Episode 33: Song of the Younger World / The Girl I Married

Roberts Blossom returns to The Twilight Zone in Song of the Younger World in which a boy in love... turns into a wolf? The second half of the episode is The Girl I Married which is yet another "what could have been" story.

Episode Transcript

(00:29):
Hello there. I'm Chris Stashu,I'm Mike White, and this is Father
Alone, and we are the hostof Dreams for Sale, a podcast about
twilight Zone. Which twilight Zone youmight ask, twilight Zone nineteen eighty five,
But at some point we're going tocover the two thousand show because Father
Alone just loves it, loves andloves it, loves it, loves it,
loves it all lies. This islies. Well, on this episode,

(00:51):
we're not talking about the two thousandshow. We are talking about nineteen
eighty five twilight Zone, and weare rounding out the second season of the
show. And I think I speakfor the three of us and saying,
how did we get here so fast? Yeah? Blinding speed. It feels
like we just started recording about thesecond season, like someone just jumped in
a trash canon pushed it down tohill at full speed. We're just going

(01:14):
down fast as possible. Man.Well, I think in this case it
was definitely that they cut the seasonin half instead if we're going to save
the back halfter season three, Soyeah, and no, that's fair,
but it just it feels like it'sstill these episodes are just flying by.
Well yeah, but you know,compared to season one. It took it
took a while. Yeah, wellyeah that's fair. So, yeah,
we're gonna be talking about the finaltwo episodes of season two. They would

(01:37):
have been put together at one point, they're not now, but we're going
to talk about him as one,talking about Song of the Younger World and
the Girl I Married. So Songof the Younger World is directed by Noel
Black, written by Anthony Lawrence andNancy Lawrence. It aired July seventeenth,
nineteen eighty seven, and it starsJennifer Rubin, Paul Benedict, Robert's Blossom

(01:59):
again second time be shown up onthe show, and Pete Kowongko. You
know, everybody's favorite, Pete Kowongko. Was that the that's the main kid.
Yeah, he's real great, He'sso good. He's like so good
that he was like, you know, oh my god, I've never seen
grief displayed so just actually amazing thatthat. I'm shocked we haven't heard more

(02:22):
from him. Where is he hashe done any? Oh? He did
nothing else. It's okay, Hey, not everybody is going to have a
great acting career. We can't allbe Roberts Blossom. It's true. We
can't show up twice in the sameshow. Yeah. Also that So what
did you guys think of this segment? It was had an interesting setup.

(02:43):
It's like this kid loved Jack London, sure, and I felt like the
weirdest introduction. It's like he likesJack London, yes, and he pays
off, come on he sure?Oh well he turns at wolf. Oh
spoilers. I will ask though,does him turning into a wolf have anything

(03:05):
to do with Jack London or isthat just the most convenient, stupidest animal
they can transform? Well, thereis like white fang and all those things
from the Jack London books. Iguess I can see that, But why
Jack look like why Jack? Idon't get it. And I don't get
that like ancient book of evil thatshe's reading from them. I don't get

(03:27):
focus on it long enough you'll seethe door. I don't get why I
said fred Gwyn instead of Paul Benedict. I'm just completely confused about that.
Yeah, I was too, Ididn't I was. I just assumed you
were mentioning Fred Gwinn because Fred Gwinn'sawesome. Oh yeah, that's what tall
man with the rectangular head. I'mjust as Gootten made me, sir,

(03:49):
exactly the best Paul Benedict line ofall time. Oh my god, but
I will you know what. Iwill tell you. That door that they
see on the page, I expectedit to open and the dream worms to
come out from Freddie's dead, becausethat's all it looked like, was that
weird like ancient door in the threeD part that they tried to shoehorn into

(04:09):
that movie. Because I would beappropriate here given Jennifer Ruben's involvement, That's
why I thought about it. Yeah, Jennifer Ruben. Though, poor lady,
this episode is a mess. Isay, poor lady to Jennifer Rubin
because of how bad this episode.Yeah, I mean it. It just
feels like they stuck a bunch ofideas in a blender and this is what

