want that picture with him.
Speaker 9 (52:40):
Yeah, I hear you.
Speaker 1 (52:41):
Maybe sometimes it just feels kind of gross. How you
do it gross? Kind of I don't know. There's nobody else.
I don't even really want to get pictures because I
don't want to. I'm just like, it's a professional environment.
And Morgan's like, Bobby, did you get to get a picture?
Speaker 3 (52:54):
I got it?
Speaker 1 (52:55):
I got it.
Speaker 3 (52:55):
I love it. That's great. So when Morgan goes hey,
Bobby instead, she'll be like.
Speaker 1 (53:00):
Hey, are you gonna ask her for a favor after
you just told her she was done?
Speaker 3 (53:02):
No, No, I'm saying to make it not so gross,
she can be like Bobby and Eddie pictures by Eddie.
Speaker 4 (53:09):
Nope, I'm good on that.
Speaker 3 (53:11):
Yeah.
Speaker 1 (53:11):
I mean, listen, I don't care what you did, you
get a picture or whatever, but it is weird how
you're the one that jumps up there every time.
Speaker 3 (53:16):
I mean, I feel like you guys will Bobby, you
always get a picture, but I feel like eventually everyone's
gonna want to get pictures.
Speaker 1 (53:21):
Then we're here all day.
Speaker 3 (53:22):
That's true, So we can't do that. Guys did not
jump on pictures.
Speaker 1 (53:26):
I literally don't care. I just thought it was funny
because's I think that's what inspired Ray that segment.
Speaker 3 (53:34):
What isn't Who is like an artist though that we
have never met that I would like to meet. I
can't think of one. I feel like we've met them all.
Speaker 2 (53:41):
Yeah, if we haven't met him, how they are right?
Speaker 3 (53:44):
Like I'm thinking even like a classic country artist, maybe
we've never met I.
Speaker 1 (53:50):
Know Travis Tretz never been on the show.
Speaker 3 (53:51):
That's true. I've never met him.
Speaker 1 (53:52):
He like blocked me and blocked half the show.
Speaker 8 (53:54):
One.
Speaker 2 (53:54):
What about Alan Jacksons? You ever coming?
Speaker 3 (53:56):
We met him at a picture with him.
Speaker 1 (53:57):
I'm I'm opened for him. Once played right before him
and so I got him on stage. I didn't get
a picture by talking about.
Speaker 2 (54:02):
Him, he probably won't come in because he's he's been in.
Speaker 4 (54:05):
Here, he's been on Zoom with us before, yeah, but
never in studio.
Speaker 1 (54:08):
Send me a guitar, he did. That's cool, he said,
keep a country. And then I thought, is he insulting me?
Or is he that just his thing? Turns out it's
his thing.
Speaker 4 (54:16):
Ye.
Speaker 7 (54:16):
Yeah.
Speaker 1 (54:16):
I was like Helen Tax's just send me a guitar, saying, hey, bro,
no more Friday morning dance party.
Speaker 3 (54:21):
That's funny.
Speaker 1 (54:22):
A man in Indiana was arrested after allegedly using prop
money to buy a used Chrysler three hundred.
Speaker 3 (54:28):
Cash Like he just walked in with a briefcase.
Speaker 1 (54:31):
Yeah, this guy he hit up a seller on Facebook,
Marketplace and used a fake name and then he got there.
He gave Fife hundred bucks in cash, but it was
prop money and on it it's his prop money dot com.
I mean we have that's so real. It looks really
so real. That's from Local twelve. You did watch Amy Bradley, Dude, Yes,
(54:53):
it's weird too. You know what's crazy is when I
got on it's on Netflix. Right when I got on Netflix,
it hits like immediately when I on Amy Bradley, it
said like continue episode three.
Speaker 3 (55:02):
I'm like, I've never watched this. My son watched it
on his own, so we've had some good conversations about it.
Speaker 1 (55:09):
Uh, it's tough to talk about because if anybody's watched it,
but it's good.
Speaker 3 (55:13):
Huh, it's phenomenal. It's one of those that you watch
and you think about for a while, Like I just
can't stop thinking about it. Yeah, I can't say anything else.
Speaker 2 (55:23):
See I've watched episode one. I've already come to my conclusion.
Speaker 1 (55:28):
It's tough because those episode I wanted to Sometimes they
take you somewhere just to pull you away, like yes, yes,
and they do that in this a bit too.
Speaker 3 (55:37):
They kind of give you all kinds of options.
Speaker 1 (55:38):
Yeah, they lure you down some holes and go like
this is probably it?
Speaker 2 (55:42):
Or oh can I say something?
Speaker 3 (55:45):
How much can we say?
Speaker 1 (55:46):
Well, here's what I want to say. Does anybody not
want to hear us talk about Amy Bradley? That feels
like it's spoiling it because I feel like it's a
news story and I feel like I knew everything I'm
about to say before I even watched the show. I
just learned more details about it.
Speaker 3 (55:56):
I will say that I didn't know anything before I
watched the show.
Speaker 1 (55:59):
I didn't watch it any Let's talk about it then,
and anybody does want to hear this, We'll do like
five more minutes on it, and we'll be done. Let's
talk about it. Do you want to hear about her?
Speaker 3 (56:07):
I want to hear about it.
Speaker 7 (56:08):
I probably won't watch it, so good, Hey, you're good.
Speaker 1 (56:10):
I'm good.
Speaker 8 (56:10):
If it's real life documentaries, you can say whatever you want.
Speaker 1 (56:14):
Amy Bradley goes on a cruise ship what ninety eight,
ninety nine or eight, and she's on with her family
and her brother, mom and dad and brother, and all
of a sudden she's gone and they're like, what where'd
she go? And then throughout the whole series, it's eyewitnesses
talking about how they've seen her since and they have
run ins with her on islands, and they talked one
(56:35):
peral in a bathroom. One guy who was in the
military was like, I don't tell the military because I
was at a brothel. But she was working in the
brothel and there are pictures of her working on like
adult site that they sent when she was older. They
sent to the family going I think this is her,
and they did all the matching and it matched, but
they can't find her. And so then they blamed like
(56:55):
a guitar play bass player on the in the boat
for a while, the yellow yeah, and so in the end,
can I say something? But there's no conclusion.
Speaker 3 (57:05):
As soon as they showed the video of the bass
player doing the bass and shaking his hips, I'm like,
that's the dude.
Speaker 2 (57:09):
That's the dude.
Speaker 9 (57:11):
That's what I thought, Eddie.
Speaker 1 (57:11):
I'm saying, is I.
Speaker 3 (57:13):
Saw that clip. I'm like, that's the dude.
Speaker 2 (57:15):
Here's what shocked me though, And this is just episode
of one, so I don't even know what happens later on,
Like like I can't believe when they pull into carousel,
which is where you know, an hour before they get
to Carrosal, they're like, hey, they alert the boat, this
girl's missing. I can't believe they let the people off
the boat. I understand that they have a business run,
but they also have a to protects.
Speaker 1 (57:37):
What's crazy is they're all, if you look into it,
a lot of people will go missing. It on a
lot of boats. I know. And if they did that
every time, there be no boats that go back. And
I agree, it felt weird.
Speaker 2 (57:46):
I felt so weird that guys like, sorry, man, we're
not gonna ruin everybody else's vacation.
Speaker 3 (57:49):
I'm like, oh, I just thought, like the whole trafficking
situation like that is that system is kind of a
system that never ends. Like you got people from America
or from all over the country coming in to those
little islands every week.
Speaker 1 (58:04):
Over twenty people a year ago missing from cruise ships
a year. What do I think happened? And I think
I said this in a Bobby cast. You ever heard
vakams razor? No, what it's whatever, The simplest thing is
usually what happens. She probably fell off the side like that.
Speaker 3 (58:17):
Oh do you think?
Speaker 4 (58:18):
So?
Speaker 1 (58:18):
If I were to bet money, I think it's close.
I think if there were, they put me out, it'd
be like, did she fall off the side at plus
one ten? Did she get traffic plus one eighty? Like,
I think it's close, pretty close. What about what.
Speaker 3 (58:30):
About the whole the police saying that usually we find
bodies like because they were slowed close to the area.
Speaker 2 (58:36):
Yeah, Crosou police were like, oh we know these water.
I've lived your in my whole life.
Speaker 1 (58:40):
I hear you, I feel you, and I think that
definitely could happen. And if that scenario happens, I think
it's close. She probably was because they were like, she
liked to party. She might have got off the boat
looking for drugs or with yellow or with somebody else,
and then all of a sudden they got her. And
then it's like, well, then why wouldn't she leave? Maybe
they have her kid, maybe she got pregnant, and then
they're like, hey, we have your kid. Because in the
bathroom they were like, she was talking about seeing her kid.
Speaker 3 (59:00):
Can we see the kids?
Speaker 1 (59:01):
Yes? And so you're not going to go. And another
weird part of it too, when they can checked the
EPs from that site.
Speaker 3 (59:07):
You haven't seen this part line, Well, they put up
all the.
Speaker 1 (59:09):
Pictures of her family, and those IP addresses would stay
on holidays on those pictures and for long amounts of time.
Speaker 3 (59:16):
The data would say that the pictures of like the family,
somebody in those islands were staying on those pictures for
more than like forty minutes.
Speaker 1 (59:23):
On holidays and birthdays.
Speaker 3 (59:24):
Who would do that? So they're like, maybe that's her.
Speaker 2 (59:28):
There's a lot one see Just like from watching the
first episode, I was like those two girls on the deck,
see yellow and her go up the elevator, and then
five minutes later he comes down without her. I'm like, Okay,
he took her off the boat somehow, and that's where
she ended up.
Speaker 1 (59:46):
You know what, I have three episodes. The episodes aren't
super long. They need to watch all three episodes. I
feel like, if I were betting it, here's a hundred
bucks bet on it what happened. She's probably fell overboard.
But I'm not I'm not dedicated to that. But it's
like someone doesn't stay gone that long for the most
part and not make contact if they're able, if they're
on a computer, if they're running around an island.
Speaker 3 (01:00:07):
And she would be how old now she was twenty three?
Speaker 1 (01:00:11):
Then by like forty nine or fifty, So like fifty,
I'm guessing that's.
Speaker 3 (01:00:15):
So, say, like she's fifty, do you how long do
you stay in that sex trafficking deal?
Speaker 1 (01:00:19):
Well, it's not even that. How long do you don't
stay away and not reach out and connect with your
family regardless of if you're not trafficked anymore? Yea, let's
say you're still there, she'd be fifty one. Yeah, I don't,
but I don't know because it definitely could have happened.
Speaker 3 (01:00:34):
Dang, dude, I'm it's so sad, like just thinking of
the family.
Speaker 1 (01:00:37):
Thinking about not knowing. Her parents are like, we're not
gonna ever go to sleep not thinking about this.
Speaker 3 (01:00:42):
And then her brother is like, I'm you know, old.
I don't have any kids because I don't want to
go through that.
Speaker 1 (01:00:46):
He's like, I've been traumatized by watching parents lose their
kid and not die but just not know. I never
had kids because of that. Yeah, oh man, man, crazy
good series.
Speaker 2 (01:00:56):
What about the guy next door?
Speaker 3 (01:00:57):
Nah, I feel like just a weird dude. I feel
like definitely weird that he goes to cruise alone and.
Speaker 2 (01:01:04):
Talks around the barrier like he's like, I can just
lean over, like you don't. It's like it's it'd be
easy to climb around.
Speaker 3 (01:01:10):
And the fact that his neighbors heard him talking really
loud even though he was alone, the weird.
Speaker 1 (01:01:19):
Whatever. I don't want We're going on the cruise. I
don't want to get freaked out.
Speaker 3 (01:01:23):
Don't be freaked out.
Speaker 1 (01:01:24):
We're all I've never been on a I know, I've
never been on a cruise and we're doing a big
cruise for us, and I'm like, but we're all friends,
we're all there together, We're all there together.
Speaker 3 (01:01:34):
Is missing?
Speaker 1 (01:01:34):
Yeah, I don't want that.
Speaker 3 (01:01:36):
I don't want to. I don't want to see Yellow
on our cruise.
Speaker 1 (01:01:37):
Though dude, daughter, Yellow's daughter shows up in the third episode.
Speaker 3 (01:01:42):
I haven't seen that lunch and it's like I.
Speaker 1 (01:01:45):
Was ask him my dad about because it's fish because
he had all those pictures of all the white women
in his bag. They said, why would he have.
Speaker 3 (01:01:49):
All those pictures in there?
Speaker 1 (01:01:50):
Well, just but it's like if he's a perb. I
don't know if he's purv or not. But they don't
have to court that. He doesn't have to have pictures
and he's a perb and also have to be a
murder who gets people the sex trafficking or either one
of those. Right, those don't have to exist together, could they? Sure?
