Episode Transcript
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Speaker 1 (00:16):
Welcome to classic comedy of old time radio. I'm your host,
Ron Ecklebarger Jelo Again. Guess what. No, No, You'll never guess. Okay,
I'll let you know. Here's another episode of Buck Benny
Rides Again. This episode is entitled Buck Benny Rides Again,
Part nine. It is the two hundred and fortieth Jack
(00:40):
Benny Show. It originally aired on January tenth, nineteen thirty seven.
Speaker 2 (00:50):
The Jello Program starring Jack Benny with Mary Livingston and
Phil Harrison his Orchestra, The Orchest Robinson Program with j
But You're swell. There's a right way and an easy
(01:17):
way of doing almost everything. And when you serve jello
for dessert, you found both the right way and the
easy way to please everybody. Because jello is so bright
and colorful to look at, so wonderfully good and rushing
to taste, it's always short of a welcome and a
mighty big one too. Jello has no trouble to make either.
It's amazingly quick and simple. All in all, it's a
(01:38):
perfect dessert, the most popular gelatin dessert in the.
Speaker 3 (01:40):
Entire world today.
Speaker 2 (01:42):
Jello is first in favor because it's first in flavor
six delicious flavors that come from fresh ripe fruit Jello,
and only Jello has that grand extra rich real fruit flavor,
So always make sure that you get the real thing.
Look for the big red letters on the box. They
spell Jello. That was gee but your swell played by
(02:18):
Phil Harris and his orchestra. And now, ladies and gentlemen,
we bring you America's boyfriend who can't get a date,
Jack Benny.
Speaker 4 (02:28):
I thanks Jello again. There's a Jack Benny, the lone
wolf talking you can't get a date. I can have
a date every night in the week if I want to.
Speaker 2 (02:41):
Oh, I didn't mean anything, Jack, I just wanted to
start out with a laugh.
Speaker 3 (02:44):
That's all.
Speaker 4 (02:44):
Well, there's very little humor getting laughs at other people's expense,
and that reminds me. Come here a minute, don Did
you did you hear Fred Allen last Wednesday night?
Speaker 2 (02:56):
Oh?
Speaker 3 (02:57):
Sure it was a swell Programmage was really great.
Speaker 5 (03:00):
Don't review it.
Speaker 4 (03:01):
Don just answer yes or no. Did you hear Alan
make those innuendos, you know, those slurring remarks about my
violin playing.
Speaker 3 (03:10):
Yes, yes, I did.
Speaker 5 (03:12):
Pretty Caddy wasn't it. Oh?
Speaker 3 (03:15):
I don't know. He was just hitting and you're taking
it seriously.
Speaker 4 (03:19):
Well, so would high Fats or any other musician. Why
didn't Fred make those cracks when we were both in
New York instead of waiting four thousand miles away.
Speaker 5 (03:31):
It ain't cricket, you know.
Speaker 3 (03:33):
Oh no, calm down, Jack.
Speaker 5 (03:35):
Did you hear him, Phil? Yeah, he was very funny.
Speaker 4 (03:39):
Well that's not the point. What does Allan know about
music anyways? Just a reform juggler. Let him top that one, hello, Jack. Well,
as I live and breathe and stand under a strong life,
so people won't mistake the wrinkles in my face for
a washbarn if it ain't pork.
Speaker 5 (04:00):
I mean, Mary hope you heard that?
Speaker 6 (04:04):
What's the matter with you?
Speaker 5 (04:05):
Jack Clenty? Did you hear Fred Allen Wednesday?
Speaker 6 (04:08):
Yeah? Gee, that was a funny program. What laughs?
Speaker 4 (04:12):
Wow, don't elaborate your little traitor the way you talk
about my violin playing. I ought to assume him.
Speaker 6 (04:18):
You ought to see your teacher too, well.
Speaker 4 (04:21):
I expected that from you anyway. For your information, young lady,
I took violin lessons before Allan was born.
Speaker 6 (04:28):
He did a lot of things before Allan was born.
Speaker 4 (04:30):
Well, and let him respect his elders. Madden's saying that
I couldn't play Flight at the Bumblebee. At the age
of ten, I played Flight of the Bumblebee so often
I got the hives.
Speaker 6 (04:44):
I bet you stung up the whole town with it.
Speaker 4 (04:53):
Oh yeah, Mary, that was a honey. Hey, wait a minute.
