Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:14):
Oh gosh.
Speaker 2 (00:15):
Okay, hey everybody, welcome to Pink Shade. It is mugshot Monday.
We are still talking about sixty days in Okay, you guys,
this is only episode four. Yes, if you haven't jumped
in to watch this, you gotta jump in to watch this.
Speaker 3 (00:31):
It's a it's so it is not the foolishness that
we get on LAU, right, because sometimes that's just pure
foolishness that we see.
Speaker 1 (00:41):
Correct.
Speaker 3 (00:42):
Yes, this is a different type of foolishness. I mean
you've got method actors.
Speaker 4 (00:48):
You got.
Speaker 1 (00:51):
Yeah, you do you do? Yeah?
Speaker 4 (00:53):
Yeah, yeah.
Speaker 3 (00:54):
I mean we've got sex, we've got drugs, we've got
alcohol' it's it's it is. It is a good show
to watch. But if you're go in there expecting lalu,
you'll be disappointed. If you go in there and say, okay,
this is brand new. Let me check this out. I
think you will love it.
Speaker 2 (01:12):
Yeah, it's good, and get past episode one where they
show lots of quick clips of beatings. And by the way,
I've just gotten to whenever they show anybody getting jumped,
I'm like, let me just look over here.
Speaker 4 (01:21):
Okay, now it's over, and I'm all like I'm like this.
Speaker 1 (01:25):
She's like, oh he got a good hit in there.
Speaker 4 (01:27):
Yeah, oh yeah yeah.
Speaker 1 (01:31):
Now I will tell you.
Speaker 2 (01:32):
So this is sixty days in season four, episode four
called Party Favors. Now, because I've kept all my notes. Normally,
you know, I replaced one week with the other, but
I've got all these notes. So I did go and
look back because last week we were wondering, we were
(01:52):
trying to remember what Pancho did versus what Lawrence did.
Speaker 1 (01:55):
The roommates. Yes, we were, okay, Alan's roommate.
Speaker 2 (01:59):
Pancho is the one who had three failure two appears
and got busted when his friend shot himself and died.
Speaker 1 (02:06):
Okay, cause that's Poncho. Lawrence is there.
Speaker 2 (02:10):
He is the one that came in and told Matt
about something happened and he had to beat up a guy.
It was just self defense. But he wasn't another zone
before this. He got moved out of one zone into
this zone, which mean he's probably he's stinking up, stinking
up the joint or something, and they asked him to
move out or he got moved out of he got
(02:31):
moved from his zone.
Speaker 4 (02:33):
He needs to go to medical.
Speaker 3 (02:34):
If that gas is as bad as I mean, it's
Matt telling us this tale, so it could have smelled
like strawberries, but it was so uh, if this is
as bad as he made it out to be, he
most definitely needs to go to medical.
Speaker 1 (02:51):
Something wrong or he's doing it on purpose. So let's
start with Matt.
Speaker 2 (02:56):
We're gonna start with Matt and Johnny and the six
hundred and Matt. We opened up with him talking to Lawrence.
Speaker 1 (03:03):
Like, why'd you tell? Why'd you tell that?
Speaker 2 (03:05):
IPEd you know, in the corner or whatever, and again
I meant to go get that snitching button, and I
just keep forgetting, but you got We got ten episodes
left after this, so I'll get it, actually sneech.
Speaker 4 (03:16):
And so.
Speaker 1 (03:19):
Then Matt's in a talking to head. He goes, there's
a new guy here.
Speaker 2 (03:21):
His name as Johnny Johnny and black screen of death
tells us they're unaware of each other's participation. Obviously, Matt goes,
Johnny's an older guy like me, And so he goes
off and is telling Johnny that he's so mad at
Lawrence for snitching and if it was on the street,
this would have gone down differently. But it's I mean,
(03:42):
Matt didn't get any trouble for this.
Speaker 1 (03:44):
Do you know what I mean?
Speaker 4 (03:45):
He's not at all.
Speaker 3 (03:47):
And I don't know what it's with the Clint Eastwood
voice that he keeps trying to do, but it is
so not necessary.
Speaker 1 (03:55):
He's so annoying.
Speaker 4 (03:57):
It is not his voice.
Speaker 1 (03:59):
No, no, hey, I'll tell you what.
Speaker 4 (04:03):
Meet me at the Okay Corral.
Speaker 2 (04:08):
This was in this street, the mean streets of Utah.
I would have handed in the Book of Mormon and said,
do you want to hear about our Lord and Savior.
I'm not gonna beat anybody up in the streets.
Speaker 1 (04:21):
Come down.
Speaker 3 (04:22):
He wouldn't even be on a street that Lawrence would
be on. So for real, here you couldn't even take
him as your roommates.
Speaker 4 (04:29):
So now you're going to go to.
Speaker 3 (04:30):
His streets, right, mateus or Matthew or whatever the hell
your real name is.
Speaker 2 (04:35):
That's so In the Talking Head, Johnny says, Yeah, this
guy matt he seems like he's been through a hard time.
Maybe he's been on drugs, because.
Speaker 4 (04:45):
He looks like you look about him.
Speaker 1 (04:47):
He looks like a gutter rat, is what he looks like.
Speaker 4 (04:49):
Your hair is thinning more and more. Ever, only in
week four, if you.
Speaker 2 (04:55):
Just get a haircut. Again, guys, we don't know. Don't
tell us. This show is ret eighteen, so don't tell
us any spoilers. We are we are gonna look it
up at that.
Speaker 3 (05:05):
We're okay with accepting the fact that he looks like
Samara from The Ring coming out of the well because
he's been stuck in the whale for seven days and
he's coming out to havoc on anyone who watches the video,
that is what that hair looks like.
Speaker 4 (05:19):
It is bad. It's just so bad.
Speaker 1 (05:21):
Oh my god. He thinks it looks good.
Speaker 2 (05:24):
So it's funny because Johnny, not knowing anything about Matt, goes, yeah,
this's got Matt like he looks like he's been just.
Speaker 1 (05:31):
Really been through some bad drug addiction.
Speaker 4 (05:33):
And if there's something from a guy who was a
former gang member and he some thing like.
Speaker 2 (05:40):
He says, you know, he found out he got stitched on,
like he really wanted to fight Lawrence. So then we
get the next scene is Matt he peas in the night,
blushes the toilet and you see Lawrence kind of like man, but.
Speaker 1 (05:53):
I mean, well that's what you wanted.
Speaker 4 (05:56):
Alternative.
Speaker 2 (05:57):
Yeah, so he says, he says Lawrence, he emasculated me.
I'm beyond upset. I'm thinking about brawling with Lawrence and
I know how I am and I'll have to go
alpha and Lawrence. Lawrence doesn't have the fighting skills, but
I do. It's like I'm possessed of a demon and
(06:20):
I'm very stressed out.
