The Pods Are Open | Love is Blind S8 E1

Patty and Dylan are back to break down aliens, deceased family members, Love is Blind music and more from Netflix's Love is Blind. 

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Episode Transcript

Speaker 1 (00:00):
She's very vivacious, and she's full of energy and beautiful,
all the all the all the boxes.

Speaker 2 (00:06):
Telling I'll do the heavy lifting everybody. Okay, let's just
say it. And this is gonna get us a drump by.
I don't care.

Speaker 1 (00:13):
I miss when this show is behind it. Pay you,
but I'm just.

Speaker 2 (00:17):
Gonna say it because you all know it's true. Megs crazy,
which mean sick makes amazing.

Speaker 1 (00:23):
Okay, here's the thing. If you are an adult human
being and you are talking to me about Bob Lazar
Aliens the Joe Rogan Podcast, I'm going to run the
other way. Hi, hello, and welcome to the eighth season

(01:01):
of Netflix's Love Is Blind. I'm Dylan.

Speaker 2 (01:04):
That's pat great to be here.

Speaker 1 (01:07):
Okay, lot of housekeeping to get out of the way.
This is the last episode that we're going to be
posting on the old bad TV feed. If you're listening
to this on the bad TV feed, this is the
last time you'll ever come to this feed. Okay, everything
will be on the new Blowdeck feed. It'll be the
new bad TV feed. We'll put the link for the
show that you need to go to, the feed that

(01:28):
you need to go to in the comments. Or in
the show description wherever it is, We'll just find us
if you want to find us. It's not gonna be
that hard.

Speaker 2 (01:36):
It's not that hard.

Speaker 1 (01:38):
It's not that hard.

Speaker 2 (01:39):
Make it that hard. If you're already listening to another
blowdeck podcast, just the logo or the artwork.

Speaker 1 (01:44):
Is going to change.

Speaker 2 (01:45):
And now there's going to be three shows there in
one place.

Speaker 1 (01:48):
I'm so sick of freaking talking about it. We had
to do We had to do it. Listen, we are
here to break down the eighth season of Love is Blind.
You are getting it for free, you fuckings. We usually
put this behind the paywall, but this time we are not.
Traders is behind the paywall at Patreon dot com, Slash,
another podcast network, and.

Speaker 2 (02:09):
Another podcast show is behind the paywall, which is people
they say that's their favorite show that we do, it's
the best, and also PMZ.

Speaker 1 (02:17):
Yeah it's the best, it's the best. I mean, everything's
the best over there. If you'd like to support the show,
give a little or a little more Patreon dot com,
Slash on the podcast network. Okay, season eight. The question
on my mind is, well, should we do the.

Speaker 2 (02:33):
Game first or sprinkle it in later? People love the game.

Speaker 1 (02:39):
Let's start the season off with the game, all right.

Speaker 2 (02:41):
And for the cheapos people who are getting there for free,
they love us, but not enough right to sign up
for five dollars.

Speaker 1 (02:48):
A month, so they may have never played the game before.
And I thought about that.

Speaker 2 (02:52):
Mm hmmm.

Speaker 1 (02:53):
So the game is called is it Love is Blind Music?
Or is it not Love is Blind Music?

Speaker 2 (02:58):
Because the music is an integral part of the emotional
journey that we all go on.

Speaker 1 (03:03):
Everything. Yeah, this show is a pile of dog shit,
and the music.

Speaker 2 (03:06):
Is even worse.

Speaker 1 (03:07):
Is part of the quilt that is so smothered in
fucking shit from Nick and Vanessa Leasha, who we refer
to as Puffy and Tipsy because Vanessa has a drinking problem.
That's why Nick has a botox problem. That's right, Okay,
So the way this game is is work is this.

(03:27):
I will play a song and then Patrick and you
at home will guess whether or not it is Love
is Blind Music or it is not Love is Blind Music?

Speaker 2 (03:34):
That's right.

Speaker 1 (03:35):
Now.

Speaker 2 (03:35):
There's a couple of things typically that will give you
a hint that blind music, which, as they are very
on the dose lyrically a hundred. So if you watched
a scene where someone just said I love you, but
I don't know if this is gonna happen. Two seconds later,
a song will show up that says I think I
love you.

Speaker 1 (03:56):
But I'm not sure if this is gonna happen. Right,
very well, let's start with an example. Okay, this is
not part of the actual game. This is a practice,
a practice round, just to show people what the game
is like.

Speaker 2 (04:08):
Okay, oh my god, this is so Love is blind music.
It's not even funny, right, yes, okay, I can see
just the transition from the women's quarters to one of
the cast members walking in and sitting down. This is
love is blind music. Yes, oh, Patty knows that. Am

(04:30):
I right or not?

Speaker 1 (04:31):
You're right? Love is blind music. That's a very easy one,
just to give you an idea of what the what
the game is like. Now we'll get into the guts
of the game, and it gets a little trickier when
we're actually in the game.

Speaker 2 (04:42):
Dyl And I have to tell you, I don't know
if they got a music budget this season. It did seem,
at least in this first episode that the music was
a little bit better.

Speaker 1 (04:50):
Well, let's see, Okay, we're pulling from we're pulling from
seasons of yours. This is not a game specifically attached
to this season. Enough, okay, so now we will begin
the game and just a three round game. Is it
Love is Blind Music? Or is it not love?

Speaker 2 (05:05):
Score at home?

Speaker 1 (05:06):
Now? A bad game for me is you getting all
of them? Right? A good game for me is you
not getting a single one?

Speaker 2 (05:11):
Now, Dylan, last time we played, I believe I went
five for five.

Speaker 1 (05:15):
You went four for five. Was my worst game ever.

Speaker 2 (05:17):
Okay, so we're gonna play. I want you to be honest. Okay, yeah,
be honest because this is also going to be on
the Patreon feed. Patreon listeners, put in the comments. Score,
give your real.

Speaker 1 (05:29):
Score, yeah, real score, no cheating? Okay? Ready, is it
love is Blind Music? Or is it not?

Speaker 2 (05:33):
Like? Okay, this is there's horrible music out there, Dell,
good guys, lit. Okay, you can start.

Speaker 1 (05:47):
No, I can't.

Speaker 2 (05:48):
Oh, we gotta do it for the listener.

Speaker 3 (05:49):
You want to give them a little bit of time,
take a breath, hold it it as long as you can.

Speaker 2 (06:07):
Oh boy, dal Now that's second the pre chorus that
kind of got me in because that sounded like love
is Black music. Yeah, Okay, this song is one of
those songs that if you had a friend of a
friend that said.

Speaker 1 (06:20):
I'm getting into the music industry, and then can.

Speaker 2 (06:22):
I play you a song because I heard you yea?
And then they play it and then you have to
pretend that they have a shot at a career, which
they don't.

Speaker 1 (06:28):
You go you depending on how much you've drank that
that evening, you go? Did you is this for a
dog commercial? Is this for a dog food commercial? Did
you make a song specifically for a dog food commercial?
And then they would be offended by that.

Speaker 2 (06:41):
I think this song is so horrible that I don't
even think it would make the cut for.

