January 12, 2025 • 48 mins
Ruby, Dylan and Pat are back to break down pool houses, four hour therapy sessions, interior design, flat animals and more from Bravo's RHOBH.
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YouTube at https://www.youtube.com/@anotherbelowdeckpodcast_
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Facebook Group at https://www.facebook.com/groups/anotherbelowdeckpodcast
Go to MagicMind.com/BelowDeck and Use code BADTV
Go to BodySmartFitness.com and mention the show in your application.
Use code BADTV in the Tropical Smoothie App
Go to Ro.co/BELOWDECK
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Let me say this about them even attempting to save
this marriage. This marriage is over. It's like trying to
revive a squirrel that's been run over so many times
it's become part of the pavement.
Speaker 2 (00:13):
If an animal looks like a rug, it's a rug.
(00:34):
Hi Love, Welcome to another brand spanking new episode about TV.
I'm Dylan. That's pat good to be here. Ruby is
from New York. Hello from Los Angeles, Calling from New
York asterisk. We're here to break down the Real Housewives
of Beverly Hills. The city is burning. Beverly Hills actually
(00:54):
got a false alarm last night.
Speaker 1 (00:56):
A bunch of people did.
Speaker 2 (00:59):
Yeah, and you know what the guy in charge of
all the false alarm, the emergency, Well, he's not in
charge of the false alarm. She's in charge of letting
people know through their devices they need the technology, which
is very important.
Speaker 1 (01:11):
Yeah, you don't want to scare anyone if they don't
need to be scared. Said.
Speaker 2 (01:13):
I want to reiterate that there is no one person
responsible for this. There is no one at the desk
sending these alerts out. And I'm thinking, why not. Why
do you have a person that does it instead of
a freaking robot.
Speaker 1 (01:27):
Well, it could be, and I'm trying to defend this idiot,
which I shouldn't. Is that in a world where facilities,
struct infrastructures get destroyed, you'd like to think that even
if the people get burned alive that are in charge
of alerting the others, there's some technology to alert the
rest of us.
Speaker 2 (01:45):
I think that's a pretty roubs. What do you think
about that? Bullshit excuse? And we'll talk about housewives in
a second.
Speaker 3 (01:52):
Sure, I recently learned that until two thousand and four,
I think the MLB had just a normal couple keep
score of all the games by hand on paper.
Speaker 2 (02:02):
I want to go back to those days. I think
that's better.
Speaker 1 (02:06):
There could be a world where that happens in the future.
Speaker 2 (02:09):
You know, Albert Einstein said World Wool four will be
fucked with sticks and stones. Oh really, yeah, because we're
going to nuke each other, I think. Anyways, I have
had the craziest day running around. This sky is actually
at the bend right now. I mean it's been very
blade runnery lately, but it's kind of nice right now.
Speaker 1 (02:31):
That's the odd thing. If someone who's watching from a
different state other than California on whatever news station. They
are just showing the worst craziest stuff in reality. If
you're here and you were transported here, tell them.
Speaker 2 (02:45):
I don't know how you do that.
Speaker 1 (02:46):
You walk out to my front door, you wouldn't know
a single thing had taken Yeah.
Speaker 2 (02:51):
So we're fine. But this morning I had three old
Jews in the house and I they were who's.
Speaker 1 (02:57):
The third Jew?
Speaker 2 (02:58):
Uncle Glenn?
Speaker 1 (02:59):
Oh, okay, Uncle Glenn.
Speaker 2 (03:00):
Uncle Glenn, and Antline were extremely upset with their sleeping condition.
They were not a fan of the bed at all.
I walked up there, I said, how'd you guys sleep?
And Lynn said, is this a bed? Does Ruby sleep
on this? I said, every time she comes out for
weeks or a time, she goes, well, not with two people.
You can't sleep two people in this thing. I said,
(03:22):
I have your revisions. And she goes, Uncle.
Speaker 1 (03:26):
Feel free to burn alive at your house.
Speaker 2 (03:28):
I'll go Uncle Glenn walks, and he goes, yeah, I
slept half an hour at a time, maybe an hour
at a time. And I go, oh, that sucks. He
goes in those pillows. I mean those aren't even pillows. Okay,
al right, guys, Well, I you know, I should have
given you.
Speaker 1 (03:42):
I wish this was an isolated incident, just for like
judge ee picky Jewish people.
Speaker 2 (03:50):
Yeah, but it's not.
Speaker 1 (03:51):
My sister in law Amy remember two years ago, stayed
with us and all she could do was complain about
the couch that she slept.
Speaker 2 (03:58):
Uncle Glenn and Antline at least have some Jewish charm,
you know. And they're in their seventies, you know what
I mean. I said, are you guys hungry? Do you
want breakfast? Hal and said no, I don't. I don't
need breakfast. But Uncle Glenn likes breakfast, and I go, well,
what do you want from breakfast? And he just shrugs
his shoulders. I go, oh, can you eat breakfast burrito? No?
(04:19):
I don't know. I don't want that. Have we just
started going down the list. So anyways, go for cereal
with old people, go to Cedars, sigh, and I have
an appointment. We're forty five minutes to an hour late.
Great heartbeat, very happy. I go home to get supplies
for my wife because we're going up to carpenteria. She's
been there for days. I pull up to the house
and this woman pulls up behind me and just lays
(04:41):
on the horn. I go, what's going on? I get
out of my car. She gets out of a car.
Where is the lake? I go, the are you talking
about Silver Lake? It's right up the road. She goes, no,
not silver like the Red Lake. I go, are you
to Echo Park? That seat? How do I get there?
(05:03):
This woman is so agro and I'm trying to tell her.
You go down the street, you make it right on
a little hill.
Speaker 3 (05:09):
What is the street?
Speaker 2 (05:11):
I don't know what it's called, but you make a
left on sunset. You got to get to Echo Park. Yes,
it Echo Park for taxes. I go, well, yeah, just
head down that way and you'll be good. This She
doesn't even thank me. She just spins around. Get her.
Speaker 1 (05:26):
This is why we need to get through these pandemics
and the world ending, because it just puts people in
a bad mood.
Speaker 2 (05:33):
Yeah, I mean people are torqued up. Was that? Could
you tell that was a Persian woman?
Speaker 1 (05:39):
Or I thought a little South America? Oh okay, okay,
I was at I was a thank you. I was
at a dollar store yesterday. Because you know, the schools,
obviously for a good reason, are closed after a three
and a half week break with school, so I have
to find things for my kid to do, so I
always run over to the dollar Store formerly the ninety
nine cents Store, and they have a pretty exactly They
(06:02):
have pretty good selection of arts and crafts over there,
so I always just buy some paints and coloring. But whatever.
I'm waiting in line, and there is a douchebag that
is trying to do cash back and also get a
money order. Anyway. The dude behind him that's in front
of me is having none of this. At some point
(06:23):
after the exchange of him, she says, I have to
check this amount with my manager, and she's the only
checker because it is the Dollar so and everyone's person work.
Speaker 2 (06:34):
It was usually you can just kind of pay or
not beg.
Speaker 1 (06:38):
The guy who has a toothpaste, who he's waiting to
pay for it, and he's mad yells what the fuck,
which I appreciate, and then he storms out of the place.
And then he tries to come back in and the
guy who'd taken too long for his like liking announces
we shouldn't let him back in here.
Speaker 2 (07:00):
Oh yeah, that's cool.
Speaker 1 (07:03):
That's crazy, and I and I said to the cashier
after it was all done, and both those guys characters
are out of there. She goes, how about that? I go,
I think I think people are just upset.
Speaker 2 (07:16):
Yeah. So the temperatures are sitting up in Los Angeles
and we are here to talk about the real Housewives
of Beverly Hills. Ruby, you haven't talked.
Speaker 3 (07:31):
I don't know, but but so before we do, speaking
of people being ridiculous in places of business, have you
guys seen this Jennifer Aiden, Jersey Mike Ship.
Speaker 2 (07:39):
Now, who's Jennifer Aiden? Jersey Mike.
Speaker 3 (07:43):
Mike is okay? Reserve that's opinion is okay? Yeah, Jennifer
Aiden is a reprehensible real housewife of New Jersey and
apparently so not Apparently she went to Jersey Mikes Oh
the term yoursay?
Speaker 1 (07:56):
Yeah, okay, got it.
Speaker 3 (07:58):
She went to Jersey Mike's It's in the morning, and
she was unhappy with the way that the service was
going completely in the wrong, gets to the end, tries
to add another sandwich. They said, you have to get
back in line. She said, that's not how it works.
Speaker 2 (08:11):
Who gets up to the front and tries to order
another sandwich at Jersey Creeden.
Speaker 3 (08:16):
So on being told no, she's filming this woman, this
older woman, and she's like talking about how old and
slow she is, and then she's saying that she's filming
like the people in line, and she's trying to make
it like look at this woe it was in these
situation right, and unfortunately, and very obviously people have been like, no,
you're a you're a wench.
Speaker 2 (08:37):
Yeah, you're a bog wench.
Speaker 3 (08:39):
And bog wench. And she just got taken off a cruise.
I guess that she was doing housewives. So yeah, we
just we can't.
Speaker 2 (08:48):
Now the question is is it drunk or is it
just cunt?
Speaker 3 (08:53):
Cunt?
Speaker 2 (08:54):
It's just cunt, right, She's just drinking tea and being
a cunt.
Speaker 3 (09:00):
Oh, Dylan, this was six in the morning, and she
was like, I am famous. You don't know who I
am one.
Speaker 2 (09:06):
Of those Oh wow, yeah, you're not famous.
Speaker 1 (09:09):
To be fair, the system they have over there at
Jersey Mikes is not functional.
Speaker 2 (09:17):
You know.
Speaker 1 (09:17):
They hit that ding, Hey, welcome to Jersey Mikes, and
then they're you know, do you want it Mike's Way
and all that, and and they're doing can we.
Speaker 2 (09:25):
Pull back on Mike's Way just a little bit? Oh,
I want it, but I don't need eight gallons of
it's not a dip, right, So you know.
Speaker 1 (09:36):
Right, I hate those guys. Uh and well they yeah, anyway,
they took my advice. They finally started having a second
preparation table to do takeout orders. Yeah, it was throwing
the whole system off.
Speaker 2 (09:49):
My favorite One of my favorite bits of this show
is Pat and I shouting into the ether and the
exact person we need the message to get to doesn't listen,
coincidentally does listen and changes because of us. All right,
And also, you just did a Mowgli backscratch That was wild?
Speaker 1 (10:07):
What's uh?
Speaker 2 (10:09):
Well, Mowgli is the little child, but his bear shows
him how to scratch us back against the tree.
Speaker 1 (10:16):
That's how you do this?
Speaker 2 (10:16):
Yeah yeah, yeah, my back is really dry blue. Wow.
Speaker 1 (10:21):
You guys want to talk about the show?
Speaker 2 (10:23):
I guess yeah, yeah, yeah, yeah.
Speaker 1 (10:30):
We don't want anybody, any listeners, uh, complaining about us
wasting too much precious time of theirs.
Speaker 2 (10:38):
Well, we have wasted a considerable amount of their time,
and we have been going for about eleven minutes. We
haven't spoken a word about this.
Speaker 1 (10:46):
Show, and I want to address that. Go listen to
our competitors. If that's what you want. If you want
earnest conversation about a Bravo reality TV show that you
have lots of options, We're not for you get lost.
Speaker 2 (11:00):
Like I think the Bravo bros do a great job
of breaking down the intricacies between for example, something like
Sutton and Bosea's conversation about weaponization like that. They'll do
a good job breaking that down, and they're really good.
So I'm just trying to lift other people up and
(11:21):
say there's other options.
