Life's Rollercoaster of Emotions and Experiences

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Oh, ain't with me on the beat.
Traps hit on the beat, buty'all know I ain't no rapper
though.
Yeah, let's get it.
Me and my gang, we on the beat,yeah.

Speaker 2 (00:18):
She is Charlotte's Most Dangerous Cool no Fuzzy
Podcast, your boy CM.

Speaker 1 (00:21):
McLean, I quit this shit.
It's your girl.
This is my last fucking podcastTraps hit on thepsy.

Speaker 2 (00:25):
You can't take my.
I was about to say you can'ttake Tyra's shit.

Speaker 1 (00:28):
You gotta come up with your own new shit.

Speaker 2 (00:30):
That's not, that's you gotta come up with some new
shit okay, I fucking quit.

Speaker 1 (00:34):
You know what I don't ?

Speaker 2 (00:35):
like why we?

Speaker 1 (00:37):
getting into this right before we introduce.
I don't like that shit.
Start this bitch over the fuck.
Yerp, is it Yerp?

Speaker 2 (00:45):
Oh God, that ain't it Really, nigga Bro, ha ha.

Speaker 1 (00:48):
Bro.
Yeah, Start this shit overnigga.
Storn it over Brooklyn Start itover yeah.
It's your girl Trap C.
It's your girl Terrence.
That's good, it's your girlTrap C.
It's your girl Terrence, yeah.
Oh, we got to start over.

Speaker 2 (01:06):
You a disrespectful motherfucker Sheesh, All the
money that you couldn't buy thepodcast.
You boy, it's your McLean.

Speaker 1 (01:11):
It's your girl, trap C.
I quit this motherfuckerpodcast.
I swear to God, I do everyfucking week.
That's better.
See how that goes, you sofucking old y'all.
He spazzed on her off camerayeah, y'all don't be knowing,
but I be getting abused offcamera for real.
The nigga be yelling at me.
Shut the fuck up.
Nigga turned into the Hulkshirt, was about to rip off.

(01:34):
He did that shirt ripped offand shit we live on facebook
viewer, discretion is advisedbefore we get into CEO
shortcomings, follow us onTwitter, tiktok, instagram.
We on Facebook.
We on Blue Sky, black Sky,yellow Sky.

(01:56):
We on Pornhub.
We on Tasty Blacks Black PeopleMeet Bebo Photo Bucket Tag
MySpace Shit.
To be fair, we might not benowhere because Trump taking
shit down, they're going to puttaxes on us and shit, they're
going to put a tariff on allthem shits.
You said my name.

Speaker 3 (02:12):
No, I said Taris.

Speaker 1 (02:15):
He don't know how to say the.
F in the E Taris.

Speaker 2 (02:17):
He don't know how to pronounce his S.
Oh, we are on.
I just found a new website.
A new website.
What we got?
A silence for this one.

Speaker 5 (02:24):
What's up?
Midgetsgrewupcom I just foundout today.
No, no, no.

Speaker 2 (02:28):
It's fucking incredible.
The midgets grew up to be tallpeople.
It's crazy.
You can't grow out of that, canyou?
Yes, you got to watch the movie.
It explains it how it do it howthey do, until I watched the
movie Midgets Grew Up.
Hey Siri, can midgets grow up?
Absolutely.

Speaker 1 (02:48):
Let me ask, because my Siri he British, though, so
he don't know.
Okay, I found this on the web.

Speaker 2 (02:53):
Can midgets grow up?
What did it say?

Speaker 1 (02:56):
It didn't say they growing up.

Speaker 2 (02:57):
It did say it said dwarfism.

Speaker 1 (02:59):
That don't mean they grow up.

Speaker 2 (03:01):
That nigga stupid, then your Siri's stupid.

Speaker 1 (03:03):
He British.
Maybe they don't know aboutthat in Britain.

Speaker 2 (03:06):
They probably don't.

Speaker 1 (03:07):
We're not on any little people's site, but we are
on those.
Apple Music, spotify, please gofollow us, subscribe to us.
All that stuff.
Instagram, tiktok, we knowy'all on there, you fucking
comedy warriors.

Speaker 2 (03:18):
You know Opus clipped the midget shit.
I'm going to post it tomorrow.
We're going to get canceled.
Shout out to my midgetcommunity.
I love you guys.
We're going to be out of a jobsoon.

Speaker 1 (03:27):
Little people, little people, little people Shout out
to TikTok and Instagram Reels.
Y'all niggas been wilding allweekend.
I can't wait to talk my shittoday.

Speaker 2 (03:37):
And Cuzzo's Cuisine is not.
It wasn't me bro, it was me.

Speaker 1 (03:43):
I said that shit, get better quality food.
And niggas wouldn't be sayingthat shit ass.
To be fair, as a restaurant youhave to be able to take
constructive criticism becausethose cuisine hats fallen off
when it first opened.
Y'all know the OG restaurantover there on Tuck was fired at
Lobster Market.
It was worth the hour wait, thechicken, everything was fired.
It was crazy.

(04:03):
That's how many orders they washaving.
Now it's like, like you wait anhour and a half, your shit come
to you cold you got imitationlobster in your damn lobster mac
and cheese.

Speaker 6 (04:12):
The one on Tug.

Speaker 1 (04:13):
The one on Tug closed but the one on University
opened and then they opened oneof the outlets over there on
Steel Creek.
The outlets is one in thelittle food.
What's that?
Food court?
So they cut and cause becauseyou know when you open up them.

Speaker 2 (04:25):
Brick and mortar spots.

Speaker 1 (04:27):
You gotta cut and cause but when you cut and cause
, your quality of food goes down.
So you gotta figure out how tobalance that shit out.
It's nothing and we didn't sayanything malicious.
Now, we just said a lot ofmalicious shit about a lot of
people that was not malicious wedone.
Said a lot about people but wedidn't say no, fucked up, shit
about cuzzo.

Speaker 2 (04:42):
Yeah, that was said with love For real.

Speaker 1 (04:44):
I said it.

Speaker 2 (04:45):
I never tried it before.

Speaker 1 (04:46):
Cuzzo, if y'all want to drop us off some food so we
can try it and prove us wrong,shit come on.

Speaker 2 (04:50):
No, somebody actually said they want to bring some
food to us.
After seeing that clip,remember Extra Catering Borders.

Speaker 1 (04:54):
Who was here with Extra Catering.

Speaker 2 (05:02):
Yeah, that was my first episode and that was the
last episode at Wonder.
Dam.

Speaker 6 (05:05):
Well shit, y'all cooking in.

Speaker 1 (05:07):
Charlotte, y'all want to bring us some food, Come on,
because see, y'all don't everbring us nothing.

Speaker 2 (05:10):
so I do, we be starving.
I bring y'all punch.

Speaker 1 (05:13):
You bring us attitude , att.

Speaker 2 (05:15):
Happy February, happy Black History Month To the
blacks and the black people Toall my niggas we made it the
fucking niggas.
That was too ignorant.
Yeah, that, yeah, yeah, hopeOpus clips that.
Opus clip that here.

(05:35):
Everything is gonna get flagged.
Was that too ignorant?

Speaker 1 (05:38):
The niggas, the fucking niggas, happy.

Speaker 6 (05:41):
Black History Month.
Thank God I'm not white.

Speaker 1 (05:42):
Shout out to all the black people.
Not if you're a quarter black,half black or one third black.
We're not talking to you.
I am, I'm not, You're not blackShout out to the niggas.
You're biracial.
We got some drinks Biracial.

Speaker 2 (05:57):
Who's biracial?

Speaker 1 (05:59):
Whoever is not fully black.
Now listen.
They say you know, I heard this, I heard, it's a formula If
your daddy black, you considerit black, yeah.

Speaker 2 (06:07):
But if you any if your mama?
So you say, if your mama blackand your daddy?

Speaker 1 (06:10):
white.
That's what they said.
You're not really black, itdon't really count If your mama
black, it don't count.

Speaker 2 (06:16):
The baby comes from the mama's stomach.
How does that?

Speaker 1 (06:19):
don't count, I don't know it, I'm just saying what I
heard.

Speaker 2 (06:21):
I don't think that's true Some people do say that,
though I've heard that too.

Speaker 1 (06:25):
Would y'all like a Black History Fact today?

Speaker 2 (06:27):
Sure.

Speaker 1 (06:28):
In 1976, gerald Jerry Lawson was the first black man
to create an interchangeablevideo game console.
So y'all know, sega had thoseconsoles you had to blow to put
in there he was the first personto create that.
So shout out to Jerry Lawson,Shout out to you, Jerry Lawson.

Speaker 6 (06:45):
Y'all know I'm an educator.

Speaker 5 (06:46):
I've been doing Black History Facts all month for my
students.

Speaker 2 (06:51):
You helped the niggas out man.

Speaker 1 (06:52):
Yeah, man Also fun fact him creating that video
game cartridge was a precursorto Sony and Nintendo creating
their consoles.
That's funny.
Y'all never knew it, but anigga created video games.

Speaker 2 (07:09):
Nigga created every fucking thing.

Speaker 1 (07:10):
Oh God, Nigga created a fucking nigga.

Speaker 2 (07:13):
So you know, he created every fucking thing.

Speaker 1 (07:15):
What, what?
You just say you know what wejust going to buy, that we're
going to buy heads.

Speaker 2 (07:18):
All right.

Speaker 1 (07:19):
Hot Topics with Shaggy, with Strappy, say my
name, say my name Ronald.

Speaker 2 (07:26):
Ronald is crazy.
Ronald is nasty.
Work as always.

Speaker 1 (07:30):
I'm going to start with celebrity birthdays.
We only got three today.
Happy birthday, Happy birthday.
Y'all should know each andevery person on this list.
Nice to see y'all.

Speaker 6 (07:36):
Probably not Nah he should Okay.

Speaker 1 (07:38):
He's even CEO friendly Okay.

Speaker 2 (07:41):
All right number one.

Speaker 1 (07:42):
Kevin Gates.
He turned 39, I got two phones,one for the plug One for the
loop.

Speaker 2 (07:48):
That's the nigga who identifies as something sexual
right.

Speaker 1 (07:51):
What that's that nigga that Kicked that bitch off
the stage, yeah.

Speaker 2 (07:54):
He doesn't define himself as.

Speaker 5 (07:56):
Yeah, he.

Speaker 2 (07:58):
He said he identifies as something sexual.
Let's be clear.
Let's be queer, let's be queer,let's be queer.
That's my bad.

Speaker 1 (08:01):
Let's be clear.
Let's be queer, let's be queer.
Let's be queer.
That's my bad.
Let's be queer.

Speaker 3 (08:06):
Hey yo.

Speaker 1 (08:08):
Kevin Gates has been a sexual deviant since he came
out.
He's been a sexual deviant, hesaid he put the tongue all up in
the ass, he the reason he's inthe ass now.
Yeah, Kevin Gates is.
You know what?

Speaker 2 (08:24):
I'm saying he's borderline weird.
I'm just saying ask for afriend, he's a sexual deviant.

Speaker 1 (08:30):
I'm telling for a friend, not me, but you know
he's a sexual deviant, so Mm-hmm, oh Happy birthday to that man.

Speaker 2 (08:36):
Happy birthday, Kevin Gates.
I'll be getting all the pussyhe is dick too, I can okay up
next Bobby Brown.

Speaker 1 (08:45):
He turned 56.

Speaker 2 (08:46):
Bobby Brown.
Round of applause for Bobbyfucking Brown.
Why are we?
Bobby fucking Brown, theoriginal crackhead?

Speaker 1 (08:52):
right like what is the applause for?
Huh crackheads do generallytend to live forever they sure
do hey yo, you know what I wastalking about because my mama's
uncle is a crackhead.
That nigga is like 76.
He's lived longer than my mama.
That is sick.

Speaker 6 (09:09):
Listen, I had an aunt she was a crackhead.

Speaker 5 (09:11):
God rest her soul.

Speaker 1 (09:12):
She died at like 87.
She was still smoking crack upuntil the day she died.

Speaker 2 (09:15):
Old times are functioning, crackhead, you know
what's the crazy shit aboutthat?
They live a long time.
They is too.

Speaker 1 (09:20):
Yup.
Well, let's be clear.

Speaker 2 (09:22):
She just smoked her cigarettes.
We gonna clear the smoke Y'allknow, Bobby.

Speaker 1 (09:25):
Brown did give up.
He went drug free.
He's sober, so shout out toBobby.

Speaker 2 (09:28):
He's been sober for years and he all fucked up God
damn it Whitney.
Y'all all these health ailmentsand shit.

Speaker 1 (09:34):
That scene when him and Whitney was dancing in a
last on my list.
We got Hank Aaron, oh thebaseball player the baseball
player.
He played for the Braves andMilwaukee Brewers.
He is 86.
86?
No, he is 86, he's still alive.

Speaker 2 (09:52):
No, he's not a crackhead.
No, he's not a crackhead.
It's his birthday now.
Hold on sweet.
How do you know?
He don't smoke crack, though hedon't smoke crack y'all.

Speaker 1 (09:59):
Where did you get the crack from?

Speaker 2 (10:00):
Where y'all get the crack from.
It wasn't made publicly, but.

Speaker 1 (10:03):
It was not Okay.

Speaker 2 (10:04):
First of all, and he came from the crack era.

Speaker 1 (10:05):
nigga Did y'all know he actually broke one of Jackie
Robinson's records, not.

Speaker 2 (10:11):
Jackie, I love Jackie .
I mean that's a black man, sosalute to him.

Speaker 1 (10:15):
No, no, no.
Why do we get?

Speaker 2 (10:20):
on.
Bobby Brown was a publiccrackhead, right, hank Aaron is
not a public crackhead.

Speaker 1 (10:25):
We don't even know if he's a crackhead at all.
Like where are y'all gettingthe crackhead part from?

Speaker 2 (10:29):
Somebody said he was a crackhead, so we ran with it.
Us discussing crackheads, so weran with it.
It's just crazy.
Happy birthday, hank Aaron.

Speaker 1 (10:34):
Happy birthday, hank Aaron, not the crackhead.
Did you know what I hate?
No, no, you know what I hate.
I like sports.
I hate when niggas, when mencheck women on sports video
games.

Speaker 2 (10:50):
Don't check me on shit, I like, like right, you
don't check your homeboys.
I would check to my homeboy.
Yeah, who the starting?

Speaker 1 (10:54):
five on the Lakers.
Don't check who the startingfive on the.
Well, it was Reeves Braun, AD.
Talk to him, friend.
The other two was iffy.
They was switching me in andout.
I can't really give you Right.
Yeah, hutchie Moore, but he waslike switched in and out.
Reeves, talk your shit.
Talk your shit, friend.

(11:16):
He usually is a starter.
I know because I've been bettingon him.
Talk your shit.
I can't tell you.
The starting five on my team onWarzone last night shout out to
y'all, we won, you know whatI'm saying yeah girl gamers,
yeah, girl gamers, cause fuckyou time out.
Who plays what, what?
What are you talking about?
Fuck you time out.
My bad, he still, he, still, he, still, he, still, he, still,

(11:39):
he, still, he into the hottopics.
Best games ever, the first oneman who.

Speaker 2 (11:43):
Who who's birthday?
Oh oh, happy birthday, trayvon.
That was none of my research,that was mine.
Damn, that's disrespectful,that's crazy.
It wasn't, I didn't know.
Happy birthday, trayvon, allright.
Moment of silence, please.
We don't know Moment of yeah,he would have been 24, 25, yeah,
25.

Speaker 5 (12:03):
30?
, damn he turned 30, then Damn30.
That's crazy.

Speaker 1 (12:06):
That was a long time ago.
He was only a year younger.
Happy birthday Mama.
Crazy T, crazy T.
Happy birthday Mama, mama.
Happy birthday Mama.
Take a shot for that.
I lose, I lose, I lose.
You raised a real one.
Alright, we'll go to your hottopics, friend, alright.
First up, waffle House.
What's wrong?

Speaker 5 (12:27):
with you what happened.
Hold on what happened?

Speaker 1 (12:29):
Waffle House is adding a temporary surcharge to
all eggs on their menunationwide.
Oh fuck nah it is a 50 centsurcharge to combat the soaring
egg prices across the nation dueto the bird flu outbreak is it
per?
Egg or per egg per egg.
So Per egg Per egg so if youwant two eggs, add an extra
dollar.
So let me ask If I order anAll-Star, they're going to

(12:52):
charge me for them.
Eggs at All-Star yes, take myeggs off.
I make my eggs at home DangLike hello.
So right now, waffle Housecurrently is unsure of how long
this surcharge is going to be onthere.
They're monitoring the pricesof eggs as well as the shortages
that are coming about, and theyalso said they are going to
keep an eye out because, insteadof them increasing the price
across the board for their menu,what they want to do is target

(13:14):
specific items that arecurrently facing shortages.
So if other items become scarce, they may implement other
temporary surcharges to thoseitems as well.

Speaker 6 (13:22):
Let me tell you how Wapithouse is pissing me off
already.