Speaker 3 (06:23):
Okay, Kong Fu Panda, which, yeah, I don't think you're
a mash for Lawrence. Okay, he's got he's got you
on skills age. And he looks like he's been in
about uh at least no, no seventy fights, you know, like.
Speaker 2 (06:39):
Stop, he's in prison for fighting and said he will
kill somebody. And also he's been on Indiana's Most Wanted.
Speaker 4 (06:47):
I mean, I just want to fuck with him.
Speaker 1 (06:48):
I just I just let him fart it up.
Speaker 2 (06:51):
Yeah, yeah, A pillow over your nose and keep a push.
Now we see him again, staring into the night vision
camera like a real fucking weirdo, going I want to
punch him. I want to punch him. He's gotta go
move him out. He's by the way, when he talks
(07:15):
to production, he could just tell production of this. He
doesn't have to mouth to know it is look so bizarre.
Speaker 4 (07:22):
I'm telling you.
Speaker 3 (07:23):
He was like, if I don't get hired as an actor,
maybe the streets of New York will hire me as
a mine. That's just he's just showing us all of
his acting skills. This was so over the top, and
that's coming from me.
Speaker 1 (07:37):
He is doing so weird.
Speaker 2 (07:40):
And then he's like, move him out into the cell,
open the doors. He's doing all these things, and then
he stands on the chair pretense to scream like he's
in shawshank Oo. Literally, my note is I hate this
guy so much, Like I hate him so much, and
I try to give Okay, well let me give him
(08:02):
some grace or maybe that No I need him.
Speaker 3 (08:04):
No, no, no, he's gonna have a lot of explaining
to do when he gets back to Utah. They're we're like, well,
we need you to come down here to the chapel
discusses that demon possession.
Speaker 4 (08:14):
You suppote while you were in prison, going on with that.
Speaker 1 (08:19):
Yeah, you definitely can't say that if you're a Mormon.
Speaker 4 (08:21):
No, can you talk about that? No?
Speaker 2 (08:24):
No, y'all, this time of year could be tough. The
holidays are near and they're supposed to feel joyful, but
for so many they bring stress around food, weight and
body image. Add in all the talk about weight loss
medications and it could feel overwhelming to know what is
best for you. That's why HERS is here to support
your journey so you could feel your best. HERS is
(08:45):
transforming women's healthcare by providing access to weight loss treatment
plans for every budget. They connect you with the medical
provider who will work with you to determine the best
treatment option for you. If prescribed, you get medication as
part of a doctor developed weight loss program, complete with
ongoing care and access to twenty four to seven online
support at no additional cost. There are no hidden fees
(09:08):
and no membership fees. Weight loss by HERS is realistic,
not restrictive. HERS provides access to affordable weight loss plans
built around oral medication kits and GLP one injectible options,
and the oral medication kits started just sixty nine dollars
a month with a ten month plan when paid upfront
in full. HERS puts your health and your goals first,
(09:29):
with real medical providers making sure you have what you
need to get results, all from the comfort of your couch.
So if you've been struggling with your weight loss journey,
it's time, you find the best option that works for
you through Hers, whether you want to lose weight, grow thicker,
fuller hair, or find relief for anxiety, Hers has you covered.
Speaker 1 (09:48):
Visit for Hers dot.
Speaker 2 (09:49):
Com slash pink shade to get a personalized, affordable plan
that gets you. That's f O R H E r
S dot com slash pink shade for Hers dot com
slash pink shade. Weight Loss by Hers is not available everywhere.
Compounded drug products are not approved or evaluated for safety, effectiveness,
or quality by the FDA. Prescription required. See website for
(10:14):
full details important safety information and restrictions. Actual price depends
on product and planned purchased. So then he does the
distress signal in the middle of the night, putting his
arms up and says he needs to go, but they
pull him for an interview, and it did look like
it was daytime.
Speaker 4 (10:32):
It did not waited till the day before.
Speaker 2 (10:35):
They wait till the day because they know they can't
partly out in the middle of the night and pretude
to interview them.
Speaker 4 (10:40):
Yeah yeah, So.
Speaker 2 (10:42):
In the talking Eddy says, I'm at a mental crosswords.
I can't continue with Lawrence. I want some help with
this and if not, I can guarantee you my spiral
will continue. And the producer goes, literally, you do know
you have the leave it anytime.
Speaker 3 (11:01):
Anytime, and it sounds like that time is right now,
but you know, whatever you want to do.
Speaker 2 (11:07):
And he goes, it's a false option. The producer goes, no,
it's an option. You could leave it anytime. He goes, No,
my son is here. I have to protect him. As
long as my son is here, I will die here
with my son. And I think I might end up
dying here with my son. This thing with Lawrence. I'm
(11:28):
at a breaking point. Okay, Well, you know we watch
you twenty four seven, so it's okay.
Speaker 4 (11:35):
I mean you leave, your son can leave. You're you're
the one who.
Speaker 3 (11:42):
Your son should be more concerned about you. Your son
is over there thriving and sorry after school program, so
you're over here losing your fucking mind.
Speaker 2 (11:53):
And then talking to Matt goes. You know, after Lawrence
and I had the incident, I felt like a laughing stock,
and I'm ready.
Speaker 1 (11:59):
Just fight Lawrence. No one cared, sure, Jan nobody cares.
Speaker 4 (12:05):
No one cared.
Speaker 1 (12:06):
No, he cares.
Speaker 2 (12:07):
Abu, you're peeing in a cup and they're not laughing stock.
We've not seen one person mention it like hey, pissed
boy or nothing.
Speaker 4 (12:13):
They don't pay attention to him at all.
Speaker 1 (12:17):
He thinks everybody's like, oh, we need Lawrence peeding the cup.
I mean no.
Speaker 2 (12:22):
So we hear the intercom going six oh seven, six
oh seven, Uh, pack it up, and Laura's like yes.
So he's telling people like, you can go get my stuff,
let me you know whatever.
Speaker 1 (12:32):
Whatever, And so he.
Speaker 4 (12:35):
Out out or is he being moved somewhere else?
Speaker 2 (12:39):
It has to be that he's getting out out because
they wouldn't tell he wouldn't be letting people have his stuff,
he'd be taking it with him.
Speaker 4 (12:45):
Okay, that's right.
Speaker 2 (12:46):
Okay, So he's getting released to what to wear?
Speaker 1 (12:49):
Unclear?
Speaker 4 (12:52):
Did they better not get caught in Utah? Matt's like
Matt had told every about him.
Speaker 2 (12:58):
Matt goes, this is a weight off my shoulders because
you know I was gonna have to kick his ass.
Speaker 4 (13:03):
No, Matt, Okay, yeah. And so here's the thing.
Speaker 3 (13:07):
If someone keeps saying how they're going to beat someone's ass,
that is how you know they're not going to beat
someone's ass, Because if you're going to beat someone's ass,
you just beat their ass.
Speaker 1 (13:16):
You know, I don't know, I guess.