Speaker 1 (11:23):
That's what I'm doing.
Speaker 2 (11:24):
And I'm also saying that we have failed thus far
because we've been talking about sandwiches and screaming Persian women
that sound like they're from South America, and we need
to get into the show. But the problem with this
show is that, unlike Salt Lake City, which you can
find a Patreon at Complash another podcast network, it's not
firing on all cylinders. With that being said, I would
give this episode probably like fifty two boobs because it
(11:47):
actually had some juice in it, you know, Thank God
for OJ, Thank God for JJ.
Speaker 3 (11:57):
Can you imagine uttering that sentence with tears streaming down
your face? Seriously?
Speaker 2 (12:04):
Can I can I give real thoughts and nuts and boots.
I am so happy that Garcela is happy. And we've
spoken in the past about how discussing her beach homes.
Speaker 1 (12:18):
The home is fine, it's the oil refinery next door
that's gross.
Speaker 2 (12:25):
I'm again very happy, but it's just I mean, we
have Brittany recording the we have a mole being caught
by a mob on Salt Lake City, and on this
one we have people talking about weaponization and garcel crying
(12:46):
about her son trying to break into the playoffs, which
was very, very real, painful story. But it's just not
the same as little Cindy lu who being found out
as a mole. You know. So the show's good. I'm
so excited to get to the hyper room with Patty because.
Speaker 1 (13:03):
It's old Patty. By the way, you troll.
Speaker 2 (13:07):
Okay, go ahead, Okay, Ruby, go next.
Speaker 1 (13:12):
I don't remember this episode. I guess I'll look at
some uh scant notes that I've.
Speaker 2 (13:18):
I think we're doing a good job so far.
Speaker 1 (13:19):
Okay, yeah, it's fine. But by the way, do you
know Bose's house burned to the fucking ground.
Speaker 2 (13:25):
A lot of people's houses burned.
Speaker 1 (13:26):
I tried to find out where she lived but she
claimed to live in Hancock.
Speaker 2 (13:30):
Park, which did not burn down.
Speaker 1 (13:33):
I don't think any Ambers made their way over there.
Perhaps it could have been Arson.
Speaker 2 (13:36):
But yeah, uh you know whose house did burn down?
The guy from this is.
Speaker 1 (13:41):
Us, that's right. What is his name?
Speaker 2 (13:45):
Veal Milo? Oh yeah, my love and timike Leo and
actually not.
Speaker 3 (13:51):
Feel No, not at all, not any kind because.
Speaker 2 (13:57):
People aren't named feel think odd. Yeah they're named oj Yeah, yeah,
they're named Oja.
Speaker 1 (14:06):
You imagine naming a kid oj after nineteen ninety four, right.
Speaker 2 (14:12):
I mean, I'm gonna take it easy on Oliver because
of his past.
Speaker 1 (14:19):
I'm going to do the same for Bows because of
the house. But her sitting on that beach with that
boyfriend at hers, I thought that wig was gonna fly
off like one of my fighters.
Speaker 2 (14:28):
Streets and Patrick Christmas is with exclusively black people, and
we're not going to comment on black, black daughter, black wife.
Speaker 1 (14:38):
But but that's not a My entire family's black. I know.
Speaker 2 (14:41):
But that's not a get out of jail free card
for talking about people's wigs. Okay, that's listen watch the footage.
I'm out of touch and I know that you cannot
get out of there. That can't. We can't prior to
the victims of the Palisade fire and the Alta Dina
(15:05):
fire and death to the crazed homeless man that tried
to light West Hill on fire.
Speaker 3 (15:14):
I I know that there's crime, so I'm sorry for that.
I'm I thought it was moving and I thought it
would go faster. You you need to understand that a
lot of people's homes burned down, and I will say,
of course I feel I feel so, so so terrible
(15:36):
for every single person that has been affected by this
in any way, shape or form. Bose's house, though, I
will say I felt as though it was one of
those places that she like, really like, she really put
it a lot this, you know, and I really do
feel where a lot of these women just like listen
(15:56):
as somebody who is and we'll get to Erica Jane
Baby in her house. I just think that it was
very much so hers and I feel absolutely heartbroken for Yeah.
Speaker 1 (16:04):
Oh that was my favorite part actually too. Thanks for
reminding me. Ruby. I love Erica Jayebaby renovating a rental.
Love it Okay, money well spent. Okay.
Speaker 2 (16:15):
It's now seventeen minutes into the show. It's seventeen minutes
into the show.
Speaker 1 (16:20):
Okay, all right, I'll just say, fine, fifty babies.
Speaker 2 (16:25):
Ruby, how many babies do you give it? And don't
even give any thoughts, just say the amount of babies
too much?
Speaker 3 (16:31):
Crime?
Speaker 1 (16:31):
Sixty four babies? O, Pat, take us away. Okay, So
we bounced around the sand Fernando Valley because that's where
everyone on this show lives except for Sutton. Garcel shows
off some modeling pictures of her son, Who's what's her
son's name, Jade, Jade, beautiful, handsome guy. I like the
photo that they did where she's in.
Speaker 2 (16:50):
It in fact check that.
Speaker 1 (16:53):
Yep, yeah, I should you use that backdrop of her
house in Oxnard. There's something artsy about an oil refinery
smoking behind them.
Speaker 2 (17:01):
Yeah, yeah, Yeah, there's this there's this Amazon series Fallout. Yeah,
and it's about what the top level looks like after
a nuclear fallout, and that's kind of the backdrop of garcels.
Speaker 1 (17:16):
What's what that guy missing a nose on that show?
Speaker 2 (17:18):
Well, he's been taking something to keep him alive. Oh Okayrdes, Yeah,
I finally saw the substance. I mean that film is yucky.
Speaker 1 (17:28):
I think the third act was a cop out.
Speaker 2 (17:31):
Yeah, but my kind of movie too squishy. Okay, you
know what I mean. It's so many squishies.
Speaker 1 (17:39):
Ruby got me to like it because she clarified something
for me, because that was what I'm spoilert or.
Speaker 2 (17:46):
You didn't know that it was deep?
Speaker 1 (17:47):
No, I didn't know that it was the same consciousness
flowing between the two, the younger version and the older version.
Once that was brought to my attention, it was I
like dynamic, Yes, that dynamic.
Speaker 2 (18:01):
Yeah, well I've I've derailed this once again.
Speaker 1 (18:03):
Okay, here I go.
Speaker 2 (18:04):
The most important thing is that Phoenix is Phoenix is
killing it.
Speaker 1 (18:08):
Oh are we talking about We're at Dorito's place. Yeah,
oh yeah, yeah, proud mom with Jagger and they look
on as Axel Rose proves those ballet classes are really
paying off. Now, I was reminded by my wife, where's that?
I was reminded that her daughter is not named Axel Rose.
Speaker 2 (18:26):
No, it's Phoenix.
Speaker 1 (18:27):
No, right, it's fur Delicious that named her fucking kid Axel.
Speaker 2 (18:35):
Yeah, yeah, we've talked about before.
Speaker 1 (18:37):
That's right. I know.
Speaker 2 (18:38):
Her name is Stacy underrated artist. She's an idiot, bangers
left and right.
Speaker 1 (18:43):
She's a complete drug addict.
Speaker 2 (18:44):
When I know. Okay, all right, let's not as smirch delicious.
Speaker 1 (18:48):
No, nor you should have seen her car when the
right Okay.
Speaker 2 (18:56):
All right, let's get let's move on to the with
the show. I mean, clearly, if you are for us,
you're for us. I mean I really enjoyed myself these
last nineteen minutes. All right.
Speaker 1 (19:12):
So Bows and Killie have lunch at the beach. They
choose to having a connection that goes beyond attraction.
Speaker 2 (19:17):
Okay, so let's let's talk about this real quick. Bose
has bad what what? What? Yeah? So it's like Gatar
but for suitable partners. You know, this guy is very
clearly run away very fast, very clearly run away very fast.
(19:42):
The last guy was what, tried to defraud her or
something like that, definitely cheated on her, Yeah, cheated on her.
But this guy, when asked about marriage, you can see
him recoil and squirm in a way that's really really
unsettling and quite obvious if you're sitting six inches away
(20:02):
from him.
Speaker 1 (20:03):
I want to get Ruby's read on this because I
have mixed feelings about it. Ruby, what do you think
I think it's doa Oh I just said, I let
the cat on the bag. I said, I had mixed feelings.
I don't think this relationship is going anywhere.
Speaker 3 (20:13):
Sorry, Ruby, I think that you are right. I believe
that if you are speaking to a man about marriage
and he doesn't answer the question, the answer is actually no,
so you need to leave and take your blanket. Because also,
here's the other thing. Never do a beach picnic. It's
uncomfortable and nobody can sit like that for very long,
(20:36):
freezing all the time. It's too windy, sand in food,
bad idea. Don't do this again.
Speaker 2 (20:41):
Bring up right, No picnics are on grass. That's where
picnics are.
Speaker 1 (20:45):
Well, that's where dogs poop too. Sometimes you get a waft.
Speaker 2 (20:47):
Of that one, you know what I mean?
Speaker 1 (20:49):
Yeah, I mean, you know, eat at a table. I know,
tables are good.
Speaker 2 (20:53):
We have this amazing park by us in Silver Lake,
which is an exquisite part of the city. It's called
the Silver Lake Meadows and it overlooks the reservoir, which
is a concrete basin.
Speaker 1 (21:03):
It's filled with Yeah, it looks like they make nuclear
weapons there.
Speaker 2 (21:07):
Beautiful and dogs are not supposed to be in there.
But you know, the city, I mean, we've lifted the
kind of it's not even. It's kind of like a
psychic limitation that we've lifted on people. Now, people think
that their dogs are it's your friend, it's my fucking child,
(21:27):
best friend, grandmother, grandfather, it's it's family. I'm not gonna
not bring him in here. So you're supposed to be
in this meadows just with just blankets and charcuterie boards
and stuff like that. But then every once in a
while you do get a waft of fucking piss and shit.
Speaker 1 (21:46):
Right, damn right.
Speaker 2 (21:47):
My wife is constantly she turns into such a Karen.
She's like, can't have dogs here, Oh, can't have dogs here?
Speaker 1 (21:55):
Oh, CC's that person.
Speaker 2 (21:57):
Yeah, cecal Karen every once in a while. And everyone
needs to care in every once in a while. Yeah,
you have to stand up for yourself and you have
to write wrongs if people are you know anyways, I
am vy those people have derailed this.
Speaker 1 (22:10):
No no, no, no, you did not. Okay, let's get to
Erica baby and de EAT's lunch. These two are best
friends now, Oh yeah, fast friends. Dree shares that her
parents have been helping out and today was a big day.
Phoenix was the lead in that ballet, of course she was, Babe.
(22:33):
I know Erica has a kid who I think is
now forty or something, but everything that comes out of
her for me, it screams that she doesn't know parenting,
any level of parenting.
Speaker 2 (22:47):
It's like, well, she doesn't identify as as a mom,
but that's you know, that's cool. Yeah, well, did you
have something to say.
Speaker 3 (22:57):
I was going to say, unfortunately, that Erica acts around
children exactly how I act around children, which is very
not good, and you're uncomfortable. It's like you've never had
one before, but she has.
Speaker 2 (23:09):
Yeah, that's right.
Speaker 1 (23:09):
Maybe all right, Well Monday, her and Dorito's and PK.
I guess they had a couple's therapy session.
Speaker 2 (23:16):
I want to talk about the length of this therapy session.
Oh hours, right, Yeah, So therapy is very expensive, especially
if you're going to some goatman protocol hoity toity la therapist, which.
Speaker 3 (23:28):
They realistically throw a number on it.
