Intellectual Radios Listener Aprichiation Party

Episode Transcript

Speaker 1 (00:00):
Back to the mic.

Speaker 2 (00:01):
Uh, y'all, yo, y'all, how y'all.

Speaker 1 (00:07):
Doing out there?

Speaker 2 (00:09):
Yeah, I know least about see how y'all.

Speaker 1 (00:12):
Doing out there?

Speaker 3 (00:13):
What's happening?

Speaker 2 (00:15):
Welcome to the mixed listening appreciation probing for the fans
at Internet two radio dot Com. I am the host
of a mixed sponsor in the House that we have
some very special guests.

Speaker 3 (00:28):
Uh.

Speaker 4 (00:29):
We also have uh Fanny Horrm, he gonna and he
gonna talk about it at all, so I ain't I
ain't eve gonna worry about it.

Speaker 5 (00:41):
We also have in the house we have Alante Grant
of Life body Design.

Speaker 2 (00:46):
We also have our sponsors A lot of you picture
we got hollered here.

Speaker 1 (00:52):
On the Election Radio dot com fo lot of you pick.

Speaker 6 (00:55):
Uh.

Speaker 1 (00:55):
I got my beautiful pholes with me tan baby tea,
you know I got. I got my other man on
his on the on the.

Speaker 7 (01:02):
Side of hu meet he in sights, Hey down shut.

Speaker 1 (01:08):
That's what's up. I don't know what's wrong with them.
Right now, We're gonna get it together real.

Speaker 2 (01:14):
Got got a good back on everybody, you know what
I'm saying.

Speaker 8 (01:19):
Uh.

Speaker 2 (01:20):
We also have the videographer ear One, a freak in
the background.

Speaker 1 (01:24):
Everybody get a runt. The Claws.

Speaker 2 (01:29):
We also have.

Speaker 1 (01:31):
In the back. Okay, you can try too, you can fly.
You know what I'm saying. Everybody get they club here.
We have in and not with Sandra and edoria H.
I'm not leaving nobody else. We got milk from the background.
That's just milk. She represents our late night shows and

(01:53):
we've been.

Speaker 4 (01:54):
To get it correctly. What's going on? Oh yeah, we
got the hook up, hook me up. I need a
hook up in my life.

Speaker 2 (02:05):
I need somebody cause you know, but they got an wive,
know they they can't be playing James.

Speaker 1 (02:10):
They got a wild they you know what I'm saying.
The ten hosts are so called the hook.

Speaker 2 (02:16):
Look, that's how you fix your romantic issues in life.
She puts you on a date and you talk about
it and hopefully you got the bright one for.

Speaker 1 (02:24):
That night, if not for in a relationship before we
get it cracking.

Speaker 2 (02:29):
I got my DJ back to Mr Aka just words aka.

Speaker 4 (02:34):
I'm not a DJ, right alright?

Speaker 1 (02:40):
I got a group upen to bring up.

Speaker 2 (02:43):
Uh.

Speaker 1 (02:44):
The name of this group is Brian for reasons.

Speaker 2 (02:47):
They are a young group and they are prolific with talents.
They got livery to penetrate your heart, your soul, and
your mind.

Speaker 1 (03:00):
So he's also I'm sorry. He the Justice also has
been to all the group. This is a group that
he's put together. He's been to us and uh, they
gonna come up to the stage right now to find
some reasons. Everybody give him a big head, get a

(03:29):
oh I think say, I'm gonna.

Speaker 9 (03:32):
Take that hand out.

Speaker 2 (03:36):
Something out that's two hours so as you can feel.

Speaker 6 (03:41):
Oh Jesus, y'all, how y'all feeling that was a drive?

Speaker 1 (03:54):
You know what I'm saying.

Speaker 10 (03:55):
Yeah, if you feelings good, let me you see him
feeling good?

Speaker 1 (04:00):
You feel ain't blessing mean something for them? Bless Oh yeah,
we rhyme for reasons. Where you grew up here in Chicago,
going around the city doing different things, speaking our truth.
So this is a point we put to got to
figure out.

Speaker 3 (04:15):
That is the truth.

Speaker 1 (04:16):
Uh.

Speaker 3 (04:17):
Rhyme for reason face is the truth?

Speaker 11 (04:19):
Mine?

Speaker 12 (04:20):
Try on you for true mine trying when you make
it your truth right. Rhyme for reason Oh, FA's the truth? Yeah,
rhyme for reason based is the truth? Rhyme for reason
based the truth.

Speaker 1 (04:34):
She's she's the flaming Satan. Times. Who is this burning angel?
I walk over to introduce myself and she says, oh,
have you been nabbing my Next if I had you.

Speaker 10 (04:50):
Wish, I would wish that salad that drips when the
mouth's happening just so weakened dance to the sweet sound
of ring crashing into the pavement, creating music, music that
resembles how beautiful you are you rob her hands operating
from Manchester to fixed pieces of a broken puzzles your touch.
It's like thunderbolts of lightning, whispering electric waves, the moth

(05:13):
like pumping heart.

Speaker 11 (05:15):
On this night, November September twenty third oh she was
found in a tub, let us all around, a drink
in her hand and t drops dried. The day after
her birthday of month after she left, experiencing stress, she

(05:35):
lay in wonder she had a person in the room
with the ring inside, a letter take to a photo
and a dating side.

Speaker 3 (05:45):
Tears strimpling up in her.

Speaker 11 (05:46):
Pupils, a lone, lonely night, putting up a fighting not
to ride the bone on her face, hoping for a miscall.
He's avoiding her love? Why did her worldcome to an end?
He had promised her to be there, but fourteen only
her faith. Then he trust evaluate the last words she
heard him speak.

Speaker 3 (06:06):
It was three am. She could not sleep a minute
past then forty end.

Speaker 11 (06:11):
At that moment she acted the food going last all
over the room, between two pillows and the cover.

Speaker 1 (06:20):
A phone was found.

Speaker 11 (06:22):
There were twenty five miss calls past nine, and he
still loved me, she thought, the way I would approach,
hug and touch him.

Speaker 3 (06:32):
Moving away was hard when I when she found out,
was harder.

Speaker 1 (06:36):
He thought.

Speaker 11 (06:36):
She found the letter of invitation to him and his
wife's wedding depression. Still this from overwhelming Brianna that came
to her existence. Her heart is shivering and a another
feminine body is in place of where she used to be.
Love used to be a means of access and secure
and control the entrance. He had put them in her
purse to remind her of it. November twenty third, I

(07:01):
would wish his special days. Him and his wife were
moving away. September. Haven't loved met no more, but it's hard.
Went to war now she's trust us to have a surrender.

Speaker 3 (07:18):
And gee said, she means more bad and a friend.
That's all I've ever been.

Speaker 13 (07:23):
Ya.

Speaker 3 (07:24):
Well, one day you going up all over stand deep
by deep boo deep, Bye Bobo, bad day, and I
remember moving first, I'm bad, be mad, feel I could
forget God when you smile.

