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July 18, 2025 31 mins
Original Release Date: April 26, 2010

Dan Holiday needs to help a man visiting the city from a small town find out why he was kidnapped and drugged.

Original Air Date: June 30, 1948

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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:28):
Welcome to the Great Detectives of OldTime Radio from Boise, Idaho. This
is your host, Adam Graham.Got any comments, email me Box thirteen
at Great Detectives dot net. Castyour vote for the show on podcast Alley
Podcast Alley dot Great Detectives dot net, and please become a fan of the
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(00:51):
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(02:20):
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Cancel within the fourteen days and you'llown nothing. But I think you'll like

(02:45):
Audible even beyond the trial period.All right, Well, let's go ahead
and we'll get into today's episode ofBox thirteen. This one is Flash of
Line so we'll listen, and thenwe'll come back Box thirteen with the star

(03:06):
of Paramount Pictures, Alan Ladd asDan Holiday Box thirteen Karros Star Times.
I'm a stranger in your city.I don't know a souil here, but
I'm in trouble with at least Ithink I am. I can't go back
home until I know what happened tome yesterday and the day before. It's

(03:30):
hard to explain in the letter,but if you'll come to fourteen Central Street
up, but I do know,believe me. I need help and maybe
you're the one. Jerry Hello,Uh huh. He needed help all right.
First I didn't think he did.I went at the whole thing with

(03:53):
my tongue in my cheek, butI put it back where it belonged fast.
And now back to Box thirteen andDan Holiday's newest adventure Life of Life.

(04:18):
I think it's skilly mister Holliday.Why can't he go back home?
And what does he mean until hefinds out what happened to him, Just
that he's lost two days out ofhis life. Nobody can do that.
You know, you should go tothe movies more often, Susie. Sometimes
you get an Academy award for losinga weekend. Well, if you ask
me this, Jerry Fuller sounds prettyslowly. Two days you're hard to miss

(04:41):
lay. He's like, maybe he'sjust making a mountain out of a most
Yet I was wondering when you wouldfinally kick one around. Now I can
leave the number fourteen East Central Streetand mister Jerry Following Hest Central Street runs
with a part of town where thekids played tilly with manhole covers. A
number fourteen was no ritz, cheapshabby rooming house to which paint was just

(05:04):
all lang signed. Finding Jerry Fullerwas no problem. The landlord pointed down
the hallway, and fifteen minutes later, Jerry Fuller finished stelling me his story.
Maybe I looked skeptical because you don'tbelieve me, do you? Oh
sure, I believe the part aboutthe blackout, But but you believe I
was drunk? Is that it?Well, you admitted having a few,

(05:26):
but not enough to knock me outfor a couple of days. Okay,
I'll tell you, and you seehow it signed. You had two cocktails
before dinner. After dinner, youwandered into the Red Swan. And so
why did you pick the swanky spotin time, just to tell the folks
back home i'd been there. Huh, So you had another drink there?
Maybe two? All right too?Three? Two? I said, okay,

(05:49):
take two. They're small. Butwere you alone at the red spot?
Maybe I talked to somebody like peopledo it bars, but I was
alone to whom you talked. Noremember anything at all. I don't know,
but I kind of remember a flashof light. It sticks in my
head, flash of light. Igot another flash for you. That was

(06:12):
your second drink. Look, Ican't go back home until I know what
happened. Maybe you'd better tell me. Why not? All right? I
guess maybe it's better if you doknow. So Jerry told me a story
that had happened a million times before. A small town kid in a big
city. I'm going to be afew drinks there were like dynamite to a
kid who never had anything stronger thanmaul of milks. And there was a

(06:33):
girl, a girl who couldn't remember, and another girl back home, the
girl who was supposed to marry.I listened and knew every word that was
coming. I could have even addeda few that he had left out.
But when he finished. And that'swhy I can't go to the police.
If I did, they'd have towire back home for a verification of your
identity. Then everybody back home i'dknow find out. I know this is

(06:57):
throwing cold water in your face,Jerry, But don't you think you had
better take your medicine chalk up theexperience to experience. Oh I'll wait a
minute. Look my wallet, everycent I had, even my ticket back
home, is gone. I dida good job. Listen, if you
or anybody else can prove I wasrobbing, I've got an explanation. I've
got a reason. Okay, I'llgive it a whirl, but I think