Speaker 1 (13:24):
Now y'all closing them doors.
At 9 o'clock I got to gothrough a fucking drive-thru
pull-up window.
Listen.
Now you put a surcharge on myeggs.
What's next?

Speaker 5 (13:31):
They already added 20%.

Speaker 1 (13:34):
if you do a to-go order, the receipt don't even be
right every time you go.
It be a different price everytime you go.

Speaker 6 (13:39):
I should.

Speaker 1 (13:41):
One week I was $20.
The next week I'm only paying$8 for an All-Star.
Like, come on bro.
I went and got grilled cheeseand hash brown One day I paid $7
.
I went the next day.
That bitch said $18.29.
I said you can cancel it.

Speaker 5 (13:52):
Did y'all see?

Speaker 6 (13:53):
what Mr Time Time was in Charlotte.
What'd he do?

Speaker 1 (13:56):
I can't stand that motherfucker.

Speaker 3 (13:57):
He went to every Waffle House in Charlotte you
got the same thing, differentprices, I tell you the same
thing, different prices.

Speaker 2 (14:05):
I swear, I swear.

Speaker 1 (14:08):
That's why I'm finna.
Get me a part-time over there.
Okay, for real, Fuck it Now.
I had a homegirl.
She made that walk-in housewhen she was in college and she
made good tips.
You ain't gonna say that whenI'm working there, you're gonna
want to come and get you abreakfast, and I'm not eggs, I
don't even like eggs.
My thing is this I do like it.

Speaker 2 (14:23):
Which one you gonna be at?

Speaker 1 (14:25):
Sunset.
You know I'm in the hood babyI'm in sunset.
I'm in the hood, baby.
They're gonna start chargingper chocolate chip now in the
waffle soup.

Speaker 6 (14:33):
It ain't no chocolate chip shortage.

Speaker 1 (14:36):
It ain't no chocolate chip shortage.

Speaker 6 (14:38):
Walk my words.

Speaker 1 (14:39):
Y'all not be saying shit.
Then, weeks later, what happen?
I be saying shit weeks later.
What happened?
If anything, they're gonna tryto upcharge the waffles because
the flour about to go out.
Um so fun fact, fun fact.
Y'all know my family's fromflorida, so I spent summers in
miami.
There's not a waffles in miami,but they're one in jacksonville
.
Do you know?
The one in jacksonville servesliquor, that's real, that's
crazy so I went, we I was when Iwas older.

(15:01):
We went um.
We went to jacksonville for aweekend and was in the Waffle
House Jacksonville and I noticedpeople in there was lit as fuck
I said okay, this is a.
Waffle House and they alwayslit right.
I started sniffing shit.
I said, whoa, that smell likeliquor.
Is that liquor boy?
And as soon as I said that, twofights broke out.
Okay two fights, that was yoursign to not get no drink.

Speaker 5 (15:20):
I know your ass got a drink.

Speaker 1 (15:22):
I'm not against Waffle House serving liquor, a
little mimosa with my waffle.
I'm not against that.
I'm not against that shit.
To be honest, I just don't knowif the one on Sunset or no Tron
would be okay to do that but,I'm just saying Okay, let me go
ahead and move on.
The next one.
This is like shawty, wow, okay.
A lady in missouri no, that'snot even it.

(15:48):
Oh, a lady in missouri hasturned herself in after shooting
her ex-husband and then drivingto arkansas and shooting her
baby daddy and his girlfriend.
I gotta hear both sides of thestory.
I gotta hear both sides.
She's trying to add everybody,I gotta hear.
I gotta hear both sides.
I gotta hear everybody gotta go.
She said everybody gotta go.
I gotta hear both sides becauseclearly they pissed this lady
off.
So I gotta hear both sides.
Okay, so this happened back onjanuary 22nd.

(16:11):
Um, a lady, taylor santiago oh,she's spanish, she is, yes, she
is.
Oh, I don't care, no more.
She shot and killed herex-husband at her apartment
complex in missouri.
The son that she shares withthe ex-husband was present.
After she shot him, she put himin a car, drove to Arkansas,
shot her baby daddy, who sheshares a daughter with.

Speaker 3 (16:32):
No, she took the son with her.

Speaker 1 (16:35):
She would have been a real one if she did that.
Drop him off a state line.
Yeah, they definitely found herass.

Speaker 3 (16:40):
That's nasty work.

Speaker 1 (16:42):
So she took the son, drove to Arkansas where her
daughter was currently stayingfor the weekend with his dad.
Oh shit Shot the ex-boyfriend,which is the baby daddy and his
girlfriend, because she was justin the way.

Speaker 2 (16:55):
Oh yeah, because she was in the way, god damn.

Speaker 1 (16:57):
The ex-girlfriend died, the ex-husband died and
the baby daddy got critical themost toxic one probably lived.
That's crazy.
Yeah, did she say why thedaughter was present when she
shot her, when she shot thatkid's father too, did she?
Say why she shot.
It was over um custodialdisputes she was arguing with
both the fathers about, you know, getting their children more

(17:18):
they wasn't like that.
They wasn't getting along reallywell.
They had a very.
That's the only thing I hate.
Hate about when people inrelationships are not together
and stuff that custody battlesand shit is really hard and not
even just hard on the mama andthe kids, but even the fathers.
That shit is hard all the wayaround.

Speaker 2 (17:33):
That shit is hard.

Speaker 1 (17:34):
It's an adjustment.
If you can't find no commonground, and shit, you're going
to be arguing for a while yougot to find common ground.
Damn you.
You gotta find common ground.
Damn, do you felt that shit?
Okay, he got his, he got hiscourt jacket on right now, right

(17:55):
, oh god.
And he got the.
He got the baby shower shirt on.

Speaker 3 (17:56):
Yeah, he do got the baby shower shirt on oh my god,
but not on the series.

Speaker 1 (18:02):
No, that is.
You gotta find common groundwith that shit.

Speaker 6 (18:04):
So that's hard.

Speaker 1 (18:05):
I hate that so Taylor was charged with first degree
murder, first degree robbery,with also unlawful use of a
weapon and endangerment in thewelfare of a child.
She is currently held without abond.
It was two counts of firstdegree, one count of first
degree cause.
Both of them died so theydidn't charge the other one.
I guess the other one becausethe girlfriend was not

(18:26):
intentional.

Speaker 5 (18:26):
Again she was just kind of in the way and got hit.

Speaker 1 (18:28):
Yeah, she was glad, she probably like that's what
I'm saying.

Speaker 3 (18:33):
No, the baby daddy's still alive.

Speaker 1 (18:34):
I guess he get his kid, but the other child I'm
hoping his family.

Speaker 6 (18:37):
The son's dad is alive.

Speaker 1 (18:39):
Yeah.

Speaker 5 (18:40):
Wow.

Speaker 1 (18:41):
The ex-husband's family currently has a son and
the baby daddy's familycurrently has a daughter.

Speaker 5 (18:47):
Yeah.

Speaker 1 (18:48):
Yeah, and she's in jail.
Wow Well Crazy, ain't nobodygoing to steal her snacks Up?
Next, a small plane crash inPhiladelphia on Friday.

Speaker 6 (18:58):
God damn.

Speaker 5 (19:00):
How many plane crashes can we have?

Speaker 1 (19:01):
Listen, this is what happened when you don't have no
FAA controllers in the sky towatch the skies, and then you
fire 50% of the staff that youdid have and then you cut all
their funding.
This is what happens.
Things like this happen.
Fuck you, Orange.
So there was a small planecrash in Philadelphia on Friday
that crashed into a Dunkin'Donuts of all places.

Speaker 6 (19:21):
Oh, now that.

Speaker 1 (19:23):
That might be okay.

Speaker 2 (19:25):
I to a Dunkin Donuts of all places.

Speaker 1 (19:25):
Oh, now that okay, well, hold on.
That might be okay.
I can't fuck with Dunkin Donuts.
As long as it wasn't crispy, goahead, my bad.
It sparked explosions in torchhomes that were nearby the area.
This happened just after 6 pmafter a Learjet took off from a
private Philadelphia airport, onboard with six people.
There was a pilot, a co-pilot,a doctor, a paramedic a little

(19:46):
girl and her mother.
They all are presumed dead.

Speaker 5 (19:48):
They haven't like recovered anybody's yet but,
again it.

Speaker 2 (19:52):
The plane went into smoke, so I doubt that they even
will, yeah it was into smoke ona descent, so they weren't even
in the air.

Speaker 1 (19:59):
They had literally just taken off from the airport.
They weren't even in the airlike all of five minutes.
You said it was a private plane.
It was a private plane and it'sso sad because the little girl,
it was a um, a plane that wasbeing used for a medical use at
the time and the little girlthat was on the plane she was
actually leaving philadelphia.
She's from mexico.
A third private party paid forher to get a private jet to come

(20:20):
over to america to get thistreatment.
She has like a life threateningdisease or like like she was on
the verge of dying.
Basically, she got thistreatment, she was fighting, she
was doing better, she was goingback to mexico to live a
regular, like normal rest of herlife and then she died in the
plane.

Speaker 2 (20:35):
This is like how fucking sad is this, but you
know what happens in um.
Just a reference when you saidtrump laid off all these faa,
those layoffs came from thelower end, not the top end.
It came from the lower tier.
It came from what matters, likethe actual work for them,
people that are telling theplanes.

Speaker 1 (20:52):
Hey, it's crowded right now.
Wait 10 minutes before you takeoff.
Hey, keep circling.
There's too many people on therunway.
Hey, watch out.
There's two planes in your area.
They don't have people to dothat, no more.
So, right, you have accidentslike this, yeah that's sad rest
in peace to all these lives thatare being lost in the air.
Um rest in peace to that flightcrew out of charlotte yes um

(21:13):
that's crazy.
I realized the girl that um thatdied the flight attendant, yeah
I knew her low-key because, um,in advance, yeah, she did.
And then we were in like this,when we were younger, we were in
this church kind of thingtogether and also did upward
bound together like going towardthese colleges.
And I didn't realize it untilsomebody had posted the picture
and I was like dang, is that me?

(21:33):
And?
But I saw her and the girl andI was standing like right over
there.
So that's crazy.
When it hit close to home likethis, like man, one thing about
it.
I will say this, I tell peoplethis and I hate to say it like
this, but this damage thatpeople have done In this
election, we gonna feel thisshit For like 20 years, for real
, even if we get this nigga Outof office or somebody does

(21:55):
something To take him out.
Did you see what he said ToIran?
What he said to Iran?
He threatened Iran and said ify'all assassinate me, I'm going
nuclear on y'all ass.

Speaker 2 (22:04):
Yeah that's what he said.

Speaker 1 (22:09):
He said it's going to be total warfare.
It's going to be puredestruction.
This nigga going to get uskilled.
He said if y'all assassinate me, I have already given everybody
the green light to fullretaliation.
This nigga going to kill us.
Why he?

Speaker 2 (22:23):
said a particular word, though, when he referenced
what did he say?

Speaker 5 (22:27):
Pull it up.

Speaker 2 (22:27):
It was something like oh, what did he say?
He said it would be.
You know, it was a Trump word.

Speaker 1 (22:33):
Very.

Speaker 2 (22:33):
Trump, a very Trumpish word.
You're like this nigga's thepresident and speaking like that
.

Speaker 1 (22:38):
He's going to kill us .
He's going to kill us.

Speaker 2 (22:46):
This is a country that has more military backing
than we do.
Iran is gonna bomb the fuck outof us.
Yo, you know how much this gotto be a record of executive
orders.
It gotta be.
It gotta be the record after hedid it because then he broke
the record when he was in and,um, when he got in turn the
first time, I think he broke arecord.
I think he broke his own record.
This nigga is just signingblack books.

Speaker 1 (23:04):
This y''all president , though this is who y'all voted
for.
Remember niggas was arguingwith me before the election
about voting for Kamala Harris.
I wish y'all would have had hernow.

Speaker 2 (23:12):
But you know what?
Again, I'm going to go back andsay the world wasn't ready for
that right now, but it was likenow look what we got it would
have'all niggas about the lesserof the two evils.
I'm trying to tell y'all.

Speaker 1 (23:24):
He said he left specific instructions if Iran
ever assassinated him, that ifthey do it they get obliterated.

Speaker 2 (23:33):
That was the word, that was the Trump word, that
nigga said, and you know, inTrump fashion, yeah, they do it.

Speaker 5 (23:40):
And it'll be bad.

Speaker 1 (23:41):
Trump, that nigga that talk shit on the court and
then run home and go get his bigbrother mommy, and then now
that big brother gonna getknocked out, cause we all gonna
get knocked, the fuck out whywould you provoke?
Iran, iraq, afghanistan, any ofthem first of all they have
nuclear weapons.

Speaker 6 (23:56):
We already done been to one.

Speaker 1 (23:57):
They was kicking our ass first of all, and after the
shit that we did to theircountry, we think we finna
bother these niggas again.
And then we got all they toppeople over here going to my bay
.
Oh, baby, they come for us.
Oh, that was crazy my man saidobliterated, I know it's time
for it's time for me to go, it'stime for me to really, you know
, get the gun range.
I'm gonna stock up and shitbecause I've been telling y'all

(24:19):
that and saying that yeah, I'mgonna stop because I'm not
having some niggas come down mystreet just bloop, bloop, bloop,
bloop, mm-mm.
All right Up next.
Sadly, I have to report that ithas been reported that Irv
Gotti has sadly passed away.

Speaker 2 (24:34):
Yeah, rest in peace Irv Gotti.

Speaker 1 (24:36):
He suffered a major stroke earlier this week.
They put him on life supportearlier today and about an hour
ago he sadly has passed away.
So it is a very sad day for theculture.

Speaker 2 (24:49):
Fuck yeah, shout out Irv Gotti.

Speaker 1 (24:51):
Shout out Irv.

Speaker 2 (24:52):
Shout out his brother , lorenzo Gotti, that we had on
the podcast.
You know, condolences to thefamily and everybody.
You know he was talking abouthis health problems.
He said diabetes is killing hisbody.
He mentioned that.

Speaker 1 (25:09):
He said that about Irv.

Speaker 2 (25:11):
No, irv said that about himself, oh my.

Speaker 1 (25:12):
God, 50 is trolling this man right now.
I'm smoking on that, gotti pack.

Speaker 2 (25:17):
Oh, 50.

Speaker 3 (25:17):
He said nah.

Speaker 1 (25:18):
God bless him.
Lol, oh, 50.

Speaker 2 (25:23):
Oh my God, oh Lord, 50.
That's 50.
Oh my god, oh lord, 50 that'sthat's nasty work 50.

Speaker 1 (25:31):
Better chill out, then he smoking hookah at this
oh, 50 got his chill nasty work.
Y'all want me to play devil'sadvocate.
Devil's advocate, the reasonwhy 50 going hard like this, all
these niggas that he going hardat trying to blackball that
nigga in the industry yeah andtrying to kill him and trying to
kill 50, so I on devil'sadvocate.

(25:52):
I don't play around with death,so I can't agree with that.
But on devil's advocate, ifthat nigga going off like that,
I'm not.
You know.
It's sad, though and I don'twant to say Irv Gotti was such a
staple in the culture withoutthere's no Irv Gotti, there's no
culture without him, like right, so you got the Sorcerer Wars,
all that shit, like there's noculture without him.
However, it's disappointing tosee your legends go outside as
far as, like Irv in the lastyear, how he went outside a

(26:14):
little bit on the blogs and shit.

Speaker 2 (26:15):
Yeah, trying that because you know, because people
I think they know, you knowwhen your time come to you.
No, so he's like you know, thisis what I'm going to leave.
I'm going to leave this out inthe world, you know rest in
peace.

Speaker 1 (26:32):
Rest in peace of God.

Speaker 2 (26:33):
Y'all take care of yourselves, take care of your
bodies, take care and I justwant to just right quick to
touch on the 50 joint.
Yeah, I was gonna do that, butwe don't know what goes on
behind the scenes right it getsdirty.
We just see plain sight like ohshit, 50 Wildin'.
But we don't know what this manendured with these guys behind
the scenes, what conversationswas had and shit like that.

(26:54):
So we look at it like damn besensitive, or you too
insensitive.
We don't know.
We don't know what the fuck hehad to go through.
So who?

Speaker 1 (27:04):
are we to judge A nigga?
Take me down to you know, nigga, go low, I go to the pits of
hell on your ass.
Okay, see you down there.
Speaking of the pits of hell,who in there we're?
Going to end on a lighter noteAmen.
Have y'all heard about this33-year-old woman that's in
Pakistan?
Oh my God, show her.
She is actually a New Yorkwoman.

(27:24):
He was right.
She had an NY accent, so listenthere is a 33-year-old woman
right now currently going viral.
Her name is Onaja Robinson, whostarted this online
relationship with a 19-year-oldPakistani boy.
She flew all the way over tohis house His parents talked him
out.
The way over to his house Hisparents talked him out.

(27:46):
They were supposed to getmarried.
His parents talked him out of it.
She camped outside of his house.
Y'all Then went online andclaimed that she was being held
hostage.
So they placed her in apsychiatric facility.
She is demanding hundreds ofthousands of dollars.
She wants to fix Pakistan.
She said it's against herreligion to tell us, to tell
them her business.