Speaker 1 (06:46):
Love is Blind That's a really interesting route you took there.
So officially, finally answer.

Speaker 2 (06:53):
My final answer, reach this is not love is blind music.

Speaker 1 (06:58):
Are you sure?

Speaker 2 (07:00):
Should I call a fred read You're gonna fuck me over? Yeah?
I'm sure it's not love.

Speaker 1 (07:06):
That song was not? Oh no, no, sorry, hang on?
Oh whoa?

Speaker 2 (07:15):
What's going on?

Speaker 1 (07:16):
WHOA?

Speaker 2 (07:16):
What is it love is blind music? Or not?

Speaker 1 (07:18):
That's love is blind music? Oh damn it. I know
that's pretty crazy, right, And I put that in there
because that's the worst love is blind music I've ever heard.
But that is love is blind That is so bad,
pretty bad chorus.

Speaker 2 (07:32):
Though, God, I should have gone.

Speaker 1 (07:34):
With my gut, I know, I know, all right, Well,
why don't you give this one a little bit more room? Huh?

Speaker 2 (07:39):
Okay?

Speaker 1 (07:43):
Is this love is blind music? Or is it not?
Love is blind music?

Speaker 2 (07:49):
Oh? My god, Stone, Oh God, I'm your corner It's
got the lyric thing going. Okay. This would be after
a fight at the resort and then the guy's going
up to the room, you know, and he's her corner stone.

(08:12):
You know. Oh darl this is someone man, you really
you made this tough. This is love is by music?
Just definitely love his blind music.

Speaker 1 (08:20):
Are you sure?

Speaker 2 (08:22):
Yeah?

Speaker 1 (08:23):
That is not love is music?

Speaker 2 (08:25):
Dylan? You figured out how I figured this out?

Speaker 1 (08:28):
And it's wow. What a game? What a game.

Speaker 2 (08:34):
Can lose?

Speaker 1 (08:35):
Let's see, you can lose all three now. I want
you to be true to yourself. I want you to
be true to your heart. Okay? Is this love is
blind music? Or is it not? Love is blind music?

Speaker 2 (08:43):
I don't even know why where you find shit is
as this? This is love is blind music. This is
one hundred percent is what this is? When a girl's
going back to the women's quarters after she just had
the best conversation ever. Yeah, she's holding that.

Speaker 1 (08:59):
Nope, I want to give it a little bit more
room to bring.

Speaker 2 (09:01):
Now I know with certainty this is Love is Blind music.
It's so horrible. If I was the parent of whoever
created this, I have to struggle to lie to them,
to tell them to continue.

Speaker 1 (09:18):
In the music. Well, I'm struggling to tell you that
is not Love is Blind music. I told you, I
told you it's my best game ever.

Speaker 2 (09:26):
There is no way I told you that is not
Love is Blind.

Speaker 1 (09:30):
This artist has been on Love is Blind for it,
but that is not Love is Blind music.

Speaker 2 (09:36):
Okay, Okay, I feel like I got fucked over with
a technicalndar.

Speaker 1 (09:40):
No, no, no, you didn't get fucked over. Listen, this is
how this is how the game is constructed. Okay, I'll
go to an official playlist, because there are lots of
playlists that say inspired by and and I don't know
which ones which they're right. So I go to a
Love is Blind Music playlist, right, and I start listening
to the just the trough of dog shit there. It's

(10:02):
a very difficult game for me to produce because it
makes me sad. I listen to the music, I go, wow,
this is horrible, and then I start a radio off
of that, and I go through all of the songs
that are bullshit that sound exactly like it, and then
I cross reference it with ai chut GPTLGPTQ to make
sure that this isn't or is on Love is Blind music.

(10:23):
It's a perfect game.

Speaker 2 (10:24):
You suck to me sake of transparency. I appreciate you
working us through your process. Yeah fine, I'm okay with
the results. Yeah I lost. I'm a loser.

Speaker 1 (10:32):
Oh for three guys, today's episode is brought to you
by Factor. Okay. Factor is an amazing, amazing company that
we're gonna talk about later in the episode. That's right,
because you know, I just got too excited to talk
about Factor. That's what happened there. But you know, you
know these ad salespeople, they go, wow, it was before

(10:53):
the ten minute marks, so I'm not really sure that.
But anyways, let's get to our blind folds. Yes, that
is our rating system for this show, Our blind folds.
Can I go first?

Speaker 2 (11:05):
Yes? Please?

Speaker 1 (11:06):
I am very concerned that we don't need this. Why
do we have I'm watching Love Is Blind? Right, and
I'm like, do we need do we need to do
this again?

Speaker 2 (11:22):
I think we do.

Speaker 1 (11:23):
I don't think. I don't think we do.

Speaker 2 (11:26):
It's your time. I'll share my blind.

Speaker 1 (11:28):
Thank you fucking cross talk. I mean, Jesus Christ. The
love is Blind magic that we witnessed in season one
was it wasn't bloated, it was trimmed down. It was,
for the most part, kind of gangrenous, hideous people trying

(11:51):
to fall in love with one another.

Speaker 2 (11:54):
You don't tell what are we doing.

Speaker 1 (11:57):
We had thirty episodes that are ninety minutes long, seventy
minutes long. It's like, no, no, we don't need that.
These people are jogie whites from the Midwest. I don't
want to watch them talk about their fucking dead siblings
for an hour and a half six episodes on a weekend.
Grow up Netflix. Nobody wants to watch the dumps of

(12:18):
this show. Give it to us one a week. We
don't need this, all right, zero blind. I'm not happy
about that.

Speaker 2 (12:24):
I understand. I see where you're coming from. You're upset
because Dylan and I watch this stuff differently than the listeners. Do.

Speaker 1 (12:31):
No, we don't, we don't, Yes, we.

Speaker 2 (12:33):
Do no because you have to take some notes and
you have to commit some things to memory.

Speaker 1 (12:36):
Yeah. Well yeah, other.

Speaker 2 (12:38):
People start this at eight o'clock at night, after the
kids in bed, pour a glass of wine and just
let it roll.

Speaker 1 (12:45):
Right, and they fall asleep in the middle of the
third episode. They wake up the next day, they go, well,
I don't really know where we were, but it doesn't matter.

Speaker 2 (12:51):
And they play on their phone. Yes. The season one,
the average episode running time was thirty two and a
half minutes. Well, it maybe thirty nine, but yeah, And
it was eight episodes, and it was amazing television. It
accomplished what it was meant to do, which is in it.

Speaker 1 (13:05):
Drove it drove itself.

Speaker 2 (13:07):
I'll tell you why. Producers. You know, we were invited
to Love is Blind Live thing. That's we're very popular
in the Love is Blind universe. I and I know
they listen. And I had suggested maybe a mistake on
my part two years ago. We needed more time in
the pods and I needed more emotion invested in the
actual conversations. Yeah, big mistake on my big mistake, because

(13:28):
now I'm staring that down at the barrel, Staring down
the barrel of five episodes at least in the pods.

