August 8, 2025 • 33 mins
Original Release Date: May 17, 2010
Dan Holiday heads to the Bayous of Louisiana to investigate the case of a healthy man wasting away and expecting to die. Only one explanation is offered-witchcraft.
Original Air Date: July 21, 1948
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Dan Holiday heads to the Bayous of Louisiana to investigate the case of a healthy man wasting away and expecting to die. Only one explanation is offered-witchcraft.
Original Air Date: July 21, 1948
Support the show monthly at patreon.greatdetectives.net
Support the show on a one-time basis at http://support.greatdetectives.net.‘
Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715
Take the listener survey…http://survey.greatdetectives.net
Give us a call 208-991-4783
Become one of our friends on Facebook.
Follow us on Twitter @radiodetectives
Check out our social media at https://www.greatdetectives.net
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:43):
Welcome to the Great Detectors of OldTom Radio from Boise, Ottaho. This
is your host, Adam Graham.Got a comment, Email me Box thirteen
at Great Detectors dot net, castyour vote for the show on podcast Alley,
Podcast Alley dot Great Detectives dot net, and you Kim I'm a fan
of the show on Facebook, Facebookdot Great Detectives dot net. A reminder
(01:04):
that coming up on Saturday, wehave our one hundred and fiftieth episode special,
so we're gonna give you an extraepisode. This one will be an
episode of suspense and it will starAlan Ladd. It's called One Way Ride
to Nowhere. You're going to enjoythat. And before we get into today's
episode of Box thirteen, I dowant to let you know about Audible.
(01:26):
Audible has a great offer going forlisteners of the Great Detectives of Old Time
Radio where you can sign up tryit out for two weeks and get one
free audiobook. Go to audible podcastdot com slash Old Time Radio to give
it a try. I've mentioned beforeyou can get Shadow the Night of Darkness,
(01:47):
including two never before released episodes ofThe Shadow, as well as on
array of other radio dramas, includingsome dramatized versions of a Hobbit and The
Chronicles of narn as well as asubscription audio subscription to your choice of either
The New York Times or The WallStreet Journal. So you can try that
(02:08):
out. Go to audible podcast dotcom slash Old Time Radio. That's Audible
podcast dot com slash Old Time Radiofor your free trial. Now time for
today's episode of Box thirteen. Deathis at all Box thirteen with the style
(02:30):
of Paramount Pictures Alan Ladd As DanHoliday Box That Team Caretst Huns. I
don't know quite how to begin thisletter except to say that it may sound
fantastic to perhaps even a joke,but please believe me. I am serious,
(02:54):
and the situation is serious. Aman is dying and he has nothing
wrong with him. He believes he'sgoing to die five days from now,
and so bart La Fay is dying. A strong, healthy man is dying
because of witchcraft. I know thissounds incongruent, it's one of the Sentry,
(03:24):
but if you will come to BelowLouisiana, you will see for yourself
and perhaps be able to help.Sincerely, Doris Gordon. Sure I laughed
when I sat down to read missGordon's letter, but the last stopped in
Blue Louisiana. And now back tobox thirteen and Ben Holliday's newest adventure,
(03:53):
Death is a dollar. But misterHardy, you don't believe this, do
you, Susie. As my oldgrandfather used to say, there's no such
thing as a sure bet or asure loser. I don't get it.
Well. To quote the time onepassage from Shakespeare, there are stranger things
(04:14):
in heaven and earth, Horatio thanI dreamed of in your philosophy. Who's
Horatio? That's beside the point.But ter Howiday, she says, witchcraft.
Now, that's just it's d Impostushad a girl, Susie. You
never let me down. You hadto hunt for it, but you found
the wrong pronunciation. Back beside thepoint. There it could be. But
(04:35):
something tells me that the Louisiana offersinteresting possibilities. Before I took off for
Louisiana, I went to the StarTimes and did little research. You know,
it's surprising what a person can findout about things. He thought went
out with the oil lamps, horsecars and witch trials. But look at
(04:56):
the bustle. Everybody thought it wasdead. But now look you just look
anyway. What I learned made mechange my mind a little. About that
letter from Doris Gordon, who metme at the station of Balloon five minutes
after I got off of the train. We were driving along a dusty back
road in a little car. Ididn't think you'd come, mister Holiday.
(05:16):
I never refused a chance to getmixed up in something that sounds different or
insane. Well, what's the difference. Automobiles and radios were different when they
came along. Before that, theywere insane, But this is different.
We're in the twentieth century Salem inthe Witch Hunts history history, Well,
the bat at Cliche in the centerField history repeats itself. I know.
(05:41):
Oh, by the way, noone must know why you're here, mister
Holiday. Yes, why not?Because these people are fine and honest,
but they're liable to resent a stranger. Oh, so what happens? I
want you to pretend to be mycousin Glad too, But both they know
you haven't got a cousin. Iteach school here. I've been here only
six months. No one knows muchabout my personal life. They've come to
(06:05):
trust me and like me. Ithink new accept you because of it.
Now I bored with the Lafe's lafe. Oh your letter mentioned a Bart Lafery.
Yes, he's the youngest son andhe's dying, so your said,
yes, in one month he's becomealmost a dead man. Why what did
(06:27):
the doctor say? Said? There'snothing wrong with Bard, but there has
to be. That's what I toldmyself. I told it to Bart.
But mister Holiday he knows he's goingto die because someone has told him.
Who who told him? I don'tknow who started it, but now everyone
in Balloon knows it's It's been likea snowball building building building in love with
(06:48):
Barn. Yes, I am allright, but well I don't see what
I can do that you got to. It was only by chance that I
saw your advertisement in The Times,a newspaper published in a city hundreds of
miles from here. Remember Adventure wantedWill go any place? Do anything right?