(07:19):
it's cut and dried before we getaround to it. Now. The first
thing to do is to get youout of this fire drap. But where
can I go? My apartment.I'll lend you the money to get back
home. I won't go back homeuntil I know what happened, how I
got here, and why. Allright, all right, Jerry, leave
it at that. Now, comeon, hey, wait, where's your
baggage? I checked it at thedepot before I before I went to the

(07:44):
Red Swan. Pack it up foryou. I can ask it out of
here, sure, our human.The poor kid was scared stiff, and
like any fighting kid, was buildingup a big thing in his mind.
But there was one thing that bothered. The place Jerry said he had been
in before he blanked out, theRed Swan wasn't a hangout, the cheap

(08:05):
crooks and nickel snatches. It wasall just slank and the odds were heavy
against anyone taking him over the boardsand there. Okay, maybe he went
somewhere else. Afterwards, we gotto the front door, and I sent
Jerry to the cart away for me. Well, hello, what's your name?

(08:26):
Dan? What's yours? Kitty?Okay, Kitty, is you Daddian?
Oh you remember me? Yeah,you'll find the guy. Yeah,
he was with a real pay lkitty. Go back in the kitchen.
All right, she's a kid,little kid, So that's what you're come
to tell me. I haven't goingto tell you anything. I want to

(08:46):
ask what who brought Jerry fully here? Dame? Sure? Then, yeah,
sure, I'm sure that all youwant to know? That all you
can tell him? What else washe drunk? Mister? I didn't ask
yim who was the girl? Ididn't stop to get into duced. Look
she brings him here, says she'shis wife, gives me a couple of
days, right, that's it?Did she leave right away? What do

(09:09):
you want from me? A Chrisgame? Did you leave right away?
I don't know. I showed himthe room. I got my dough.
I don't push questions. See shegave it two days. Rent uh so
long, mister? What did youdo with them? Mister Holiday got unpopular?

(09:31):
Okay, Joe and I will goto my apartment. Yes, a
lot. Thanks. We'd better seeabout shipping you back home. Oh but
you said you were gonna help.I am in the best way I do
that is to ship you out ofthe big city. You come back and
say ten years. I think I'mjust a kid that got in bad.

(09:54):
Don't you where the church social fortwo days? Jerry? And I'm telling
you I was robbed, so youwere? What can I tell the folks
back home? Or you don't understand, mister Hollidayton, Mister Simmons, Mister
Simmons, who's he? He's Lillie'sfather and Millie. I take it as
the girl back home. You're makingfun of me. No, No,

(10:16):
I'm not, Jerry, not atall. But the best thing you can
do is face the music. Youwon't be able to dance to it,
but well it's the best way.I don't know. Now you wait here,
I'll under the deepoint and get yourbaggage here. Yeah, I got
to check for one. Yeah,it's the only thing they left me.
I had it in the inside compartmentin my wallet. All right, Jerry,

(10:37):
now that we've got it figured,you'll feel better. I'll see a
litt you'll feel better, I said. Everybody makes mistakes, but just how
big can they get? I wentto the depot, pick up the one
police Jerry had left there, andhurried back to my apartment. The automatic
elevator was just coming down to groundleveling. I'm sorry, Yeah, how

(11:03):
sorry? I beg your pardon?What four? Keep your eyes in front,
pal and you won't run in atpeople. Just a minute. You
came out of that elevator a littletoo fast. So that's the way I
always move objections I might have,like what you don't live in the building,
do you? Nah? I ownit? So long punk, I

(11:26):
mean so long holiday holiday. Ididn't know him, but he knew me,
and he came from upstairs. Somethingtold me that character had been in
my apartment. I got in theelevator, press for four button. Never
realize until then how slow those thingscan move. Then, Jerry, Jerry,

(11:54):
what happened? Nothing? Look atme, Jerry, I said,
look at me. Oh no,I'm all right. Yeah, sure,
you're all right, like you raninto a meat chopper, Jerry. Who
was that man? There wasn't anybody. I listen to me, there was
somebody here. He just left.I tell you there wasn't anybody giving my

(12:15):
police. Let me go be quiet? Now, be quiet, nosadon Now
why did he go there? Nobodydid? Sure? Sure you poked your
face an electric fantasy. The prettyblades go around. Come on, Jerry
Todd, I'm going back home whereverthat was. I saw us at the
place. I picked you up,followed us, waited until I left and

