1074 - 60 Days In (s4e10) "The Inmate Who Loved Me" with Keisha - Pink Shade

Episode Transcript
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Speaker 1 (00:15):
Hey, everybody, welcome to Pink Shade. It is Monday mugshot Monday.
You guys. Sixty days in, we're still doing it. We're
loving it.

Speaker 2 (00:26):
We indeed are.

Speaker 3 (00:28):
And the episodes just keep getting better and better.

Speaker 2 (00:32):
Like every week. I'm kind of like, Okay, now it's
gonna get boring.

Speaker 1 (00:36):
Yeah, but it does it no, and it's interesting too,
this whole Stephanie Angela thing the way like we originally
predicted it was going to be on Angelay, but then
it turned into Stephanie, but now it's Angela. And I
gotta tell you the amount of hairstyles that Stefan both

(00:57):
both of them now every time it's there, they'll be
in the middle of a sudden send their hairstyl changes,
like does somebody come into a quick new and then
walked off someone in their loves doing both those girls.

Speaker 3 (01:09):
I think with Stephanie because Stephanie's got longer hair even
without the hair extensions. Yeah, and I think they're so
in love with Angela. I say, darling, let me do
your hair.

Speaker 2 (01:19):
It's like fucking Marie Antoinette. Every day she's got a
new wig, a new hair, new or whatever.

Speaker 1 (01:24):
So you know, do you that's so funny. I will
tell you, though, Kisha, the amount of people that sent
me a text. So the new season of Before the
ninety Days started, Now, of course I cover it here
with Kimberly on Tuesdays TLC Tuesdays. Last week I was
on Chris Ferra's podcast Banity Farah formerly DOCU Sweety's and

(01:46):
You're gonna be on this week, okay, So I discussed
it with her, and then I discussed it with Kimberly.
But the amount of DMS I got about Emma's wig. Now, First,
while I was watching it, I sent you a screenshot.
I go, hey, there's I know you're not always you know,
up to date on ninety Day, but there's this new

(02:07):
girl Before the ninety You're gonna have to watch it.
So I sent you some screenshots and you're like, even
my white husband knows that's a wig.

Speaker 3 (02:14):
I gotta tell you something, Mary Pane, I was slightly
disappointed in you.

Speaker 2 (02:19):
I was like, I think, not to believe she's asking
me if this is a wig? How we learned nothing?

Speaker 1 (02:25):
Well, I kept thinking maybe she's got a Teresa Judi's hairline,
Like it's real low.

Speaker 2 (02:30):
Girl girl with no baby hairs, no nothing, no edges.
You are better than this. You are better than this.

Speaker 1 (02:39):
Initially, because of the way the hair looked, I thought,
because it was so flat and straight and shiny, and
the way that she was always sort of petting it,
I thought, well, maybe.

Speaker 2 (02:50):
She'st it to make sure it says on ah.

Speaker 1 (02:53):
But then when she's at yoga and at the beach,
it never fits her hair from a pony till nothing.
I was like, Okay, so it was ai so bad
and you think it's a bad wig.

Speaker 2 (03:05):
I don't think it. I know it's a bad.

Speaker 1 (03:07):
Okay, all right, Well, guys, for everybody wanting Keisha to
weigh in, she has wived in. People were like, were
going to talk about it.

Speaker 3 (03:16):
Yeah, I told someone said, we had a very long
discussion about this last night.

Speaker 2 (03:23):
Yeah.

Speaker 3 (03:23):
It's part of having a wig on is it's supposed
to look not like it's a wig.

Speaker 1 (03:31):
Right.

Speaker 2 (03:32):
She didn't get that memo. She didn't get it. She
didn't get it.

Speaker 1 (03:35):
Well, even when they showed pictures of flashback pictures of
her when she was with her first boyfriend in Morocco,
she had a wig, but it was a little more
curly like the hair was a little more curly, but
it's just but once Chris and I kind of really
got into the nitty gritty of comparing it with her
sister's hair in the park color yeah, and Chris is like,

(03:57):
maybe she got a spray tan on her scalp. I
was like, you know, I think we're going too far
with trying to get this girl some credits.

Speaker 3 (04:02):
Don't give it her too much credit, and there's no
credit to be had. She failed, throw air in jail,
throw away the key. It is so fucking bad. I
cannot believe she knew all this time was coming, she's
gonna be on this show, and that's the week she
decided to wear and she gotta wear that wig all season.

Speaker 1 (04:18):
She's gonna wear it. Well, she has to. Is once
you start on something, you have to. So Keisha has
rendered her verdicts. Here we go. It's a bad wig.
That's the verdict. Felony, felony, class one for such a
cute girl. I know, but like I said, her and
her sister look like a before an expert picture of

(04:40):
plastic surgery. And they're so young to have all that
work on their face.

Speaker 3 (04:45):
I you know, my theory, I don't understand people in
their twenties and thirties getting botox.

Speaker 1 (04:49):
That's just me.

Speaker 2 (04:50):
I don't get it.

Speaker 1 (04:51):
I'm like, save it, save it, save it for when
you save that money when you need it. Yeah, I don't.
I don't know.

Speaker 2 (04:58):
I don't.

Speaker 1 (04:58):
They call it baby botox, preventative botox. I'm like, no,
don't do it.

Speaker 2 (05:02):
There's no such thing as preventative botox, is it.

Speaker 1 (05:05):
Well? I think if when you're in your twenties and
you can see you're starting to get the lines across
your head or the line whatever, you can start to
see that they're gonna be there, and they do just
like a little and they think. I think the theory
is is that it freezes it enough so that you
they don't form those wrinkles, don't for Is that even true?
I have no idea. Maybe, but I would wait till

(05:26):
I just had the wrinkles and freeze them then that.