(07:10):
Box thirteen. I had to writeto you, Justiminimus Gordon. Let
me ask you one question, whathave you gone to the authorities the shelf
for example? Of course I have, And mister Holliday, the law can't
help when you're fighting something. Youcan't see. So I was taken into
(07:31):
the Lafae home as Doris Gordon's cousin. There was something about the house,
Laura fear that hung over it likea deadly Paul. Bart's mother, his
father, and his two older brothersseem to have accepted the fact that Bart
will die die when he said intwo days. That night, Doris arranged
for me to be alone with Bartin his room. The house was located
(07:53):
near the edge of one of thebig bayous, and somewhere outside in the
night, the strange, eerie animalsound seeped through into the room where I
sat with the sick man. Howdo you feel by it not fitting,
mister Holliday, Come on, Ilook here about it. The doctor says,
there's nothing wrong with you. Ain'tnothing he knows, ain't nothing he
(08:13):
can no, no, Look,a man just doesn't die without something being
the matter. I got just twodays fall, but that's nonsense. I
snap out of it. It justdon't believe it, do you, mister?
No, No, I don't.And why don't you ask down in
the village, ask anybody about what'shappening to him? People see that happened
(08:37):
before, and it ain't nothing nobodycan do. Ain't nobody can help the
right dars dars water. We can'tswallow when he's like this here about set
up, shut up, let's selfbreathe. It's kitting worsh It's like somebody
tightening a rope around my neck.Soon little gets a tight I can't.
(09:03):
You mustn't say that nobody can helpnobody, Doris? What damn? Where's
the doctor in the village. I'mgoing there. You stay here with Barn,
all right, take the car.There's only one doctor, yes,
doctor Brennan. All right, Idon't leave Bart. I'll be back soon.
(09:24):
I'm sorry, holiday with There's nothingI can tell you. There's nothing
wrong with Bart la Fay. You'resure of it. Look anything that drags
a man down from two hundred oddpounds two hundred and fifty, i'd know
about. Maybe I'm just a vitanit that way, doctor Brennan. But
but as you say, a mancan't lose over fifty pounds, and look
as Bart does without a cause.I know that as well as you do.
(09:46):
Yes, we're better than I do. So let's be honest with each
other. Honest. What do youmean because you're a doctor and because you're
rational, logical and reasonable, youwon't let yourself accept the own the explanation
of Bart's illness. I can't listento any such nuns in Soliday his bots
conditioned nonsense. You're supposed to bean intelligent man, yes, and so
(10:09):
are you, because I am.I won't think about it. You've never
seen it happen before. No,but you've heard about it. Anybody who
lives among people who believe in ithas heard about it. All right,
now, doctor, let's say whatwe're thinking. I'm not thinking anything.
Bart la Fay is dying because becausehe's the victim of witchcraft. You don't
(10:33):
believe that, if you mean witches, charms, potions and that stuff.
No, I'm as hard headed asyou are, But Bart believes him by
so ridiculous to you and me,yes, maybe a hypochondric is too,
But to him, his imagined illnessesare real. You don't laugh at him
and send him away, do you. Well? Of course not, and
(10:54):
I'll tell you why not. Youknow his illnesses and his mind, so
you play along comfort him, becauseif it didn't, you'll know he'd become
worse simply because he'd think he waswe'll all right. Supposing you're right about
bot, what can we do?Boy, you've taught him there's nothing really
wrong a hundred times. There's nothingelse I can do that I might be
(11:16):
able to help find out who startedthis thing and why it continues. If
we destroy the cause, bike willget well. Do you expect me to
help? Wa't you, Holliday?I'm a doctor, a physician, a
member of association. If I pokedaround in something like that for an effect,
(11:37):
do you think it did have onmy reputation? Yes, I see
a point and it's up to mealone. I'll help you up to a
point. Beyond that, well,it'd set all yours. Enough. Now
I've got to talk with the peoplehere. You won't get very far.
Why not, because not one ofthem we'll see anything or lift the things
(12:00):
because they're scared too. That's it, Doctor bart La Fay as only to
morrow and the next day to liveunless I can lick this, and I'm
going to try. I left doctorBrennan and went back to the La Fay
place. I had to talk toDoris alone, and later in the darkness
(12:20):
outside. Damn, it's too fantastic, too weird. Now listen, to
me, Doris. I did alot of reading before I came down here.
Know what I found out. No, in the last ten years have
been over a hundred cases of socalled witchcraft. As recently as nineteen thirty
nine, a man on trial formurder claim self defense on the grounds at
the person he killed had charmed himhexting. Unbelievable, That's what I thought.
(12:46):
But look in the newspaper. Finalsthis is the twentieth century, it
could be the hundred and twentieth doors, and still people will believe what they
want to believe. Do you believeit? No? No, there's no
power on earth it can kill likethat. The only power lies in the
victim's mind, in his will tobelieve, and by believes it so strongly
that he's dying. He can't die. Just must look who started this?
(13:11):
There had to be someone the planetthat suggested this. Mind. No,
when there isn't a person in thevillage, in this whole parish who doesn't
like barth but there has to bedoes It must be some horrible, malicious
joke. Joke would have been calledoff before this. Then. I don't
know if if I'd go into thevillage tomorrow how would I learn from the
people? Probably nothing. No onewill come near here. I have to
(13:35):
drive in for supply by that oneby gors. I ran into the house
and of favor standing at the doorBart's room, staring at the closed door,
terror in their faces. I ranpast. But but do I's like
a lamp. Hurry here, butbar ah, he's all right, he's
(13:58):
been just stated. But why why? Here's your answer? What? What's
that? Doors? Shut the door? Keep the rest of the family out
of here. There, please boughtthat lamp? What are you looking at?
(14:24):
Is there somebody in the clearing outthat? No, no, not
a soul. I didn't expect tosee anyone. You didn't expect. Look
this charm, the maid bart screamwas tossed in through this window doors and
nothing supernatural magical about it. Therewas a human being who tossed it in.
(14:46):
But why to let Bart? No? He has only two more days
to live and now back to deathis a doll. Another Box thirteen adventure
with Alan lad at Damn Holliday.It wasn't pretty. That charm where it
(15:13):
was made with feathers and leathern bitsof bone, gave me a cold chill.
I stuck it in my pocket andthen took it out again. It
was silly, but I didn't wantthe filthy little thing near me. Bart
came too. He made him comfortable, and I spent the rest of the
night sitting by his bed. Thenthe next morning, Saturday, Doris drove
me into the village. Well,she did some maarons. I went into
(15:33):
the general store. Morning, mister, Oh, good morning, in there,
I do something for you. Well, I stranger here, ain't you?