(28:07):
I ain't gonna lie.
I'm kinda rooting for this lady.
I ain't gonna lie because, yeah, I'm kinda rooting for her,
that nigga wanted some blackpussy, his mom and them stopped
it, and then she flew all theway over there, all rooted her
life to go over there and thinkshe was gonna marry this man Now
the ain't gonna lie.
I gotta see what this look like.

Speaker 6 (28:20):
Cause ain't no way.
What if?
What if?
What if?

Speaker 1 (28:22):
What if what if what if what if what if what if what
if what if what if what if whatif what if what if what if, what
if?
What if what if.
What if, what if.
What if?

(29:15):
What if Now go?
Home.
I don't live here, I'm chilling.
Well, we know where she's fromNew York, new.
York.

Speaker 2 (29:23):
Yes, we're going to leave it like that.
New.

Speaker 3 (29:25):
York, you know where she from.
That girl said I don't livehere.

Speaker 1 (29:30):
And it's crazy because in one of her recent
interviews she actually had atranslator to translate what
they were saying in their nativelanguage to English and then
what she was saying to theirnative language, and she said no
stop, because I don't know ifwhat you're saying is right.
I'm going to just tell themmyself I want $20,000.

Speaker 2 (29:49):
Yeah that was the one I wanted to find yo.

Speaker 1 (29:52):
There.
I asked what borough she's from.

Speaker 2 (29:56):
I tried to find out.

Speaker 1 (29:58):
I know she's from Brooklyn.
I know she's from Brooklyn.
That's some Brooklyn-ass shitfor real man.
She say uh-uh, shut up, I'mchilling.
Baby, come home, baby, baby,come home.
They all love you over there.
Come on home, stop, because youcan come make some money over
here.
As soon as you get on TikTokyou're going to be TikTok famous
.
Come on home, baby, come on,boy.
I'm trying to find a I can'tfind.
I can't find the video.

(30:19):
Nothing.
Where's the video?
That is the crap.
I just had to end it on thatbecause, honestly, at this point
, give me 20k up front and Ithink about it ok, thank you,

(30:42):
you're welcome goodnight.

Speaker 4 (30:44):
No, just ask her yes or no.
Give me 20K up front.

Speaker 1 (30:47):
Yes or no?
I think about it.

Speaker 4 (30:49):
You know, nadal, give me 20K up front USD and I think
about it.

Speaker 1 (30:53):
Okay, thank, you.

Speaker 2 (30:53):
You're welcome.
Good night.
You know what the flex is.
I feel like she had a plan,though that's like you know what
kind of flex that is.
Just imagine you, from New Yorkwherever the fuck you from you
go to another country because ofwhat transpired and you get
interviewed and you demand allthat motherfucking money from a

(31:14):
country what if they give it toyou?

Speaker 1 (31:17):
I swear to god, I'll go hit up friends cause she's
not leaving until she gets sometype of shit matter of fact, I'm
asking for 20k.
She said she wants 20k upK.
I want a little.
She said she wants 20K up front.
Baby, I want a little sand shed.
I want a couple goats.
A chicken coop.
This is the best part of theinterview.
After she told the interpreterto stop, she said I want 20K up
front.
She said me and my husband,because we still going to get

(31:39):
married my man, my man, my man,she, my man, my man, my man.
She said we gonna live in AbuDhabi.
She said so, but we still gonnahelp fix Pakistan, even though
we not living here.

Speaker 2 (31:51):
Like girl, and then she said assalamualaikum, and
then people said walaikumussalamno, she flew over there, she
got into this onlinerelationship with somebody
online.

Speaker 1 (32:03):
He was a 19 year old, but he lives in Pakistan.
She's in this like whirlwindlove story with this man.

Speaker 6 (32:08):
She flew her ass over there.

Speaker 1 (32:10):
She flew her ass.
She left her family and flewher ass over there to Pakistan.
But when she got over there andthe family seen how old she was
, the family was like fuck, no,you're not marrying a
19-year-old, they wouldn't lether in, which is crazy for them
because so she camped outsidehis house for a couple days, to
the point that the Pakistanigovernment had to pick her up
and take her to a psychiatricunit to get her tested to see

(32:32):
like bitch, is you crazy?
She ain't crazy, she's just amotherfucker from New York New.

Speaker 2 (32:38):
York, new York.
They're not used to that shit.
That's how they're trying tointerview her.

Speaker 1 (32:45):
She said it's against my religion.

Speaker 2 (32:46):
To tell y'all my business.
I wish I could find that video.

Speaker 1 (32:48):
That shit was fucking funny as fuck that shit crazy.

Speaker 2 (32:50):
But yo man shout out to her man, I ain't mad at her
man, I'm mad at her cause.

Speaker 1 (32:54):
Come on Come on.

Speaker 2 (32:55):
I ain't mad at her, I ain't gonna lie cause Listen.

Speaker 1 (32:59):
Baby girl say she's not leaving until she gets
something from Pakistan, bitch.

Speaker 2 (33:03):
Y'all paying for this heartbreak.
I'm leaving here with somethingDrastic Times calls for drastic
measures.
I'm leaving here with somethingshe was your.

Speaker 1 (33:10):
That's it for me, though.

Speaker 3 (33:13):
That was Hot Topics with.
Trappy.

Speaker 1 (33:15):
Trapstar.
Now she drunk.

Speaker 2 (33:18):
Okay, what would you do?
I'm going to keep it short andsimple, because we got a special
guest Trappy Tant and simplebecause we got a special guest.
We didn't mention that, but wegot a very special guest in the
building with us tonight.
But so, my, what would you do?
I'm gonna keep it short andbrief.

Speaker 1 (33:28):
We're not gonna go through a brief discussion.

Speaker 2 (33:30):
We're gonna make it, we're gonna make it so what
would you do?
And this is coming from aparent's perspective.
This is again disclaimer.
My what would you do is areaccounts that happen by me or
accounts that happen from otherpeople.
This account happened from me,but this is in the parents POV.
So what would you do?
What would you do?

(33:51):
And you know that you have ayoung child, that's you know
he's into everything.
He's conniving, he's sneaky, hebe lying and showing the time
he's you know.
He's you know.

Speaker 1 (33:59):
Did you say Benjamin?

Speaker 2 (34:02):
Oh, that's yeah, Benjamin.
No, not my assistant.
We're not going to do that.

Speaker 1 (34:05):
We're going to say his name is Benjamin.
Shout out to Benjamin.
He got straight A's on hisreport card.

Speaker 2 (34:10):
Who gives a?

Speaker 1 (34:10):
fuck, and his birthday was last week.

Speaker 6 (34:12):
And his birthday was last week.

Speaker 5 (34:13):
I don't care, See y'all, stop You're going to have
bad karma.

Speaker 1 (34:18):
Oh, he's a straight liar.
No, because I just realized Ihad pulled out a 20.
I had pulled some cash out of18.
No, I was about to give it tohim today, but I forgot.
I just thought about it.

Speaker 2 (34:29):
Hey see, you see why I don't fuck with Benjamin
Because of that stat right there.

Speaker 1 (34:33):
Oh, I'm on his neck next week.
I'm on his motherfucking neck.
Little Benjamin, I can see thecan years old wearing a ski mask
.
Didn't we give him something?
Didn't we share something withhim?
Last week we did something, butwhatever I gave, I want it back

(34:55):
, see we said happy birthday tothis nigga.

Speaker 2 (34:56):
We danced all day.

Speaker 1 (34:57):
We was like happy birthday.

Speaker 2 (34:58):
He was like it's my birthday y'all, because I was
like all right, y'all told me.

Speaker 1 (35:01):
No, you was with her, shut up.

Speaker 2 (35:03):
Because y'all told me to stop getting on, Benjamin.
But now, now look.

Speaker 1 (35:06):
Now we on Benjamin Now look.

Speaker 5 (35:08):
Fuck them kids.
I was right on his time.
All right, go ahead, man.

Speaker 2 (35:10):
So mom, what would you do?
Okay, so, mom, and the kid'sname is Benjamin Carnival,
little motherfucker.

Speaker 3 (35:26):
Just sneaky and all types of shit.
His mama gonna get out that carnext week.
It's his mama's fault that he'slike that shit so carnival,
little motherfucker namedBenjamin His views.

Speaker 1 (35:33):
Let's make that disclaimer I always say that.

Speaker 2 (35:36):
I always say that.
So you know the parent knowsthat.
So Christmastime is a newgaming system.
Gaming system is what's it?

Speaker 1 (35:46):
PlayStation 5?
Playstation, say it'sPlayStation PlayStation 5 Slim
Pro.

Speaker 2 (35:50):
No, let me be specific, in this case A
Dreamcast Dreamcast.

Speaker 1 (35:53):
Ew you old ass, nigga you old ass nigga Sure, shut
the fuck up, all right.

Speaker 2 (35:59):
So Dreamcast right.
So okay, let's for you.
What's her generation?
Her generation is what APlayStation.

Speaker 5 (36:05):
A millennial, a millennial.

Speaker 2 (36:07):
Yeah, PlayStation 4.

Speaker 1 (36:08):
So we in millennial PlayStation 4.

Speaker 2 (36:09):
You know she wouldn't be happy with that.

Speaker 5 (36:11):
PlayStation 4.
Thank you.

Speaker 2 (36:12):
Okay, and you know that the parents always put the
shit under the bed.
So the parents go out and you,as a canonic kid, like, look,
I'm going to play this shit.
You go to it, you unravel thisshit, you're playing that
motherfucker, Wait a minute.

Speaker 3 (36:24):
I ain't never did that.
Hold on.

Speaker 2 (36:25):
Yeah, yeah, yeah, you're playing that motherfucker
.
You're checking the time.
You're like, okay, it's beentwo hours, she ain't back yet.
Let me wrap this shit up.
Boom, boom, boom, boom, put itback under.
You wrapped it back.
No, you got to.
It was my account andBenjamin's POV, so you know you

(36:47):
put it back.
So your mother knows that youare this type of individual and
she knows that she put the giftsunder the bed and know that you
may find these motherfuckers.
She checks.
Okay, like let me see thelittle motherfucker been playing
this shit.
See, shit is all fucked up, itain't tight, you know new shit
ain't taped up.
Oh my God.
So she knows you've beenplaying it.
So what would you do as aparent in that instance?

Speaker 1 (37:09):
I am putting belt to ass.
No, I ain't even going to holdyou.
I'm going to go take that gameback, probably Just for the
principle, I don't know.
Oh, you thought you was gettingthat game that you played.
I'm putting Uno reverse, nigga,I'm putting belt to ass.
But also, I got to be devil'sadvocate, parent as
accountability.
Why would you put it up underthe bed where your kids can't
find it Very true?
Because, hello, that's juststupid.

(37:30):
That was stupid.

Speaker 5 (37:31):
Hey, he's at my mama now oh.

Speaker 1 (37:36):
He's at my mama, now Mama CEO.
You know I love you girl.
You know I love you girl, butdamn, I can't blame you because
back in the day you had aconniving, fucked up ass kid.
You know what I'm saying, butputting it under the bed, that's
parental, I feel like.

Speaker 2 (37:54):
Put it under the bed.
Why are you trying to say hismom was lazy?

Speaker 1 (37:58):
Why are you saying it was lazy of her?
I'm not trying to say his momwas lazy.
Why you say it was lazy in her?
I'm not going to say it's lazy,I'm going to think that's a
knowledge why you say his momwasn't creative.
That was like level oneparenting, like, come on, how
old was you at this point?

Speaker 2 (38:09):
I was young, just Google when Dreamcast first came
out, and it'll tell you theyear 1937?
.

Speaker 1 (38:16):
Fuck no.
That's disrespectful cause youold as hell.
I'm just saying that's nastywork.
I feel like that's parentinglevel one.
My mom and them had Christmasgifts and to this day I could
never find none of my Christmasgifts, like I never saw them.
My mom was like level 38 onthis shit, for real.
Shout out, god, rest her soul.
Shout out to Tammy, my mamacould.
I could never find my gifts.

(38:37):
Listen.
But you're also diabolical,because why would you unwrap it?

Speaker 5 (38:40):
and play it.

Speaker 1 (38:42):
And then have the audacity to wrap it back.

Speaker 5 (38:45):
Playing it is insane.
Wrapping it back no.

Speaker 1 (38:47):
I'm stuck on the wrapping it back part Playing.

Speaker 6 (38:49):
it is insane.

Speaker 1 (38:50):
And then you didn't even take the time to wrap it.
Make sure to tape everythingyou just said fuck this shit.
You just knew you was going toget that present on Christmas
and shit You're a dying mama.

Speaker 2 (38:58):
You didn't think she was going to recognize that the
paper had been torn Right.
No, it wasn't actually wrappedup, it was in a box.

Speaker 1 (39:05):
Oh, you're stupid.

Speaker 2 (39:07):
It was in a box.

Speaker 1 (39:08):
I hope you had fun.
Okay, we'll pass the mic around, but I hope you had fun on that
fucking Dreamcast.

Speaker 2 (39:14):
Who was?

Speaker 1 (39:14):
you playing on that shit.

Speaker 2 (39:20):
What's the 2K, the 2K football shit with Randy Moss
on the cover?
Oh my god, I don't know.
But Randy Moss on the cover, itwas a Madden, not Madden 2K,
that was 2K5 gang damn, you waslike 30 then no, no, no I was a
kid.

Speaker 1 (39:37):
You still sneaking out of the bed, still like this
I was a kid we gonna pass it.
I was a kid.

Speaker 2 (39:40):
You still sneaking under the bed Still like this
yeah, I was a kid, I was 30.
I was 30.
Okay, all right, so we're goingto pass it, no no, this was
1998.
When Dreamcast came out, yeah,1998.
1998.

Speaker 1 (39:50):
I thought you was like 20 by then 1998.

Speaker 2 (39:53):
No, I was a teenager, I think you was a teenager.

Speaker 1 (39:57):
You, oh, you're.
Oh, now I'm whooping your ass.
At that point she should'vewhooped your ass and, matter of
fact, I'm not even using thebelt.
We squaring up like I'm boxingher.

Speaker 2 (40:05):
You're the math.

Speaker 1 (40:07):
What was you born?
1965?
.
82 you was like 18, 16 you was16, nigga 16.
That's crazy.
That's your big age.
Mama C yo, I love you.
By that point, you should havebeen on level 38 with parenting
at that point she should havepunched that nigga in the mouth
she should have punched him inhis fucking chest.
Cause why would you do that at16, I think you like 8 or 7 or

(40:31):
something.
You grown as fuck at 16 yo,your old ass.
You probably gonna put yourpinky winky and something about
it.

Speaker 2 (40:38):
Huh, yeah, no, no, no , I didn't fucking see.
I may have, I'm not sure that'scrazy All right.
We got to go over because wegot to guess.
So the end result was asTrapper Little 2, she took the
fucking console back, as shefucking should have.

Speaker 1 (40:54):
As she should have.

Speaker 2 (40:54):
I'm going to take the console.
I didn't believe her, didn't?

Speaker 6 (40:57):
believe her.
I'm like, I ain't taking thefucking console back, I'm taking
it back.
She said I ain't believe her.

Speaker 2 (41:00):
She said oh yeah, bet .
So I watched her take the game.
She said hold my beer.
Yeah, she took the game.
She walked out with the game.
I'm looking at her walking inthe steps with the game.
I'm looking at her walking outthe parking lot in the parking
lot with the console, to the carwith the.
She drove off.
She came back.
I was still watching at thewindow.
She came out.

(41:20):
No game.
You were 16 and you was lookingout the window for hours.

Speaker 1 (41:24):
Yes, because I wanted the game.
He might be slow.
No, no, you know he probablyused it.
You've been looking out thewindow for two hours.
He was used to that I wasn'tlooking out the window for two
hours.
He probably used it at lookingfor, you know, looking through
the window, looking through thewindow for podcast purposes.

Speaker 2 (41:39):
Yes, I was looking at the window for two hours yes,
you was.

Speaker 1 (41:41):
You probably was for the goddamn game and I was, and
I was distraught, I wasdistraught, as you should have.

Speaker 2 (41:47):
No, I was.
I don't think I was 16 when didDreamcast come out 1998?
Nah, I don't think it came outin 1998.

Speaker 1 (41:53):
I'm literally looking at it you, you, smarter than
Google nigga.
You, smarter than Google nigga.
You have got all the answers.

Speaker 6 (42:00):
Maybe it wasn't Dreamcast, maybe it was.

Speaker 1 (42:01):
Atari, maybe it was something else it came out
November 27, 1998.

Speaker 2 (42:07):
98?
You don't got all the answers.
Swag, I think it was.
Well.
Yeah, I think it was Dreamcast.

Speaker 1 (42:12):
That was Dreamcast.

Speaker 2 (42:13):
That was Dreamcast.

Speaker 1 (42:14):
He probably talking about the Sega.

Speaker 2 (42:17):
Polo said it was before 98.