Speaker 3 (13:18):
So, yeah, that's that's what I've learned, not because of
you know, I've been in so many fights, but working
with kids, I used to tell them, how long are
you gonna say you're gonna beat this kid's ass?
Speaker 4 (13:28):
Like you're not going are we gonna get some action
here today?
Speaker 1 (13:32):
Or what?
Speaker 3 (13:33):
Like?
Speaker 4 (13:33):
What is? Because you know, teachers would like to place bets. Yeah,
so now I'm just totally kidding.
Speaker 1 (13:40):
If you could throw the fight, I'll throw you a
ten dollars at the end, well at.
Speaker 4 (13:44):
Some little little celebratory afterwards, you know, if you win.
Speaker 1 (13:51):
She's kidding.
Speaker 4 (13:53):
Yes, Okay.
Speaker 1 (13:54):
Now we go to Andrew, his son in the five hundred.
Speaker 4 (13:56):
Yeah doing great?
Speaker 1 (14:00):
Who knew?
Speaker 4 (14:01):
Who knew?
Speaker 2 (14:02):
Andrew says, it's been a few weeks and you know,
his roommate Timothy has been annoying, and we see how
he just like slap him and stuff, and he goes,
but I'm really getting to know him now. Then we
see Timothy and Andrew talking. And Andrew says, oh, like
my dad did this, brah blah blah blah, and Timothy says,
you know, I was molested, beat and bullied my whole life.
(14:24):
And I'm actually supposed to be on a floor with
people who have had my same problems. He's supposed to
be on, you know, a floor for mental patients. I
don't know, I think so, and he goes you know,
I have a learning disability and it's been court ordered
for me to get his ged. But I filled out
my paperwork so many times and they just ignore me,
and so nobody gives me the information to get my ged,
(14:46):
and I'm trying to better myself, but I get ignored
every time. You know, we're treated like animals in here. Yeah,
So it's interesting.
Speaker 1 (14:52):
I wonder it's like court ordered from his ged.
Speaker 2 (14:55):
So if he goes up for parole or if they're
looking to like him out, they'll say, well, he never
got his GD but he keeps trying and they're ignoring them.
Speaker 3 (15:04):
Yeah, if it's court ordered, that's exactly what will happen.
And it's of no fault of his own.
Speaker 2 (15:09):
And he's trying what he's telling us, Yeah, yeah, for
what he's telling us, right, Yeah, Timothy tells us he's
twenty five, he's been locked up three times. He was
on the streets hanging out with the gang because he
was so bullied his whole life. He knew a gang
could protect him on the street. And he goes, you know,
I would tell people out there, try to do something
productive with your life, because this is not the place
(15:30):
you want to be. Yeah, just like, Okay, he could
be a motivational speaker.
Speaker 3 (15:35):
Okay, well all right, all right, okay, so maybe a
class of kindergartens.
Speaker 2 (15:43):
So and then talking dad, Andrew goes, I feel sympathetic
to Timothy's situation. You know, I'm hoping I can actually
help him. Maybe I can make a little change in
his life and changed in his life. And despite his flaws,
you know, I know he has good intentions and I
think he wants to learn.
Speaker 4 (15:56):
Yeah, and then.
Speaker 1 (15:57):
Keisha, we see black screen of death during lockdown, Andrew
is teaching Timothy how to read.
Speaker 4 (16:04):
Okay, that made my heart flutter. He do it really,
really really? He is so much more likable than his
father is. Yes, like that. There's something special about Andrew.
Speaker 3 (16:19):
They're just is and I feel like if he continues
to be around his dad, his dad is going to
just like soul suck him, soul, suck.
Speaker 1 (16:29):
That sweetness right out of him.
Speaker 3 (16:31):
Yes, he needs to be away from his dad so
he can truly thrive, and I think this experience is
going to persuade him to do just that.
Speaker 2 (16:40):
Yeah, because you know, he says his job, he's a
substitute teacher, and I think he's very involved with the
church and stuff.
Speaker 3 (16:45):
I don't know.
Speaker 4 (16:45):
This was just so it was so sweet.
Speaker 2 (16:48):
So he's talking hed Timothy says, my reading level is
about third grade. I dropped out of school in eleventh
grade because I kept trying but nobody wanted to help me,
so I just dropped out.
Speaker 4 (17:00):
He needed Edmund from Love Is Blind's teacher.
Speaker 1 (17:04):
Yes, yeah, he just needed one, you know.
Speaker 2 (17:07):
And again, you don't know if this is his his
take on it. And actually the school system did try
to help him, and he didn't want to do it
after school or whatever. Yeah, but he says, you know,
it's really cool. Andrew was actually trying to help me,
and you know he's a really good guy.
Speaker 4 (17:23):
Yeah, he was very nice to see them. Sweet. Yeah,
well his dad is fucking.
Speaker 3 (17:31):
Out there trying to come yeah, yeah, and dig a
tunnel so he can reach Andrew and they can leave together,
because they can't just say we quit. You know it's
got to be something theatrical, So let's dig a tunnel
and ship.
Speaker 1 (17:45):
Now, Andrew's is gonna re up for another sixty days.
He likes it, he's got free he might he's yeah,
he's making a difference. So all right.
Speaker 2 (17:55):
Now we go to Alan in the five hundred. So
we see one of the guys is pushing the intercom
button over and over and over, and the lady says,
playing with that button unless it's a medical emergency, and they're.
Speaker 1 (18:09):
Like, you turn the TV off? Like what you do?
You turn the TV off? For me?
Speaker 4 (18:12):
That's a medical emergency. We need the TV on, like
for real.
Speaker 1 (18:21):
The worst thing you could tell me is the cable.
Speaker 4 (18:25):
Oh what gto like tables out.
Speaker 2 (18:31):
So we see Alan. He's playing cards with some guys
and he's like, and then you're the woman like yelling
at the guys that are pressing the button. He goes, God,
I'm sitting hearing that woman's goddamn voice. And the inmates
who were pressing the buttons walk away and they're like, bitch,
I mean they're so mad about it, and she says,
you created a problem. Now you're gonna get the smoke.
(18:51):
The woman says, So a male CEO comes in and goes,
everybody's now on lockdown and they're like why they're all
just sitting there playing ours whatever, and they're like, what
did we do? And another inmate is telling the c
US telling another CEO a woman who's come in and
it's like she who's the woman in charge of the TV.
She keeps turning the TV off for no reason. And
(19:13):
then the woman CEO goes, I'm gonna have to call Dart.
I'm gonna have to call Dart.
Speaker 4 (19:16):
I was like, there was no reason to call Dart.
Speaker 1 (19:20):
It's an overreaction just starting TV.
Speaker 4 (19:24):
I'm able to leave you alone.
Speaker 2 (19:25):
Yeah, and we're in reminded dark are trained to subdue
disruptive inmates, but nobody's being nobody.
Speaker 1 (19:34):
No, they're just pissed because she's.