Yes? It this game in yesterdayafternoon. I'm Miss Gordon's cousin.
Oh, sure, I'm girl,Miss Gordon. Yes he is. Boys,
(15:58):
here's Miss Gordon's key cousin, Damnsthe head masters. Hello, how
are you? John Latous Chuck Wilson, Hi, the harest of him?
Hi. Staying in valuispell mister,mister names Dan. Just call me Pop.
(16:19):
Everybody else does that? Will Cuchtears about ten year ahead of me.
Okay, Pop, as I wasasking there, staying long? Well,
I don't know. Vacation slaughter,Oh, staying here at the hotel?
No, no, no, oh, Rett in the old Gerard cabin
(16:41):
folks do for vacation. No,I'm staying with the LaFace. Well,
I must have said something wrong.It's one mighty good way to clear the
store. Just mentioned Lafase. ArntLafays liked he was. Was you come
(17:04):
in here to buy something? Mister? No, I I gotta get dizzy.
I gotta get some stock put away. He want something? I want
to know something. Maybe you cantell me depends. I don't know much.
I'll make it worth your while.You can put away your money,
mister. If And I wanted tomake talker, I wouldn't take no pay
(17:27):
for it. Oh, I seehim. I'm sorry. You ain't staying
long with the Lafase, are you? I don't know you better? No,
listen, Bart Lafay is dying,you know he is. He's been
ailing, not been fitting pop.Who's doing it to him? I ain't
(17:48):
got no idea what you're talking about. I think you have. You can't
stand by and see a man dielike that. Sooner or later we all
got papa. If you can tellme anything, I ain't no you asking
me? If if and you wantadvice, mister, don't stay no more
at the face I got back.Oh no, wait a minute, Papa,
(18:12):
and I was useless to try thatanymore. I went outside and stood
there for a moment. Then Iglanced back at the star and staring out
at me from a windows the faceof a girl about eighteen, And if
ever a face showed fair there itwas. Before I could move, she
pulled back in a way. Outsidein the street, little groups of people
(18:33):
stared at me in When I lookedback at them, they walked out of
sight. Fila. Down the street, I saw Darth since he was talking
with a big husky fellon. Iwalked toward them. Dan, what did
you find her? Nothing? Iknew it? Oh Dan, this is
dig Lawson Butt's best friend. Dig. This is Dan Holiday, my cousin,
(18:56):
and Yellow Livid was scared. Huhlook like look, yeah, mister,
I ain't scared. If you wantany help, I'll give it to
you. Thanks due, But canyou help? Maybe I've got an idea,
an idea, ditch about what look? Yeah, someplace out in to
buy you. It's what's killing boughtto buy you. Yeah, I know
(19:17):
that they buy you like a backof my own hand. Some funny things
can go on out there, mister, Like what I see the doll once
hanging from a tree, dressed uplike a man. It was dressed up
like Bill Dakon. Ain't long afterthat Bill took sick, but he died.
You saw that, ditch, Whydidn't you do something? Mean?
(19:37):
I ain't gonna touch nothing like that. They ever touches it, they get
sick and die. You think that'swhat's happening to buy it is that it
did? Maybe? I see?Well, thanks for offering to help.
That ain't nothing. You'd better begetting back now, Dan, Oh,
yeah, you damn see you?Yeah, yeah, y'all, I'll see
(19:59):
a letter if I did. Doris. How good a friend is dis de
barn Well? They grew up together. Would he tell us if he knew
who was doing this to barn Oh, I'm sure he would. He when
we have someone Elvis, I thinkhe's really afraid too. You never admit
it. Do you think you'll beable to help? That depends what he
(20:21):
said about that doll and Bill Dakin. Did you believe it? Yes?
I did, because it's happened before. Dan, you can't mean it.
You can't mean it because it's impossible. So is the fact that Bart's dying
with nothing wrong with him, buthe is. And how can we stop
it? Dan? I don't knowyet. We've got to find out today.
Tomorrow maybe too late. Let's getback to Barn. When we got
(20:48):
back to Bart, I had triedto get him to tell me who had
told him he was doing to die. They wouldn't say Bart had one more
day to live unless unless we couldfind the evil thing that was preying on
his mind. It was later atnight, close to midnight. I putn't
sleep. I was lying on acot when I heard a noise at my
window. Who's that? Who isit? What the don't talk loud?
(21:18):
Mister? Who are you? Myname's Melissa. Please, mister, I
gotta tell you something if you wantto help both way, No, no,
you just gotta listen. I heardyou talking in the store to my
pop. You want to know aboutboss? How do you know? Come
on coming? Did you put thedeath on bar? Did I? When
you find out? I told sheyou killed me? He won't do anything
(21:40):
of the kind of Lissa. Now, what do you know about this?
Everything was all right till she comehere? She's going? He did you
got smitten weathers? Oh no,no, Melissa will fix all that up.
But you've got to tell them whatyou know quickly. Bart took sick.
No, it was something, didyou done? I followed him up
(22:02):
to the bayou, and five timesI followed him to Grandma Juno's place.
Out there, Grandma Juno? Whois she a witch? Melissa? There's
no such thing as a witch?Yes she is, all right, let
it go. What else do youknow? Did she gone out there again
tonight? Tonight? How do youknow? I saw him taking his boat
out of the shack. Mister,he's gone out here to night to see
(22:23):
Grandma Juno. Sall be the lasttime? And he twisted the thraight around
bats neck. And tomorrow you'll bejaid Melissa? Can can you take me
out here? No? He's goneNo more, ain't I'll take sick and
die. Wait right there, youand I are going into town. Never
mind, just right there. Iawakened. Doris thought it was happening,
(22:52):
and took her car, and Melissaand I drove into the village. Later
she doctor Brennan and I went outto the edge to buyo and wonder what
I'm doing. Gets around, I'llbe done for. You've got to help
that, all right? All right? Listen, you sure that you can
lead us to Grandma Juno's in thedog, I think maybe, so come
on a wasting time. Get themob, doctors, cam and boobious.
(23:15):
I've got any IMPI three chess inthe round in the flack of midnight after
a witch. Ready, I amgo straight ahead until we come to the
term and go lay Oh good,Ready, doctor, I gotta be all
right now, no lights and beas quiet as you can. Let's go.