Speaker 2 (23:33):
Oh well, no, no, no, no, I don't think they're paying
a thousand, but I think that session could have fifty
could have ended up being a thousand. Yeah, agreed.
Speaker 1 (23:41):
Let me say this about them even attempting to save
this marriage. This marriage is over. It's like trying to
revive a squirrel that's been run over so many times
it's become part of the pavement.
Speaker 2 (23:54):
Yeah, I mean animal. If an animal looks like a rug,
it's a rug. There's no resuscitation.
Speaker 3 (24:03):
Do you a question though, Like, actually, we've discussed this
a little bit. It's just such an interesting thing to
me that they ever got together. I'm shocked that it's
taken this long and that she's not more for this
split Ruby.
Speaker 1 (24:17):
I laid out my theory on this. I wasn't maybe
Ruby wasn't on this podcast. She met him. The guy
has charisma. He fucking sold her a bill of goods
that he was this big entrepreneur.
Speaker 2 (24:28):
He had some money, some money.
Speaker 1 (24:31):
That he'd fucking embezzle from a business partner, and so
it was looking good. Now they're two years into the
marriage when she gets on this show. Slowly she finds
out she's married a fucking con man with a gambling addiction.
Here's the part it's too late.
Speaker 2 (24:49):
Here's the part that's crazy or as to be expected,
because I probably behave in the same way as to read,
because me and d Reed are pretty much the same person.
If you really think about it jureed knew what was
going on. However, many years into the marriage didn't take
that long for her to go, WHOA, she's not an idiot,
She's not an idiot. And then she committed to this
(25:13):
being her life.
Speaker 1 (25:14):
That's right.
Speaker 2 (25:15):
She was like, I'm you know what, you it's your
job to figure out move the hot potatoes around. And
now I think that she would be really down to
stay in the relationship because she's comfortable living a life
of inflated wealth. You know what I mean? I mean,
what is she gonna do now? She's just gonna be
on the show?
Speaker 1 (25:34):
Yeah, which I had You know, you can't trust Google.
I had heard she's still only making one hundred grand
a season. That didn't make sense. I love saying it
out loud into a microphone. I talked to Kayk. She said,
it's more like a half a million a season. They
can survive on that.
Speaker 2 (25:48):
Oh big time. I mean, what the fuck of course
you can survive on half a.
Speaker 3 (25:52):
Million genuinely doing not the way that she's living.
Speaker 2 (25:55):
No, not the way that she's living.
Speaker 3 (25:57):
So, but she won't adjust, She will not She will
make She wants Kesha to call out her outfits and
have the ability to say vintage you.
Speaker 2 (26:05):
Know, yeah, yeah, fucking Kyle Richards Kesh is my friend.
So let the rumors start. Well, you're not getting matching tattoos, Kyle,
let's not gaslight everybody. Okay, and you love the rumors.
I can't stand you. I cannot stand you.
Speaker 1 (26:18):
We'll get to that, my god. Well, Doritos discusses that
they're pretty nasty to each other. We get that flashback
to them at that restaurant where PK and they agree
that they just are fucking nasty. Well, Erica Babe Babe
chimes in to give some relationship advice, which is funny
because it's like Matthew Perry giving swimming lessons. Ah, yeah,
(26:42):
you don't know any dude, Can I go?
Speaker 2 (26:43):
I just really, really quickly de realized that the love
for Matthew Perry is crazy. I mean, I understand that, Rubes.
You're a big friends person.
Speaker 3 (26:53):
Right, literally, couldn't hate it more. Don't think it's funny?
Speaker 1 (26:57):
Oh really no no, no, like.
Speaker 2 (26:59):
Don't that's sacrilegious. I'm sure you're going to take shit
in the comments, but what about you? Well, it's the question,
friend's guy.
Speaker 3 (27:07):
Stop before I make people angry. Can I just say something.
The reason why is because I believe this to be
one hundred percent true. I never watched it when it
was on. I've only tried to watch it now and
it just it doesn't resonate with me. Now I get
the cultural importance it has to people. You know, one
of our nearest and dearest friends's it was her biggest
It was her identity. And I remember when it wrapped,
(27:29):
it was very impactful to their family. They had to
get over it. Yep, so they grieved together. And yeah,
that was at the time a big deal.
Speaker 2 (27:38):
Now, God, the Dunnie are so fucking well there anyways,
we don't really bring up last Nay, they're just amazing.
Speaker 1 (27:46):
I was going to say back to friends, I've only
seen four episodes total, and what really soured me on
that show was people's reverence for it. When we sold
two awards. The guy who edited it, his name was Daniel. Yeah,
he sold me on a bill of goods that he
could help me take it to the next level with
my own other show. So I was creating two shows
(28:06):
at the same time. I let him live at my
shitty apartment for six months. The agreement that then he
would produce another show for me. All he did was
watch Friends all day and smoke weed. Imagine living free
in someone's apartment.
Speaker 2 (28:20):
And I started hating the best editors work for dwellings. Right,
So if you're hiring somebody in there, like I need
an under grand not a good editor. If you're if
you meet somebody and they're like, I need to stay
at your house for a while for six months, that's
who you need to hire. But I brought up Matthew
(28:41):
Perry because Phoebe Phoebe Lisa Kudro was on Cunn's podcast.
He does something. You know, at the moment when I
knew that Matthew Perry was a star, it was when
we were shooting the Friends intro. I think they shot
it at the Paramount Fountain. I'm not sure.
Speaker 1 (28:57):
Oh man, I didn't.
Speaker 2 (29:01):
They did like seventy takes and they're about to do
another one and Matthew Perry, She's like, Matthew stands up
and goes, oh, we're going to do another one. When
have we not been doing takes? And she told this
story and con and everybody's laughing. I'm like, is that
really that funny? Matthew Perby going, are we going to
(29:22):
do another take? Is that really the moment you knew
that he was a comedic genius?
Speaker 1 (29:28):
What got that show at that level was the writing.
And I don't get me wrong, but I think he
could have It could have been another person and that
show still would have thrived.
Speaker 2 (29:39):
Listen, I've derailed this again. I'm so sorry. This whole
show has just been a zig zag of nothing.
Speaker 1 (29:45):
That guy was such a drunk and I've told stories.
One time, I told you one time, He's standing in
front of me at a liquor store and I walked
into the air that he was breathing five seconds earlier
to pay for my day, and I was poised by
the air of the vodka that was out of his breath.
Speaker 2 (30:04):
Always a drunk and vodka is a real drunk drink.
Speaker 1 (30:07):
Disgusting. Okay, okay, yeah, all right, So let's go to
Garcel and they're headed to that beautiful place in Oxnard
to check out the new pad and as I pointed out,
Dylan's made fun of it quite a bit. Uh, the
house itself is awesome, it's modern, the decor is cool,
and she should be proud of what That was nice
(30:31):
of me to say, the problem is fish won't live
near the beach because they'll die because of all the
oil refineries. Yeah, and then if it wasn't gloomy enough,
then she tells everybody your son was a drug addict
and homeless.
Speaker 2 (30:48):
The homeless part is really tough, and for a moment,
let's be serious about this, Patrick, Patrick, Hey.
Speaker 1 (31:01):
Come on, man, he is a horrible mother for exploiting this.
How can you say this about this friting it?
Speaker 2 (31:08):
She's just telling her story rubs.
Speaker 3 (31:09):
Okay, she described her son like a fucking feral record, right.
I think there was a This was kind of Mary
Cosby to me, like there was a way to address
this and like have an honest conversation about like look
at where we are now. Boy, oh boy, we had
to work to get here. Yeah, we didn't need to
like describe that he like ruined my night with my
(31:31):
friend when he was like in the pool house and
it was him, but it wasn't him. He was on
a drug gar South.
Speaker 1 (31:39):
Yeah, all right, so let's get granular about this conversation
that we have to. Okay, hold on, So she told
everybody her son was a drug addict and homeless, and
and he is an adult. Fine, but then she shares
that whole pool uh house story right in great detail.
And then basically the way that she got him to
(32:00):
uh I guess, get rid of his addiction was to
basically it was tough love, I guess, and that which is.
Speaker 2 (32:09):
Like, I completely understand where she's coming for, like what
what do you do with your child at that? But
it was Honestly, it's so painful, but I think she
was a good mother to do that.
Speaker 1 (32:19):
Yes, and she was tough love addiction And this is
all fine except for the part where there's a gigantic
glass of red wine sitting in front of him, so
apparently he's California sober.
Speaker 3 (32:30):
Well yeah, yeah, yeah, I mean, well, when you do
the hard stuffed, are you allowed to drink and do
and can you drink?
Speaker 1 (32:39):
No, you're not supposed to do anything.
Speaker 2 (32:41):
Yeah, you're not supposed to be stuck.
Speaker 1 (32:44):
And trapped in your own deep dark thoughts, like you're
not supposed to escape, right, all right, go to a meeting,
you idiot.
Speaker 2 (32:53):
Yeah. I mean, people can approach their own sobriety and
their own journey however they want. But I've had a
couple of people attempt to get sober, and usually it's
not a good sign when they get sober from one
thing and then they're just doing other stuff because they
abuse that other stuff pretty much one hundred percent of
the time.
Speaker 1 (33:13):
Oh yeah, yeah, I love how Greg fitzimmons, he's a comic.
Most of others this probably won't know. He's been like
touting his sobriety, being sober for twenty five years. If
you talk to anybody that knows him, the guy is
a massive weed smoker.
Speaker 2 (33:27):
I mean we I don't think that's a problem. Weed
and drinking are two completely different things. If you're a
massive pothead, you're just gonna fucking lounge around like a sloth.
If you're a drunk, you're gonna run people over in
a farmer's market, you know. I mean, it's just there's
a chasm. Go ahead, go ahead, Seth Rogan. What are
(33:48):
you here to say?
Speaker 3 (33:48):
I can say, yeah, exactly. There are a lot of
people who are high all the time that actually are
quite productive, and I would consider myself one of those people.
I don't remember the last time I wasn't high. I
don't know.
Speaker 1 (33:58):
Yeah, I wish I could be drunk all day.
Speaker 2 (34:01):
You can't, though, me and Ruby can be high all
day and still function.
Speaker 1 (34:04):
I'll tell you what you want to know, a kajillion
dollar business, find an alcohol product that gets you so
that you can actually be capable of driving. They still
have that nice little buzz going.
Speaker 2 (34:13):
They're called buzzballs.
Speaker 1 (34:15):
What are they called buzz bulls? Buzzballs?
Speaker 3 (34:18):
Never? Never, Patrick, never, You may never have the buzzball.
Speaker 2 (34:23):
The buzzballs are. But you know when Jackyl and Hide
how he had the the glasses of different like solutions
and all over the place. Yeah, those are buzzballs. But
they're like peanut butter flavored and lime flavored, and it
all looks like nuclear waste and people they're selling like hotcakes.
(34:46):
Of course they are, because America is a dumb place,
all right.
Speaker 3 (34:51):
Nearest to your friends, she really does. She does drink
them to blackout.
Speaker 2 (34:56):
Yeah, Oh they're so powerful.
Speaker 1 (34:58):
I'm gonna try one tomorrow.
Speaker 2 (35:00):
All right.
Speaker 1 (35:00):
Bo's visits and meets the dogs and family. I'm sorry,
of uh Dorito's right, sorry, I know it's her. As
they chat, Dree discusses that she had that four hour
therapy session that you guys mentioned. It probably costs a
pretty penny, but we learned that PK handed the therapist
(35:23):
and envelope filled with monopoly.
Speaker 2 (35:25):
Buddy, here you go, Dome. I can't take this, sir,
so we'll get you on the next one.
Speaker 1 (35:36):
Well, p K, apparently that was a really good That
was pretty good.