Speaker 1 (13:35):
Because before we get the fuck out here, if we're
going to have broken lab rats who have volunteered to
forego any turning of the world that they were previously
a part of to be fucking lab rats, we don't
want to hear their substantive dialogue about the emotional stages

(13:58):
that they can never aught pie period. So why don't
we just cut the bullshit, get some people with horrible
credit and some really bad drinking problems, and just make
the episodes thirty seven minutes.

Speaker 2 (14:10):
Okay, I get that, but I will say this. It's
there's something about a slow How do you describe movies
as slow burn?

Speaker 1 (14:18):
Yeah, we're talking about like Manchester by the Sea.

Speaker 2 (14:20):
I'm talking about a lot of movies that I click
on it with.

Speaker 1 (14:23):
Manchester by the Sea was just like kind of sad
for like an hour and a half. Then you find
out that he like lucked his his kids in a
house and then like burnt it alive on accident. I
heard that it was pretty much a slow burn.

Speaker 2 (14:33):
It was a slow burn. Yeah, sometimes you gotta, you know,
commit to some boring stuff. I'll just say this, these
are my blindfolds. Slow burn I'm as a podcaster, not
looking forward to nine hours of television that I need
to watch and take notes on over the next week.
But I am emotionally invested. I for some reason, I'm like,

(14:57):
I cannot wait to see these people at that resort,
or once they look at each other, or when they
start fighting, because that is the best part of this
series is when they have sex and then they're kind
of like, oh, that's what she looks like. Oh the
other girl that I was talking about. It's just amazing television.
So I'm i'm I'm I'm getting a hand job. This

(15:19):
is the four play, and I'm really not enjoying the
hand job. Maybe there's a little too much they're not
paying attention to the step children. I don't know.

Speaker 1 (15:27):
But eventually, kind of like a carnival game there, eventually
there will be that.

Speaker 2 (15:31):
Time when it starts revving up and getting very exciting.

Speaker 1 (15:34):
Yeah, and so.

Speaker 2 (15:36):
I'm into it. I like the casting. These people are
very impressive as far as their careers. There's only a
couple fuck ups.

Speaker 1 (15:42):
Yeah, we don't need impressive.

Speaker 2 (15:44):
Okay, David, there's always a David on this show, and
by that I mean a male pig, a douchebag that
rather than going to therapy to figure out why he
just sleeps with a bunch of women and is emotionally disconnected,
rather than go to therapy to fix that, he signs

(16:07):
himself up for a reality TV show.

Speaker 1 (16:08):
And then well he goes I like this and the
world needs it.

Speaker 2 (16:12):
Maybe he's interesting to me because he's made it this
far and I'm still getting to learn the names. Just
full disclosure. Yeah, I think this is going to be
a good season. I think they did a good job
on casting in Minnesota. This is interesting. Not happy about
having to watch nine hours of telling.

Speaker 1 (16:33):
You too many nice people.

Speaker 2 (16:35):
Nice people are good, Dylan, whether or not when you
go to people that showed up here to be famous,
like I think second season you had who is the
Indian guy who is a veterinarian?

Speaker 1 (16:46):
Not sure?

Speaker 2 (16:47):
Shake, he's a fucking douchebash.

Speaker 1 (16:50):
Shit back shake yeah. Yeah.

Speaker 2 (16:53):
And there's been so many others but there, but he
was better than nice.

Speaker 1 (16:56):
I mean, how many times have we referenced the not
so subtle way of trying to find out if the
girl was fat.

Speaker 2 (17:02):
Or not, if I was if we were at a
concert and it was Brad Paisley and you couldn't see
over the crowd?

Speaker 1 (17:09):
Could you?

Speaker 2 (17:11):
Could you sit on my shoulders?

Speaker 1 (17:14):
Yeah? Yeah, two pots.

Speaker 2 (17:19):
I'm gonna give it fifty blindfolds.

Speaker 1 (17:23):
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Speaker 2 (17:52):
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Name another one.

Speaker 2 (17:58):
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Speaker 1 (18:00):
Yeah yeah, yeah, oh.

Speaker 2 (18:01):
Man, finding out that your grandmother was a Nazi.

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(18:51):
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Speaker 2 (19:45):
The pods are rote bit hell yeah they I miss
Puffy and Tipsy.

Speaker 1 (19:50):
Do you really I do? Uh?

Speaker 2 (19:52):
And Dylan, let me just get out of the gate
with this. They have a bigger cast, which they bragged about.

Speaker 1 (19:56):
A lot of whites.

Speaker 2 (19:58):
There's a lot of what's wrong with a lot of whites.
It's Minnesota, for gods, I.

Speaker 1 (20:03):
Know a lot of fucking nice whites from Minnesota. I'm
just saying I'm not that amped up for that.

Speaker 2 (20:09):
You like a mixed cast a little bit.

Speaker 1 (20:11):
If somebody serves me a bowl of overcooked noodles with
chili and white onion on top, I want to be
able to joke about how gross it is without really
hurting their feelings. Again, that's Minnesota to me. That's the
Midwest to me. Okay, and that's the good part of
the Midwest. The bad part of the Midwest are just
hicks that have gone completely unnoticed. I mean, all the

(20:33):
hicks are in the South. Now they're in the Midwest.
They're filthy drunks.

Speaker 2 (20:38):
Well, what else is there to do up there? Let
me say this, I love a big cast and my
favorite kind of reality TV, although not Ninety Day Fiance
anymore is multiple couples, which they bounce around to. Yeah,
it's way more interesting. One of the biggest disasters that
ever happened was season four of Love is Blind, where
they literally went to the altar with two couples. It

(20:59):
was unwatchable. It was horrible. It should have any other
series would have taken a break.

Speaker 1 (21:04):
To re kind of calendar figure this out.

Speaker 2 (21:06):
Yes, it was that horrible. The way that they counter
that is to cast more this many people, more more.
We as Americans, we want more. I love that we
have more. I would love for them to walk out
of there and allow eight couples to go to the resort.

Speaker 1 (21:22):
Netflix is the Walmart of streaming services.

Speaker 2 (21:25):
That's right, all the costco.

Speaker 1 (21:27):
Puffy and Tipsy head out. Nick asks, why do you
want to be on Love Is Blind? The answer at
this point and kind of always has been to a
certain degree, which is why this show has laid waste
to so many contestant slides. They just want to be
on television, and it's not even TV. They want to
be on street, they want to be on anything.

Speaker 2 (21:43):
You think so these people, I think like there's a
dentist in there, there's people with doctorates, may prove.

Speaker 1 (21:51):
Me wrong, but I'm not going to get proven wrong.

Speaker 2 (21:54):
Okay, this is what I enjoyed about this revealed though.
We got some real lookers here, and we got our
first level that.

Speaker 1 (22:00):
Make any sense. Prove me wrong, but I'm not going
to get proven wrong. I guess I'm going to stay
in my trepidacious, little angry place right for now.

Speaker 2 (22:08):
I'll be the positive person, you'll be the positive.

Speaker 1 (22:10):
I have no faith in any of these jugy whites,
and then if they have heart, that'll be a welcome surprise.