Because the picture was missing. But you can be a
PERV without being someone that's abducting people and put them
in a sure was missing. Yeah, I agree, it's it's tough.
Speaker 3 (01:02:15):
And then everyone being friendly to her when she was
on the boat, like where's amy?
Speaker 1 (01:02:19):
But also she was like young and attractive, so.
Speaker 2 (01:02:21):
Yeah, she was one of the younger ones on the boat.
Speaker 1 (01:02:23):
So generally people treat prettier people better.
Speaker 3 (01:02:28):
Gosh, what a crazy story.
Speaker 1 (01:02:30):
What a crazy story. But we didn't run it. You
can still watch it because I knew all this, I
would watch it.
Speaker 9 (01:02:34):
I'll finish it all right.
Speaker 1 (01:02:35):
Where we are? We are done. I hope you guys
have a great weekend.
Speaker 3 (01:02:38):
Can I apologize to Morgan? Morgan, you're smart. I just
want to apologize.
Speaker 1 (01:02:41):
You said she was smart a long time ago.
Speaker 3 (01:02:43):
I know, but I don't want to make her feel
like she's not.
Speaker 1 (01:02:46):
I think you aren't apologizing for what you said. I
think you're apologizing for how it was received and for
her feeling about what you said. I don't think you
have any remorse about what you said. I don't think
you've changed your mind about I don't feel like you've
changed your mind about what you said. I feel like
you just don't know, not because I don't want to
deal with the report.
Speaker 3 (01:03:01):
Intelligent Yeah, very intelligent, very intelligent whatever it was, next level.
Speaker 1 (01:03:04):
But if you still don't believe it, So why are
you apologizing just for the way she I don't want to.
He's apologizing because he still needs her to do things
for him. No, not true, not true.
Speaker 3 (01:03:13):
I just don't want her to feel like she's not smart, Morgan,
you're smart. Well you want her to go home and
be like, no smart?
Speaker 2 (01:03:20):
Do you think she takes what you say and goes
home and pelts about it.
Speaker 3 (01:03:23):
I don't know what people think.
Speaker 1 (01:03:25):
I don't know, Morgan. I think you're very intelligent.
Speaker 4 (01:03:28):
Thanks, Bobby, and I appreciate the apology, Eddie.
Speaker 1 (01:03:31):
And I also said that not from a place of
me having to say it. I just said it naturally.
Speaker 4 (01:03:36):
Yeah, you just said it in the beginning, just talking
about other things.
Speaker 1 (01:03:38):
Yeah, okay, Eddie. Sorry, you don't believe that your apology
not accepted, Not for me, because I don't think you
really meant it. I will see you guys on Monday.
I don't know if Amy's back Monday or now. She's
still pretty sick, and if she's like crackly in her voice,
I'm gonna I'll have her stay off until she's back,
because if she comes back crackly and then crackles it more,
it's going to be another month of her being sick.
But she's very sick. Hopefully she's back Monday. Thank you guys,
and we will see you guys on Monday. By everybody,
It's the Bobby Bone Show. I saw that Eric Menendez
not getting parole.
Speaker 2 (00:07):
Saw that, Yeah, said somebody's behavior in prison.
Speaker 1 (00:10):
Well, yesterday is all ridden. He had good behavior. My
family was expecting him to be parole and I was
too because I had read that story. And Eric Menindez
denied parole. This from deadline, in a blow to their freedom.
The first parole hearing for one of the Menindez brothers
did not go well. Eric Menendez was denied parole after
thirty six years behind bars. Parole Board Commissioner Robert Barton said,
(00:34):
while we give great weight to youth offender factors, your
continued willingness to commit crimes and violate prison rules was
the determining factor in rejecting the parole request. Today is Lyles.
Speaker 3 (00:48):
Oh, it's okay. So Eric was yesterday, Today is Lyles.
Speaker 1 (00:52):
I wonder if Lyle was better in class.
Speaker 3 (00:56):
I mean, brothers are different, right, Like if two of
my boys were in there, one would be a bad
prisoner and one would be a good prisoner because they
have totally different personalities.
Speaker 1 (01:05):
Yeah, I'm interested now to see if Lyle gets out
because they expected them both to get out.
Speaker 3 (01:13):
That's crazy, huh. You know what I thought, like, Man,
he's a good looking dude. Eric. Yeah, well yeah the
picture the like, dang, that's what you thought. I didn't
know he was that good looking of a dude.
Speaker 1 (01:24):
Oh I think he's a little worse looking. His aged
a bit, but yeah, he's bald right, like that was him.
Did you not know what he looked like at all
the Netflix series or anything?
Speaker 3 (01:32):
No, but I do remember what they looked like in
that court, like from just the pictures of like the
news back then. But no, I had no idea what
they look like now.
Speaker 4 (01:40):
I think Eric's the one that has hair in Lyle's
the one that doesn't.
Speaker 1 (01:43):
The one yesterday had hair because it was gray in it.
Speaker 3 (01:45):
Okay, then he doesn't look that good.
Speaker 1 (01:47):
Lyle looks good, just looks like a dude, Yeah, average
normal dude. Yeah, I got to see what the other
guy looks like.
Speaker 2 (01:57):
How did this turn into which guy is hard?
Speaker 5 (01:59):
Well?
Speaker 3 (01:59):
I didn't, it's not hotter. I just didn't realize he
was that good looking of a dude.
Speaker 1 (02:03):
Lyle live. Is it because you have a bald head? Now?
You just attracted the other dude like you?
Speaker 3 (02:07):
Maybe because yeah, I mean I saw the bald head,
and like, dude, he looks kind of ripped and looks
it looks good.
Speaker 1 (02:12):
You see it, Yeah, it looks fine. I think you
just like a bald headed dude because you're bald headed.
Speaker 3 (02:16):
And I don't like bald headed dude.
Speaker 1 (02:18):
No, but I think you're like drawn to them, and
you're hoping people agree because they'll be like, Oh, Eddie
is good looking because he's bald headed.
Speaker 3 (02:23):
That's so next level. I didn't even think of that.
Speaker 1 (02:26):
Okay, let's see what else we got here. Give me,
give me Ashley in Kentucky.
Speaker 5 (02:33):
Do you remember when you said that North Carolina had
the best of everything in their states, the oceans, the mountains,
all the things. That's why you need to be a
Panthers fan. Thanks when I.
Speaker 1 (02:49):
Stay by, finally got a little Panther contingent weighing in. Yeah,
I don't think the geography of the state's going to
affect who I'm rooting for as a team. I think
I'm gonna do too. One of the which hat looks
better on me?
Speaker 3 (03:02):
Okay, they're both blue.
Speaker 1 (03:04):
Not a big blue guy in general, more of a
red guy.
Speaker 3 (03:06):
But the blue is a different blue. It's like a baby.
Speaker 1 (03:10):
Like it's like an electric blue. Yeah, electric electric.
Speaker 3 (03:12):
It's cool looking.
Speaker 1 (03:13):
It's like a if you were to get a highlighter,
you'd like that, but you really wouldn't want your house
painted that color. Right. Cracker Brow and I haven't talked
about this last a couple days. They change its logo.
People are mad, people aren't really mad. Like I'll say this,
the new logo kind of sucks, but there's never really
been a logo that has changed my life to make
me want to yell. I'm outraged. But this is what
happens whenever somebody makes something political or people are screaming
(03:39):
about culture, and you know what they do. You know
what happens here is people will create these Hey let's
fight about these things in culture, so you don't actually
look at what's actually happening. Like that's why all these
things happen. So this doesn't matter. This is affected nobody.
It will affect nobody. Also, it does kind of suck,
and it's mostly people that will never go to Cracker
Barrel or have never gone to Cracker Burrell who are
yelling about it online.
Speaker 3 (04:01):
I go to Cracker Barrel. Yeah, that's so sad, you've
never been. It's awesome.
Speaker 1 (04:04):
I don't love the new logo, but I don't hate it.
Speaker 3 (04:07):
I mean, what did they do? Just took off the
mant the old man.
Speaker 1 (04:09):
They changed up a little bit of the font inside
the restaurants. They removed a lot of what we call
the clutter. And now it's just like stuff on the wall.
It's just different. It's different. I like the clutter. I
like all of it. But the outrage is all manufactured.
It's the same thing as the male cheerleaders, all manufactured.
(04:31):
Like a couple people get online scream about it so
other people know if they scream about it, that'll get clicks.
And it actually does affect a stock price whenever everybody's
yelling about it. Yeah it does now that being said
on my Robinhood app As soon as it bailed, I'd
bought a bunch of it, right.
Speaker 3 (04:46):
Because it's going to go back up because it's cracker barrel.
Speaker 4 (04:48):
Like.
Speaker 3 (04:48):
The food's still the food.
Speaker 1 (04:50):
Now, if they started messing with the chicken fry steak,
we'd have a problem.
Speaker 3 (04:53):
Or took away the checkers, we got a problem.
Speaker 1 (04:56):
And I'll say again, I don't love it, but nobody
is actually affected by a logo and the amount of
outrage online. It's all fake, it's all manufactured, and most
of it is done by people who have never even
stepp foot in a Cracker Barrel because they just want
to have something to scream about. Cracker Barrel is unveiled
its logo as part of a seven hundred million dollar transformation.
(05:18):
The new logo drops the barrel and the man, a
departure from the man's identity since nineteen seventy seven. The
chain is also revamping its restaurants menu in advertising to
appeal to a broader audience. While some loyal fans are
unhappy with the changees CEO Julie fiss and Messino insists
the renovations are well received and driving positive feedback. Despite
mixed reaction on social media, investors have responded shares of
(05:40):
Cracker Barrel well, this says, let me read you this,
because yesterday I did see the big news. It was
like Cracker barrels down. Despite mixed reactions on social media,
by the way, not mix. It's all been hate. But
that's what gets pushed up, is the hate. That's what
gets the engagement. Investors have responded positively with shares of
Cracker Bail up nearly eight percent for the year.
Speaker 3 (06:00):
Thank Dan. How much did you put in mistern journal?
Speaker 1 (06:01):
Maybe I'm the one that shipped all that your robinhood
at mean, look, I didn't put in like a who
whole bunch of put in like four hundred bucks or something.
Speaker 3 (06:08):
It went down. You put it in, so you changed everything.
Speaker 1 (06:11):
Let's see. Let's see cracker barrel I have and I
can just show you so you know I'm not full
of crap. It's now at fifty six thirty nine a share.
It's gone up tremendously for the day. As you can see.
Speaker 3 (06:22):
What did you get it at? Yesterday?
Speaker 1 (06:24):
Made eleven dollars? Wow, well that's not a wah out.
Speaker 3 (06:30):
It is like that's a win.
Speaker 1 (06:32):
I have made nine twelve bucks.
Speaker 3 (06:36):
Okay, don't do the lunchbox were twelve fifty?
Speaker 2 (06:39):
I know, I know, No, it's Eddie. If you were
a guy of stock, you would understand that. It is
like every penny that goes up, it feels pretty good.
Speaker 1 (06:46):
What was it yesterday, Mike? What is today? By the way,
what's the date? Twenty second?
Speaker 3 (06:50):
Twenty seconds?
Speaker 1 (06:51):
So look at the twenty first, the lowest on the
twenty first, go back a little bit. Keep going down
to the lowest part on the on the scale. So
I got it forty nine, forty nine and some change,
and now it is at fifty six.
Speaker 3 (07:06):
It's pretty good, man. Like if you put thousands of
doll but I didn't.
Speaker 1 (07:10):
I didn't, No, I know.
Speaker 3 (07:11):
But like if you played the market like that where
you're like, all right, one hundred grand, dude, you'd be
so rich right now.
Speaker 1 (07:17):
Would you? Unless they continue to fall and then you
would have lost a lot of money, which is that's
the whole points easy to say that in hindsight.
Speaker 3 (07:24):
Sure, but what do they call those guys day traders,
like those of the day, the guys that pull home
big ones and then they come they pull back out.
Speaker 2 (07:29):
Sure, so they go in at like nine am and
then sell it four to fifty five pm. Is that
what you know?
Speaker 1 (07:35):
You could move it whenever you wanted to, Like if
it started to lose more you could go screw it,
or if it made a bit and you're thinking, well,
it's going to fall back down. It's all predictive.
Speaker 3 (07:42):
Yeah.
Speaker 1 (07:43):
So, but day traders do it all day a lot
all the time. But it also costs every time you
do it, Like there's a fee with everyone.
Speaker 3 (07:50):
You take out take out a stock.