You know you're still on probation with me. If you
don't behave yourself, I'll make you take back that watch
he gave me for Christmas.
Speaker 3 (05:03):
Okay, where is it?
Speaker 5 (05:04):
Well, just be careful. Let's all jack or so funny? Kenny?
Did you hear fred Alice?
Speaker 3 (05:14):
Oh boy, that guy killed me.
Speaker 5 (05:16):
Yeah, listen, Kelly, you realize he insullid me. Yeah. Now,
wait a minute.
Speaker 4 (05:25):
I want to tell you something, and this goes for
all of you. I'm gonna make a rule right now
here after anybody working for me can listen to Alan's program,
they mustn't enjoy it. And furthermore, either Fred Annah will
have to apologize or send me a watch, and a
good one too.
Speaker 2 (05:46):
Speaking of watches, folks, let me tell you about jello.
Speaker 3 (05:49):
What's that got to do with it?
Speaker 2 (05:50):
Jello is first in flavor. Because it's first in flavor,
it's inexpensive.
Speaker 3 (05:54):
And easy to make. It every day, millions of people eating.
Speaker 5 (05:56):
That was very subtle down How did you ever think
of it?
Speaker 3 (06:00):
It was nothing, Jack, just an inspiration. That's all.
Speaker 5 (06:02):
Well, come in, mister Benny.
Speaker 4 (06:07):
Yes, I want to take this opportunity of wishing you
and your company a very very happy new year. When
you said that last week, my mother didn't hear me goodbye.
I'll bet Alan sent him over to annoy me.
Speaker 7 (06:29):
Playfills listen, said my father at a fast.
Speaker 6 (07:46):
Us say no.
Speaker 4 (07:54):
The l.
Speaker 5 (08:14):
That that was when My dream Boat Comes Home played
by Fred Harris, I mean Phil Harris and his orchestra.
They fell.
Speaker 4 (08:23):
I didn't see you over Paramount Silver Jubilee for Adolf
Zooker last Thursday night.
Speaker 5 (08:27):
Where were you? Well? I did want to be there, Jack,
but I had to work too bad. We had a
lot of fun. All the big stars were there.
Speaker 4 (08:33):
You know, Fred McMurray and Mary Bowlin's and Carol Lombards.
Speaker 5 (08:37):
He was a gala event. Gee, I'm sorry I missed it.
Speaker 4 (08:40):
Somar, what a party you know. After the show was over,
I took miss Lombard out, I mean Carol. We went
for a little drive, just the two of you. No,
Clark Gable went along, you know, for a laugh. You know,
he happens to be a friend of Carroll's family. Also
(09:04):
a good friend of Carroll's.
Speaker 6 (09:06):
So good that Jack's that and the rumbletye.
Speaker 3 (09:10):
Who asked you?
Speaker 5 (09:11):
Did you Jack?
Speaker 4 (09:12):
Well, I'm a sort of an outdoor man, you know.
You know, one sniff of monox night and I'm a
new person.
Speaker 5 (09:25):
Monoxi.
Speaker 3 (09:31):
Well, Len Jack, Chris Lombard really out a date with
Park Gable.
Speaker 5 (09:35):
No, no, it was a kind of a trio, you know.
Oh boy, what is it? Kenny? Let Fred Allenson Pani
to me. I wish you'd tune in on us once
in a while.
Speaker 4 (09:50):
Well, anyway, phill, the three of us were driving along
and we stopped over at the Brown Derby to get
a that's a happy new Year.
Speaker 5 (09:57):
I'm not having one. Come in, mister Benny. Is I hope?
I'm not intruding. No, No, I'm just in the middle
of my program. That's all.
Speaker 8 (10:10):
Well, if I could have a moment of your time, I'd.
Speaker 3 (10:12):
Like to raise my voice in protest.
Speaker 5 (10:16):
We'll go ahead. What seems to be the trouble, Well, you've.
Speaker 8 (10:19):
Been doing a Western cereal for weeks now called Buck
Benny Rides again, Yes I have. Well, it's been causing
me no end of trouble and just tons of embarrassment.
Speaker 5 (10:30):
Well in what way?
Speaker 8 (10:32):
Well you see my name happens to be Buckingham Benny.
Oh but now everybody crudely refers to me as Buck
Buckingham Benny.