Speaker 2 (22:15):
Okay, So we have our first leprechaun.

Speaker 1 (22:17):
Yeah. Uh.

Speaker 2 (22:18):
And then one of the girls looks like the singer Tiffany.

Speaker 1 (22:20):
Uh is the one that got drunk at all those
chili cookouts.

Speaker 2 (22:25):
Ah, you're talking about the singer, the professional singer Tiffany.

Speaker 1 (22:29):
Yeah, But in.

Speaker 2 (22:30):
This case it's Molly.

Speaker 1 (22:33):
Yeah.

Speaker 2 (22:33):
She's never had a boyfriend. The little guy is named Daniel.
I like Daniel Yeah. And he has this idea that
he's not going to disclose that he's.

Speaker 1 (22:44):
Short, Daniel David Alex. I mean, it's just a bunch
of fucking whites, right, goddamn jukie white guys.

Speaker 2 (22:50):
I like Daniel a lot, but I would give him
some advice. Do not hide the fact that you're kind
of short.

Speaker 1 (22:57):
No, it's it's fucking rat boys, short king summer. I mean,
what are we doing here?

Speaker 2 (23:02):
Think about this? And I wish Ruby was doing this
recap with us, because.

Speaker 1 (23:07):
I'm sorry to interrupt. It is so fucked right now. Okay,
the boomers fucked everything up, what with their greed and
financial instruments and stuff like that. Then you and I
are six two. We walk through our entire life right
being like, oh that's that's like you have a leg

(23:28):
up literally, and now all of a sudden, we're into
short guys. What the heck happened? Eggs are eight bucks
and we're into Timothy Shams. It's like, what kind of.

Speaker 2 (23:43):
Heck God cruises five eight?

Speaker 1 (23:45):
What kind of goddamn planet? I gotta live on to
have privilege?

Speaker 2 (23:51):
Yeah?

Speaker 1 (23:51):
You know what I mean.

Speaker 2 (23:52):
I feel like I got ripped off.

Speaker 1 (23:54):
Yeah, it's just crazy.

Speaker 2 (23:55):
Well, this little guy, I think it's at some point
you're gonna have to up personally. I don't think five
eight is short, but a lot of that phrase, you know, tall,
dark and handsome. You know that when you ask a
woman like would she prefer apparently they're they're pretty judgmental
about height. So what he should do is at some

(24:16):
point when he connects with one of these ladies is go, hey,
you know when you stand next to a car, Yeah,
and most people can see the top of the roof.

Speaker 1 (24:29):
I can't where did tall, dark, and handsome come from?
Because I feel like, for the majority of American history,
you'd probably you'd get killed for saying that, can you?

Speaker 2 (24:38):
I mean, I I think it means like maybe like
a spray tond or something.

Speaker 1 (24:42):
I don't know.

Speaker 2 (24:43):
Okay, definitely the tall part and handsome mm hmm. But
women love tall men. No, No, that's fine, that's fine.

Speaker 1 (24:54):
I don't know. I don't know what the what the
origin of it is, but what with the legacy of racism,
it's robust in this country. It's it's shocking to me
that that became such a commonly said aphorism. You know, tall,
darken hands.

Speaker 2 (25:06):
And I don't like a pasty white parson?

Speaker 1 (25:08):
No, who does? Who does?

Speaker 2 (25:10):
All?

Speaker 1 (25:11):
Right? Where we're going to begin here to we're going
to begin with well before we begin Nick, Nick has
got a step doing this thing where he goes, you
know this this show is not about your looks. It's
not about your race, it's not about your age, and
he extends it this time too, it's not about your income.

Speaker 2 (25:28):
It is. We actually had a contestant who married a
dude whose credit card didn't work at a gas She dumped.

Speaker 1 (25:37):
Him, right, because your credit card should work at a
gas station.

Speaker 2 (25:42):
That's right. Can I I don't know his car is
not taking my pin number? Can I bow forty bucks?
But that makes you a loser. Women don't want that,
because if you're gonna have children with someone you want
to like to know that you'd be financially secure. It's okay, Yeah.

Speaker 1 (25:57):
I When my wife and I were starting to get
fairly serious, we went on a trip to Barcelona and
I had no money. She floated the whole thing, and
I was like, hey, can you pay for this? Hey?
You were young though, yeah I was, but still even then,
my wife was like, oh god, he hasn't paid for
a fucking thing on this entire trip, you know what
I mean. Women don't like.

Speaker 2 (26:15):
That, No, no, no, no, But it worked out for you.

Speaker 1 (26:17):
Yeah, no, it worked out great.

Speaker 2 (26:19):
So Daniel's up first seems like a.

Speaker 1 (26:21):
Nice guy, loved the callback to damn Daniel, that was
just an era of innocence on the internet, you know
what I mean. I mean there were still like people.

Speaker 2 (26:29):
What's the cultural reference?

Speaker 1 (26:30):
Remind me, Damn Daniel, back out of the camp with
the white funds, you remember.

Speaker 2 (26:38):
Might have passed me by. I didn't have an iPhone
cell twenty fourteen.

Speaker 1 (26:41):
That was an era where on the Internet you had
like innocent, humorous, funny things, and then you had women
like eating shit out of coffee, you know what I mean.
So it was more binary and safe.

Speaker 2 (26:54):
Oh I missed those times.

Speaker 1 (26:55):
Yeah, those times were good. His sister was born blind,
that is very sad. And Taylor, he sits down with first,
is a nurse, and you know what that means.

Speaker 2 (27:05):
This is what I'll say, Daniel, I'm talking of him
right now. Is so normal that I think he's gonna
do fine here too. Normal is good. We've had enough
of those guys that whip out an acoustic guitar and
start rapping or something or improving like just a bunch
of fucking weirdos.

Speaker 1 (27:24):
Know, But but for our purposes and for the purposes
of American entertainment, let's bust out the acoustic guitar, right
we don't want oh you know, uh, you know, you know,
it's like getting the fuck out of ar so boring.

Speaker 2 (27:41):
Okay, I think David is providing the douchary for us
a little bit, although he scaled it back on the
second part of the episode, but definitely him coming out
and there being a montage of him and I'm getting
ahead of myself, sorry, is uh so, what are you
fucking here? A fucking dumb bitch, which is what he
was insinuating. I think he's a male pay but yeah,

(28:02):
we don't. I think they weeded out a lot of
the people that are going to come in and kind
of mess with the experiment.

Speaker 1 (28:08):
Yeah, this show thinks that this is the major problem
with this show. This show thinks it has heart. We
get to these reunions and we're talking about babies, and
we're talking about what does your future look like?

Speaker 2 (28:25):
You are.

Speaker 1 (28:27):
Hosting a fucking rodeo like this is nothing more than
people flicking dirt in each other's face and crying, let's
behave accordingly.

Speaker 2 (28:39):
All right, Dylan, you and I are bumping heads on
the direction of the show. Yeah, I am bored as
you are. However, again, the for play, I enjoy the
real conversations. You're a little bit more cynical, and you'd
like it to be more unseerious.

