October 1, 2025 • 30 mins
Jello again. You will never believe it, no Buck Benny today. Instead, Jack practices his violin and the gang meets Phil Harris’s mother and sister.
Episode 242 of The Jack Benny Show. The program originally aired on on January 24, 1937.
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Episode 242 of The Jack Benny Show. The program originally aired on on January 24, 1937.
Please email questions and comments to host@classiccomedyotr.com.
Like us on Facebook at facebook.com/classiccomedyotr. Please share this podcast with your friends and family.
You can also subscribe to our podcast on Spreaker.com, Spotify, iTunes, Stitcher, TuneIn, iHeartRadio, and Google podcasts.
This show is supported by Spreaker Prime.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:16):
Welcome to classic comedy of old time radio. I'm your host,
Ron Ecklebarger. Jelo again. You'll never believe it, No Buck
Benny today. Instead, Jack practices his violin and the gang
meets Phil Harris's mother and sister. This episode, entitled Jack
(00:37):
Practices the Bee, is the two hundred and forty second
Jack Benny Show. It originally aired on January twenty fourth,
nineteen thirty seven.
Speaker 2 (00:50):
The Jello Program starring Jack Benny with Mary Livingston and
Phil Harris and his Orchestra. The Orchestra is the program
with right or Wrong from Happy, Go Lucky, dinner is ready.
Speaker 3 (01:16):
Those three words.
Speaker 2 (01:17):
Are certainly welcome words when you're hungry, but they're doubly
welcome when followed by these three words Jello for dessert.
A good dinner that ends up with the generous, delicious
helping of jello always makes a hit with everyone. Or
Jello is so colorful and at the same time so
refreshing that it's a perfect dessert, good looking, gram tasting,
(01:37):
and inexpensive. Jello is first in favor because it's first
in flavor, extra rich fruit flavor that no other gelatin
dessert in the world can equal.
Speaker 4 (01:47):
At all.
Speaker 2 (01:47):
Six jello flavors strawberry, raspberry, cherry, orange, lemon, and lime
come from fresh ripe fruit. That's why jello brings you
such added richness and goodness. But remember there is only
one jello. We'll be sure to ask for it by name.
Get the real thing, insist on genuine jello. And now,
(02:28):
ladies and gentlemen, we bring you a man who has
a child, had whooping cloth, measles and violin lessons, Jack
Benny jello.
Speaker 5 (02:44):
Again, this is not Jack Benny talking. So who do
you think it is?
Speaker 4 (02:48):
Now?
Speaker 5 (02:48):
Gain now, now give up. It's me and a nice thought.
Speaker 3 (02:55):
Wait a minute, Marry, Wait a minute, what's the idea?
Speaker 5 (02:57):
Well, I don't see Jack standing around. If somebody had
to jump in, you.
Speaker 3 (03:00):
Know where he is, John, No, but he can't be
very far.
Speaker 2 (03:03):
He left his shoes here.
Speaker 5 (03:05):
Maybe he's breaking in a new pair of socks.
Speaker 2 (03:09):
Oh, here comes Kenny, Oh Kenny, Yeah, you know where
Jack is.
Speaker 3 (03:13):
I don't even know where I am.
Speaker 5 (03:16):
You get three to one on that. See, I hope
nothing's happened to him.
Speaker 3 (03:21):
They married.
Speaker 2 (03:21):
Did you notice that Jack's been acting kind of strange
all week, sort of jennerally like, Yeah.
Speaker 5 (03:26):
The jafternoon he handed me a glass of milk and
it was smaller before I could grab it.
Speaker 2 (03:33):
Why he goes around with a violin under his arm
and keeps muttering to himself what's wrong with him?
Speaker 3 (03:38):
Anyway?
Speaker 5 (03:38):
He's got a bad case of Fred Allen he has?
Speaker 3 (03:43):
Is it catching? No? Hello? Kids? What's the trouble? Oh, Phil,
do you know where Jack is? Sure? He's in the
next room practicing his violin. Oh, he's been in there
all day rehearsing that number called the B and with
the door closed too. Well that helps open the door
and call him out here. Please, okay, hey, close that door.
Speaker 6 (04:18):
Don't worry, we will.
Speaker 5 (04:20):
What are you doing?
Speaker 4 (04:21):
Jack?
Speaker 3 (04:22):
What am I doing? What's this? I got under my chin?
Speaker 5 (04:24):
Another chin?
Speaker 3 (04:30):
I mean under both of them. I'm practicing the bee. Say,
I thought you said you could play the bee when
you were a kid. Well I could, but a lot
of honey has gone over the dam since then.
Speaker 7 (04:43):
Oh boy, that's a pif.
Speaker 3 (04:45):
Did you get it? Kenny? Not yet, but I will
well keep right after it.
Speaker 4 (04:51):
It's a hot.
Speaker 3 (04:51):
One down that violin from Fred Allen too. Anyway, you
fellas go ahead with the program, and Kenny get ready
to do your song. I want to perfect my cadenzas
telegram for Jack. Benny take it Mary, I'm busy, okay.
Speaker 5 (05:18):
Oh Jack, isn't this wonderful? What on account of your volley?
And they've renamed the town in Florida after you?
Speaker 3 (05:24):
Oh yeah, what's it called?
Speaker 4 (05:25):
Now?
Speaker 5 (05:26):
Off Key West?
Speaker 4 (05:29):
Is that?
Speaker 3 (05:30):
So?
Speaker 5 (05:31):
Let him stay in there? We can get along without him.
Speaker 2 (05:33):
I heard that these door slams come to you through
the courtesy of our sound effects man who works for
the National Broadcasting Company, over whose network we broadcast each
and every Sunday night bringing you good news about jell O.
Speaker 3 (05:46):
Thank you.
Speaker 2 (05:48):
Now, Kenny Baker will sing that currently popular hit I've
Got You under My Skin.
Speaker 5 (05:52):
Wait a minute, Kenny, I just thought of a swell
joke you can pull on Jack.
Speaker 4 (05:56):
Yeah, what is it?
Speaker 5 (05:57):
Well, you tell him you're going to sing a number
dedicated to his island. Yeah, And when he asks you
what it is, you say, I've got you under my chin?
Speaker 4 (06:04):
Oh boy?
Speaker 3 (06:05):
Will he laughed?
Speaker 5 (06:06):
Kerry, Well call him out.
Speaker 7 (06:08):
That's the pip.
Speaker 3 (06:10):
Oh boy, Hey that Yeah, I'm going to do a
song dedicated to your violin. Now you ask me what
it is, all right, Kenny what is it?
Speaker 5 (06:31):
What I'd dope?
Speaker 3 (06:32):
Yay, He didn't get it.
Speaker 8 (06:33):
At all, See better, saying Kenny, I've gone.
