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December 23, 2019
It’s Episode 30, and we at Art of the Score are finally tackling two genres we’ve so far overlooked – animation and the musical, combined in the form of the great Disney revival musical, The Little Mermaid. Join us as we celebrate the 30th anniversary of this wonderful film and explore the cabaret roots of Ursula, the perfect pop song for Ariel, and the debatable reggae of Under The Sea in Alan Menken’s joyous and groundbreaking score. Episode notes: 4:10 – The Art of the Mailbag? 5:12 – The Disney Dark Ages 8:15 – Alan Menken: the secret to Disney’s revival 12:52 – Ariel’s theme: Part of Your World 15:33 – “I want” 19:26 – Ariel’s verse 25:01 – Ariel’s verse (Hoarders edition) 28:41 – Creative voicing 32:47 – A pre-chorus? 35:33 – Recorders on the beach 38:44 – Ariel’s musical maturity 42:17 – Ursula’s theme: Poor Unfortunate Souls 45:03 – Craberet 50:40 – Fortunate Souls 54:35 – Poggo’s Unfortunate Lyrics 56:44 – Scheming eels 1:00:49 – Prince Eric’s Roadshow 1:06:02 – Eric’s Organ Announcement 1:09:48 – Triton’s Fanfare 1:13:04 – Triton’s Minor Fanfare 1:15:53 – Scuttle’s scuttlebutt 1:24:11 – Mickey Mouse-ing 1:34:26 – Le Chef, and Nick’s waltzing tangent 1:42:04 – Andrew’s Chef genocide tangent 1:44:51 – Under the C 1:49:45 – Dan’s reggae tangent 1:59:37 – Fathoms Below and the opening song We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.
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