James Fox wears a couple of hats. He is director of studies in History of Art at Emmanuel College, Cambridge and creative director of the Hugo Burge Foundation.
As well as that he is a BAFTA-nominated broadcaster and an author with a brand new book out. Craftland: A Journey Through Britain's Lost Arts & Vanishing Trades is his journey through Britain to discover the craftspeople that literally make this island. En route he meets dry stone wallers, a rush weaver, a thatcher, a letter cutter and a watchmaker to name just a few.
The book illustrates what we once had and what we could be in danger of losing, while also highlighting the importance of hand skill and materiality in a digital age.
In this episode we talk about: why ‘craft’ remains a contentious word; craft as both a contemporary invention and an approach to life; the relationship between hand making and digital culture; how Fox discovered art as a child; bridging the divide between fine art and craft; the field’s ‘inherent diversity’; what the state could do to help makers; crafts potential role in the transition to Net Zero; why Craftland is ‘nostalgic for the present’; the importance of tacit knowledge; and why the future of making in Britain is bright.
You can purchase a copy of Craftland here.
The full programme for Assemble with Material Matters, our new one-day conference held at the Bank of England Conference Centre on 20 November, is available here.
And you can secure your place at the conference here.
If you love the podcast, you’ll adore the conference.
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