Speaker 2 (19:37):
Turned the TV off and this is their time to
watch TV. Yeah, so those guys come in. One guy
is like, I'm gonna bust your motherfucking head. I don't
give a fuck about no camera crew with this motherfucker.
When blank and word tell your ass to go the
fuck up, you go the fuck up. And they're like
they're also, I don't like they're all just standing right
(19:58):
outside their doors. And again they've done nothing, just like
turn the TV back on. I mean, they're being annoying,
but whatever.
Speaker 3 (20:04):
I mean, what it is like millions of parents every day.
My kid is being annoying. Let me turn fucking miss
Rachel and sit them in front of the TV and
everything is good.
Speaker 4 (20:17):
So I think she created more of a problem than
there really was.
Speaker 2 (20:20):
Yeah, I agree, And another one of these dark guys goes, Now,
we up in this bitch. You know we're right here.
We don't give a fuck about the cameras because at
the end of the fucking day, y'all going to do
what we want you to do in this jail, and
all the guys you're just standing outside their doors, just
listening to the l Yeah, I'm talking to Alan goes.
The officers have no control. Yeah, that they can't control
(20:43):
the TV. Yeah, so it's like the game. It's a game.
They turn it on and they turn it off. It's
very unprofessional, yeah, and he goes, Yeah, the inmates don't
treat the CEOs with respects, but the officers use their
position to wield power. They'll lock you down for no reason.
And I can understand how the inmates feel that there's
an injustice to that right.
Speaker 3 (21:04):
And then and then when they're locked down, they don't
even know how long they're going to be locked down.
Speaker 2 (21:10):
They tell them nothing, nothing, And he says, because of
how they talked to and treated, I can understand how
they feel this way. And the dart team is supposed
to be there to help with fights, but then they
come in and they tell us they're.
Speaker 4 (21:21):
Gonna get our ass.
Speaker 1 (21:23):
And he says, if I was ever to act like
that on my job, I would be in jail for real.
Speaker 3 (21:27):
Well, not to mention all the racial slurs, Yes, you're
totally approach like, no, how are you getting away with this?
Oh never mind, that's why we're doing the show.
Speaker 1 (21:38):
That's why we're doing the show.
Speaker 2 (21:39):
And I love how two of those two of those
dark guys right the funk about the cameras.
Speaker 1 (21:45):
I'm like, you're going to.
Speaker 3 (21:46):
You're going to because you're your job, Because this was
to me, that was crazier than anything that I've seen
the inmates do thus far, other than like the jumping
and fire.
Speaker 2 (22:00):
And the full party we're about to see in a minute.
And Alan says, I can't wait to meet with the colonel.
But I think he has to know this stuff goes on.
Speaker 4 (22:09):
I agree with Allan, I think so how could he not?
Speaker 2 (22:13):
And he says, I try to give as much credit
to the law officers as as I can, being one
to myself, he said, this really pisses me off. So
we see him talking to the cameras to get locked
in the We see him talking to the camera in
the corner, are saying, you know, these officers won't respect
but they talk to us like that, like no, it
ain't happening, you know. So he's all mad, Mancha's like
(22:35):
Alic's going on.
Speaker 4 (22:36):
Well, because as the weeks go on.
Speaker 3 (22:39):
First of all, Alan's skin color is looking better, like
he's got some red meat in his system, because he
did look ghostly this episode.
Speaker 4 (22:46):
And he's not I mean, he's not a zooting cop anymore,
you know what I.
Speaker 1 (22:52):
Mean, He's not so scared. He's kind of blending.
Speaker 4 (22:55):
He guys like a little runaway rat.
Speaker 3 (22:58):
So yeah, he's starting to fitting in a little bit
because he was just scurrying around everywhere, you know, being quiet.
Speaker 4 (23:04):
But this right here pissed him all the way off.
Speaker 1 (23:07):
Yeah.
Speaker 2 (23:08):
Yeah, so Black scream to Death says following the Dark
team's response. There is building tension between the officers and
the inmates, and Alan says, the officers don't do anything
but tell us when to eat, when to sleep, and
shine those stupid lights in our faces. This place is
ridiculous with the people and the staff.
Speaker 1 (23:26):
It's so unprofessional.
Speaker 3 (23:28):
Well because those guys really want to be cops.
Speaker 2 (23:31):
Right, So I do wonder if after this, Alan's like,
get me in there.
Speaker 1 (23:35):
Let me be the head of the CEO.
Speaker 2 (23:36):
I know, right, Yeah, So the inmates have brought dinners
to their cells. It's just like sandwiches or whatever. And
as they're standing there, the officer like hits him with
the door, like trying to push him back in, and
he gets all pissed off.
Speaker 1 (23:51):
But don't push me, you know.
Speaker 2 (23:53):
Anyway, he gets mad and he throws this sandwich and
if puncho Lass.
Speaker 1 (23:57):
He goes, what the fuck?
Speaker 4 (23:58):
Alan, the blown me give it back to me, all.
Speaker 2 (24:04):
Right, Nate everybody's favorite in mate, Nate. Yeah, Desmond, you know,
his roommate, his best and he goes in and he goes.
Speaker 1 (24:14):
You want a haircut. It's your birthday.
Speaker 2 (24:15):
I'm trying to arrange your haircut for you, for your birthday,
and he goes, yeah, okay, and Nate says he's worried
because Hassan got jumped on his birthday.
Speaker 4 (24:24):
He got his vast beat.
Speaker 1 (24:27):
Why why.
Speaker 4 (24:29):
I have a feeling maybe he had done something. Yeah,
but I don't know.
Speaker 3 (24:35):
We don't know what's going to happen next week. Maybe
it's just like a tradition, you get beat up on
your birthday.
Speaker 1 (24:40):
I know I'd be like, don't anybody tell me it's
my birthday? Don't know.
Speaker 2 (24:43):
I've been in here two years, never had a birthday.
Same age came in. So Black Screen of Death says,
date's getting a haircut for his birthday, but it has
to take place outside of five hundred. So they take
him to a different place for the haircuts, and they've
got the in it's cutting hairs like we saw one
an orange, that's right, And then talking to dad, he goes,
(25:05):
I've had worse birthdays, you know. I've had one in
a boot camp. I had one in Iraq, and everybody's
being so nice, so it seems I'm not at a target.
Speaker 1 (25:14):
But you never know what's gonna happen.
Speaker 4 (25:17):
You need to keep your eyes wide open. That's all
I gotta say.
Speaker 2 (25:20):
He goes, everybody's been really nice to me on my birthday,
and everybody seems like they consider me a friend, but.
Speaker 1 (25:26):
You can beat me up in a minute. I don't know.
Speaker 2 (25:29):
So this guy named O'Neil, this older guy walks in
and goes, hey, you ready for your birthday beat down?
Speaker 4 (25:36):
And he's like, not no, you're joking. Yeah, but.