Speaker 5 (10:42):
You're not a relative of mine, are you?
Speaker 3 (10:44):
Goodness?
Speaker 5 (10:45):
No, Well it makes me feel better too. Tell me, Buckingham,
what do you do? I mean, what business are you in?
Speaker 3 (10:53):
I'm a window dresser in Pomona.
Speaker 4 (10:58):
A window dresser will tell me he watched the well
dressed window wearing this season.
Speaker 3 (11:03):
Oh, don't be so facetious.
Speaker 6 (11:09):
I won't you would if you knew what it meant.
Speaker 4 (11:13):
Quiet well, Bucky, I've I've never met a window dresser before.
How do you go about dressing a window?
Speaker 3 (11:23):
Well?
Speaker 5 (11:23):
I use a lot of velvet drapes and ship on
and colored silk. Use any crate machine?
Speaker 2 (11:29):
Oh?
Speaker 3 (11:30):
Just oodles of it?
Speaker 5 (11:32):
I see, Mary? What are you laughing at?
Speaker 6 (11:38):
Kenny likes Fred Allen.
Speaker 4 (11:42):
Well Buckingham. I'm terribly sorry about the whole mess. Is
there anything I can do?
Speaker 3 (11:46):
Yes?
Speaker 8 (11:46):
I wish you would discontinue Buck Benny rides again.
Speaker 5 (11:49):
We can very well tonight.
Speaker 4 (11:50):
But look, as long as you've already become involved in
this predicament, how about seeking around a while.
Speaker 5 (11:55):
And appearing in our western play. Oh no, I'm terribly
afraid of I soul my, but don't tell anybody.
Speaker 3 (12:03):
And guns? Do you use? Gun? Yes? Well I hate them.
I've never even shot off my mouth.
Speaker 5 (12:09):
H By the way, Bucky, this is Mary Livingston.
Speaker 3 (12:13):
How do you do?
Speaker 5 (12:14):
Hello?
Speaker 6 (12:14):
Buck?
Speaker 3 (12:15):
See?
Speaker 5 (12:19):
I get that all day long? Well so do I
don't worry?
Speaker 3 (12:22):
Well you get paid for it.
Speaker 4 (12:23):
Well that's a thought. Oh, I want you to meet
Kenny Baker. He's going to sing for us in a moment. Hey, Kenny,
this is Buckingham.
Speaker 5 (12:29):
Benny.
Speaker 3 (12:29):
Hi a buck, I'm going home now.
Speaker 5 (12:33):
Don't let it upset you, don't get angry.
Speaker 6 (12:35):
Somebody carries mad money and.
Speaker 5 (12:36):
I sit right down here and listen to Kenny's thaw.
Oh what are you going to say?
Speaker 2 (12:41):
Well?
Speaker 3 (12:41):
Look, look, mister Benny, look.
Speaker 5 (12:43):
Or what's the trouble? What's don Wilson? Be quiet to down?
Go ahead and sing?
Speaker 9 (12:48):
Kenny your hands, I love beside the challie my.
Speaker 3 (13:09):
Well? Now who lies?
Speaker 10 (13:13):
Being your spell.
Speaker 3 (13:22):
On?
Speaker 5 (13:23):
Raptures?
Speaker 3 (13:24):
Broway p.
Speaker 5 (13:27):
Before you.
Speaker 10 (13:30):
Connies them in parlel mefore you lies name hands on
(14:00):
lou beside the sharie man, you no.
Speaker 11 (14:20):
No hands, pink teeth like lotus bud that long on
the walkers wary stood day.
Speaker 10 (14:46):
I would have a rinther.
Speaker 5 (14:49):
Hell who round my throw.
Speaker 9 (14:53):
Rushing out life than waving me fairwell.
Speaker 10 (15:00):
Rushing on lie waity me hands I long beside the
(15:28):
shalie mo.
Speaker 8 (15:36):
No you.
Speaker 5 (15:47):
No love Benny, Life home delissiens and be lovely.
Speaker 4 (16:09):
That was Cashmurray song sung by Kenny Baker, accompanied by
the orchestra and listened to by Buckingham. And Now, ladies
and gentlemen, as I put ten of our original Western cereal.
Speaker 8 (16:20):
Oh penny, Yes, if you're going to start that cowboy stuff,
I'm leaving where you're going, Bucky back to Pomona.
Speaker 5 (16:28):
Goodbye, There he goes.