Speaker 2 (35:40):
Yeah, that was really good.
Speaker 1 (35:42):
PK yelled he wanted a divorce, and then he stormed out.
And Dorito's learned that she needs a plan moving forward,
like hiring an accountant that can find a way to
divvy up minus three million dollars.
Speaker 2 (35:54):
Yep, yeah, and there there are accountants that can. Like, Okay,
so let's like, you're let's move on with the show.
Speaker 1 (36:12):
I was gonna say, you can leave. Tens of thousands
of people listen to us talk.
Speaker 2 (36:14):
About this, Okay, I know it's crazy.
Speaker 1 (36:16):
All right, let's see Kyle. Oh, they discuss Kyle inviting
Camille without warning her. That's a total Kyle move.
Speaker 2 (36:23):
Yeah, Kyle's a rat.
Speaker 1 (36:26):
And then Bo's is blown away that these ladies keep
keep being nastier and nastier.
Speaker 2 (36:31):
Yeah, she's not sure if it's psychosis or any of
the other things. And it is psychosis.
Speaker 1 (36:36):
Yeah, I said this on the last podcast. A good
luck with this position.
Speaker 2 (36:41):
Yeah, boss going to turn it on a little bit.
I think bose is I would like to give her
credit for being this kind of reptilian like observer of
things before she gets involved. But I don't think that Bo's.
I think that Bo's may be a soft target in
the corporate world. She like, I'm wondering why she's not
still in the corporate world.
Speaker 1 (37:02):
I guess, well, she wants her own ladder.
Speaker 2 (37:05):
I guess she wants her own ladder. But uh, I
don't know. I don't know. She's she doesn't have a
good picker and she's now a real housewife. I'm still
sussing buzz out. We've seen her for six weeks.
Speaker 1 (37:17):
Yeah, we're sucking her out. I will say she would
get away with this for one more season and then
she'd have to get in the mud. Yeah yeah, Andy
would demand.
Speaker 2 (37:26):
You can't be Switzerland. Are we getting to the vibrano? No, no, no.
We gotta get John Luke Bardar.
Speaker 1 (37:32):
We gotta get Martin, the premiere interior designer, to reimagine
a new space, which is a rental.
Speaker 2 (37:41):
Now if you don't have unlimited money. And this guy
walks in, spouts out his vision in a pink suit
and sends you the itinerary for what he wants to do.
What do you what do you do? You do? You
just go I can't have at it now. I can't
(38:05):
have one hundred thousand dollars on pillows, right, So.
Speaker 3 (38:10):
That man is not going to send you the sofa
and then the look for less. And I do not
know why she why he was there. I don't know
why she thinks she can afford. And I am not
kidding you a pillow that he would suggest his pillows
have to be five grand I can guarantee it. And
I think she's in the way that Salt Lake self
(38:31):
produces beautifully. These women live in a world with such delusion,
so beautifully like Erica is. And again I can say
this because I quite literally just toward her home, which
I really hope does not burn to the ground because
I would like to get married there. Yeah, Erica thinks
she lives in a ten thousand square foot home in
the Pasadena Hillside. Still and she lives in, I believe,
(38:52):
a one bedroom bungalow in the flats of Hancock. She's going,
you know that she's renting, that she would be paying
this man more to turn into Morocco than she would
for a new home.
Speaker 1 (39:07):
Yeah, save the money and put a down payment on
a house in the San Fernando Valley.
Speaker 2 (39:12):
When he starts talking about her room being one, I
love this man. This man is a star and you
have to have a lot of money to work with him.
Erica doesn't no.
Speaker 1 (39:26):
Or does she? I mean, it's buried in various holes
in Pasadena.
Speaker 2 (39:30):
My favorite thing is she goes what you see around
you is but I had to literally flee with in
the middle of the dike.
Speaker 1 (39:38):
It's like OJ taking all his fucking memorabilia, right, You
all trak before the FBI showed up.
Speaker 2 (39:43):
But here's the thing, Erica, and it was particularly triggering
given the circumstance of the Pasadena and Altadita fires. You
did not have to flee the middle of the dike.
You had a I don't think she needed to flee,
but I think that she had an extended window of
time to get what the FBI wasn't going to seize.
Speaker 1 (40:03):
That's right.
Speaker 3 (40:04):
I believe that her fleeing in the middle of the night,
she has allowed us to believe is because Tom is
like so legitious and he would have ruined her and blah,
blah blah, No, no, no, it was I believe from
the government was the pusher there.
Speaker 1 (40:16):
That's right.
Speaker 3 (40:16):
Yes, she left in the middle of the night with
nothing but the clothes on her back. And that actually
I do think is true. It was not because of Tommy.
I think it was because of a big old uncle Sam.
Speaker 1 (40:25):
That's right. Well, wasn't Uncle Sam. Well, it could be
a little uncle Sam. It was actually trying to get
restitution for burn victims, right right, right. I want to
say this, tom just got found guilty, by the way,
and him that whole ploy to pretend like he has dementia.
That didn't work. This. I don't know if it's over
for Erica Jane. Maybe they may still be chasing down
some money.
Speaker 2 (40:45):
Yeah, I mean, we'll see what happens. But when he
says we want you this this bedroom to be a
sexy space, I was thinking my head, what could this
gay man possibly do to this woman's room and for
how much? Because there's gonna be leopard print, there's gonna
be uh, there's gonna be a pole, there's gonna be
(41:09):
la lace kind of drapes somewhere. I mean, it's just.
Speaker 1 (41:14):
Gonna that's right, baby, Yeah, Okay, now let's bounce over
to the Viper Room, which Old Patty has performed at
multiple times, right, with four different bands. I did the count.
Speaker 2 (41:24):
But have you played high limit poker in the back?
I have.
Speaker 1 (41:28):
I must tell you there is no back. There is
a downstairs, so I understand people, but there is no back.
The Viper Room is three times the size of this studio.
It is a closet. The occupancy and I used to
stare at it. I'd be like, wow, the only is
eighty seven people in there is so small and it's
(41:50):
supposed to close by the way.
Speaker 2 (41:51):
Yeah, I mean all those places.
Speaker 3 (41:54):
Didn't Phoenix die there?
Speaker 2 (41:57):
Yeah, what's up? Well?
Speaker 1 (41:59):
He died outside outside.
Speaker 2 (42:01):
Kyle says that we go around the cast and no
one's been to the Viper Room, right, because the Viper
Room is a dump. That's Tom Sandoval plays at. Now,
you know, all of these places have served their purpose, right,
I mean they were big in the eighties and nineties, right,
and then they started to tape her off and now
(42:23):
what are they for? Yeah, Cory Feldman to perform.
Speaker 1 (42:26):
Yeah, so everything is paid to play. They call it
a four wall, which is if you want to play
in your band, Viper Room will let you have a
Friday night spot, but you need to hand them a
thousand dollars. Yeah, and they'll hand you five hundred tickets
for you to sell to try and get back your
thousand dollars.
Speaker 2 (42:43):
Right, And that's exactly what Erica Jane Baby did. But
Kyle Richard says, I haven't been to the Viper Room,
but I've been every other club, and she starts listing
off clubs that.
Speaker 1 (42:52):
Those were famous party clubs, not rock band rock.
Speaker 2 (42:56):
They weren't rock club from the eighties, right, Yeah, so
I think we missed the mark a little bit there, Kyle.
We get to the Viper Room, and this is when
Bo's and Sutton have a conversation about I'm not really
sure it's not that important, but Sutton does tell her
that she speaks very eloquently.
Speaker 1 (43:15):
Was this And then Bo's attempts her best version of
a life coach meets ar and then I believe that
Sutton sees the error in her ways.
Speaker 2 (43:26):
Yeah, yeah, well she's learning a lot. She Sutton says,
I have a problem with the term weaponization, which is like,
what are we doing here? We're just arbitrarily saying that
I am actually very insulted by the term weaponized.
Speaker 3 (43:47):
She she gets like this, she did this when she
walked in on Crystal once when Crystal was changing, and
Crystal was like, I don't know, I just felt really violated,
and she was like, Okay, let's not be like crazy
and use the word violated here. I remember being like,
it's like kind of actually violating if someone you don't
know that well walks in while you're changing, I think
it's appropriate. You you took a little story, then you
(44:08):
turned it into a shift, and then you started to
try and step out, so you weaponized.
Speaker 2 (44:12):
Sudden Yeah, Sudden was like what do you mean by weaponization?
And Boza's like, okay, how do I explain this? You
took something and then you used it to harm someone.
WI disagree. I don't think that's why.
Speaker 1 (44:27):
Can we touch on a couple other things, Okay, h Kyle.
When Kesh is there, she points out their friends and
notes that, well, the rumors are going to start up again.
And I want to point out to Kyle that that's
not how that went down. We paid attention to you
because you were in a music video where you portrayed
yourself as a lesbian.
Speaker 2 (44:44):
Yeah, the reason why no one is talking about you
and Kesha is because you weren't eating or you're not
eating Kesha's pussy the way you were eating Morgans pretending to.
So that's why we're not talking about it.
Speaker 3 (44:56):
Yeah, but guess what, Kyle, your daughters are still really disappointed.
Speaker 2 (44:59):
Yeah, your daughter's latent homophobia and hatred of other is
still driving a wedge between you two.
Speaker 1 (45:07):
Well, the heat stays on Kyle because we get back
to her still communicating with p K, and Dury pretends
to be really upset about that, and then Kyle points out, Look,
we're just We're just meme buddy, We're meme buddies. And
I would have ended this argument if I was Kyle,
by simply saying, look, PK looks like a bluga whale.
(45:30):
That's ill, Like no one wants to fuck them, and
you didn't either. Let's be honest with each other.
Speaker 2 (45:34):
Yeah, yeah, but she didn't.
Speaker 3 (45:36):
Yeah, Kyle acting as though it is appropriate for her
to breathe the same air as PK when she's going
through something similar with Mauricio, and if Dori were to
blink in the same zip code as she would go
to fucking TMC and say that they were fucking each other.
(45:57):
She is such a pathetic little insecurity snake. She needs
to take her nine dogs go away. Be whatever type
of non lesbian or lesbian you like, but don't don't
do this though, Kyle.
Speaker 2 (46:09):
Ew ew yeah, I wonder who, like Tamra or Kyle,
who are we more fed up with as like staple housewives.
Speaker 1 (46:21):
I'm gonna go oh go.
Speaker 3 (46:23):
Ahead, sorry, Ruby, sorry Pat. I think that the reason
that Tamara is so whatever Tamra is she's disgusting, she's reprehensible,
but she kind of she I think that there's more
ownership there.
Speaker 2 (46:32):
True.
Speaker 3 (46:32):
Kyle is like, if you were to say, like, you're
a self producing kind of boring person that is very,
very hypocritical and nobody actually likes you because you're so fake,
she'd be like, what are you talking about? You know
my whole life. You watch my kids grow up on
this show, and that's what you'd be like, Okay.
Speaker 1 (46:47):
Okay, I'll tell you. I moved over in the year camp.
I was going to say I'm over tam Rat more.
But yes, tam Rat is kind of owning the playing
the villain minute.
Speaker 2 (46:55):
She says she's autistic.
Speaker 1 (46:57):
That's true. That's a good point.
Speaker 2 (47:00):
Give the cots, let us know how you're doing, or
you say, from the fires. Join us next week as
we break down Real Housewives.
Speaker 1 (47:06):
Don't forget to plug traders. Oh that's right, that's right.
Holy smoke, I think we're gonna get Kate Chastain on
one of the first three episodes. We'll see he was
on the show the first two seasons.