(12:35):
came up here. What do yousay? What do you want? Nothing?
I cut it out. You wantedto help out? Give it now?
I don't want it. All Iwanted to do is get out of
here and go back home. Allright, Jerry, But you gotta get
cleaned up first. Yeah, goin the bathroom, wash up. I

(12:56):
gotta change your hurts in this policeUh huh Okay, you you're gonna let
me go? Why not? Youwon't talk to you? Let me help.
Oh, mister Holliday, believe me. Are we going to say nothing?
I'll get cleaned up. Okay,Jerry, have it your way?

(13:16):
Sure, thanks, thanks anyway,towels in the back of the door.
Honest, mister Holliday. I appreciatewhat you've done, but I know now
I just started to go back anddo like you slash sure, be a
good little boy and want it backhome. I can finish cleaning up on

(13:37):
the train. Let me see youwallop what you gotta have? Money?
Kind of as a loan, sendit back later? Oh? Sure?
Here, Now suppose you answer aquestion? Oh what, how do you
explain this your railroad ticket? It'sback. I guess I must have overlooked

(14:00):
before it. Stop lying, I'mnot okay, Yeah, ten dollars your
wallet? You have a lease?Now there's the door. Yeah you're mad?
Huh so long Jerry, all right, goodbye? Please Quarters clipping speaking

(14:33):
does a cling please homicide cling?Hello? Cling? This is Dan whoa
my arts desire will make with thejokes and funny patters all the time.
Right now, I want to workfast. A man just left my apartment.
He's on his way to the railroadstation. Take him up. Here's
what he looks like, five feetseven, light brown hair, wears one

(14:54):
rimmed glasses, no hat, darkblue serge suit, carrying a suitcase with
the initials j off on it orput high. Even some of your boys
could spot it. I'll take abreath and listen to me. I can't
order a guy picked up because youwant to play games, you've got to
have a charge. They came offand I'll sign the complaint later. You'll
find my wallet in his belief.Now back to Flash of Light, another

(15:26):
Box thirteenth adventure with Alan Land asDan Holiday. It was a nasty way
to keep Jerry in Tom, butit was the only way to keep him
and still tuck him away where hewouldn't get a target for the night.
Cleig and I asked him questions.But if he had been scared before,
he was twice as scared now,And the second scare was big enough to

(15:48):
make him forget what he wanted tofind out why he had been nickied and
packed off into that boarding house onEast Central. But I was real curious
about it, and because cling hadnothing to work on. I was on
my own. I went back toEast Central Street. I knew I wouldn't
get anything out of the landlord.But I spot a little kitty and I
remembered something she had said, soI asked him. Uh huh. And

(16:11):
there was a real pretty lady.Oh did you hear her name? Kitty?
Huh? Do you remember if sheleft right away? Uh huh?
She did in a car all overthe taxicab. Why I want to find
it. She had red hair anda real pitty fur coat. Well that's
nice. But but when she gotinto the taxi, Kitty, Um,

(16:34):
were you near? Uh huh?I like to look at her red hair
and her pretty coady. I thinkcarefully, kitty. Did you hear her
say anything to the driver of thattaxi? Uh? Huh? What she
told him? Where to go?Where was she told him? Oh?
I know, But where did shetell him? What did she say?

(16:55):
Two forty five? That's the numberof the street. I guess, did
you hear the street? Uh huh? Was it was from the street?
J said? Avenue? All right, kitty, that's fine, so fine.
Now what was the name of theavenue? Two forty five? That's
the number of the avenue you justsaid it was. Oh no, I

(17:15):
didn't. I said two forty fiveavenue? What avenue? Two forty five?
Look, Kitty, I gotta goplane now, goodbye, Kitty Wade.
I well, that was that deadend. And I was ten minutes
and two miles away when it hitme. Kitty was right. The number

(17:38):
was two forty fifth Avenue. Ahalf hour later, I was there for
ten dollars to bribe the clerk inthe apartment house to give me the name
of the real pretty lady with thered hair and pretty fur coat. And
a couple of minutes later, atyou, Marty, Yeah, Ben,

(17:59):
the idea shown up? Hey atahi nani nana? What's the idea?
Oh? Pardon intrusion? Can youget out of here? Who are you
anyway? I'm the man who makesa survey? What survey? Are you
listening to your radio? What doyou want? Answers? Have you got
any? He ain't a cop expectingget out, sit down, Beth.

