HMA Podcast
Music interview podcast. Interested in Partimento, Music Schema Theory, Counterpoint, Hexachordal Solfeggio, Basso Continuo, Critiques of Modern Music Education, Gregorian Chant, Catholic Sacred Music, Renaissance Polyphony, Filmscoring, and more!
Episodes
Today I speak to cellist and viola da gamba player Giovanna Barbati, whose repertoire extends from early to contemporary music and who has a special interest in improvisation. She appears frequently as a soloist, she plays her own music and has given the first performance of a number ...
Professor Sietze de Vries, famed for his mastery in classical improvisation, joins the show to talk about his education, training, approach to music, music education, and demonstrates classical improvisation in multiple styles, and time periods.
Professor Nicholas Baragwanath, author of the groundbreaking "Solfeggio Tradition" (published by Oxford University Press), returns to the show to talk about Hexachordal Italian Solfeggio. This was the method of solfege instruction that was employed at the famed 18th-century Neapolitan Conservatories, using 6-note overlapping hexachords, instead of the usual 7-note systems we use today. Professor Baragwanath answers popular question...
Professor Ewald Demeyere returns on the show to discuss his critical edition of Fenaroli's partimenti collection and discusses Fenaroli's approach to pedagogy and partimento realization.
In this episode, I am joined by eminent professors Robert O. Gjerdingen, Giorgio Sanguinetti, Peter van Tour, and Rosa Cafiero, in a special panel session about the subject of partimento. We discuss the history of its modern research, the definition of partimento, why partimento died out, the problem with modern harmony instruction in conservatories today, the practical applicability of partimento in modern times, the future of par...
Today we have a special episode dedicated to Solfeggio, featuring Professors Nicholas Baragwanath, Job IJzerman, Robert O. Gjerdingen, and Peter van Tour. The famed students of the 18th-century Neapolitan conservatories undertook an extensive 3-year course of hexachordal solmisation using guidonian syllables before they were allowed to touch an instrument. This excellent training preceded partimento and written counterpoint studies...
I'm delighted to share this interview recorded yesterday with the great Professor Robert O. Gjerdingen, focusing greatly on Music Schema Theory as revealed in his groundbreaking 2007 monograph "Music in the Galant Style". In addition, we discuss Roman Numeral Analysis, Harmonic Function Theory, Hugo Riemann, Tonality, Dahlhaus, and Schenker, and he answers numerous audience questions, enjoy!
PETER SEIVEWRIGHT has received a Special Judges’ Citation in The American Prize Ernst Bacon Award for the Performance of American Music competition, in the professional solo artist division. Peter Seivewright, honored for “Championing American Piano Music,” was selected from applications reviewed recently from all across the United States and the United Kingdom, and the citation awarded for his Divine Art album ‘American Piano Sona...
0:00 Start
1:34 How has the book, "The Solfeggio Tradition", been received? 6:43 Italian solfeggio explained in 4 minutes
11:41 Should children delay singing solfeggio until their voice has broken?
14:15 Did 18th-century plainsong sound more like galant music rather than medieval music?
16:10 What about Palestrina?
19:35 An example of a lesson in Italian solfeggio
22:33 How do you learn to accompany a melody line by sight wit...
Professor Peter Schubert from McGill University returns to the show to discuss the republication of a new edition of his book, "Baroque Counterpoint."
I’m very excited to welcome two very special guests to the program, Professor Robert Gjerdingen and Professor Giorgio Sanguinetti. Professor Gjerdingen is the author of Music in the Galant Style and Child Composers, while Professor Sanguinetti is the author of The Art of Partimento”. They join me today for a group table discussion on partimento, music education, music history, and much more.
My guest today is conductor, harpsichordist, and organist, Professor Patrick Ayrton. He currently teaches thoroughbass, chamber music, and improvisation at the Royal Conservatory of the Hague.
Harpsichordist and Composer, Jonathan Salamon, joins the show to discuss his article on the Leo Schema.
Professor Johannes Menke joins the podcast to discuss the French Baroque Style, Satzmodelle in 17th-century French music, and more.
I’m very happy to introduce my guest today, Pianist, Composer, Teacher, and Music Scholar, Nicole DiPaolo! She is an online Adjunct Lecturer in Music at Indiana University, a faculty member at a Cleveland-area multi-teacher music studio, the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school, and a sought-after online instructor of piano, music theory, and composition.
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