Speaker 2 (05:29):
Yeah, that's that's that's my plan to do that. But
then I saw something. I'm like, I saw the cost
of flip fillers.

Speaker 1 (05:38):
Holy ship balls, everything's cost a lot, it costs a lot.

Speaker 3 (05:44):
I was shocked when I saw the price of flip fillers.
I'm like, are you fucking kidding me.

Speaker 2 (05:49):
I thought it's like two hundred dollars.

Speaker 1 (05:51):
No, no, no, no, no, it's probably at least one
thousand if you're just doing at least yeah, at least yeah.
I mean you can tell for me, my little chicken
lips that I've done it before and I really liked it,
but the pain and the money is not worth it
to me. So and I don't even know it's a lot.
I don't even know if I'll do lip flip again
because it just makes you so weird for like three weeks.

(06:13):
You can't thrink out of a straw, you can't rinse
your mouth out. You've seen me and my struggles.

Speaker 2 (06:21):
Yeah, I used to hate my big lips, but now I'm.

Speaker 1 (06:23):
Like, no girl. Hashtag blessed, hashtag blussed. Well, you will
be on Chris's show this week. Vanity Farah. Guys, it's
if you were subscribed to Docus. Sweety's the same feed,
but she changed the name because she's solo now and
it's a Vanity Farah fa r a h. So make
sure you're following it and listening to our friend. Chris

(06:43):
and Keisha will be on this week and I was
on last week.

Speaker 2 (06:45):
Okay, yep, but she went to the best for her
first two shows.

Speaker 1 (06:50):
That's I mean, she's got to get those numbers up, Keisha,
she's got to get those listeners in. But we're here
to talk about mates. So okay, another quick announcement, really quick.
They did bump the date back for Love during Lockup,
so it is in fact going to start January sixteenth, Yes,

(07:13):
which we'll put our episode on the nineteenth, so the
airs on Friday, our episode comes Monday, and guys, it's
going to be perfect. It's going to be right after
sixty days end at their fourteenth episode, we'll roll right
into Love during Lockup. We don't have to have any
break with any filler content. I'm thrilled. Thank you awesome,
thank you we TV. Oh, thank you Lord. I don't
have to come up with some content. But Keisha and

(07:35):
r are going to cover. We are going to cover
the Mary Cosby TLC documentary. We're getting the screeners for
that and it will count on the ten dollars level
of prime. So patroon supercast Apple on January first, the
day that it drops, it'll come out the same day,
January eighth. It will come out on the free Feed

(07:55):
on the Pop and Bravo the Pop and Bravo Day Thursday,
so awesome. Those are all your programming notes, y'all. When
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You can give Mongolian cashmere sweaters, Italian wool coats. I

(08:19):
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(08:40):
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(09:01):
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(09:22):
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(09:48):
episode ten, The Inmate who Loved Me Okay, I am
getting very nervous about this situation, and I can't wait.
I really can't wait till next week. I almost watched
her head, but I didn't let myself do it.

Speaker 2 (10:03):
I almost did too. You know, I usually never watch ahead.

Speaker 3 (10:07):
I'm so tempted, but I'm like I'm not gonna remember
this shit, so I might as well just wait till
closer to the time we record.

Speaker 1 (10:15):
I know. I just wanted to know. Is is it
Stephanie that blows Angela's cover and is like she has
told Gabrielle or does angelaie like jokingly telling herself, like
tell the production? So I told, and then they're like, well,
now we have to pull you, you dumb fuck.

Speaker 2 (10:31):
I think that I I think she tells on herself
on accident.

Speaker 3 (10:37):
I'm gonna go with that theory because she's already doing
too many joky jokes about does she does she not?

Speaker 2 (10:43):
Does she does? She not? Right?

Speaker 1 (10:45):
And then it's like does does Gabrielle then say to Stephanie,
I know you're part of this program.

Speaker 2 (10:53):
Oh I didn't even think about that.

Speaker 1 (10:55):
And then Stephanie's like, hand above the head.

Speaker 2 (10:58):
I gotta get out of here.

Speaker 3 (11:01):
I am in dangerous so it's my They already took
my hair, so okay, y'all please come give me before
they take my glasses.

Speaker 1 (11:08):
I keep thinking somebody's gonna take her glasses to be mean.
She and Emmanuel are cut from the same coth. They're
so like earkle like you know, they're like, oh my goodness,
how dare you? You know?

Speaker 2 (11:20):
Yes, they most definitely are. They would make a pretty
annoying couple.

Speaker 1 (11:24):
Yeah they would. Yeah, Okay, sixty Days ends. He's a
four episode ten, The Inmate Who Loved Me. We're gonna
start with Nate Allen and Andrew in the five hundred,
so Alan bless his heart. So, oh boy, we see
his new roomy Dre. Oh god, Dre ain't right he
something's happened to Dre and he has fully lost his mind.

Speaker 2 (11:48):
He's scary, like because you don't know what's.

Speaker 1 (11:52):
Wrong with him, right.

Speaker 2 (11:54):
He acts very oddly. He doesn't seem to comprehend things.

Speaker 1 (12:00):
Didn't he say last episode he's affiliated? Or was that
Andrew's new roommate that said that affiliation?

Speaker 3 (12:09):
I feel like someone It wasn't him. I feel like
someone's room and said I'm affiliated with the Bluffs. But
I leave that stuff up out on the streets and
don't bringing it in here.

Speaker 1 (12:17):
I think that was Are's roommate.

Speaker 3 (12:19):
That may be Andrew's roommate who I'm sure Andrew's gonna
help him learn algebra, social studies and all that great
stuff because Andrews an angel.