Speaker 3 (06:51):
Under my skin.
Speaker 9 (06:55):
I've gofe deep the heart of me, so deep in
my heart. You're really a part of me.
Speaker 3 (07:11):
I've got.
Speaker 4 (07:14):
On my skin.
Speaker 3 (07:19):
I tried so.
Speaker 7 (07:23):
Not to give me, I said to myself, disappair never
will go over. But why should I try to resist? When, Darling,
I know.
Speaker 3 (07:44):
I've got you on my skin.
Speaker 10 (07:52):
I'd sacrifice anything, come what might, for the sake of
having you. Knew in spe I have a warning voice
that comes in the night.
Speaker 3 (08:03):
And repeat and repeat in my.
Speaker 9 (08:08):
All love, little pool. Never can me feel your mentality,
wake up to reality.
Speaker 7 (08:25):
But it's time I do.
Speaker 3 (08:27):
Just a fall.
Speaker 4 (08:30):
You makes me.
Speaker 3 (08:33):
Stop, bef call go you.
Speaker 7 (08:51):
Under my skin. I've got you.
Speaker 4 (08:59):
On my skin.
Speaker 3 (09:04):
I've got you.
Speaker 9 (09:08):
Deep in my.
Speaker 2 (09:32):
That was I've got you under my Skin from the
motion picture Born to Dance, sung.
Speaker 3 (09:37):
By never Mind Don I'll take it. I'm through practicing.
That was Cheek to Cheek sung by Kenny Baker. I
didn't hear it, Kenny, but I imagine it was very good.
How was it fellas.
Speaker 4 (09:48):
Good?
Speaker 3 (09:48):
I knew it would be. Thanks text. Of course, I
suppose Fred Allen lo'll go around saying you can't sing?
Well can I? Yes? Can I?
Speaker 4 (09:57):
But he picked on.
Speaker 3 (10:00):
But he picked on everybody, especially when they have talent.
Take my cage for instance.
Speaker 2 (10:05):
Oh, hold on a minute, Jack, I never heard Preev
say anything detrimental about you or anyone else he nearby.
Speaker 3 (10:11):
Oh I suppose you didn't hear him say that When
I was ten years old, I had my violin and
a pawn job. Well didn't you. That's not the point.
It was years later. And another thing, Alan isn't even
his right name. You know that, Barry, don't you?
Speaker 5 (10:29):
Ann?
Speaker 3 (10:32):
And another thing, he should be the last one to talk.
His products only got one flavor? Wow, Holly, let him
top that one. Yeah, what happened?
Speaker 5 (10:46):
Nothing but it was loud.
Speaker 2 (10:49):
Well, Jack, I noticed in today's paper where Alan is
coming out here to Hollywood to make a picture.
Speaker 3 (10:53):
Oh he is. Well, that won't cause me or Gable
to lose any sleeve.
Speaker 4 (11:01):
Me neither.
Speaker 3 (11:02):
You'll keep out of it right away. He's a Gable. Well,
all I can say is good luck to mister Allen.
And of course there's a limit to what a makeup
man can do. Uh, Mary, you ought to know. Well,
let's drop the subject. I don't care who's coming out
(11:23):
here to make pictures. Nobody worries me, especially Allan.
Speaker 5 (11:27):
Yeah, then what happened to your fingernails?
Speaker 3 (11:28):
I was hungry. Now let's go on with the programmy tonight,
ladies and gentlemen, we are going to present an original.
Come in, mister Penny. Yes, I want to take this
opportunity of wishing you and your company are very, very
happy New Year. Wait a minute, Wait a minute, I'm
(11:51):
I'm getting tired of this. Who are you anyway? Just
a dreamer? Aren't we?
Speaker 4 (11:55):
All?
Speaker 10 (11:57):
Goodbye?
Speaker 3 (12:00):
Thought it was Oscar the flea there. You know, somebody
will throw a net over him. And now, ladies and gentlemen,
as I was saying, we are going to present an original.
Hey Jack, Yes, Phil, I meant to tell you my
mother and sister got in town yesterday from Mobile, Alabama. Oh,
from Mobile, Eh, I wish it was Montgomery, our sponsor
comes there. Plus, you know, it was kind of a
(12:22):
surprise visit. And I'd like to have you and the
rest of the gang come over to the house to
night and meet him. Oh, we'd love to, Phil, but
we can't go until the program is over. Oh, you
go ahead, I'll join you later. No, no, no, the
program comes first.
Speaker 4 (12:33):
Oh.
Speaker 3 (12:33):
By the way, here's a snapshot of mom and sis. Oh,
let's see it. Say. Your mother's a charming looking woman, Phil,
And well, so that's your sister. You know she's real cute.
Speaker 4 (12:47):
Wow?
Speaker 3 (12:48):
What's her name? Phil? Lucy Bell? Lucy Bell?
Speaker 4 (12:52):
Is she married?
Speaker 3 (12:52):
No? Not yet? Hell, long as your mother came all
the way out here, maybe we all to leave right away.
WHI my sister made the trip? You're telling me?
Speaker 5 (13:04):
Have you got a brother stale? No? Oh, well I'll
come anyway.
Speaker 3 (13:08):
Sure, come on, let's go see. Have we got any
horses left over from our buck? Benny play? Sure they're
over there in the corner. Well, then we're all set.
Let's ride them over. Don you take care of the
musical numbers, and we'll see you later.
Speaker 8 (13:18):
Okay, Jack, leave everything to me.
Speaker 3 (13:20):
Come on, fellas, untie, those horses you look almost like horses,
you know what I mean? Thank you for this? Everybody
(13:40):
all set. Wait a minute, Kenny, turn around on that saddle.
You're facing the wrong end of the horse.
Speaker 6 (13:47):
What horse?
Speaker 3 (13:48):
Never mind? Come on, Jame, that.
Speaker 2 (15:51):
Was good night, My love from the picture Stollway played
by the orchestra Allow Hawks. As long as everyone's gone,
I might as well tune you into Phil Harris's house
and see what's going on.
Speaker 3 (16:00):
There, will mister Benny. It sure's the pleasure to have
you all here tonight. Well, thank you, Missus Harris. I
hope you're enjoying your stay here in California. Sort of
a surprise visit, wasn't it. Yes, we were going to.
Speaker 2 (16:16):
Alaska, but to wear they're here.
Speaker 3 (16:19):
Ll be careful, lady. Who was there a man from
the Chamber of Commerce. Oh, Kenny, this is Kenny Baker,
Missus Harris, i'd like you to meet him.
Speaker 6 (16:31):
Oh son, I've been listening to the old for a
long long time, and I sure I am glad to
meet you a Queton Sure enough, what.
