BedPost Confessions

Ebony Stewart's “Scarlet Letters” is a story about tattoos and how the intention of the art may differ from the interpretation.

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Queer, geek girl Auburn Olivia shares what it’s like dating in Austin when you're Black and non-monogamous in “Enough.”

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Through a political personal narrative Julie Gillis weaves together her hysterectomy and the power of democracy in "Hysteria."

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Tickets to the November 2020 Show on Eventbrite

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From our "Second Skin" show, Danielle and Melissa Skidmore share “Beautifully Complicated: Love, Grief & Resilience.” One couple. Two stories. A lifetime of skins.

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Boylesque performer and sex educator Jasper St James won't yuck your yum in this “Ask a Sexpert Q&A."

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Digital Show Tickets and Information

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Dancer turned writer Kari Burke shares her story "What is Love? Baby Don’t Hurt Me” about complicated emotional entanglements. Her story was first told in the personal narrative and then in Kari’s main love language, dance. Her performance truly exemplified the show’s theme Phoenix Rising as it was Kari’s first aerial silk dance performance in 2 years since an injury. It was also her first time on the BedPost stage.

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From the cock she lovingly refers to as “Jaguar” to the flouncy 80’s dresses and feathered hair, Holly Lorka has shared a lot on the BedPost Confessions stage. But how much do you actually know about her day job? Well, you're about to get schooled in “Hotter, More Intensive Care.” Holly Lorka is a writer, storyteller, and retired standup comedian whose work has been included in several anthologies and podcasts, including Dan Savage...

Producer of our sister show Tipi Confessions, Dr. Kim Tallbear writes about the subject of non monogamy and how it intersects with Indigenous politics and sexualities. Kim will share some of her 100 word vignettes that for fun we are calling “A Little Sex on the Prairie. Kim TallBear is a former Associate Professor in the Department of Anthropology at the University of Texas. She is now a faculty member in Native Studies at the Uni...

Rope bunny turned rope rigger with a passion for breaking body barriers in and out of kink, Cynna Rae reveals a kink taboo in “Fear.” In Cynna’s words, “This story is a deep dive into my darkest secrets. These are the moments I spent searching for what it is I wanted, finding my kinks, and battling shame. Now, I am unafraid of what it takes to find my sweet spot.”

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After years of failed attempts to have sex because of pelvic pain, Shelby Hadden triumphs in “Winning my Virginity.”

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Managing depression with sex is part of Adam Maurer’s self care, but his perception of self was thrown once he caught feels in "Come and Connection."

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Clara Bensen shares a story that parallels adolescent sexual discovery in a deeply conservative Christian family with the myth of the temptation of Eve in “Forbidden Fruit.”

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Post-divorce Nell Seiler needed to find her way back to the passionate person she was before her marriage. Enter “The Handyman.”

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With titillating inspiration from her muses, Jade Fusco developed Erotic Jazz Cabaret: creating improvised songs inspired by the anonymous confessions people write. Hear Jade's on the spot musical interpretations from audience confessions about having sex with the man hired to move your home, period sex, sex while driving, and an accidental ejaculate beverage.

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Kelly Marshall tackles the complexities of gay dating as a transmasculine individual in “Very Low to Zero.”

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Arielle Sokoll-Ward finds a powerful and unapologetic self-love by way of grief in “Metanoia.”

"I told him to strip to his boxers. I sat him in his chair, blindfolded him, and tied his arms behind his body. I set up my playlist, which obviously included Rihanna, John Legend, and even Smashing Pumpkins. I told him to wiggle his blindfold off and I preformed a strip tease that went to lap dance that led to passionate, animalistic ...

In "New Me. Who Dis?" Nikki DaVaughn shares how she's changed and lessons learned since dating women: "One minute I was gearing up the nerve to ask her if she’d give me another chance to prove that I don’t f*ck like a straight girl and the next minute we’re sitting at my house folding each other’s laundry in t-shirts and our period draws."

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In a life that has been done, undone and redone more than once, Jami Shofner postulates “Is it Done Yet?”

"I’ve been working on putting together a 5-year-plan for over 50 years, but every time I try to actually work my 5-year-plan, I only manage to get as far as next month at the most. Losing my way of life, several times, forced me to re-evaluate what I was doing, where I was and what I wanted. It forced me to learn new things ...