Speaker 14 (07:38):
Then you turn and you said to you your you,
so pure and truth.

Speaker 3 (07:43):
I'm in love with you. I'm in love with you.
I'm in love with you.

Speaker 1 (07:48):
I'm in love with you, this.

Speaker 3 (07:49):
Girl, I'm in love with you. Yes, I'm in love
with you. I'm in love with you.

Speaker 15 (07:55):
I'm in love with you.

Speaker 3 (07:56):
Yes, I'm in love with you. I'm truly in love
with you.

Speaker 16 (08:02):
And it's crazy. It's crazy because I think a man
fell in love with you before the first sparks flu,
the first sparks flu, and I knew that my emotions
would grow to you that bottle frame, to that sex
appeal that overwhelms your physical.

Speaker 3 (08:14):
Though it was tho mental that caused my mental to
be seduced.

Speaker 16 (08:18):
I mind your presence presently, your presence is held captain
in the room's air.

Speaker 3 (08:23):
There it's rare that I wouldn't smash, though I.

Speaker 16 (08:25):
Smashed mentally with the mentality that regarded by the air
that's full of a sweet romance, to the romance that
effect this man's chance to dance.

Speaker 3 (08:33):
With the vision of God in the form of a woman.

Speaker 16 (08:37):
You are the epidity of beauty, but in epitome there
is beauty from a rib that created you.

Speaker 3 (08:43):
This feeling it got me responded like high school kids
do in my ugh do you mire a second in
my torso? It's like a glis and a matrix told
by the Ora, says popul love.

Speaker 16 (09:02):
But I'm all up in my chest for a little
toc But I'm no scrub see my heart, it be
harder than.

Speaker 3 (09:07):
The back seat of a seventy in the trunk where
there's two twelve subs. No, it's that real love, that
real love that be repeating.

Speaker 16 (09:14):
The images of a limutes of an enutopia, an immaculate conception,
murthles different type of emotion with a different type of conception.
It's sort of like how your reflection reflectses reflection. It's refreshing,
like ba bah, you are my truth. Truth be told
about the love that reside inside my spirit. Spiritually, nobody
that's not connected to the spirit is dead. Instead, I

(09:36):
want to live a spiritual love and not that illusion
that had been caught.

Speaker 1 (09:39):
Up in my head.

Speaker 16 (09:40):
See, I need to be fed by it's love that
had been cooked up. Look, you are more than the
sixteen balls before the hook. You are more than my
queen that's protected by the rook. You are more than
a voice to the words. When I'm reading a book,
I am intrigued. That's believe.

Speaker 3 (09:54):
I need more than those poetic love schemes. Forget the
facades of the sexual evenings and the things like Eddie Kane.

Speaker 16 (10:01):
Who wished nights like this rain drops would fall type sings.

Speaker 3 (10:07):
No, I need you, I need you to be passionately redeeming.

Speaker 16 (10:13):
A different type of passing through influence like Brandy, the
twist of flying to intoxicate, the summer's breeze, and the
new tax city where I can.

Speaker 3 (10:21):
Be Pookie and you can tell me how you were
the Prome queen. It seems that I'm all up in
your lifeline.

Speaker 16 (10:26):
Just to be here for a lifetime loving you was
already like a lifetime saw the life.

Speaker 3 (10:31):
Sitting on the couch together watching lifetime, It's like you're
like mine and the love is all captured in the air.
The site is like blind, but blind enough.

Speaker 16 (10:39):
To see how the birds flew. We watched this, We
took walks along the lips, the beaches and the bays.

Speaker 1 (10:45):
I wanted to be by.

Speaker 3 (10:46):
You can't the way that others do.

Speaker 16 (10:47):
And if one warn't sold this type of love, I
would probably go out the bottom two if.

Speaker 3 (10:53):
Because I'm in love with you and she said she
needs my dad, that's all I've ever been Yo.

Speaker 16 (11:03):
Well, one day you growing up alverstanding dubay dee bo
dee bad bou.

Speaker 3 (11:08):
Day did And I remember mother, first time that had
to be mad you.

Speaker 17 (11:14):
How could I forget?

Speaker 3 (11:15):
Yeah, when you smiled and you turned and you said
to you, you go, you so killed for truth. I'm
be loved with you.

Speaker 13 (11:24):
I'm in love with you.

Speaker 3 (11:25):
I'm be loved with you. I'm in love with you.
I'm in love with you. Brother, I'm in love with you.
I be loved with you. That's why I'm been loved
with you. Yes, that's a picture.

Speaker 18 (11:47):
I day okay, m alright, okay, ol right, okay, I
try over here.

Speaker 7 (11:58):
Everybody ll give around a clause for that next time
you gonna break another act set the stage.

Speaker 1 (12:12):
Uh we gonna go with you, kim here those put
you can here? When you got her music set up?
How we looking over at?

Speaker 9 (12:24):
How we late a little?

Speaker 3 (12:24):
Here? You looking at you, gus, you look at you.

Speaker 1 (12:28):
Let me you know is a lady t where you
and haye it? You know she'd be over there. You know,
take your time and break always break ennap it and everything.
H you know what I'm saying. That said what I say.
She feeling sluggish? Say she's lucky. And I got a
lot of repicks for you.

Speaker 3 (12:41):
Lady.

Speaker 1 (12:42):
Where you act? Shot at to spars cause a lot
of you take check your list. We have we in
the building. You definitely sad. God talks to you at home, man,
he visiting you.

Speaker 9 (12:54):
You listening home.

Speaker 1 (12:58):
Boy?

Speaker 3 (12:58):
The type of strap you got?

Speaker 1 (13:01):
Can I get your health?

Speaker 19 (13:02):
Please?

Speaker 1 (13:02):
Talking about me? Can I get your help?

Speaker 3 (13:04):
Please?

Speaker 1 (13:04):
Can't talking about me? You got relate your weeks. Shout
out to your feet everybody.

Speaker 3 (13:16):
You know what's happened?

Speaker 1 (13:19):
Hey man, me is nothing?

Speaker 16 (13:22):
Have you lived in over?

Speaker 1 (13:23):
Y'all got a brady, let me get this to let
you teach. Come on over, yeah, come come out, come
home and show yourself. You a hostlation you.

Speaker 3 (13:33):
Can feel what you say.

Speaker 20 (13:39):
To tell y'all what's that with?

Speaker 1 (13:42):
Y'all's about your e T talk us about your show?

Speaker 3 (13:44):
Host mixed and also I have my own shows starting
the hook up.

Speaker 9 (13:48):
Come on out here a hooked up.

Speaker 3 (13:50):
You single only single people.

Speaker 21 (13:52):
You can't be in a relationship, you can't be married,
and you don't need to slip yourself. But come hold
out if you wanna get her to go see you
little bit by myself my co host. I'm gonna sing
your oh my god, my own show.

Speaker 1 (14:06):
You know, y'all play so much. I did something this
little wild for y'all, but.

Speaker 22 (14:17):
Something nice, n So now you want nice right now,
right right up, right now, right not right now alright?