Speaker 1 (07:52):
Yeah, Like every time I buy something on Robinhood, there's
like a little fee, oh too, that's how they make that.
How would they make their money ads on the app?
There are no ads on robin Hood.
Speaker 3 (08:01):
That's how I figure all the apps make money.
Speaker 1 (08:03):
Unless I have some sort of weird subscription. I don't
think I don't have anything on robin Hooday. Anyway, the
cracker barrel is fake manufactured outrage. And I'm saying that
from someone who is like, Yeah, I don't really like
to change, but I might go to Crackerbrell once every
two months.
Speaker 3 (08:20):
Yeah, you're on the road, right, like when you're driving somewhere.
Speaker 1 (08:25):
Yeah, trying to think. Maybe it's like but big cracker barrel. Guy,
for sure, don't love it. But also it doesn't change
my life one percent.
Speaker 3 (08:33):
Was the old man on a rocking chair. There's a
chair that might do it for me.
Speaker 1 (08:37):
It's a far left like there's a whole old school logo.
Speaker 3 (08:41):
The barrel.
Speaker 1 (08:41):
Yeah, nobody's actually upset about this. They just want you
to be upset so they can use that as a
reason to galvanize the group. Yeah, it's a guy, it's
not a rocking chair. He's sitting on a chair with
his elbow on a barrel.
Speaker 3 (08:53):
Okay, I think we're gonna be all right.
Speaker 1 (08:55):
I think we're gonna be all right too. Stop falling
for all this stuff. The male cheerleaders, Oh, the NFL.
The controversy. No, it's not, it's not that. There's nothing
controversy all about that. Now, one single person canceled their
season tickets because of that.
Speaker 3 (09:07):
But I really don't understand that. The old man in
the barrel, Like, how is that political?
Speaker 1 (09:12):
No, they're just going, well, they're making it more woke.
I would say they're making I would say the wokest
thing is crying about a logo.
Speaker 3 (09:17):
That's pretty woke.
Speaker 1 (09:18):
That's the wokest thing you can do. The logos change.
Speaker 3 (09:20):
I'm crying because taking out a man in the barrel, like,
to me doesn't seem who cares?
Speaker 1 (09:25):
Who cares?
Speaker 3 (09:26):
How your baby?
Speaker 1 (09:28):
You want to cry about a logo? You want to
spend your online currency on that, and the rich people
to do it that are like, I'm so mad. Cracker
Burrell is gone. You never been in a cracker barrel.
You never you grew up in New York City, you
never been in a cracker barrel. So anyway, there's.
Speaker 3 (09:42):
That I did see, like the Miami Dolphins logo, like
when they change theirs, because I guess the dolphin used
to have a helmet. Now that dolphin doesn't have a helmet.
Speaker 1 (09:51):
Even with new concussion rules.
Speaker 3 (09:52):
Yeah, even with concussion rules.
Speaker 1 (09:54):
I I'm looking at it.
Speaker 3 (09:56):
I'm trying to think that's so minor.
Speaker 1 (09:58):
That I'm looking at the Dolphins. It did have a helmet.
Speaker 3 (10:02):
Yeah, it's just I'm trying to think, like what logo
ever changed where I was so mad about it?
Speaker 1 (10:07):
Nothing, because that doesn't affect your life. You can be
annoyed when Arkansas they have this front facing hog. It's
kind of stupid. I don't like the front facing holl Oh.
Speaker 3 (10:14):
Yeah, I know what you're talking about.
Speaker 6 (10:16):
Now.
Speaker 1 (10:16):
My favorite logo and I love Arkansas more than anything.
And you know how many times to think about that?
Almost none, it's almost zero times. Sometimes it'll pop up
in a graphic. I'm like, yeah, not the best. I
like the old school stuff. Yeah, but other logos notre
dame changers. Today I think, oh.
Speaker 3 (10:31):
Yeah, yeah, yeah, he's uh I think he's carrying a football.
Speaker 1 (10:33):
Now it's like a slight Leprechaun.
Speaker 3 (10:35):
Change, he's not fighting, he's carrying a football.
Speaker 1 (10:38):
Yeah. Notre Dame onn Bell is its first new logo
in forever.
Speaker 3 (10:40):
Where's the outrage there?
Speaker 1 (10:42):
Exactly? The old guy had his arms up like this,
like fighting, yes, and the new guy is leaned forward
and running with a football, and people will be like, man,
the old one is the best. You know why, because
you're old for the most part. That's why I like
the old school razorbacks. All the front facing hogs pretty terrible.
Speaker 3 (10:59):
I remember and Miller Lte they made their can like
blue and it looked nothing like the original. I was
a little upset. I remember that I was in college.
Speaker 1 (11:06):
But you know what happened.
Speaker 3 (11:08):
He got over it.
Speaker 1 (11:09):
They went back, Okay, great, then you got over and
you would have gotten over it.
Speaker 2 (11:12):
I can't believe you even remember that.
Speaker 3 (11:13):
I remember did because I'd be like, where's the middle?
Like I never find it, and like, oh they changed
their stupid can.
Speaker 1 (11:18):
Here's the key to backlash, just in general, uh ignore
for two days. Everybody moves on with their life period.
You can do any almost anything now and get backlash.
You can't like touch kids, no, not that you can't
do like serious stuff. You can do something, but you
can do some crimes for sure. But you see the
little nas X got busted. He was walking in his underwear.
Speaker 3 (11:38):
Did he get busted? I saw the videos in.
Speaker 1 (11:40):
The morning he got arrested. He was he was in
his whitey tidies, and I was thinking, you can't afford
something better, whitey tities. That's where my mind goes.
Speaker 3 (11:48):
And I thought, like, you're alone, Like what are you
doing alone with your friends?
Speaker 1 (11:51):
Yeah?
Speaker 2 (11:52):
Yeah, something's not good.
Speaker 3 (11:53):
Not good.
Speaker 1 (11:55):
They said he might overdose.
Speaker 7 (11:56):
Yeah yeah, Because then when he got stopped by police,
he charged at him, apparently, because I thought it was
all like publicity thing, like maybe.
Speaker 1 (12:03):
He was in his white tidies and I thought, I
never looked at good and.
Speaker 7 (12:05):
White ties and like nice white boots.
Speaker 1 (12:08):
I didn't see the boots, yeah, And so I thought
maybe he was like performing something.
Speaker 2 (12:11):
Didn't he have a cone on his head, like traffic cone.
Speaker 1 (12:14):
I didn't see the traffic cone.
Speaker 6 (12:15):
I that either.
Speaker 3 (12:16):
I didn't make it that far in the video.
Speaker 1 (12:18):
I didn't either. I saw him walking and I thought, huh,
what's he doing out there? And then I read the
story said he was like.
Speaker 7 (12:24):
Going to a party, like he should come with me
to this party.
Speaker 1 (12:26):
Why didn't one of his friends like scoop him up?
Speaker 3 (12:28):
It's weird, man.
Speaker 1 (12:28):
And if they didn't scoop him up, why wouldn't like
his friend or like a manager's in the drive beside
him and be like, dude, get in the car. And
then when a cop comes, you're like, no, I got him,
I got him, I got him. Like he's multi multi,
multi millionaire. Yeah, that's pretty crazy. What are we talking about?
Speaker 3 (12:42):
Uh, the logo changes.
Speaker 1 (12:44):
Yeah, I'm kind of over that now.
Speaker 3 (12:45):
Outrageous.
Speaker 1 (12:47):
Yeah, I was on something and lone Lazac got me.
I don't know what that was, requested me out. Ramondo
wants to know the difference between a sprinter van and
a touring tour bus. Right where did this come from?
Speaker 8 (12:57):
Well, just because the artists come in here and they say, yeah,
we were finally able to afford one of the big buses,
and I was thinking, what's the difference in a sprinter
bus and a big bus. They're both buses that transport
you places that seem relaxing.
Speaker 1 (13:14):
So I understand that question. A sprinter bus is not
a bus, it's a van, so it's big though it's big. Yeah,
it's big.
Speaker 3 (13:21):
It's border of the size of a real bus.
Speaker 1 (13:23):
Okay, so with the bus you have to have a
driver that has a CDL because the bus is significantly
bigger than a van. In the bus, there are actual
bunks depending on what your bus is like. When we
do ours, usually I'll have a back bedroom, but you
can also just do that to be all bunks, so
you can have twelve bunks in a bus. You can
(13:45):
have like three people in a sprinter van and somebody
has to drive from the band the sprinter van. There's
really nowhere to sleep. You don't really drive overnight and
give everybody time to sleep a lot of space. You
don't have a kitchen, you don't have a bathroom. Bus
has had all that bathrooms, kitchens, TVs. It is a
significant difference, and it's a massive price difference though, Like
(14:06):
for me to rent a bus, because I never bought
a bus because we were on the road sporadically and
when I was doing stand up, I just flew into
places for a bus for a weekend. It was about
five thousand dollars not including gas, not including driver, and
you have to take two drivers if you drive over
eight hours, so you're talking about, you know, sixty five
hundred bucks a weekend just for the bus because that's
(14:30):
gas and driver. Sprinter van, you just got to keep
it up and one of the band members drives and
everybody kind of crams in, and some people can get
back through and laid down, some can't. So it is significant.
But a sprinter van is a move up from like
a small van or a car or truck or dragging
a U haul. You know, it's all relative to the
money that you're making. And there are times when people,
(14:52):
let's say you're opening for a major artist, I'll use
Luke Bryan because he was here last week. I don't
know that this is the case for Luke's toiler. I'm
gonna be Luke Brian to be the baby act of three.
There are three acts on a major concert bill. There's
the main act, there's the main support, there's the baby act.
Sometimes the baby act will make like five grand a show.
Their fee, what they have to pay is more than
(15:13):
five grand. So sometimes these artists lose money by going
out and doing these shows, which is why they have
to do other little things on the road while they're out.
A merch is a massive part of an artist and
making their money now. But a bus is very expensive,
so when you move to a bus, it means either
you can afford it finally, or you feel like the
investment into the bus, even though you can't quite afford
it yet, is worth it because it allows you to
(15:37):
sleep and be more rested when you get places.
Speaker 8 (15:39):
And then I was also, is it the difference showering
and one you can just take a shower you can't,
but nobody really showers and buses it's gross.
Speaker 1 (15:46):
So and what's the point. You can go to the bathroom,
there's a TV, many multiple TVs. If you have to
take it dup, you can, most don't. There's kind of
a rule don't take it up on the bus. You
can pee, you don't have to stop at a gas
station to do it.
Speaker 3 (16:00):
Ray, it's like it's like getting an apartment, like a
studio versus a two bedroom apartment, right, but both work.
Speaker 1 (16:07):
Yeah, I would say it's even more than that. I
would say it's like having a bedroom when you're renting
it from somebody that has an apartment and getting your
own apartment with multiple rooms. Yeah it works. It works,
but again you do not rest as much and you'll
have a professional driver. You don't get to relax. There's
no bathroom. You got to stop all the time. You
gotta keep filling up gas. Because it's a van. It's
(16:29):
fifteen percent as comfortable as a bus. It still works, sure,
but one of the band's got to switch out and
drive all the time because there's only so many places
in a sprinter van. You don't even have room to
bring somebody on to be a bus driver because you
got five people in your band.
Speaker 8 (16:44):
I just thought it was an extra ten feet, Like, who.
Speaker 1 (16:47):
No, it's significant, Yeah it is.
Speaker 8 (16:50):
It's like I was finally able to afford an extra
two foot bus.
Speaker 1 (16:54):
Holy crap, man, you made it. If that were the case,
I would agree with you. It is not the case.
You're talking about probably forty five hundred bucks a weekend difference. Okay,
that's a lot of money. And when you're not making that,
that's a lot of money. Yeah, the new games on
the big bus. Sure, yep, absolutely, you so in the
big bus two whenever you the big bus too. Here's
(17:16):
another benefit. When you get to your place, you don't
have hotel rooms. There's no need to buy hotel rooms
because everybody stays in the bus you sleep in the bus,
and also the bus widens you stop. Newish buses have
the it goes and that part where the bench seats
are it comes out and makes the room even bigger.
Did not know that, So it turns into a little apartment. Sure,
(17:38):
because you stay there for the night, and usually the
bus only moves overnight because the bus is only driving
while everybody's asleep. Because there's also.
Speaker 8 (17:48):
These buses part down here that I think are teddy
swims and they don't look that great.
Speaker 1 (17:53):
I mean, they look pretty uncomfortable.
Speaker 3 (17:55):
Why are they teddy swims?
Speaker 2 (17:56):
Because he did multiple nights in town.
Speaker 3 (17:58):
Okay, they've been here all week.
Speaker 2 (17:59):
Yeah, I thought they were kiddy Perry first.