(18:19):
I got questions to ask about akid named Jerry Fuller. Nobody could call
your little poker face meaning what?Meaning? That name was a direct hit.
You're crazy? Now you get outof here. Before I call a
cop. Okay, Alexander Graham Bellis a great man. He say,
there's a lot of steps and bothergo on call the police. You don't

(18:40):
think I will, huh maybe,But when they get here, they might
ask questions about Jerry Fuller and whywas drug framed and the hold up on
East Central. I said, you'recrazy, Oh yes, I know you
did. Well. Listen. Idon't know who you are what you're doing
here, but I'm going to giveyou a break. You don't look like
a bad guy, maybe a nut, but that you can go in and

(19:03):
we'll forget this. I don't wantto forget it. I'll take it from
here. Well, hello, Hello, if it isn't my elevator friend,
how did you get here? Holiday? I drove why? I thought maybe
you crawled, because that might bethe way you get out. Mary,
don't start nothing to here? Whatdid you do? Leave a trail?
Dope? No, I don't knowhow this guy got here. What are

(19:26):
you doing here? Holiday? Iwant to know how that kid, Jerry
Fuller was framed the way he wasJust curious. Holiday. Maybe you don't
know, Okay, okay, soyou don't know. That's nice and healthy
for you holiday because if you didknow well, well, you forced your

(19:47):
way in here, and I havea perfect right to use this. I
I could find out maybe from yourpal Fuller could be okay, okay,
go ask him, but get outof here. No come back again.
I might might be so nice aboutit. Come on, beat it.
I might be back. I mightbe waiting. Maybe you let me on

(20:14):
a secret holiday. Just where areyou heading? Cling? I want to
talk to Jerry Fuller. Fuller,you kid, and we love him out
out. I told you i'd shotand signed the complaint. Sure that Susie
walks in and tells us you decidednot to sign a complaint? No charge,
Susie, Yeah, Susie, letme use your phone? Why not
you? If there's the whole policedepointment? Why I stop at a phone?

(20:37):
Hello Susie, Hello Holliday. Nevermind that. Did you go to
the police and tell him to dropmy charge against Jerry Fuller? Why?
Because you told me too. Itold you to, Susie. What's the
matter with you? You did?How should go to the police and tell
him you didn't want to? Oh? Okay, Susie, did I do

(20:59):
something wrong? It doesn't matter now? Well didn't she Yeah, but it's
not her. Fauler look like alegitimate message from me because she knew I
got that letter from Jerry Fuller.Oh no, I get it Box thirteen.
Again. I'm not superstitious, butI'm gonna be if I know you
much longer. Listen, somebody wantedFuller out of here, out of the

(21:21):
way, because that's somebody is afraidof what Fuller knows. Now what,
how do I know? I justgot off the bench to come in the
game. Claim that kid's in danger. We've got to find him out.
Maybe you better start from the beginningso I can at least look intelligent about
it. All right, Fuller senta letter to Box thirteen. He wanted
me to help me because he wasafraid to go back home before. All

(21:48):
right, all right, that's astory. But Fuller can't know anything because
he said he was blank out.You've got to find him. There must
be something he knows. Okay,hold on, sergeant, get a description.
Jerry full of mccluck left here abouthalf hour ago without a drag nut
for him much bus railroad plane terminalsright away. Good boy, Now,
one more thing. This Marty characteryou talked about it sure. Oh yeah,

(22:11):
yeah, yeah, he's stocky,little scar on his chin, clothes
were neat, but guardy I thoughtso. Marty Kane, oh you know
him. Every police departing the countryknows him. Killer I had by anyone
who compare his price, killer gotanything on him? No story stipped us
off. He was in town.Two days after he gets here, Billy
Jo Free was killed. The FreeYeah, he was gonna be state's witness

(22:33):
against Billy farn They thought nobody knewit. Oh, we gave the free
protection, but not enough came goutto him, and you lose the fraud
case against Finn. Yeah, butif we get full of back, you'll
have a case against Kane and fine, if full of talks, what do
we do now you got any fingernailsleft? Start working on him while we
wait. We waited two hours thanthree hours, playing an ice stead at