Speaker 2 (47:21):
We're breaking down Traders at Patreon dot com, Slash another
podcast network. We are breaking down Salt Lake City at
Patreon dot com, Slash another podcast network. Join us there,
follow us everywhere. We love you very much. I'm Dylan
saying goodbye, pat Say goodbye, Ruby bye.
Speaker 1 (48:00):
Help can all know what is that
Let me say this about them even attempting to save
this marriage. This marriage is over. It's like trying to
revive a squirrel that's been run over so many times
it's become part of the pavement.
Speaker 2 (00:13):
If an animal looks like a rug, it's a rug.
(00:34):
Hi Love, Welcome to another brand spanking new episode about TV.
I'm Dylan. That's pat good to be here. Ruby is
from New York. Hello from Los Angeles, Calling from New
York asterisk. We're here to break down the Real Housewives
of Beverly Hills. The city is burning. Beverly Hills actually
(00:54):
got a false alarm last night.
Speaker 1 (00:56):
A bunch of people did.
Speaker 2 (00:59):
Yeah, and you know what the guy in charge of
all the false alarm, the emergency, Well, he's not in
charge of the false alarm. She's in charge of letting
people know through their devices they need the technology, which
is very important.
Speaker 1 (01:11):
Yeah, you don't want to scare anyone if they don't
need to be scared. Said.
Speaker 2 (01:13):
I want to reiterate that there is no one person
responsible for this. There is no one at the desk
sending these alerts out. And I'm thinking, why not. Why
do you have a person that does it instead of
a freaking robot.
Speaker 1 (01:27):
Well, it could be, and I'm trying to defend this idiot,
which I shouldn't. Is that in a world where facilities,
struct infrastructures get destroyed, you'd like to think that even
if the people get burned alive that are in charge
of alerting the others, there's some technology to alert the
rest of us.
Speaker 2 (01:45):
I think that's a pretty roubs. What do you think
about that? Bullshit excuse? And we'll talk about housewives in
a second.
Speaker 3 (01:52):
Sure, I recently learned that until two thousand and four,
I think the MLB had just a normal couple keep
score of all the games by hand on paper.
Speaker 2 (02:02):
I want to go back to those days. I think
that's better.
Speaker 1 (02:06):
There could be a world where that happens in the future.
Speaker 2 (02:09):
You know, Albert Einstein said World Wool four will be
fucked with sticks and stones. Oh really, yeah, because we're
going to nuke each other, I think. Anyways, I have
had the craziest day running around. This sky is actually
at the bend right now. I mean it's been very
blade runnery lately, but it's kind of nice right now.
Speaker 1 (02:31):
That's the odd thing. If someone who's watching from a
different state other than California on whatever news station. They
are just showing the worst craziest stuff in reality. If
you're here and you were transported here, tell them.
Speaker 2 (02:45):
I don't know how you do that.
Speaker 1 (02:46):
You walk out to my front door, you wouldn't know
a single thing had taken Yeah.
Speaker 2 (02:51):
So we're fine. But this morning I had three old
Jews in the house and I they were who's.
Speaker 1 (02:57):
The third Jew?
Speaker 2 (02:58):
Uncle Glenn?
Speaker 1 (02:59):
Oh, okay, Uncle Glenn.
Speaker 2 (03:00):
Uncle Glenn, and Antline were extremely upset with their sleeping condition.
They were not a fan of the bed at all.
I walked up there, I said, how'd you guys sleep?
And Lynn said, is this a bed? Does Ruby sleep
on this? I said, every time she comes out for
weeks or a time, she goes, well, not with two people.
You can't sleep two people in this thing. I said,
(03:22):
I have your revisions. And she goes, Uncle.
Speaker 1 (03:26):
Feel free to burn alive at your house.
Speaker 2 (03:28):
I'll go Uncle Glenn walks, and he goes, yeah, I
slept half an hour at a time, maybe an hour
at a time. And I go, oh, that sucks. He
goes in those pillows. I mean those aren't even pillows. Okay,
al right, guys, Well, I you know, I should have
given you.
Speaker 1 (03:42):
I wish this was an isolated incident, just for like
judge ee picky Jewish people.
Speaker 2 (03:50):
Yeah, but it's not.
Speaker 1 (03:51):
My sister in law Amy remember two years ago, stayed
with us and all she could do was complain about
the couch that she slept.
Speaker 2 (03:58):
Uncle Glenn and Antline at least have some Jewish charm,
you know. And they're in their seventies, you know what
I mean. I said, are you guys hungry? Do you
want breakfast? Hal and said no, I don't. I don't
need breakfast. But Uncle Glenn likes breakfast, and I go, well,
what do you want from breakfast? And he just shrugs
his shoulders. I go, oh, can you eat breakfast burrito? No?
(04:19):
I don't know. I don't want that. Have we just
started going down the list. So anyways, go for cereal
with old people, go to Cedars, sigh, and I have
an appointment. We're forty five minutes to an hour late.
Great heartbeat, very happy. I go home to get supplies
for my wife because we're going up to carpenteria. She's
been there for days. I pull up to the house
and this woman pulls up behind me and just lays
(04:41):
on the horn. I go, what's going on? I get
out of my car. She gets out of a car.
Where is the lake? I go, the are you talking
about Silver Lake? It's right up the road. She goes, no,
not silver like the Red Lake. I go, are you
to Echo Park? That seat? How do I get there?
(05:03):
This woman is so agro and I'm trying to tell her.
You go down the street, you make it right on
a little hill.
Speaker 3 (05:09):
What is the street?
Speaker 2 (05:11):
I don't know what it's called, but you make a
left on sunset. You got to get to Echo Park. Yes,
it Echo Park for taxes. I go, well, yeah, just
head down that way and you'll be good. This She
doesn't even thank me. She just spins around. Get her.
Speaker 1 (05:26):
This is why we need to get through these pandemics
and the world ending, because it just puts people in
a bad mood.
Speaker 2 (05:33):
Yeah, I mean people are torqued up. Was that? Could
you tell that was a Persian woman?
Speaker 1 (05:39):
Or I thought a little South America? Oh okay, okay,
I was at I was a thank you. I was
at a dollar store yesterday. Because you know, the schools,
obviously for a good reason, are closed after a three
and a half week break with school, so I have
to find things for my kid to do, so I
always run over to the dollar Store formerly the ninety
nine cents Store, and they have a pretty exactly They
(06:02):
have pretty good selection of arts and crafts over there,
so I always just buy some paints and coloring. But whatever.
I'm waiting in line, and there is a douchebag that
is trying to do cash back and also get a
money order. Anyway. The dude behind him that's in front
of me is having none of this. At some point
(06:23):
after the exchange of him, she says, I have to
check this amount with my manager, and she's the only
checker because it is the Dollar so and everyone's person work.
Speaker 2 (06:34):
It was usually you can just kind of pay or
not beg.
Speaker 1 (06:38):
The guy who has a toothpaste, who he's waiting to
pay for it, and he's mad yells what the fuck,
which I appreciate, and then he storms out of the place.
And then he tries to come back in and the
guy who'd taken too long for his like liking announces
we shouldn't let him back in here.
Speaker 2 (07:00):
Oh yeah, that's cool.
Speaker 1 (07:03):
That's crazy, and I and I said to the cashier
after it was all done, and both those guys characters
are out of there. She goes, how about that? I go,
I think I think people are just upset.
Speaker 2 (07:16):
Yeah. So the temperatures are sitting up in Los Angeles
and we are here to talk about the real Housewives
of Beverly Hills. Ruby, you haven't talked.
Speaker 3 (07:31):
I don't know, but but so before we do, speaking
of people being ridiculous in places of business, have you
guys seen this Jennifer Aiden, Jersey Mike Ship.
Speaker 2 (07:39):
Now, who's Jennifer Aiden? Jersey Mike.
Speaker 3 (07:43):
Mike is okay? Reserve that's opinion is okay? Yeah, Jennifer
Aiden is a reprehensible real housewife of New Jersey and
apparently so not Apparently she went to Jersey Mikes Oh
the term yoursay?
Speaker 1 (07:56):
Yeah, okay, got it.
Speaker 3 (07:58):
She went to Jersey Mike's It's in the morning, and
she was unhappy with the way that the service was
going completely in the wrong, gets to the end, tries
to add another sandwich. They said, you have to get
back in line. She said, that's not how it works.
Speaker 2 (08:11):
Who gets up to the front and tries to order
another sandwich at Jersey Creeden.
Speaker 3 (08:16):
So on being told no, she's filming this woman, this
older woman, and she's like talking about how old and
slow she is, and then she's saying that she's filming
like the people in line, and she's trying to make
it like look at this woe it was in these
situation right, and unfortunately, and very obviously people have been like, no,
you're a you're a wench.
Speaker 2 (08:37):
Yeah, you're a bog wench.
Speaker 3 (08:39):
And bog wench. And she just got taken off a cruise.
I guess that she was doing housewives. So yeah, we
just we can't.
Speaker 2 (08:48):
Now the question is is it drunk or is it
just cunt?
Speaker 3 (08:53):
Cunt?
Speaker 2 (08:54):
It's just cunt, right, She's just drinking tea and being
a cunt.
Speaker 3 (09:00):
Oh, Dylan, this was six in the morning, and she
was like, I am famous. You don't know who I
am one.
Speaker 2 (09:06):
Of those Oh wow, yeah, you're not famous.
Speaker 1 (09:09):
To be fair, the system they have over there at
Jersey Mikes is not functional.
Speaker 2 (09:17):
You know.
Speaker 1 (09:17):
They hit that ding, Hey, welcome to Jersey Mikes, and
then they're you know, do you want it Mike's Way
and all that, and and they're doing can we.
Speaker 2 (09:25):
Pull back on Mike's Way just a little bit? Oh,
I want it, but I don't need eight gallons of
it's not a dip, right, So you know.
Speaker 1 (09:36):
Right, I hate those guys. Uh and well they yeah, anyway,
they took my advice. They finally started having a second
preparation table to do takeout orders. Yeah, it was throwing
the whole system off.
Speaker 2 (09:49):
My favorite One of my favorite bits of this show
is Pat and I shouting into the ether and the
exact person we need the message to get to doesn't listen,
coincidentally does listen and changes because of us. All right,
And also, you just did a Mowgli backscratch That was wild?
Speaker 1 (10:07):
What's uh?
Speaker 2 (10:09):
Well, Mowgli is the little child, but his bear shows
him how to scratch us back against the tree.
Speaker 1 (10:16):
That's how you do this?
Speaker 2 (10:16):
Yeah yeah, yeah, my back is really dry blue. Wow.
Speaker 1 (10:21):
You guys want to talk about the show?
Speaker 2 (10:23):
I guess yeah, yeah, yeah, yeah.
Speaker 1 (10:30):
We don't want anybody, any listeners, uh, complaining about us
wasting too much precious time of theirs.
Speaker 2 (10:38):
Well, we have wasted a considerable amount of their time,
and we have been going for about eleven minutes. We
haven't spoken a word about this.
Speaker 1 (10:46):
Show, and I want to address that. Go listen to
our competitors. If that's what you want. If you want
earnest conversation about a Bravo reality TV show that you
have lots of options, We're not for you get lost.
Speaker 2 (11:00):
Like I think the Bravo bros do a great job
of breaking down the intricacies between for example, something like
Sutton and Bosea's conversation about weaponization like that. They'll do
a good job breaking that down, and they're really good.
So I'm just trying to lift other people up and
(11:21):
say there's other options.
Speaker 1 (11:23):
That's what I'm doing.
Speaker 2 (11:24):
And I'm also saying that we have failed thus far
because we've been talking about sandwiches and screaming Persian women
that sound like they're from South America, and we need
to get into the show. But the problem with this
show is that, unlike Salt Lake City, which you can
find a Patreon at Complash another podcast network, it's not
firing on all cylinders. With that being said, I would
give this episode probably like fifty two boobs because it
(11:47):
actually had some juice in it, you know, Thank God
for OJ, Thank God for JJ.