Speaker 1 (18:02):
I heard it have a devil on them?
Speaker 3 (18:03):
Oh yeah, yeah, that makes sense.
Speaker 1 (18:05):
You know ours they're steaming. Yeah okay, But that's why
there is a significant difference, And there's a big financial
like it's a commitment to get a bus again, I
would have to pay all in six seven thousand dollars
just to have a bus for the whole group, and
without making any money back, and hopefully you make that
(18:25):
money back from playing shows.
Speaker 3 (18:27):
Got it?
Speaker 4 (18:29):
Uh?
Speaker 1 (18:29):
Eddie thinks scuba might be the most interesting man in
the world.
Speaker 3 (18:32):
Yeah, dude, he told me something. I'm like, what are
you talking about? You know, ground Lands, you know, like
the Pew the improv Troop. Yeah, yeah, it's like it's
like comedy school in La or whatever. And Scuba just
nonchalant and tells me he's like, yeah, man, I used
to be a part of the Groundlands. What he said. Yeah,
I was there for I don't know a few years.
And he's like, I started the buy I I auditioned.
(18:54):
I okay, go ahead, and.
Speaker 9 (18:56):
He did a great job.
Speaker 3 (18:56):
What you gotta go ahead? Tell the story ours shot.
Speaker 4 (19:00):
Yeah.
Speaker 10 (19:00):
So when I moved to LA, one of the things
I wanted to do was get into the the camera
side of things, and so I was like, well, Groundlings
as a kid, I always heard about it, Will Ferrell
all those people they did that, and so I signed
up for did the audition with the whole process, took
all the classes I was doing a while. I was
doing seacrests in the morning and then doing that at night.
Classes I think were three nights a week.
Speaker 1 (19:23):
How much do you have to pay for that?
Speaker 10 (19:24):
It was It wasn't a lot of money because I
think it was around four hundred dollars for what four
I think it was like for six weeks.
Speaker 9 (19:30):
Okay, so it really wasn't a lot of money.
Speaker 10 (19:32):
When you think about what you got out of it
and what you're learning and who you're learning from. It
was pretty cool to be a part of the experience.
Speaker 1 (19:38):
What level did you get to?
Speaker 10 (19:39):
I got all the way to we do start to
do character development intermediate and you start getting ready for shows.
And then I had my son and that became the
new priority, and so I had to step away from
that and.
Speaker 9 (19:51):
I gave it up.
Speaker 1 (19:54):
You could do it while you had a sign.
Speaker 9 (19:55):
No, my god no.
Speaker 10 (19:56):
So it was my first kid and every night at
he cold probably attest to this, having old were you.
Speaker 9 (20:01):
I was.
Speaker 10 (20:05):
Like thirty something early thirties when I was there doing
it when he was born, and so I mean I
had my full time job with Ryan, which was a
monster of a of a commitment, and then my kid
and helped my wife out. So I just every night
being there three nights a week and trying to balance
the kid life, which I know it seems to be
(20:25):
a recurring thing.
Speaker 8 (20:26):
I know.
Speaker 1 (20:26):
You you do something, you're saying nothing. I've said nothing.
Speaker 3 (20:30):
Face he knows where you're going.
Speaker 1 (20:32):
I wasn't going to go that. I was just listening.
We didn't want to do it, Nope, nope, I wasn't
going to say that. I wasn't going to say anything
about priorities. Your kid was a priority. Yeah, But but
it is.
Speaker 3 (20:44):
Crazy that he could have been like Will Ferrell.
Speaker 1 (20:47):
No, we couldn't like Will Ferrell. He could have done me.
Who knows what he could have done. I'm not putting
a cap on what he could have done. But it's
unfair to say somebody in an intermediate level was going
to be Will Ferrell if he didn't stick to it.
Speaker 9 (20:57):
Well, I mean that was like that.
Speaker 10 (20:58):
So the first year, so you have thought audition and
they play you based on that. Most people get thrown
into beginning A or B. I skipped A, went to B,
and then I went to beginners, which is the next one,
and there's one A next one, and there's intermedia, which
is like that when you start doing Sunday Company and
doing shows.
Speaker 3 (21:12):
Maybe he could have been or pee wee something.
Speaker 9 (21:15):
It was fun, it was cool. It was the coolest
thing ever.
Speaker 10 (21:17):
Like I think it was probably the greatest experience I
had in my life, and I have some friends from
it still and made some great connections.
Speaker 3 (21:22):
But you were good, right, like you?
Speaker 9 (21:23):
I was really good at it. I'm dude, I'm serious.
I was very good at it.
Speaker 1 (21:27):
I'm sure you were. I'm sure you are.
Speaker 2 (21:28):
So what, like, what were you better at that? Or basketball?
Speaker 1 (21:33):
Ground played in the NBA?
Speaker 2 (21:36):
He was almost NBA level.
Speaker 1 (21:37):
I've said nothing scood, but I just am listening and
that's cool, man, I like it.
Speaker 2 (21:41):
No, I'm serious, Like, because you said you were talented basketball,
so were you? Do you think you were more talented
at basketball? Or do you think the Groundling things was
even bigger like you could have been.
Speaker 10 (21:49):
The Groundings definitely was much more my forte than than basketball, and.
Speaker 1 (21:53):
You could have played in the NBA and the Groundings
was still better.
Speaker 9 (21:56):
Yeah for sure. Yeah, yeah, he must have been really good.
Speaker 10 (21:58):
Idea, but you are the most talented that I've ever known. Then,
pretty amazing, you know, I at least give it my shot.
I go out and try things I want to do,
and it just depends on I don't commit well, I
do commit to her, and then all of a sudden,
I have these massive life events that happen and then
I have to I guess.
Speaker 1 (22:12):
Excuses because any point you could have gotten back in.
Of course, at any point even here, it doesn't matter.
I don't want to go. I don't want to be
this person. And look, I don't want to be this person.
Kids are dream killers. I don't like me. I don't
like I don't like me. Right now, you've had every
opportunity to go back and do this and you've chosen
not to, and yet you go. I could have been
(22:32):
I could have been it. You're a co rico.
Speaker 9 (22:34):
How could he do it?
Speaker 1 (22:34):
Now that we have three kids and one he kept
having kids.
Speaker 9 (22:37):
And we're not in l anymore, so I can't go
to growling.
Speaker 1 (22:39):
So it's there's some elementary version here.
Speaker 9 (22:43):
There, bunk. I'd rather have a.
Speaker 1 (22:44):
Brother in law that was in Second City forever second
He is a good one too. Yeah, yeah, I'm very
few c I'm very familiar, uh and my the producer,
his wife, the producer of my comedy special same they're
big improv like high level. Then moved to Chicago after
after LA.
Speaker 3 (23:00):
Yeah, so that would have been.
Speaker 1 (23:02):
I'm familiar with the scene. But you know what, Scoob,
But you could have been the next Wilfarel and.
Speaker 10 (23:07):
Not even that, though, I have to look at everything
as like what I get from that. So even though
I had a kid and it kind of halted everything,
I lot, I learned a lot of great skills from
it and had a lot of great relationships come from it.
So that's the way I look. He's because I could
dwell like you, I do want to push forward. But then,
but then I also have to deal with my wife,
who is the ultimate and whatever she says go.
Speaker 9 (23:26):
So she's like, you're stretching yourself.
Speaker 10 (23:28):
Then you're not present here and you have a you
have a kid that's brand new, you have to give
something up.
Speaker 1 (23:33):
Yeah, I completely agree, And I think you're a very
talented person. So I'd like to lead by saying that
I think you're very talented. No, no, no, but no,
But here we go. There is a common theme. I
didn't want to go down this road. Lunch Boxes launched me.
He's put me into the catapult and told and and
and pulled the string.
Speaker 2 (23:50):
I'm just saying. I mean, Bobby sat back for a
good two minutes.
Speaker 1 (23:53):
I was going to say nothing.
Speaker 10 (23:54):
I was just going to I saw your face though
your face volumes in his he was.
Speaker 3 (24:03):
But he was doing it though, like, how long were
you doing it?
Speaker 1 (24:05):
Three years?
Speaker 9 (24:06):
For almost two years.
Speaker 1 (24:07):
So the thing is I could be and I also
did piano Eddie, but but I learned I learned piano
at no, but eight months I could have been Yeah,
I could have been John. I could have been John.
Speaker 11 (24:16):
Tesh No, no, yes, but I could have also moved
to LA and said, oh I wanted to do this,
and then not done it at all, and then he
did it off completely.
Speaker 2 (24:29):
Don't do this, don't do it.
Speaker 1 (24:33):
Don't be that cynical.
Speaker 10 (24:34):
And there are all the tools in my tool bag
to get me ultimately what I want.
Speaker 1 (24:37):
And I love that you know what you you be
because I think you know. I think you're really talented.
Speaker 9 (24:41):
Thank you?
Speaker 1 (24:42):
No, No, do you know that?
Speaker 9 (24:43):
I don't know?
Speaker 1 (24:44):
Yeah, but you're not saying English. Yeah you know you're not.
Speaker 8 (24:49):
No.
Speaker 10 (24:49):
Yes, there's moments that I feel like it, and there's
moments like right now that I'm like, I don't really know.
Speaker 1 (24:53):
I don't think it has anything to do with talent. Yeah,
I think you have a commitment issue. I think you've
done a lot of things. Quit Yeah, from.
Speaker 9 (25:03):
Lay it on me, I got pretty thick skin.
Speaker 1 (25:04):
Let's go it's not about thick skin. We've had these conversations. Yeah,
forever it was I'm gonna write a script, I'm gonna
do a show, I'm gonna I'm gonna do this show
if I just had time. It's always if something wouldn't
have happened, you were always going to do something. That's
that's been a consistent with And the thing is, you
have so much potential, if so much, but you always
make excuses for the reason things don't get done.
Speaker 10 (25:23):
But it's usually other commitments that I have to prioritize. Okay,
what becomes more important and a lot.
Speaker 1 (25:28):
Of amen are our priority. So nobody with a family
has ever done anything no for the family. No, I
don't think so.
Speaker 3 (25:36):
Or they neglected it doesn't matter exactly.
Speaker 9 (25:38):
Are they neglected their family?
Speaker 10 (25:40):
That's the big thing right there, And it leads to divorce,
and it leads to like what I grew up with
with a father who was not there.
Speaker 1 (25:45):
You had a divorce.
Speaker 10 (25:46):
Exactly, but that led to because my wife didn't when
have at the time that one, I have kids and
she was cheating on me.
Speaker 1 (25:50):
Yeah, that's a factor, but imagine if you wouldn't have
been I'm just saying that has a history of quitting
things just in general, and then saying, man, it could
have been so good.
Speaker 3 (26:03):
But I feel like if we knew Scuba before the family,
it looked like he was doing things okay, and then
the family came and it just stopped everything. And now
every dream that he has now he really can't do
because the family is the price.
Speaker 1 (26:16):
So once you have a family, you can't make you
can't do anything anymore.
Speaker 3 (26:18):
If you want to be a participant in the family. Correct.
Speaker 1 (26:21):
I would say also, I think being there for your
family is awesome, and I think if that is what
you want to do, you have to sacrifice other things.
What you've done. Yeah, but you can't. You can't always
go back. But I could have done this. You gotta
just go. I'm family guy. I love it. I've sacrificed
to do this and I'm great at it. Not I
really want to get the show done. But oh I moved.
(26:42):
Doctor Phil wouldn't let me.
Speaker 3 (26:43):
I see what you're saying. So when people ask like, so, what,
like what are you doing, I'm like, Oh, I'm a
family man. I could have been the grain and I'm
a damn good family man.
Speaker 1 (26:52):
Yeah. No, It's like Scuba does a lot have you
heard of his segment is a classic rock it's not
a family segment. I think about it every days. Thing
is songgoing? Is that classic rock? So that's an excellent segment.
Thank you.
Speaker 2 (27:05):
I got a question.
Speaker 1 (27:05):
Yeah, if he was so good at.
Speaker 2 (27:07):
The Growling Groundling, I didn't know what your guys are
crowning Groundlings. Don't you think they would have been like, hey, Scuba, man,
I really don't think I understand you've got a family now,
but hey man, come on, dude, come back, come back?
Or do they just say, you know what I mean?
They just let people leave.
Speaker 1 (27:20):
I think if you're in intermediate there's not a lot
of investment there. Some they're probably like, we'd love to
see you come back whenever you can, right, Yeah.
Speaker 10 (27:27):
It's pretty much like that. My teacher Ian was like, dude,
I love to have you back, same thing. But I
understand your priorities, your work and your family.
Speaker 9 (27:33):
You know that. Wish you the best of luck, come
back whatever.