Speaker 1 (42:18):
He probably talking about.

Speaker 2 (42:19):
Tetris I think it was Dreamcast Tetris who said that
shit.
Silas, silas, get the fuck upout of here.
Hey man, you're supposed to beTaurus game nigga.
Nah, fuck that, cut his musicalmic off.
Yeah, no, it wasn't, god damnAtari.
It was Atari, it wasn't Atari,so it was 98, then it had to be.
Dreamcast.

Speaker 1 (42:41):
You and my brother are around the same age and he
got that shit when I was 99.
I was five, yeah.

Speaker 2 (42:46):
Yeah, but I'm a Dreamcast.

Speaker 1 (42:47):
Damn.

Speaker 2 (42:48):
I still got my Dreamcast.
My brother do too.

Speaker 1 (42:54):
Shout out Hell, no Dreamcast.
It's PlayStation 1, 2, 3, and 4, and all that shit yeah.

Speaker 6 (43:00):
That nigga's gonna grow up and be a hoarder.

Speaker 1 (43:02):
Huh, no, no, no, no, no, no, no, no, no no no, no, no
, no, no, no no no here.

Speaker 2 (43:16):
Okay, let's get through it.
That's my move.
What'd you do?

Speaker 1 (43:19):
Is it my turn now?
First of all, I really gottarecord a drop for my shit now.
I hate that we don't have dropsanymore, Because I had a nice
drop but I can't use it anymorebecause why.
Rey Mysterio.

Speaker 2 (43:33):
He just be whore.
He died right.

Speaker 1 (43:35):
No, the Rey, he did die.

Speaker 2 (43:38):
The wrestler.

Speaker 1 (43:38):
I'm talking about Rey Mysterio Kiara with the
wrestling mask on sucking dick.
I'm talking about her.

Speaker 2 (43:45):
Well, you got to be more specific when you mention
her.
I said Rey.

Speaker 1 (43:48):
Mysterio.
We say that every week.
We thinking, that is thewrestler.

Speaker 2 (43:53):
We say that every week.

Speaker 1 (43:54):
This is my type of time.
Right here, we say that shitevery week, okay, okay.
But anyway, X Terrace.
Y'all already know who it is.
It's your girl.
Every week I come withquestions from my Twitter or
whatever social media I'm on.
This week is Twitter Shout outto my 6,278 followers Amen.

Speaker 2 (44:14):
Because you know I'm a real gem on Twitter.

Speaker 1 (44:16):
6,281 of them is bots .
Wow, you are such a hater.
You know I still shots with teatoday, so I just want you to
fucking know my shit isorganically grown.
I've been on this Twitter shitqueen of Twitter since the queen
of Twitter started.

Speaker 2 (44:31):
Okay, so don't play with me.
Pop your shit, by the way, alsobefore I get into eggs tears.

Speaker 1 (44:37):
I just want y'all motherfuckers to know in the
comments on Instagram and TikTok, please know, don't get your
ass whooped over a fucking video.
I'm not playing with you.
Tynell McKenzie, you bitch,that was in the comments.
I ain't got the whole name.
You bitch.
That was in the motherfuckingcomments.
Hoe, looking like the clownfrom South 4.

(44:58):
I'll beat your motherfuckingass.
Bitch talking shit.
Talking about.
Well, we know why she's talkinglike that.
Ho, please, your hair kindauneven and your eyebrows are
perpendicular.
Don't play with me.
Don't play with me.
She said she, I keep talking.
Y'all, keep playing with me.
I am always the viral moment.

(45:19):
I'm always the motherfuckingcontent.
Ho, I'm playing with you andthat was a short session today.
A shot with tea, shit, thankyou.
I'm sorry I had to address thatbecause I'm talking to you in
the motherfucking commentsTalking about Chief Keef ain't
going to do this.
I'm tired of y'all niggas.
God damn it.
The comments be commenting.

(45:42):
The comments is.
I want y'all to know.
These niggas got lives.
I got time.
I'ma clap back on every singlecomment.
I don't give a fuck.
You're not gonna sit up thereand talk about me.
I'm on this bitch.
Somebody was on there was likeum, I can't believe you would
get on here and talk about yougotta run away from men because
of their um zodiac sign.
Shut the fuck up, yo assthinking you live in your mama's

(46:05):
basement.
We are not the same.

Speaker 3 (46:07):
Leave me the fuck alone.

Speaker 1 (46:08):
All right, I had to get that out.
My bad, y'all know I'm changedthis year.
I'm changed, I'm peaceful.
I'm peaceful now.
It's the punch.
It's the punch.
I, a lot of punch, got my eyesgoing lower.
Y'all know I don't throw.
I don't throw hands, no more.
I don't.
You know, I don't pull up nomore, and I'm really not finna
argue people, but please notkeep my baseball bat in my trunk
, all right?
X?
Here is the question that wasthrown to me pastry talk.

(46:31):
It's pastry talk time oh mygosh pastry talk now.
If you are uh-uh, hold ongiggling and sniggling.
It's pastry talk time now.
Listen, you know, in sexthere's different things.
Right, I know you a littlevanilla, you don't have sex.
You know, I'm saying, butthere's a choice in, oh, oh for

(46:57):
those of you who couldn't hearwhat the audience said.
They said he whips the pussy.
What did you say?
Nigga, that's nasty work.
Why would you just?

Speaker 3 (47:08):
That's nasty work.

Speaker 1 (47:11):
Not during Black History Month.
Why would you say whips?
It's the hand movement.
You got to do the sound.

Speaker 3 (47:18):
I just want to know why you said it.

Speaker 1 (47:23):
How you?

Speaker 2 (47:23):
know, with no diddy, no diddy, thank you, cause he
over here agreeing cause I heardit, but I just ignored it when
he did this shit.

Speaker 6 (47:34):
Alright, this is why I can't sit here.
He's talking about hissexuality so he is okay.

Speaker 1 (47:39):
Anyway, in a relationship with your woman,
you having sex, you know, at theend of sex, all right, this is
why I can't sit here.
This is why he's talking abouthis sexuality.
So he is okay.
Anyway, in a relationship withyour woman, you're having sex,
you know, at the end of sexthere's always a climax.
We love the climax.
We love different positions, welove different things In the
climax.
There's two things you can do.
Right, there's two things.
I mean, well, there's actuallythree things you can do, but
we're gonna talk about two.
You can either twinkie it ortoaster strudel it.

(48:01):
Now listen, when I grew up, Inever liked toaster strudel.
I hated toaster strudel.
They never cooked all the way,it was just never done.
You know what I'm saying.
So let me ask.

Speaker 2 (48:08):
well, you gotta define for the slow people that
don't understand for the slowpeople that's in the group of
cco twinkies.

Speaker 1 (48:14):
twinkies, y'all know, twinkies are cream, little
filled, little pastries whichrelates to a cream pie in the
sexual world, if you will, or atoast, or strudel.

Speaker 5 (48:24):
You come inside a girl.

Speaker 1 (48:25):
Yes, you come inside of a woman, or you nut on top of
the girl, or a toast or strudelis when you nut on top of a
woman.
So let me ask, in preferences,are you a Twinkie or a toast or
strudel?

Speaker 2 (48:36):
I can't answer this question.

Speaker 1 (48:37):
Okay, so what do you like?
Do you like giving Twinkies ora toast with strudel?
You have to answer it.

Speaker 2 (48:45):
Or is somebody going to answer for you?
I can't answer this question.

Speaker 1 (48:50):
I'm not going to answer this question.
Yeah, Let me see that mic.
Action T let's go ahead andpass the mic.
Oh, let's pass that mic.
Oh, I didn't see you there,Destiny.
Yes, I didn't see you there,Destiny.
Do you like to be a cream pop?

Speaker 2 (49:04):
We're not answering this question.

Speaker 1 (49:08):
We're.

Speaker 2 (49:08):
That's very.

Speaker 1 (49:09):
PR.
Oh we're, that's very PR, ohwe're.
Oh wow, twinkie, you likegiving out Twinkies, twinkies,
it's a lot safer right Givingout Twinkies.
See you, sperm-sponsible,sperm-sponsible?
Oh, never mind.
I'm thinking of Toaster Strudel.
Yeah, he said Twinkies, you aresperm-sponsible, is crazy.
Sperm-sponsible is for theToaster Strudel people.

(49:32):
I'm a sperm donor you hear me.
You a sperm donor.
Sperm donors, yeah, pass itback.
Let me see pass it back.
Answer this question Flea.

Speaker 6 (49:44):
I already yelled it out but I said twink and I got
no kids oh wow, that's for aweek.

Speaker 5 (49:54):
I love that well wait let me, let me end this out.

Speaker 1 (49:59):
Swish.
Let me end this out with mypeople.
You ain out swish.
Let me end this out with mypeople, so let me.
You ain't gonna answer it, sitanswer this I'm leaving it on a
belly button I'm so fucking sickof you, I'm so fucking sick of
him.
Sit toast or twinkie.
Uh, yes, nigga you know, myjourney with christ does not

(50:23):
allow me to answer says the girllike to be right, don't play
with me, friend.
I like to be joking.
Okay, if you must know, I'mmore of like that's nasty work a
shower on Whoa?
You don't got a shower, a shower, oh a shower drain.

(50:44):
You like to swallow, swallow,you like swallow?
Well, to be fair, to be fair tobe fair, I did research.
No trap, I did research beforeI end this.
We clipped this out.
No, we're not clipping Most.

Speaker 2 (51:00):
No, we're not clipping this out.
No, we're not clipping this out.

Speaker 1 (51:02):
This is not a line on my walk with Christ.
You can't post this one youknow what, somebody Let me tell
you this real?
Quick.
Somebody told me I had thespirit of Jezebel in me.
Let me tell you how the that'scrazy.
They wanted to have sexualrelations with me and I was not

(51:23):
interested so I told them likeI'm not interested in that.
They said well, you have thespirit of Jezebel.
I don't see why.
The hell, nah boy, fuck you andgo on.
Now, he said.
I almost broke my fingerblocking him.

Speaker 6 (51:33):
Now he said you got a whole you got a whole spirit.

Speaker 1 (51:35):
He said fuck, you got a whole spirit, you got a whole
spirit.

Speaker 2 (51:38):
You got the whole Yo niggas, everybody start using
that shit.
No, don't use that shit.

Speaker 1 (51:41):
She got the spirit of .

Speaker 2 (51:42):
Jezebel in you, you got the spirit of Jezebel in you
.
Use a whole Jezebel Reallynigga.

Speaker 3 (51:48):
That's nasty work.

Speaker 1 (51:51):
Y'all didn't hear that she like to swallow.
We draining the penis?
Oh shit, y'all are fuckingfreaks.
Yeah, pipe cleaners yes, drainsA draining.
We make sure you get all empty.
Yes, no drops left Nope.
There you go.
I don't know if I'm supposed toanswer this.

(52:11):
I might just leave this one toyour imagination.

Speaker 2 (52:13):
I can't, I can't.

Speaker 1 (52:16):
I might just leave this one for imagination.

Speaker 2 (52:17):
I'm covering my ears.

Speaker 1 (52:18):
Since CEO not answering shit, I shouldn't
answer nothing either.
Oh, hell, no, I can't be theonly one answering Now hell, no,
now shit.
Well, to be fair, to be fair,y'all, I think I said before
what I like, though I think Isaid it before.
Y'all know, I didn't get thisthick because I like Toast Strip
, I like pastries.
I'm a Twinkie.
You know why?
Because there's birth control.

(52:39):
I love birth control, right?
So you know what I'm saying.
You said fuck, birth control,birth control been keeping me
safe for the last seven andeight years.
So Congratulations,congratulations is crazy.
I don't have no kids, no kids,I don't got no kids.
I don't got no kids.
I don't got no bills.
I don't got nothing, kids, Idon't got no bills, I don't got

(53:00):
nothing.
So I like Twinkies.
Don't toast your strudel to me,because I'm very immature.
I'm very immature.
But yes, oh, man, post thisquestion to our listeners In the
comments.
Tell me, no, posties, do youlike Twinkies?
Or toast your strudel, or toastyour strudel.

Speaker 2 (53:14):
I am immature, for Are you a drain?

Speaker 1 (53:16):
I am immature for a total shooter.
Are you a drain?
That's sick.

Speaker 3 (53:23):
That's nasty work.

Speaker 1 (53:25):
What if your name is saved in his phone as drain Shit
Yo.

Speaker 2 (53:28):
I hope this shit takes that shit that's going
viral.

Speaker 1 (53:32):
A drain shower drain.
I'm gonna get shirts.

Speaker 2 (53:36):
Call me.

Speaker 3 (53:36):
Luigi.

Speaker 1 (53:38):
Yo, I'm ready to go, mario.
It's me Mario.
Call me Luigi, luigi.
Yo, I'm ready to go, mario.
It's me Mario.
Hold on now.
Yup, just like that.

Speaker 2 (53:49):
We just stand Traps.

Speaker 1 (53:51):
Shower drain.

Speaker 2 (53:53):
The drain.

Speaker 1 (53:54):
Shower drain Chronicles.

Speaker 2 (53:56):
Your shirt gonna say the drain.
Masha gonna say that's nastywork.
What yours gonna say we ain'tfigure.
Yours gonna say that's nastywork.
What yours gonna say we ain'tfigured yours out no, I haven't
had a cash oh yeah, shippingcontainers no, that's too long.
That's too long, I gotta telly'all.

Speaker 1 (54:08):
I gotta tell y'all about this shipping container
story?
No, I was, remember I wasbeefing with the nigga he was
rapping in music videos out ofshipping containers at Rock Hill
.
He said he was going to comeover here and shoot the studio.
Remember that, nigga.
You know what's crazy.
Before I'm finishing out, Iswear to God, if we ever really
get there, I'm going to be theone Somebody's going to fight us
because of me for real.

Speaker 5 (54:27):
And I love that shit.
They're going to try.
I love that shit, I ain'tfighting.

Speaker 1 (54:31):
That shit happy, what Period.

Speaker 3 (54:35):
Just so everybody listening know it's security
here.

Speaker 5 (54:37):
It is security in this bitch Don't try to come up
here.

Speaker 1 (54:42):
I want to give a special shout out to everybody
in the audience today.

Speaker 2 (54:47):
We got a full audience.

Speaker 1 (54:48):
Shout out to all y'all Clap nigga, we got to clap
.
Oh shit, oh my God.

Speaker 2 (54:55):
For your niggas in the Japanese.
Thank you.

Speaker 1 (55:00):
Shout out, shout out, shout out, shout out to our
live studio audience.
Every week our audience getsbigger and bigger and we love
that shit.
Half of them niggas left.

Speaker 2 (55:08):
Damn.

Speaker 1 (55:09):
God, all right, let's bring our guest on, because he
about to piss me off.

Speaker 5 (55:13):
Man where my guy Travi at man Listen we got a
very special guest in thebuilding with us today.
I saved your seat just for you.

Speaker 1 (55:20):
I said I was Listen we got a very special guest in
the building with us today.
We got a dope interview.
We got a rare mic performance.
What's wrong with you?
You okay?
Is life okay for you, jesus?
Is life okay for you?
Get in the McDonald's cup.

Speaker 6 (55:37):
So you know it's true Because why you got all this
damn punch.
I ain't going to lie.
Life is good, life been realgood, not y'all dropping a song
on my way in here, not an inchY'all hear me.
I appreciate y'all dropping thatman.
Let's do it.
Hey, hey, hey, hey, hey, bringmy man Travian.

(56:03):
Hey, hey, hey, hey, hey, hey,hey, hey, hey, hey, hey, hey,
hey, hey, hey, hey, hey, hey,hey, hey, hey, hey, hey, hey,
hey, hey, hey, hey, hey, hey,hey, hey, hey, hey, hey, hey,
hey, hey, shout out to my guyChad.
It's been a block two times.
Shout out to the Chad.
Hold on, because God yeah,shout out to the Chad.
I had that.

Speaker 1 (56:21):
Uzi shirt.

Speaker 6 (56:22):
I was like okay, you good, you good, you good.

Speaker 1 (56:25):
Oh shit, well welcome .

Speaker 6 (56:28):
I paid enough for one more refill.
Can I do that before we get to?

Speaker 2 (56:31):
the next one.

Speaker 6 (56:32):
Oh yeah, Do your thing.

Speaker 1 (56:35):
Yeah that trophy with me, you sure he won a training
day trophy.

Speaker 6 (56:38):
I left it right beside the weed.
I ain't gonna lie, I left itright beside the weed.
Mad as hell.

Speaker 1 (56:42):
Why ain't you never win no training day trophy?

Speaker 6 (56:44):
So I'm good at you.

Speaker 1 (56:45):
For what?
For what?
For being me.

Speaker 6 (56:48):
You was there.

Speaker 1 (56:49):
Yeah, see.

Speaker 6 (56:50):
Uh-uh.
For me you was there for real.

Speaker 1 (56:58):
She's going to call on your ass.

Speaker 2 (56:59):
We're going to give her an award.
We'll give you an award forthat.
Go ahead.