Speaker 4 (16:30):
I hope he gets home all right. Anyway, Tonight, ladies
and gentlemen, again we give you. Buck Benny rides again,
or wait he tries to walk.
Speaker 5 (16:40):
Once more.
Speaker 4 (16:41):
I will play the part of Sheriff Buck Benny. It's
tough a nombree as ever wore a fright wig for
a two page.
Speaker 3 (16:52):
What's run over on your board?
Speaker 4 (16:56):
The scene is the office or the office of the
sheriff of Cactus County, where we find the sheriff with
his mind on his work and his feet on his desk.
Speaker 3 (17:06):
Curtain music, Morning Sheriff, Morning Sheriff.
Speaker 4 (17:28):
Wake him up, Deputy Baker. Okay, out, Deputy Baker. What's
the idea of waking me up so violently?
Speaker 5 (17:37):
Sorry?
Speaker 3 (17:38):
Buck, I'll buy you a new hat.
Speaker 4 (17:39):
I'm not worried about the hat, but that ear will
be kind of hard to replace.
Speaker 5 (17:44):
What's up, boys, we'll share.
Speaker 2 (17:45):
If the tongue folks are cut up in arms because
you ain't captured Cactus Face.
Speaker 4 (17:49):
Tell him everything is all right now. I just grimt
I cornered Cactus Face and red gulch canyon.
Speaker 3 (17:54):
You did? Did you left the hencuffs on him?
Speaker 5 (17:56):
No? I'm saving that. Will I go to sleep tonight?
Speaker 3 (18:00):
Well, congratulations, Sheriff. I knew you could do it.
Speaker 4 (18:03):
Yeah.
Speaker 5 (18:03):
I could catch an outlaw too, if but didn't have insomnia.
M you couldn't catch a maverick with a corral for
a lass. Who or you just trying to mix me up?
Mix you up?
Speaker 4 (18:17):
While you were born in an egg beater should be
a knock on the door. Here I was right, must
be dazy in the sweetheart come in dz hellodzy.
Speaker 6 (18:36):
Hello, tall, dark and dopey.
Speaker 4 (18:39):
Well, yeah, your brains don't exactly make it in part
to wait for that one just a second. I ain't
seen your pappy lately.
Speaker 5 (18:51):
Where is he?
Speaker 6 (18:51):
And he'll be along in a minute. Just stop by
Ike Morris.
Speaker 5 (18:54):
Loon for his Now, why don't he go at the
post office?
Speaker 6 (18:57):
He said, there's no kicking their ink.
Speaker 4 (19:03):
Government or to do something about that. Anyway, I'd like
to see the old critter.
Speaker 6 (19:09):
Here comes pappy.
Speaker 5 (19:11):
Now alright, Frank, Hello, Buck?
Speaker 3 (19:15):
When'd you get the new glass door?
Speaker 4 (19:17):
Glass door? Why you just came in through the window.
I thought that first tip was kind of high.
Speaker 5 (19:25):
Oh were you pappy sore? Were you? Frank? How much
brandy do you drink? Anyway?
Speaker 4 (19:31):
Well, I don't know, Buck, but I'm having an adding
machine put on my jug.
Speaker 5 (19:36):
Well, you better be careful.
Speaker 4 (19:37):
You're getting kind of fat. Don't you take any setting
up exercises?
Speaker 5 (19:40):
Sure when anybody sets them up?
Speaker 3 (19:44):
Well, that ought to help.
Speaker 5 (19:47):
Answer the phone.
Speaker 6 (19:47):
Deazy Hello, Yes, yes, I'll tell him. Oh, bata carif
Andy divine?
Speaker 5 (19:54):
He wants to talk to you, Andy, Hello, Andy, what's
that you did. I rush right over, hold everything, will
I get there?
Speaker 3 (20:03):
Goodbye?
Speaker 5 (20:04):
What is it? Buck? Care of Divine?
Speaker 4 (20:06):
Just hawk Cactus Face going through that old deserted hotel
at Tombstone Creek. Tombstone Creek, Well, that town's been deserted
for nigh on the thirty years.
Speaker 5 (20:13):
Jeep Buck.
Speaker 3 (20:14):
They say that old hotel is hearted, it's full of spirits.
Speaker 6 (20:17):
Tell us Poppy and he ain't hauted.