Speaker 3 (16:40):
Never mind, Oh Mary, Mary, and Missus Harris. I want
you to meet Mary living soon.
Speaker 6 (16:47):
Well, Well, little miss how are you all all?
Speaker 5 (16:51):
A mere fine? Thank you? How's your gang?
Speaker 4 (16:55):
Mary?
Speaker 3 (16:56):
Well? Jack?
Speaker 4 (16:56):
How do you like my mom?
Speaker 3 (16:58):
She's all right. I can understand now how she had
such a nice son and charming daughter. See, I'm hungry,
you know, Missus Harris and Kenny is always hungry. But
I can imagine why with that delightful aroma coming from
the kitchen. I wonder what it is, Mike pot Roast.
(17:25):
Why that joke's only good in the West anyway? You
know missus Harris Kenny? Oh, Kenny, what put that goldfish
back in the ball? I'm hungry to hold back anyway?
What happened?
Speaker 5 (17:39):
You forgot to let go the fish?
Speaker 3 (17:41):
Battig and swim? Say Phil, where's your sister Lucy Bell?
Oh she'll be down a minute. You know, I saw
her picked here. I wonder what's keeping her?
Speaker 5 (17:49):
Maybe she saw your picture.
Speaker 3 (17:52):
Don't be funny? Hey, Jack, here comes Lucy Bell. Now,
oh boy, stop shaking? Who's shaking? Come here? Lucy Belle?
I want you to say hello to Jack Benny. Now,
how do you do?
Speaker 6 (18:04):
This is show a pleasure, mister Danny, and I just
tickle pink to meet you.
Speaker 3 (18:09):
Well, I'm tickle pink to Lucy Bell. You know, Phil
showed me your picture and it doesn't flatter you Onee't this?
Are you cowboys?
Speaker 6 (18:20):
Just say those scenes?
Speaker 3 (18:24):
No? No, I mean that you don't. Your sister's sweet
enough to eat to.
Speaker 5 (18:28):
Better keep her away from Kenny.
Speaker 3 (18:30):
Quiet Oh, Lucy Bell, this is Mary living says, well,
may I.
Speaker 6 (18:35):
Show him tinkle pink.
Speaker 5 (18:38):
I'm tickled pink to meet you too.
Speaker 3 (18:41):
That's tickled pink.
Speaker 5 (18:42):
Oh part my northern accent.
Speaker 3 (18:46):
Oh says that young man climbing out of the goldfish
bowl is Kenny Baker.
Speaker 6 (18:50):
Oh, mister Baker, I show him tickle pink to meet y'all.
Speaker 3 (18:55):
Thanks. If you're gonna call Kenny, go by the fireplace
and dry up. Well, Lucy Belly, I hope you're. I
hope you're. You're enjoying your stay here in Hollywood.
Speaker 6 (19:11):
Oh, I sho am, And it's been a real thrill
seeing all the movie.
Speaker 3 (19:15):
Stars and Jason. Imagine though, tell me who are the
favorite movie stars down your way? Oh?
Speaker 6 (19:23):
Anne Southern and Dixie.
Speaker 3 (19:25):
Me, Well, I can understand that tooth.
Speaker 6 (19:28):
We like Caroline A.
Speaker 3 (19:30):
Lumbad too. You like Georgia Rafts and Charleston Butterwort. Uh huh.
You know I make pictures too, You do well?
Speaker 6 (19:39):
Hush mom.
Speaker 3 (19:40):
Now, suppose I'll have to change my name to Jacksonville Benny.
Speaker 5 (19:45):
Yeah, and I could be Maryland Livingston.
Speaker 3 (19:47):
Maryland, and I could be Kenny Chucky Kenny throw a
log in the fire and don't let go.
Speaker 6 (20:02):
You know, mister Vanny, I thought you were just a
radio actor.
Speaker 4 (20:06):
Really I did.
Speaker 3 (20:08):
Well, I dabble in it a bit. Do you like radio,
Lucy Bell?
Speaker 5 (20:12):
Yes, I just do Fred Allen, don't you well?
Speaker 3 (20:18):
Yes I do. Personally I prefer the more subtle type
of humor.
Speaker 5 (20:26):
Well, I think he's just.
Speaker 3 (20:28):
Grant tell everyone to their own taste. Of course, he
doesn't come from the South, you know, Lucy Belly. Oh,
before you leave, Tom, we'll have to step off together
some eve and taking a movie or something.
Speaker 4 (20:43):
Oh, I just.
Speaker 6 (20:44):
Love that new to Benny. You know, I saw an
Anigan pictures afternoon you did?
Speaker 3 (20:49):
What was it?
Speaker 6 (20:50):
Seen?
Speaker 5 (20:50):
Cosby and Candy from Bernie Ham?
Speaker 6 (20:54):
Yes?
Speaker 3 (20:56):
That is good?
Speaker 5 (20:57):
Oh Jack, what I know?
Speaker 4 (20:59):
Now?
Speaker 5 (20:59):
That's wall pictures. You can see what is it? Lloyd's
of Memphis.
Speaker 3 (21:04):
Go sit down, old boy? What are you doing? Kenny?
I'm riding the funny? That's the family album.
Speaker 5 (21:18):
He's still writing.
Speaker 6 (21:20):
Oh, mister Baker, hand me that album. I want to
show you folks and pictures of Peel when he was
a little boy.
Speaker 3 (21:26):
Oh, Lucy Bell, don't do that.
Speaker 6 (21:29):
Ah, that reminds me. You know what they used to
call Phil when he was a baby.
Speaker 3 (21:34):
Why philsy lamb philsy lamb Phil?
Speaker 4 (21:43):
You should laugh?
Speaker 5 (21:44):
Remember what they called you when you were a kid.
Very quiet, stinky pie?
Speaker 6 (21:54):
That so oh, here's a picture I wanted to show you.
Speaker 3 (21:57):
It's our favorite which one right here? Right here?
Speaker 5 (22:02):
It's still wearing three weeks old. It was taken on
our plantation down stairs.
Speaker 3 (22:07):
Oh, says, don't show him that one, de Phil, three
weeks old. Haven't got much clothing gone there? Have you?
Speaker 4 (22:12):
Asked?
Speaker 3 (22:15):
Mary? What are you laughing at?
Speaker 5 (22:16):
Southern exposure?
Speaker 3 (22:17):
Answers the Joel Peel. I bet it's Don Wilson. Hello everybody, Hello, Don, Hello, Hawhi,
Hi your folk? Why Andy Devine? What are you doing here?
Speaker 2 (22:40):
Why?
Speaker 4 (22:40):
Jack?
Speaker 2 (22:40):
Andy dropped in at the studio, so I thought to
bring him along.