Speaker 1 (27:35):
I want everybody to understand.
Speaker 9 (27:36):
I love Scuba.
Speaker 2 (27:37):
So have you ever heard from me in since I have?
Speaker 9 (27:39):
About I still I said, I have a lot of
It's like a football.
Speaker 1 (27:41):
Coach where the team depends on the players being there
and to win. Okay, look, I think you are are
a fantastic person, a great family man.
Speaker 9 (27:50):
Thank you, one of the best.
Speaker 3 (27:51):
Yep, because that's your priority, dude.
Speaker 9 (27:55):
That's my number one priority is my family.
Speaker 1 (27:57):
You're super consistent. That's currency is consistent. Yeah. Uh, And
I think you're really good at your job here. I believe,
I believe in you. But you do have a history.
We all have our histories of things that are annoying.
Your history is not committing to something, moving off of
it and then claiming you would have been really good
at it. Yes, yeah, and that's it. That's good. That's
a great. Worst quality, yeah, because at least I try it.
(28:17):
I don't know. The worst quality might be choking people
out and then waking up from a stupor going like, oh,
that's such rage. I couldn't even see me kill that person. Yeah,
who would ever do That's that's a tough one for you,
that's tough. That's tough for whoever that was. That's tough.
Speaker 9 (28:27):
Yeah.
Speaker 3 (28:28):
Yeah, I don't know what you're talking about.
Speaker 10 (28:30):
But again I say I look at it as all
these things that are tools and so my time wasn't
to be able to do that in this timeline, but
I learned from that and maybe the ultimate goal is
to take all those things and put it into what
I'm doing now a.
Speaker 1 (28:42):
Man, Do you think there's a timeline where you are
on Saturday Night Live?
Speaker 9 (28:45):
Oh for sure? Yeah?
Speaker 3 (28:45):
Nice?
Speaker 9 (28:46):
Yeah, yeah, definitely.
Speaker 10 (28:47):
I'm playing NBA one time line, yes, yes. Now the
other timeline your.
Speaker 1 (28:51):
Final contract, you'll play the Magic for a very little
hometown discount.
Speaker 9 (28:53):
Yeah, definitely.
Speaker 1 (28:54):
Yeah, that's awesome.
Speaker 9 (28:54):
I directed a movie with Steven Spielberg.
Speaker 1 (28:56):
Did you write the script?
Speaker 10 (28:57):
I wrote the script for he was doing it now. God,
it's a whole like franchise. There's like, there's like toys
in the merchandise.
Speaker 9 (29:03):
It's pretty cool.
Speaker 1 (29:04):
Man.
Speaker 3 (29:04):
Which one do you like better? Though?
Speaker 1 (29:06):
Which timeline?
Speaker 9 (29:07):
The family timeline?
Speaker 1 (29:08):
Because you know why why your family man, family Man
is the best. In the end, we are our priorities,
That's what we are. We are our prior We prioritize
what's important to us. You have really like one two
and a half priorities in life that you really can
focus in on, and we are those priorities, good, bad, neutral,
(29:31):
That's who we are and it's hard to be really
great at anything. It's hard being great as a family
man or woman. It's hard being great in a career.
It's hard having balance. All that's hard because you have
to commit. It's when you don't commit that's when it
kind of sucks. But you've committed scuba. You have made
your life what you wanted it to be. But I
would just say, claim less of what you could have
been good at. Okay, Yeah, yeah, it's just annoying. But
(29:55):
we all have our annoying things.
Speaker 3 (29:56):
Yeah.
Speaker 1 (29:56):
Yeah, and Eddie did this. Eddie set you up and
lunchbox knocked you down, and then and then it just
made he just made He laid you out on a
plate and wanted me to attack you. And I apologized.
I did not do anything I shouldn't have done that.
Speaker 3 (30:07):
I was just I was saying that he did something
cool back in the day.
Speaker 1 (30:10):
I tried not to do that. I sat here and
I bit those little things in my mouth a little side.
I saw it, and I was like, you know, let's
Goob have his moment. That's really cool. Let's brag on him.
Eddie just kept going in lunchboxes like, well, this feels
familiar and I'm like, you know what, dunk on him.
Let's get him, let me jump in. Okay, that's pretty
cool man, Thank you.
Speaker 9 (30:26):
It was cool cool.
Speaker 2 (30:27):
But you got to say you got to get Bobby
his props too, because he held back for two minutes.
Speaker 1 (30:31):
No, I don't need props, Eddie passport you haven't yet.
Speaker 3 (30:35):
No, no, I don't have the passport yet. But I
did not have to bug my wife about my mom about.
Speaker 1 (30:40):
The Oh no, oh, no, I slipped.
Speaker 3 (30:44):
Oh my god, I do that one all the time.
And I don't know why.
Speaker 1 (30:47):
I know why.
Speaker 3 (30:48):
I explained to him.
Speaker 1 (30:49):
You think your wife is your mom?
Speaker 3 (30:51):
I don't.
Speaker 1 (30:51):
Yes, you do. She don't care the money she takes
care of Yes, that is exactly what you do.
Speaker 5 (30:55):
Say that.
Speaker 3 (30:56):
Don't even put it in my head. It's not true.
Speaker 1 (30:57):
You do it all the time. I know you treat
your wife like she's your mom. No, no, I do not.
Who takes care of the money.
Speaker 3 (31:05):
My wife.
Speaker 1 (31:06):
Who's in charge of the kids, well, both of us.
Speaker 3 (31:10):
She's with the kids more than I am.
Speaker 1 (31:11):
But h and who do you count on to make
sure that your life is comfortable?
Speaker 3 (31:14):
My wife? Yeah? But and where's my mom in that? No,
she is your mom My mom doesn't count the money.
Speaker 1 (31:20):
No, no she did. She is your mom, your wife?
Speaker 3 (31:23):
No, No, she's not. Dude, I'm not gonna listen to you. Hey,
do that thing where I'm not gonna do this. I'm
not gonna do this.
Speaker 1 (31:28):
I can't. You are since he does that around the room,
don't you think Eddie treats his wife like it's his mom?
Speaker 9 (31:34):
Oh my god, you're looking at me. Yeah you yeah,
you know I'm saying, yeah, you totally do.
Speaker 3 (31:39):
Why and you even just said that.
Speaker 10 (31:40):
You just called her your mom again, you've done that's
just so many I'm dyslexic guys, stuff in my head.
Speaker 1 (31:47):
You called her your ewol.
Speaker 2 (31:48):
Yeah, your wife is the mother role. She does everything
your mother did you and so to you. And so
you're just like used to your mom doing it. You
want your wife to do it for you too.
Speaker 3 (31:57):
You know I did back in the day. I have
my my wife learn how to cook like my mom.
Speaker 2 (32:02):
See that's what I'm saying.
Speaker 1 (32:03):
Look, you want another mom, and your wife is your mom.
Speaker 3 (32:06):
My mom does live in Texas, but that doesn't a lot. Yes,
so maybe I want my wife.
Speaker 1 (32:11):
It's that role.
Speaker 3 (32:13):
It's that role that is so messed up. I cannot know.
That's not that.
Speaker 1 (32:16):
Had you done it once, I'd be like, that's funny,
frody and slip, get a little joke. You've done it
like three or four times.
Speaker 3 (32:21):
No I did. I don't think of my wife as
my mom.
Speaker 1 (32:25):
You don't have to think of your wife as your mom.
Speaker 3 (32:27):
Then why do those words just come out?
Speaker 1 (32:29):
Because you don't have to think about it. It is
in you that position in your organization. She is serving
as your wife and your mom.
Speaker 4 (32:35):
No, no, Morgan, come on, who is on the other
side of you and has to tell you to read emails? Yes,
a little bit.
Speaker 1 (32:46):
You need a mommy in your life.
Speaker 4 (32:47):
You do need this.
Speaker 3 (32:49):
I need Amy here. She would speak to the dyslexic
thing with me.
Speaker 1 (32:52):
That's not dyslexia.
Speaker 3 (32:53):
Yeah, dude, words are just all over my head. And
then his wife and mom.
Speaker 1 (32:56):
That's not just random words.
Speaker 3 (32:57):
What wife? Mom? Doesn't rhyme? Really?
Speaker 1 (32:59):
No, no, that's but those are directly associated.
Speaker 3 (33:03):
Anyway. Anyway, I don't have to bug my mom about
getting my birth certificate because I found it online and
it's coming. They said, I'll be here in like a.
Speaker 1 (33:10):
Week or two. You need your birth certificate.
Speaker 3 (33:13):
My real birth certificate because I sent them a birth card.
Speaker 1 (33:16):
Wait, you're okay, what's going to be here in a
week or two?
Speaker 3 (33:19):
The birth certificate? Then I need to send that is
your mom sending it?
Speaker 6 (33:23):
No?
Speaker 3 (33:23):
I did not have to bug my mom okay for that,
because I thought first I was gonna call my mom
in Austin and be like, hey, will you go to
the office and get my birth certificate because you screwed up?
Speaker 1 (33:33):
Okay?
Speaker 3 (33:34):
Which whatever, I don't have to do that. Found it online.
Speaker 1 (33:36):
I got.
Speaker 3 (33:37):
I bought two birth certificates.
Speaker 1 (33:38):
So they're going to send it. Takes a couple of
weeks for that to come.
Speaker 3 (33:40):
In, Yes, and the Passport office has given me ninety
days to get them the real birth certificate or else
the whole application is done.
Speaker 1 (33:47):
Okay, So if you get it to them, then what happens.
Speaker 3 (33:50):
Then they review the whole thing again. It goes through
the process, and then I should have a passport by
I don't know. I'd say two months, Okay, are we
going anywhere in two months?
Speaker 1 (33:59):
No? Because no we're not.
Speaker 3 (34:02):
What a process, dude, I'm still not convinced it's not
Ice holding this up.
Speaker 1 (34:07):
Whose fault is it?
Speaker 3 (34:09):
My mom's to think about it.
Speaker 1 (34:13):
All right, let's take it bready, guys, we'll come back
in just a minute. Hey, Morgan, I want to go
to you for this question. Do you are you familiar
with the term a home and home? Do you know
what a home and home is? A home and a home.
So I was asked by the other Morgan, who is
(34:40):
one of my managers. She goes, hey, this person wants
to be on the Bobby Cast. And I said, oh,
I said, well, I'd consider a home and home. Do
you know what that means?
Speaker 4 (34:52):
I'd consider a home home like.
Speaker 1 (34:55):
Because the other Morgan number one as we used to
call her, didn't know what it meant. But then I realized, oh,
that's just a tight sports reference. I shouldn't have just
thrown a sports reference.
Speaker 4 (35:04):
No, I mean, is it like like a quick one,
a little quickie.
Speaker 1 (35:10):
That's weird that oddly got dirty? No? No, No, it's
so a home and home would be in sports, in
football or basketball, it's if you have two games and
you do one at your home, one at their home,
so each each team gets a home game.
Speaker 4 (35:22):
Oh yeah, I've never heard that before.
Speaker 1 (35:24):
Yeah, well no, I said, I do a home and
home with them and she said, does that mean a
home interview at your place?
Speaker 3 (35:31):
Yeah, that's what I thought.
Speaker 1 (35:32):
You didn't even know.
Speaker 3 (35:34):
No, no, no, So when does the team ever say like that?
What's what situation does the team go?
Speaker 1 (35:39):
Like in college football, if both teams are significant teams
where there's not a payout. So let's say if we're
playing if I was playing like Louisiana Monroe, which I
think is just Louisiana, now, we would pay them to
come play us and only at our stadium. We'd never
go play theirs. But if you're doing a home and home,
like we're playing Notre Dame this year, we're doing a
home and home with them Notre Dame coming to Fabville
(36:00):
and then we're going to Notre Dame. So it's a
big game for both and there's no payout because both
teams are going to get the benefit of the school
coming to their school, but ticket sales all that stuff.
Speaker 3 (36:09):
So they do that when they're building the schedule.
Speaker 1 (36:11):
When it's two teams, it's worthy to both get a
home game, got it. So this is a podcaster who's
significant who was like, Hey, they want to come on
your podcast, And I was like, I would consider a
home and home, then come to my podcast, I'll do it,
and then a couple months later I'll go and do
their podcast or vice versa. All I wanted to know
is if that was just a sports reference, or if Morgan,
who's super intelligent, if she knew what that meant, if
(36:32):
it somehow got out of sports.
Speaker 4 (36:34):
I don't think I've even seen it on social media before.
Speaker 1 (36:36):
Okay, it's just sports.
Speaker 3 (36:37):
The question, Yeah, you said Morgan's super intelligent.