Speaker 2 (12:31):
Blessed at jail.

Speaker 1 (12:32):
He's so sweet, so bless his heart. So thank god
they don't know that. So Dre Dre is saying like
and he's like what he says passed to be my sheet,
and Alan goes, I can't understand anything this guy says.
It's frustrating. Then we see Dre standing up on the

(12:52):
chair chair yelling honor, honor into the event and saying
to Alan and don't trust the big dogs when you're
going in too much. And then we see Alan pull
a mat and look right at the camera like, what
is going on now? I'm kind of wondering now that
we move ahead in the episode, I'm wondering if Dre

(13:14):
was saying all that honor honor and he's saying, don't
trust the big dogs when you're going in into prison
too much. I think he's talking about the Bloods now
that I'm now that we know that he's he's in
the bloods or he wants to be in the bloods unclear.
I think he wants to be in the bloods, wants
to be in Okay.

Speaker 3 (13:33):
So my question is, is the person that does the subtitles,
how were they able to understand that that is what
he was saying.

Speaker 2 (13:40):
Oh, I don't know, especially the sheet part, because I'm like,
what did the fuck is he?

Speaker 3 (13:45):
Like?

Speaker 1 (13:45):
How did go back?

Speaker 2 (13:46):
And at Yeah? And I'm like, did they ask him.

Speaker 3 (13:48):
Like, hey, can you slowly tell us what you said
and stead of typing it in because it's mushmouth?

Speaker 1 (13:55):
Yeah, yeah, he's not. And he's been there over a
day now, so it means at least if he was
on drugs, he's awfu by now.

Speaker 2 (14:03):
Yeah, this is just the way he speaks.

Speaker 1 (14:05):
So then we see a night vision camera and Dre
says to Alan. Dre says to Alan, you're afraid, and
Alan's like what what? And then Dra is talking to
himself and laughing for no reason, and he's like sitting
up in the bed and like talking, and you see
poor Alan down on his block like, oh my god,

(14:27):
what to do? And then he's just standing there staring
at him while I'm sleeping.

Speaker 2 (14:33):
Can you imagine if Dre would have been Matt's roommate,
Oh god, the.

Speaker 1 (14:42):
Night vision they would have needed in that room. They
would just camera.

Speaker 3 (14:47):
Matt would have been like, well, since you're already standing up, smooth,
since we're both up.

Speaker 2 (14:55):
Let's just do this.

Speaker 1 (14:56):
You know, he's just daring. It's super creepy. And Dre says,
you see that redheaded girl, and Alan's like, you're scaring me,
dog man, I don't know what you're doing, like you're
scaring me. So then Dre is saying, you know, I
like to fight. I like to fight, like I'm gonna today,
I'm gonna beat somebody up today. I'm gonna beat somebody up.

(15:17):
So then they're called out of their cell. This is
after they've been in lockdown for X amount of time,
and we see Drake go upstairs like at a fast pace,
like he's a jogs up the stairs and Alan. We
hear Alan going, something is going down. I don't know.
Dre just went upstairs, went to that corner cell and
started fighting, and so he asked JT's this other white guy.

(15:38):
He goes up and he asks JT what's going on?
And then these other two guys that are watching the
fight kind of look over at JT and Alan kind
of wink like, you know it's going down in this
in this corner cell.

Speaker 3 (15:50):
Okay, I'm not gonna lie. When he first went to
the corner cell, yeah, I thought it was to have sex.

Speaker 1 (15:57):
Oh, well, he said he was he wanted to beat
somebody up.

Speaker 3 (16:01):
Yeah, I mean you could use the same terminology for
both things, like fight or six.

Speaker 2 (16:07):
I could beat somebody up, you know what I mean.

Speaker 3 (16:09):
I really thought that's what it was, because usually when
there's a fight, like everyone's talking about it already and
then the fight breaks out.

Speaker 2 (16:17):
But that wasn't the case. But I was wrong.

Speaker 1 (16:19):
No, he got off all lockdown and was like who
just ran right up there as if everybody knew. And
that's why I'm wondering earlier when he was yelling into
the vent and stuff, was.

Speaker 2 (16:28):
That the message?

Speaker 1 (16:29):
That was the message? So yeah, then we see them counting,
but they didn't do one blood, two blood, three blood.
They were just counting one, two, three and the black
screen of deaths, says Alan's cellmate Dre is being initiated
by the Bloods.

Speaker 2 (16:46):
Yeah, and we hear them.

Speaker 1 (16:47):
Yelling fight back, fight back, they're yelling. So I don't
know if he had to go in there and take
a beating and not fight back, or if they want
him to fight back. I'm just glad we didn't see it.

Speaker 3 (16:56):
All I know is by the way that he looked
at when he came out. He most definitely didn't fight back.

Speaker 1 (17:00):
No no, no, no oh no, so zucking head Allen goes.
I don't want to be a part of it. I
don't want to be guilty by association because that's my roommate. Like,
I don't know if this is worth it, if my
roommate's going to be this guy. Like, I feel like
I'm wasting my time here. I don't know how to
control my anxiety. I miss my baby, I miss my wife.
I'm exhausted mentally physically. So Alan's starting to cry.

Speaker 2 (17:22):
He's spiraling. Yeah, he's most definitely spiraling like he is.

Speaker 1 (17:25):
So did we hear the CEO say okay, bet check
everybody go to your cell and Dre comes out and
his face is all fucked up.

Speaker 3 (17:32):
So when I saw Dre's face, it reminded me of
this episode of Martin Okay where Martin, Yeah, he had
a fight with the some professional fighter Botzer.

Speaker 2 (17:44):
I don't remember what it is. Well, he had talked
so much shit and.