Speaker 3 (22:43):
Sure, I hope I'm not Intrudon and missus Harris. This
is Don Wilson and this is Andy Duvine. How'd you
do right to know you? Lucid Belle? Get the gentleman
a coat?
Speaker 4 (22:53):
Drop?
Speaker 3 (23:00):
Don't bother missus Harris. He always talks like that. Oh boys,
this is Phil's sister Lucy Bell.
Speaker 6 (23:05):
Here comes folks, I show and take off painting this
you boys.
Speaker 5 (23:10):
I told you so, yea.
Speaker 2 (23:12):
If I'd have known this, I wouldn't have got this haircut.
Speaker 3 (23:17):
Oh you look all right? Control yourself Andy. Now, I
don't like to impose on you folks, but you're all
too talented. Why don't you give us a little in
the team. Well, missus, Harris, your son sings a pretty
hot song. How about having Phil start the ball rolling?
Why come on, everybody, where's a piano?
Speaker 5 (23:37):
Kenny ate it?
Speaker 3 (23:38):
I did not come on, Phil, What are you gonna say? Well,
here's a copy of The Lovely right here on the piano.
How about that? Well, what a coincidence? Who put it there?
Speaker 4 (23:46):
You did? All right?
Speaker 3 (23:48):
Come on here it fellaws. Let's hear Phil said the
night this long? Skies are clean. And if you want
to go walk in deep bitch, delightful, delicious, loveless. Yeah,
I understand the reason why your sat mental course, so
am I. It's delightful, delicious love let of oil. You
(24:13):
can tell at a glass what a swell nice dis
or romance you can hear? Oh of the nature murmuring Lord,
let yourself go, so please be sweep my chickenea. And
when I keeps you just say to me. It's delightful.
It's delicious, it's delectable.
Speaker 4 (24:31):
It's deliria.
Speaker 3 (24:32):
Its dilimma. It's dilimma, it's delopid. The Lovelyn. That's a
swell bell. Oh really that was good? Fello Ready, Mary,
how about you singing a chorus? Uh?
Speaker 5 (24:50):
Will a fanniel singer with me?
Speaker 3 (24:52):
Why can't I got a cold? You shouldn't have got
that haircut? Come on, I no more cough sing?
Speaker 5 (24:59):
Wait a minute, Jack know the word?
Speaker 3 (25:00):
You don't.
Speaker 2 (25:01):
Here's a copy for you emerging this O.
Speaker 5 (25:03):
Thanks don.
Speaker 3 (25:03):
I'm afraid of this, but go ahead, come on, both
of you. Marry and Andy hit it fellows will waiting
to get a lot on them.
Speaker 5 (25:13):
When you're dining all in order to be stewed, be
sure and have some yellow tube.
Speaker 3 (25:18):
It's delight folks, it's delicious. It's so lovely.
Speaker 5 (25:24):
And if you're all relate at night and want something
that's very.
Speaker 3 (25:28):
Light, it's the swallow. It's the mellow.
Speaker 4 (25:31):
It's so lovely.
Speaker 5 (25:34):
Its eat too made. You can watch it. Quiver and
Jossey a case. You can hear mother in the kitchen murmuring, Lord.
Speaker 3 (25:44):
Let your south bey.
Speaker 5 (25:48):
G And when I serve it. Just say to me,
it's the strawberry, it's the raspberry, it's the carry, it's
the orange, it's the lemon. It's delight, it's the nut.
Speaker 3 (25:58):
It's a love that was we well, I can even
forgive don Well, Missus Harris is getting kind of late,
(26:21):
and I think we'll have to be going. Oh I'm
sorry you have to leave so soon. You must come
again sometime. Oh we'll be glad too. Well, goodbye, Missus Harris.
It's been delightful. Thank you, good bye boy? Come again?
Speaker 4 (26:36):
Why by?
Speaker 6 (26:38):
Goodbye?
Speaker 3 (26:39):
Good night Missus Harris. Good night my boy, Kenny. Put
down Lucy Bell and go home. Well, Lucy Bell, I
stayed behind. I just want to say again, it's been
a real thrill meeting you. It's been delightful, and you're
just d lovely.
Speaker 6 (26:56):
Oh, Missus Danny, you say the claver I.
Speaker 3 (27:01):
Do, don't lie. I'd love to have you come over
to our broadcast sometime, maybe next Sunday.
Speaker 5 (27:09):
Oh, I douty tickled? Doesn't she get tickled? Any other colors?
Speaker 3 (27:15):
Don't mind her? Lucy Bell? Well, Lucy Bell, can I
take you home? Oh that's right? Well, goodbye, Lucy Bell.
Speaker 6 (27:26):
Goodbye, mister Vannie, I mean Jack.
Speaker 3 (27:30):
Gosh, well goodbye.
Speaker 5 (27:35):
Why don't you open the door?
Speaker 3 (27:37):
Do I know what I'm doing? Come on, Mary Gee,
she called me Jack.
Speaker 4 (27:43):
Wow.
Speaker 2 (28:13):
Everybody likes chocolate pudding. It's been a favorite dessert with
all of us ever since the first time our mother's
made it. It's a lot easier to make, and it's smoother, creamier,
more chocolate. And this is how simple it is to make.
Just mix the contents of one package of yellow chocolate
pudding with some milk, cook and stir over a low
fire until the mixture comes to a boil and it's
(28:34):
thick and sat and smooth. It only takes a few minutes. Then,
after it's cooled, pour it into sherbet glasses and there
you'll have a superb chocolate pudding, the rich, old fashioned
kinds that will make a happy impression on everybody who's
lucky enough to taste it. One package of yellow chocolate
pudding will make six delicious servings, and it sells for
the same low price as jello. Remember the name the
(28:57):
next time you're at your grocer's Jelly all chocolate pudding.
Speaker 3 (29:29):
That was the last number of the seventeenth program in
the new Lucy Bell I mean the new Jello series,
and I hope she'll be with or you'll be with
us again next Sunday night. I don't know what's the matter.
Speaker 5 (29:41):
With me, Oh Jack, put yourself together. You're always letting
some girl upset you.
Speaker 3 (29:45):
I'm not upset.
Speaker 5 (29:46):
Stop smoking a fountain.
Speaker 3 (29:47):
Pen, Ladies and gentlemen. At this time, I would like
to announce our program for next Sunday. As you all know,
we have never been on the air during the month
of July, and we have a lot of Fourth of
July jokes which are just cluttering up the studio. Our
janitor refuses to do anything about us. So therefore, next Sunday,
(30:09):
January thirty first, we will do our special Fourth of
July broadcast. So listen in and try to keep warm.
At the same time. Good night falls.
Speaker 4 (30:23):
Jag ell Oh.
Speaker 3 (30:32):
The June delivery from rad Hockey Blue.