Speaker 1 (28:54):
I'm not cynical. I'm a realist. These people are not
going we don't have a good batting average on this
show because love isn't blind. This isn't how human beings connect.
This is a fucking This is a show that is
mired with with accusations of horrible treatment towards the castr
I'm just saying, let's ramp that up, Let's get the

(29:14):
cattle prods in people's hands, and let's have a good time.

Speaker 2 (29:17):
Let me say this the batting average of Indian culture
and matchmaking or people doing the dolry thing where they're
like the dollery, isn't it the dowry? W Yes? Okay,
so meredi first site which the show completely copied, although
when it reread the description on Netflix it says bachelor
meets ninety day fiance. Please explain to me what part

(29:39):
of this show is similar to It is a one
hundred percent stolen from Meredith for a site. The batting
average for the first three seasons of Meredith. For a site,
they had like nineteen marriages and they're still together. Yeah,
this show aspires to be that.

Speaker 1 (29:55):
Now. Who's watching married at first? Seven? I am?

Speaker 2 (30:00):
They have like thirty two episodes a season. It's crazy,
all right, all right, anyway.

Speaker 1 (30:05):
Let's get to beat out in d Buck. These two
love basketball. He coaches assistant girls basketball, which is amazing
and not that lucrative. We then get to Vertie.

Speaker 2 (30:15):
Well, I was gonna say, have you ever seen Love
and Basketball? No, it's a great movie. It's yeah, I
hear it's Lebanese Lana. We went to go see it
in two thousand. I've never forgotten about that film. It
came on. It came on about five years.

Speaker 1 (30:25):
I said, Leo was Leo in that?

Speaker 2 (30:27):
Leo? Who's Leo?

Speaker 1 (30:27):
No? He was in Basketball Diaries. Oh no, No, it's
it's Basketball Diaries. Different.

Speaker 2 (30:31):
It's about two teenagers that come up in high school
basketball and then they both become professional athletes and they
fall in love. Well, they were in love before that.
But it's a great movie.

Speaker 1 (30:39):
Oh okay, but Varsity Blues isn't. No.

Speaker 2 (30:44):
I want to say this, and this might be get
me in trouble. Oh god, I didn't like Britney's shoes.
They look like something that a Martian would wear. They
were very silver and they hurt my eyes. Look at it,
looks like something that Marsian would wear before they come
down here and eat our brains. Okay, learn how we think?

Speaker 1 (31:00):
Yeah, yeah, okay, I didn't like it, all right, no problem.
We then meet Virginia, who is a food Yeah, she's
a foodie.

Speaker 2 (31:10):
And del wait for it, wait for it, wait for it,
her favorite food as a foodie.

Speaker 1 (31:17):
Burritos.

Speaker 2 (31:18):
Yeah okay, yeah, right, I liked you, Virginia.

Speaker 1 (31:22):
Yeah. You You can really tell a foodies a foodie
when they their favorite food is one of the emojis.
Oh yeah, should have said hot emoi. Yeah, hot dog, cheeseburger.
Now listen, I mean that's some of my favorite foods.
I mean, I wouldn't say that I'm a foodie, but
I because foodies are some of the most annoying people

(31:45):
on planet Earth. Foodies are people that go to restaurants
and then don't enjoy the experience. They just kind of like,
are there, what do you what? What?

Speaker 2 (31:55):
No? I'm agreeing one hundred percent. Yeah, I wasn't as
annoyed by that term foody as much as you were
years ago, but I've come around to it. Yeah, yeah,
I like Virginia a lot, very impressed, pH PhD. But
you announcing that burrito is your well favorite food, it
means you're basic.

Speaker 1 (32:14):
Well and let it really does. Let us know how
good the burritos are in the Midwest.

Speaker 2 (32:18):
I'm sure they're amazing.

Speaker 1 (32:20):
Yeah, I mean, you can make burritos really great anywhere.
And you know, Mexican culture is robust and it's it's
hit lots of different corners.

Speaker 2 (32:26):
Now, Dylan, you and I have discussed how much information
can you hint at in these pods to announce that
you're hot, fucking hot?

Speaker 1 (32:35):
Probably lots of different ways.

Speaker 2 (32:37):
Well, at some point I think it was Tony the
Golden Retriever had said that something he's white. I think
it was David Okay, Yeah, but Virginia announces she's a
former NBA cheerleader, which is telling him she's hot. Yeah,

(32:59):
and that's intense.

Speaker 1 (33:00):
Yeah, good job Virginia, and hey, you are hot. Good
for you. So Joey is from Minnesota. He's kind of
helping people calm down by asking them what calms them down,
and he sits down with Monica. This was very confusing
to me. They both love to swing dance and they
both hate country music. That's little at odds, is it not.

Speaker 2 (33:26):
Yeah?

Speaker 1 (33:26):
I like this guy.

Speaker 2 (33:28):
I do too.

Speaker 1 (33:28):
He seems really sweet.

Speaker 2 (33:29):
Let me tell you something that I don't like. He's
Joey the Golden Retriever, I think is his nickname. I
think if a dog had hair that looked as ridiculous
as Joey has, the dog would run in front of
a moving car and kill himself.

Speaker 1 (33:41):
Well, it's probably an Afghan.

Speaker 2 (33:43):
Lose that dumb hair. Yeah, yeah, yeah, fucking you are
so goofy looking, honestly, jeez, take it easy, man.

Speaker 1 (33:52):
He has three sisters asterisk right, a brutal way to
you know.

Speaker 2 (33:58):
He'll share the details later. Way too much trauma. Yeah,
in this first episode of people talking about death and drug.

Speaker 1 (34:10):
Out kind of thing, It's like, maybe it is like
The Bachelor and ninety Day Fiance because one of the
main things that The Bachelor does so poorly is this
the trauma bond date of force trauma. It's just like
such an awkward thing, and that's.

Speaker 2 (34:23):
Not something you should bond on initially. That's something I'm
not a relationship expert, but if you're bonding over how
miserable your childhood was that's not a connecting point. There's
so many other things that should bring to people.

Speaker 1 (34:37):
It could possibly be a connecting point, but let's not
start with that. At first base Monica got broken up
with We'll get to more on her later. We got
to get to David next. Great guy asks every girl
what is wrong with you?

Speaker 2 (34:50):
That is sprinkled in with some bad dad humor. I
don't like this guy.

Speaker 1 (34:55):
Yeah, so it's a little bit like you. It's a weird.

Speaker 4 (35:04):
Form of.

Speaker 1 (35:07):
Social neurodivergency where you you land on a line that
you think is cool and then you just pick everyone
that question. It's it's like, it's like a little bit
like the jock at summer camp who turns out to
be so unlikable that even his friends turn on him

(35:30):
and then it's just him and the kid that he
was bullying at the lunch table. And you know that's
a beautiful story, right, but it is like what are
you doing? It is like what are you doing?

Speaker 2 (35:39):
He's a superficial dude. And it's funny because I think
he's going to pick the girl that has a tattoo
that says fuck the patriarchy.

Speaker 1 (35:48):
No, he's not gonna pick her. No, Molly said she
would do anything in the bedroom once.