Speaker 3 (17:47):
Then he comes back in his head swallen out to
hear he's got huge nods.

Speaker 1 (17:51):
He's like, I don't want to fight, no moo, I
don't want to fight.

Speaker 2 (17:55):
That is exactly what Dre looked like.

Speaker 3 (17:58):
I'm lying, How do you get a goddamn big like boy.
You didn't even try to cover up or nothing. You
would just like take me as I am, beat on me,
do whatever you want.

Speaker 2 (18:08):
How did that ship not hurt? Why was he not
trying to get help from the nurse.

Speaker 1 (18:12):
I don't know. Maybe if you get help from the nurse,
But if you get help from the nurse, maybe that
means like you're squealing or you know. I don't know.

Speaker 2 (18:21):
I would have been like I fell downstairs.

Speaker 1 (18:24):
You don't want to get in trouble for sneeche stitch
nis And so Dre comes out, he's all fucked up,
and the CEO goes, yeah, what happened to your eye?
And you just hear much more but the callows captions
say that. He says, I'm all right, So you had
so mushromuth? Do you think the COO just don't doesn't

(18:45):
ask any further questions, like clearly this guy got placed
in the eye. He's like all right, he says he's fine.

Speaker 2 (18:50):
He says he's fine, all right, all right.

Speaker 1 (18:53):
So then we see Alan walking around with his hands up.
He's put his hands up with a disressed distress call,
so they look like a ghost. He's but his hair
is so much better now, but his coloring.

Speaker 3 (19:04):
Is not like he is the color of this paper
towel at this point of the show. He didn't start
off that white like he is, because it's concerning me.

Speaker 2 (19:15):
I'm like, it's blood flowing.

Speaker 1 (19:16):
Well, he's had no you know, sunshine to get you
know what I mean, So damn Nate.

Speaker 2 (19:22):
Don't look that white. Neither does Matt's son Andrew.

Speaker 1 (19:26):
That's true, that's true. That's a good point. Well, this
guy's he's struggling. So he gets pulled in for an
interview and he tells them he's just tired, and he
starts crying. And he says that, you know, there's this
new herd of people, and the first thing my ruby
does this morning is fight. And now I'm associated with
this guy mentally, it's exhausting. I just want to finish this.

(19:49):
I want to go home. And he goes throw me
a bone, and they said, do you know your your
day count? And he says, no, I don't, and they
say it's been forty days, and so then you really
start crying. Yeah, and he goes, because he was hoping
they were going to go.

Speaker 2 (20:03):
It's been fifty five days, you know, No, you got
to any more to go, buddy, And he goes.

Speaker 1 (20:09):
I don't know if I can handle I don't know
if I could handle it the full sixty And he goes,
I'm drained. And he goes. Putting on a show and
acting for forty days is exhausting. He goes, I left
my wife, my baby. I put my life at risk,
and I know I can't just give up, but I
don't know what else to do. I don't give up
on things, and I want my family to be proud,

(20:29):
but I'm really struggling. So Matt didn't have that struggle.
He gave right up. Yeah.

Speaker 2 (20:34):
I feel like if.

Speaker 3 (20:38):
He knew that Nate was part of the program and
they could really talk, I think this would help him
out a lot, because Andrew ain't got time for Allen
because he is teaching social skills. Wouldworking all like he
is there on a true mission. But I feel like

(20:58):
if he had you know, Nate with him, Nate could
totally help him through the next twenty days.

Speaker 2 (21:05):
Think of would help a lot. And maybe some red meat,
maybe a little bit of red meat.

Speaker 1 (21:09):
Maybe a hot meal. So yeah, yea, all the holidays
are here. They're not coming, they're here, and I'm trying
not to pan it because i have a lot of
last minute things to do. Luckily, I have Wayfair to
help me out. I'm hosting a Christmas Eve party and
I'm not ready, not ready. So today I went on
Wayfair and I found the absolute cutest table decorations. You know,

(21:29):
I love some little trees. I got some outdoor lights
while I was at it, because they have everything. They
have those blow up outdoor decorations, they have wreaths for
your door. They also have fancy ornaments that I like,
and they gorgeous table linons, literally everything from napkins to
Christmas trees. And luckily, you know, delivery is fast and free,
so I don't have to worry about that. My items

(21:50):
are coming this week. So I'm going to be able
to de stress and enjoy the holidays with my family.
And when you go on wayfair dot com, they have
an entire gift guide section. I found some great gifts
for my husband's family and some great things for my
sisters and also my dogs. Yes, Wayfair has the things
for your dogs too. Last time we went to the beach. Also,
we have three items delivered from Wayfair. It's like Wayfair, yes,

(22:13):
thank you, A rug, a bench and a light fixture. Y'all.
They have everything and again delivery is free even on
the big stuff. So get your last minute hosting essentials
gifts for all your loved ones and acre to celebrate
the holidays for way Less. Head to wayfair dot com
right now and shop all things home that's wayfairt dot com,

(22:34):
w A, y f A r dot com, Wayfair, Every style,
every Home, Black screen of death. After Allan's distress call.
The colonel arranged for Alan's wife to visit him, and
he doesn't know, so they call him out of his
cell again and the talking head Brittany, his wife, says,

(22:55):
I think when he sees me, he's gonna want to
come home right when he sees me. And I don't
want to to come home because of me. I want
him to finish it out if he wants to. And
I really wonder if they get paid less if they
leave early, because she is really really encouraging him to stay.
And I wonder if it has something to do with money.

Speaker 2 (23:12):
I'm thinking that it does.

Speaker 1 (23:14):
So he sees her and just bursts into tears.

Speaker 3 (23:19):
I mean it was the equivalent of a child being
picked up from the first day of kindergarten when they
see their mom.