Speaker 1 (57:02):
Say it again Say it again.
Say it again.
Go ahead, say it again.

Speaker 2 (57:05):
I said it once.
I ain't got to say it twice.
Oh yeah, oh yeah, smoking herneck Tariff's back.

Speaker 1 (57:13):
Oh yeah.

Speaker 6 (57:15):
Now he's turning into a pack we gonna get through
this interview but, wait till wesign off.

Speaker 1 (57:19):
Wait till we sign off .
The post-show clip is about tobe crazy.
It's about to look like a JerrySpringer show.
Yeah, wait till we sign offwith your old ass, I don't want
to clap back because I've beentrying to chill, but leave me
alone.

Speaker 6 (57:33):
You don't clap back nigga, leave me alone, see yo a
hard time for real.
We didn't even introduce you,yet Hold on.

Speaker 1 (57:38):
They tried, they tried.

Speaker 6 (57:39):
They be giving you a hard time for real.
I ain't gonna sugarcoat it.

Speaker 1 (57:44):
I will cut all this shit off, hello.

Speaker 6 (57:46):
Bro, what happened to you?
Just a different opinion.
I can't offer a differentopinion, hell fucking.
No, I still love you.

Speaker 1 (57:51):
See, Tranny, I got you back.
You can't even talk.

Speaker 2 (57:57):
What are you talking about?
You talk.
Did you turn off, michael?
You can't talk, you don't eventalk.

Speaker 1 (58:03):
You want to play with me?

Speaker 2 (58:03):
today you can't talk.
You want to play with me today.
You want to talk?
Go ahead and talk, talk, okayyou can't talk, man.

Speaker 3 (58:13):
Let me go ahead and bring in Travi.

Speaker 1 (58:16):
Tantino the right way .
Listen we on no AdvisoryPodcast.
So y'all know it's only rightwe got to bring him in the no
Advisory style.

Speaker 6 (58:24):
I'll air this bitch out.
Damn, I will air this bitch outThree simple questions to ask.

Speaker 1 (58:30):
You Can't talk.

Speaker 6 (58:30):
Talk to me.

Speaker 1 (58:32):
Who you are, where you from and what the fuck you
do.
What the fuck you do, nigga.

Speaker 6 (58:39):
Y'all know the name man, it's Travi Tantino.
Straight out the Triscuitseating Bojangles, biscuits,
nigga.
That's what I'm doing.

Speaker 1 (58:45):
Hey, he might have got me back with the Bojangles
biscuits.

Speaker 6 (58:47):
I got you Every morning what you need.
I like a little Cajun filetwith a both-size fries and a
medium-peak lemonade.

Speaker 1 (58:54):
You tried it with that pimento that's grilled
quite white friend.

Speaker 6 (58:57):
It might be, but I'm telling you you got to get them
folks a chain one time.
How that boberry?
I ain't had that boberry.
You see that boberry likecobbler, that's what I'm asking.

Speaker 1 (59:04):
I ain't had it.
That's too sweet for me.
I need to ask that boberrycobbler.
What does pimento cheese tastelike?
Is it just regular cheese?
Right, that's like their thing.
I got to get that.
She asking her what does ittaste like?
What's the taste?

Speaker 6 (59:22):
It's just like cheese with a little spice in it.

Speaker 5 (59:25):
It's like cheese with red pepper Cheese with some
seasoning on it.
It's like Pepper.

Speaker 6 (59:28):
Jack.
Nah, it's better than that,it's way better than that
Pinkies got to hit for it.

Speaker 1 (59:35):
The only person that said that, and I think I don't
know a lot of people that eattuna melts, but you're not the
only person that said thatPinky's got good tuna melts.
They got great sweet potatofries them corn dog shrimp they
have.
They fry the shrimp in corn dogbatter.
Listen, Pinky's, we love you welove you.

Speaker 6 (59:52):
I'm a mama.
We love you, pinky's.

Speaker 1 (59:55):
Okay, you is.

Speaker 6 (59:57):
you tell us where you from or what the fuck you do
man, I make a whole lot of goodmusic, a whole lot of that.
I do a whole lot of showingfaces, showing love, and that's
about it for real.
For real, I'm just trying to domy thing and stay out the way
and getting away at the sametime.
That makes sense.

Speaker 1 (01:00:11):
You feel me I feel you that's nice before we get
started I definitely want togive travi his flowers while
he's still here oh come on.
I've been seeing him work hardfrom the first time he used to
come to training today until now.
Just seeing the stages thathe's been on the places that
he's been to, see himorganically grow his fan base,
I'm proud of you.

Speaker 6 (01:00:29):
I appreciate that.

Speaker 1 (01:00:30):
Y'all fucking talk.

Speaker 6 (01:00:31):
I really appreciate that man, that's for sure.
I really appreciate that Tradumbass on his camera.

Speaker 1 (01:00:35):
Look at this that's not Swish.
Who is that dancing?
That's Mel.

Speaker 6 (01:00:43):
Hey, somebody get that on video real quick.
Why don't y'all clip in thatreal quick?

Speaker 1 (01:00:46):
Somebody oh my God, that's Mel.
That's not Mel.
Mel had on black Swish.
I thought that was you.
I thought you was outsidedancing.
For real, that's Mel.

Speaker 6 (01:01:01):
Oh, I don't want to.
You're going crazy.

Speaker 5 (01:01:02):
Look at him, you're going crazy wait till he walk
back in here we was not tryingto be disrespectful we was not
trying to be disrespectful.

Speaker 1 (01:01:08):
I was looking at you talking and I kind of glanced.
I said who the fuck is outthere doing?
That shit oh my god, oh my god,ask your question again look at
him, he hitting the MichaelJackson in the parking lot.
He's thinking about themoonwalk and shit.
Look at him.
Look at him.
Oh, it's getting, it's getting.

Speaker 2 (01:01:27):
He Michael Jackson leaning and shit it's getting
that, nigga it's definitelygetting crackhead energy.

Speaker 1 (01:01:33):
That's that crackhead energy.
You got to be out the shrooms,man.
Okay, my bad, travi, weapologize.

Speaker 6 (01:01:39):
We are so sorry, that's what happened man, so you
can't get black for a day.
Flower man, oh my God.

Speaker 1 (01:01:43):
I am so sorry we get distracted.
I literally was looking at youand then I just saw some shit
out the corner of my eye andit's what he had to spend for me
.

Speaker 2 (01:01:51):
I'm sorry, this nigga actually tried to do the lean
and shit.
Yo he better come back in here.

Speaker 6 (01:01:59):
That's my nigga.
He seen the car pulling up.

Speaker 2 (01:02:04):
He seen that car pulling up, let's get back to it
, alright, man?

Speaker 6 (01:02:06):
That's him sliding right up.

Speaker 2 (01:02:07):
Huh, nah, he gonna come back in here.

Speaker 6 (01:02:11):
Oh, she missed it.

Speaker 2 (01:02:14):
But yo man.
So, being from Salisbury, right, and I posed this question a
while ago about, about Charlottehaving a sound and just
different boroughs having asound, or places, states,
whatever the case may be.
Whatever music, salisbury, whatis Salisbury sound?
Do you feel like Ooh, do youfeel like Salisbury?

(01:02:35):
That's how it sounds, right.

Speaker 6 (01:02:37):
It's Salisbury, salisbury.

Speaker 2 (01:02:39):
Salisbury.
If you aren, it's Salisbury.
Shotsbury, if you unfamiliarShotsbury, if you unfamiliar
Salisbury.

Speaker 6 (01:02:41):
Salisbury, shotsbury, if you unfamiliar.

Speaker 2 (01:02:43):
Salisbury.
So do you feel like you arerepresenting Sal?

Speaker 6 (01:02:47):
Salisbury, salisbury, salisbury, salisbury, come on,
man, let's do it right Salisburyone time, for the one time
Y'all live.
I can't let it go down likethat.
It's Salisbury, Shotsbury, ifyou want to know I got beef with
some Salisbury people.

Speaker 1 (01:03:02):
Come on now just sit with me.
I'm the president.

Speaker 6 (01:03:06):
Talk to me, I'm the president.

Speaker 5 (01:03:07):
Take up your discrepancies with me.

Speaker 6 (01:03:09):
You take up them discrepancies with me.

Speaker 1 (01:03:11):
You know what about?
Salisbury pissed me off.
It's not even just y'all.
It's nigg is like when I wentto school, right, and you know.

Speaker 6 (01:03:18):
You went to school out here.

Speaker 1 (01:03:19):
No, I went to college .
I'm from Charlotte.

Speaker 6 (01:03:21):
Okay, I'm going to let you in.
I'm going to let you in.

Speaker 1 (01:03:23):
So when I went to college and you know everybody
throwing up their area codesrepping, I'm like, damn, so I
had met a motherfucker that wentto college.
He's like, yeah, I'm from the704.
Nigga, you're not fromCharlotte, we're not the same.

Speaker 6 (01:03:38):
And you know.

Speaker 1 (01:03:42):
Charlotte.
People in like surroundingcities always got that unspoken
beef, like niggas love, beingfrom Huntersville and Gasol, and
you say they're from Charlotte,but when we all out of town.
We all fam.

Speaker 6 (01:03:49):
That ain't the situation in my city.

Speaker 1 (01:03:50):
We all fam.
I feel like, if you not, a realif your phone number don't
start with 704, then are.

Speaker 6 (01:03:56):
I mean they do, though no, 980 does not count.

Speaker 1 (01:03:59):
That was that second round number.
That does not count my number980.

Speaker 6 (01:04:02):
That was 980 came about when.

Speaker 1 (01:04:04):
Issa Mall got torn down.
That is nice, that's for real.

Speaker 6 (01:04:06):
We 704 out there, though it's 704 out there, is it
though it is?

Speaker 1 (01:04:10):
I'm telling from now I don't know, is it yeah?

Speaker 6 (01:04:14):
The first phone, 704-636-something, something,
something that was like my firsthouse number 704?
704 for real.
Y'all probably had the threesand the twos out there, that's
like Greenville, Winston area,that way some more, Well you
know Nah 702 is Atlanta and 70what no?

Speaker 1 (01:04:30):
702 is Chicago 702?
.

Speaker 6 (01:04:32):
I don't know nothing about 702.

Speaker 1 (01:04:34):
We going outside my purview 708.

Speaker 2 (01:04:39):
All I know is 718.
I don't know about 717.

Speaker 5 (01:04:41):
You been to.

Speaker 6 (01:04:42):
Salisbury.

Speaker 1 (01:04:42):
Have I been to Salisbury?
Yeah, you been to.

Speaker 6 (01:04:44):
Salisbury who you come down there with Some family
, something like that I was downthere with my mom's brother.

Speaker 1 (01:04:50):
My mom's brother's people was out there, so we went
out there.
People say Charlotte country,but it's really the city.
So going to Salisbury that'scountry, like that's real
country out there.
I just was like, ooh, there's acouple chicken coops over here
a little pig, but did you have alittle time while you was out
there?

Speaker 6 (01:05:05):
I feel like you didn't get to know the city.
You used to be like family.
I feel like they weren't reallylike showing you like Salisbury
, salisbury, y'all.
Yeah, check me out, I dosomething for my birthday.
All the time I didn't dosomething last year In the bird.
Yeah, in the city.
Okay, and they pop out for mefor real to come show some love
for my birthday.
I want you to come show up andjust come be my special guest.

Speaker 1 (01:05:28):
Oh shit, come by me in the building and let me show
you how we give it up for Allright, all of y'all, let's do it
.

Speaker 6 (01:05:37):
It ain't just her you feel me.
I would just say she was theone you feel me, not.
You got a gentleman going toSalisbury, come on down to the
city, man.
Come on down to the city.
I got y'all April Fool's Dayman.
April Fool's Day man.
Look forward to it.

Speaker 2 (01:05:48):
He heard special kids .

Speaker 1 (01:05:49):
That's why that nigga turned up.

Speaker 6 (01:05:55):
All Call me no bullshit.
Come ready to drink smoke.
Have some fun for real.
If you about to be sitting inthe corner for real, I ain't
going to we going to get back toit but I'm going to ask you one
question.
Yeah, talk to me.

Speaker 1 (01:06:06):
Do the niggas be out there?

Speaker 6 (01:06:07):
I mean I be out there .
I said the other niggas Am I agood representation?
The other niggas Am I a goodrepresentation?
Me and Sid will ask you moreresearch, it ain't nothing that
you see in Charlotte that youain't going to be able to see in
Charlotte.

Speaker 1 (01:06:20):
We going to ask you some questions for our friends,
for our friends afterwards.
We asking for our friends.

Speaker 6 (01:06:25):
For the friends afterwards.

Speaker 1 (01:06:27):
Not for the friends.

Speaker 5 (01:06:27):
That's our tool.
Don't lie to them like that.

Speaker 6 (01:06:30):
Lena, listen, they be getting lady out there, you
know what I'm saying.
That's our deal, lena.

Speaker 1 (01:06:41):
don be outside though that's what I don't know.
See, lena, don't, lena, don'tbe outside special guest number
four we'll be cutting up it'sshottsbury for a reason.
All right, well, tell us aboutthis.

Speaker 6 (01:06:45):
Sound like you know what ceo said like like
salisbury, you making it seemlike this is great place what
like I said, as far as the soundgo, we don't really got like a
specific everybody in the citygoing for a specific sound.
You see me, and what I do isdefinitely not what other niggas
do in the city.
For sure, you see what I'msaying.
My sound is definitely likefurther, further away, most of
people doing like dream music orlike gangster rap, shit like

(01:07:07):
that.
But it's a couple of artistsout there shout out to the
couple that's on my live.
I don't want to not mentiony'all, but there's a couple
artists out there doing thedifferent stuff.
But, like I said, every artistthat I know out in the city got
like different styles for realfor it.
It's not like one solid style.
Now I might be therepresentation for the city you
know what I mean but like nobodyelse out there giving it up
Like I be trying to like do itso I can't say I'm the sound.

Speaker 1 (01:07:28):
I can't say I'm a sound.
I love a confident person Talkyour shit.

Speaker 6 (01:07:31):
So speaking on your sound how would you describe
your sound?
Mean, uh, like I said, I getinto a little bit of everything.
Like I said, like a littledrill, a little, a little sexy
little, you feel me, just dependon what mood I'm in.
For the most part I would say Ido a lot of like trap rock.

(01:07:54):
It's either trap rock or hardtrap.
You feel me some heavy trapshere.
That's how I think about it,okay so let me ask um.

Speaker 1 (01:08:01):
I was unfamiliar with your music before the show
before the show like beforetoday, huh before today before,
before we knew you was coming on, I did my research.

Speaker 6 (01:08:10):
Okay, because I, I go here, hold on, because I'm
gonna say I booked a few weeksin advance, so you had some time
you checking me on air?
Hey, I'm just saying I don'tknow if I like him.

Speaker 1 (01:08:19):
I don't think nobody's ever checked me on air.
Hey, I'm just saying I don'tknow if I like him.
I don't think nobody's everchecked me on air.

Speaker 6 (01:08:22):
For real, you don't like a nigga with a voice.

Speaker 1 (01:08:24):
Hold on hold on hold on hold on.

Speaker 6 (01:08:26):
Let me talk back to you.

Speaker 1 (01:08:26):
Hold on, I done, got discombobulated Come on man.

Speaker 6 (01:08:30):
Is it the deep voice?

Speaker 1 (01:08:31):
I am behooved at this point.
I was unfamiliar with yourmusic before you booked.
So when you booked, when youwhen artists book, you know ceo
and ceo.
They are familiar with a lot ofthese artists because they've
been in the culture and musicscene.
But I'm not finished.
I'm learning you as I went toresearch your music and stuff.
I'm listening to it and I kindof caught some things within the

(01:08:54):
sound.
So I want to ask that it'ssomething that had me curious
what's your process in likewriting music and coming up with
the topics that you talk about?

Speaker 6 (01:09:03):
what's the process?
That's hard to say.
Some of these songs I wrotewhile I was sitting in the strip
club with a few hundred.
Some of these songs I wrotewhile I was laying in my shots
baby shuffle, I talked aboutthat.
I wrote that while I was layingin my bed.
It took me like 30 minutes ohshit so I wouldn't say I got
like a process.
It's like a fit, like to be ifI'm being all the way real.
It's really like a feeling,like I know when I'm in that

(01:09:24):
mode for music you know what I'msaying like I can feel it.
I know I've been.
I guess I get to like a, apeaceful mind state.
And as long as I can get there,I can make like the songs that
everybody know and love.
I made in that mind state.
You know what I mean.
Some of the lesser songs that Imade while I was in the studio
just shooting the shit overbeats or freestyling, those
don't particularly land the waythe same way it's doing when I
know I'm in that mode.
So I wouldn't say I got acreative process.

(01:09:45):
As long as I'm having fun youknow what I'm saying I can get
in that mood.
I don't really need the liquor,I don't really need the weed,
as long as the vibes is there, Ican favorite song to create.

Speaker 1 (01:09:57):
What's your favorite song to create?