(04:32):
kind of came out of. Itcame crawling out, just going yeah,
we're somewhere in like a love storyand the father doesn't like her and him
and I'm like, okay, yeah, okay, we've seen that before.
That's good. Stick with that.It's a pretty tried and true formula.
And then yeah, there's the JackLondon thing. There's the Ancient Book of

(04:57):
Evil thing. Yeah, I'm like, Okay, she's reading the Necronomicon,
all right, but it doesn't seemto have any ill effects other than they
get turned into wolves at the end. But they're together forever, and in
her dreams she's beautiful and bad.That's true. What an extensive library this

(05:19):
Boy's reformatory has, huh, Yes, that they have the necronomic on there.
And nothing makes me hate a leadcharacter more than watching them mutilate a
book. And he's cutting these picturesof wolves out of this book, and
all I can think is, like, is that your book? Son?
And as it turns out, itwas not well. With a name like
Mordecai hawk Line, one one wouldexpect that he doesn't care what the law

(05:44):
has to say, sir, Butall Mordecai hawk Line. Look, when
you have a segment this nonsensical,it gets to the point where by the
end of it, I don't reallyhave any expectation what's going on or what's
going to happen. So you havefarts Blossom just shooting a guy point blank,
yeah, and then about to shootanother guy point blank who's tied up

(06:05):
on the ground, and then heturns into a wolf maybe or he doesn't.
Who knows, I don't, becausethis episode is operating on this like
wishywashy logic that the show all ofa sudden seems to be operating on,
which is no rules matter if wedon't establish them, and if we don't
establish rules, we could do whateverthe fuck we want. And that seems

(06:26):
to be all of a sudden,what this show is doing. It's just
like magical logic, like, ofcourse there's a book that can transform you
into wolves. It's twilight Zone,like rubber stamp with twilight Zone. Let's
move on. It's really lazy.It feels like a bunch of writers came
in second season after everybody else leftand they wanted to get their magical romance
story out. And I don't knowwhat was in their head that they thought

(06:47):
that this was in any way interesting. That it's very writer early with the
Jack London thing and you know,the sort of overbearing religio, so reform
it or warden, which, bythe way, if by the end,
he's pretty convinced that this kid isa Satanist or a minion of evil in

(07:08):
some way, So when he goesto aim at the kid and sees the
supernatural thing happening. Why wouldn't hejust pull the trigger immediately, Like that
might have actually redeemed the episode inmy mind where it has proven that in
this guy's mind that he's a Satanistand he shoots and kills him and he
doesn't get to go to the otherworld. But good lord, just you

(07:29):
know, I don't know it.Occasionally we get episodes where I feel like
these are people who have no businesswriting speculative fiction. They're just telling whatever
story they would have told on anyseries, and they just throw in a
magic book and there it is.Yeah. Yeah, And to your point,
it feels like some sort of somesort of an exquisite corpse where those
writers came in. One guy startedthe story, had to know, had

(07:54):
to run out for some cigarettes.Next guy started going for it. My
favorite thing is at the end,they're like Paul Benedict's like, they're going
somewhere where you can't hurt them,Like, yeah, except for the fact
that they're turning into wolves. Yeah, are they magic wolves? Are they
wolves of the Earthly Plane? Becauseif the Wolves of the Earthly Plane,

(08:15):
history would suggest that being a wolfis pretty target painted on your back.
For a lot of reasons, bethey real or perceived. Allah werewolves,
so I was kind of Again,I assume that they're being transported as a
magical plane. But again, becausethe show doesn't take a stance, I
can't take a stance either, AndI'm not going to do the work for

(08:35):
the show because that's not our job. Our job is to critique it,
not fill in the blanks or tryto make it into something somewhat halfway intelligible.
Seed, you can't Paul Benedict's character'sname Hokey, perfect there it is
everybody the whole episode. I meanI caught it because they said it a
million times. Is the name isHoki a person's name or was a job?