Speaker 2 (30:34):
The Yellow Program comes to you from Hollywood over the
revenue work of the National Broadcasting Company.
Speaker 3 (30:44):
K f I, Los Angeles.
Speaker 1 (30:46):
Please sing your questions and comments to host at CLASSICCOMEDYOTR
dot com. Until next time. In the words of John A. Shed,
a ship is safe in the harbor, but that's not
what chips are for.
Welcome to classic comedy of old time radio. I'm your host,
Ron Ecklebarger. Jelo again. You'll never believe it, No Buck
Benny today. Instead, Jack practices his violin and the gang
meets Phil Harris's mother and sister. This episode, entitled Jack
(00:37):
Practices the Bee, is the two hundred and forty second
Jack Benny Show. It originally aired on January twenty fourth,
nineteen thirty seven.
Speaker 2 (00:50):
The Jello Program starring Jack Benny with Mary Livingston and
Phil Harris and his Orchestra. The Orchestra is the program
with right or Wrong from Happy, Go Lucky, dinner is ready.
Speaker 3 (01:16):
Those three words.
Speaker 2 (01:17):
Are certainly welcome words when you're hungry, but they're doubly
welcome when followed by these three words Jello for dessert.
A good dinner that ends up with the generous, delicious
helping of jello always makes a hit with everyone. Or
Jello is so colorful and at the same time so
refreshing that it's a perfect dessert, good looking, gram tasting,
(01:37):
and inexpensive. Jello is first in favor because it's first
in flavor, extra rich fruit flavor that no other gelatin
dessert in the world can equal.
Speaker 4 (01:47):
At all.
Speaker 2 (01:47):
Six jello flavors strawberry, raspberry, cherry, orange, lemon, and lime
come from fresh ripe fruit. That's why jello brings you
such added richness and goodness. But remember there is only
one jello. We'll be sure to ask for it by name.
Get the real thing, insist on genuine jello. And now,
(02:28):
ladies and gentlemen, we bring you a man who has
a child, had whooping cloth, measles and violin lessons, Jack
Benny jello.
Speaker 5 (02:44):
Again, this is not Jack Benny talking. So who do
you think it is?
Speaker 4 (02:48):
Now?
Speaker 5 (02:48):
Gain now, now give up. It's me and a nice thought.
Speaker 3 (02:55):
Wait a minute, Marry, Wait a minute, what's the idea?
Speaker 5 (02:57):
Well, I don't see Jack standing around. If somebody had
to jump in, you.
Speaker 3 (03:00):
Know where he is, John, No, but he can't be
very far.
Speaker 2 (03:03):
He left his shoes here.
Speaker 5 (03:05):
Maybe he's breaking in a new pair of socks.
Speaker 2 (03:09):
Oh, here comes Kenny, Oh Kenny, Yeah, you know where
Jack is.
Speaker 3 (03:13):
I don't even know where I am.
Speaker 5 (03:16):
You get three to one on that. See, I hope
nothing's happened to him.
Speaker 3 (03:21):
They married.
Speaker 2 (03:21):
Did you notice that Jack's been acting kind of strange
all week, sort of jennerally like, Yeah.
Speaker 5 (03:26):
The jafternoon he handed me a glass of milk and
it was smaller before I could grab it.
Speaker 2 (03:33):
Why he goes around with a violin under his arm
and keeps muttering to himself what's wrong with him?
Speaker 3 (03:38):
Anyway?
Speaker 5 (03:38):
He's got a bad case of Fred Allen he has?
Speaker 3 (03:43):
Is it catching? No? Hello? Kids? What's the trouble? Oh, Phil,
do you know where Jack is? Sure? He's in the
next room practicing his violin. Oh, he's been in there
all day rehearsing that number called the B and with
the door closed too. Well that helps open the door
and call him out here. Please, okay, hey, close that door.
Speaker 6 (04:18):
Don't worry, we will.
Speaker 5 (04:20):
What are you doing?
Speaker 4 (04:21):
Jack?
Speaker 3 (04:22):
What am I doing? What's this? I got under my chin?
Speaker 5 (04:24):
Another chin?
Speaker 3 (04:30):
I mean under both of them. I'm practicing the bee. Say,
I thought you said you could play the bee when
you were a kid. Well I could, but a lot
of honey has gone over the dam since then.
Speaker 7 (04:43):
Oh boy, that's a pif.
Speaker 3 (04:45):
Did you get it? Kenny? Not yet, but I will
well keep right after it.
Speaker 4 (04:51):
It's a hot.
Speaker 3 (04:51):
One down that violin from Fred Allen too. Anyway, you
fellas go ahead with the program, and Kenny get ready
to do your song. I want to perfect my cadenzas
telegram for Jack. Benny take it Mary, I'm busy, okay.
Speaker 5 (05:18):
Oh Jack, isn't this wonderful? What on account of your volley?
And they've renamed the town in Florida after you?
Speaker 3 (05:24):
Oh yeah, what's it called?
Speaker 4 (05:25):
Now?
Speaker 5 (05:26):
Off Key West?
Speaker 4 (05:29):
Is that?
Speaker 3 (05:30):
So?
Speaker 5 (05:31):
Let him stay in there? We can get along without him.
Speaker 2 (05:33):
I heard that these door slams come to you through
the courtesy of our sound effects man who works for
the National Broadcasting Company, over whose network we broadcast each
and every Sunday night bringing you good news about jell O.
Speaker 3 (05:46):
Thank you.
Speaker 2 (05:48):
Now, Kenny Baker will sing that currently popular hit I've
Got You under My Skin.
Speaker 5 (05:52):
Wait a minute, Kenny, I just thought of a swell
joke you can pull on Jack.
Speaker 4 (05:56):
Yeah, what is it?
Speaker 5 (05:57):
Well, you tell him you're going to sing a number
dedicated to his island. Yeah, And when he asks you
what it is, you say, I've got you under my chin?
Speaker 4 (06:04):
Oh boy?
Speaker 3 (06:05):
Will he laughed?
Speaker 5 (06:06):
Kerry, Well call him out.
Speaker 7 (06:08):
That's the pip.
Speaker 3 (06:10):
Oh boy, Hey that Yeah, I'm going to do a
song dedicated to your violin. Now you ask me what
it is, all right, Kenny what is it?
Speaker 5 (06:31):
What I'd dope?
Speaker 3 (06:32):
Yay, He didn't get it.
Speaker 8 (06:33):
At all, See better, saying Kenny, I've gone.
Speaker 3 (06:51):
Under my skin.
Speaker 9 (06:55):
I've gofe deep the heart of me, so deep in
my heart. You're really a part of me.
Speaker 3 (07:11):
I've got.
Speaker 4 (07:14):
On my skin.
Speaker 3 (07:19):
I tried so.