Speaker 4 (20:20):
Don't be too sure, gal, when you staying here boys,
I'm going to get Cactus Face. I'm off to Tombstone
Creek to meet Care of Divine.
Speaker 6 (20:27):
Want me to go with you back?
Speaker 5 (20:28):
Sure thing, Daisy, But it ain't you scared more than
you are? Well you can still come.
Speaker 3 (20:34):
Weren't gonna bring back.
Speaker 5 (20:35):
That barmouth this time?
Speaker 10 (20:37):
Get her alive?
Speaker 12 (20:38):
Come on, gal Buck, Benny rides against.
Speaker 6 (21:19):
Us. You anything that.
Speaker 7 (21:29):
Saying anything that.
Speaker 8 (21:57):
Way?
Speaker 5 (21:59):
Way? Oh, those nags of mine are getting bigger laughs
than I am.
Speaker 6 (22:15):
You better put a mickey fin in their old Ask me.
Speaker 4 (22:18):
That again, Gil, I got a peak of an answer,
Go ahead, one for I'm bigger. Put in their old
I did, and they liked it. I want to get
that one getting dark Daisy, you know where we are?
No idea, Buck, reckon, we must be lost. Wait a minute,
(22:40):
Here comes someone down the road. I'll ask them.
Speaker 3 (22:43):
Hey, buddy, you know the way to toolb Stone Creek.
I don't even know the way.
Speaker 10 (22:48):
The promoter.
Speaker 5 (22:52):
Buckingham, he wouldn't know.
Speaker 3 (22:54):
Dz no Fox.
Speaker 6 (22:55):
There's a light of flickring straight ahead. She is spooky looking.
Speaker 4 (22:58):
That might be the hotel. Oh wait, I see a
figure standing out in front of it.
Speaker 6 (23:06):
Maybe a sandy looks kind of dark though, then it
must be Amos.
Speaker 4 (23:16):
Can't be there in Palm Springs anyhow. It's no time
for humor, gul Let's go.
Speaker 5 (23:23):
Come on here, here we are dat? Whoa Pardner?
Speaker 6 (23:36):
Oh there's Anny to bye?
Speaker 5 (23:41):
Now Hello, Sheriff? Hi?
Speaker 10 (23:43):
You fuck.
Speaker 3 (23:50):
Tuck?
Speaker 5 (23:50):
That applause is liabel a tip off cactus face.
Speaker 3 (23:53):
I can't help, but Buck, I got relatives in the audience.
Speaker 5 (23:58):
Is this the hotel where cacta space is high?
Speaker 2 (24:00):
Yeah?
Speaker 5 (24:02):
Say Buck?
Speaker 3 (24:03):
Did you hear bred Allen Wednesday night?
Speaker 5 (24:06):
Never mind that, Let's go inside.
Speaker 3 (24:09):
Come along, m.
Speaker 6 (24:15):
Come on, Buck, you ain't there, are you?
Speaker 8 (24:18):
Buck?
Speaker 4 (24:18):
No?
Speaker 3 (24:19):
Come on?
Speaker 5 (24:20):
Follow me? Well you're behind us.
Speaker 3 (24:24):
And I'll follow you.
Speaker 5 (24:27):
Someone may attack us from behind. Why I can't find
the door, But there it is, right behind that wolf.
Speaker 6 (24:41):
He got welcome written on him. So let's go in.
Speaker 5 (24:46):
Did you see that? And yeah? The door opened by
it fell? Oh yeah, what f Who are you? I'm
the door man?
Speaker 4 (25:01):
Funny, I can't see you, no wonder I've been dead
for thirty years. Well then i'll see you later. Come on, Andy,
what was that the telephone?
Speaker 3 (25:16):
We'll answer the suffering?
Speaker 5 (25:21):
So are we gotta leave you now? My wife's calling me.
It sounds like a wool.
Speaker 3 (25:29):
You should be married to her.
Speaker 5 (25:37):
Pardon me, woo, you must be gone with the wind.
Sure is dark in here?
Speaker 8 (25:51):
And do you think we are to register?
Speaker 5 (25:53):
But no, we gotta search this plea. You take my hand, Andy,
and DZ you take Andy? Now'll follow me, requiet. I
just saw someone jump behind that post. Come on, what
(26:17):
was that?
Speaker 8 (26:18):
You're glad you're holding my hand? Andy, I'm not holding
your hand, may remind?
