This conversation explores the reworking of Mae West's play 'The Drag' by a collaborative team of playwrights and directors. They discuss the origins of the play, the process of adapting it for contemporary audiences, and the importance of incorporating diverse voices and experiences in the rehearsal room. The conversation also highlights the role of choreography and movement in the production, the star-studded cast, and the audience's expected experience. The participants reflect on the political implications of the play and the importance of fostering conversations about queer identity and history.
About EgoPo’s 2024-25 Queer Revolutions
EgoPo’s 2024-2025 season celebrates some of the century’s most influential Queer plays and theater artists that have had a lasting impact on our culture. EgoPo’s first mainstage production is a new version of The Drag by Mae West, directed by Rebecca Wright, devised and developed with AZ Espinoza and Thomas Choinacky. EgoPo’s next mainstage production will be Turds in Hell by the Ridiculous Theatrical Company's Charles Ludlam and Bill Vehr, directed by Dane Eissler. The Drag will open on January 31, 2025 with Turds in Hell opening on April 11, 2025. We end the season celebrating the queer nightlife community with Philly is Burning: A Pride Gala. June 8th, enjoy an exquisite chinese banquet by the fabulous Jane Guo, a silent auction and performances from top Philly drag, ballroom and burlesque performers.
Takeaways
Mae West wrote 'The Drag' in response to negative portrayals of gay people in other plays.
The collaborative process involved discussions about contemporary queer experiences.
The rehearsal room is a space for diverse voices and feedback.
Choreography plays a crucial role in expressing queerness in the production.
The production aims to create a party-like atmosphere for the audience.
The cast is composed of talented queer and trans individuals.
The play engages with both historical and contemporary queer narratives.
The production seeks to inspire empathy and understanding in the audience.
The design elements will evoke a vibrant and colorful aesthetic.
The conversation around the play includes reflections on politics and identity.
Chapters
00:00 The Origins of Mae West's 'The Drag'
06:02 The Ensemble Experience: Voices in the Room
11:57 Visual and Thematic Elements of the Production
18:03 Audience Expectations and Experience
24:01 Future Conversations and Audience Takeaways
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