Speaker 4 (36:41):
You mean, like, why do you explain that more intelligent
than you are?
Speaker 3 (36:47):
You can't even read an email? That's not what I'm saying.
Super intelligent is like.
Speaker 1 (36:51):
Why would you ask that? Well, because because I do
think Morgan's very smart.
Speaker 3 (36:54):
If you said.
Speaker 1 (36:55):
That, what's the difference in very smart and super intelligent?
Those words are all the same? These are there's a
variant is she is she super smart?
Speaker 4 (37:03):
Okay, guys, just because it easy trivia doesn't mean I'm
not intelligent.
Speaker 1 (37:07):
I agree, Well, that's like trivia. Because you suck at
trivia doesn't mean you're not smart in other parts of
of the world.
Speaker 3 (37:13):
Yeah, yeah, yeah, So it goes both ways, right, Like
there are so if I'm really good at super easy trivia.
Am I super intelligent? No, but I'm good at that.
Speaker 4 (37:22):
Part of the world, But like you're not other things.
Speaker 3 (37:24):
So yeah, but you're not good at other things. You
can't put a.
Speaker 1 (37:27):
Chair again, why would you even ask the question? Let
me stop this segment or this podcast and go like
it's more I do, she said, super intelligink Morgan is
a really smart person. I do do. I think Morgan
is also really motivated. I do.
Speaker 3 (37:41):
That's different. Motivation is different super.
Speaker 1 (37:44):
I'm not saying they're the same at all. I think
it's a good combination.
Speaker 2 (37:46):
Someone super intelligent is that's high high?
Speaker 4 (37:50):
What did you have in like school? What was your
g p A?
Speaker 3 (37:53):
I was like, I was a C plus.
Speaker 4 (37:55):
Okay, I had a four point zero. I graduated Suma kumla.
Speaker 9 (37:58):
That's different.
Speaker 1 (37:59):
Great, that's called it's not different as a plant.
Speaker 4 (38:01):
That literally no, that's intelligence.
Speaker 1 (38:03):
If you want to put it to that, it could
be both. It could be you're smart, it could be
you're motivated. You've applied yourself all that counts. Though you're
smart enough to apply yourself. People don't factor that in.
Speaker 2 (38:12):
Right because you could say you had a four point zero,
but look at like, what's that guy's name the start
of micro you just said because you didn't have a form. No, no, no,
I'm saying Bill Gates didn't graduate college.
Speaker 1 (38:21):
So that's one example. I would assume most people that
are extremely uh successful come from a background of being
extremely intelligent and having a background in education or having
an educated background.
Speaker 3 (38:34):
I should say, yeah, something just struck me weird when
you said that.
Speaker 1 (38:37):
Do you think Morgan's down?
Speaker 3 (38:38):
No?
Speaker 1 (38:38):
No, no, no, I don't what do you think Morgan is blank?
Speaker 3 (38:42):
Morgan is smart? And I would leave it right there,
like I wouldn't say that Morgan is intelligence.
Speaker 4 (38:49):
Do you know I think this calls for me uh
not helping you anymore weird on your own.
Speaker 1 (38:56):
Because and Morgan, this is how you know. He didn't
like construct this and go like this will get some
air of time. He said it immediately. I know.
Speaker 3 (39:02):
It just me weird. It's like when you said it
my head, when what.
Speaker 4 (39:05):
You know what I'm just from now, I'm going to
let you fumble. I'm not going to help you. I'm
not going to pick up your slack. I'm just gonna
let you fumble because you seem to think I'm not smart.
Speaker 1 (39:14):
He did say you were smart, say you're smart.
Speaker 2 (39:17):
Super intelligent. He didn't think you're super intelligent, Like super
intelligent means you're top of the line intelligent.
Speaker 4 (39:23):
It's like sometimes you are just like analyzing Bobby's words.
He was just saying I'm smart, just in a different way.
Speaker 2 (39:28):
No, No, super intelligent is way different than she is smart, Eddie,
go ahead.
Speaker 3 (39:33):
Sometimes like Bobby and I would be talking and he'll
be like, dude, I had dinner with this guy, like
he's so smart, and and then I'll meet him. I'm like, dude,
this guy really is smart, Like that's crazy. And you
won't say he's super intelligent. You'll just say he's so smart,
and he will be a brilliant person, Like that's so smart.
I don't even understand what he's saying.
Speaker 2 (39:52):
So when you hear.
Speaker 1 (39:54):
Morgan, you gave her the the Fridays and coming out
of you.
Speaker 2 (39:57):
So what you're saying is Morgan didn't jump off the
page super intelligent like the people you've met when Bobby
says they're really smart.
Speaker 1 (40:03):
Yeah, I think Morgan is what how do you want
to say it's very smart Morgan super intelligent? Well, what
would you say you are?
Speaker 3 (40:11):
I wouldn't say smart at all.
Speaker 1 (40:13):
Do you think she's smarter than you?
Speaker 3 (40:14):
Yes, okay, I would be like Eddie's Eddie's like fun
and that makes sense right, Like, but if you say,
like Eddie is so smart, I'd be like what I'd
even be like, what are you talking about?
Speaker 1 (40:25):
What do you think, Lunchbox? Do you think you're smarter
than Morgan? How would you Lunchbox, says Blank.
Speaker 2 (40:31):
I would say Lunchbox is middle of the road and
doesn't imply himself.
Speaker 1 (40:35):
He doesn't imply himself apply himself because like in school,
Like in school, I think I think he said imply
that's okay, whatever, it doesn't matter my first mean, let
me apply an empire two different things, but that's okay.
I think he his tongue just hit the side of
his tooth.
Speaker 2 (40:52):
Or I like for me in school, like I just
didn't apply myself, Like I could have had a four
point zero if I really wanted to study.
Speaker 1 (40:58):
But it sounds like screw Steve. No no, But I
just didn't study like I could have if I just
would have No.
Speaker 2 (41:04):
No, I'm saying, like I could, I wouldn't do my
homework and then I'd pass the test. So then I
get to see in the class, it's like, all right, cool,
like I don't really need to do the homework, like
it's cool.
Speaker 1 (41:12):
But do you not hear how that's the same thing
as good is like I could have done this if
i'd have just like applied myself. That's what you're saying.
Speaker 9 (41:17):
Please don't put me in him together in any sort
of it's the same.
Speaker 1 (41:20):
It's the same what he was laughing at you about
what was going on.
Speaker 2 (41:25):
I'm not worried about for though, I don't care, Like
I don't care that I didn't apply myself in school.
I did enough to get by, and that's all I
cared about in school, Like that's what I wanted to do.
I wanted to get by. I wanted to coast. I
wasn't there to Uh why do you say wanted?
Speaker 1 (41:39):
And you like like it's past tense.
Speaker 2 (41:42):
In college just in general or in school, because that's
what I mean, Like I didn't I wasn't there to study.
I was there to make friends.
Speaker 1 (41:49):
All I need.
Speaker 2 (41:50):
All I wanted to do was get by.
Speaker 1 (41:52):
Right, But then would you say it's smart for you
to have just gotten by, but then wanted and you
want so much more, like you want money fame, but
you don't do anything for it.
Speaker 2 (42:02):
Right, I mean, no, it probably wouldn't. It probably wasn't
the smartest decision.
Speaker 1 (42:06):
Now, I would say, if you're like, I'm smarter than Morgan, Like,
what are you doing now to show that you're smarter
than Morgan? Oh?
Speaker 2 (42:12):
I mean just look at me.
Speaker 3 (42:14):
What does that mean?
Speaker 1 (42:15):
I don't understand what the answers. Some one says it's
not that smart.
Speaker 2 (42:18):
Well, what does Morgan do that's so smart?
Speaker 1 (42:21):
Morgan works hard, is very productive, is trusted by the company.
They send her places, invest money in her to do
like more. The company like gives Morgan opportunities to grow
herself in a lot of different ways, like how I
just gave you examples when they ship her places to
go and cover things.
Speaker 9 (42:40):
What did you go cover?
Speaker 4 (42:42):
I went to Las Vegas, Texas? I went to Texas. Yeah,
the affiliate. I mean, I've been to Vegas too.
Speaker 1 (42:52):
I think you're very smart.
Speaker 3 (42:53):
Thank you.
Speaker 4 (42:54):
I don't know why I just like took random shots
out of this. No.
Speaker 1 (42:57):
I also thought it was funny to Eddie stopp the
whole segment for that, because I was like, sure, he's
not gonna go.
Speaker 9 (43:02):
Well you did?
Speaker 2 (43:02):
I mean you said soup. When you say someone is
super intelligent.
Speaker 3 (43:06):
Yeah, the word intelligent is different, man.
Speaker 1 (43:08):
Because you're not that intelligent. It's HiT's that different to you.
Speaker 8 (43:11):
Really?
Speaker 1 (43:11):
Yeah, it gets the same word.
Speaker 3 (43:13):
Smart and intelligence. I think it doesn't. Intelligence a bigger
valid just.
Speaker 1 (43:17):
A longer word. And smart it's the same word. Okay,
just it's not the same word. It means the same thing.
Speaker 3 (43:24):
Just sounded weird.
Speaker 1 (43:25):
If someone has extremely high intelligence or extremely high smarts,
that sounds weird. It's the same, you know, Eddie.
Speaker 4 (43:32):
It's also like, like I can teach myself all the
new programs that they come at us, and I teach
myself to then teach you.
Speaker 3 (43:37):
So Morgan, I could do that too, Like I could
YouTube it.
Speaker 1 (43:41):
Everybody always goes, I could do that. You're doing that,
don't you're jumping in here? Oh I could do that
if I wanted.
Speaker 3 (43:47):
She looks like she's around me all the time when
I'm like, like I figure stuff out.
Speaker 1 (43:51):
She's around you a lot when you're like, please help me.
Speaker 3 (43:53):
But but we're we're comparing the she'd been.
Speaker 1 (43:56):
Down with this very smart, very smart, she's super intelligent.
Speaker 3 (43:58):
She's she is not the same thing.
Speaker 1 (44:01):
She is not she's very motivated, she's disciplined. She's she's
smart enough to be disciplined.
Speaker 2 (44:09):
What about streets smart. That's totally different, right, that's really smart,
Like she may be book smart.
Speaker 1 (44:17):
I'm just asking I would say.
Speaker 4 (44:19):
I'm more street smart than I am book smart, and
I will.
Speaker 2 (44:22):
Oh my god, are you serious?
Speaker 5 (44:24):
I mean.
Speaker 4 (44:27):
One K and I have a lot of smart.
Speaker 1 (44:31):
Yes, it is what I.
Speaker 4 (44:33):
Taught myself how to understand the stock market smart.
Speaker 1 (44:36):
I think street smarts would be having to uh figure
out yourself in a difficult ish real life situation, like
on the streets. Well they say streets, but you're not
literally on the streets. But it's like having to making
wise decisions decisions in real life situations. Yes, but you
think you're street smart. You've never had to be on
a street. You grew up in an easy neighborhood. He
(44:58):
does ride his bike on the street, though, now he does.
He's developing streets smart Snawa.
Speaker 3 (45:04):
All right, sorry I interrupted that bit. Go ahead, dude,
good Uh.
Speaker 1 (45:07):
No, it's all I was just sorry, curious as to
why you did that. It's just weird.
Speaker 3 (45:11):
When you said it, was like, well, that's weird.
Speaker 1 (45:12):
We do have to send Morgan on a day trip.
It has to be Cleveland. It has to be Cleveland. Oh,
the streets. It has to be Cleveland because we committed
to Cleveland. Now Cleveland's already excited about it.
Speaker 3 (45:22):
Oh no, yeah, she's coming as we said it.
Speaker 1 (45:24):
Now Cleveland's like blow me up. The whole city's like
we can't wait to see Morgan. So I can't back
off of Cleveland. But it's been difficult looking at the
flights because she gets in light. So I have two properly,
because I'm paying for this. It's like like the company
paying for it and paying for it. So we got
two ways we can do this. One we can either
(45:45):
you can either go on a weekend or I have
a flight where you can leave at nine thirty am
to non stop Southwest. It's an hour and a half flight.
You get there at noon and you have noon until
seven thirty.
Speaker 4 (45:58):
You found a seven thirty at night.
Speaker 1 (46:00):
There's a connection back though, so you don't get back
until eleven.
Speaker 3 (46:03):
But I don't care what time you go to.
Speaker 1 (46:07):
Exactly how bad is it?
Speaker 4 (46:08):
Like how long am I traveling for that night? The
only thing is I don't like connections because it causes
for delay.
Speaker 3 (46:15):
Seven to eleven.
Speaker 2 (46:16):
This is this is the tough part of a day trip,
Like I mean, this is this is.