Speaker 1 (23:28):
Today.

Speaker 2 (23:29):
Mo, that is how he is crying, like hit her
neck and her shoulder. He looks like a child.

Speaker 3 (23:40):
He became the size of a thimble when he broke
down and started hugging.

Speaker 2 (23:44):
I felt bad for him, I really did.

Speaker 1 (23:47):
He hugs her and he kisses her, and she's like, well,
what's going on is He tells her about the new
roomy and how he got beat up by the bloods
on the first day, and he goes, I just look
and and he goes, I just I just lost it emotionally,
after lost it, And he says, would you be disappointed
if I left early? And she goes, if you want
to do that and you just can't handle it anymore,

(24:08):
you should do it, but don't do it just for us,
like right now, I think you just want to come
home to see me and Ali, but you have to
think through the whole thing. And she shows him. She goes,
but I have pictures, So she brings like new pictures, and.

Speaker 2 (24:22):
I think she had a picture of a new car.

Speaker 1 (24:25):
At the bottom, and one of them said, on this car,
so fifteen thousand if you stay in, only ten if
you leave, And this is.

Speaker 2 (24:33):
The car that I want, right, he keep your eyes on.
You promised me that minivan.

Speaker 1 (24:39):
So daycare is five thousand dollars.

Speaker 3 (24:41):
Yeah, for real, Because she was like, okay, I'm here,
let's have a pep talk. But she does not want
him to come home right now.

Speaker 1 (24:49):
No, And I don't think she doesn't like a Jacqueline, Well,
Jacquelin's guy doesn't like her. I think that she likes him.
She just wants whatever it is. I think it's I
think it's money, I think. And we'll have to go
on the Reddit to find out, like how much they
get made, how much they make and if they make
less if they leave early, because we could find that.
So yes, she shows him a bunch of pictures. He cries,

(25:13):
and she says, if you say all right, I'm done,
I think you're gonna regret it. She says, do you
think you can stick it out? And he's like, yeah,
I can't. And he says he'll stay. He's gonna make
it to the end. Okay, Christie, Okay, Andrew. So Andrew

(25:33):
calls his dad, and he's like.

Speaker 2 (25:36):
Oh so good.

Speaker 1 (25:39):
He goes, hey, Dad, how's it going? And that goes
Andrew the gang stuff, the gang stuff, And on my side,
it was just ramping up. I was ramping up, and
I'm thinking like, wow, I could really face some charges
because you'll have a fighter. And if stuff went down,
I was gonna fight Andrew and you know, you know,
I'm deadly, deadly weapon. What's with my and and Andrew goes, yeah, Dad,

(26:04):
I think you were just being paranoid about that.

Speaker 3 (26:07):
Yeah.

Speaker 1 (26:09):
I don't think any of that would have crept over
into my side.

Speaker 2 (26:12):
Dad.

Speaker 1 (26:12):
Yeah, he lost it, so colocked it. And Andrew goes,
you know, uh, I think my dad felt kind of
panicked and he didn't like being him den and so
I'm glad. I'm glad for his sake that he did leave.

Speaker 2 (26:28):
Yeah.

Speaker 1 (26:29):
Yeah, and the talking head Matt goes, you know, I
feel so proud of Andrew. And it must have been
me all along then needed to tough enough. Okay, good
you figured it out.

Speaker 2 (26:39):
I'm glad you realized that maybe you actually could be.

Speaker 3 (26:44):
In a m M A fight like in the ring,
not just classes. But we want to see it like
we want to see you in this fight. It was
just what I say, Andrew, I do too.

Speaker 2 (26:57):
I bet money on it.

Speaker 1 (26:58):
Yeah, well, and I wouldn't do well.

Speaker 2 (27:01):
I would bet it on him. I love it, Andrew.

Speaker 3 (27:07):
Everything that we've been saying and thinking about Matt, Andrew
summed it up in thirty seconds.

Speaker 1 (27:14):
Yeah.

Speaker 2 (27:15):
Yeah, he as this fucking paradox. There was nothing going
on over there.

Speaker 1 (27:20):
Nobody was trying to get him.

Speaker 2 (27:24):
Not at all.

Speaker 3 (27:25):
He lived in a constant state of paranoia the entire
time that he was there two weeks ago. I think
he else wanted to see a therapist and maybe take
like an anti paranoia peel.

Speaker 2 (27:37):
Every day because the mother he's fucked up.

Speaker 3 (27:40):
In the head.

Speaker 1 (27:41):
Yes, all true. Okay, so now we go to Nate. Okay,
so Nate said, I love Nate. So Nate says, you know,
Nate says, We've come across people in here with marijuana,
and I'm just trying to figure out, like how the
contraband is getting in. I've been in here over three

(28:03):
months now. And he says, I heard O'Neil and I
wrote down Babba, but it's Rabbit talking about how the
meth is coming in, and I want to know why.
I want to know when, and I got to know
so I can tell the colonel so we can plug
the leaks. And he goes. But you gotta finesse how
you talk to them about it. You know, you gotta joke.

(28:25):
You got a joke about putting shit in your ass,
like you got a joke. And he goes. But I
did find out it's five commissary items for one hit shit.
So now we see a new character.

Speaker 2 (28:39):
M M.

Speaker 1 (28:43):
Kasha, What the actual fuck am I looking at right here?

Speaker 3 (28:47):
That actually scared me for a second. I'm like, that
is a jump scare Keisha.

Speaker 1 (28:54):
This guy's name is Rabbit, and they call him Rabbit.
But the guy's two front buck teeth that are yellow.

Speaker 2 (29:03):
They're almost fucking gold.