Speaker 1 (14:26):
So hesuh, that's how you kids. You just gonna walk
off and everything like that, y'all.

Speaker 3 (14:30):
I don't even know what I wanna.

Speaker 1 (14:31):
Do, right Ara, if I do somebody a oh no,
she ready, she ready, she ready, she read.

Speaker 3 (14:35):
But uh, we have somebody that's coming out listen, just king.

Speaker 9 (14:39):
Yeah, she's gonna bless the mic with us and then
you later we're gonna have this kit.

Speaker 19 (14:43):
You come on up, you open up your hearts and
clap your hands and go say look as.

Speaker 3 (14:55):
Its catch. Alright, I'm sorry, I'm leave, but I'm gonna
do what I do.

Speaker 19 (15:00):
But uh, I just wanna say God is good all
the time, y'all know, but I just came back.

Speaker 3 (15:05):
From New York doing these things.

Speaker 19 (15:07):
I can't necessarily speak upon it just now, but just
keeping tune, stay in tune in October.

Speaker 3 (15:12):
You'll see it coming to b et real soon. So
we gonna go on and kick it off. I'm a'a
do a couple of my songs, original songs.

Speaker 19 (15:19):
This first one is entitled Can't Wait, produced by King
Tracks out of Chicago.

Speaker 9 (15:24):
It's actually my third single.

Speaker 8 (15:27):
So I'm ready.

Speaker 1 (15:30):
Try try quite.

Speaker 3 (15:57):
That's just a little bit.

Speaker 22 (16:04):
Sitting at work looking at the clock, hoping something goes wrong.

Speaker 3 (16:10):
Then now be off the o'clock.

Speaker 17 (16:13):
Got this agency and it's urging me.

Speaker 3 (16:18):
Need to be pay.

Speaker 22 (16:22):
I know it's on the two o'clock in the afternoon,
but I'm wishing I was home laying man.

Speaker 3 (16:29):
So you fraid some say I understand why I'm hay
won to my maid. You love it's so good.

Speaker 23 (16:40):
Way saying.

Speaker 15 (16:46):
I can't wait for you.

Speaker 13 (16:50):
No no, no, no, no, no, no, okay, anyway, I
can't wait. Please, don't you.

Speaker 22 (17:14):
Got me under your spur. I'm doing things I can't
even tell. I can't explain what you do to me.
This loves so good, invic me off me a mental
rush whenever a hurry home.

Speaker 13 (17:37):
We sound all the time.

Speaker 9 (17:39):
Right next to you is where I mean to be.

Speaker 1 (17:45):
And bring so good.

Speaker 13 (17:52):
Saying it up. I can't wait wait for you.

Speaker 20 (18:00):
Oh no, no, no, no, no, no car okayway b
because I got your time by a ready baby, No no.

Speaker 14 (18:17):
No, yeah, you're ready.

Speaker 13 (18:24):
I had wearing for to come.

Speaker 3 (18:35):
I'm waiting mother.

Speaker 13 (18:37):
God'll take your car in your shoes cause you you.

Speaker 3 (18:45):
Give me.

Speaker 17 (18:48):
And I'm so glad, say my baby, it's trying me crazy.

Speaker 3 (18:55):
I'm about to be up, Fay said, I'm so proud.
I'm so proud to hear I'm waiting.

Speaker 23 (19:07):
So you don't want prove the d I got your
backbar ready, baby, I got yo didn't ready baby your head,
I'm dam you work baby.

Speaker 17 (19:19):
Let me take your coat, let me rub your bag. Baby, man,
I'm waiting five waity coolly, you're h.

Speaker 19 (19:41):
Y'all just can't wait. You go find it on iTunes YouTube,
Thank y'all. This next one, this next one is no
title choice that you produced by King tracks as well.
It's so it's a little bit more up tempo. But
I got three singles on iTunes. Get closer, Babies, Babies,
over my first one. Get closer was the second one,

(20:01):
and then I had can't wait, So I'm ready.

Speaker 24 (20:03):
For this one.

Speaker 1 (20:04):
DJs, how y'all feel y'all feeling like I wanna switching
up up the bitch?

Speaker 19 (20:20):
Are you by?

Speaker 25 (20:21):
Are you chee?

Speaker 3 (20:22):
With the hell your bed? You didn't come home last time?

Speaker 26 (20:26):
Now home one to read hed the come one else?

Speaker 3 (20:29):
Taking my face must be true cause you can't good
being in the face? How old long is this been cold?
A cold stroke? You know you're damn long? So what
you want by going now for your eating? Bis? Ride
here right home? You messed up?

Speaker 17 (20:46):
Boy, and now I.

Speaker 20 (20:49):
Can't shouldn't trusted you?

Speaker 3 (20:51):
I tell of shit in my.

Speaker 13 (20:55):
Mad right you wouldn't get into me anyway?

Speaker 3 (21:02):
He should?

Speaker 26 (21:10):
I know there's lovely hales reading it's but I always
tell something like will out a field?

Speaker 3 (21:26):
Like you really see a shad with me?

Speaker 26 (21:28):
Now I know the real deal?

Speaker 3 (21:30):
You really using me? Yea love using me? There may
nothing can say. Think it's time for us to go
out of time? Ann it's real. It's your pool that
is not too bad?

Speaker 15 (21:52):
She said on shouting you you would hate it? Please yay, okay,
I'm gone.

Speaker 27 (22:07):
Okay you how can you everything you did want to
Dazey said, I'm never says.

Speaker 17 (22:22):
Everything girl her.

Speaker 13 (22:27):
Hey yay, I was giving you.

Speaker 15 (22:32):
Everything everything and everything house thiss go house. Fine, you
was giving her everything everything.

Speaker 3 (22:52):
Hi yahm shoot hair.

Speaker 20 (22:57):
More.

Speaker 3 (22:58):
He's like, bring it on, you bring it into me.
Sa said, I never se.

Speaker 1 (23:05):
Trusted you.

Speaker 25 (23:06):
I dang you here about.

Speaker 3 (23:10):
I'm un to recall the plot.

Speaker 15 (23:12):
You would break it in into py me anyone, and
you know shouldn't trusted you.

Speaker 17 (23:22):
Came on now if I knew reference.

Speaker 3 (23:26):
If I'm too bring peace, I haven't have you got
to sing.

Speaker 2 (23:30):
It at.

Speaker 24 (23:33):
All?

Speaker 3 (23:34):
Right, that's sing.

Speaker 24 (23:37):
Hey do.

Speaker 1 (23:46):
Yeah, I'll.

Speaker 3 (23:49):
Talk about the plot.

Speaker 1 (24:00):
Get hot fire, no liar wow, I'm about out the
drap to do.

Speaker 3 (24:14):
SI turn buns on a little bit.

Speaker 1 (24:16):
That's a little bit here. He's trying me out. I
want to tell you something into National Radio dot Com
the mix heill ride a bard for us. Everybody out
all right, all right, and so keep an get a
good job. Oh yes, right right now, what we're about

(24:40):
to do. We're gonna bring the host of the show
up the mix. You're gonna bring it go to the stage.
He got a little whole thing that he wants to
me out.