Speaker 2 (35:53):
That's a great point.

Speaker 1 (35:54):
He's not gonna buy lord.

Speaker 2 (35:57):
Tattoo. Yeah you can see you know.

Speaker 1 (36:00):
Yeah, Hey, Molly, uh, this is why this show's good.

Speaker 2 (36:03):
You're picking up on those little details, and you're being
very acute to what a guy would pick up on,
what David would pick up.

Speaker 1 (36:09):
That's right, Yeah, what is what is that? Yeah? Yeah, ye,
it's so weird that she does that.

Speaker 2 (36:18):
She's cute. Okay, she looks like Bryce dallas Hard, Bryce
dallas Hard, Yeah, that's her poor names.

Speaker 1 (36:27):
Yeah, that's a poorn to start name. Okay. So he
works in aesthetics and he tells Lauren that when she
hits thirty, she's going to be gross. She laughs that
off because she's too nice and says that the greatest
thing a father can do for their kids is love
their mother. And I love Lauren for saying that. That's
so beautiful.

Speaker 2 (36:46):
Well she didn't, she repeated it, but that was a
one of those things you buy at Walmart.

Speaker 1 (36:51):
Oh yeah, and her dad's dead, right.

Speaker 2 (36:53):
Yeah, her dad's said, yeah, and he put that on
his desk, And that's what I thought about that, And
I actually lived that. My wife and I we fucking
passionately make out in front of our kids. Oh yeah,
sometimes I bend her over loves right right right right, yeah, yeah, yeah,
they'll appreciate that one.

Speaker 1 (37:09):
Yeah, that's it. They'll they'll see what a successful domestic
partnership looks like, and they'll know how to love again.
Why are you Why are you spinning in my son's face?
Well that's how That's what mommy and daddy do.

Speaker 2 (37:29):
Jesus Christ, that's how you show love.

Speaker 1 (37:32):
We don't want Ellie hanging out with Joshua anymore. She's
too perverse for a seventh grader. Molly sits now with David.
If I wanted to have a boyfriend, I could. These
two people are absolutely perfect for one another. David says

(37:52):
that he's a white guy here, naughty little piggy, and
Uh says that his parents aren't together anymore because his
mom passed away.

Speaker 2 (38:00):
She's dead.

Speaker 1 (38:00):
We've got we have got to stop doing this thing
where we frame the split like it's a split, but
then you're I mean, technically it's not really Like you
don't bring in a divorce lawyer when somebody tragically passes
in a car accident. You know, it's just not the

(38:21):
thing to do. I'm divorcing your mother.

Speaker 2 (38:25):
She's dead now. Just because we're moving through cast members,
I assume people watch the show as they listen to
this podcast.

Speaker 1 (38:31):
I assume they don't.

Speaker 2 (38:33):
Mollie Is Mollie the artist?

Speaker 1 (38:36):
No? No, that is someone else.

Speaker 2 (38:37):
I'm sorry. Mollie is the cute redhead. Sorry forget me,
forget me?

Speaker 1 (38:40):
Okay? Dead Meg?

Speaker 2 (38:44):
Oh, I love Meg. We'll get to mec hold onto.

Speaker 1 (38:48):
Yeah, now Meg's great.

Speaker 2 (38:51):
All right, all right, let's go to the living quarters
for a second, because, uh, Devin in Virginia. Why did
I say the living quarters? They oh, this is where
Evan shares with the guys that Virginia and him went
to the same high school. I have a theory. Did
you watch the trailer before coming in to watch the episode?

(39:11):
You hear a female voice say he knew who I
was the whole time and what I looked like. And
I think it's this couple because we're not in Los
Angeles on this show. We're in fucking Minnesota. If a
girl that went to the same high school with as you,
is it only five years older? Is an NBA dancer

(39:33):
or a cheerleader.

Speaker 1 (39:34):
Yeah, you fucking know that that's true. That's a good point.

Speaker 2 (39:37):
So this is Pat's theory. I could be wrong, but
I think this is the couple where he knows who
she is.

Speaker 1 (39:44):
Yeah, she looks like, what a little dick bag huh
If that's true, what a little bag of digs.

Speaker 2 (39:49):
Also, I would assume when love is blind and Puffy
and Tipsy show up to your town to start casting,
it's a small pool people, right, right, right. You're thinking
you're going from twenty five to thirty four whatever, and
those people are all single. They kind of know each other,
so you start talking. I think that's a fun aspect.
I don't know how much how interesting that will be.

Speaker 1 (40:09):
I think he's a good theory. Okay, I think it's
a good theory. Okay, But let's get to Alex's cool
story from him. When he was younger, he had an
afro severe acne bracism. When he told the girl he
had a crush on her, her and her friend started
laughing at him, and he ate lunch in the bathroom.

Speaker 2 (40:26):
What's her mother and dad drug adicts?

Speaker 5 (40:28):
By the way, they found each other in rehab, right,
and it didn't work out because they were too young,
and then she later married another guy who died of
a fetanyl overdose.

Speaker 2 (40:39):
And oh, I'm sorry someone gave you a noogie at lunch.

Speaker 1 (40:44):
Well, I mean being ridiculed and laughed at like that.
It's quite It has a lot of staying power.

Speaker 2 (40:50):
I know. But when you're having a trauma bond and
your contribution is when someone tells you a bunch of
people I know are dead from drug overdoses and basically
an orphan and then you go yeah. In the seventh grade,
a girl told me my hair look funny.

Speaker 1 (41:05):
One, well, he's got some sad stuff. She's she's got
sadder stuff, all right. So this is Madison, I think.
She said she grew up in India, surrounded by cornfields,
but I might not have been.

Speaker 2 (41:14):
She did. She said, I was boring and I always
saw myself in my life as something bigger than this.

Speaker 1 (41:18):
Okay, So she traveled around quite a Madison, Yes, Madison.
She went to Paris, she went to the Middle East.
She learned a lot, including Arabic, and she did all
those things because she was fleeing a broken home that
was helmed by a bunch of drug addicts. That's right,
And if there's one thing I know about drug addicts,

(41:40):
they're not great at helming really anything.

Speaker 2 (41:45):
Good parents either, yea, but she's trying to break this up.
I forget how she put upon a generational curse cycle.

Speaker 1 (41:53):
Oh yeah, yeah, okay, now Alex comes in. He goes,
that's pretty sad.

Speaker 2 (42:00):
Ready for this one. Get out the tissue box in
the eleventh grade. Someone, No, no, no, no, that's not what
it was.

Speaker 1 (42:07):
It was actually really sad.

Speaker 2 (42:08):
Oh was it?

Speaker 1 (42:09):
Yeah? He got kicked out a house by his parents
because he was so stupid.

Speaker 2 (42:14):
Yeah, because that works like.

Speaker 1 (42:15):
That now, I mean, listen, if that's real, that's true.
I want to meet those people yesterday. So I think
these two seem great for each other. I actually really
like them. They're really fueling each other.

Speaker 2 (42:28):
She also hints at how hot she is, because she
talks about how she was ugly as.