Speaker 1 (29:05):
I have a picture up on the screen if you're
watching on video. I was so upset because, as you know,
think about teeth, and normally I would look away and
not put a picture up and just talk about it.
But this was so upsetting it had to be shown.

Speaker 2 (29:24):
It is just like, here's the thing.

Speaker 3 (29:26):
So let's say we were down to our last two teeth. Okay,
I'm gonna take such good care of those last two teeth.
I'm gonna cress white and stripped them every day.

Speaker 1 (29:43):
You just said, let's just say we're down to our
last two teeth. Oh my god, I okay, I have
to take it off. Okay, oh okay. When he was
scary looking, he was scary looking. Yeah, that's why this show, y'all.

(30:08):
Just when you think, well, there's nothing else to talk about,
you give me a guy that looks like that.

Speaker 2 (30:13):
Okay, his name Crankster Gangst.

Speaker 1 (30:17):
I'm thesster gangster.

Speaker 2 (30:20):
All right, so.

Speaker 1 (30:22):
Rabbit tells us, Hey, I'm the Crankster Gangster. I've been
using myths since I was fifteen, from California to Oregon
to hear.

Speaker 2 (30:30):
Such we can tell.

Speaker 1 (30:33):
From California to Oregon. And now he's in Atlanta. So well,
he's just in prison for meth and he just is now,
he says, from fifteen to now.

Speaker 2 (30:44):
But with this guy, he.

Speaker 1 (30:46):
Could be he could be thirty six, he could be.

Speaker 2 (30:49):
So many different agents.

Speaker 3 (30:51):
Maybe he's a certain age in Rabbit years, and we
just don't know how to calculate it.

Speaker 1 (31:10):
I can't.

Speaker 2 (31:12):
I'll deal with this guy. This is crazy, crazy.

Speaker 3 (31:20):
And he ain't ship for sure, there's no real reason
for him to be on this episode.

Speaker 1 (31:25):
They couldn't. They could have just said there's a guy
named Rabbit. We didn't need to know any more information.
If they wouldn't have shown him up up close, we
would have never seen this. Okay, no, but listen, it
was the comedic relief we needed, so yeah, we did.
Nate says, you know, Rabbit, he's an og. He's known
as an unk or a guy who really knows what's
going on. So he's the guy I'm going to talk about.

(31:46):
And also he's a crankster gangster, so never forget. So
Nate talks to Rabbit and Alan is just standing. They're
kind of listening, okay, and he's like, so, like, what
actually are you trying to get? And Rabbit says, no,
I found out you can get like a five or
a ten dollars bump of ice or meth, but like

(32:07):
I don't even know like five or ten. Like does
it last? And Nate goes says, he says, something like
that last guy that did it was high for two days.
That's gary, yeah, but not if you're the crankster gangster,
that's what you're looking for.

Speaker 2 (32:23):
This motherfucker is like a cockroach.

Speaker 3 (32:25):
It could be the end of times and there will
be cockroaches wrote it, and Rabbit well because he's a.

Speaker 1 (32:36):
So and the talk of head Alan who's listening, says,
maybe I should just try to buy some to show
Chief Asher how easy it is to smunkle drugs. So
it's interesting, right because Nate knows Alan's in the program,
but Alan doesn't know that Nate's in the program. So
Alan is like gonna actively try to buy drugs but

(32:59):
he doesn't know. I mean, Nate could just be I
don't know. It was interesting.

Speaker 2 (33:02):
I didn't know that Nate knew that Allan was in
a program. I know he knows Andrews.

Speaker 3 (33:06):
I know Andrew and Allan know they're in the Yeah,
but I didn't know Nate knew one of them was
in the program.

Speaker 1 (33:13):
I think Nate knows both of them are in, but
he's never told them that he's in. I think he
figured it out when they came in. I think he
said it's pretty obvious those are the guys, because I
remember he said, like immediately when you say you're not
from Fulton County or Atlanta, yeah, and then you're like
these white guys that have these kind of weird crimes,
you know, Nate, because Nate said when they came in,

(33:34):
he goes, oh, yeah, I can tell those two guys
are the new guys, but he never tells them, which
is interesting.

Speaker 2 (33:39):
Oh so he's not blowing his cover for anything.

Speaker 1 (33:43):
Yeah, okay, all right, all right, let's go over to
the six hundred Matt, Johnny and Emmanuel. Now Matt with
clean hair and a cablenet sweater goat and it's little
little pony, little little poney me bun in the.

Speaker 2 (34:00):
Back looked half way decent. I mean, maybe not all
the way.

Speaker 1 (34:05):
Half I mean comparatively, I guess.

Speaker 2 (34:08):
Yeah.

Speaker 1 (34:08):
He goes over to chat with Colonel Mark Ager and
Lieutenant Colonel Kurt Beasley. Kurt is the woman.

Speaker 2 (34:17):
Yeah, and did you notice she could not stop laughing?

Speaker 1 (34:23):
I really, I really want to take a screenshot of it.

Speaker 2 (34:25):
And she every time they showed her, her head was
down as trying to keep in the laft.

Speaker 1 (34:31):
Now, I did notice when when he left the room
and she was just talking to the colonel, she wasn't
acting like that, but when he was in the room,
she could not contain her smirk.

Speaker 3 (34:41):
Well, imagine how much they probably had to cut out
of this scene, right, because God knows what all he
really said, because there's no way Matt just said the
little bit that we saw.

Speaker 1 (34:53):
You know, it was a two it was a two
hour thing, and she's like, yes it was. So you
know that the whole time, h Lieutenant Colonel Kurt is
looking over at Matt, like the hours of footage I
had to watch of this dumb ass talking to himself,
hung to fighting in his cell alone, shadow boxing his enemies.