Speaker 2 (25:45):
On dates birthday, all the all the buddies prepare a
special meal for him.
Speaker 1 (25:50):
So sweet.
Speaker 2 (25:53):
We see a lot of the inmates going Nate's a
great guy, and des One goes, I.
Speaker 1 (26:00):
Do love Nate.
Speaker 2 (26:00):
Nate is a good guy. I will come to his
big fact Greek wedding.
Speaker 3 (26:04):
Yes, so is Nate Greek? Because we've heard this roommate
say this before, assuming Nate.
Speaker 2 (26:12):
I don't know if he's Greek or if that's just
a phrase that Desmond uses because he thinks it's funny.
That's the last movie he saw on the outside. I
don't know, Oh, if that's the last movie he saw
on okay, well.
Speaker 1 (26:22):
I don't know.
Speaker 2 (26:23):
Maybe to see it one time and he said, that's
what I'm gon say about your wedding from now on.
Speaker 1 (26:26):
And he's never.
Speaker 4 (26:27):
Been to a real wedding.
Speaker 3 (26:28):
So that's the only thing he has to where he
thinks wedding. He thinks not big fat Greek wedding.
Speaker 1 (26:33):
Yeah, because Nate does not sound like a Greek name.
Speaker 2 (26:36):
Well, we don't know what was the last name, right, okay,
so we'll talk right, let's go to the new guy, Manuel.
Speaker 4 (26:47):
Girl, what's wrong with him? He actually Edmund?
Speaker 3 (26:52):
He is sixty days and Edmund was the love the
jumping and who the who's that?
Speaker 4 (26:59):
I and you?
Speaker 1 (27:04):
So he's new.
Speaker 2 (27:05):
He's been there two days and he's telling somebody he's
from New Jersey, Brick City. He got locked up for theft,
and the Black Screams desk said, this is the first
time he's telling his cover story, and he goes, you know,
it's bullshit. I came over to Atlanta to visit my
boy and the five folk came through the door and
I was just jowing them and I got arrested. But
they were there because my buddy had some sort of
theft charge. I didn't do anything. You know, my buddy
(27:28):
looked at me when he said the theft thing. I've
been trying to get a hold of my wife to
give me a lawyer some.
Speaker 4 (27:34):
Okay, it didn't sound that.
Speaker 1 (27:41):
Believable.
Speaker 4 (27:42):
No, it didn't.
Speaker 3 (27:43):
But I feel like whoever he's talking to is not
listening to anyway.
Speaker 4 (27:48):
Really, he could have told him anything.
Speaker 2 (27:50):
Yeah, I made more sense if he said, like I did,
theft was my buddy a long time ago.
Speaker 1 (27:56):
I can they got me, but it was like three
years ago or just so.
Speaker 3 (28:00):
My buddy turned me in, you know, because we were
in this thing together.
Speaker 1 (28:05):
Just makes just he got arrested for no reason. Doesn't
sound right.
Speaker 2 (28:09):
So in the talking head, Imanuel says, people don't think
I'm from the hood because of my speech.
Speaker 1 (28:18):
You know, I went to.
Speaker 2 (28:20):
Private school and there I changed my speech pattern.
Speaker 1 (28:24):
But I do think language hood.
Speaker 4 (28:28):
And then he has black.
Speaker 3 (28:30):
Then he added the black spin onto everything else.
Speaker 2 (28:35):
No one is suspicious of me, and I felt confident
that I'm going to get to know everyone.
Speaker 3 (28:40):
Okay, yeah, Wait when we hear him talk next and
it's like someone.
Speaker 4 (28:46):
Said that black it was very weird. I did it
understand it online.
Speaker 2 (28:51):
But when he this this thing comes up. The production
team walks up and he's acting goofy. They're playing checkers
and chest when the reduction team when he starts like, hey,
you want to knowize like a present.
Speaker 1 (29:02):
Let me give you a tour of my crib.
Speaker 2 (29:04):
Then he was using a regular voice, so don't and
I think guys are gonna notice.
Speaker 3 (29:11):
I think they're like, there's something wrong with this. Motherfuckers
they're away from them.
Speaker 4 (29:16):
He's trying to.
Speaker 3 (29:17):
Be so hood, but he doesn't know how to be hood,
which is fine because you don't have to be hood
to be in jail.
Speaker 2 (29:27):
It's like when he was telling the story about like,
oh my buddy got you know, popped the left and
he turned me at whatever. That was fine, but then
the production caemes up. The team comes over and he's like, oh,
this is my big opportunity to be on MTV cribs.
Let me show you how funny I am.
Speaker 3 (29:41):
He dropped his cover, but I still think in his
head he was trying to be hood, but it didn't
break out. It's like he started off and they just
kept fading away, fading away, fading away.
Speaker 4 (29:56):
He it's a clown.
Speaker 1 (29:58):
He's a clown. Yeah, you see the colonel.
Speaker 2 (30:01):
Flashback to the colonel saying, whatever you do, don't be
the focus of attention. Don't try to blend in, just
blend in. Don't try to call any attention to yourself.
Speaker 3 (30:12):
He picked up the microphone, had a megaphone, and did
put a microphone in front of the megaphone and started talking.
Speaker 2 (30:18):
Because yes, we see some inmates talking about him, going,
he's acting a damn full You act in.
Speaker 1 (30:25):
The same size as your shoes. It's pretty good.
Speaker 2 (30:30):
At your age your shoe size. Another inmate said. Another
inmate says, if you carry yourself like a punk, you're
gonna get treated like a punk. So it might because
somebody might be getting a birthday beat down at the manual,
even if it was not his birthday, not your birthday,
it's going to be a pretty birthday beat down.
Speaker 4 (30:49):
But yeah, and.
Speaker 2 (30:51):
The talking head Johnny goes, this guy Emmanuel is trying
too hard and he's show voting and if he's a participant,
he's gonna put all in danger because he's so immature.
Speaker 4 (31:02):
It's got a good point. His wife is so happy
he's not at home.
Speaker 3 (31:08):
She's probably not even accepting his phone calls.
Speaker 4 (31:12):
She's so happy.
Speaker 2 (31:16):
Okay, Angelae they do because Angela. I thought there was
another person named angel because I heard them saying angel
and I was like, So we opened with the girls
telling her howohot she is, and she's sexy as hell.
Her body shape is right, she's got dimple, she's got
a nice smile.
Speaker 1 (31:36):
They love her eyes, they are they love them.
Speaker 2 (31:39):
Someone everything about her like she was, yeah, no, no,
I'm just please.
Speaker 4 (31:51):
So she's not a piece of meat. Girls, I'm not
a piece of meat. I mean.
Speaker 1 (31:58):
And the talking head, She goes, I feel like a
king up in this bitch.
Speaker 4 (32:02):
Bitch she does.
Speaker 2 (32:06):
She says, I was not expecting this, and you know,
dealing with all the women and the hormones. I guess
they're horny. I don't know, she goes, but I'm not
getting with anyone. I'm here for a reason. I'm working
to expose the shit that's happening in these jails. I
got to keep focused.