Speaker 1 (42:31):
Well to bond with him. Oh yeah, and they said.

Speaker 2 (42:34):
Then I got my twenties and I had my quote
unquote glow up, glow up, yes, saying I'm hot, right right, right, Well,
let's get.

Speaker 1 (42:40):
To Mason Macaulay Culkin. He's a cinematographer. He's very close
to his nieces. One is eight and one is three.
How can you be very close to a three year
old and an eight year old.

Speaker 2 (42:52):
You show up at the house every other Sunday and
bring a present. But he's also a skater. Boy, see
you later, boy, Yeah, yeah, yeah.

Speaker 1 (43:00):
Now Madison a little some more sad stuff from Madison
had a brother named Brett.

Speaker 2 (43:08):
He's dead. He is this is I'm sorry, I'm sorry,
this is too much.

Speaker 1 (43:15):
Shit too early. Well, yeah, and he's named after Brett Farv,
who's a tough person to be named after. Brett Farv
is not a good guy.

Speaker 2 (43:23):
No, he's a pig who's cheated on everyone in the industry.
And then he sends dickics.

Speaker 1 (43:29):
Yeah, well not not just that, but he's siphoned.

Speaker 2 (43:32):
A bunch of money or something Mississippi State.

Speaker 1 (43:36):
No, it's not allegedly he's a scumback. But yeah, we'll
get to more of her finance family dynamics. And luckily
they're not a red flag to the guys in the
experiment because two more shallow, less understanding people, i e.
Yourself and myself. I think that we would we would

(44:01):
both be you know, on the other side of the partition, goingykes.

Speaker 2 (44:08):
Yes, I don't want any part of this. I'm sorry.

Speaker 1 (44:12):
Yeah, but Mason's got another date to get to.

Speaker 2 (44:15):
Oh yeah, and even better, Yeah, Meg, Yeah she looks
like a Meg.

Speaker 1 (44:21):
She does look like a Meg. I am very sad
that she is not going to make it out of
the pods.

Speaker 2 (44:26):
She's not. No, yeah, probably not right. She'd be fun
outside the pods.

Speaker 1 (44:34):
Why are you talking about Meg?

Speaker 2 (44:35):
Okay? Ah, she's a flight attendant. Yeah, and a lot
of people have told her voice sounds like she's a
sex worker. I was thinking, let this play out because
I've been on a lot.

Speaker 1 (44:46):
Of No, you sound like a moose, not a sex worker,
and more like a hooved moose.

Speaker 2 (44:55):
I'd love to hear a moose tell me that I
can't have any pretzels?

Speaker 1 (45:00):
Yeah?

Speaker 2 (45:01):
Can I have a pillow? This is her as a
sex worker? Okay, yeah, can I Can I have some brezzos?
No beverages?

Speaker 1 (45:15):
Food? Oh my god, that's because.

Speaker 2 (45:17):
The flight is so short. Oh wow, I'm going across
the country. Shut up.

Speaker 1 (45:25):
Yeah, you haven't had a good time flying lately.

Speaker 2 (45:27):
No, not in the last eight years, flying socks, We listen.

Speaker 1 (45:34):
The big problem with Meg is that she's extremely annoying.
It doesn't stop talking. But she has a lot of
I like Meg a lot. She's very vivacious, and she's
full of energy and beautiful, all the all the all
the boxes.

Speaker 2 (45:52):
Telling her I'll do the heavy lifting, everybody. Okay, let's
just say it. And this is gonna get a drump by.
I don't care.

Speaker 1 (45:59):
I missed when this show is behind to pay one.

Speaker 2 (46:03):
But I'm just gonna say it because you all know
it's true. Makes crazy, it makes amazing and bath.

Speaker 1 (46:09):
Okay, here's the thing. If you are an adult human
being and you are talking to me about Bob Lazar, aliens,
the Joe Rogan podcast, and your first kind of entry
is that when people pour metal into ant farms, it

(46:30):
reveals an incredibly intraconstructor, and you think that that's what
the gods do to us with natural disasters. I'm going
to run the other way. One. Okay, where do we
go with that? Two? I don't want to talk about aliens.
I don't want to talk about aliens with grown adults.
I really don't. There's nothing you think they're real? I

(46:52):
don't know. I do, Okay, Jesus, that's it.

Speaker 2 (46:58):
I'm so sad for you to announced that we're not
going to see her leave this place.

Speaker 1 (47:02):
Yeah no, I don't think we are. But today's episode
is brought to you by a nag magnificent company, l
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Speaker 2 (47:21):
What is there to.

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(48:04):
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Speaker 2 (48:12):
I get stressed out and I take a specific gummy
for that and it has changed my life.

Speaker 1 (48:16):
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loomigummies dot com code bad T. They all right, keep

(48:39):
it going.

Speaker 2 (48:40):
All right? So I think where we are now is
back with David and Mollie. I like Mollie. She is
the redheaded girl, and this is where it gets sexual.

Speaker 1 (48:51):
Yeah. On his part, I thought you're gonna call her
Ringwold or something.

Speaker 2 (48:55):
No, no, no, no, Who's I love Mollie Ringwold?

Speaker 3 (48:59):
Uh?

Speaker 2 (49:00):
He doesn't like God? What is it? Oh the movie Exorcist?
Because I think where she went to school, like had
a Catholic background. She's totally terrified by that. Yeah, this
is when he just like switches topics. Hey, well, what
sexual position are you into?

Speaker 1 (49:14):
Yeah? You know how like speaking of that priest that
told you that he had exercised a demon out of
that out of somebody in real life? You know how
they get all bent up and stuff. Do you like that?

Speaker 2 (49:23):
Do you like this?

Speaker 1 (49:24):
Do you like that? Yeah?

Speaker 2 (49:26):
She kind of plays a long eye was shocked by it,
but he asked her what type of kiss kisser you are,
which is an absolutely stupid question.

Speaker 1 (49:34):
Yeah, I think.

Speaker 2 (49:34):
Like he's yeah, I know what he's doing here. I
see you, David, I know what you're doing.

Speaker 1 (49:38):
What is he doing?

Speaker 2 (49:39):
He's trying to feel her out if she's down to
be sexual? Yeah, Like, how far can I get you
to admit this stuff?

Speaker 1 (49:47):
And it's kind of gross, but it kind of works
because she pretty much admits that she'd go rather far.

Speaker 2 (49:53):
Yeah. Yeah, she said there's no nothing off limits in
the bedroom. And this is when old Patty you know,
I'm a jokest her. I yeah, how about a Gerbil?

Speaker 1 (50:02):
Yeah? Nothing off limits? Yeah?

Speaker 4 (50:05):
Yeah yeah what if she said no, even that I'll try.

Speaker 2 (50:17):
This girl's a freak, then I think we get to
because David is like a main cast member, like they
love David.

Speaker 1 (50:25):
He picked Molly in this moment, like we mentioned you
think so. I think so because Lauren is a boring
Midwestern girl who won't eat ask like a fucking door,
you know what?

Speaker 2 (50:33):
I for boring? Lauren. Yeah, no.