Speaker 7 (07:23):
Not to give me, I said to myself, disappair never
will go over. But why should I try to resist? When, Darling,
I know.
Speaker 3 (07:44):
I've got you on my skin.
Speaker 10 (07:52):
I'd sacrifice anything, come what might, for the sake of
having you. Knew in spe I have a warning voice
that comes in the night.
Speaker 3 (08:03):
And repeat and repeat in my.
Speaker 9 (08:08):
All love, little pool. Never can me feel your mentality,
wake up to reality.
Speaker 7 (08:25):
But it's time I do.
Speaker 3 (08:27):
Just a fall.
Speaker 4 (08:30):
You makes me.
Speaker 3 (08:33):
Stop, bef call go you.
Speaker 7 (08:51):
Under my skin. I've got you.
Speaker 4 (08:59):
On my skin.
Speaker 3 (09:04):
I've got you.
Speaker 9 (09:08):
Deep in my.
Speaker 2 (09:32):
That was I've got you under my Skin from the
motion picture Born to Dance, sung.
Speaker 3 (09:37):
By never Mind Don I'll take it. I'm through practicing.
That was Cheek to Cheek sung by Kenny Baker. I
didn't hear it, Kenny, but I imagine it was very good.
How was it fellas.
Speaker 4 (09:48):
Good?
Speaker 3 (09:48):
I knew it would be. Thanks text. Of course, I
suppose Fred Allen lo'll go around saying you can't sing?
Well can I? Yes? Can I?
Speaker 4 (09:57):
But he picked on.
Speaker 3 (10:00):
But he picked on everybody, especially when they have talent.
Take my cage for instance.
Speaker 2 (10:05):
Oh, hold on a minute, Jack, I never heard Preev
say anything detrimental about you or anyone else he nearby.
Speaker 3 (10:11):
Oh I suppose you didn't hear him say that When
I was ten years old, I had my violin and
a pawn job. Well didn't you. That's not the point.
It was years later. And another thing, Alan isn't even
his right name. You know that, Barry, don't you?
Speaker 5 (10:29):
Ann?
Speaker 3 (10:32):
And another thing, he should be the last one to talk.
His products only got one flavor? Wow, Holly, let him
top that one. Yeah, what happened?
Speaker 5 (10:46):
Nothing but it was loud.
Speaker 2 (10:49):
Well, Jack, I noticed in today's paper where Alan is
coming out here to Hollywood to make a picture.
Speaker 3 (10:53):
Oh he is. Well, that won't cause me or Gable
to lose any sleeve.
Speaker 4 (11:01):
Me neither.
Speaker 3 (11:02):
You'll keep out of it right away. He's a Gable. Well,
all I can say is good luck to mister Allen.
And of course there's a limit to what a makeup
man can do. Uh, Mary, you ought to know. Well,
let's drop the subject. I don't care who's coming out
(11:23):
here to make pictures. Nobody worries me, especially Allan.
Speaker 5 (11:27):
Yeah, then what happened to your fingernails?
Speaker 3 (11:28):
I was hungry. Now let's go on with the programmy tonight,
ladies and gentlemen, we are going to present an original.
Come in, mister Penny. Yes, I want to take this
opportunity of wishing you and your company are very, very
happy New Year. Wait a minute, Wait a minute, I'm
(11:51):
I'm getting tired of this. Who are you anyway? Just
a dreamer? Aren't we?
Speaker 4 (11:55):
All?
Speaker 10 (11:57):
Goodbye?
Speaker 3 (12:00):
Thought it was Oscar the flea there. You know, somebody
will throw a net over him. And now, ladies and gentlemen,
as I was saying, we are going to present an original.
Hey Jack, Yes, Phil, I meant to tell you my
mother and sister got in town yesterday from Mobile, Alabama. Oh,
from Mobile, Eh, I wish it was Montgomery, our sponsor
comes there. Plus, you know, it was kind of a
(12:22):
surprise visit. And I'd like to have you and the
rest of the gang come over to the house to
night and meet him. Oh, we'd love to, Phil, but
we can't go until the program is over. Oh, you
go ahead, I'll join you later. No, no, no, the
program comes first.
Speaker 4 (12:33):
Oh.
Speaker 3 (12:33):
By the way, here's a snapshot of mom and sis. Oh,
let's see it. Say. Your mother's a charming looking woman, Phil,
And well, so that's your sister. You know she's real cute.
Speaker 4 (12:47):
Wow?
Speaker 3 (12:48):
What's her name? Phil? Lucy Bell? Lucy Bell?
Speaker 4 (12:52):
Is she married?
Speaker 3 (12:52):
No? Not yet? Hell, long as your mother came all
the way out here, maybe we all to leave right away.
WHI my sister made the trip? You're telling me?
Speaker 5 (13:04):
Have you got a brother stale? No? Oh, well I'll
come anyway.
Speaker 3 (13:08):
Sure, come on, let's go see. Have we got any
horses left over from our buck? Benny play? Sure they're
over there in the corner. Well, then we're all set.
Let's ride them over. Don you take care of the
musical numbers, and we'll see you later.
Speaker 8 (13:18):
Okay, Jack, leave everything to me.
Speaker 3 (13:20):
Come on, fellas, untie, those horses you look almost like horses,
you know what I mean? Thank you for this? Everybody
(13:40):
all set. Wait a minute, Kenny, turn around on that saddle.
You're facing the wrong end of the horse.
Speaker 6 (13:47):
What horse?
Speaker 3 (13:48):
Never mind? Come on, Jame, that.
Speaker 2 (15:51):
Was good night, My love from the picture Stollway played
by the orchestra Allow Hawks. As long as everyone's gone,
I might as well tune you into Phil Harris's house
and see what's going on.
Speaker 3 (16:00):
There, will mister Benny. It sure's the pleasure to have
you all here tonight. Well, thank you, Missus Harris. I
hope you're enjoying your stay here in California. Sort of
a surprise visit, wasn't it. Yes, we were going to.
Speaker 2 (16:16):
Alaska, but to wear they're here.
Speaker 3 (16:19):
Ll be careful, lady. Who was there a man from
the Chamber of Commerce. Oh, Kenny, this is Kenny Baker,
Missus Harris, i'd like you to meet him.
Speaker 6 (16:31):
Oh son, I've been listening to the old for a
long long time, and I sure I am glad to
meet you a Queton Sure enough, what.
Speaker 3 (16:40):
Never mind, Oh Mary, Mary, and Missus Harris. I want
you to meet Mary living soon.
Speaker 6 (16:47):
Well, Well, little miss how are you all all?
Speaker 5 (16:51):
A mere fine? Thank you? How's your gang?
Speaker 4 (16:55):
Mary?
Speaker 3 (16:56):
Well? Jack?