(23:02):
each other, each of us afraidof well to say what he was thinking
that Jerry Fullow would be dead whenthey found him. There's one point against
that, though, the fact thatit must have been Marty Cane who went
to Susie with that fake message fromme. She could identify him, and
if Fullow was killed. Let mego, like, hey, you let
me go. I didn't do anythingthat's saw start during I'll check over,
go in for what have you?Company? Back here for it, mister

(23:26):
holiday. Look, Jerry, you'rea very lucky boy. You're not decorating
the bottom of the river right now. You're safe here, kid, Nobody
can get at you here. Whatdo you want? I don't know anything.
Maybe I told you I don't Iwas on my way home. Why
don't you let me Jerry? Thatnight in the Red Swan? Why did
you see are here that put MartyCane after you? I don't know any

(23:47):
Marty Caine. I never even heardthe name before. It was the night
of beach up on my apartment.I didn't know him. I never saw
him before in my What you did? Why did you stop talking just then?
I don't know. Maybe I talkedto him at the Cocktail, but
at the Red Swan? I don'tknow you talked to him at the Red
Swan? Did he tell you anythingabout about a man named the Free Free?

(24:11):
No, I tell you it's allhazy. Look then, a guy
like Kane wouldn't pay to anybody.Does this make sense? Why is Kane
anxious to get Jerry out of town. If this kid do anything, Kane
wouldn't let him live ten seconds Andwhat's the angle, Jerry? Did you
ever hear of a man named BillyFarn No, No, I didn't.
I don't know why Kane's after me. All I want to do is go

(24:32):
home waiting on it. Well,when did you get into town four days
ago? At the tenth? Thetenth you sure? Yes? No matter
what? That cling everything Because Dufreewas killed on the fifth, five days
before this kid even got near thistown. That's made it better than ever
the people who like puzzles that don'tfit together. But there had to be

(24:53):
a reason for the whole thing.And because I believe that I had it
for the Red Swan, I wentto the cock tail bar and looked around.
I didn't know what I expected tofind, but maybe nothing. Then
there was a flash of light,A flash of light, a flashbulb set
off by a camerago, one ofthose who take pictures of nightclubs. Now

(25:14):
that was it. Two clashes oflight, one from the bulb and another
in my head. When the ideahit me. It took me ten minutes
to find a man who owned theconcession. Yes, we keep all negatives.
They're numbered and dated. Got theones for the night of the twelve,
sure, but I can't show themto you. Oh look, look,
look, check first with Lieutenant ClingPolice. He'll tell you it's okay
for me to look through those negativesand find the one I want. I

(25:41):
think and you project this thing Clingas big as you want. Lab made
a positive from the negative. Gotyou're ready? Yeah, go ahead,
big enough m plenty. Jerry recognizethat picture? Yeah yeah, I had
the girl take one of me atthe bar for a souvenir to take back

(26:03):
home. But you haven't got thatpicture. Well no, I forgot all
about it. Jerry at the bar, you're a little tipsy, you got
talkative. You showed the picture tosomebody? Was it Kane? Well,
I don't know, it could havebeen. So what Dane, what's this
picture got to do with it?Don't look at Jerry, Clan, look
at the figures in the background andlodge a little more at what you want.
Hey, that's smarty Kane. Yeah, taking money from someone, and

(26:26):
that's someone with Billy Farnes lake Man. Now you got your case, Clan
Fares leg Man paying off Kane forkilling the free better look at it the
light damn this picture shows came gettingmoney. Okay, so what a smart
lawyer to make up a dozen reasons? Kane won it from five he was
getting changed from the leg man,but coupled with this business about Jerry Fuller
would stand up in court. Fullerhasn't been hurt. Kane was smart that

(26:48):
way. Yeah, yeah, allright, hey listen, you want a
case, but how let me havethat negative and listen to your uncle Dan
for a few minutes. M goodevening money, So you did come back?