Speaker 1 (32:21):
I fit in right away. Everybody believes me.
Speaker 2 (32:24):
Some of these really women are really going through some things.
So I want to get to the bottom bunk. Why
are you in here? And she goes, well, I was
over at my uncle's house and we were partying and
there was an altercation.
Speaker 1 (32:38):
He stabbed me and she was like what, she goes, yeah,
Then he.
Speaker 2 (32:43):
Called the cops and said that I had the knife,
and so she goes, so wait, you stabbed. She goes, no,
he's stabbed me. So she goes, but then you got arrested.
She goes yeah. She goes, well, where are you guys
on drugs? She goes, yeah, I said we were partying,
we were hurting. And Angela says, what's your biggest regret?
(33:05):
And she says picking up. She said, I was on drugs.
I lost my kids and so now I'm trying to
get myself back together.
Speaker 1 (33:12):
Situation Okay, all right, so that's good.
Speaker 2 (33:15):
At least she's got a goal. So I'm gonna talking
to Angela says. People look at these inmates like they're monsters,
but they're just people who made mistakes, and I want
to show them how strong they are. You know, so
far it's doing great and in a sense, you know,
we all really do care about each other. Now a
(33:36):
new inmate, Na Gabrielle, comes in.
Speaker 3 (33:39):
All that shit she just said about I'm not dating anybody.
Speaker 4 (33:43):
I'm here for this, I'm here for that. I think
it's going to kind of go out the window a
little bit. Here.
Speaker 2 (33:48):
Gabrielle is cute, she's got a little braids, yep, And
she's assigned to Angela Sell and Angela's like, Wow, she's
beautiful and the outside world, this is somebody I would
go for. I've got a huge cruss on her, crush
on her. And then we're Gabrielle getting her bunk set
and stuff, and she tells them, you know, I'm diabetic
and they're like, we got you, girl, We're gonna look
(34:09):
out for you and very nice. All right, now, are
we ready to party because now it's a party time.
Speaker 4 (34:17):
Yeah, And it's like we're the CEO that like touring
all this preparation, Like what this.
Speaker 2 (34:24):
Is the craziest shit I've ever seen in my life.
This nobody's trying to hide it. Nope, they have been
prepping for a whole day.
Speaker 3 (34:35):
No, they've been prepping it for two weeks because they've
been saving up the drugs for two weeks.
Speaker 1 (34:39):
This is nuts. And I don't know what was this
like pink paste they were making. They were calling it
with its, but that's not what I mean.
Speaker 4 (34:47):
I don't know what They don't ever explained what that was.
Speaker 2 (34:51):
And they put it on their hand and lick it
off with like a popsicle stick is how they were
doing it.
Speaker 1 (34:56):
Because it was like a pay seat thing.
Speaker 4 (34:58):
I don't know, and it looks like they just crushed
all the drugs up.
Speaker 1 (35:03):
They don't know what, they don't know what, and they
put it in this pink face.
Speaker 4 (35:12):
I would die, Mary Pay.
Speaker 3 (35:13):
I could be somewhere in a corner because the drugs
in my system. I mean, can you imagine xanax, letzepro, insolin.
Speaker 1 (35:24):
They were just like all threw it in there.
Speaker 2 (35:29):
So so Tiny's having a birthday party for her own birthday,
and the talking head Jacqueline goes, yeah, everybody knows that
Tinese Tiny has been asking everybody.
Speaker 1 (35:38):
To cheek their pills for weeks for this extra paganza.
Speaker 2 (35:44):
So we see talking the different inmates and one of
them goes, I like drugs.
Speaker 1 (35:49):
I like to be high off of xanax. I like drugs.
Speaker 2 (35:53):
We find out that Ramaran and Sarahquel are the most
popular drugs in jail, and now looked it up. Remoran Okay,
it's a generic drug for merchia epine. It's a tetrapylic
anti depressant tetracyclic tetracyclic antidepressant used to treat major depressive disorder,
(36:16):
sometimes prescribed off flavorable for other conditions like anxiety, or insomnia. Okay,
I remember on hoppy sleepy ziraquil is uh quotonomine, atypical
antipsychotic medication used to treat certain mental health efficients, available
in immediate release at extended release formulations. The talking head
(36:38):
Stephanie goes, it's gonna be an epic party. She goes,
and I don't see any She goes, I don't think
there's anything wrong with taking drugs to fit in.
Speaker 3 (36:46):
And she knows how all these drugs in act, because
she's a parmacy tech.
Speaker 1 (36:54):
You're so right.
Speaker 4 (36:57):
Yeah, she probably told the.
Speaker 1 (37:02):
Together Yeah after.
Speaker 2 (37:04):
You drink that, You're so right. I got right down
snitching on here. Okay, she just thinks, I literally just remembered.
I need to I need to pull that up. Okay,
but you're right, Stephanie's job does come in handy uh huh. So,
and the talking head Jacqueline goes, yeah, I'm not gonna
(37:25):
do the drugs of the alcohol.
Speaker 1 (37:27):
You know, she goes, because.
Speaker 2 (37:29):
Either one of those is gonna misconstrue what I'm here
for and I could slip up and it can mess
up the whole reason I'm here.
Speaker 3 (37:36):
Because she messes up on her own story, yeah, so yeah,
she's she's making the right decision because she would suck
up every and she tell them Stephanie.
Speaker 4 (37:52):
Stephanie's here with me. We're both part of the program.
The program.
Speaker 1 (37:57):
That girl you think, uh she is to think she is?
Speaker 4 (38:03):
Yeah, she totally blew everyone's.
Speaker 2 (38:04):
So it's party time, so Tiny yells down below, yells down. Yeah,
just yells down. See it's right there, yells down, it's
party time. If you don't get fucked up, don't come
to my room.
Speaker 1 (38:17):
Okay.
Speaker 4 (38:19):
Uh.
Speaker 2 (38:19):
In the black screen of death, Tiny's throwing herself the
birthday party. She's prepared with and hooch to share.
Speaker 1 (38:25):
With the inmates.
Speaker 4 (38:26):
No, I take some hooch.
Speaker 1 (38:28):
I wouldn't not that it would taste so bad, I know,
but just like one like so.
Speaker 3 (38:33):
Okay, you know you and I wouldn't sleep well in
the jail, so why why not drink some hooch so.
Speaker 4 (38:39):
Maybe we can get one get nice sleep.
Speaker 1 (38:42):
But then when somebody tries to get you by your sleeping,
Oh yeah that is true.
Speaker 3 (38:47):
Well, they probably would find us very attractive because we're
not futs.
Speaker 2 (38:52):
No, definitely not that that girl is soft. So and
the talking head Tiny as she saved it two weeks
to drugs. We see them making the good, they're pressing it,
they're making it into some sort of pink face.