Speaker 4 (16:56):
How do you like my mom?
Speaker 3 (16:58):
She's all right. I can understand now how she had
such a nice son and charming daughter. See, I'm hungry,
you know, Missus Harris and Kenny is always hungry. But
I can imagine why with that delightful aroma coming from
the kitchen. I wonder what it is, Mike pot Roast.
(17:25):
Why that joke's only good in the West anyway? You
know missus Harris Kenny? Oh, Kenny, what put that goldfish
back in the ball? I'm hungry to hold back anyway?
What happened?
Speaker 5 (17:39):
You forgot to let go the fish?
Speaker 3 (17:41):
Battig and swim? Say Phil, where's your sister Lucy Bell?
Oh she'll be down a minute. You know, I saw
her picked here. I wonder what's keeping her?
Speaker 5 (17:49):
Maybe she saw your picture.
Speaker 3 (17:52):
Don't be funny? Hey, Jack, here comes Lucy Bell. Now,
oh boy, stop shaking? Who's shaking? Come here? Lucy Belle?
I want you to say hello to Jack Benny. Now,
how do you do?
Speaker 6 (18:04):
This is show a pleasure, mister Danny, and I just
tickle pink to meet you.
Speaker 3 (18:09):
Well, I'm tickle pink to Lucy Bell. You know, Phil
showed me your picture and it doesn't flatter you Onee't this?
Are you cowboys?
Speaker 6 (18:20):
Just say those scenes?
Speaker 3 (18:24):
No? No, I mean that you don't. Your sister's sweet
enough to eat to.
Speaker 5 (18:28):
Better keep her away from Kenny.
Speaker 3 (18:30):
Quiet Oh, Lucy Bell, this is Mary living says, well,
may I.
Speaker 6 (18:35):
Show him tinkle pink.
Speaker 5 (18:38):
I'm tickled pink to meet you too.
Speaker 3 (18:41):
That's tickled pink.
Speaker 5 (18:42):
Oh part my northern accent.
Speaker 3 (18:46):
Oh says that young man climbing out of the goldfish
bowl is Kenny Baker.
Speaker 6 (18:50):
Oh, mister Baker, I show him tickle pink to meet y'all.
Speaker 3 (18:55):
Thanks. If you're gonna call Kenny, go by the fireplace
and dry up. Well, Lucy Belly, I hope you're. I
hope you're. You're enjoying your stay here in Hollywood.
Speaker 6 (19:11):
Oh, I sho am, And it's been a real thrill
seeing all the movie.
Speaker 3 (19:15):
Stars and Jason. Imagine though, tell me who are the
favorite movie stars down your way? Oh?
Speaker 6 (19:23):
Anne Southern and Dixie.
Speaker 3 (19:25):
Me, Well, I can understand that tooth.
Speaker 6 (19:28):
We like Caroline A.
Speaker 3 (19:30):
Lumbad too. You like Georgia Rafts and Charleston Butterwort. Uh huh.
You know I make pictures too, You do well?
Speaker 6 (19:39):
Hush mom.
Speaker 3 (19:40):
Now, suppose I'll have to change my name to Jacksonville Benny.
Speaker 5 (19:45):
Yeah, and I could be Maryland Livingston.
Speaker 3 (19:47):
Maryland, and I could be Kenny Chucky Kenny throw a
log in the fire and don't let go.
Speaker 6 (20:02):
You know, mister Vanny, I thought you were just a
radio actor.
Speaker 4 (20:06):
Really I did.
Speaker 3 (20:08):
Well, I dabble in it a bit. Do you like radio,
Lucy Bell?
Speaker 5 (20:12):
Yes, I just do Fred Allen, don't you well?
Speaker 3 (20:18):
Yes I do. Personally I prefer the more subtle type
of humor.
Speaker 5 (20:26):
Well, I think he's just.
Speaker 3 (20:28):
Grant tell everyone to their own taste. Of course, he
doesn't come from the South, you know, Lucy Belly. Oh,
before you leave, Tom, we'll have to step off together
some eve and taking a movie or something.
Speaker 4 (20:43):
Oh, I just.
Speaker 6 (20:44):
Love that new to Benny. You know, I saw an
Anigan pictures afternoon you did?
Speaker 3 (20:49):
What was it?
Speaker 6 (20:50):
Seen?
Speaker 5 (20:50):
Cosby and Candy from Bernie Ham?
Speaker 6 (20:54):
Yes?
Speaker 3 (20:56):
That is good?
Speaker 5 (20:57):
Oh Jack, what I know?
Speaker 4 (20:59):
Now?
Speaker 5 (20:59):
That's wall pictures. You can see what is it? Lloyd's
of Memphis.
Speaker 3 (21:04):
Go sit down, old boy? What are you doing? Kenny?
I'm riding the funny? That's the family album.
Speaker 5 (21:18):
He's still writing.
Speaker 6 (21:20):
Oh, mister Baker, hand me that album. I want to
show you folks and pictures of Peel when he was
a little boy.
Speaker 3 (21:26):
Oh, Lucy Bell, don't do that.
Speaker 6 (21:29):
Ah, that reminds me. You know what they used to
call Phil when he was a baby.
Speaker 3 (21:34):
Why philsy lamb philsy lamb Phil?
Speaker 4 (21:43):
You should laugh?
Speaker 5 (21:44):
Remember what they called you when you were a kid.
Very quiet, stinky pie?
Speaker 6 (21:54):
That so oh, here's a picture I wanted to show you.
Speaker 3 (21:57):
It's our favorite which one right here? Right here?
Speaker 5 (22:02):
It's still wearing three weeks old. It was taken on
our plantation down stairs.
Speaker 3 (22:07):
Oh, says, don't show him that one, de Phil, three
weeks old. Haven't got much clothing gone there? Have you?
Speaker 4 (22:12):
Asked?
Speaker 3 (22:15):
Mary? What are you laughing at?
Speaker 5 (22:16):
Southern exposure?
Speaker 3 (22:17):
Answers the Joel Peel. I bet it's Don Wilson. Hello everybody, Hello, Don, Hello, Hawhi,
Hi your folk? Why Andy Devine? What are you doing here?
Speaker 2 (22:40):
Why?
Speaker 4 (22:40):
Jack?
Speaker 2 (22:40):
Andy dropped in at the studio, so I thought to
bring him along.
Speaker 3 (22:43):
Sure, I hope I'm not Intrudon and missus Harris. This
is Don Wilson and this is Andy Duvine. How'd you
do right to know you? Lucid Belle? Get the gentleman
a coat?
Speaker 4 (22:53):
Drop?
Speaker 3 (23:00):
Don't bother missus Harris. He always talks like that. Oh boys,
this is Phil's sister Lucy Bell.
Speaker 6 (23:05):
Here comes folks, I show and take off painting this
you boys.