(27:11):
H you want to talk to me? Sho? Come on in?
Oh leaving time money and see you'reall packed. Maybe you better do the
same. I ain't like it hereyou must now beat it. I thought
you were smart money what you gotthe picture from Jerry Fuller. But there's

(27:32):
always the negative. You've got amuch better poker face than your girlfriend.
But you're better than not like,oh you sit down and stay out of
the way. Bath well money.So U so you got the negative?
Man, Maybe you should have thoughtof it. But that's the trouble with

(27:52):
you smart boys. You play ringaround the rose and get yourselves dizzy.
What's your wrangle? Nothing? Allin before you pull that trigger. There
are cops all around this place.Why do you shut up? This guy's
put on the bluff. So whydon't you be smart this time, Marty
and go along quietly? The policecould use your evidence turned STOOLI nothing,

(28:12):
Dorty, Marty, come back.You'll see him again, Beth, Let
him run. Don't kill him.They did, they killed him. They
kill him? Oh no, Beth, cling's too good a shot to kill
his best witness. But what aboutJerry? Did he go back home?

(28:51):
That it did? Susie? Andright now he's probably a hero in his
hometown. And all the cart ofa flash in the pan. I made
a joke, get it? Faithcan fast in the can? Oh,
good night, Susy. Next week, same time. Through the courtesy of

(29:11):
Paramount Pictures. Alan Ladd stars asDan Holiday in Box thirteen. Box thirteen
is directed by Richard Sandville, withan original story by Russell Hughes. Original
music is composed and conducted by RudySchrager. The part of Susie is played
by Sylvia Pickard and that of LieutenantFling by Edmund McDonald. Production is supervised

(29:32):
by Verne Carstenson. This is aMayfair production from Hollywood. Watch par Alan
Ladd in his latest paramount picture,Welcome Back. Well, once again we
see villainous paranoia at work. Soif I get it this, understand this.

(29:55):
This Marty Kang guy was afraid thatsomebody who had a personal picture taken
as him in the background with somebodywho was paying him off might lead to
his unknowing because he might happen toshow it to a prosecutor. I guess,
well, who said the criminal mindworks logically in all times. Of

(30:21):
course, the name of the villainhere, Marty Kane, is interesting because
a few years later, in nineteenforty nine, Martin Kane actually premiered as
a detective series, which you know, and I've actually heard the name Marty
Kane used several times as a villain, and I bet well, once you

(30:47):
know, when they found out therewas a Martin Kane series coming out with
Martin Kane as the name. Asthe name that, there were a lot
of radio writers who just went jar. Now we can't use that one again.
Comment from Auto on podcast Ali lovethe podcast. I would love to
see Rogues Gallery and the Adventures ofthe Falcon at it though, well,

(31:07):
thanks so much, and we'll bedoing Rogues Gallery possibly maybe soon. We'll
see, but we'll go ahead andwe'll wrap up the show. Got any
comments, email me Box thirteen atGreat Detectives dot net. Cast your vote
for the show on podcast Alley,Podcast Alley dot Great Detectives dot net,
and remember you can follow us onTwitter at Radio Detectives From Boise, Idaho.

(31:33):
This is your host, Adam grahamSon and off
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Fudd Around And Find Out

UConn basketball star Azzi Fudd brings her championship swag to iHeart Women’s Sports with Fudd Around and Find Out, a weekly podcast that takes fans along for the ride as Azzi spends her final year of college trying to reclaim the National Championship and prepare to be a first round WNBA draft pick. Ever wonder what it’s like to be a world-class athlete in the public spotlight while still managing schoolwork, friendships and family time? It’s time to Fudd Around and Find Out!

Crime Junkie

Crime Junkie

Does hearing about a true crime case always leave you scouring the internet for the truth behind the story? Dive into your next mystery with Crime Junkie. Every Monday, join your host Ashley Flowers as she unravels all the details of infamous and underreported true crime cases with her best friend Brit Prawat. From cold cases to missing persons and heroes in our community who seek justice, Crime Junkie is your destination for theories and stories you won’t hear anywhere else. Whether you're a seasoned true crime enthusiast or new to the genre, you'll find yourself on the edge of your seat awaiting a new episode every Monday. If you can never get enough true crime... Congratulations, you’ve found your people. Follow to join a community of Crime Junkies! Crime Junkie is presented by audiochuck Media Company.

The Breakfast Club

The Breakfast Club

The World's Most Dangerous Morning Show, The Breakfast Club, With DJ Envy, Jess Hilarious, And Charlamagne Tha God!

Music, radio and podcasts, all free. Listen online or download the iHeart App.

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