Speaker 28 (24:50):
So y'all put your hands together to appreciation. And it's
about way you have got on the bouncer. Get a poppet.

Speaker 21 (25:00):
The mad.

Speaker 1 (25:02):
Straight don't know.

Speaker 2 (25:14):
Right, man, you got a little backsteads. Uh, I'm gonna
who this speaks for all.

Speaker 1 (25:27):
It's been a man and uh, I think I need
to very apolic.

Speaker 2 (25:37):
I've been around since the age of time, all hung
out with the dawning wind in the world was created
in seven days. See my name is similar to Alpha
and Omega when Adam was along, when they took the rib.

Speaker 1 (25:54):
I saw it all and not even have to stand
in the bushes. See, I'm left that you look for
when you need gratification.

Speaker 2 (26:04):
I'm that person you talk to and all I was
in the night, even though I'm not even able to
phone with you, I'm standing there next to you. I
stand there on the soul different times of time, and
you consult me as you look over yoursel and I
be like, See, I'm that type of person that controls

(26:24):
your moods and your egos.

Speaker 1 (26:26):
See, when you.

Speaker 2 (26:27):
Wanna be south, you've already been played. And when you
wanna be played, you've already been sued. See I controlled
the masses by my mere thoughts on long. I've watched
pillars of the community fall down the dust and ashes,
and I've seen stuff from the ashes and the dust
rides up to be pillars.

Speaker 1 (26:47):
See, I'm just one of those things that you just
wanna be next to.

Speaker 2 (26:52):
That same dudes you was looking at that was looking
off super fine, and you and the mall you had
to get his number.

Speaker 1 (26:58):
I was that girl that intercepted walk across street. See
as she looked at him, and he thought he was
a king, that she was gonna be chosen. I was
the dude that was like, they don't want that losing. Yeah,
But every time you look at me, I look back
at you. Every time you looking around you, I'm looking
back at you.

Speaker 2 (27:17):
I control whether or not the tires and the trip
goes to the church's pockets or dividends to the man
in the pools pit.

Speaker 6 (27:23):
Ah.

Speaker 1 (27:24):
I'm nothing nice. I try to warn you.

Speaker 2 (27:27):
I hung out with the Outpha and the Omega. I
was around with Jesus, but they persecuted him. If a
little closer, you see me stand there next to.

Speaker 1 (27:36):
Dukes, three pieces of silvery koch. He ain't turns them in.

Speaker 2 (27:41):
I'm standing there next to Paul when you do a
sort and cutting so de zea off. I'm just that beautiful,
I'm just that prolific.

Speaker 1 (27:49):
I'm just that wild. I've been around this year long enough.
I've been around since you was being cremated. I was
sitting there talking together dad. They telling him, who ain't
gonna be nothing? Well, your mother was with your daddy.
I was telling her, you know, he ain't you, and
when they created you, I knew he was. But at

(28:10):
the same token, I had to balance out the trade.

Speaker 2 (28:12):
So I made you something and it was only through
my support that you've only been able to get what
you've accomplished here. I've been around for the longest time,
since the dawns of ages. You still don't know me, okay,
but my name is peer pressure. That's that fixed.

Speaker 1 (28:41):
I'm talking uh the next person. I'm gonna bring it
up to the mic. It was one of the five
hours on Yeah I'm Looking Dead ass him.

Speaker 2 (28:56):
He hosts the High Hoigh Comedy Hour on Saturdays at
UH one o'clock.

Speaker 1 (29:02):
At once It's missed up.

Speaker 16 (29:05):
They was boy.

Speaker 1 (29:07):
And the Baby Boy stage. They be Boy Halo, We
gonna get him.

Speaker 28 (29:31):
That the kind of God.

Speaker 1 (29:33):
All Right, how y'all going? Man?

Speaker 29 (29:35):
All right, y'all enjoying this uh church town shower media
going on up here.

Speaker 1 (29:40):
In uh the Earl's apartment.

Speaker 5 (29:45):
It's weird, man, Like I didn't get his poem until
the last line, Like I was like, you're crazy, man,
and then you said you was a pear pract so
it made since the end. But I'm that that one
line saying that whole poem were like, what the hell
you talking about?

Speaker 24 (29:56):
Man?

Speaker 5 (29:57):
It's like I've been around since Jesus and lays getting Yeah.
So I hope the hip hop behind hour. I'm also
a comedian, so I just did Yeah TV at just
for Last Basket all Chicago or something.

Speaker 1 (30:10):
So that's pretty That's a pretty big deal for myself man.

Speaker 5 (30:12):
So uh you know the fact that my parents might
have living room telling jokes, what is showing you where
my career is going. So but if y'all got time, man,
come out tonight. I host a a spot called Murphy's
Pub was so serious Sundays out here like hallm and Madison.

Speaker 1 (30:33):
So it's free dope.

Speaker 5 (30:35):
Uh, I'm a host, so I'm just doing it for
like a year and a half and then We got
some really agerant people's birthdays going down tonight.

Speaker 29 (30:42):
Too, so it's gonna be pretty fun. But uh, I
came up here to tell a couple of jokes for y'all.
Uh So I'm a I'm a school teacher for those
of y'all who don't know who. I was a school
teacher before I got let go at the end of
the school. Yeah, but I had a little bit of
a problem because I hated my job. I we do
want to do new comedy, but I teach right now

(31:02):
cause I I need a pay check.

Speaker 1 (31:03):
Why I did teach? Tell you Friday?

Speaker 5 (31:05):
So but little play this game in my classroom on
Fridays called Secret Roads. You all know what the what
the roast is, right, Like you watch Comedy Centric you
didn't see in the chari Rose, I mean and Charlie
seeing stuff, right. So I would get the kids out
of my half sheet of paper and I would tell
them to talk trash about the other kids in the classroom,
but don't put.

Speaker 1 (31:22):
Your name on the card. Right. So I got suspended
for like two days by paper doing this stuff because uh,
we got a we had a kid in a wheelchair
in my classroom. Uh, and the tricks on me.

Speaker 5 (31:34):
Uh, but one of the kids wrote on my paper,
excuse me my language. Uh, this niggas like a half
transformed right, So I was thinking to myself that that's
that's genius man. First of all, like I I didn't
even know you can read nor write an twan, But
the fact that you came up with a metaphor that
was this dope and it made this one saying.

Speaker 1 (31:54):
I gave you, I gave mis prepped. I was like,
you know what, this is the most potential you showing
me all year. Fan Like, really, I'm not gonna hate.
What I'd like to do after I get all work
is probably another eave won. I got a fire.

Speaker 5 (32:09):
I like to go home and watch like really bad
movies on that philisics, like like terrible black movies and
uh I only like porn. I mean, like it's bad
black movies, but one that was like, all right, very good,
like my favorite movie though, Uh it's prescious.

Speaker 1 (32:21):
I don't know if you've seen Pressures and so have
y'all seen Pressures?