Speaker 4 (46:19):
Why the day trips tend to be NonStop. So like
you don't deal with delays.
Speaker 1 (46:24):
That's what that's how much it cost to uber her
to Cleveland. Oh dude, it's an uber her back do
Cleveland to Nashville.
Speaker 4 (46:32):
Oh my gosh, that's a long way.
Speaker 3 (46:34):
Okay, So four hours of travel coming back on a plane, right,
that is exactly what it's So four hours in an
uber would be the same.
Speaker 1 (46:40):
No airplanes go.
Speaker 6 (46:42):
Okay, eight hour drive, four hours on the drive, it's
probably six and a half hour.
Speaker 1 (46:54):
It's eight hours seventeen minutes. Okay, there you go, get wrong.
Okay you think planes of cars?
Speaker 8 (46:59):
Go?
Speaker 1 (46:59):
Sends me. Oh she's not going direct.
Speaker 3 (47:02):
She would had I said, I calculated the four hours
of travel time on a plane versus what's the drive?
Speaker 1 (47:07):
Sound and as you were going.
Speaker 3 (47:09):
We're smart, man, I promise five hundred and twenty one miles.
Speaker 1 (47:12):
Ooh, what's the Uber price?
Speaker 7 (47:14):
It doesn't even give me an option. It gives me
an option to rent a car on Uber.
Speaker 1 (47:18):
That's interesting. I wonder if we rented a car back
and you just dropped it off here.
Speaker 4 (47:23):
Yeah, I think at that point I'd rather do the
not NonStop, because I think the drive is at least
eight hours.
Speaker 1 (47:30):
Yeah, yeah, so I could. I could get you there,
just leave it nine thirty in the morning and you
get back at eleven, and you could come in later
the next morning. That wouldn't be a problem. Would you
want to do that?
Speaker 4 (47:43):
Say that one more time? Sorry I was reading comments.
Speaker 1 (47:45):
No, I'm saying you could. You could do that. Leave
it your flights at nine thirty, do the day trip
in Cleveland, leave it seven thirty, get back at eleven.
But and you could even come in late the next
morning because you'd be getting back in late.
Speaker 4 (47:55):
Yeah, I could do that.
Speaker 1 (47:56):
Would you do that? Because round trip it looks like
it's three hundred and fifteen dollars. I don't want paying that.
Speaker 3 (48:02):
What can I interject? Oh my god, I feel like
she needs to come in on time, because that's the
whole point of a day trip. Like, the whole point
of the day trip is like, well, a day.
Speaker 4 (48:11):
Trip is non stop flights, and we're doing something.
Speaker 1 (48:15):
Is non stop flights.
Speaker 4 (48:18):
Everybody's doing NonStop like.
Speaker 1 (48:21):
It's getting there, but it's doing it all on one day, Eddie.
Don't understand your point, Like, if you're giving her.
Speaker 3 (48:27):
You can come in late, like normal people wouldn't be
able to do that on.
Speaker 1 (48:29):
It not normal normal people don't have their boss pay
for them to go on a fun trip in the
middle of the day.
Speaker 3 (48:33):
That's true.
Speaker 7 (48:34):
Dang your hater today.
Speaker 3 (48:35):
Man, No, no, I'm just trying to do this right.
Speaker 1 (48:39):
You're not doing anything.
Speaker 3 (48:41):
You're right, you're doing it, and you're paying for it.
Speaker 1 (48:43):
The point is she would go she would shoot content
the whole time, load it up to our YouTube, talk
about it the next day. She come in later. She
could she get to be come in for the podcast
when we do this part two or the show. I
don't know. We can figure it out. Or she didn't
have to come in late. You just get in late.
We've done that before, had a work shows, didn't get
un till mid nine. You just get up and get
(49:03):
our butts to work. So the only way I could
find it, Morgan, unless you want to come back, do
like four hours there and come back.
Speaker 4 (49:11):
No, we can do that. Other one, okay, the worst
one I saw one that was like leaving at five am.
You don't you still don't get into close to noon,
and that.
Speaker 1 (49:18):
Was rough, because that's what this is. You get in
at the noon, but you don't have to leave till nine.
Speaker 4 (49:21):
Thirty, yeah, or seven thirty seven.
Speaker 1 (49:24):
Nine. You leave at nine thirty in the morning.
Speaker 4 (49:27):
Yes, but the night one is seven.
Speaker 1 (49:29):
And you can fly back at seven thirty. Okay, And
there's one stop in I don't know where's MDW.
Speaker 3 (49:36):
I go, oh, Chicago?
Speaker 1 (49:37):
Yeah, okay, all right, right, uh, we'll get that going.
I think that's that's fun. And Cleveland wants to see you,
and I want to see Cleveland. There you go.
Speaker 4 (49:45):
Are you know how many people have sent me stuff
to go see? I'm excited.
Speaker 3 (49:47):
Are you not going to do with the Rock and
Roll Hall of Fame you have to go to Yeah,
because that's what Bobby's assistant said to do.
Speaker 7 (49:52):
Yeah, yeah, rock and.
Speaker 4 (49:53):
Roll is one of them. And then there was a
few different things. It's on the water too, which is cool.
Speaker 1 (49:58):
The city.
Speaker 4 (49:58):
Yeah, Lake Michigan. No, you can just uber and walk around.
Speaker 3 (50:03):
Cleveland's on Lake Michigan.
Speaker 1 (50:05):
You probably just.
Speaker 4 (50:05):
Down to Lake Michigan. There's a lake right there.
Speaker 1 (50:07):
You probably just go downtown. Everything's downtown, so it's like
all walking and new bringing, right, Yeah, I would imagine
so taking a game.
Speaker 3 (50:14):
Have you ever been to Cleveland?
Speaker 4 (50:16):
I've never been to Ohio.
Speaker 1 (50:17):
I don't think I've ever been to Cleveland either. I've
been to Cincinnati.
Speaker 3 (50:22):
How's that?
Speaker 1 (50:23):
Didn't mind it?
Speaker 9 (50:24):
Yeah?
Speaker 1 (50:25):
I like the campus. We went to Cincinnati, rayment with
us to that football went and that the football stadium
sity is in the middle of the campus.
Speaker 8 (50:32):
Yeah, but they're so far apart. Because Cincinnati's definitely doable.
Cleveland way too far. But yeah, it's a huge state.
Speaker 3 (50:39):
Morgan. It's Lake Erie.
Speaker 1 (50:40):
Oh it is one of the great.
Speaker 3 (50:41):
Like one of the great lakes.
Speaker 4 (50:42):
Yeah, I knew, I just saw water. It didn't really.
Speaker 1 (50:46):
Uh, RAYMONDO wants to know who's somebody in the stret
you want to meet that's new or you have another
chance to meet? Why who do you want to meet? Well?
I screwed up with Toby Keith.
Speaker 8 (50:52):
I always knew I need to get a picture with him,
and my wife even told me, she said, hey, his
health isn't great. If he comes in studio, get a
picture with him. He came in studio, didn't get a picture,
and then sadly, tragically he passed away a month later. Okay,
So if there's somebody that comes in here, I need
to take advantage of taking a picture. Eddie's now goobern
(51:13):
out an every guest for some reason, right, So Eddie's
kind of led me down this path and my wife,
why are weird and.
Speaker 1 (51:18):
Out on every guest?
Speaker 3 (51:19):
Now, what are you talking about? I get pictures because
if you never know how long it's gonna last, I
want pictures with these people.
Speaker 1 (51:24):
But we've been doing the show for I don't know,
fifteen years.
Speaker 3 (51:26):
Here I have pictures with everyone.
Speaker 1 (51:27):
You don't and sometimes you'll jump and I don't whatever,
but then you'll chase him out of the room sometimes, yeah.
Speaker 3 (51:31):
Just to change to change the background. So it's not
all on the stage, you know what I mean.
Speaker 1 (51:36):
Eddie's now getting paid on Instagram, and so I wants
every picture. Not true, that's not true.
Speaker 3 (51:40):
It is don't know. That is true. I do get
paid on Instagram, but that's not why I'm doing it.
I really want these memories cause, like you know, Garth Brooks,
we've met multiple times. So if Garth comes in, I'm
not gonna ask for a picture. I already have one.
Speaker 6 (51:52):
Ray.
Speaker 1 (51:52):
I'm sorry to cut you off. No, I was just
saying that.
Speaker 8 (51:55):
My wife said, when Zach Topp and Gavin Adcock come in,
I have to get.
Speaker 1 (52:00):
A picture with them. They've both been in the past three.
Speaker 8 (52:01):
Months, right, and so that's definitely my fault. But next
time they swing by, I'm grabbing their arm and getting
a picture with them.
Speaker 1 (52:08):
Zach tops on we recorded that he even performs. It's
gonna be on next Friday show because when his album
comes out, I got.
Speaker 3 (52:13):
A picture of him, of him we know with him
with him, it's pretty cool, Okay?
Speaker 1 (52:18):
Is it?
Speaker 3 (52:19):
Is it unacceptable? Like what?
Speaker 1 (52:20):
No, it's just how you do it?
Speaker 3 (52:22):
What do I do?
Speaker 1 (52:22):
You're kind of like whether they call him a germ gurmy.
Speaker 3 (52:27):
I try to do it while he's already up there
with you, like real.
Speaker 2 (52:29):
Quick, he starts to walk off, and he goes, oh,
hold on, and he starts to jumping like you're just
the way you say it is.
Speaker 3 (52:34):
Really, I just need to work on my approach because
I do want that picture with him.
Speaker 9 (52:40):
Yeah, I hear you.
Speaker 1 (52:41):
Maybe sometimes it just feels kind of gross. How you
do it gross? Kind of I don't know. There's nobody else.
I don't even really want to get pictures because I
don't want to. I'm just like, it's a professional environment.
And Morgan's like, Bobby, did you get to get a picture?
Speaker 3 (52:54):
I got it?
Speaker 1 (52:55):
I got it.
Speaker 3 (52:55):
I love it. That's great. So when Morgan goes hey,
Bobby instead, she'll be like.
Speaker 1 (53:00):
Hey, are you gonna ask her for a favor after
you just told her she was done?
Speaker 3 (53:02):
No, No, I'm saying to make it not so gross,
she can be like Bobby and Eddie pictures by Eddie.
Speaker 4 (53:09):
Nope, I'm good on that.
Speaker 3 (53:11):
Yeah.
Speaker 1 (53:11):
I mean, listen, I don't care what you did, you
get a picture or whatever, but it is weird how
you're the one that jumps up there every time.
Speaker 3 (53:16):
I mean, I feel like you guys will Bobby, you
always get a picture, but I feel like eventually everyone's
gonna want to get pictures.
Speaker 1 (53:21):
Then we're here all day.
Speaker 3 (53:22):
That's true, So we can't do that. Guys did not
jump on pictures.
Speaker 1 (53:26):
I literally don't care. I just thought it was funny
because's I think that's what inspired Ray that segment.
Speaker 3 (53:34):
What isn't Who is like an artist though that we
have never met that I would like to meet. I
can't think of one. I feel like we've met them all.
Speaker 2 (53:41):
Yeah, if we haven't met him, how they are right?
Speaker 3 (53:44):
Like I'm thinking even like a classic country artist, maybe
we've never met I.
Speaker 1 (53:50):
Know Travis Tretz never been on the show.
Speaker 3 (53:51):
That's true. I've never met him.
Speaker 1 (53:52):
He like blocked me and blocked half the show.
Speaker 8 (53:54):
One.
Speaker 2 (53:54):
What about Alan Jacksons? You ever coming?
Speaker 3 (53:56):
We met him at a picture with him.
Speaker 1 (53:57):
I'm I'm opened for him. Once played right before him
and so I got him on stage. I didn't get
a picture by talking about.
Speaker 2 (54:02):
Him, he probably won't come in because he's he's been in.
Speaker 4 (54:05):
Here, he's been on Zoom with us before, yeah, but
never in studio.
Speaker 1 (54:08):
Send me a guitar, he did. That's cool, he said,
keep a country. And then I thought, is he insulting me?
Or is he that just his thing? Turns out it's
his thing.
Speaker 4 (54:16):
Ye.
Speaker 7 (54:16):
Yeah.
Speaker 1 (54:16):
I was like Helen Tax's just send me a guitar, saying, hey, bro,
no more Friday morning dance party.
Speaker 3 (54:21):
That's funny.
Speaker 1 (54:22):
A man in Indiana was arrested after allegedly using prop
money to buy a used Chrysler three hundred.
Speaker 3 (54:28):
Cash Like he just walked in with a briefcase.
Speaker 1 (54:31):
Yeah, this guy he hit up a seller on Facebook,
Marketplace and used a fake name and then he got there.