(23:42):
Maybe I'll live to be a hundred. Maybe I won't, but I'll
never forget that midnight boat. Rightall around us, the huge cypress trees
jutted up in the moonless sky.The drooping Spanish marsh brushed our faces,
and it was too dark to seeher foot in front my listening, she
knew what she was doing and whereshe was going. Once or twice the
(24:03):
dark shape in the water bumped againstour rowboat and slithered away. Then let's
right up the Hayden kids could see. Let's say you're sure I'm knowing you
can believe again these people know theirway around these files with her eyes.
Look, that isn't man enough here, did you boke? Stop rowing?
(24:32):
Doctor easy, I'm gonna take chickendog. I'm gonna take chickens. I
hope you will not, Melissa lookgood. Hearn up ahead from the little
island in the light of an oldlantern where digging an old woman didg You
was sitting on a log, watchingwhile the old woman crooned over the dog
crooned over it and wrapped the springtightly around its protesque neck. Silently,
(24:57):
slowly we got closer. It's alook at her words. Please please my
fun my down the devil and thisclock. Shoot, he can't class we
(25:21):
Let's stand the boat top ya.Don't you come dow closing? Haven't you
do him me? He's good,dude, didn't get it. Pick up
that gun, doctor, you getit? For this ship, you get
it. Give me that dog.You know that's better. Let's get back
(25:48):
to bar doctor. What about didhe seems to like it out here.
We'll let him enjoy it a whilelonger. Keep his gun. He let
me see that down It looks likesure it was fucking thing. Huh,
never mind, now, let's getback. Let's see you by. Let's
(26:18):
doll it. It can't harm younow, Things like this can never harm
anyone. It's in your mind.Look, I'll unwrap the string from his
throat. You'll be all right thatthat thing was doing it to me.
No, your mind was doing it. Bar that's all. You'll get better
now, But what about you?What about me? Grandma's juno will get
(26:44):
you, No, she won't.But believe me, there's nothing in the
world like this can hurt you.So I'll go back home and the worst
that can happen will be well,it will be my own fault. Sure,
sure, wis Doris. Oh,I'll say they're in when I leave.
All right. I can't thank yourightly, Dan, Yes you can.
(27:06):
Josh. Remember what I told you, Bond. No harm can ever
come to you unless you bring iton yourself. Gee, what a nasty
(27:29):
looking little dog. It's not pretty. And he actually believed this was killing
him. Well he knows better.Now. Do you feel all right?
Of course? Why? Well,I just hate to think of that terrible
old woman sticking pins in you.Oh no, it's said, no,
it's said, let me sit down, look at the nail, mister Holliday.
(27:52):
Wasn't matter. I felt as thoughsomething stuck me. Mister Holiday.
I Susie, oh my knitting needles. Yeah, good nights, Susie.
(28:14):
Next week, same time through thecourtesy of Paramount Pictures. Alan Ladd stars
as Dan Holiday in Box thirteen.Bats thirteen is directed by Richard Sandville and
this adventure was written by Clark Robling. Original music is composed and conducted by
Rudy Schrager. Part of Susie isplayed by Sylvia Picker. Production is supervised
by Verne Carstenson. Box thirteen isa Mayfair production from Hollywood. Watch for
(28:45):
Allen Ladd and his latest Paramount picture, Welcome Back. When an old Tom
radio show has an episode that's saidin somewhere like Missouri, War Mississippi or
rural Florida, you can't expect thatyou're gonna get a lot of or Tennessee.
(29:06):
The portrayal will include a lot ofhaytied top characters. When it's gonna
be in Louisiana, it's gonna besomething else, entirely New Orleans. The
Bayou of Louisiana an incredibly mysterious sourceof stories and a place of great mystery
(29:27):
that really did seem to fascinate writers. So this story, well not set
in New Orleans. You've got thisBayou thing with with the with the which
somewhat similar to what we saw inthe Haiti episode of Johnny Doller with Charles
Russell. Here they take just areal pure scientific approach on this, which
(29:47):
is kind of interesting. Though alot of the episodes a little bit creepy,
but the nitty Neil needles at theend was kind of an interesting surprise.
All right, Well, let's goahead. We'll get into some less
or comments from Facebook. I postedmy article where I listed all six detective
shows that have more than one hundredepisodes in circulation. Detective actor combos and
(30:15):
I commented, in the golden daysof radio having a show run one hundred
episodes wasn't a big deal, withmany shows doing fifty episodes a year.
It was only a matter of lastingtwo years. And Jocelyn commented, too
bad, it's not like that now. Well it Canda. I don't know
if the actors would quite agree withyou, though, I don't think it
(30:37):
was as big a deal for theradio actors as it would be with television.
Television really was much more of anall consuming pursuit. You had to
write more and do more in anda lot of the TV shows began with
much longer initial runs, but itbasically got to a point or they just
(31:00):
not continue to do that due tothe expense and the energy required with radio.
I was reading one actress wrote abouthow she liked doing radio because she
could basically, you know, justhave her house, you know in the
suburban part of Los angele let's drivein and record the show and just go
(31:23):
about living a normal life rather thanthis very hectic shooting schedule for television.
Television, I think may have beenthe big thing that made it so hard
to continue at the pace that radioset out unshackled. The longest running radio
drama out there still manages to dofifty two episodes a year, so it
(31:45):
can be done. I think it'sjust television and the intensiveness that makes that
such a challenge. And finally,Christian comments on Facebook, I just wanted
to say I loved the show.I found old time radio and fell in
love with all the different mystery anddetector stories. I've listened to a lot
of podcasts, but I'd never heardBox thirteen or Let Georgian until your podcasts.
They are my favorite all ranks,and that's part of what I like
(32:08):
to do with the show. Ilike to bring kind of the old favorites.
A lot of people recognized, youknow, the well recognized shows,
the Philip Marlowe's and Johnny Doller,but also to uncover some of these forgotten
favorites. There are some great showsout there that don't don't get a whole
(32:29):
lot of attention, even within someof the old time radio manufacturers, but
some fascinating stories and we'll look tocontinue to bring those to you. Thanks
for the comment and thanks for listening. Well, we're gonna wrap this up.