Speaker 3 (11:57):
Can you imagine uttering that sentence with tears streaming down
your face? Seriously?
Speaker 2 (12:04):
Can I can I give real thoughts and nuts and boots.
I am so happy that Garcela is happy. And we've
spoken in the past about how discussing her beach homes.
Speaker 1 (12:18):
The home is fine, it's the oil refinery next door
that's gross.
Speaker 2 (12:25):
I'm again very happy, but it's just I mean, we
have Brittany recording the we have a mole being caught
by a mob on Salt Lake City, and on this
one we have people talking about weaponization and garcel crying
(12:46):
about her son trying to break into the playoffs, which
was very, very real, painful story. But it's just not
the same as little Cindy lu who being found out
as a mole. You know. So the show's good. I'm
so excited to get to the hyper room with Patty because.
Speaker 1 (13:03):
It's old Patty. By the way, you troll.
Speaker 2 (13:07):
Okay, go ahead, Okay, Ruby, go next.
Speaker 1 (13:12):
I don't remember this episode. I guess I'll look at
some uh scant notes that I've.
Speaker 2 (13:18):
I think we're doing a good job so far.
Speaker 1 (13:19):
Okay, yeah, it's fine. But by the way, do you
know Bose's house burned to the fucking ground.
Speaker 2 (13:25):
A lot of people's houses burned.
Speaker 1 (13:26):
I tried to find out where she lived but she
claimed to live in Hancock.
Speaker 2 (13:30):
Park, which did not burn down.
Speaker 1 (13:33):
I don't think any Ambers made their way over there.
Perhaps it could have been Arson.
Speaker 2 (13:36):
But yeah, uh you know whose house did burn down?
The guy from this is.
Speaker 1 (13:41):
Us, that's right. What is his name?
Speaker 2 (13:45):
Veal Milo? Oh yeah, my love and timike Leo and
actually not.
Speaker 3 (13:51):
Feel No, not at all, not any kind because.
Speaker 2 (13:57):
People aren't named feel think odd. Yeah they're named oj Yeah, yeah,
they're named Oja.
Speaker 1 (14:06):
You imagine naming a kid oj after nineteen ninety four, right.
Speaker 2 (14:12):
I mean, I'm gonna take it easy on Oliver because
of his past.
Speaker 1 (14:19):
I'm going to do the same for Bows because of
the house. But her sitting on that beach with that
boyfriend at hers, I thought that wig was gonna fly
off like one of my fighters.
Speaker 2 (14:28):
Streets and Patrick Christmas is with exclusively black people, and
we're not going to comment on black, black daughter, black wife.
Speaker 1 (14:38):
But but that's not a My entire family's black. I know.
Speaker 2 (14:41):
But that's not a get out of jail free card
for talking about people's wigs. Okay, that's listen watch the footage.
I'm out of touch and I know that you cannot
get out of there. That can't. We can't prior to
the victims of the Palisade fire and the Alta Dina
(15:05):
fire and death to the crazed homeless man that tried
to light West Hill on fire.
Speaker 3 (15:14):
I I know that there's crime, so I'm sorry for that.
I'm I thought it was moving and I thought it
would go faster. You you need to understand that a
lot of people's homes burned down, and I will say,
of course I feel I feel so, so so terrible
(15:36):
for every single person that has been affected by this
in any way, shape or form. Bose's house, though, I
will say I felt as though it was one of
those places that she like, really like, she really put
it a lot this, you know, and I really do
feel where a lot of these women just like listen
(15:56):
as somebody who is and we'll get to Erica Jane
Baby in her house. I just think that it was
very much so hers and I feel absolutely heartbroken for Yeah.
Speaker 1 (16:04):
Oh that was my favorite part actually too. Thanks for
reminding me. Ruby. I love Erica Jayebaby renovating a rental.
Love it Okay, money well spent. Okay.
Speaker 2 (16:15):
It's now seventeen minutes into the show. It's seventeen minutes
into the show.
Speaker 1 (16:20):
Okay, all right, I'll just say, fine, fifty babies.
Speaker 2 (16:25):
Ruby, how many babies do you give it? And don't
even give any thoughts, just say the amount of babies
too much?
Speaker 3 (16:31):
Crime?
Speaker 1 (16:31):
Sixty four babies? O, Pat, take us away. Okay, So
we bounced around the sand Fernando Valley because that's where
everyone on this show lives except for Sutton. Garcel shows
off some modeling pictures of her son, Who's what's her
son's name, Jade, Jade, beautiful, handsome guy. I like the
photo that they did where she's in.
Speaker 2 (16:50):
It in fact check that.
Speaker 1 (16:53):
Yep, yeah, I should you use that backdrop of her
house in Oxnard. There's something artsy about an oil refinery
smoking behind them.
Speaker 2 (17:01):
Yeah, yeah, Yeah, there's this there's this Amazon series Fallout. Yeah,
and it's about what the top level looks like after
a nuclear fallout, and that's kind of the backdrop of garcels.
Speaker 1 (17:16):
What's what that guy missing a nose on that show?
Speaker 2 (17:18):
Well, he's been taking something to keep him alive. Oh Okayrdes, Yeah,
I finally saw the substance. I mean that film is yucky.
Speaker 1 (17:28):
I think the third act was a cop out.
Speaker 2 (17:31):
Yeah, but my kind of movie too squishy. Okay, you
know what I mean. It's so many squishies.
Speaker 1 (17:39):
Ruby got me to like it because she clarified something
for me, because that was what I'm spoilert or.
Speaker 2 (17:46):
You didn't know that it was deep?
Speaker 1 (17:47):
No, I didn't know that it was the same consciousness
flowing between the two, the younger version and the older version.
Once that was brought to my attention, it was I
like dynamic, Yes, that dynamic.
Speaker 2 (18:01):
Yeah, well I've I've derailed this once again.
Speaker 1 (18:03):
Okay, here I go.
Speaker 2 (18:04):
The most important thing is that Phoenix is Phoenix is
killing it.
Speaker 1 (18:08):
Oh are we talking about We're at Dorito's place. Yeah,
oh yeah, yeah, proud mom with Jagger and they look
on as Axel Rose proves those ballet classes are really
paying off. Now, I was reminded by my wife, where's that?
I was reminded that her daughter is not named Axel Rose.
Speaker 2 (18:26):
No, it's Phoenix.
Speaker 1 (18:27):
No, right, it's fur Delicious that named her fucking kid Axel.
Speaker 2 (18:35):
Yeah, yeah, we've talked about before.
Speaker 1 (18:37):
That's right. I know.
Speaker 2 (18:38):
Her name is Stacy underrated artist. She's an idiot, bangers
left and right.
Speaker 1 (18:43):
She's a complete drug addict.
Speaker 2 (18:44):
When I know. Okay, all right, let's not as smirch delicious.
Speaker 1 (18:48):
No, nor you should have seen her car when the
right Okay.
Speaker 2 (18:56):
All right, let's get let's move on to the with
the show. I mean, clearly, if you are for us,
you're for us. I mean I really enjoyed myself these
last nineteen minutes. All right.
Speaker 1 (19:12):
So Bows and Killie have lunch at the beach. They
choose to having a connection that goes beyond attraction.
Speaker 2 (19:17):
Okay, so let's let's talk about this real quick. Bose
has bad what what? What? Yeah? So it's like Gatar
but for suitable partners. You know, this guy is very
clearly run away very fast, very clearly run away very fast.
(19:42):
The last guy was what, tried to defraud her or
something like that, definitely cheated on her, Yeah, cheated on her.
But this guy, when asked about marriage, you can see
him recoil and squirm in a way that's really really
unsettling and quite obvious if you're sitting six inches away
(20:02):
from him.
Speaker 1 (20:03):
I want to get Ruby's read on this because I
have mixed feelings about it. Ruby, what do you think
I think it's doa Oh I just said, I let
the cat on the bag. I said, I had mixed feelings.
I don't think this relationship is going anywhere.
Speaker 3 (20:13):
Sorry, Ruby, I think that you are right. I believe
that if you are speaking to a man about marriage
and he doesn't answer the question, the answer is actually no,
so you need to leave and take your blanket. Because also,
here's the other thing. Never do a beach picnic. It's
uncomfortable and nobody can sit like that for very long,
(20:36):
freezing all the time. It's too windy, sand in food,
bad idea. Don't do this again.
Speaker 2 (20:41):
Bring up right, No picnics are on grass. That's where
picnics are.
Speaker 1 (20:45):
Well, that's where dogs poop too. Sometimes you get a waft.
Speaker 2 (20:47):
Of that one, you know what I mean?
Speaker 1 (20:49):
Yeah, I mean, you know, eat at a table. I know,
tables are good.
Speaker 2 (20:53):
We have this amazing park by us in Silver Lake,
which is an exquisite part of the city. It's called
the Silver Lake Meadows and it overlooks the reservoir, which
is a concrete basin.
Speaker 1 (21:03):
It's filled with Yeah, it looks like they make nuclear
weapons there.
Speaker 2 (21:07):
Beautiful and dogs are not supposed to be in there.
But you know, the city, I mean, we've lifted the
kind of it's not even. It's kind of like a
psychic limitation that we've lifted on people. Now, people think
that their dogs are it's your friend, it's my fucking child,
(21:27):
best friend, grandmother, grandfather, it's it's family. I'm not gonna
not bring him in here. So you're supposed to be
in this meadows just with just blankets and charcuterie boards
and stuff like that. But then every once in a
while you do get a waft of fucking piss and shit.
Speaker 1 (21:46):
Right, damn right.
Speaker 2 (21:47):
My wife is constantly she turns into such a Karen.
She's like, can't have dogs here, Oh, can't have dogs here?
Speaker 1 (21:55):
Oh, CC's that person.
Speaker 2 (21:57):
Yeah, cecal Karen every once in a while. And everyone
needs to care in every once in a while. Yeah,
you have to stand up for yourself and you have
to write wrongs if people are you know anyways, I
am vy those people have derailed this.
Speaker 1 (22:10):
No no, no, no, you did not. Okay, let's get to
Erica baby and de EAT's lunch. These two are best
friends now, Oh yeah, fast friends. Dree shares that her
parents have been helping out and today was a big day.
Phoenix was the lead in that ballet, of course she was, Babe.
(22:33):
I know Erica has a kid who I think is
now forty or something, but everything that comes out of
her for me, it screams that she doesn't know parenting,
any level of parenting.
Speaker 2 (22:47):
It's like, well, she doesn't identify as as a mom,
but that's you know, that's cool. Yeah, well, did you
have something to say.
Speaker 3 (22:57):
I was going to say, unfortunately, that Erica acts around
children exactly how I act around children, which is very
not good, and you're uncomfortable. It's like you've never had
one before, but she has.
Speaker 2 (23:09):
Yeah, that's right.
Speaker 1 (23:09):
Maybe all right, Well Monday, her and Dorito's and PK.
I guess they had a couple's therapy session.
Speaker 2 (23:16):
I want to talk about the length of this therapy session.
Oh hours, right, Yeah, So therapy is very expensive, especially
if you're going to some goatman protocol hoity toity la therapist, which.
Speaker 3 (23:28):
They realistically throw a number on it.
Speaker 2 (23:33):
Oh well, no, no, no, no, I don't think they're paying
a thousand, but I think that session could have fifty
could have ended up being a thousand. Yeah, agreed.
Speaker 1 (23:41):
Let me say this about them even attempting to save
this marriage. This marriage is over. It's like trying to
revive a squirrel that's been run over so many times
it's become part of the pavement.