Speaker 5 (32:24):
Alright, So this is the scene the Pressures that uh
gets me real the most from the time my watch
because it's.

Speaker 1 (32:30):
Uh, when Monique Prescious Mama finds a plate.

Speaker 5 (32:32):
Of uh crack cocaine un to be put bad and
she throws it out that she thinks Prescious was trying
to hide some food. Right, she throws national Taylo. So
Prescious is h mhilla mad de monee through the through
the Crack album. So she picks up a boom box
and just goes outside and just starts the storying dude.
The freestyle battles for like like three or four minutes
in the movie, right, so it's like nineteen ninety four,
I think. And then she is hooking up with this

(32:53):
dude by the name of Sean P.

Speaker 1 (32:54):
G Kon right, so like like so.

Speaker 5 (32:56):
Diddy put pressures on like on bad Wood. At this point,
it's like like Craig Mag's Total and like pressures. I
think that's actually high three at the time. So I
keep watching the movie, right, and it turns out that
Precious was like doing Little Kim and Faith at.

Speaker 1 (33:10):
The same time. I was, I think this shit cold
as him. So I think I'm I'm.

Speaker 5 (33:13):
Getting higher and higher cause I'm watching the movie. Idn't
tell you I was hid in the first place, but
you know, so then holler Graham Tupat came into the
movie and then they hit like this whole East Coast
West Coast b's going on, and then Diddy did He
told Pressures like, Yop, don't go out to La cause
she had just dropped the song on who Shot You
and then popped out. I was about him, but Pressures like, no,

(33:34):
it was sunned have bought you so an when so
Precious went out to La and then they shot her
like you know, five times outside her s plays into.

Speaker 1 (33:41):
The movie and that was the last time that I
bought some leave from Maiborhood because Philly I had notorious
saying the whole time.

Speaker 5 (33:50):
But I just saw a big, dark skinned person on
the coble and then I thought, I love watching pressures.

Speaker 1 (33:54):
So I don't know if that abused you, but uh,
that was funny to me. Boy, Get out of there, man,
I it's hard not the courage make cause I want
the curage.

Speaker 5 (34:07):
But I'm like, I'm in earls living room or how
you got all these people here with no air?

Speaker 1 (34:12):
Man like this, this is truly awkward, and it's it's
just and you know, I love black people, but you
know how hot, how hot we be? So I'm thirty one. Man, Uh,
divorce anybody else divorce there beside myself.

Speaker 5 (34:26):
It's terrible, man, cause like we get the slim pickens
when when we day. Man, Man, I keep meeting like
these older black women and I don't mind y'all, but
y'all gotta get rid of this whole cougar concept.

Speaker 1 (34:36):
Like like if you're older than forty and you still.

Speaker 5 (34:39):
Messing with dudes, it's younger than you, like you out
saving through target.

Speaker 1 (34:42):
This point, like like if you don't understand what you're
on a whole another level of cat like and it's
it's true, and then it's messed up with dudes.

Speaker 5 (34:51):
We don't get no cool nigglames like cool differ because
every dudea and yeah chick to a certain extent. But
we don't get no cool names like that. We like
we get called rapists and pedophile. Jerry said dusky Robert
Kelly like like that's our coover, that's a nickname we get, right,
they Diddy give me all these movies like Sex and
the City or I still have got a groove back.

Speaker 1 (35:10):
Now we get movies too, but they come on NBC
on Friday nights. It's called biline to catch the predator
that I almost you've seen. That's about the equivalent.

Speaker 5 (35:20):
Before I leave, y'all, it's not a joke, but I
want to give a shout out to my literary bootleg
man like I'm still like he got the dopest movies,
but fan can't spell or the damn And this not
even the joke. Man, this food gave me a copy
of The Dark Knight Raisins Sodday at the club and
it's in my car. I got a TV and they

(35:42):
think the Dark Knight Raisins, but it is the Dark
Knight Raisins. But I think I know he was trying
to say, well, hey, way man, I'm damby boy. Help
check out my show. Y'all can make it tonight. We
do it at nine o'clock at seventy four or fourteen
West Madison. I take care of y'all. Man, y'all come
out to get you a drink whatever, Just have a
good time to night.

Speaker 1 (36:01):
So back, Hello, Hello to the back. Now, it's probably.

Speaker 3 (36:29):
You're just gonna.

Speaker 1 (36:32):
Do. That's what happened when you go to the comedian.
You know what I'm saying. You want to play Joe's
You know what I'm saying, that's how you feel because
I got your names back then the mic off phone.
You know what I'm saying. Okay, you just fell in
love in this group. You we're gonna keep it moving.

Speaker 3 (36:50):
Uh.

Speaker 1 (36:50):
The next person I'm finna call up to this microphone.

Speaker 25 (36:53):
Uh.

Speaker 1 (36:54):
I have never heard her spirit, but I've heard she's
a serious writer.

Speaker 6 (37:01):
Uh.

Speaker 1 (37:02):
At the same token, she's family to me. She's my niece.
You know I had to bring family in. You know,
are you ready with her? We gonna? I don't even know.

Speaker 2 (37:16):
I you know, her name's Chris Kirsty Curst I and
you can see that names and me don't get along.

Speaker 1 (37:22):
It's been that way all my life. Don't hold it
against me. I call it cake. I call it cake.

Speaker 24 (37:29):
You know.

Speaker 1 (37:31):
So I don't know what they call home on the
on the poetry stage, because this is the first time
I've heard that. Get damned water. So come home. Let
the listeners know you be tuning in to your uncle.

Speaker 3 (37:53):
Okay, well I've only been to pology, so I just
a I did wound back. Okay, I'll start the first
one that I call any powered.

Speaker 25 (38:10):
Liar, I call you out, make you doubt, backtrack, think hard,
think that because I'll call you words like copper wire, Liar,
cross examination, where every word counts and deut is feels
hesitation or crucification, strung up through your crime.

Speaker 3 (38:26):
I've done nothing that time, Liar.

Speaker 25 (38:29):
What is it that you said?

Speaker 3 (38:30):
Words of holds rot did mean nothing?

Speaker 25 (38:33):
Shrinking under my gaze, I take the stage, build my empire, Liar.

Speaker 3 (38:38):
Words hits from your mouth, snake striped with venom.

Speaker 25 (38:42):
But I'm ready stay, cutting down with my stands a dance, Liar,
a waltz of domination, a salsa of determination, my words
spinning and swinging around you, my tapestry woven tight. But
I might if you're lucky, let you go, Liar, but
not before you're seeing my light blazing like sun. And

(39:04):
you've been undone, crawling with insect legs as you beg
me to end my pratting examination.

Speaker 15 (39:10):
But I'm caught up now and telling when with them, Liar, you've.

Speaker 25 (39:15):
Done this to yourself. I won't toleerate lies. My eyes
searching for ransoid word bulls and your claim. And there's
no one to blame but yourself, liar, since my memory's sharp,
and I read your face.

Speaker 1 (39:26):
Like a pickaback book. Look as I rip out the
pages of fallacies.