Got any comments, Email me Boxthirteen at Great Detectives dot net,
cast your vote for the show onpodcast Alley, Podcast Alley dot Great Detectives
(32:51):
dot net, and you can alwayscall the show two o eight nine nine
one four seven eight three from Boise, Idaho. This is your host,
Adam graham Son and off
Welcome to the Great Detectors of OldTom Radio from Boise, Ottaho. This
is your host, Adam Graham.Got a comment, Email me Box thirteen
at Great Detectors dot net, castyour vote for the show on podcast Alley,
Podcast Alley dot Great Detectives dot net, and you Kim I'm a fan
of the show on Facebook, Facebookdot Great Detectives dot net. A reminder
(01:04):
that coming up on Saturday, wehave our one hundred and fiftieth episode special,
so we're gonna give you an extraepisode. This one will be an
episode of suspense and it will starAlan Ladd. It's called One Way Ride
to Nowhere. You're going to enjoythat. And before we get into today's
episode of Box thirteen, I dowant to let you know about Audible.
(01:26):
Audible has a great offer going forlisteners of the Great Detectives of Old Time
Radio where you can sign up tryit out for two weeks and get one
free audiobook. Go to audible podcastdot com slash Old Time Radio to give
it a try. I've mentioned beforeyou can get Shadow the Night of Darkness,
(01:47):
including two never before released episodes ofThe Shadow, as well as on
array of other radio dramas, includingsome dramatized versions of a Hobbit and The
Chronicles of narn as well as asubscription audio subscription to your choice of either
The New York Times or The WallStreet Journal. So you can try that
(02:08):
out. Go to audible podcast dotcom slash Old Time Radio. That's Audible
podcast dot com slash Old Time Radiofor your free trial. Now time for
today's episode of Box thirteen. Deathis at all Box thirteen with the style
(02:30):
of Paramount Pictures Alan Ladd As DanHoliday Box That Team Caretst Huns. I
don't know quite how to begin thisletter except to say that it may sound
fantastic to perhaps even a joke,but please believe me. I am serious,
(02:54):
and the situation is serious. Aman is dying and he has nothing
wrong with him. He believes he'sgoing to die five days from now,
and so bart La Fay is dying. A strong, healthy man is dying
because of witchcraft. I know thissounds incongruent, it's one of the Sentry,
(03:24):
but if you will come to BelowLouisiana, you will see for yourself
and perhaps be able to help.Sincerely, Doris Gordon. Sure I laughed
when I sat down to read missGordon's letter, but the last stopped in
Blue Louisiana. And now back tobox thirteen and Ben Holliday's newest adventure,
(03:53):
Death is a dollar. But misterHardy, you don't believe this, do
you, Susie. As my oldgrandfather used to say, there's no such
thing as a sure bet or asure loser. I don't get it.
Well. To quote the time onepassage from Shakespeare, there are stranger things
(04:14):
in heaven and earth, Horatio thanI dreamed of in your philosophy. Who's
Horatio? That's beside the point.But ter Howiday, she says, witchcraft.
Now, that's just it's d Impostushad a girl, Susie. You
never let me down. You hadto hunt for it, but you found
the wrong pronunciation. Back beside thepoint. There it could be. But
(04:35):
something tells me that the Louisiana offersinteresting possibilities. Before I took off for
Louisiana, I went to the StarTimes and did little research. You know,
it's surprising what a person can findout about things. He thought went
out with the oil lamps, horsecars and witch trials. But look at
(04:56):
the bustle. Everybody thought it wasdead. But now look you just look
anyway. What I learned made mechange my mind a little. About that
letter from Doris Gordon, who metme at the station of Balloon five minutes
after I got off of the train. We were driving along a dusty back
road in a little car. Ididn't think you'd come, mister Holiday.
(05:16):
I never refused a chance to getmixed up in something that sounds different or
insane. Well, what's the difference. Automobiles and radios were different when they
came along. Before that, theywere insane, But this is different.
We're in the twentieth century Salem inthe Witch Hunts history history, Well,
the bat at Cliche in the centerField history repeats itself. I know.
(05:41):
Oh, by the way, noone must know why you're here, mister
Holiday. Yes, why not?Because these people are fine and honest,
but they're liable to resent a stranger. Oh, so what happens? I
want you to pretend to be mycousin Glad too, But both they know
you haven't got a cousin. Iteach school here. I've been here only
six months. No one knows muchabout my personal life. They've come to
(06:05):
trust me and like me. Ithink new accept you because of it.
Now I bored with the Lafe's lafe. Oh your letter mentioned a Bart Lafery.
Yes, he's the youngest son andhe's dying, so your said,
yes, in one month he's becomealmost a dead man. Why what did
(06:27):
the doctor say? Said? There'snothing wrong with Bard, but there has
to be. That's what I toldmyself. I told it to Bart.
But mister Holiday he knows he's goingto die because someone has told him.
Who who told him? I don'tknow who started it, but now everyone
in Balloon knows it's It's been likea snowball building building building in love with
(06:48):
Barn. Yes, I am allright, but well I don't see what
I can do that you got to. It was only by chance that I
saw your advertisement in The Times,a newspaper published in a city hundreds of
miles from here. Remember Adventure wantedWill go any place? Do anything right?
(07:10):
Box thirteen. I had to writeto you, Justiminimus Gordon. Let
me ask you one question, whathave you gone to the authorities the shelf
for example? Of course I have, And mister Holliday, the law can't
help when you're fighting something. Youcan't see. So I was taken into
(07:31):
the Lafae home as Doris Gordon's cousin. There was something about the house,
Laura fear that hung over it likea deadly Paul. Bart's mother, his
father, and his two older brothersseem to have accepted the fact that Bart
will die die when he said intwo days. That night, Doris arranged
for me to be alone with Bartin his room. The house was located
(07:53):
near the edge of one of thebig bayous, and somewhere outside in the
night, the strange, eerie animalsound seeped through into the room where I
sat with the sick man. Howdo you feel by it not fitting,
mister Holliday, Come on, Ilook here about it. The doctor says,
there's nothing wrong with you. Ain'tnothing he knows, ain't nothing he
(08:13):
can no, no, Look,a man just doesn't die without something being
the matter. I got just twodays fall, but that's nonsense. I
snap out of it. It justdon't believe it, do you, mister?