Speaker 6 (01:09:58):
the fate, my favorite song that I've made.

Speaker 2 (01:10:00):
It had to be uh that was a good question, wasn't it?

Speaker 6 (01:10:09):
it was.
It might have been thatshawlsberry stuff for real, for
real.
I ain't gonna lie that day inthe studio.
We cut the fuck up in there forreal, for real.
They was like running out thestudio down the hall.
You see how they got it in.
It was running down the hall,grabbing people out of other
studios telling them come checkthis, check that shit out.
You feel me, mind you?
That was like one of my veryfirst records.
You feel me, and for that oneto be, you want it like to come

(01:10:32):
out like that.
That was like a damn.
I sound good.
So like we.
When they finally played itback for us to listen to, the
whole little building was lit,not just the studio I was in.
So I would say that wasprobably the funnest song I had.
I had the most fun I've hadmaking a song.

Speaker 2 (01:10:45):
All right.
So I want to know, like, howdid you meet Skate?
Right, because the song is hehas featured him on a record on
a performance.
If you're not familiar, theyperformed it at our open mic,
training day clt.
Um, they, they performed itnumerous times and it
transcended into the record thatit had.

(01:11:05):
Has been that it became, attraining day clt, a fucking hit
with one song of the year.
Um, for god's sake, um, attraining day clt.
So tell us how you, how did youmeet skate and how did y'all
come about?

Speaker 6 (01:11:17):
like yo, let's put this type of song together uh,
for real, for real, I mean, ifyou've been around it you could
probably tell.
But like a lot of people don'tknow me and skate really got
like a deep, deeply rootedfriendship.
I knew him, or middle school,something like that.
He was in the same middleschool as me.
We weren't particularly friendsright then, but I just knew him
, he knew me.
We might have no no, no, itwasn't anything like that.

(01:11:37):
Nah, nothing like that, nothinglike that.
It was on two different sidesof the hallway, if you know what
I'm saying.
But it was good.
What was that?
But, like I said, we got grownor whatever.
I think it was like his 21stbirthday or something like that.
We fucked around.
I seen it was his birthday onFacebook, some shit like I was

(01:12:01):
already just from thatfriendship.
I was sitting in the studio witha bunch of people in salisbury
that was rapping and, mind you,we got some really talented
artists out there.
It's definitely not just me butum and a lot of them came
through his studio.
I got to see and sit there, forI don't know if y'all know um
trigger delgado.
He up here in charlotte, but hefrom my city too, me and him
like brothers, but he was.
I remember me sitting in therewith him in Skateboard Studio at

(01:12:22):
the crib, just coming up withmusic at this Saturday.
Music was never my thing.
I just used to let them dotheir thing.
I just get my money sitting inthe truck with them.
But you feel me, it grew on me.
I feel like I definitely gotinfluenced by a lot of that.
For sure, now I can kind of seehow that worked out for me.
But men's cake, we got like agood about 10 year, 10 year
friendship, like this and thethird.
And, like I said, I wrote thatsong shots very stressful in my

(01:12:44):
career, for real.
For real, I was laying in thebed, we was already going to the
studio.
I already knew we was going tothe studio.
I was just listening to beatsand shit, just fucking around
with what I got.
Like I said, I went up to thestudio, we ran the session.
I'm not the type of artist thatlike to go in the studio and
bullshit.
I'm already knowing my song,probably word by word, by the
time we go in there, uh and uh.
So I just knocked out, probablyabout maybe that whole mixtape.

(01:13:07):
Well, we probably booked thestudio for about five hours.
I probably, and we probablyknocked out maybe like 80, 90
percent of that mixtape in onelike session okay, luther
vandross you know, if you knowthe songs, you can get the work
done.
If you know the songs already,you can get the work done.

Speaker 1 (01:13:23):
You know, I said that Because Luther did that song.

Speaker 6 (01:13:24):
Play the next beat you know what I mean and then
let them.
Let them fuck around With themusic later.
If you know what you're doingwhen you get in there, you ain't
gotta waste time.
For real, for real.
I love that.
I was like you know what?
Who's this beat up that I waslistening to last night.

Speaker 1 (01:13:39):
I feel like when you hear the music like a second and
third time, it always soundsdifferent.
So you want to add stuff andsubtract and take stuff.

Speaker 6 (01:13:45):
I let them folks do that and make the magic happen.
I just come in there and givethem the words, but they put
that beat on.
I went in there, I did thatshot.
I remember having to use thebathroom and I didn't fuck it up
, not one time, you know whatI'm saying Just ran the whole
and I fucked it up.
And that's when they stoppedthe track and was like bro, go
to the bathroom, you feel me,and come back, bro.
That shit was hard and I waslike bro, out of all the songs

(01:14:06):
that we recorded that day, thatwas the one that day was like.
We came to train today withthat song, fresh Off the Press.
Oh, that's crazy.
I don't know if y'all seen whatI posted promoting this podcast
, but that video when I had theshort hair before it grew out or

(01:14:27):
whatever, that was the firsttime we performed that song,
even played it for anybodyoutside of that studio.
So y'all got it there and itlanded like it was supposed to
land.
Y'all turned up for us, Wow.
So I took that song and keptrunning with it.

Speaker 2 (01:14:38):
Wait you said Tattoo Shopscape.

Speaker 6 (01:14:39):
Nah, that was at.

Speaker 2 (01:14:40):
Party Animals.

Speaker 6 (01:14:42):
Nah, nah, nah, shops Bay Shuffle.
First time was at had to beParty.
Animals no, no, no.
Y'all was at another spotbefore Party Animals.

Speaker 2 (01:14:51):
You mean Moonies?

Speaker 6 (01:14:52):
Nah, nah, nah.
Between After Tattoos and Booze, y'all went somewhere else 48
and 100.

Speaker 2 (01:15:01):
48.
48,.
But he said before that wasMcBoney's.

Speaker 6 (01:15:02):
He said before I can't look at it live.
We was only at.

Speaker 1 (01:15:05):
Booney's, then we went to McBoney's, then we went
to Party Animals, then we wentto had to be McBoney's then.

Speaker 6 (01:15:11):
One of them was a little further out than the
other ones.
He said it was a restaurant.

Speaker 1 (01:15:15):
Oh, Blue Olive, Blue Olive Lambs that's exactly what
it was.

Speaker 6 (01:15:18):
That's the first place we did a performance.
Yeah, Blue Olive Lambs.
That's exactly what it was.

Speaker 3 (01:15:20):
That's the first place we did perform Shots,
berry, shiffle and Blue OliveLambs.

Speaker 6 (01:15:21):
That was a stretch.
But we definitely hit y'all atParty Animals and whatever was
after that.
And the tattoos, and the tattooon his arm.
I ain't gonna lie that tattooon his arm.
That was the very first one Ipulled up to.
Hey, low Key, y'all pulled upthat first time.
I'm like that was my first timeperforming in there.
I don't know what happened withthat one, but that was the one

(01:15:42):
I was doing y'all big one withthat one I was like, okay, I
don't know what the fuck, thatwas my first little open mic
ever.

Speaker 2 (01:15:47):
Y'all saw me like look, I'm like Charlotte got it
going on.

Speaker 1 (01:16:05):
If it all that going on.
I fucked with all of that.
I fucked with all of that.
Shout out to y'all for realyeah, so I want to um because I
know shots very shuffle is kindof from some of your earlier
body of work.
Yes, you have been consistentlyputting out music within the
last couple years so I want tokind of like transition
throughout the years.
So you also have another songthat I like called megatron okay
um, so can you just kind oftell the people a little bit
about that song, because that'sone of the songs that we're
going to play at the end of,like, the interview when we're
closing out, just so people canhear it, kind of preview it a

(01:16:25):
little bit like I said, I make alot of uh, I call it trap rock,
I don't hear it.

Speaker 6 (01:16:29):
I don't know if y'all know tia kareem, but she kind
of referred to it as somethingelse.
But uh, megatron, one of themsongs, you feel me, where I feel
like that's uniquely me.
That's what I mean.
I know it ain't nobody in mycity doing that style.
And the records I'm trying tomake, like Megatron, I want them
to be bigger.
Those type of records can bebig records for movies and TV

(01:16:53):
shows or whatever it may haveyou, and that's just kind of
what I'm focused on right now.
I want to make something thatactually go.
So if it ain't going to be ahit song on the radio, it's at
least going to be a song thatgot synced somewhere.
You feel me, I can see a songlike that being in a Transformer
movie one day, if they wantedit.
Or just you know somebody'sdope edits on TikTok, to
whatever they be.
You know what I mean, justwhatever.
I can see it being a background.

(01:17:15):
The communities I'm alreadytapped into, they like to do
edits for I'm tapped into theanime community, which is
something I'm a big fan of.
They like to do edits to someof the stuff that they come up
with and leave my music in thebackground.
Stuff like that and thatstuff's going to a lot of
attention from the crowd.
That I'm actually focused on.

(01:17:36):
So, like I said, songs likeMegatron I love doing songs like
that.
They fun for me, they land wellon stage and that's what I
really feel like.
That's the kind of music I wantto make.
I want to make the music that'sgoing to go crazy while I'm
performing it on stage.
I don't want to make a songwhere people just kind of like
nodding their head to it, likeokay, yeah, he can rap.
I need the energy to be thereY'all.

(01:17:56):
I want to run up and down thestairs.
I'm planning on doing RollingLoud one day.
I'm trying to do the Lil Yachtywalk down there.
I really need people on thattype of time when they're
listening to my music.
So if it ain't that, it ain'tgood enough.

Speaker 2 (01:18:07):
I love that.
I want to touch on Collapse.
Right, you got to collab withmy girl, Lena Scott.

Speaker 6 (01:18:14):
In the building Shout out to Lena Scott we love you
so, so much.
Let's talk about it.
Let them land.
Let's talk about these collabshow did that come about?

Speaker 2 (01:18:28):
Because for some that don't know you and hear both of
your music in contrast, theymay say, like that's odd, I
could never see them doing musictogether.
But then y'all came togetherand did that incredible record.
How did that?

Speaker 6 (01:18:42):
come about.
Like I said, it's um, uh, solet me give y'all a game.
During the time that I wasmaking honey bun, right, I came
to lena sky a little late, Iprobably.
I think I already had therecord written out and then I
was sitting back listening to itand I was like I just feel like
it need a little something.
It's cool.
It's cool like I already knewit.
It was like I already knew thatsong was a good song.

(01:19:02):
I was like I've been working inthe club Wednesday, thursday,
friday, saturday, sunday up herein Charlotte at probably six or
seven different clubs, you feelme.
So I was looking for somethingto land there, because I know
that now that I've been in here,y'all can't just play whatever
you feel me.
If I want my music played at 12, 45 when the popping, I need
something that's going, you feelme, something they can walk
them bottles out to, and forreal, for real, that's some shit

(01:19:23):
.
You don't know if you ain't inthere experiencing that, to see
that, to research that.
But uh, and like I said, I waslike man, maybe a female, right,
so trying to come out with alot of artists and I'm not going
to lie.
I don't know if y'all noticedby looking at my catalog, but I
ain't worked with a lot ofpeople yet.
Like it's really only been likefour.

(01:19:44):
I think I released like threeof those tracks, and not because
I'm being stingy or nothinglike that, like I said, I just
wanted to figure out my own waywhile the water light was being
shined on me and, uh, like Isaid, I wrote that honey bun
song out.
I was just like, okay, I coulduse a dope female voice and I'm
not going to lie.
I went, probably went throughlike 20 charlotte artists, to be
honest, and I and it's reallybecause, not because they

(01:20:05):
couldn't rap and I got, and Iget a lot.
I'm gonna tell this story whilewe're on here.
I done got a lot of slack forchoosing lena scott for that
record.
I haven't even had thisconversation with her yet.
I got a lot of slack forchoosing for lena scott for this
record and it's and I thinkit's only because it went as far
as it did it landed on theradio.
102 jams, power, 98, um, what'sthe other?

(01:20:26):
92.7, the block or whatever inthat?
Uh, 103, 103, yeah, yeah, yeah,and all of them.
They spent those checks for meat different times.
102 jams was first and that wasthe one that landed it for me.
That's the one I called homelike.
Hey, ma, I just got off thephone with the program director.
They asked me for a clean copyof the song.
They said they put in arotation my b on the radio, yeah

(01:20:49):
, whatever, I don't rememberwhat time it was, but he was
like he let me know what betweenwhat times he was gonna be
playing, and to look for it.
So I'm calling back.
Uh, anyway, fast forward throughthe story.
I think I was choosing lena skybecause I listened to one of
the songs that she had.
I seen her performing orsomething.
I don't remember what it wasparticularly, but one of the
videos, one of her what didy'all release?
I had seen her in the contentand I was like damn, she got a

(01:21:11):
dope voice, that sound like Igot a real deep voice.
If I'm not doing the trap rockthing, this is what you get.
But I was like I need somebodyto kind of like match, that kind
of thing.
I didn't even know Lena Scottwas from Salisbury so I was
looking at y'all Trinity DayList.
Okay, I'm sorry, kentucky, shefrom Kentucky, but no, charlotte

(01:21:32):
, charlotte, my fault man, myfault man, my fault man.
I don't be getting that boatbusiness too much, are you?
We confused?
we confused nah, but she was.
She was definitely killing itin y'all circuits.
Man and I, uh, and I was like,well, let me go check her out

(01:21:52):
because I'm a high energyperformer, you feel me.
And I was like, even if I wantto do the song with her, I need
to know that, like because rightnow I'm getting some
opportunities, you feel me.
So even if I do the song withher, I need to know that she's
going to be able to match myenergy or, like, see if she can
actually perform.

(01:22:15):
I've never seen her live, didn'teven sign up for the training
day.
I just popped out I think I hadalready reached out to you and
told you I was fucking with yourmusic, this, that and the third
or that, I wanted to work withyou, whatever and I kind of just
left it at that.
I didn't say, no more, you feelme.
I popped out to her show, Iwatched her perform her thing
and I was like, okay, she kindof dope for real, for real, I
fuck with her energy.
I can see the crowd fuckingwith.
I see she got the style on.
She come and do all of that andput that that energy in there.
So I was like, let's do it, youfeel me.
And then I reached out to her.
She didn't hesitate, you knowwhat I mean.
She listened to the beat.
She heard what I was going with.

(01:22:35):
I didn't even send her like asample verse, I just kind of
sent her the beat and like thelyrics that I was fucking with.
And then I was like, and sheprobably didn't hear what I was
doing until she Like an hour anda half I had to do like hey,
hey, I had to Damn Like 20minutes.
Nah it was a little more thanthat.

Speaker 1 (01:22:56):
That's a big deal.
It was a little more than that.

Speaker 6 (01:22:57):
But nah, for real.
First she came through for thatstudio session.
I was trying to get it bookedup here.
A lot of people wasbullshitting.
She was like, just hit up mypeople real quick.
I paid in the bread people,chris.
So it ain't like it was,because I gotta be a real one
first, baby, I gotta be a realone first.
I'm sorry you good, I'm gonnagive you a pay.
We got it done, though.
We knocked it up, hey.
But what y'all don't know is Itold Lena Scott.

(01:23:18):
I don't know if she rememberedthis, but I told her while we
was in the studio that day.
I don't know what you think Ican do for you.
I don't know if you don'tlisten to my music this, that
and the third but I believe inthis, this song gonna make I
love that.
Like before it even had achance, before it even anybody
even heard it, I was sitting inthe studio.
I had already listened to it.
I was like I already got theformula down.
I got to pick the song out.
I picked the right type of beatfor the right type of time.

(01:23:39):
You know what I'm saying, causethe beat, the sound changed and
I hope a lot of artists seethat the sound changed damn near
almost every three months or.
But it was the right sound forthe right time and I told her
this is going to end up on theradio because it's like smacking
like that.
And I promise you I justdropped like a preview of it, a
snippet of the song or whatever.
When I did, and a programdirector hit me up and was like

(01:24:01):
hey, man, I work at 102.
When you releasing that songand I was like I don't remember
when it was released, it wasDecember something, you mind
putting it on the radio earlyand I was like what you really
work at the way, you know whatI'm saying.
And he called me.
We worked it out.
He facetimed, he showed me himat the student at the station so
I knew it wasn't.
No, you know, I'm sayingcatfish and nothing like that
that's when it popped off, andthen yup, and I posted that.

(01:24:22):
It got on the radio and it wentup from there.
I mean I was already havingsome motion off the shots, big
shuffle shit, but when that songhit the radio my city started
looking at me crazy different.

Speaker 1 (01:24:29):
You see what.

Speaker 6 (01:24:30):
I mean, the love was for real, for real, and it just
showed a lot like, okay, thiscould really happen for you.
You really manifest in thesetype of things.

Speaker 1 (01:24:37):
All right, so I want to talk.
This is going to be my lastsong that I talk about.

Speaker 6 (01:24:40):
Okay.

Speaker 1 (01:24:41):
My last song.

Speaker 6 (01:24:42):
We can talk about all the music you want to talk
about.
I was about to say, before wemove on, does that land for
y'all?
Y'all fucking with that one?
Hey, that's a hit.