Speaker 25 (39:30):
Like them on flutter and shudder before I leave them
at the mercy of the wind, liar, And now you've
been stripped of your guys. My eyes see your lies.
I despise them and blame them away, leave you stunned
by the truth and my rooflessness. Liar, And now you
see the power of prosecutions and evolution of truth.

Speaker 9 (39:55):
The next moment I wanted.

Speaker 1 (39:56):
To read.

Speaker 3 (40:01):
I read was another one.

Speaker 1 (40:03):
That I wrote a little while back.

Speaker 3 (40:07):
It's actually one of my favorites.

Speaker 18 (40:10):
What are where is it?

Speaker 3 (40:12):
Okay? It's called I Fell in Love. I fell in
love because.

Speaker 25 (40:18):
Poets spilled coils of feeling, entwined words, knit type and
interlocking warms, the blue green wave, words rocking like pacific,
a gentle, builting cream of words that spin, swaying and
brilliant color like anemony dropping on odd Hiroshima rooms with

(40:41):
blinding white brilliance.

Speaker 3 (40:43):
Clawing at skin to expose places raw you do the sacred.

Speaker 25 (40:49):
It is an endless hurricane sky of words wrapping and rolling,
swirls around and melodious climoks of rich heart strings, something
and piercing truth. Orchestras, quick poets. It's the sweet single
sightings on poetry, a passionate venus.

Speaker 3 (41:10):
I can't help what the doing.

Speaker 15 (41:13):
Thank you.

Speaker 1 (41:20):
And y'all, y'all bow him right along.

Speaker 24 (41:31):
Uh.

Speaker 1 (41:32):
I think I'm gonna change up some of the energy
for up in the end. Uh. I got one of
my best entertainers coming in here now.

Speaker 19 (41:43):
Uh.

Speaker 1 (41:43):
He's been on my show once and I've been bumping
the CD for like the last week. It's been like
the only highlight of me being in the cargo through
a lot of stress. This week he is bumping his mix. Uh,
his mix tape. You know what I'm saying. So what
I've been brother? Do you got you got everything set up?
You made to rock? Or you need a few more minutes?

Speaker 20 (42:04):
Oh?

Speaker 1 (42:04):
Yeah, you're good.

Speaker 3 (42:06):
Everybody put your hands together for Chicago's shine.

Speaker 1 (42:23):
That's causing could i'll just getting put on the spot
or what? How bad? How everybody doing right now?

Speaker 15 (42:32):
Good?

Speaker 1 (42:33):
Give me some up some minutes. How's everybody doing right now?

Speaker 24 (42:36):
Yeah?

Speaker 15 (42:36):
Help be doing good?

Speaker 1 (42:37):
That's good. I'm thankful for uh for the bear.

Speaker 30 (42:41):
Uh give all places to God. So many talented people
at the room. Get y'all self around them.

Speaker 1 (42:49):
A flaw. I'm a ride for you know what I mean?

Speaker 14 (42:55):
Brother, I know it's a ratcha around the corn, up
the street, through the alley.

Speaker 30 (42:59):
They everywhere with white roaches in the hood or something.
So I wanna say, you know, I came up here,
I was supposed to do my little thing. I don't
got the CD, but i'm'a i'm'a tryna spitch something.

Speaker 1 (43:11):
Just give me a second, Oh y'all.

Speaker 30 (43:17):
Don't y'all, don't you know, gonna take me too serious
if I get a little to vite it.

Speaker 7 (43:21):
So you know, sits kind of put me on a
spot right there, gonna hang like, give me something, give
me something.

Speaker 1 (43:29):
That's all I do. That's good enough like that. Yeah, yeah,
I'm going in on this thing. No practice a beat.

Speaker 14 (43:44):
You should come and get some paper and baptist. Look,
they don't want there with the kid. I'm hot stuff.
Sit back and let me do.

Speaker 1 (43:50):
My thing, homie.

Speaker 14 (43:51):
Y'all got this a get your money back other dudes
or wood fark a pump dudes, something like minutes before
tip fark people team ready gets a fish him this
thatch off.

Speaker 1 (44:01):
Hey, y'all, mat y'all sign a red hed get off
on shiny.

Speaker 14 (44:05):
I just do it like the powers be just getting
y'all know that it is trying to see or pre
schalid and the same for here.

Speaker 1 (44:12):
That's all like I got a real quick I really
can't do it going on promo. I gotta mistake the
baby A d J B. The All ninety two point
three and more. Uh w g C. How with a
single it's called you Shake the Sea feature Jack the Jack.

Speaker 17 (44:54):
Yeah.

Speaker 1 (44:54):
Shot you want to right, we can get popping. I
be doing this name he stop truck. I tell you
I'm getting careers. Rys gota do hey? Uh keep my
mother round close and shot y'all.

Speaker 3 (45:09):
Y'all, y'all sat talk.

Speaker 1 (45:13):
Really, I just got to let everyone know who listens
on my mind.

Speaker 14 (45:19):
You gotta get together for these kids and shop all
the violence, y'all.

Speaker 3 (45:23):
Alright, let's let's go too.

Speaker 9 (45:25):
We gotta stop the violence.

Speaker 28 (45:26):
Okay, cause I got a guy right now like all
summer its whole boys rolls all our pizza shirts like
that's all he's winning.

Speaker 1 (45:33):
The whole was all they win. So this is two
shirts two be die really talk to him once again, y'all.
Whut he good to your kids?

Speaker 17 (45:41):
Alright?

Speaker 1 (45:43):
Yah yah I'm about to bring a ports to stage.
Never met her before. Bout to Siggy, haven't found out
this lady. Y'all put y'all el together for read alright?
I out doing this afternoon?

Speaker 3 (46:09):
Was it.

Speaker 1 (46:12):
Getting ready to recite a form?

Speaker 8 (46:13):
I had to get uh a memorized to gest so
i'm'a be reading it off of my phone if that's
okay and it's Scott?

Speaker 9 (46:21):
What was the two forms?

Speaker 8 (46:22):
The first one was all love and simple, and it
goes like this, love, love is simple?

Speaker 1 (46:30):
Why did I make it so hard?

Speaker 8 (46:33):
I shuffled the day and I just pulled a car,
not knowing what the content would reveal.

Speaker 1 (46:40):
Did not know I still had scars that hadn't been
here for ever.

Speaker 3 (46:46):
Since I was a kid.

Speaker 8 (46:48):
I always questioned that love was written, if actually showed
how they feel? Then why my eyes are filled with TV?
Did I push love away or just didn't want to stay?
I'm in a hospital place full of rage and hain
produced by anger and fear.

Speaker 1 (47:09):
For many years, love I couldn't go near. I couldn't
get too close.

Speaker 13 (47:16):
Love.

Speaker 1 (47:16):
For some I had to let go. I had to
let it die. It hurts so bad to have to
watch love fly.

Speaker 8 (47:24):
Besides, love's supposed to feel good. Who wrote the handbook
of love? I looked down at these shoes and running.
It's all I could think of when in all actuality,
this should be a drug.