No, No, I don't.And why don't you ask down in
the village, ask anybody about what'shappening to him? People see that happened
(08:37):
before, and it ain't nothing nobodycan do. Ain't nobody can help the
right dars dars water. We can'tswallow when he's like this here about set
up, shut up, let's selfbreathe. It's kitting worsh It's like somebody
tightening a rope around my neck.Soon little gets a tight I can't.
(09:03):
You mustn't say that nobody can helpnobody, Doris? What damn? Where's
the doctor in the village. I'mgoing there. You stay here with Barn,
all right, take the car.There's only one doctor, yes,
doctor Brennan. All right, Idon't leave Bart. I'll be back soon.
(09:24):
I'm sorry, holiday with There's nothingI can tell you. There's nothing
wrong with Bart la Fay. You'resure of it. Look anything that drags
a man down from two hundred oddpounds two hundred and fifty, i'd know
about. Maybe I'm just a vitanit that way, doctor Brennan. But
but as you say, a mancan't lose over fifty pounds, and look
as Bart does without a cause.I know that as well as you do.
(09:46):
Yes, we're better than I do. So let's be honest with each
other. Honest. What do youmean because you're a doctor and because you're
rational, logical and reasonable, youwon't let yourself accept the own the explanation
of Bart's illness. I can't listento any such nuns in Soliday his bots
conditioned nonsense. You're supposed to bean intelligent man, yes, and so
(10:09):
are you, because I am.I won't think about it. You've never
seen it happen before. No,but you've heard about it. Anybody who
lives among people who believe in ithas heard about it. All right,
now, doctor, let's say whatwe're thinking. I'm not thinking anything.
Bart la Fay is dying because becausehe's the victim of witchcraft. You don't
(10:33):
believe that, if you mean witches, charms, potions and that stuff.
No, I'm as hard headed asyou are, But Bart believes him by
so ridiculous to you and me,yes, maybe a hypochondric is too,
But to him, his imagined illnessesare real. You don't laugh at him
and send him away, do you. Well? Of course not, and
(10:54):
I'll tell you why not. Youknow his illnesses and his mind, so
you play along comfort him, becauseif it didn't, you'll know he'd become
worse simply because he'd think he waswe'll all right. Supposing you're right about
bot, what can we do?Boy, you've taught him there's nothing really
wrong a hundred times. There's nothingelse I can do that I might be
(11:16):
able to help find out who startedthis thing and why it continues. If
we destroy the cause, bike willget well. Do you expect me to
help? Wa't you, Holliday?I'm a doctor, a physician, a
member of association. If I pokedaround in something like that for an effect,
(11:37):
do you think it did have onmy reputation? Yes, I see
a point and it's up to mealone. I'll help you up to a
point. Beyond that, well,it'd set all yours. Enough. Now
I've got to talk with the peoplehere. You won't get very far.
Why not, because not one ofthem we'll see anything or lift the things
(12:00):
because they're scared too. That's it, Doctor bart La Fay as only to
morrow and the next day to liveunless I can lick this, and I'm
going to try. I left doctorBrennan and went back to the La Fay
place. I had to talk toDoris alone, and later in the darkness
(12:20):
outside. Damn, it's too fantastic, too weird. Now listen, to
me, Doris. I did alot of reading before I came down here.
Know what I found out. No, in the last ten years have
been over a hundred cases of socalled witchcraft. As recently as nineteen thirty
nine, a man on trial formurder claim self defense on the grounds at
the person he killed had charmed himhexting. Unbelievable, That's what I thought.
(12:46):
But look in the newspaper. Finalsthis is the twentieth century, it
could be the hundred and twentieth doors, and still people will believe what they
want to believe. Do you believeit? No? No, there's no
power on earth it can kill likethat. The only power lies in the
victim's mind, in his will tobelieve, and by believes it so strongly
that he's dying. He can't die. Just must look who started this?
(13:11):
There had to be someone the planetthat suggested this. Mind. No,
when there isn't a person in thevillage, in this whole parish who doesn't
like barth but there has to bedoes It must be some horrible, malicious
joke. Joke would have been calledoff before this. Then. I don't
know if if I'd go into thevillage tomorrow how would I learn from the
people? Probably nothing. No onewill come near here. I have to
(13:35):
drive in for supply by that oneby gors. I ran into the house
and of favor standing at the doorBart's room, staring at the closed door,
terror in their faces. I ranpast. But but do I's like
a lamp. Hurry here, butbar ah, he's all right, he's
(13:58):
been just stated. But why why? Here's your answer? What? What's
that? Doors? Shut the door? Keep the rest of the family out
of here. There, please boughtthat lamp? What are you looking at?
(14:24):
Is there somebody in the clearing outthat? No, no, not
a soul. I didn't expect tosee anyone. You didn't expect. Look
this charm, the maid bart screamwas tossed in through this window doors and
nothing supernatural magical about it. Therewas a human being who tossed it in.
(14:46):
But why to let Bart? No? He has only two more days
to live and now back to deathis a doll. Another Box thirteen adventure
with Alan lad at Damn Holliday.It wasn't pretty. That charm where it
(15:13):
was made with feathers and leathern bitsof bone, gave me a cold chill.
I stuck it in my pocket andthen took it out again. It
was silly, but I didn't wantthe filthy little thing near me. Bart
came too. He made him comfortable, and I spent the rest of the
night sitting by his bed. Thenthe next morning, Saturday, Doris drove
me into the village. Well,she did some maarons. I went into
(15:33):
the general store. Morning, mister, Oh, good morning, in there,
I do something for you. Well, I stranger here, ain't you?
Yes? It this game in yesterdayafternoon. I'm Miss Gordon's cousin.
Oh, sure, I'm girl,Miss Gordon. Yes he is. Boys,
(15:58):
here's Miss Gordon's key cousin, Damnsthe head masters. Hello, how
are you? John Latous Chuck Wilson, Hi, the harest of him?
Hi. Staying in valuispell mister,mister names Dan. Just call me Pop.