He gave Fife hundred bucks in cash, but it was
prop money and on it it's his prop money dot com.
I mean we have that's so real. It looks really
so real. That's from Local twelve. You did watch Amy Bradley, Dude, Yes,
(54:53):
it's weird too. You know what's crazy is when I
got on it's on Netflix. Right when I got on Netflix,
it hits like immediately when I on Amy Bradley, it
said like continue episode three.
Speaker 3 (55:02):
I'm like, I've never watched this. My son watched it
on his own, so we've had some good conversations about it.
Speaker 1 (55:09):
Uh, it's tough to talk about because if anybody's watched it,
but it's good.
Speaker 3 (55:13):
Huh, it's phenomenal. It's one of those that you watch
and you think about for a while, Like I just
can't stop thinking about it. Yeah, I can't say anything else.
Speaker 2 (55:23):
See I've watched episode one. I've already come to my conclusion.
Speaker 1 (55:28):
It's tough because those episode I wanted to Sometimes they
take you somewhere just to pull you away, like yes, yes,
and they do that in this a bit too.
Speaker 3 (55:37):
They kind of give you all kinds of options.
Speaker 1 (55:38):
Yeah, they lure you down some holes and go like
this is probably it?
Speaker 2 (55:42):
Or oh can I say something?
Speaker 3 (55:45):
How much can we say?
Speaker 1 (55:46):
Well, here's what I want to say. Does anybody not
want to hear us talk about Amy Bradley? That feels
like it's spoiling it because I feel like it's a
news story and I feel like I knew everything I'm
about to say before I even watched the show. I
just learned more details about it.
Speaker 3 (55:56):
I will say that I didn't know anything before I
watched the show.
Speaker 1 (55:59):
I didn't watch it any Let's talk about it then,
and anybody does want to hear this, We'll do like
five more minutes on it, and we'll be done. Let's
talk about it. Do you want to hear about her?
Speaker 3 (56:07):
I want to hear about it.
Speaker 7 (56:08):
I probably won't watch it, so good, Hey, you're good.
Speaker 1 (56:10):
I'm good.
Speaker 8 (56:10):
If it's real life documentaries, you can say whatever you want.
Speaker 1 (56:14):
Amy Bradley goes on a cruise ship what ninety eight,
ninety nine or eight, and she's on with her family
and her brother, mom and dad and brother, and all
of a sudden she's gone and they're like, what where'd
she go? And then throughout the whole series, it's eyewitnesses
talking about how they've seen her since and they have
run ins with her on islands, and they talked one
(56:35):
peral in a bathroom. One guy who was in the
military was like, I don't tell the military because I
was at a brothel. But she was working in the
brothel and there are pictures of her working on like
adult site that they sent when she was older. They
sent to the family going I think this is her,
and they did all the matching and it matched, but
they can't find her. And so then they blamed like
(56:55):
a guitar play bass player on the in the boat
for a while, the yellow yeah, and so in the end,
can I say something? But there's no conclusion.
Speaker 3 (57:05):
As soon as they showed the video of the bass
player doing the bass and shaking his hips, I'm like,
that's the dude.
Speaker 2 (57:09):
That's the dude.
Speaker 9 (57:11):
That's what I thought, Eddie.
Speaker 1 (57:11):
I'm saying, is I.
Speaker 3 (57:13):
Saw that clip. I'm like, that's the dude.
Speaker 2 (57:15):
Here's what shocked me though, And this is just episode
of one, so I don't even know what happens later on,
Like like I can't believe when they pull into carousel,
which is where you know, an hour before they get
to Carrosal, they're like, hey, they alert the boat, this
girl's missing. I can't believe they let the people off
the boat. I understand that they have a business run,
but they also have a to protects.
Speaker 1 (57:37):
What's crazy is they're all, if you look into it,
a lot of people will go missing. It on a
lot of boats. I know. And if they did that
every time, there be no boats that go back. And
I agree, it felt weird.
Speaker 2 (57:46):
I felt so weird that guys like, sorry, man, we're
not gonna ruin everybody else's vacation.
Speaker 3 (57:49):
I'm like, oh, I just thought, like the whole trafficking
situation like that is that system is kind of a
system that never ends. Like you got people from America
or from all over the country coming in to those
little islands every week.
Speaker 1 (58:04):
Over twenty people a year ago missing from cruise ships
a year. What do I think happened? And I think
I said this in a Bobby cast. You ever heard
vakams razor? No, what it's whatever, The simplest thing is
usually what happens. She probably fell off the side like that.
Speaker 3 (58:17):
Oh do you think?
Speaker 4 (58:18):
So?
Speaker 1 (58:18):
If I were to bet money, I think it's close.
I think if there were, they put me out, it'd
be like, did she fall off the side at plus
one ten? Did she get traffic plus one eighty? Like,
I think it's close, pretty close. What about what.
Speaker 3 (58:30):
About the whole the police saying that usually we find
bodies like because they were slowed close to the area.
Speaker 2 (58:36):
Yeah, Crosou police were like, oh we know these water.
I've lived your in my whole life.
Speaker 1 (58:40):
I hear you, I feel you, and I think that
definitely could happen. And if that scenario happens, I think
it's close. She probably was because they were like, she
liked to party. She might have got off the boat
looking for drugs or with yellow or with somebody else,
and then all of a sudden they got her. And
then it's like, well, then why wouldn't she leave? Maybe
they have her kid, maybe she got pregnant, and then
they're like, hey, we have your kid. Because in the
bathroom they were like, she was talking about seeing her kid.
Speaker 3 (59:00):
Can we see the kids?
Speaker 1 (59:01):
Yes? And so you're not going to go. And another
weird part of it too, when they can checked the
EPs from that site.
Speaker 3 (59:07):
You haven't seen this part line, Well, they put up
all the.
Speaker 1 (59:09):
Pictures of her family, and those IP addresses would stay
on holidays on those pictures and for long amounts of time.
Speaker 3 (59:16):
The data would say that the pictures of like the family,
somebody in those islands were staying on those pictures for
more than like forty minutes.
Speaker 1 (59:23):
On holidays and birthdays.
Speaker 3 (59:24):
Who would do that? So they're like, maybe that's her.
Speaker 2 (59:28):
There's a lot one see Just like from watching the
first episode, I was like those two girls on the deck,
see yellow and her go up the elevator, and then
five minutes later he comes down without her. I'm like, Okay,
he took her off the boat somehow, and that's where
she ended up.
Speaker 1 (59:46):
You know what, I have three episodes. The episodes aren't
super long. They need to watch all three episodes. I
feel like, if I were betting it, here's a hundred
bucks bet on it what happened. She's probably fell overboard.
But I'm not I'm not dedicated to that. But it's
like someone doesn't stay gone that long for the most
part and not make contact if they're able, if they're
on a computer, if they're running around an island.
Speaker 3 (01:00:07):
And she would be how old now she was twenty three?
Speaker 1 (01:00:11):
Then by like forty nine or fifty, So like fifty,
I'm guessing that's.
Speaker 3 (01:00:15):
So, say, like she's fifty, do you how long do
you stay in that sex trafficking deal?
Speaker 1 (01:00:19):
Well, it's not even that. How long do you don't
stay away and not reach out and connect with your
family regardless of if you're not trafficked anymore? Yea, let's
say you're still there, she'd be fifty one. Yeah, I don't,
but I don't know because it definitely could have happened.
Speaker 3 (01:00:34):
Dang, dude, I'm it's so sad, like just thinking of
the family.
Speaker 1 (01:00:37):
Thinking about not knowing. Her parents are like, we're not
gonna ever go to sleep not thinking about this.
Speaker 3 (01:00:42):
And then her brother is like, I'm you know, old.
I don't have any kids because I don't want to
go through that.
Speaker 1 (01:00:46):
He's like, I've been traumatized by watching parents lose their
kid and not die but just not know. I never
had kids because of that. Yeah, oh man, man, crazy
good series.
Speaker 2 (01:00:56):
What about the guy next door?
Speaker 3 (01:00:57):
Nah, I feel like just a weird dude. I feel
like definitely weird that he goes to cruise alone and.
Speaker 2 (01:01:04):
Talks around the barrier like he's like, I can just
lean over, like you don't. It's like it's it'd be
easy to climb around.
Speaker 3 (01:01:10):
And the fact that his neighbors heard him talking really
loud even though he was alone, the weird.
Speaker 1 (01:01:19):
Whatever. I don't want We're going on the cruise. I
don't want to get freaked out.
Speaker 3 (01:01:23):
Don't be freaked out.
Speaker 1 (01:01:24):
We're all I've never been on a I know, I've
never been on a cruise and we're doing a big
cruise for us, and I'm like, but we're all friends,
we're all there together, We're all there together.
Speaker 3 (01:01:34):
Is missing?
Speaker 1 (01:01:34):
Yeah, I don't want that.
Speaker 3 (01:01:36):
I don't want to. I don't want to see Yellow
on our cruise.
Speaker 1 (01:01:37):
Though dude, daughter, Yellow's daughter shows up in the third episode.
Speaker 3 (01:01:42):
I haven't seen that lunch and it's like I.
Speaker 1 (01:01:45):
Was ask him my dad about because it's fish because
he had all those pictures of all the white women
in his bag. They said, why would he have.
Speaker 3 (01:01:49):
All those pictures in there?
Speaker 1 (01:01:50):
Well, just but it's like if he's a perb. I
don't know if he's purv or not. But they don't
have to court that. He doesn't have to have pictures
and he's a perb and also have to be a
murder who gets people the sex trafficking or either one
of those. Right, those don't have to exist together, could they? Sure?
Because the picture was missing. But you can be a
PERV without being someone that's abducting people and put them
in a sure was missing. Yeah, I agree, it's it's tough.
Speaker 3 (01:02:15):
And then everyone being friendly to her when she was
on the boat, like where's amy?
Speaker 1 (01:02:19):
But also she was like young and attractive, so.
Speaker 2 (01:02:21):
Yeah, she was one of the younger ones on the boat.
Speaker 1 (01:02:23):
So generally people treat prettier people better.
Speaker 3 (01:02:28):
Gosh, what a crazy story.
Speaker 1 (01:02:30):
What a crazy story. But we didn't run it. You
can still watch it because I knew all this, I
would watch it.
Speaker 9 (01:02:34):
I'll finish it all right.
Speaker 1 (01:02:35):
Where we are? We are done. I hope you guys
have a great weekend.
Speaker 3 (01:02:38):
Can I apologize to Morgan? Morgan, you're smart. I just
want to apologize.
Speaker 1 (01:02:41):
You said she was smart a long time ago.
Speaker 3 (01:02:43):
I know, but I don't want to make her feel
like she's not.
Speaker 1 (01:02:46):
I think you aren't apologizing for what you said. I
think you're apologizing for how it was received and for
her feeling about what you said. I don't think you
have any remorse about what you said. I don't think
you've changed your mind about I don't feel like you've
changed your mind about what you said. I feel like
you just don't know, not because I don't want to
deal with the report.
Speaker 3 (01:03:01):
Intelligent Yeah, very intelligent, very intelligent whatever it was, next level.
Speaker 1 (01:03:04):
But if you still don't believe it, So why are
you apologizing just for the way she I don't want to.
He's apologizing because he still needs her to do things
for him. No, not true, not true.
Speaker 3 (01:03:13):
I just don't want her to feel like she's not smart, Morgan,
you're smart. Well you want her to go home and
be like, no smart?
Speaker 2 (01:03:20):
Do you think she takes what you say and goes
home and pelts about it.
Speaker 3 (01:03:23):
I don't know what people think.
Speaker 1 (01:03:25):
I don't know, Morgan. I think you're very intelligent.
Speaker 4 (01:03:28):
Thanks, Bobby, and I appreciate the apology, Eddie.
Speaker 1 (01:03:31):
And I also said that not from a place of
me having to say it. I just said it naturally.
Speaker 4 (01:03:36):
Yeah, you just said it in the beginning, just talking
about other things.
Speaker 1 (01:03:38):
Yeah, okay, Eddie. Sorry, you don't believe that your apology
not accepted, Not for me, because I don't think you
really meant it. I will see you guys on Monday.
I don't know if Amy's back Monday or now. She's
still pretty sick, and if she's like crackly in her voice,
I'm gonna I'll have her stay off until she's back,
because if she comes back crackly and then crackles it more,
it's going to be another month of her being sick.
But she's very sick. Hopefully she's back Monday. Thank you guys,
and we will see you guys on Monday. By everybody,
Hosts And Creators
Bobby Bones
Amy Brown
Lunchbox
Eddie Garcia
Morgan Huelsman
Raymundo
Mike D
Abby Anderson
Scuba Steve
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