Speaker 5 (23:10):
I told you so, yea.
Speaker 2 (23:12):
If I'd have known this, I wouldn't have got this haircut.
Speaker 3 (23:17):
Oh you look all right? Control yourself Andy. Now, I
don't like to impose on you folks, but you're all
too talented. Why don't you give us a little in
the team. Well, missus, Harris, your son sings a pretty
hot song. How about having Phil start the ball rolling?
Why come on, everybody, where's a piano?
Speaker 5 (23:37):
Kenny ate it?
Speaker 3 (23:38):
I did not come on, Phil, What are you gonna say? Well,
here's a copy of The Lovely right here on the piano.
How about that? Well, what a coincidence? Who put it there?
Speaker 4 (23:46):
You did? All right?
Speaker 3 (23:48):
Come on here it fellaws. Let's hear Phil said the
night this long? Skies are clean. And if you want
to go walk in deep bitch, delightful, delicious, loveless. Yeah,
I understand the reason why your sat mental course, so
am I. It's delightful, delicious love let of oil. You
(24:13):
can tell at a glass what a swell nice dis
or romance you can hear? Oh of the nature murmuring Lord,
let yourself go, so please be sweep my chickenea. And
when I keeps you just say to me. It's delightful.
It's delicious, it's delectable.
Speaker 4 (24:31):
It's deliria.
Speaker 3 (24:32):
Its dilimma. It's dilimma, it's delopid. The Lovelyn. That's a
swell bell. Oh really that was good? Fello Ready, Mary,
how about you singing a chorus? Uh?
Speaker 5 (24:50):
Will a fanniel singer with me?
Speaker 3 (24:52):
Why can't I got a cold? You shouldn't have got
that haircut? Come on, I no more cough sing?
Speaker 5 (24:59):
Wait a minute, Jack know the word?
Speaker 3 (25:00):
You don't.
Speaker 2 (25:01):
Here's a copy for you emerging this O.
Speaker 5 (25:03):
Thanks don.
Speaker 3 (25:03):
I'm afraid of this, but go ahead, come on, both
of you. Marry and Andy hit it fellows will waiting
to get a lot on them.
Speaker 5 (25:13):
When you're dining all in order to be stewed, be
sure and have some yellow tube.
Speaker 3 (25:18):
It's delight folks, it's delicious. It's so lovely.
Speaker 5 (25:24):
And if you're all relate at night and want something
that's very.
Speaker 3 (25:28):
Light, it's the swallow. It's the mellow.
Speaker 4 (25:31):
It's so lovely.
Speaker 5 (25:34):
Its eat too made. You can watch it. Quiver and
Jossey a case. You can hear mother in the kitchen murmuring, Lord.
Speaker 3 (25:44):
Let your south bey.
Speaker 5 (25:48):
G And when I serve it. Just say to me,
it's the strawberry, it's the raspberry, it's the carry, it's
the orange, it's the lemon. It's delight, it's the nut.
Speaker 3 (25:58):
It's a love that was we well, I can even
forgive don Well, Missus Harris is getting kind of late,
(26:21):
and I think we'll have to be going. Oh I'm
sorry you have to leave so soon. You must come
again sometime. Oh we'll be glad too. Well, goodbye, Missus Harris.
It's been delightful. Thank you, good bye boy? Come again?
Speaker 4 (26:36):
Why by?
Speaker 6 (26:38):
Goodbye?
Speaker 3 (26:39):
Good night Missus Harris. Good night my boy, Kenny. Put
down Lucy Bell and go home. Well, Lucy Bell, I
stayed behind. I just want to say again, it's been
a real thrill meeting you. It's been delightful, and you're
just d lovely.
Speaker 6 (26:56):
Oh, Missus Danny, you say the claver I.
Speaker 3 (27:01):
Do, don't lie. I'd love to have you come over
to our broadcast sometime, maybe next Sunday.
Speaker 5 (27:09):
Oh, I douty tickled? Doesn't she get tickled? Any other colors?
Speaker 3 (27:15):
Don't mind her? Lucy Bell? Well, Lucy Bell, can I
take you home? Oh that's right? Well, goodbye, Lucy Bell.
Speaker 6 (27:26):
Goodbye, mister Vannie, I mean Jack.
Speaker 3 (27:30):
Gosh, well goodbye.
Speaker 5 (27:35):
Why don't you open the door?
Speaker 3 (27:37):
Do I know what I'm doing? Come on, Mary Gee,
she called me Jack.
Speaker 4 (27:43):
Wow.
Speaker 2 (28:13):
Everybody likes chocolate pudding. It's been a favorite dessert with
all of us ever since the first time our mother's
made it. It's a lot easier to make, and it's smoother, creamier,
more chocolate. And this is how simple it is to make.
Just mix the contents of one package of yellow chocolate
pudding with some milk, cook and stir over a low
fire until the mixture comes to a boil and it's
(28:34):
thick and sat and smooth. It only takes a few minutes. Then,
after it's cooled, pour it into sherbet glasses and there
you'll have a superb chocolate pudding, the rich, old fashioned
kinds that will make a happy impression on everybody who's
lucky enough to taste it. One package of yellow chocolate
pudding will make six delicious servings, and it sells for
the same low price as jello. Remember the name the
(28:57):
next time you're at your grocer's Jelly all chocolate pudding.
Speaker 3 (29:29):
That was the last number of the seventeenth program in
the new Lucy Bell I mean the new Jello series,
and I hope she'll be with or you'll be with
us again next Sunday night. I don't know what's the matter.
Speaker 5 (29:41):
With me, Oh Jack, put yourself together. You're always letting
some girl upset you.
Speaker 3 (29:45):
I'm not upset.
Speaker 5 (29:46):
Stop smoking a fountain.
Speaker 3 (29:47):
Pen, Ladies and gentlemen. At this time, I would like
to announce our program for next Sunday. As you all know,
we have never been on the air during the month
of July, and we have a lot of Fourth of
July jokes which are just cluttering up the studio. Our
janitor refuses to do anything about us. So therefore, next Sunday,
(30:09):
January thirty first, we will do our special Fourth of
July broadcast. So listen in and try to keep warm.
At the same time. Good night falls.
Speaker 4 (30:23):
Jag ell Oh.
Speaker 3 (30:32):
The June delivery from rad Hockey Blue.
Speaker 2 (30:34):
The Yellow Program comes to you from Hollywood over the
revenue work of the National Broadcasting Company.
Speaker 3 (30:44):
K f I, Los Angeles.
Speaker 1 (30:46):
Please sing your questions and comments to host at CLASSICCOMEDYOTR
dot com. Until next time. In the words of John A. Shed,
a ship is safe in the harbor, but that's not
what chips are for.
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