Ryan Gander discusses 'The End' and his trilogy of animatronic mice

British artist Ryan Gander discusses a new body of work related to culture, time, mortality and the inability of language to describe the full range and despair of our current human condition. In each work in this trilogy of sculptural installations, an animatronic mouse appears from the debris of a hole in the wall to philosophise, commanding the room with its tiny voice and inviting the visitor to kneel down to hear what it has to say.