(16:19):
Everybody else does that? Will Cuchtears about ten year ahead of me.
Okay, Pop, as I wasasking there, staying long? Well,
I don't know. Vacation slaughter,Oh, staying here at the hotel?
No, no, no, oh, Rett in the old Gerard cabin
(16:41):
folks do for vacation. No,I'm staying with the LaFace. Well,
I must have said something wrong.It's one mighty good way to clear the
store. Just mentioned Lafase. ArntLafays liked he was. Was you come
(17:04):
in here to buy something? Mister? No, I I gotta get dizzy.
I gotta get some stock put away. He want something? I want
to know something. Maybe you cantell me depends. I don't know much.
I'll make it worth your while.You can put away your money,
mister. If And I wanted tomake talker, I wouldn't take no pay
(17:27):
for it. Oh, I seehim. I'm sorry. You ain't staying
long with the Lafase, are you? I don't know you better? No,
listen, Bart Lafay is dying,you know he is. He's been
ailing, not been fitting pop.Who's doing it to him? I ain't
(17:48):
got no idea what you're talking about. I think you have. You can't
stand by and see a man dielike that. Sooner or later we all
got papa. If you can tellme anything, I ain't no you asking
me? If if and you wantadvice, mister, don't stay no more
at the face I got back.Oh no, wait a minute, Papa,
(18:12):
and I was useless to try thatanymore. I went outside and stood
there for a moment. Then Iglanced back at the star and staring out
at me from a windows the faceof a girl about eighteen, And if
ever a face showed fair there itwas. Before I could move, she
pulled back in a way. Outsidein the street, little groups of people
(18:33):
stared at me in When I lookedback at them, they walked out of
sight. Fila. Down the street, I saw Darth since he was talking
with a big husky fellon. Iwalked toward them. Dan, what did
you find her? Nothing? Iknew it? Oh Dan, this is
dig Lawson Butt's best friend. Dig. This is Dan Holiday, my cousin,
(18:56):
and Yellow Livid was scared. Huhlook like look, yeah, mister,
I ain't scared. If you wantany help, I'll give it to
you. Thanks due, But canyou help? Maybe I've got an idea,
an idea, ditch about what look? Yeah, someplace out in to
buy you. It's what's killing boughtto buy you. Yeah, I know
(19:17):
that they buy you like a backof my own hand. Some funny things
can go on out there, mister, Like what I see the doll once
hanging from a tree, dressed uplike a man. It was dressed up
like Bill Dakon. Ain't long afterthat Bill took sick, but he died.
You saw that, ditch, Whydidn't you do something? Mean?
(19:37):
I ain't gonna touch nothing like that. They ever touches it, they get
sick and die. You think that'swhat's happening to buy it is that it
did? Maybe? I see?Well, thanks for offering to help.
That ain't nothing. You'd better begetting back now, Dan, Oh,
yeah, you damn see you?Yeah, yeah, y'all, I'll see
(19:59):
a letter if I did. Doris. How good a friend is dis de
barn Well? They grew up together. Would he tell us if he knew
who was doing this to barn Oh, I'm sure he would. He when
we have someone Elvis, I thinkhe's really afraid too. You never admit
it. Do you think you'll beable to help? That depends what he
(20:21):
said about that doll and Bill Dakin. Did you believe it? Yes?
I did, because it's happened before. Dan, you can't mean it.
You can't mean it because it's impossible. So is the fact that Bart's dying
with nothing wrong with him, buthe is. And how can we stop
it? Dan? I don't knowyet. We've got to find out today.
Tomorrow maybe too late. Let's getback to Barn. When we got
(20:48):
back to Bart, I had triedto get him to tell me who had
told him he was doing to die. They wouldn't say Bart had one more
day to live unless unless we couldfind the evil thing that was preying on
his mind. It was later atnight, close to midnight. I putn't
sleep. I was lying on acot when I heard a noise at my
window. Who's that? Who isit? What the don't talk loud?
(21:18):
Mister? Who are you? Myname's Melissa. Please, mister, I
gotta tell you something if you wantto help both way, No, no,
you just gotta listen. I heardyou talking in the store to my
pop. You want to know aboutboss? How do you know? Come
on coming? Did you put thedeath on bar? Did I? When
you find out? I told sheyou killed me? He won't do anything
(21:40):
of the kind of Lissa. Now, what do you know about this?
Everything was all right till she comehere? She's going? He did you
got smitten weathers? Oh no,no, Melissa will fix all that up.
But you've got to tell them whatyou know quickly. Bart took sick.
No, it was something, didyou done? I followed him up
(22:02):
to the bayou, and five timesI followed him to Grandma Juno's place.
Out there, Grandma Juno? Whois she a witch? Melissa? There's
no such thing as a witch?Yes she is, all right, let
it go. What else do youknow? Did she gone out there again
tonight? Tonight? How do youknow? I saw him taking his boat
out of the shack. Mister,he's gone out here to night to see
(22:23):
Grandma Juno. Sall be the lasttime? And he twisted the thraight around
bats neck. And tomorrow you'll bejaid Melissa? Can can you take me
out here? No? He's goneNo more, ain't I'll take sick and
die. Wait right there, youand I are going into town. Never
mind, just right there. Iawakened. Doris thought it was happening,
(22:52):
and took her car, and Melissaand I drove into the village. Later
she doctor Brennan and I went outto the edge to buyo and wonder what
I'm doing. Gets around, I'llbe done for. You've got to help
that, all right? All right? Listen, you sure that you can
lead us to Grandma Juno's in thedog, I think maybe, so come
on a wasting time. Get themob, doctors, cam and boobious.
(23:15):
I've got any IMPI three chess inthe round in the flack of midnight after
a witch. Ready, I amgo straight ahead until we come to the
term and go lay Oh good,Ready, doctor, I gotta be all
right now, no lights and beas quiet as you can. Let's go.
(23:42):
Maybe I'll live to be a hundred. Maybe I won't, but I'll
never forget that midnight boat. Rightall around us, the huge cypress trees
jutted up in the moonless sky.The drooping Spanish marsh brushed our faces,
and it was too dark to seeher foot in front my listening, she
knew what she was doing and whereshe was going. Once or twice the
(24:03):
dark shape in the water bumped againstour rowboat and slithered away. Then let's
right up the Hayden kids could see. Let's say you're sure I'm knowing you
can believe again these people know theirway around these files with her eyes.