Speaker 3 (35:14):
Yes you know he is, yes, yes, yes, yes that
they should have sent him to the psych board after
they saw the way he behaved.

Speaker 1 (35:22):
Because he's clearly clearly paranoid. And Okay, so Matt says,
there was a very active gang in there, the Bloods,
and in my cell there in my unit, there was.

Speaker 2 (35:36):
A guy named Tebow and we haven't seen I'm seeing.

Speaker 1 (35:41):
In a while. Yeah, he's a big dude. He's a bully,
and he was threatening people that I cared about? Who who?
Who'd you care about that he threatened?

Speaker 2 (35:51):
He didn't threaten you don't care about Boccie.

Speaker 1 (35:54):
He didn't threaten Johnny.

Speaker 2 (35:55):
He did thirty threaten Johnny and he damn sure didn't
threaten you.

Speaker 1 (36:00):
No, and uh, you know it preyed on me. It
preyed on me. And this needs to stop with these people,
Like I want something to be done with watching what's
going on, Like the little guy in the corner is
being terrified and feels violated, and they show a picture
of that, like goofy white guy with the hair with

(36:21):
the stripe in it walking around like little and the
one he just went and sell and let him beat
him up.

Speaker 2 (36:26):
Yeah, and he was perfectly fine after he got beat up.

Speaker 1 (36:28):
No, he didn't care. And he says, you know, the
little guy in the corner is terrified and feels violated,
and he could go out into the street and reoffend
because he feels cornered. And you know it'll be Fulton
County Jail's fault if this happens. Really, and this is
when you see more than once they showed Kurt basically
looking down like are you fucking getting me with this guy?

Speaker 2 (36:50):
This motherfucker right here? How much fun left do we
have with this motherfucker? Can we hurry up and get
him out of here?

Speaker 3 (36:57):
He he is acting like it's TBO and the Mormon
Tabernacle Choir, that's who's all in the pod, Like, no,
it's not.

Speaker 2 (37:08):
They're all criminals doing something bad.

Speaker 1 (37:12):
And they're all bloods and they're handling their business amongst.

Speaker 2 (37:15):
Themselves and not paying any attention to Matt.

Speaker 1 (37:18):
So Colonel Agri goes, So Matt goes, I want to
tell you that there's a button, an emergency button in
the cell, and when you press it, nothing happens. And
he goes, something good happen to me. I pressed it
like twenty minutes. Nobody either responded, and that's a problem.

Speaker 2 (37:34):
I'll give him that one.

Speaker 1 (37:35):
We'll give him that And the colonel says, you know,
recently on my rounds, I checked those buttons and there
were some missing, so we will have to address that.
So you know that's correct. So Matt says, you know,
my son was on the other side of that wall,
and I want someone to be accountable because I was
told we would be safe, and I knew in that

(37:57):
moment I would not be safe. Okay, So Colonel Andre says,
you know, look, I'm glad that you and some of
the other participants helped us realize some of our weaknesses
so we could. We're gonna look ahead and not behind.
We're gonna try to fix it. And what you brought
to us, is going to be acted upon. We take
it all very seriously. Meanwhile, Kurt Beasley is looking down

(38:20):
at her pad of paper, like, is it over? Get
him out of here.

Speaker 3 (38:24):
The only thing that they could have written down was
the button doesn't work or no one responded to the button.

Speaker 2 (38:31):
That was it. Everything else was made up.

Speaker 1 (38:34):
So the colonel goes, you know, Matt uh he got
He has a lot of energy, a lot of energy
in his participation in the project. So yes, and then
he says to Beasley, because Matt's walked out of the room,
He goes, look, I always worried about his son, but
I've been monitoring it. It seems like his son is
doing just fine on his own. But then he says

(38:59):
to Kurt. He says, them being separated as how it
is in the real world when people are separated from
their support system. So they had a real prison experience
because they were separated.

Speaker 3 (39:09):
So and I don't feel like Matt was really a
support system to Andrew in or out of jail.

Speaker 1 (39:17):
No before or after probably m and they definitely couldn't
put them in together. They would blow their cover immediately.

Speaker 2 (39:24):
No, Matt would blow their cover.

Speaker 3 (39:26):
Andrew would act like he'd never seen Matt before in
his entire life.

Speaker 1 (39:30):
I mean, I'm sure that happens a lot. If it's
like two brothers get arrested together, they're not going to
put you in together because I don't want you to
form an alliance or whatever.

Speaker 2 (39:38):
Yeah, that's true.

Speaker 1 (39:39):
Yeah, I don't think I don't think they would do. Also, again,
we talk about things we know nothing about. Guys we
don't know.

Speaker 2 (39:45):
All we know is orange is a new black, and
the shit that we see on La Lou that's.

Speaker 1 (39:51):
It correct, that's what we know. Nobody tells us to
watch the wire. It's not gonna happen, okay, mm hmm.
Emmanduel slash Bucci. So he says, So we see them
all sort of lining up and they're near the phones
and whatever. I don't know if they're lining up to
eat or go to bed or whatever. They're lined up,
and Emmanuel tells us my roommate Alan Different, Alan, Alan,

(40:13):
Alan has been trying to get in touch with his
fiance and he's trying.

Speaker 2 (40:17):
To He ain't got no damn fiance. That's his baby mama.

Speaker 1 (40:23):
He's trying to tell the CEOs that he can't get
in touch with her, and he's like pissed. So I
don't know if he's pissed because he can't get in
touch with her, and he thinks there's an issue that
someone needs to check on her, like a welfare check,
or he can't get in touch with the one person
that's supposed to give him money. He's pissed because the
CEO's are I didn't quite understand why he's.