(09:01):
I think it was his name.I've never I don't know what before.
Ye, well, I don't neverHokey before, So you say hope
mostly yes? Yeah, okay,good, I'm trying to reference anything better
than what we had to watch.Mike already Mike already beat beat us to
it with Paul Benedict's line from spinalTaps, So yeah, which I quote

(09:24):
more often than I would like toadmit. I've just God made me,
sir, who is just fruit?That's all fruit. I mean Jesus Christ.
I mean, I look, Ihave no frame of reference for Paul
Benedict other than that seen in spinalTap. I've never seen any of the
Jeffersons. I've seen him on SesameStreet, but as a child. So

(09:46):
if I would go as far asto say that he has better things to
do than be on this show withhow poorly his characters written, Yeah,
give him the full episode. Imean, I love the guy. Yeah.
And Roberts, I mean, Robert'sbossom got one of the better episodes
of the entire series in season one. Um, and you know, god

(10:07):
damn him because he walks on screen. I'm like, oh, I get
excited, like it's been bad upuntil he walked on, but now are
just here and like all right,and he can't even save it. Nope,
nothing can save this. This isthis. I wouldn't classify this as
like one of the worst segments we'veseen, but it's just so forgettable.
And the second last time we're gonnahear Charles Aidman do the narration, yeah

(10:30):
damn it, which is a realshame given what we get out of Robin
Ward. Yeah, we'll talk aboutthat. Boy. Yeah, boy.
So do we want to move onto the next segment? Please? Yes?
As if, as if it's goingto get any better, Let's talk
about The Girl I Married. Ithas been said the eighties are just the
sixties twenty years later. The costumesmay change, but the cast remains.

(10:54):
The arrogant, the radical, thenaive, and the cynical, the miss
placed and the space, each astage in the growth of a generation as
it treads the tail end of thetwentieth century on a long journey through the
twilight zone. So The Girl IMarried is a story about fucking your wife

(11:16):
while not fucking your wife, whileyour wife's fucking you but she's not fucking
you. It's written by J.M. D. Mattis. It's directed
once again by Philip Degare because Iguess he was bored. It stars Linda
They're running out of money at thispoint. Yeah. It starts Linda Kelsey,
James Whitmore Junior and Dennis Patrick.And as I kind of led on
at the beginning of us talking aboutthis episode, James Whitmore Junior plays a

(11:41):
man, a yuppie who's married toLinda Kelsey's character, and they're falling out
of love. They're they're remembering thedays of past, of how they used
to be, and all of asudden, the next day, James Whitmore's
character sees his wife from the picturesin the park by why I like great

(12:03):
success, You know, Chris,when you described it initially about a guy
fucking his wife who is his wife, and like to me that there was
actually a germ of a good ideaon this episode, Like the idea of
cheating on your spouse with your spousecould have been an interesting thing if they
had gone into like a science directionwith clones or something, but instead they

(12:24):
wrapped it in this like nostalgic fantasyfor baby boomers, And like I didn't
think they were going to get toa level of pure hatred on my part
for this show, this episode.I fuck, this is the worst one.
I fucking hated it. I youknow me, Chris, I'm not
one. I'm not one for nostalgia, like in general, but like there's

(12:48):
something particularly grading about baby boom ornostalgia, Like they shoved their goddamn youth
down our throats and then turned intothis other night And think, by the
way, these are not yuppies,because these people are not young so fuck
them. Um, but then likeget to this point where then they're gonna
wax nostalgic and long for this thingand okay, putting all that aside,

(13:11):
just on a like a weirdly sortof plot level at the end, they
kind of is the is the ideathat they've accepted what total fucking dead dreamed
assholes that the entire generation had becomeLike that was that was that was what
we're supposed to take away with it, right, Like correct? Fuck are
you? That was all stupid?Your wide eyed, bushytailed ship heads.
Don't you know it's all about money? The bombs lost Lebowski, Yeah,

(13:39):
it's um what what? What cracksme up about this entire premise is if
you were to explain to your significantother that you had spent the day with
them as a younger version of themselves, like father Mullen said, that's an
interesting idea, but you don't justlike stop there, right, that's where
it stops. It'd like stop saidthat. It's like, man, you're