Speaker 5 (26:26):
And whose hand is this without an iron on it?
Speaker 4 (26:29):
They call me take it easy, but poor you. I'm
the boogee man. That's boogie, not boogie.
Speaker 5 (26:40):
Well it's dark in here. Goodbye, Let's be a gold starters.
Speaker 4 (26:45):
Come on, Andy, we'll try this next rule m funny,
I don't hear our footsteps?
Speaker 5 (26:51):
Well? Why did?
Speaker 6 (26:52):
The town man has been dead for thirty years?
Speaker 3 (26:54):
Oh hey look back, look the door is opening.
Speaker 5 (26:57):
The shore is Cash's face might be in there. No
he isn't. There's that door mat again? What are you
laughing at? Did you hear Fred Allen? Wednesday night? Don't
(27:17):
be so smart? Hey? What say work Woods?
Speaker 6 (27:23):
Someone running away?
Speaker 5 (27:24):
Let's be catch his faith, Let's get him. I got him, Andy?
Speaker 3 (27:30):
So what.
Speaker 5 (27:33):
Last week got you? Your rats?
Speaker 8 (27:34):
Strike a match?
Speaker 5 (27:35):
Andy?
Speaker 6 (27:35):
Okay, well but that ain't catch your fake?
Speaker 5 (27:39):
You're right listen what are you doing here?
Speaker 2 (27:42):
I'm just trying to get back to Pomona.
Speaker 5 (27:45):
Oh you Buckingham still lost? Uh?
Speaker 3 (27:47):
Yes, don't you know the way to Pomona?
Speaker 4 (27:50):
Look, Buckingham, Look, it's very simple. Look you go out
Melrose until you get to Western Avenue. See, then you
turn right until you get to Third Street.
Speaker 5 (27:58):
Yeah. Can you continue through the Third Street.
Speaker 4 (28:01):
Tunnels and bear east on Garvy Pullavard here? Now you
follow Garvy right through moder y cars Wilmar and then
you both.
Speaker 2 (28:10):
Thrilling directions will be continued next Sunday night. We'll buck
get cactus Face. We'll Cactus Face find a new hideout.
We'll bucking have them. Get back to Pomona. Tune in
next Sunday, and here for yourself, play boys, we never
(28:39):
forget them as long as we live.
Speaker 3 (28:41):
Those desserts our mothers used to make.
Speaker 2 (28:43):
And best of all, we remember those grand old fashioned
chocolate puddings.
Speaker 3 (28:47):
Why wouldn't you give to have one of them? Right now? Well,
you can have one of them.
Speaker 2 (28:51):
Anytime you want a chocolate pudding just as good as
your mother used to make, you'll find it in jell
O chocolate pudding, the new fashioned way to make a
grand old fashioned favorite. All you do is mix the
contents of one package of jello chocolate pudding with some milk,
then cook and stir over a low fire until the
mixture comes to a boil and is luscious thick and
(29:12):
satin smooth. It only takes a few minutes. After that,
just let it cool and then pour into sherbet glasses.
That's how easy it is to make this extra special
chocolate pudding, jell O chocolate pudding. After you've once tried it,
you'll want to have it all the time. Jello chocolate
pudding sells at the same low price as Jello, and
one package makes enough for six happy servings. Ask your
(29:35):
grocer tomorrow for jell O chocolate pudding.
Speaker 4 (29:47):
This is the last number of the fifteenth program in
the New Jello series, and we'll be with you again
next Sunday night when we continue with Buck Benny Rides again. Meanwhile,
I like to thank several people for appearing on the
night's program. Andy Devine of Universal, Benny Baker of Paramount, and.
Speaker 6 (30:03):
Uh Mary Livington of Bedford.
Speaker 5 (30:05):
Drifts Bedford Drive.
Speaker 6 (30:06):
Yeah, you go down Mailroad Avenue until you get to
Byne Street Attorney rightly get to Santa Boulevard. Then you
make a little.
Speaker 5 (30:13):
Remind Mary good nightfolk. Oh the fellow.
Speaker 2 (30:37):
Program company in Hollywood over the red works of the
Narsenalvard Drafting Company.
Speaker 1 (30:47):
Pleas, send your questions and comments to host at classiccomedyotr
dot com until next time. In the words of Edith Wharton,
true originality consists not in a new manner, but in
a new vision.