Speaker 2 (23:54):
Yeah, I mean animal. If an animal looks like a rug,
it's a rug. There's no resuscitation.
Speaker 3 (24:03):
Do you a question though, Like, actually, we've discussed this
a little bit. It's just such an interesting thing to
me that they ever got together. I'm shocked that it's
taken this long and that she's not more for this
split Ruby.
Speaker 1 (24:17):
I laid out my theory on this. I wasn't maybe
Ruby wasn't on this podcast. She met him. The guy
has charisma. He fucking sold her a bill of goods
that he was this big entrepreneur.
Speaker 2 (24:28):
He had some money, some money.
Speaker 1 (24:31):
That he'd fucking embezzle from a business partner, and so
it was looking good. Now they're two years into the
marriage when she gets on this show. Slowly she finds
out she's married a fucking con man with a gambling addiction.
Here's the part it's too late.
Speaker 2 (24:49):
Here's the part that's crazy or as to be expected,
because I probably behave in the same way as to read,
because me and d Reed are pretty much the same person.
If you really think about it jureed knew what was
going on. However, many years into the marriage didn't take
that long for her to go, WHOA, she's not an idiot,
She's not an idiot. And then she committed to this
(25:13):
being her life.
Speaker 1 (25:14):
That's right.
Speaker 2 (25:15):
She was like, I'm you know what, you it's your
job to figure out move the hot potatoes around. And
now I think that she would be really down to
stay in the relationship because she's comfortable living a life
of inflated wealth. You know what I mean? I mean,
what is she gonna do now? She's just gonna be
on the show?
Speaker 1 (25:34):
Yeah, which I had You know, you can't trust Google.
I had heard she's still only making one hundred grand
a season. That didn't make sense. I love saying it
out loud into a microphone. I talked to Kayk. She said,
it's more like a half a million a season. They
can survive on that.
Speaker 2 (25:48):
Oh big time. I mean, what the fuck of course
you can survive on half a.
Speaker 3 (25:52):
Million genuinely doing not the way that she's living.
Speaker 2 (25:55):
No, not the way that she's living.
Speaker 3 (25:57):
So, but she won't adjust, She will not She will
make She wants Kesha to call out her outfits and
have the ability to say vintage you.
Speaker 2 (26:05):
Know, yeah, yeah, fucking Kyle Richards Kesh is my friend.
So let the rumors start. Well, you're not getting matching tattoos, Kyle,
let's not gaslight everybody. Okay, and you love the rumors.
I can't stand you. I cannot stand you.
Speaker 1 (26:18):
We'll get to that, my god. Well, Doritos discusses that
they're pretty nasty to each other. We get that flashback
to them at that restaurant where PK and they agree
that they just are fucking nasty. Well, Erica Babe Babe
chimes in to give some relationship advice, which is funny
because it's like Matthew Perry giving swimming lessons. Ah, yeah,
(26:42):
you don't know any dude, Can I go?
Speaker 2 (26:43):
I just really, really quickly de realized that the love
for Matthew Perry is crazy. I mean, I understand that, Rubes.
You're a big friends person.
Speaker 3 (26:53):
Right, literally, couldn't hate it more. Don't think it's funny?
Speaker 1 (26:57):
Oh really no no, no, like.
Speaker 2 (26:59):
Don't that's sacrilegious. I'm sure you're going to take shit
in the comments, but what about you? Well, it's the question,
friend's guy.
Speaker 3 (27:07):
Stop before I make people angry. Can I just say something.
The reason why is because I believe this to be
one hundred percent true. I never watched it when it
was on. I've only tried to watch it now and
it just it doesn't resonate with me. Now I get
the cultural importance it has to people. You know, one
of our nearest and dearest friends's it was her biggest
It was her identity. And I remember when it wrapped,
(27:29):
it was very impactful to their family. They had to
get over it. Yep, so they grieved together. And yeah,
that was at the time a big deal.
Speaker 2 (27:38):
Now, God, the Dunnie are so fucking well there anyways,
we don't really bring up last Nay, they're just amazing.
Speaker 1 (27:46):
I was going to say back to friends, I've only
seen four episodes total, and what really soured me on
that show was people's reverence for it. When we sold
two awards. The guy who edited it, his name was Daniel. Yeah,
he sold me on a bill of goods that he
could help me take it to the next level with
my own other show. So I was creating two shows
(28:06):
at the same time. I let him live at my
shitty apartment for six months. The agreement that then he
would produce another show for me. All he did was
watch Friends all day and smoke weed. Imagine living free
in someone's apartment.
Speaker 2 (28:20):
And I started hating the best editors work for dwellings. Right,
So if you're hiring somebody in there, like I need
an under grand not a good editor. If you're if
you meet somebody and they're like, I need to stay
at your house for a while for six months, that's
who you need to hire. But I brought up Matthew
(28:41):
Perry because Phoebe Phoebe Lisa Kudro was on Cunn's podcast.
He does something. You know, at the moment when I
knew that Matthew Perry was a star, it was when
we were shooting the Friends intro. I think they shot
it at the Paramount Fountain. I'm not sure.
Speaker 1 (28:57):
Oh man, I didn't.
Speaker 2 (29:01):
They did like seventy takes and they're about to do
another one and Matthew Perry, She's like, Matthew stands up
and goes, oh, we're going to do another one. When
have we not been doing takes? And she told this
story and con and everybody's laughing. I'm like, is that
really that funny? Matthew Perby going, are we going to
(29:22):
do another take? Is that really the moment you knew
that he was a comedic genius?
Speaker 1 (29:28):
What got that show at that level was the writing.
And I don't get me wrong, but I think he
could have It could have been another person and that
show still would have thrived.
Speaker 2 (29:39):
Listen, I've derailed this again. I'm so sorry. This whole
show has just been a zig zag of nothing.
Speaker 1 (29:45):
That guy was such a drunk and I've told stories.
One time, I told you one time, He's standing in
front of me at a liquor store and I walked
into the air that he was breathing five seconds earlier
to pay for my day, and I was poised by
the air of the vodka that was out of his breath.
Speaker 2 (30:04):
Always a drunk and vodka is a real drunk drink.
Speaker 1 (30:07):
Disgusting. Okay, okay, yeah, all right, So let's go to
Garcel and they're headed to that beautiful place in Oxnard
to check out the new pad and as I pointed out,
Dylan's made fun of it quite a bit. Uh, the
house itself is awesome, it's modern, the decor is cool,
and she should be proud of what That was nice
(30:31):
of me to say, the problem is fish won't live
near the beach because they'll die because of all the
oil refineries. Yeah, and then if it wasn't gloomy enough,
then she tells everybody your son was a drug addict
and homeless.
Speaker 2 (30:48):
The homeless part is really tough, and for a moment,
let's be serious about this, Patrick, Patrick, Hey.
Speaker 1 (31:01):
Come on, man, he is a horrible mother for exploiting this.
How can you say this about this friting it?
Speaker 2 (31:08):
She's just telling her story rubs.
Speaker 3 (31:09):
Okay, she described her son like a fucking feral record, right.
I think there was a This was kind of Mary
Cosby to me, like there was a way to address
this and like have an honest conversation about like look
at where we are now. Boy, oh boy, we had
to work to get here. Yeah, we didn't need to
like describe that he like ruined my night with my
(31:31):
friend when he was like in the pool house and
it was him, but it wasn't him. He was on
a drug gar South.
Speaker 1 (31:39):
Yeah, all right, so let's get granular about this conversation
that we have to. Okay, hold on, So she told
everybody her son was a drug addict and homeless, and
and he is an adult. Fine, but then she shares
that whole pool uh house story right in great detail.
And then basically the way that she got him to
(32:00):
uh I guess, get rid of his addiction was to
basically it was tough love, I guess, and that which is.
Speaker 2 (32:09):
Like, I completely understand where she's coming for, like what
what do you do with your child at that? But
it was Honestly, it's so painful, but I think she
was a good mother to do that.
Speaker 1 (32:19):
Yes, and she was tough love addiction And this is
all fine except for the part where there's a gigantic
glass of red wine sitting in front of him, so
apparently he's California sober.
Speaker 3 (32:30):
Well yeah, yeah, yeah, I mean, well, when you do
the hard stuffed, are you allowed to drink and do
and can you drink?
Speaker 1 (32:39):
No, you're not supposed to do anything.
Speaker 2 (32:41):
Yeah, you're not supposed to be stuck.
Speaker 1 (32:44):
And trapped in your own deep dark thoughts, like you're
not supposed to escape, right, all right, go to a meeting,
you idiot.
Speaker 2 (32:53):
Yeah. I mean, people can approach their own sobriety and
their own journey however they want. But I've had a
couple of people attempt to get sober, and usually it's
not a good sign when they get sober from one
thing and then they're just doing other stuff because they
abuse that other stuff pretty much one hundred percent of
the time.
Speaker 1 (33:13):
Oh yeah, yeah, I love how Greg fitzimmons, he's a comic.
Most of others this probably won't know. He's been like
touting his sobriety, being sober for twenty five years. If
you talk to anybody that knows him, the guy is
a massive weed smoker.
Speaker 2 (33:27):
I mean we I don't think that's a problem. Weed
and drinking are two completely different things. If you're a
massive pothead, you're just gonna fucking lounge around like a sloth.
If you're a drunk, you're gonna run people over in
a farmer's market, you know. I mean, it's just there's
a chasm. Go ahead, go ahead, Seth Rogan. What are
(33:48):
you here to say?
Speaker 3 (33:48):
I can say, yeah, exactly. There are a lot of
people who are high all the time that actually are
quite productive, and I would consider myself one of those people.
I don't remember the last time I wasn't high. I
don't know.
Speaker 1 (33:58):
Yeah, I wish I could be drunk all day.
Speaker 2 (34:01):
You can't, though, me and Ruby can be high all
day and still function.
Speaker 1 (34:04):
I'll tell you what you want to know, a kajillion
dollar business, find an alcohol product that gets you so
that you can actually be capable of driving. They still
have that nice little buzz going.
Speaker 2 (34:13):
They're called buzzballs.
Speaker 1 (34:15):
What are they called buzz bulls? Buzzballs?
Speaker 3 (34:18):
Never? Never, Patrick, never, You may never have the buzzball.
Speaker 2 (34:23):
The buzzballs are. But you know when Jackyl and Hide
how he had the the glasses of different like solutions
and all over the place. Yeah, those are buzzballs. But
they're like peanut butter flavored and lime flavored, and it
all looks like nuclear waste and people they're selling like hotcakes.
(34:46):
Of course they are, because America is a dumb place,
all right.
Speaker 3 (34:51):
Nearest to your friends, she really does. She does drink
them to blackout.
Speaker 2 (34:56):
Yeah, Oh they're so powerful.
Speaker 1 (34:58):
I'm gonna try one tomorrow.
Speaker 2 (35:00):
All right.
Speaker 1 (35:00):
Bo's visits and meets the dogs and family. I'm sorry,
of uh Dorito's right, sorry, I know it's her. As
they chat, Dree discusses that she had that four hour
therapy session that you guys mentioned. It probably costs a
pretty penny, but we learned that PK handed the therapist
(35:23):
and envelope filled with monopoly.
Speaker 2 (35:25):
Buddy, here you go, Dome. I can't take this, sir,
so we'll get you on the next one.
Speaker 1 (35:36):
Well, p K, apparently that was a really good That
was pretty good.
Speaker 2 (35:40):
Yeah, that was really good.
Speaker 1 (35:42):
PK yelled he wanted a divorce, and then he stormed out.
And Dorito's learned that she needs a plan moving forward,
like hiring an accountant that can find a way to
divvy up minus three million dollars.