Look, that isn't man enough here, did you boke? Stop rowing?
(24:32):
Doctor easy, I'm gonna take chickendog. I'm gonna take chickens. I
hope you will not, Melissa lookgood. Hearn up ahead from the little
island in the light of an oldlantern where digging an old woman didg You
was sitting on a log, watchingwhile the old woman crooned over the dog
crooned over it and wrapped the springtightly around its protesque neck. Silently,
(24:57):
slowly we got closer. It's alook at her words. Please please my
fun my down the devil and thisclock. Shoot, he can't class we
(25:21):
Let's stand the boat top ya.Don't you come dow closing? Haven't you
do him me? He's good,dude, didn't get it. Pick up
that gun, doctor, you getit? For this ship, you get
it. Give me that dog.You know that's better. Let's get back
(25:48):
to bar doctor. What about didhe seems to like it out here.
We'll let him enjoy it a whilelonger. Keep his gun. He let
me see that down It looks likesure it was fucking thing. Huh,
never mind, now, let's getback. Let's see you by. Let's
(26:18):
doll it. It can't harm younow, Things like this can never harm
anyone. It's in your mind.Look, I'll unwrap the string from his
throat. You'll be all right thatthat thing was doing it to me.
No, your mind was doing it. Bar that's all. You'll get better
now, But what about you?What about me? Grandma's juno will get
(26:44):
you, No, she won't.But believe me, there's nothing in the
world like this can hurt you.So I'll go back home and the worst
that can happen will be well,it will be my own fault. Sure,
sure, wis Doris. Oh,I'll say they're in when I leave.
All right. I can't thank yourightly, Dan, Yes you can.
(27:06):
Josh. Remember what I told you, Bond. No harm can ever
come to you unless you bring iton yourself. Gee, what a nasty
(27:29):
looking little dog. It's not pretty. And he actually believed this was killing
him. Well he knows better.Now. Do you feel all right?
Of course? Why? Well,I just hate to think of that terrible
old woman sticking pins in you.Oh no, it's said, no,
it's said, let me sit down, look at the nail, mister Holliday.
(27:52):
Wasn't matter. I felt as thoughsomething stuck me. Mister Holiday.
I Susie, oh my knitting needles. Yeah, good nights, Susie.
(28:14):
Next week, same time through thecourtesy of Paramount Pictures. Alan Ladd stars
as Dan Holiday in Box thirteen.Bats thirteen is directed by Richard Sandville and
this adventure was written by Clark Robling. Original music is composed and conducted by
Rudy Schrager. Part of Susie isplayed by Sylvia Picker. Production is supervised
by Verne Carstenson. Box thirteen isa Mayfair production from Hollywood. Watch for
(28:45):
Allen Ladd and his latest Paramount picture, Welcome Back. When an old Tom
radio show has an episode that's saidin somewhere like Missouri, War Mississippi or
rural Florida, you can't expect thatyou're gonna get a lot of or Tennessee.
(29:06):
The portrayal will include a lot ofhaytied top characters. When it's gonna
be in Louisiana, it's gonna besomething else, entirely New Orleans. The
Bayou of Louisiana an incredibly mysterious sourceof stories and a place of great mystery
(29:27):
that really did seem to fascinate writers. So this story, well not set
in New Orleans. You've got thisBayou thing with with the with the which
somewhat similar to what we saw inthe Haiti episode of Johnny Doller with Charles
Russell. Here they take just areal pure scientific approach on this, which
(29:47):
is kind of interesting. Though alot of the episodes a little bit creepy,
but the nitty Neil needles at theend was kind of an interesting surprise.
All right, Well, let's goahead. We'll get into some less
or comments from Facebook. I postedmy article where I listed all six detective
shows that have more than one hundredepisodes in circulation. Detective actor combos and
(30:15):
I commented, in the golden daysof radio having a show run one hundred
episodes wasn't a big deal, withmany shows doing fifty episodes a year.
It was only a matter of lastingtwo years. And Jocelyn commented, too
bad, it's not like that now. Well it Canda. I don't know
if the actors would quite agree withyou, though, I don't think it
(30:37):
was as big a deal for theradio actors as it would be with television.
Television really was much more of anall consuming pursuit. You had to
write more and do more in anda lot of the TV shows began with
much longer initial runs, but itbasically got to a point or they just
(31:00):
not continue to do that due tothe expense and the energy required with radio.
I was reading one actress wrote abouthow she liked doing radio because she
could basically, you know, justhave her house, you know in the
suburban part of Los angele let's drivein and record the show and just go
(31:23):
about living a normal life rather thanthis very hectic shooting schedule for television.
Television, I think may have beenthe big thing that made it so hard
to continue at the pace that radioset out unshackled. The longest running radio
drama out there still manages to dofifty two episodes a year, so it
(31:45):
can be done. I think it'sjust television and the intensiveness that makes that
such a challenge. And finally,Christian comments on Facebook, I just wanted
to say I loved the show.I found old time radio and fell in
love with all the different mystery anddetector stories. I've listened to a lot
of podcasts, but I'd never heardBox thirteen or Let Georgian until your podcasts.
They are my favorite all ranks,and that's part of what I like
(32:08):
to do with the show. Ilike to bring kind of the old favorites.
A lot of people recognized, youknow, the well recognized shows,
the Philip Marlowe's and Johnny Doller,but also to uncover some of these forgotten
favorites. There are some great showsout there that don't don't get a whole
(32:29):
lot of attention, even within someof the old time radio manufacturers, but
some fascinating stories and we'll look tocontinue to bring those to you. Thanks
for the comment and thanks for listening. Well, we're gonna wrap this up.
Got any comments, Email me Boxthirteen at Great Detectives dot net,
cast your vote for the show onpodcast Alley, Podcast Alley dot Great Detectives
(32:51):
dot net, and you can alwayscall the show two o eight nine nine
one four seven eight three from Boise, Idaho. This is your host,
Adam graham Son and off
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