Speaker 1 (50:40):
It well, okay, Lauren is very pretty, and I didn't
say she wasn't pretty. Wine Hag is very pretty too.

Speaker 2 (50:48):
Yes.

Speaker 1 (50:50):
Now when she's drinking no no, I heard, she turns
into a witch and her skin starts to melt and
it looks like she has more veins than she actually
does in her face because it's not actually the veins,
it's just a makeup. Well it could be the main what.

Speaker 2 (51:06):
Okay, So Lauren and David they discuss parents and siblings,
and he says he's learned how to deal with women
from his sisters. You know, yeah, that's another little tactic
of these male pigs.

Speaker 1 (51:19):
Yeah.

Speaker 2 (51:19):
Look, I know the sensitivity of women because I had sisters.
They taught me so well, except for the last ten
years of your life, where you've admitted that you're basically
a pig.

Speaker 1 (51:27):
Yeah, yeah, yeah, exactly. And he's got a lot of paradoxes, right,
Like he says that he's really good at reading, but
that he has to read things fifty times in order
to understand them. And it's like that that means that
you're bad at reading. Actually, Taylor and Daniel are up next.
She sounds like she survived attempted murder this morning.

Speaker 2 (51:45):
Her voice is shredded as much as those ridiculous pants
that she's wearing. Never wear those again, those are stupid,
They're not functional. There we're gonna reflect.

Speaker 1 (51:54):
That real fashionista. Huh.

Speaker 2 (51:56):
No, I just things that like don't make sense and
shouldn't be seen for another forty years to just like
fashion wise. Yeah, this is one of those.

Speaker 1 (52:03):
Oh, okay, got it. Well we get to Joey and Monica.

Speaker 2 (52:07):
Oh god, this is in the men's squads.

Speaker 1 (52:11):
No, this is in the pods. Ok. He reveals that
he had a ton of D one offers for college
sports and declined them all to take care of his sister,
who was not going to be cared for by his
mother and her sister. His sister at cerebral palsy. I
believe he bought a home at twenty seven, kind of

(52:33):
as like a retirement home for his mother. The guy
is a fucking gem.

Speaker 2 (52:39):
He's a nice guy. Hair looks ridiculous. They bond over
the film Sound of Music, which, oh, that's right, way
too long. I've seen it multiple times. It is it
is way too long.

Speaker 1 (52:51):
The Sound of Music, the racist one of the Nazi
one Nazi one.

Speaker 2 (52:53):
Okay, he's flexing here these conversations. Of course, as human beings,
when we're getting to know someone, you're trying to forty
eight laws of power will teach you this. There's certain
things that you can read into. Why are you mentioning
this to me? Clearly he's saying, I'm established, I'm safe.

Speaker 1 (53:11):
Yeah, I have money.

Speaker 2 (53:13):
Yeah, I'm a golden retriever. I care for people.

Speaker 1 (53:16):
He's either going to be great the whole way through,
or there's going to be some darkness that shoots out
of those fingers.

Speaker 2 (53:20):
Well remember the real nice guy from last season where
when he went away for one day, she discovered his
text and he was telling us, Oh yeah that guy.

Speaker 1 (53:29):
Yeah he came out somebody's head.

Speaker 2 (53:30):
Yeah yeah, he said I want to drop.

Speaker 1 (53:32):
I was in a sleep study. I was just sitting there.
I just started texting people about how I wanted to
drop come on their head.

Speaker 2 (53:38):
Yeah, this could be Joey the Golden All right, Well
we'll see back to David and Lauren.

Speaker 1 (53:45):
They talk tats. Lauren has FTP tattooed on her. Fucked
the patriarchy. Fuck yeah, fuck the patriarch. Oh yeah, you
know what I mean.

Speaker 2 (53:58):
It is.

Speaker 1 (53:58):
It's very evil and fuck it seriously.

Speaker 2 (54:06):
Yeah, I agree.

Speaker 1 (54:08):
David's tuts are love always and proud of you. Well
those were from his mother who's dead.

Speaker 2 (54:14):
Yeah, a letter that she wrote him. That's so thoughtful.

Speaker 1 (54:17):
Divorced. His parents are divorced by someone came between them.
It was just the grin fucking.

Speaker 2 (54:27):
Pad, that hatchet. He's like a divorce attorney. Yeah, it's like,
you guys are going going to be together anymore. It's
not because you know he was cheating. It's because you're dead.

Speaker 1 (54:37):
Yeah, that is sad. David and Lauren are good, but
he's got one more date with Molly. Molly Molly and
to talk. We continue to talk.

Speaker 2 (54:49):
About Yeah, boy, is he basic? I was just talking
about tattoos. Why don't I just start this conversation? And
she admits she has an asked tat. Yeah, yeah, this
is she's playing for the win here. I think. So
you think, between, how do you feel about ass tats?

Speaker 1 (55:08):
Well? Where are they on the ass?

Speaker 2 (55:11):
Well? I don't like tattoos on people. I have three.
They're stupid. I regret all of them, and when I
have enough money, I will have them laser removed.

Speaker 1 (55:20):
Yeah, I talk about your tattoos really quick.

Speaker 2 (55:22):
Well, I have one on my side that says Rockin'.
I was in the deep depths of alcoholism when I
showed up to a tattoo shop. Legally they probably shouldn't have.

Speaker 1 (55:33):
And what is the tattoo say again?

Speaker 2 (55:34):
Rocking? Yeah. And for the last ten years, when I
go to the beach, I sometimes question whether or not
I want to take my shirt off. Not because I'm fat, No,
my body's hot. It's because I have rocking tattooed on
the side of my beautiful body, right right right. I

(55:57):
couldn't believe when I woke up the next morning, the
morning and saw yeah, it's like, oh my god, yep so.

Speaker 1 (56:03):
And the other one is.

Speaker 2 (56:04):
A barbed wire that fair enough? Sober did that? My
mom bought that for me.

Speaker 1 (56:09):
And what's the third one?

Speaker 2 (56:10):
Uh? This stupid thing?

Speaker 1 (56:13):
Oh? Yeah, this son. Because I'm a leah, okay, ask
tattoos are pretty trashy, Yeah, I think, yeah, I think
so Okay.

Speaker 2 (56:26):
So then we get to the women's quarters and this
is fun because Lauren, I'm sorry Mollie thinks that it's
a girl named Sarah who we've barely seen, is the
only other girl talking to David, But in fact, she
makes a misstep, misstep by sharing with Lauren that it's
David and that's the cliffhanger.

Speaker 1 (56:47):
Bump bump bomb. Get in the comments, let us know
what you thought, Let us know how you fared in
the game. Let us know how your weekend's going. Hope
you had a happy Valentine's Day. I'm Dylan saying goodbye.
We'll see you next week for more, I'm Dylan saying goodbye.
Pat says good bah.

Speaker 2 (57:00):
Light or d you think of? People are very of
a silly love song. Don't look at Ronnie ever, see
it is a song.

Speaker 1 (57:16):
Some people want to kill the world with silly love songs.
And what's wrong with that?

Speaker 3 (57:28):
I'd like to know se