Speaker 2 (01:24:50):
That's why I said that.

Speaker 6 (01:24:51):
That was a good follow-up for Shots Buried
Shuffle of the Woods.
Yeah, that was a greatfollow-up.

Speaker 2 (01:24:56):
I just think y'all need to perform that and put
that out a bit more than whaty'all have already.

Speaker 6 (01:25:00):
Let's talk about the training today.
We need y'all and come do theseshows y'all.
Let me brag on a little bit.

(01:25:20):
She will pull up, no matterwhat city we in raleigh, durham,
no matter where we at, and shewill pull up.
I just want to give you someflowers just to come do a song
with me, and I appreciate whaty'all should do is explore these
outside cities.
No, for sure.

Speaker 1 (01:25:31):
And this is coming from my publicist Y'all need to
explore these outside citiesRaleigh, greensboro, durham,
especially Durham.
Durham has a great undergroundscene.
Oh yeah, that music sceneespecially yeah that music scene
is really big, especially onthese college campuses, and the

(01:25:53):
only reason I know is becausewhen I was at Central I had a
took a class by Knife.

Speaker 2 (01:25:54):
Wonder, shout out to the professor that was my
professor.

Speaker 1 (01:25:56):
I took that class with him and um, my homeboy,
that I went to Central with.
Through the trenches he swank,he signed the Jamla records with
um Rhapsody and um um KingDraft.
These are people I went tocollege with.
But they hit all these likeopen mics and I didn't realize
how many of them were.
I was like damn, like germ,small.
But they got all these openmics and these people was here

(01:26:18):
and you never know who's atthese open mics and I go live
knife wonder was at all theseopen mics and that's somebody
that can open doors.
So you never know.
So go travel to these outsidecities, get y'all's work in, get
y'all's music out.
Somebody in fucking virginiathat come down for the weekend
hear your shit.
You don't never know what kindof connection they have.
So you already on the radioselevate that shit for a deal and

(01:26:38):
shit.

Speaker 6 (01:26:39):
You know I'm saying, like I said, you write about a
lot of that stuff that you'retalking about, because a lot of
the bookends that I've got andlike, especially the ones out of
state, come from other showsthat I did here.
Somebody worried them out.
They said, oh, I've seen thistrack, like I did a show in
virginia and it was uh, shoutout to the people on my team
because they've been kind oflike keeping all that stuff
organized for me.
But uh, people been reachingout just off of like shows that

(01:27:00):
I've done, even some I did ashow for y'all.
Um, what's my name's name?
Uh, trey rose.
Oh, I think that's his name, ifI'm saying it right.
But he was there.
He said he was at one of theshows or whatever and had popped
out and seen me perform thereand he wanted me to pop out for
his show.
You know what I'm saying forsomething else.
So that's really how it's beengoing for me just making those
networks and catching thoseopportunities by doing good at
the opportunities that I wascurrently at.

(01:27:21):
You know what I'm sayingCreating opportunities from the
ones that I'm getting already.

Speaker 1 (01:27:25):
That's how you do.
I tell all the time as apublicist to artists you have
got to get yourself out.
You're never too small.
You're never too big to not beat some of these shows until you
get to a point where you don'tneed these anymore.
But until you get to that level, you're gonna know when you're
on that plateau, go hit up thesecities, these small towns,
because the small towns is whereyour list is gonna come in for

(01:27:45):
real that's fact also.
Um two, I want to say I justfound out myself, so I'm passing
it along to all the artists inthe building there is a free
open mic every Wednesday atSports 1 downtown.
It's free to get in.
It's free to perform.
Obviously, you know there's abar, so you do at least have to
be 21 up to get in, but theyalso have a live band.

(01:28:09):
So as you perform, the liveband plays behind you.
That's fire, that's fire,that's fine.

Speaker 6 (01:28:15):
If you ain't never perform with a band, that's
totally different when you don'tsay shit.

Speaker 1 (01:28:32):
So and the people that do this open mic are the
same people that just had.
They had the same open mic lastweek at the Harvey B Gantt
Center and they had like 1,500people come out.
Yes, these are the same peoplethat do it and now they're doing
that sports one.
It's every Wednesday.
It's free.
In order to sign up, there is apage you can hit no advisory um

(01:28:52):
, no advisory podcast dms, andwe'll send you the page.
Yeah, you just sign up inadvance.
You get on their list again.
It's free to perform.
Free to get in a live band thatplays as you perform like it.
Don't get no better than thatyou're looking for dope content.
You're looking for ways to getout, especially to other
demographics, touch otherartists that you wouldn't
normally touch in yourtraditional open mic circuits.
This is definitely a greatplace to check out.

Speaker 3 (01:29:13):
We might have to pop out on a Wednesday and go see.

Speaker 1 (01:29:15):
Yeah, we might have to cancel a podcast.
Well, just make sure, wheny'all go sign up, shout out no
Advisory, because that's whosent you.
So, let me ask you know, beforeit gets late and stuff, I gotta
always gotta take it back tosome outlandish-ass shit.
You know what I'm saying?
We tried to do this the otherweek with our guests for real,

(01:29:38):
but we really couldn't gooutlandish like I wanted to.
So, sid, I think we should dothis or that.

Speaker 6 (01:29:43):
This or that.

Speaker 1 (01:29:43):
I think we should do Hit it or Quit it.

Speaker 6 (01:29:45):
Let's do both.
Can we do that?
Talk to me nice, let's do it weup.

Speaker 1 (01:29:53):
Let's do it we up here for the booze.
No, you know, sid, we gonna dohit it or quit it.
I like hit it or quit it, andSid always comes up with the
most outlandish shit.
So I'm gonna have her take thefirst two and I'm gonna end that
shit out.
Okay, sid, go ahead, hit mewith the first, hit it or quit
it, alright, first are you usingthe buzzers?
yes, if you don't want to answerthe question, take the buzzer
back.
Let's do it.
First question.

(01:30:17):
Y'all know I always got tostart strong.
This is my favorite question.
I'm going to ask it to everysingle person that plays this
game Give us the first name onlyof the ugliest girl you have
ever had sex with.
You think that's crazy?
Wait till my follow-up.

Speaker 6 (01:30:33):
Shout out to my baby mama.
What the fuck.
I don't know, man, Little T beit about you every 10,.
You know, I got six baby mamas,man, and one of them, one of
them just.

Speaker 2 (01:30:43):
What's her name?

Speaker 1 (01:30:45):
Let me ask she not in the building with us, right?

Speaker 6 (01:30:48):
Right, nah, yeah, nah , yeah, okay, because I saw.

Speaker 1 (01:30:49):
Hey, hey, I saw short everything.

Speaker 2 (01:30:51):
No, okay, because yeah nah yeah, nah, what's her
name?

Speaker 6 (01:30:53):
What's her name?
Her name is Alexia.
Oh, oh, shout out to my babymama, all right all right, I
feel like I need to just goahead and follow up Our baby's.
So fucking cute though I swearto God.

(01:31:16):
I swear to God, our baby's socute.
Man, hey, I'm already on chatsupport gang.
I ain't tripping.
I pay that.
We pay that.
We ain't tripping on chatsupport.
Hey, you know what?
Hey, you know what?
This probably hey, for real.
For real, this is probably themost disrespectful thing I ever
said ever about her.
So she can take this one on thechain.

Speaker 1 (01:31:28):
She can take this on the team.

Speaker 6 (01:31:30):
Like I said, I paid that child support, so she ain't
going to be too mad.

Speaker 1 (01:31:32):
You know, after the show you have to show me what
she look like, right?

Speaker 6 (01:31:34):
Yeah, we want to see that If I do that, I got to get
y'all to hold on up because theother five is back.
You feel me.
I got to get y'all to line upbefore.
You feel me.
I ain't going to let y'all just, and Twinkie, speaking of
Twinkies, this is a great segueto my follow up question.

(01:31:58):
If you had a kid.

Speaker 1 (01:32:02):
For every time you had sex With somebody raw.
How many kids would you have?

Speaker 6 (01:32:07):
If I had kids from every time that I had sex With
somebody raw, how many would Ihave?
What?

Speaker 1 (01:32:11):
the fuck.
I don't need a mouthful.

Speaker 6 (01:32:11):
I had kids from every time that I had sex with
somebody raw.
How many?
How many would I have?
Oh my God, what about that?
I don't need to see it.
That's a crazy question.
If I had a kid, I answer thatmotherfucker.

Speaker 1 (01:32:24):
The PR say yes.

Speaker 6 (01:32:27):
All right, let me say this before I answer the
question I'm definitely one ofthe cleanest hoes y'all ever met
in y'all life.
Okay, you feel me, I go get yousaid one of the cleanest,
cleanest hoes I ever met iny'all life.
I go get checked out every fourmonths.
I've been on that plan since mymama put me on 16 when she
found out I was sexually active,because she didn't know I was
sexually active at 13, threeyears before she found out.

(01:32:49):
You feel me so, so and I'vebeen on that plan every so,
every four months I go getchecked out and I've been clean
as a whistle Because he's afucking slut, but obviously with
six baby mamas he's a whore,Obviously with six baby mamas.
I don't like using condoms,right so so.
So, to answer Sid's question, Icould pop like a school in a

(01:33:14):
small town.
I could probably scoff likethat.
Yeah, like a school in, like aschool in, Maybe like a school
like a daycare.

Speaker 2 (01:33:19):
How many Like all the age?

Speaker 6 (01:33:20):
groups, whatever you know how they be having
different age groups at thedaycare.
Correct me, I could've, if itwas, if I had babies with every
girl that I've had sex withwrong.
Now, mind y'all, I do like tomake women go get checked before
Right.

Speaker 2 (01:33:32):
You see what I'm saying?
Right, they gotta have papersbefore they have sex with you.
Hell yeah, honestly, morepeople should do that More
people should do that.

Speaker 6 (01:33:39):
I'm from a small town , bro.
Everybody be fucking everybody,even the baddies, even the
baddies.
This is the scenario I'mcurrently sleeping with probably
the baddest bitch I evertouched in my life.
You see what I'm saying.
I made her ass go getmotherfucking papers too.
Okay, I know that shit as youshould and I'm not going to be
offended Because the pretty ones, the messiest ones.
If y'all ain't paid to see,it's the prettiest ones, the

(01:34:01):
messiest ones.

Speaker 1 (01:34:03):
A nigga asked me for my papers before we fuck I'm
definitely going to show youmine.

Speaker 6 (01:34:09):
I got the my chart.
That's responsible shit.
I can show you my my chartright now.

Speaker 2 (01:34:13):
So y'all carry papers .
We ain't going to do all that.
I'm just telling you we ain'tgoing to do all that you said
you're coming to South Bay.
We're going to have a good time.

Speaker 6 (01:34:24):
Y'all carry papers in y'all bags.
No, you have it on.
I ain't about to miss out onPretty, Pretty because I ain't
got it.
I got it Pause pause.

Speaker 1 (01:34:31):
I'm not missing out on Pretty Pretty.

Speaker 6 (01:34:32):
I'm going to bring it down.

Speaker 1 (01:34:33):
I'm going to bring it down, we got to bring it down,
so listen, so when you go to thedoctor now, at times when you
go to the doctor, you know yourdoctor is usually under like a
hospital system.

Speaker 6 (01:34:52):
And they send it.
That's the terminology fool.
Let me see your papers, Y'allwalking around with papers.

Speaker 2 (01:34:56):
Nah, it was like let me see your papers, bro.

Speaker 6 (01:34:57):
Hold on hold on See yo, it sound like you ain't been
in the world.
Huh, it sound like you ain'tbeen in the world.
Listen.

Speaker 3 (01:35:07):
I'm here for men's health.

Speaker 6 (01:35:08):
If you didn't know, they had an app.

Speaker 2 (01:35:10):
That app been out for a minute.
I know they got a motherfuckingapp, nigga.
I'm just saying they said itlike they had fucking papers in
their motherfucking bags.

Speaker 6 (01:35:17):
This is y'all's CEO.
That is our CEO.
Man, he diabolical.

Speaker 2 (01:35:26):
I like this nigga too .
Get this nigga off Nah.

Speaker 6 (01:35:31):
I fuck with y'all man , I fuck with y'all man, that's
crazy, though Populate a smallschool.
It's populate a small school,but you still didn't give the
number though.
It's not that I thought thatwas a big enough, like that was
like a ballpark yeah that was abig enough ballpark.
I don't know how many women toa class in a daycare.

(01:35:52):
Even in the difficult how much?

Speaker 1 (01:35:54):
classes listen let me tell y'all.
So in a daycare there's a,there's a ratio there's a ratio.
So like it's like one to eightor one to one to five, yeah,
it's a ratio so it's two classes, three classes as bad as that
sound.

Speaker 3 (01:36:12):
I'm asking.

Speaker 2 (01:36:14):
My dog has like two classes, right yeah, so that
ain't too bad right.

Speaker 1 (01:36:20):
That's horrible, nigga, because, listen, we're
talking about classes, so it'slike you got.
You got multiple infant classes.
It could be like two or three.

Speaker 6 (01:36:33):
You got toddlers like one to two, three to four,
that's like 12 to 13 kids eachclass.

Speaker 1 (01:36:35):
Nigga, hey that that number is skyrocketed.
After I started rapping, let me.
You said you got six baby mamas.

Speaker 6 (01:36:37):
Yeah, this nigga's a slob this is not a question.

Speaker 1 (01:36:42):
I can't even ask the question.

Speaker 6 (01:36:43):
That is the statement he got six baby mamas obviously
something down there is working.

Speaker 1 (01:36:47):
Okay, he got something, hey t he's looking
real good too, what.

Speaker 5 (01:36:53):
My.

Speaker 6 (01:36:53):
Hey.

Speaker 1 (01:36:54):
Let me get out.

Speaker 6 (01:36:54):
It's that no advisory points, man, which I done.
Put Y'all done.
Spiked my drink.
Look at Swish, look they done,spiked my drink.

Speaker 1 (01:37:00):
My nipple jumped.

Speaker 6 (01:37:01):
Swish don't like that shit my, oh, my fault.
Look, I ain't mean to bedisrespectful.

Speaker 1 (01:37:11):
Ain't nobody saying that my nipple jumps I ain't say
that that went over my nipplejumps.
My nipple really did jump.
It's like a hopscotch.
Oh, okay, okay, okay, okay.

Speaker 6 (01:37:19):
It's like a hopscotch , so we good Okay.

Speaker 2 (01:37:22):
Let me ask my question.

Speaker 6 (01:37:23):
I don't mean to be disrespectful, I don't even know
how we can go after that.

Speaker 1 (01:37:28):
I mean god damn.

Speaker 6 (01:37:29):
That's why I said play both Y'all, playing with
the wrong one.
Well, shit.

Speaker 1 (01:37:34):
CEO ask him a question, this or that CEO?
I ain't got no reason for that,this or that.
Okay, I got one Tell me C.
Ellen DeGeneres or MarthaStewart.

Speaker 6 (01:37:49):
Oh.

Speaker 1 (01:37:50):
Okay wait.

Speaker 6 (01:37:51):
So this or that mean I'm picking one that I'm going
to fuck with.

Speaker 1 (01:37:55):
Yeah, plot twist.

Speaker 6 (01:37:56):
What do we mean by fuck with?
Why y'all had to pick somewhite women though?

Speaker 1 (01:37:59):
Okay, because that's a this or that this or that is
supposed to be outlandish shitthat you never, really you would
never.
We can't be like Sierra orRihanna, both broke.

Speaker 6 (01:38:08):
They both broke.
Yeah, they don't got no money,that's 95% of the regular
population, for real, for real.
I take care of all of mine,though, so maybe they ain't
broke.
I just don't be payingattention which one you going to
hit.

Speaker 1 (01:38:21):
Ellen DeGeneres or Martha Stewart.
I'm going to go with Martha.

Speaker 6 (01:38:27):
She was with Snoop on that motherfucking cooking show
.
I had to pick big Martha.
Shout out to the OG man Snoopon that motherfucking cooking
show.

Speaker 2 (01:38:32):
You feel me If you don't pick Martha, man, I had to
pick big Martha.

Speaker 6 (01:38:34):
Shout out to the.

Speaker 2 (01:38:34):
OG man, she was locked up in all this.
We on the same type time thisor that.

Speaker 3 (01:38:38):
Huh, oprah Winfrey Ooh, or Whoopi Goldberg.

Speaker 1 (01:38:40):
Plot twist, plot twist, plot twist.
They both broke, no differentplot twist.

Speaker 6 (01:38:50):
Different plot twist.
Whoopi Goldberg.
Let me tell y'all somethingabout Whoopi Goldberg.

Speaker 1 (01:38:57):
Let me tell y'all a little story about Whoopi
Goldberg.