Speaker 1 (39:07):
They've got a huge thing.
Speaker 2 (39:08):
And they're all drinking out of their cup of noodles cups,
like they get their couple of noodles and then they
save those cups use for other things. So I'm talking
to Jacqueline says, this is very stressful being the situation
you have. Stephanie invited me to the party, but I'm
very disappointed in Stephanie. And Stephanie has gone one hundred
(39:29):
percent ful and Stephany has had like.
Speaker 4 (39:31):
Nine different hairstyles, she's got one rolls, she's she's.
Speaker 3 (39:35):
Had all kinds of brains, like she is living the
prison life, like she's fully submitted.
Speaker 1 (39:40):
I feel like she's jam.
Speaker 3 (39:42):
I think she's gonna like cut someone at some point
so she can stay, like for real, real stay.
Speaker 2 (39:50):
What if you put Stephanie in like a real nice
like Orange is the New Black prison, or like a
Martha Stewart prison, Like what if what nice person?
Speaker 1 (39:59):
She wouldn't have like as much.
Speaker 4 (40:01):
I think she likes this is what she's been looking for,
she told her therapist. I've been looking for something in
my entire life. I just don't know what it is.
This is what it is right here. She has not
called her boyfriend. She has not called home to check
on anybody.
Speaker 1 (40:16):
She don't care.
Speaker 2 (40:18):
I wonder if the boyfriend's like, can they get a visitor?
Can he come visit her and be like a girl,
what happened?
Speaker 1 (40:23):
You know?
Speaker 4 (40:24):
No, she's probably gonna take him off the list. She
doesn't want to visit from him.
Speaker 3 (40:28):
She's like, I got all my girls up and here
I am good, Like, yeah, it is something.
Speaker 1 (40:38):
To talking head, Stephanie goes, listen, yeah, I drank the drink.
I took the drugs.
Speaker 2 (40:43):
I'm showing them I'm a party person. I'm showing them.
I want tiny to like me.
Speaker 4 (40:47):
Okay, you want everyone to like you.
Speaker 2 (40:51):
So Jacqueline refuse, refuses the hoot and she says I
got a little some something and the talking has step
He goes, Jacqueline is.
Speaker 1 (40:58):
Being so rude.
Speaker 4 (41:02):
I'm not taking She's so by did I invite her?
Speaker 1 (41:06):
She's so not cool.
Speaker 4 (41:08):
She's like a loser, like, suck the closer.
Speaker 2 (41:12):
She goes by not taking the drink, she's putting a
target on her back and at this point, she needs
me more than I need her.
Speaker 1 (41:20):
She's the minority, and I'm not okay, stephany.
Speaker 4 (41:24):
Such a bitch because each week she's becoming more.
Speaker 3 (41:28):
I feel like she may actually put a sign on
Stephanie's back one night that says I'm in a sixty
days in program.
Speaker 1 (41:39):
So Jacqueline refuses the hooch.
Speaker 2 (41:41):
And then and inmate gives Jacquline a whippet and puts
it on her hand, right, but Jacqueline goes right over
to the seat and washes it off. Now here's the
thing she could have. I don't know who do they have,
like access to paper, towels and stuff. She could have
wiped it.
Speaker 1 (41:57):
On her leg. Not so obviously she wanted to. She
wanted to get it all right away because I probably
will see it to your skin.
Speaker 4 (42:04):
I mean, all I know is that she is really now,
she's really making them look at her like what is
she doing?
Speaker 2 (42:13):
Yeah, if she doesn't want to listen, Tiny said, if
you don't want to get sucked up, don't go.
Speaker 4 (42:17):
Yeah, so take your aspect downstairs.
Speaker 2 (42:21):
But then now that she's up there and she's seeing everything,
she can't leave, you know, So she should have just
she should have just faked and no one would have cared. Yeah,
So next time on that's it, Next time on Angelae.
Every time. Angelay is getting close with Gabrielle, and she said,
(42:46):
Gabrielle reminds her someone else she knows with a drug problem,
and she can tell she's got the strength, and she's
drawn to Gabrielle's strength.
Speaker 4 (42:54):
I think you're drawn to something else.
Speaker 1 (42:56):
I don't think that's what you'redrawing to know.
Speaker 2 (42:58):
Nice though, we see Andrew getting frustrated with Timothy whether
he's trying to have their lessons because Timothy's gone back
to being annoying yep. Jacqueline gets in trouble with the CEO,
like she's something's happening on her bed and she's like,
why are you not asking everybody else?
Speaker 1 (43:13):
Why do I have to do it well?
Speaker 4 (43:15):
Because you've made your target with the CEOs and with
the prisoners.
Speaker 2 (43:18):
CEO don't like you now the prisoners don't like you.
And Alan witnesses a gang fight and he's very worried.
He doesn't know what to do because they they have
taken this guy behind the stairs and have taken him all.
Speaker 1 (43:30):
The way down.
Speaker 4 (43:30):
So I was wondering was that his roommate they were
beating it up, and that's why he's like, I don't know.
Speaker 1 (43:38):
What to do.
Speaker 2 (43:40):
I think he's like, I don't know what to do
because these guys are beating this guy and the CEOs
aren't doing anything.
Speaker 1 (43:45):
It's like, do I go to knock on the window,
But the CEOs have cameras there they can say what.
Speaker 4 (43:50):
I don't know.
Speaker 1 (43:51):
If they're just like let them go for five minutes,
then they'll go in there, or I.
Speaker 4 (43:54):
Mean, sometimes that's what you gotta do. Let them get
it out of their systems or something.
Speaker 3 (44:00):
Match just teaching like Takwon do class or something like
that for everybody, so everyone could just like get exercise
and get a release and so, you know, just so
he's something no good.
Speaker 4 (44:12):
Used it all.
Speaker 1 (44:13):
I don't. I don't know, but I don't. I don't know.
Speaker 2 (44:16):
If it's got so serious where like somebody's bleeding, He's like,
now I don't know what to do, you know?
Speaker 4 (44:20):
But yeah, I don't like to.
Speaker 2 (44:21):
See those fights. And this is the fourth episode I've
said it. I hate to see the fights like that
because it's.
Speaker 1 (44:27):
Scary because they just like throw somebody to the ground.
And everybody starts kicking up kicking.
Speaker 4 (44:31):
That I don't like.
Speaker 1 (44:33):
Because oh, that's that's the line, is kicking.
Speaker 4 (44:37):
I don't like kicking, and I don't like spitting.
Speaker 1 (44:40):
Okay, so somebody just punching the shit out of you
with their fists is fine.
Speaker 3 (44:44):
I mean, it's better than they kicked in the head.
What do you wear the baby punched in a head
than kicked in a head?
Speaker 1 (44:51):
No, I don't. I don't want to think about that.
That's awful, Keisha.
Speaker 3 (44:55):
Well, like I said, I watch a lot of Zeus
Network the shows not watching fighting this. You have to
sign a contract, you have to have two fighters for episodes.