(14:01):
such a fucking drag because you don'twant to do LSD anymore. Like okay,
most normal folks aren't just gonna doLSD on a week day anyways,
Like, well, weird moment whenI lived in the nineties. Yeah,
it's that weird moment when he's talkingabout like penia coladas and and and something

(14:22):
in the rain and then just likewhat what are you guys talking about?
This is so strange? Well whatmakes me laugh? All right? It
was you. I edited you earliertoday, Father Malone, on an episode
of this show talking about Aqua Vita, the episode featuring yuppies. Right,
yeah, yeah, that was definitelya yuppie. This is worse than that.

(14:43):
It is. It is like ifthis had been, like I said,
on just a pure plant level,these people like conjure up their younger
selves and then we get something likethe younger selves murder them and take their
place or something, if something hadhappened instead of this ugly and astoundia trip.
By the way it starts off,the opening scene is the lead character

(15:05):
sitting at a business lunch and he'sstaring at a photo of his young wife
right when she was when she wasyounger. How natural is that has a
setup? How often I mean Ifind myself constantly just taking out photographs of
my wife and staring at her whilesomeone's trying to talk to me. Yeah.
Yeah, like actual physical photographs,not even like looking at stuff on

(15:26):
your phone, right, just carryaround. I take it out of the
wallet, hold it up, andI stare. All it makes me think
of is that gag and naked gun? Why does he have a picture of
your wife? Martha? Martha?My wife? Who carries around pictures of
a significant other? Oh? Imean, I guess people in the eighties
could have. But my favorite thing, actually, father one about that opening

(15:46):
scene is the guy goes, who'sthat? Who is that in that picture?
Bro? That's that guy's wife.Her hair is still red, bro,
Like, it's still clearly her.What's happening here? I didn't know
where it was going. I thoughtthat like there was like a weird like
mistaken identity thing going on. Andthen when it gets back to their house,
I was like, Okay, thisis where this stupid ass episode is
going just going to be stupid.How about that super cool woodstock like split

(16:11):
screen triumpter? Oh my god,what the fuck was going on with that?
I was just like, down please, Oh my god. Well it
was so strange too, where itwas just like it's kind of a split
screen, but not really, it'slike two seconds behind. I'm like,
yeah, you know, I'm justlike I rewatched Sisters recently and I'm like,
yeah, this is how you dosplit screen here, folks. And

(16:33):
then you're watching this, it's like, what is happening? And yeah,
why is it like four screens goingon? And I just hadn't hit their
editing budget yet. Wow, Iwas They're like, we have some extra
money left. Can we just befucking obnoxious? Yeah, let's get the
video toaster going. I was waitingfor like some star wipes and stuff.
Yeah, let's get let's get TimJennison of Tim Vermeer's fame video Toaster out.

(17:00):
He just probably made a couple ofdollars by us mentioning it, so
video Toaster, there's three more dollarsin it. What's sad about this segment
is the same thing that I feellike has plagued this season more so than
the first one. These just likemelancholy, saccharin ass stories that are wish
fulfillment stories, like I wish Icould talk to my former self and tell

(17:23):
him that things are going to beokay. Like, the only people that
want to do that are people whoare fucking miserable assholes like the people in
this episode, right, I mean, we've gone all the way to your
point from earlier. We've gone allthe way from Shatter Day, where it's
like, you know, the guydisappears once his other version shows up and
something is going on, and there'sstuff going on in that episode. It's

(17:47):
very interesting, it's fascinating stuff.And here we have two people from the
past showing up and yeah, maybethey take their places, maybe something happens,
maybe there's a fight, maybe there'sI was waiting for the old guy
to start punching out the young guy, but then his fake beard would have
fallen off. Yeah, he waspunching something, but he wasn't punching the
other guy. He was punching thatman's wife on the grand it was tongue