Speaker 1 (47:38):
I should be addicted to it.

Speaker 8 (47:40):
Without it, I should get sick, like having a cold
or a flu with it. It shouldn't be anything that
I can't do. I make it hard on myself. I
put love on a shelf.

Speaker 1 (47:53):
That's where it do well like it?

Speaker 31 (47:56):
Not having love?

Speaker 1 (47:57):
It's just not how I want to feel. I know
now that love is real. I want to feel this
embrace once again.

Speaker 8 (48:05):
Love is simple. I made it so hard. I can
now this card, these feelings and give love a fresh star.

Speaker 3 (48:13):
I love to love.

Speaker 1 (48:14):
That would never change. But now I know how to
receive love from a good Manage it safe.

Speaker 8 (48:32):
You know, it's kind of funny, but then again, it's
kind of serious. But it's called down the corner from
my house. M down the corner from my house. Depression
has hit me in the strangest way.

Speaker 1 (48:49):
I got you a job to help me.

Speaker 8 (48:51):
Preach your bag down the corner from my house. You
pass my house each and every day and not stopping
by to say hey, or how you doing today? Down
the corner you from my house, you get a weekly check,
no consideration for child support, not even trying to resolve
this day. Down the corner from my house. To look

(49:11):
at you with all your new clothes and shoes, chains
and rings, and still you have it contributed to things
down the.

Speaker 1 (49:19):
Corner from my house.

Speaker 8 (49:21):
Make it easy for you to see your son, but
it stand you would rather buy drinks, chase girls, and
spend money on smoking another one.

Speaker 1 (49:29):
No respect for birthdays or holidays.

Speaker 8 (49:32):
Down the corner from my house, you think of many
ways to to get the mind and face you helped
to create. Down the corner from my house, I'd be
scared to come out and fight with you, not knowing
what I would do.

Speaker 1 (49:45):
Very bold, I'll give it to you.

Speaker 8 (49:47):
Down the corner from my house, I seen the blue
suddenly heard news. The headline rereads dead be dad pays
no deuces you would get yours.

Speaker 1 (49:57):
It's not who needs to decide.

Speaker 8 (49:59):
Money would help, But all I want is a chance
for my son to get to know his dad.

Speaker 1 (50:05):
Down the corner from my house.

Speaker 3 (50:14):
That's right. Keep it at one time for.

Speaker 1 (50:23):
It, y'all. That was time, he said you want me.

Speaker 3 (50:26):
You haven't take him chair.

Speaker 5 (50:28):
You got to pay there.

Speaker 9 (50:30):
I'm going from my house.

Speaker 1 (50:32):
He probably got to say. That's probably it too.

Speaker 3 (50:35):
We can't pay over there.

Speaker 1 (50:36):
You can't say, y'all.

Speaker 21 (50:38):
Yo, we about to bring up this little boy that
I've been there on since hour when the boy, the
boy I ve been him and panthers pampas grew up
around the same way. His daddy and mama, his auntie,
his family.

Speaker 1 (50:50):
They like our family. So this is like my little brother.

Speaker 3 (50:54):
So we gonna bring our peace. Stoy either hip five
broady to come on piple top ten to.

Speaker 1 (51:02):
You gotta get the kill w that un.

Speaker 5 (51:08):
Let me call the squat right clear ye this man,
this this is, this is like lovely and my husband
never seen into an open.

Speaker 1 (51:14):
Mic into my crib.

Speaker 3 (51:15):
That's what's up.

Speaker 1 (51:17):
This is really you know it don't getting no riper
in this. So djail me rather you know, uh cute
me in yes, so you was both.

Speaker 3 (51:29):
This is why I'm coming fast.

Speaker 24 (51:30):
Uh lor Look, I'm a king, i'm'a cold and I'm
the really something to gope with.

Speaker 1 (51:36):
Some of the city yet to cold. It's something ill.
You ain't know what's on the way to make a
blue by stay inside you look the things in the
bad bags in the in the to me drop a
say plays pray.

Speaker 24 (51:45):
Say I'm pray before I leave if I don't make
it back. No, I'm living then, my crazy people springing
in my clothes from me feeling.

Speaker 1 (51:51):
Like it hurt your money.

Speaker 5 (51:52):
Y'all up in my mind while I'm.

Speaker 1 (51:54):
Traveling with a shirt, I'm drinking. If a hurt Lady
dring got no ask.

Speaker 24 (51:58):
Something looking at my brink you, I'm so mad. I'mna
be like min sunny tide for the brands, trying to
get risk.

Speaker 6 (52:04):
Before I sent the.

Speaker 1 (52:05):
List of cancer my blood person died. He he's on
the phantom. Pull it from my hater. Motherfucker. I ain't
playing sad, y'all want it made.

Speaker 24 (52:13):
So he said, the chance to be in the bats,
to be in the ladies, ass bit, I'm living right now.
Think it's in the bastest I found God. I was
fro Now I'm mad someone scouting myself. No, I'm gonna
spend every day. I was broke, hustling that on the
way that fame made the women. I couldn't have been
here the white whymes in the prison.

Speaker 1 (52:34):
I could have been head of Right Crowns in prison.
Now I'm doing shows for a living.

Speaker 24 (52:39):
I say, on the road to fame made the primid
I coulda don know that God Is could give it.
I could have been there the right rhymes in the prison.
Now I'm doing shows for a living. Oh this goes
out to y'all and we rather Nigga saying Danny poets
in Chicago and they ain't got our time.

Speaker 1 (52:59):
It's for y'all's listen. What it really?

Speaker 3 (53:02):
What's my motivation?

Speaker 1 (53:03):
Was? I created to win on top of the brother
the hustle dollar takes and I'm just giving you a
com to my thoughts. You know they raising people asking
when I flow, But I still know what I mean
when I and hustle.

Speaker 24 (53:14):
What I'd have been on Nigga, I'm about to get
on looking back like sick comes.

Speaker 9 (53:19):
During this part.

Speaker 1 (53:19):
My flow is good.

Speaker 25 (53:20):
Are know?

Speaker 9 (53:21):
I'm happy?

Speaker 1 (53:22):
What else?

Speaker 24 (53:22):
Man so a far trying to make it past probation
life tar I'd like to spend a real test stay bar,
Would I pass it?

Speaker 1 (53:30):
Would I succeed? Run a certain situations? When I fold
with it?

Speaker 24 (53:34):
Humble's v I'm right now until the day that I'll
be in hope for me. I came to life to
spark up a new kids. I'm passing out, waste the money.
It's still in my dreams, hung outweighs, distressed, but it's
right that I'm seeing.

Speaker 1 (53:45):
It's Chicago's going back to somebody righting at the speed.
I'm a represented right and get a play with the
sea from not even if the sun set, no doubt.

Speaker 32 (53:53):
To please Beech Street, the farm beach and my dogs
in the deep saying on the ropes, riches and famu deployment.

Speaker 5 (53:59):
I've been through it all, yo, be God, it's forgiven.