So yeah, but they never get as bad as like, no,
that's a lot. They do get as bad as some
of these fights.
Speaker 2 (45:14):
But what happens on the Zoos Network. What is what's
the premise of the show that you're talking about.
Speaker 3 (45:18):
So I watched Jocelyn's Cabaret and I watch Baddies Joscen's Cabaret.
This woman who's been a stripper, she's she's half a pimpa.
Speaker 4 (45:27):
She started like this dance troops all strippers.
Speaker 3 (45:31):
Okay, So they're competing for the top person within fifty
thousand dollars and then a select group gets to go
on tour with her, and her tours are pretty successful.
Speaker 1 (45:40):
Okay, wells is a lot.
Speaker 4 (45:44):
Yeah, these are strippers.
Speaker 3 (45:45):
And you put them all together, it's the same thing
as being in a women's prison.
Speaker 4 (45:49):
Okay.
Speaker 3 (45:50):
So you've got your groups, like this group doesn't like
that group. So if one person gets into a fight,
then people start jumping. You could just literally be sitting
there talking will run up and punch you right upside
your head.
Speaker 1 (46:03):
Okay.
Speaker 4 (46:03):
Then there's and then there's days. Well, batties baddies.
Speaker 3 (46:08):
So a lot of them are rappers and influencers or
they're trying to be. Some of them are strippers, and
so what they do is they go from town to
town and they do like club promotions and stuff like that,
and they'll be like, oh, the batties are going to
be here, So everyone wants to be where the batties are.
Speaker 4 (46:25):
And that's how they get paid. Did they fight, girl,
there's a rabbit hop.
Speaker 1 (46:33):
These are all women fighting.
Speaker 4 (46:35):
These are all women's fighting.
Speaker 2 (46:38):
But but it sounds like with the strippers specifically the
batties too, that they're if they're.
Speaker 4 (46:44):
Batties, may be worse than the Johnson's Cabaret.
Speaker 1 (46:47):
But they need to try to look good for their jobs,
so they don't want to be beat there.
Speaker 4 (46:50):
They don't give a fuck.
Speaker 3 (46:52):
They will show up with a black guy. They show
up with knots on their like. Some of them get
teeth knocked out, like the tooth will get knocked out.
Some of them go to the hospital, then they're back
the next day. Someone's arm got dislocated.
Speaker 4 (47:08):
Yeah, Keisha, don't they get dumb. There's literally only one
other person in my life who watches this ship. And
then of course it's.
Speaker 1 (47:20):
Dan as I say, it's Dan, right, it's Dan.
Speaker 2 (47:22):
Yeah, you know what I watch When I watched Cheer
about the Cheer and they were always imitating Bad Girls Club.
Speaker 4 (47:33):
Okay, so.
Speaker 3 (47:35):
Bad Girls Club one of the women who was so
some of the girls that are on Batties, because some
of them will be like the saving Girls every season
and they act like some or take away some they
were on Bad Girls Club.
Speaker 4 (47:48):
Like the girl who's over.
Speaker 3 (47:49):
The Baddies is Natalie None from Bad Girls Club.
Speaker 4 (47:53):
Okay, so I never watched Bad Girls Club, but it's
like they fought there too.
Speaker 1 (47:59):
I know that, so they would do on Cheer.
Speaker 2 (48:00):
They would like recreate the fights for they're like place
laughing each other and stuff.
Speaker 4 (48:05):
It was hilarious.
Speaker 3 (48:06):
We get pulled off, eye smashed. Yeah, it's the nails
when their nails break right here.
Speaker 4 (48:14):
I can't take it.
Speaker 1 (48:15):
Oh, there is gonna be a show.
Speaker 2 (48:19):
I think it's gonna I think it's a NBC and
it's with Christian Chenowe and it is going to be
like a like a theater take on. No, it's going
to be a take on like the Cheer. Uh, but
it's like a scripted show. It looks very funny. It
looks very funny. It looks very funny. I don't know
anything about it. Everybody, that's it, that's your episode.
Speaker 4 (48:42):
That is.
Speaker 1 (48:44):
I was just about to say Love is Blind. I
get I gotta, I gotta take them out of my
mount a break from it. We got to break with that.
We're done with that. This is sixty days.
Speaker 2 (48:54):
And now you guys, if you want to hear more
of Kisha and I again, you could go listen to
us talk about how well the Love Is Blind reunion wise,
that's over on the ten dollars level of prime. And
then starting I think we said November nineteenth, it's going
to be our coverage of Welcome.
Speaker 1 (49:10):
To Platform over on the ten dollars level of Pink Shake.
Speaker 2 (49:14):
Pron to join over there and also over there, guys,
you get at free episodes, and right now Seeking Sister
Wife is on that level as well. Let's see this
week coming up, because I'm trying to remember what week
this is. We're doing so much pre recording guys, because
I'm going out of town and da da da da.
Speaker 1 (49:32):
So this week coming up.
Speaker 2 (49:34):
Which is thus I gotta look. So last week would
have been Christine and Stacy, so this week is going
to be my friend jo Linta Greenberg on to talk
about pop and Pravda this week. The thing about Jelina,
She's got a podcast called hot Mesterpiece Theater and she
(49:56):
does like theater archetypes are our shows like Stussy Strouders,
the Mean Girl, like Lisa vander pump Is, you know,
like I get like these kind of things.
Speaker 1 (50:07):
It's really interesting. She's very funny.
Speaker 2 (50:09):
But she told me last time I talked to her,
She's like, yeah, I love to come on anytime and
to talk about it. She was like, I watch all
the ninety day stuff too. Very rare do I find
somebody that went to the Housewives and ninety day.
Speaker 4 (50:24):
Watch out Kimberly. She's kind of good Jobimberly.
Speaker 1 (50:29):
It was very excited about it.
Speaker 2 (50:31):
So that's later this week, everybody, and I hope everybody
had a happy Halloween. And uh, I know Kisha did,
Lord knows. I can't wait to see the pictures of that.
Speaker 4 (50:39):
I'm not dressing up.
Speaker 1 (50:42):
What's wrong with you?
Speaker 3 (50:44):
I haven't dressed up in the last three years, and
I used to dress up every year at Yeah, we
have this huge Halloween party.
Speaker 4 (50:53):
I'm tired.
Speaker 1 (50:53):
I'm old.
Speaker 4 (50:54):
I'm tired.
Speaker 3 (50:55):
I've got my Halloween shirts. I've got another Halloween shirt. God,
the house this is fully decorated for Halloween.
Speaker 4 (51:01):
It's all I got there, exchange, it's all you got
in you.
Speaker 1 (51:03):
I get it. I get it all.
Speaker 4 (51:05):
Yeah, maybe next year.
Speaker 1 (51:06):
Maybe.
Speaker 2 (51:08):
All right, everybody, we will see you next week for
sixty days and fe