(18:15):
punching her, but not like that. But maybe because the other guy was
tongue punching is why. H Yeah. I loved how like he got outraged
at his wife with the younger versionof himself while he spending day after day
with the younger version of her.Yeah, and like I mean, if
they had done at least something likemaybe they remembered themselves as idealistic and then

(18:36):
they meet themselves and realized, no, they were assholes from the get go,
Like at least there would have beensomething here, but this was just
like like a longing for a timethat no longer exists and then repudiating it
for I don't I don't know this, this is very bad. Well,
all they did was bang the entireepisode more or like, yeah, I

(18:57):
mean that's that's the funny thing islike, given the opportunity to talk to
your past self and interact with them, you're just like, yeah, I
want to bang. Yeah, okay, I mean I'm surprised he didn't his
younger self and she yeah, youngerself. Sure there would have been something
interesting the version that they would havenow, right, it's like I'm actually

(19:17):
bisexual. I want to have sexwith myself. Yeah, it's it's black
mirror Andrew Mackey kind of thing,right, right, pannacle of quality.
But that would even be more interestingthan this. Yeah oh yeah. Instead,
what we're getting, or what hasslowly donned on me, is that
every writer on the staff of thisshow has a time travel lost love or

(19:38):
like you know, lost youth episodein them, and now that they're like
everyone really good is gone everyone's goingto get the trot. There is out.
We had an episode earlier this seasonlike this or wait, we're going
to see this more in the nextone. I'll talk about it. Judy
J. M. Maddis is deMatis is really good at writing comic books.
That's the sad thing. Oh yeah, yeah, but comic books are
comic books, and teleplay is ateleplay. This is not a comic book.

(20:03):
They're apples and oranges. I mean, you know, everyone gets a
little too hung up on like,oh, this is just like a storyboard
of a movie, and it's like, yeah, kind of is. But
the dialogue blows like say it allout loud, you'll see what we're talking
about, right man? Great?Can I just say yeah, I in
my notes this is this is theone thing I wrote that I'd like to
share with everyone. Baby boomer nostalgia. There's nothing more disgusting in the world.

(20:29):
I thought you were going to likehave a whole poem there, baby
boomers feed them to the wolves.Yes, I said it, feed them
to the wolves and seeing I mean, look, ultimately, at the end
of the day, like let's notkid ourselves. The baby boomers. The
reason we're in the situation we're infinancially in so many ways. So yes,
watching a nostalgic waxing wistfully about yourlost love means go fuck yourself to

(20:55):
me, because I know where youend up as a generation. You're ending
up on Facebook. Tell me aboutyour maga hats and how the election was
stolen. So there I said itbecause Mike won't because some sort of left
I mean, that's that is wherethese characters would be if they were alive.

(21:15):
Now yeah, yeah I'm not.And what's funny is that the thing
that they end up sort of discountingare the only good things from their generation,
which was the sort of cultural thingsand that the you know, the
the shift away from sort of conformityof clothing and whatever, like all the
good stuff that still remains from them. This episode of saying like that was

(21:37):
all crap. Yeah, but yeah, to your point, I would have
loved like he meets his younger versionof his wife and yeah, she's all
about boning. But then she startstalking about like fucking crystals and you know,
drugs and just take yeah, let'sjust do you know our thing,
man, let's see, and suddenlyshe becomes like one of those horrible girls

(21:57):
from One Spot a Time Hollywood,where you're just like, get out of
my car. I don't want youryour stinky feet on my dashboard, thank
you very much. Like she says, the older version of herself says,
I used to look like a baglady, really bro, really bro.
Really you'd think a bag lady.Oh yeah, because there's nothing worse than

(22:18):
the homeless in mid eighties. Well, and now, to be fair,
because who doesn't hate the homeless,But every major city in this country,
when they take away benches for themto sleep, one put spikes on them.
That's even better, give them somewhereto sleep, but make it inhospitable
for them. Yeah, it's it'sthis this segment for whatever reason, like