Speaker 2 (35:54):
Yep, yeah, and there there are accountants that can. Like, Okay,
so let's like, you're let's move on with the show.
Speaker 1 (36:12):
I was gonna say, you can leave. Tens of thousands
of people listen to us talk.
Speaker 2 (36:14):
About this, Okay, I know it's crazy.
Speaker 1 (36:16):
All right, let's see Kyle. Oh, they discuss Kyle inviting
Camille without warning her. That's a total Kyle move.
Speaker 2 (36:23):
Yeah, Kyle's a rat.
Speaker 1 (36:26):
And then Bo's is blown away that these ladies keep
keep being nastier and nastier.
Speaker 2 (36:31):
Yeah, she's not sure if it's psychosis or any of
the other things. And it is psychosis.
Speaker 1 (36:36):
Yeah, I said this on the last podcast. A good
luck with this position.
Speaker 2 (36:41):
Yeah, boss going to turn it on a little bit.
I think bose is I would like to give her
credit for being this kind of reptilian like observer of
things before she gets involved. But I don't think that Bo's.
I think that Bo's may be a soft target in
the corporate world. She like, I'm wondering why she's not
still in the corporate world.
Speaker 1 (37:02):
I guess, well, she wants her own ladder.
Speaker 2 (37:05):
I guess she wants her own ladder. But uh, I
don't know. I don't know. She's she doesn't have a
good picker and she's now a real housewife. I'm still
sussing buzz out. We've seen her for six weeks.
Speaker 1 (37:17):
Yeah, we're sucking her out. I will say she would
get away with this for one more season and then
she'd have to get in the mud. Yeah yeah, Andy
would demand.
Speaker 2 (37:26):
You can't be Switzerland. Are we getting to the vibrano? No, no, no.
We gotta get John Luke Bardar.
Speaker 1 (37:32):
We gotta get Martin, the premiere interior designer, to reimagine
a new space, which is a rental.
Speaker 2 (37:41):
Now if you don't have unlimited money. And this guy
walks in, spouts out his vision in a pink suit
and sends you the itinerary for what he wants to do.
What do you what do you do? You do? You
just go I can't have at it now. I can't
(38:05):
have one hundred thousand dollars on pillows, right, So.
Speaker 3 (38:10):
That man is not going to send you the sofa
and then the look for less. And I do not
know why she why he was there. I don't know
why she thinks she can afford. And I am not
kidding you a pillow that he would suggest his pillows
have to be five grand I can guarantee it. And
I think she's in the way that Salt Lake self
(38:31):
produces beautifully. These women live in a world with such delusion,
so beautifully like Erica is. And again I can say
this because I quite literally just toward her home, which
I really hope does not burn to the ground because
I would like to get married there. Yeah, Erica thinks
she lives in a ten thousand square foot home in
the Pasadena Hillside. Still and she lives in, I believe,
(38:52):
a one bedroom bungalow in the flats of Hancock. She's going,
you know that she's renting, that she would be paying
this man more to turn into Morocco than she would
for a new home.
Speaker 1 (39:07):
Yeah, save the money and put a down payment on
a house in the San Fernando Valley.
Speaker 2 (39:12):
When he starts talking about her room being one, I
love this man. This man is a star and you
have to have a lot of money to work with him.
Erica doesn't no.
Speaker 1 (39:26):
Or does she? I mean, it's buried in various holes
in Pasadena.
Speaker 2 (39:30):
My favorite thing is she goes what you see around
you is but I had to literally flee with in
the middle of the dike.
Speaker 1 (39:38):
It's like OJ taking all his fucking memorabilia, right, You
all trak before the FBI showed up.
Speaker 2 (39:43):
But here's the thing, Erica, and it was particularly triggering
given the circumstance of the Pasadena and Altadita fires. You
did not have to flee the middle of the dike.
You had a I don't think she needed to flee,
but I think that she had an extended window of
time to get what the FBI wasn't going to seize.
Speaker 1 (40:03):
That's right.
Speaker 3 (40:04):
I believe that her fleeing in the middle of the night,
she has allowed us to believe is because Tom is
like so legitious and he would have ruined her and blah,
blah blah, No, no, no, it was I believe from
the government was the pusher there.
Speaker 1 (40:16):
That's right.
Speaker 3 (40:16):
Yes, she left in the middle of the night with
nothing but the clothes on her back. And that actually
I do think is true. It was not because of Tommy.
I think it was because of a big old uncle Sam.
Speaker 1 (40:25):
That's right. Well, wasn't Uncle Sam. Well, it could be
a little uncle Sam. It was actually trying to get
restitution for burn victims, right right, right. I want to
say this, tom just got found guilty, by the way,
and him that whole ploy to pretend like he has dementia.
That didn't work. This. I don't know if it's over
for Erica Jane. Maybe they may still be chasing down
some money.
Speaker 2 (40:45):
Yeah, I mean, we'll see what happens. But when he
says we want you this this bedroom to be a
sexy space, I was thinking my head, what could this
gay man possibly do to this woman's room and for
how much? Because there's gonna be leopard print, there's gonna
be uh, there's gonna be a pole, there's gonna be
(41:09):
la lace kind of drapes somewhere. I mean, it's just.
Speaker 1 (41:14):
Gonna that's right, baby, Yeah, Okay, now let's bounce over
to the Viper Room, which Old Patty has performed at
multiple times, right, with four different bands. I did the count.
Speaker 2 (41:24):
But have you played high limit poker in the back?
I have.
Speaker 1 (41:28):
I must tell you there is no back. There is
a downstairs, so I understand people, but there is no back.
The Viper Room is three times the size of this studio.
It is a closet. The occupancy and I used to
stare at it. I'd be like, wow, the only is
eighty seven people in there is so small and it's
(41:50):
supposed to close by the way.
Speaker 2 (41:51):
Yeah, I mean all those places.
Speaker 3 (41:54):
Didn't Phoenix die there?
Speaker 2 (41:57):
Yeah, what's up? Well?
Speaker 1 (41:59):
He died outside outside.
Speaker 2 (42:01):
Kyle says that we go around the cast and no
one's been to the Viper Room, right, because the Viper
Room is a dump. That's Tom Sandoval plays at. Now,
you know, all of these places have served their purpose, right,
I mean they were big in the eighties and nineties, right,
and then they started to tape her off and now
(42:23):
what are they for? Yeah, Cory Feldman to perform.
Speaker 1 (42:26):
Yeah, so everything is paid to play. They call it
a four wall, which is if you want to play
in your band, Viper Room will let you have a
Friday night spot, but you need to hand them a
thousand dollars. Yeah, and they'll hand you five hundred tickets
for you to sell to try and get back your
thousand dollars.
Speaker 2 (42:43):
Right, And that's exactly what Erica Jane Baby did. But
Kyle Richard says, I haven't been to the Viper Room,
but I've been every other club, and she starts listing
off clubs that.
Speaker 1 (42:52):
Those were famous party clubs, not rock band rock.
Speaker 2 (42:56):
They weren't rock club from the eighties, right, Yeah, so
I think we missed the mark a little bit there, Kyle.
We get to the Viper Room, and this is when
Bo's and Sutton have a conversation about I'm not really
sure it's not that important, but Sutton does tell her
that she speaks very eloquently.
Speaker 1 (43:15):
Was this And then Bo's attempts her best version of
a life coach meets ar and then I believe that
Sutton sees the error in her ways.
Speaker 2 (43:26):
Yeah, yeah, well she's learning a lot. She Sutton says,
I have a problem with the term weaponization, which is like,
what are we doing here? We're just arbitrarily saying that
I am actually very insulted by the term weaponized.
Speaker 3 (43:47):
She she gets like this, she did this when she
walked in on Crystal once when Crystal was changing, and
Crystal was like, I don't know, I just felt really violated,
and she was like, Okay, let's not be like crazy
and use the word violated here. I remember being like,
it's like kind of actually violating if someone you don't
know that well walks in while you're changing, I think
it's appropriate. You you took a little story, then you
(44:08):
turned it into a shift, and then you started to
try and step out, so you weaponized.
Speaker 2 (44:12):
Sudden Yeah, Sudden was like what do you mean by weaponization?
And Boza's like, okay, how do I explain this? You
took something and then you used it to harm someone.
WI disagree. I don't think that's why.
Speaker 1 (44:27):
Can we touch on a couple other things, Okay, h Kyle.
When Kesh is there, she points out their friends and
notes that, well, the rumors are going to start up again.
And I want to point out to Kyle that that's
not how that went down. We paid attention to you
because you were in a music video where you portrayed
yourself as a lesbian.
Speaker 2 (44:44):
Yeah, the reason why no one is talking about you
and Kesha is because you weren't eating or you're not
eating Kesha's pussy the way you were eating Morgans pretending to.
So that's why we're not talking about it.
Speaker 3 (44:56):
Yeah, but guess what, Kyle, your daughters are still really disappointed.
Speaker 2 (44:59):
Yeah, your daughter's latent homophobia and hatred of other is
still driving a wedge between you two.
Speaker 1 (45:07):
Well, the heat stays on Kyle because we get back
to her still communicating with p K, and Dury pretends
to be really upset about that, and then Kyle points out, Look,
we're just We're just meme buddy, We're meme buddies. And
I would have ended this argument if I was Kyle,
by simply saying, look, PK looks like a bluga whale.
(45:30):
That's ill, Like no one wants to fuck them, and
you didn't either. Let's be honest with each other.
Speaker 2 (45:34):
Yeah, yeah, but she didn't.
Speaker 3 (45:36):
Yeah, Kyle acting as though it is appropriate for her
to breathe the same air as PK when she's going
through something similar with Mauricio, and if Dori were to
blink in the same zip code as she would go
to fucking TMC and say that they were fucking each other.
(45:57):
She is such a pathetic little insecurity snake. She needs
to take her nine dogs go away. Be whatever type
of non lesbian or lesbian you like, but don't don't
do this though, Kyle.
Speaker 2 (46:09):
Ew ew yeah, I wonder who, like Tamra or Kyle,
who are we more fed up with as like staple housewives.
Speaker 1 (46:21):
I'm gonna go oh go.
Speaker 3 (46:23):
Ahead, sorry, Ruby, sorry Pat. I think that the reason
that Tamara is so whatever Tamra is she's disgusting, she's reprehensible,
but she kind of she I think that there's more
ownership there.
Speaker 2 (46:32):
True.
Speaker 3 (46:32):
Kyle is like, if you were to say, like, you're
a self producing kind of boring person that is very,
very hypocritical and nobody actually likes you because you're so fake,
she'd be like, what are you talking about? You know
my whole life. You watch my kids grow up on
this show, and that's what you'd be like, Okay.
Speaker 1 (46:47):
Okay, I'll tell you. I moved over in the year camp.
I was going to say I'm over tam Rat more.
But yes, tam Rat is kind of owning the playing
the villain minute.
Speaker 2 (46:55):
She says she's autistic.
Speaker 1 (46:57):
That's true. That's a good point.
Speaker 2 (47:00):
Give the cots, let us know how you're doing, or
you say, from the fires. Join us next week as
we break down Real Housewives.
Speaker 1 (47:06):
Don't forget to plug traders. Oh that's right, that's right.
Holy smoke, I think we're gonna get Kate Chastain on
one of the first three episodes. We'll see he was
on the show the first two seasons.
Speaker 2 (47:21):
We're breaking down Traders at Patreon dot com, Slash another
podcast network. We are breaking down Salt Lake City at
Patreon dot com, Slash another podcast network. Join us there,
follow us everywhere. We love you very much. I'm Dylan
saying goodbye, pat Say goodbye, Ruby bye.
Speaker 1 (48:00):
Help can all know what is that
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