Speaker 32 (54:02):
I couldn't have fit here the right rhymes in the
Prinson go. I'm doing shows for a hundred heah, Hey,
DJ cued me.

Speaker 1 (54:14):
Up one more cold haughty.

Speaker 33 (54:18):
M your son, thanks saying, I'm like, say, listen, kull
me up one more DJ. It's called cold hearted.

Speaker 1 (54:30):
I got a video to this. Nah, that's one forty five.
Let me get cold hearted, my bad. It's right under that.
I did a video to this in Los Angeles. Listen
when we lost the Blade Whitney Houston. So this video
right here meant the bottom. Y'all can take it out
on little too, just Google people.

Speaker 3 (54:48):
You called Cole Harty me, what's up party?

Speaker 1 (54:56):
Oh like people say half, I'm.

Speaker 24 (55:06):
I'm saying, oh man Chicago black currency coach deesel one
has to see it. Mean he asked pipe and I'm
telling him that money he tested the last and I
call him plant. They give who was my best to
be a piece of the world's pipe with pepin State
and Beth w he time waits for nothing means a
b discussion.

Speaker 3 (55:23):
They say, im going hustling.

Speaker 24 (55:25):
Ma Mama told me her because shoot a nasty fails
and soldier said bacon sold up from New York to California,
England in Macedonia in my old world, Pada, please.

Speaker 3 (55:34):
Don't wait, he's going my go what'side?

Speaker 1 (55:36):
My mask?

Speaker 3 (55:36):
Liter to be a game throne that at.

Speaker 1 (55:39):
The slip with those strikes got to hit him. These
wrappers are old fate.

Speaker 17 (55:43):
Like to call them barty Hope call.

Speaker 1 (55:45):
What's in my vessel?

Speaker 24 (55:46):
Pedal with that to get you with Pestle, he's good
bes on me no wonder that they had the special
back and work at their prey and talking.

Speaker 13 (55:53):
Who's on they gonna be hustling?

Speaker 1 (55:54):
That uses so you nearly forty years old. It's saying
some about to get it. Brad told me what to
do with this spot, biggie and easy now sayings, so
is the truest shun my greatest bootlish.

Speaker 3 (56:04):
No premers just south of beat.

Speaker 1 (56:06):
Coach mar hardest freet fresh air and you hear the beat.
Pree yes, god Mar.

Speaker 3 (56:14):
So he's leading down to the second person, y'all like money.

Speaker 1 (56:20):
Say on the road to an early grave, we buy
change right for it. Lets you we went see Patgiet
and pray going.

Speaker 24 (56:27):
On this in my head, but getting out for playing
window watch my father getting high stand right out of
tempo telling go up with the brush, Penny frays and
get I'll trust somebody's fussing play.

Speaker 1 (56:38):
I'm trying to stack my paper up. Frozen lens, Princess
cut south of tow us take the cuffs, Michael core
a top poor teaking off the street. I fucked the
life styles, hurt the ghetto bigs.

Speaker 24 (56:48):
I hit the block top and blades, got these ghetto
brimpens in my bigs, Like Trick said, I'll just tell
the kids and eventually and beat my turn.

Speaker 1 (56:56):
To get back like what he know did.

Speaker 17 (56:58):
Let's talk turkey money out.

Speaker 1 (57:00):
With curtain, you priding, just me and Teacha. You up
in the bride and hurt. That's all I'm from me.

Speaker 13 (57:05):
Do it by then the moment.

Speaker 3 (57:06):
Don't somewhere down none, no pressures going on. I'm I'm
ing all in the there, no question not.

Speaker 1 (57:12):
Doing a major get motivation from Hays. You just tested
to the papils. Thank y'all.

Speaker 9 (57:33):
Don't but I take it out. We're gonna bring out
some one.

Speaker 3 (57:46):
Name the shot. Hand out. Get your cloves while you
get up here. Out here, I think I'll said you're nervous.

Speaker 24 (57:55):
Use it.

Speaker 3 (57:57):
Don't make you nervous, all right, But this is dey
come to the.

Speaker 17 (58:11):
Ball.

Speaker 34 (58:13):
I was warned by the post of the show that
I had to be real kept yup about what I said.

Speaker 1 (58:20):
So i'm'a try this.

Speaker 34 (58:22):
Screams let out in the passionate fashion in response to
your passionate actions. Ecstacy surpassing the thirty stroke after climb
maxim pushing past the maximum in tangibles performed with the
tandem of random occurrency is followed by award when the
performance is awakening what.

Speaker 1 (58:39):
Was once doing.

Speaker 31 (58:40):
Oh God, perceived as a forewarning of what's forthcoming. And
this is her in abundance. They keep coming in. She
keeps from it, and he keeps something. They keeps her
coming back. They make the letter ail on him, lighting
on his back, seeing she's crying.

Speaker 1 (58:51):
Why is that?

Speaker 31 (58:52):
Oh God, I've never felt it like that as a
body collapse, body shaking.

Speaker 34 (58:56):
This experience was groundbreaking new accolades received new spots Discovery
and she exclaims, don't stop. Don't stop, my lover, and
he obliges her every command with love pouring out of
every sweat glance. She says to him, he's in high
demand certification with undeniable gratification.

Speaker 1 (59:11):
This manifestation may leads to appropriation judging on the crude
determination stakes.

Speaker 34 (59:16):
Elevating mistaken soon to be racing, He tells a baby
catching breath, your heart's racing.

Speaker 1 (59:23):
You here. So hi, everybody.

Speaker 2 (59:40):
I don't know that.

Speaker 1 (59:49):
Somebody expects back in the head. He ain't no graph.
I'm moving beyond joy. I'll stay right around now, you know. Uh,
I wanted six things you wanna do again? I just
I just wanna give you all thank you for coming out,

(01:00:11):
for sporting the show, for actually riding entertainment, little listening.

Speaker 24 (01:00:15):
Uh.

Speaker 1 (01:00:16):
At the same tub, people get been here, you know
about seven.

Speaker 2 (01:00:19):
Months and I'm I'm I'm basis, I'm not playing god
and listen to something.

Speaker 1 (01:00:24):
To get back to the fans. I want to say
thank you.

Speaker 2 (01:00:28):
Oh be happy to know that your radio dot com
and over everybody shows but next to uh like by the.

Speaker 9 (01:00:33):
Time they go, you know, hog come of the hour.

Speaker 1 (01:00:37):
Uh we got to the beg told you know, just
we got.

Speaker 2 (01:00:41):
Over thirty shoulders and we wanna say thank you Paull
before listening to us.

Speaker 1 (01:00:45):
And then let's you know, getting their heads playing.

Speaker 3 (01:00:48):
It's not easily, you.

Speaker 1 (01:00:50):
Know, and this is just the least that we can
do to get.

Speaker 3 (01:00:53):
Back to you all as our listeners, as our fans, and.

Speaker 2 (01:00:56):
Uh as we keep it moving right along. It's up
in the call up, the bags were weak in out
of Mighty