(22:40):
you've said, Father Malone, itreally rubs me the wrong way, more
so than a lot of the otherbaby boomerish nostalgia episodes have. And I
wonder, I wonder if, withlike the newer stuff, twenty years from
now, thirty years from now,forty years from now, how it'll be
received Maybe the same way. Ican't imagine it won't be. Look,
nostalgia has its plan, and itcan be done skillfully and artfully. And

(23:02):
you can get something from it.But so far, what this series has
shown us as far as traveling downthe nostalgia avenue is it's all bullshit.
Please don't do it anymore. Yeah, boy, that should be the tagline
for this season. This is allnostalgias. Stop it. So with season
two in our rear view mirror,we should do a little bit of a

(23:22):
wrap up here. So starting withyou, mister Mike White, favorite segment
of the season, least favorite segmentof the season. That's tough, man,
Oh, because this season, likeyou're saying, it feels very short.
I guess it has to be saucerloneliness. Going all the way back

(23:45):
to that episode with shelleybu Val,that one actually really hit home that one.
And I'm gonna also say I actuallyliked the Convicts Piano quite a bit
because it was short and sweet,a nice little story, and he got
Norman fell in it. What youfund them alone? I echo that a

(24:07):
definitely saucer of loneliness. Like Ithought, that was what I want from
the Twilight Zone, particularly what Iwanted from this new version of the Twilight
Zone. There are a couple othersthat I liked. I think are still
passively good. Even that the EldestOne I think is fun in its own
bizarro way. But we just watchedand we're talking about my least favorite episode

(24:27):
of the season. It was justutter garbage. So I actually would go
with the Toys of Caliban only becauseit completely subverted my expectations, given I
watched like the first five minutes becauseI just had left it on and I
needed to stop it, and Isaw whatever the fuck was going on in
the first five minutes, I thoughtthis is going to be the train wreck

(24:48):
that I had been waiting for.It turned out not to be. It
was very good. I would sayit barely eked out The Road Less Traveled.
I know, I liked that onea lot and can go back and
listen to our episode on that.But Toys of Caliban was good and the
worst one. Man, there's alot of competition the season. I mean,
it feels like half of the episodesthis season could be considered just bad.

(25:11):
I'm gonna go with Nightsong because thatis just like, what was that?
Even Yeah, I'm still stinging somuch from Grace Note and then I'm
like, oh, that's the firstseason, So I can't count that,
but I'm just like, what's theworst one I've seen in a while?
That one. I was really disappointedthat none of us said joy Ride as

(25:33):
the worst, because boy, that'sup there too. Yeah, I at
least like the concept of this stationarycar and if you know, existing in
another time, like barreling down roads. For some reason, that image alone,
And it was a short one too, It wasn't. It wasn't this
half hour of my baby boomeruging nostalgiaman like age christ ladies and gentlemen.

(25:56):
Father Malone a huge fan of babyboomers, you know what? You know
what, I don't think my generationis any great shakes either, But like,
I will dope slap anyone who trafficsin this kind of nostalgia. It's
gross. And they were trafficking init like twenty years after it happened.
I mean, it's interesting because I'mnot remembering this season being particularly strong,

(26:18):
but there are some good episodes inhere, you know, you guys have
mentioned some, even thinking about theone with George went, what was that
the world next door? Or somethingz another one exactly, And I think
if memory serves like the idea behindthe card was good, but it didn't

(26:38):
it wasn't executed prop I agree,Yeah, that's a very good one.
Yeah, yeah, you know.I think though this season is probably much
less successful than the last one,which is fucking strange given that the last
one has twice as many episodes.Yeah, what's in too, because all

(27:00):
of those ones that we've mentioned havesome sort of a twist to it and
some sort of supernatural thing going on, and too many of these just don't
have the twist and they just startin one place. I mean them turning
into wolves. I'm sorry, Idon't really consider that a twist, you
know, it's just like all right, then she growled at him, though

(27:22):
he didn't see that coming. It'sfather. This doesn't feel as bad as
Chronicles from the Crypts fall off,but I feel like given another season,
and it might be it's I thinkif they if they continue letting these writers
write the majority of the show,look, it's gonna get worse. There's

(27:42):
just no question about it. Like, I think that the quality drop from
season one to season two is kindof precipitous here here in Twilight Zone Land.
And I do think that's because whenit was announced that there's gonna be
a new Twilight Zone show. Likeevery sort of high and like decent author
and television person wanted to get onthat show because they loved the show when

(28:04):
they were kids. And after theirtreatment in the first season, they bailed
and we were left with everybody elseand that's what we're getting, and now
we're going to get it's going toget even worse because these people are most
are mostly going to go because they'removing the entire production to Canada. Sounds
like Tales from the Cript, Yeah, like, let's send it to England.

