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NEWS
- First Look: Dan Mora assembles all 32 fighters in informative ‘DC K.O.’ #1 variant cover
- Can he beat the entire universe? Marvel unleashes Hulk like never before in 'Smash Everything'
- The Maker’s return nears, and a cosmic Daredevil arrives December 2025
- Eat like an Avenger: Marvel’s 'Meals to Astonish' #1 brings superhero recipes to life
- First look: Ryan Stegman & superstar artists redefine the X-Men in Age of Revelation covers
- Exclusive: Corin Howell’s ‘Lilith’ returns as an ongoing series in 2026
- Todd McFarlane and Steve Orlando bring comics power to The Boulet Brothers’ 'Dragula: Titans' season 2
Our Top Books of the Week
Dave:
- Beneath the Trees Where Nobody Sees: Rite of Spring #2 (Patrick Horvath)
- Death Of The Silver Surfer #3 (Greg Pak, Sumit Kumar)
Chris:
- The Voice Said Kill #2 (Si Spurrier, Vanesa R. Del Rey)
- The Man Who Dreamed The Impossible #1 (Mario Freitas, Lucas Pereira)
Standout KAPOW moment of the week:
Chris: The Mortal Thor #1 (Al Ewing, Pasqual Ferry)
Dave: Gehenna Naked Aggression (2025) #3 (Patrick Kindlon, Maurizio Rosenzweig)
TOP BOOKS FOR NEXT WEEK
- Chris: Everything Dead & Dying #1 (Tate Brombal, Jacob Phillips)
- Dave: The Amazing Spider-Man #11 (Joe Kelly, Pepe Larraz)
JUDGING BY THE COVER JR.
- Dave: TMNT #11 (Javier Rodriguez) or ASM #11 (Lee Bermejo)
- Chris: Star Trek: Red Shirts #2 (Chris Shehan Main Cover)
Interview: Mike del Mundo about career and The Marvel Art of Mike Del Mundo. You still have a few days to back this project!
- You’ve long been known for your concept-driven, highly stylized covers—how does it feel to see your Marvel career collected in such a high-end format like The Marvel Art of Mike Del Mundo?
- Looking back at your early breakout work, like your X-Men Legacy covers, how do you think your style or approach has evolved since then?
- The new art book includes never-before-seen pieces and a companion sketchbook—can you walk us through your process from sketch to final composition?
- How does your mindset shift when moving from cover art to sequential work?
- How do you balance surrealism, symbolism, and storytelling in a single image—especially when working on iconic characters with decades of history?
- Of all the covers and interiors featured in the book, is there one piece that holds particular personal meaning for you?
- What do you hope readers and fans take away from seeing your sketches alongside the final printed pieces?
- You’ve also been doing incredible world-building in 3 Worlds / 3 Moons with Jonathan Hickman—how does that creator-owned space challenge or expand your approach compared to Marvel work?
- What advice would you give to artists trying to push boundaries or find their own visual voice within superhero comics today?
- If you could design a cover for any Marvel character doing something completely unexpected—like Hulk as a ballet dancer or Doctor Doom hosting a coo
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