Speaker 6 (01:39:06):
Hit me out.
Hit me out about Whoopi.
I don't know what Whoopi.
I don't know what it is aboutWhoopi.
I fuck Whoopi with no BBL.
Whoopi could have got it eitherway.
I don't know what it was, bro,everybody used to be like Whoopi
sold this, that and the third,because they think women that

(01:39:27):
look like her, everything abouther, say a black woman to me.
I think Whoopi fine.
She always been fine to me.
So would everybody be like I'mlike shit, whoopi might fuck
around, not now, she older now,but young Whoopi like sister at
Whoopi, that little nun dresscould have got lifted up.

Speaker 1 (01:39:40):
I would not hate Whoopi, I'd have lifted that
little nun.

Speaker 6 (01:39:47):
Dress up at sister's day.

Speaker 1 (01:39:48):
I'm not beasted, winfrey is not ugly, she has
grown into our fans.
Now younger Oprah I don't know,but older Oprah, she's
beautiful.

Speaker 6 (01:39:55):
We all look better when we start making some money.
I was trans too, and I wasbroke Look at money.

Speaker 1 (01:39:59):
What make a bitch do I?

Speaker 6 (01:40:00):
was trans too, and I was broke.
Look at money.

Speaker 1 (01:40:02):
What make a bitch do?
I ain't got one.

Speaker 6 (01:40:04):
Okay, give it to me.

Speaker 1 (01:40:07):
Beyonce or Solange?
Huh, plot twist, plot twist.
Both of them just whooped yourass in the elevator.

Speaker 5 (01:40:17):
Can I take both of them?

Speaker 6 (01:40:18):
home.
I like that type shit.

Speaker 2 (01:40:21):
You can't ask this nigga.
No fucking questions.

Speaker 6 (01:40:23):
I like an aggressive woman.

Speaker 1 (01:40:24):
This nigga's a sexual deviant.

Speaker 6 (01:40:27):
I like an aggressive woman.
Look the last girl I was reallydating with.
She pulled my dreads out infront of everybody.

Speaker 1 (01:40:32):
And you were on that shit woman.
Look the last girl, I wasreally dating with bro.

Speaker 6 (01:40:34):
She pulled my dreads out in front of everybody.
Fuck the shit out of her,Nailed her to the motherfucking
wall, Bitch.

Speaker 2 (01:40:38):
This turned into a pornographic episode.

Speaker 6 (01:40:41):
Nailed her to the wall.

Speaker 2 (01:40:42):
And I ain't gonna lie .

Speaker 6 (01:40:43):
This ain't no cap.
I remember my homies in thegroup chat like, bro, she be
beating your head.

Speaker 1 (01:40:48):
Y'all think I booed my nigga right here.
I said to you I thought I wasthe sexual deviant of us.
I have been outmatched.

Speaker 6 (01:40:56):
You want to come back next week?
I'll come back next week.
Clearly, I'll come back nextweek sitting in the car.
That way you got that energywith you in the building.
What's going on over here.
I told you I should have sat meon the other side.
I said you got my favorite.
I can't wait for this one.
This is the one I don't know.
I can't wait.
You said your favorite, Talk tohim again.
Talk to him.
What did I tell you when I gotin here?

Speaker 1 (01:41:14):
You said your favorite.

Speaker 6 (01:41:14):
I said my favorite off the mic, didn't I?
Why am I lying on it?
You said your favorite.
Girl.
First of all, we got a show todo.
We got a show coming up on the27th in Durham at the Penn Hook.

(01:41:36):
I haven't blessed Durham yet,but I'm happy to see it.
You're at.

Speaker 1 (01:41:39):
Penn.

Speaker 6 (01:41:39):
Hook, I'm at Penn, hook, you done been there.

Speaker 1 (01:41:41):
Literally the open mic that I was telling y'all
about Penn Hook.

Speaker 6 (01:41:43):
That's the spot.

Speaker 1 (01:41:44):
That's mid like downtown Durham, because
downtown Durham, y'all isstarting to rival.
Well, not rival, it's startingto look like downtown Charlotte.

Speaker 6 (01:41:50):
It's starting to come back alive.

Speaker 1 (01:41:51):
Yeah, it's very much so like it's like a no-die, but
like times 10.
Penhook is definitely wherethose open mics are, perfect
place to host, where KnifeWonder had like people from Def
Jam and Jamla.
He had Drake's people up inthere.
Big Brother, you know my God,the group that Drake was like he
was talking about, that's hisgroup, that's his idol, fonz.

(01:42:13):
You know what I'm talking aboutwho?
Yeah, little brother, my bigbrother, little brother.
He had them in there likepinhooking.
Where is that?

Speaker 6 (01:42:20):
So this might be your brain.
Hey, I appreciate the vote ofconfidence because, like I said,
a lot of these venues be brandnew to me.
No-transcript shit you need topost then you're gonna find out

(01:42:40):
if you're a good rapper for real.
For real, because of their,like, their engagement, people
chiming in let you know, likedone, seen shows, go from you
know four, five, I mean at thetraining today, what y'all
required for us to bring.
How many was it?
Yeah, tell the people?

Speaker 1 (01:42:58):
How many?
Was it Like four or five tobring before we had?

Speaker 5 (01:43:01):
to get here Five.

Speaker 6 (01:43:03):
You know what I'm saying and what I immediately
noticed.
That's super hard.
That's super hard for a lot ofpeople and I'm blessed to have
enough people just to back mebefore I even.
You know.
I'm saying just to you fuckingwith something I'm gonna support
you.

Speaker 1 (01:43:16):
You know what I'm saying and I ain't gonna lie.

Speaker 6 (01:43:18):
I even I I learned a lot dealing with y'all about
about how I'm gonna deal withshows moving forward, because I
told myself even when I wasworking with y'all that there's
no disrespect or nothing likethat.
But it was just like, okay, Igot it right here.
I need to figure out how to getpast this level.
I don't want to have to come totraining day every week because
it's the only thing I can do.
Yes, training day will let youperform.

(01:43:40):
But, like, eventually, I'm surey'all even want to see us do
something else at some point.

Speaker 1 (01:43:45):

Speaker 6 (01:43:53):
Like, and that was something that I had in my head
moving day one the first time.
Like I said, my firstperformance was with y'all, so
day one, that was the firstthing I was like okay, what I
need to do is make sure I'mleaving these open mics and
making sure I'm leaving withenough people.
That's fucking with my musicand shout out to Koso Sadidi,
because he the one that reallyput that battery in my back.
So let me make sure I say thatwhile I'm on the mic.
That nigga like to you see whatI'm saying, but uh, that's my
dog.
Shout out to koso sadidi.
Man, I know he's probably gonnacheck out, shout out to koso,

(01:44:14):
but y'all know I ain't gotta saytoo much, he bring that energy,
you feel me.
He was the first one that Iactually seen.
Like you say, he called himselfmr shake the room and that's
exactly what he was on type, youknow what I mean.
So like that was the firstperson I really like seeing
shake the whole, like wholecrowd.
So I was like if I want to rapfor real, it need to look like
that or better, right, if itain't that, I'm wasting my time

(01:44:37):
for real, for real.
So like that's probably wherethe battery came from for Shots
Buried Shuffle.
Because I was like I need tocome up with something.
And I remember the firstall wassaying like niggas can't take
their shirts off in the building.
It's an ethereal word.
You feel me Fucking.
I'm getting all mine today.
Let me get all the attention.
Well, I got, you know what I'msaying.
But shout out to Koso.

(01:44:58):
But, like I said, picking up atthese shows, man, I done seen
my shows grow from.
Here's another thing too I did afree show in my city, the
burrito, absolutely free, andeven the owner didn't listen to
my music until the day I showedup to the show.
So maybe like an hour before Ishowed up, and I showed up early
to kind of like iron outeverything about how it was

(01:45:19):
gonna go for the night and allthis.
And the third, when I got there, they told me hey, the owner
kind of being iffy, he don'treally want the show.
He checked the music out thathe heard shazby and he was like
nah, nah, hell, nah, that's notthe vibes I want in my spot.
You feel me.
But when I got, like I said itwas way too late because I was
like bro, first of all, I liveright here in salisbury.
I've been going up on instagram, I've been going up on facebook

(01:45:39):
like they, this is what theywant to see.
They are coming like.
I've been getting blown up allday.
It's an hour before the show.
What you think I'm about to do,post and tell everybody not to
show.
What you're gonna do with allthese people when they show up.
You want me to take them toanother bar or something.
So he let them show up and wepacked that motherfucker out.
Did we not skate Off of onemotherfucker one song?
They came to hear me performone song.
They had to listen to meperform that song three, four

(01:45:59):
times.
And it felt good to actuallysee a crowd growing to that size
.
So when I finally got thatcrowd to follow me outside of
the city, so city, so now I'mcoming to charlotte right to
train today and I'm able to hitthat five people marker and get
paid, no problem, you know whatI'm saying.
And then, um, what happened nextwas I got a bus and, oh my god,
that was a blessing, becauseniggas don't got no bus, niggas

(01:46:21):
ain't got no tour bus, but yougot a bus nigga.
Yeah, I got a bus nigga, I gota bus nigga.
And we able, yeah, I got a tourbus, the bus, the bus ain't out
here.
We sure shorthanded the day,but like I take the bus whenever
, like I'm doing a show inDurham, right, so what I'll do
is go in post.
Hey, I'm getting ready to dothis show in Durham.
It's a lot of people in my citythat fuck with my music.
I don't perform out here a lot.
I perform outside of the city alot, though, but sometimes it

(01:46:43):
be an hour, two hours, I mean Isomething that's close enough
for me to get y'all to.
If it's enough heads in thebuilding, y'all pay for y'all
tickets, I'll gas my bus up andmake sure y'all get there, and
get back, you know what I'msaying.
So I show up, I show up with apad, and then imagine how you
look.
Imagine how you look pulling upto Virginia Bus full of people.

(01:47:05):
You feel me and they like, oh,who the fuck?
Even the other rappers there.
That's there for whatever.
They ain't pull up in no bus.
It ain't no crowd of people onthe bus.

Speaker 3 (01:47:16):
You know what I?

Speaker 6 (01:47:16):
mean.
It's at a third, it's wrapped,what you mean?

Speaker 3 (01:47:20):
Nah it ain't wrapped.

Speaker 6 (01:47:21):
It ain't wrapped.

Speaker 1 (01:47:24):
We ain't got all that yet.

Speaker 6 (01:47:25):
I'm about to look into that.
That's a good idea.
We literally just talked aboutit last week, but for the promo
it's got to be insane Brandingis everything we talked about
this last week.

Speaker 1 (01:47:34):
Branding is everything.
You want your name, your faceout there.

Speaker 6 (01:47:39):
So wrap that shit.
I don't know, hey, skate, wegot to think about that for real
.

Speaker 1 (01:47:52):
That might be a little older.
All that good stuff and tellthem what's up next you out
looking to the camera, where thecamera at.

Speaker 6 (01:47:59):
I'm on this way, huh yeah, my name's Trevi Tantino.
Y'all can find me on allplatforms.
We got it straight.
We good my good side.
Run it back.
Trevi T tantino.
If you don't know about themotion yet, it's on my page.

(01:48:19):
Just go through there.
Look through a few things.
See what I got going onfreestyles.
I got performances that y'alldon't miss and I got a lot of
hot shit.
When I tell y'all I got a lotof hot shit coming up, I got
like some real big like shitthat y'all gonna be proud of me
about.
You see what I'm saying.
I got like real big plans.
I'm at the pay to kind of be inthem places that I want to be
in.
The shit.
Niggas don't be wanting to payfor Trevor Tantino.
Better pay for that so I can bein those places.

(01:48:40):
I can get that door, cause Ineed that.
This my year of discovery.

Speaker 2 (01:48:55):
So, if you don't, and then you late for real, for
real to the show.
But it's a long ride becauseI'm just getting started, baby.

Speaker 1 (01:48:58):
All right, that's how you gotta do it.
Niggas, that's how you gotta doit.
Pay your way to get what yougotta get, man and hire a
publicist.

Speaker 6 (01:49:01):
You need one.
Call me, call me a publicisteverybody needs a PR.
The unscripted agency go followus on instagram you got to
shoot that to me after we.
Yeah, and they connect.

Speaker 3 (01:49:10):
You know what you?

Speaker 6 (01:49:10):
me.

Speaker 1 (01:49:10):
Hey, you know what you?

Speaker 6 (01:49:11):
ain't following me back here.
That really hurt my feelings.
Oh shit I was like damn, Iain't cute enough for something.
Because you know, y'all usuallygo check the profile, Y'all
usually go check the scene,Y'all usually go check this and
my line ladies, y'all and myline, ladies, like that new bag.

Speaker 1 (01:49:26):
It's your boy Seal McLean.
It's your girl Trap Seed.
It's T-R-A-S-E-D.

Speaker 6 (01:49:31):
Wait, wait, wait, wait, wait, I got one last thing
I know y'all trying to get outof here Trap Seed.
Can I thank you real quick?
You just spent a whole goodtime giving me my flowers.
Can I give you yours?
Sure.
No, no, let's wrap this shit up,listen, listen, listen Before I

(01:49:53):
hand this off to you.
It ain't nothing too crazy, butit was definitely worth my time
and money.
I love Trap C y'all.
From the day that I met her atTrain Today, clt, she has
absolutely been in my corner, myskateboard D.
She has supported everymovement that I've made.
Trap C told me at her mouth andI don't know if she said this

(01:50:14):
to another artist and if she did, shut the fuck up and don't
tell me.
Let me, let it be special, youfeel me.
But Trap C told me on the phonelike Travi, I really think you
can make it for real, for real,and I'm pretty sure that's not
something that you go and justtell any and everybody.
You know what I'm saying and I100% believe that.
What y'all don't know is TrappCity invited me to her birthday

(01:50:38):
One time.
Oh see, you know you was there.
She said she invited me to herbirthday.
I don't know Trapp City from acan of paint.

Speaker 1 (01:50:43):
Oh, I was there.

Speaker 6 (01:50:45):
You was there, you was there.
You gave me the speaker.
See, I told you she be actingfake Y'all.
She be acting fake man.
I love you.
We could have had this momenttoo, when the drinks was heavy.

Speaker 4 (01:50:58):
When the liquor was flowing.
It was too much.
It was a lot going on.
I heard it.
I heard it was a lot going on.

Speaker 6 (01:51:01):
I heard it was a lot going on.
I heard it was a lot going onoff that night.
But, like adore you, you seewhat I'm saying and I really
just want to say thank you forbeing that person that I can
reach out to see.
It has been there for advice.
See, I'm sorry, am I taking toomuch of your time?
okay okay, okay, she's beenthere for advice.
I could call, see it and justbounce ideas off her.

(01:51:23):
I'm really picky about likewhat I do and like who I fuck
with and what I got going onaround here in Charlotte and
it's lovely to know that I havesomebody here and it.
I got a lot of motion up hereand all that right now.
But it's nice to know that whenI don't know, I can call
somebody from the city that knowyou know what I'm saying.
It kind of put me on game.
Sid, I love you, I appreciateyou, I appreciate you supporting
my music.
Don't nobody force you to goplay my music when you, riding

(01:51:44):
around, you do that shit on your.
Make sure I'm good, check in onmy mental when we call and have
a little.
I appreciate that.
Thank you, c.
Can you pass that down for me?
Thank you, no, I ain't go toocrazy, it was just a little

(01:52:06):
something.

Speaker 1 (01:52:06):
I spent a little something, but not too crazy.
I hope you enjoy it though.

Speaker 6 (01:52:16):
Before I open it I just gotta say try to get the
best gifts y'all Like.

Speaker 5 (01:52:18):
like he gave me a gift for my birthday, my 30th
birthday.

Speaker 1 (01:52:23):
I'm 31 now and I still use that gift every single
.
You hear that tears.
I'm a man of gesture.
You hear that I'm a man ofgesture.

Speaker 6 (01:52:31):
Yeah we going to keep seeing it smelling good.
She be in a lot of people'sfaces.
She do a lot of moving around,she do a lot of shaking hands be
in a lot of people's faces.
I felt like her making sure shesmelled good would be a nice
touch for what she got going on.
A little trip to Ulta, a little$100.
A little $100.
A little $100.
Yeah, $100.

(01:52:52):
A little $100.
Yeah.

Speaker 1 (01:52:54):
Well, that was no-vibing podcast.

Speaker 6 (01:52:58):
Happy Valentine's Day Happy.

Speaker 1 (01:52:59):
Valentine's.

Speaker 6 (01:52:59):
Day.

Speaker 5 (01:53:00):
A little early.

Speaker 6 (01:53:02):
Happy Valentine's Day from Travi Tantino.

Speaker 1 (01:53:04):
We in the building we got Travi Tantino, lena Scott,
let's get it.
Give good gifts you alldropping honey buns.

Speaker 6 (01:53:11):
You all dropping honey buns right now.
Yeah, we dropping it, let's doit.
Yeah, right there.
Hey, turn it up.
Turn it up when my neck, whileyou play with your cat, bring
your friend.
I know baddies attached Bottlesis coming.

(01:53:32):
It really ain't nothing.
My name on the sign so theyknow where we, at what time is
it?
1945?
Drop down, put your hands inthe sky, one in the air.

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