(28:25):
You know what. Though as badas any of these seasons could be,
nothing will be as bad as seasonseven of Tales from the Crypt.
So I'm hopeful a season that needsto be jettisoned at high speed into the
sun, all versions of it.No recordings need to exist, That's how
bad it is. But I meanthis season, I look, they're like
less than half of the season isworth checking out, which is a shame.

(28:48):
There's like fifteen episodes, so they'restill good though. I mean,
you know, Shelter Skilter and fuckingSaucerer Loneliness Lakers as I would I would
not see them out of place inseason one. No, I would agree,
yeah, but man, it's justsuch a bummer really, just thinking
Mike you heep. You mentioned ShatteredDay, and I just think about Shatter

(29:11):
Day from time to time when Iwatched the show, and I'm just like,
what has happened here? Yeah?Man? They started as strong,
right, I know. It's almostlike Tales from the Crypt, Like they
start so strong and like you're justlike, well, you have nowhere else
to go but down. I guessit needed more rock me Abannon, but
he left to do sequest DSV,which was almost this show. Remember that,

(29:34):
Wait to what? When you firstapproached me about doing podcast separately,
were liked, no, one's donethat. I'm like, no, but
there's a guy involved with it thatI'd like to talk about. Yeah.
Coincidentally, he did leave this showquickly. So so on the next episode
of Dreams for Sale, we're gonnabe taking a look at the first and

(29:55):
second episodes of the final season ofthe show. Those episodes are the Curious
This Case of Edgar Witherspoon, andExtra Innings. So until then, Father
Malone, where can people find you? You can check me out. I
just went to Canada. You wentto Canada. Yeah, well, I'm
getting ready for the for the nextseason. You can check me out over

(30:18):
at Father Malone dot com. I'vegot links to all of the stuff that
I do, including my half hourradio drama Dark Destinations. You can also
find links to the almost over chroniclesfrom the Crypt, the show that Chris
and I just mentioned, and uhand my YouTube channel. At this point,
it is long over. Yeah,Okay, it's done, but you

(30:41):
can still get it. Yeah,you can still find it. So Father
Malone and I and Mike and Ihave both finished a podcast together, so
there you go. And we're gonnafinish this one together as well, so
sooner than later. Yeah, wherecan people find you? Mike? Yes,
I wish you can find me overat the Projection Booth podcast, which
is available by Projection boothpodcast dot com. You're gonna also hear Chris and I

(31:03):
talk about Barney Miller on the Lifeand Times of Captain Barney Miller podcast,
which I think is available at BarneyMiller podcast dot com. And yeah,
um, and then I sell somedreams with y'all. Yeah, not for
long, not for much longer.We'll be selling dreams until they're on liquidation

(31:25):
which I think is coming soon.As for me, you can find me
on Twitter at Christmas Clause and atc stashu dot com. That's my link
tree, O Mike, Mike,Mike lamenting how dumb link trees were.
It's okay, I got one still. Oh do you have one? Okay?
Yeah. I created it for whenwe did that live podcast. Oh
nice, okay, yeah yeah.I don't know if anybody uses it,

(31:47):
and I can't track that information.Do you what I used? Yeah?
I didn't like. Oh like,I don't know how many people go to
it and click through is what Imean? Oh I say you should Yeah,
well you should, agreed, Butyou can find me here and on
Twitter at Christmas Clause. Big thanksalways to Roxy Drive and Neutron Dreams for
the music for this podcast, andwe'll catch you on the next episode.