Speaker 3 (40:45):
A girl ain't answering the phone because she will her
other baby daddy. She ain't thinking about Alan with the
butter teeth.

Speaker 1 (40:52):
So why is she mad? So why is he so
mad at the CEOs because he can't get in touch
with this fiance. It's not their fault.

Speaker 2 (41:00):
It's not their fault, yeah, because he's stupid.

Speaker 1 (41:03):
So he's yelling. He's furious about it. And so we
see this woman who's the CEO come in and go
all right, it's count time, it's count time. And they're
all just kind of, you know, most of them are
kind of dealing what they're supposed to, but Alan is
just standing against the wall. He's calling her a whole
ass bitch, motherfucking hoe, motherfucking bitch.

Speaker 2 (41:20):
Da da da da, And she but a black girl.
And she goes, she.

Speaker 1 (41:25):
Goes calm down, pipe down boo, pipe down boo. He goes, oh,
you know, you're just a fucking ho blah blah blah,
and she goes, boo, you turned up a little too much.
Pipe it down.

Speaker 2 (41:36):
Now.

Speaker 1 (41:36):
I love this because she's in the position of power
and he's thinking we could just cuss her and call
her all the kind of news and she's like, simmer down, boo,
you little too turned up. She just keeps her composure.
She does she's been there a while, yeah, and she's like,
I'm used to get the dumb asses like yes. So
Alan's like, oh, this is going to make me black

(41:57):
out on this motherfucker. And he is just like, basically,
you know, I'm gonna try to beat up this woman, right.

Speaker 2 (42:02):
Yeah, So I think she could kick his ass.

Speaker 1 (42:05):
Oh it would take one arm time behind her back.

Speaker 2 (42:08):
She could take him down. Yeah, I agree.

Speaker 1 (42:10):
Someone talking to her, Johnny says Alan, he is a
loud math. He has no respect for women, and he's
disrespecting an officer. And I don't know about Alan. I
don't know how he grew up. Maybe he didn't have
a man in his life to tell him what's right
and what's wrong. But it's out of my character to
just let him be and let this happen. You know,
I was taught by my mother to respect women no

(42:32):
matter what the situation, right, which I was like, how
much more do we could? We love Johnny. Johnny is
in prison and these people are trying to hold him down,
but he's like, hey, respect that woman even though she
just puts you in ancuffs, you know, yeah, And.

Speaker 2 (42:47):
You have to remind yourself that this person was not
just a gang leader. He created a.

Speaker 1 (42:52):
Whole gang, created all day.

Speaker 2 (42:55):
You know, how bad motherfucker you gotta beat and create
your own gang.

Speaker 1 (42:59):
I just think Johnny is such an interesting study until
like people really turn in their life around because we
just don't see it that but.

Speaker 2 (43:06):
Like it's such a drastic, drastic.

Speaker 1 (43:10):
So Johnny walks over and goes hey, hey, hey, Alan,
And Alan goes no, hey hey hey, And he goes no, man, hey,
you need to respect the woman. And Alan goes no.
He goes kad nobody in this bitch tell me nothing, bro,
And he's like, excuse me. Johnny's like excuse me, And
the CEO, who I love is going it's all right, baby,

(43:32):
it's all right baby. Thank you though, baby, let it go,
let it go. Boo, It's okay.

Speaker 2 (43:36):
He's a fucking idiot.

Speaker 1 (43:37):
Yeah, she's like okay, She's like, I'm in the position
of power. Let him keep running his mouth. See what's
gonna happen, you know, yep. So Johnny goes, look, I
tried to calm him down, but I'm just tired of it.
I'm tired of him running his mouth all the time.
And then we see Johnny kind of going like he
needs to get his ass whooped, like he needs to
get a good ass whooping to kind of get him
in check. And Alan starts going, let's go, let's go.

(43:59):
I'm not your child. You better back up, you better
back up. I'm not your child, and he and Johnny
are both just sort of doing that man thing where
they're like bowed up and just sort of like yep,
drawing at each other yep. And Johnny is like, look,
I want to take a swing at him, and you know,
this is it. He has pissed me off for the
last time. I want to beat his aster. I want
to teach him a lesson. I want to take him
into the room. And so they all keep yelling, both

(44:22):
of them, Johnny and Alan, like you swing on me,
you know, you swing on me, beat my ass?

Speaker 3 (44:26):
Do it.

Speaker 1 (44:26):
I'll show you. I'll take it. Da da da da.

Speaker 2 (44:28):
And you're talking.

Speaker 1 (44:30):
It's a lot of talking to Alan's like, you can
make me respect her. You could make me respect her.
And I think Alan wants him to beat him up.
I think Alan wants to get his ass beat. Well.

Speaker 3 (44:40):
I feel as though Alan thinks he can take Johnny
because he's younger.

Speaker 1 (44:45):
Right, But I think maybe he doesn't know Johnny's street cred. Yeah.
So in the Talking Head, Johnny goes, you know, I
shouldn't have reacted that way, but this does remind me
of my dad mistreating my mother, and all my emotions
came out, and I just wanted to respect this woman,

(45:06):
and I let this get the best best of me,
and I shouldn't have and I just need to cool off.
I just love Johnny.

Speaker 3 (45:12):
It's so funny that now that Matt is gone, Yeah,
Johnny's acting this way and I can't believe I'm gonna
say this. I almost hate myself a little bit. Uh oh,
But I think Matt was actually a good support system
for Johnny.

Speaker 1 (45:29):
I think they were a good support system for each other,
even though Johnny's got to know Matt's bunker's crazy. Oh yeah,
that's yeah, he's got to be like in the real life,
I wouldn't buck with this guy.

Speaker 2 (45:40):
No oh no, no, no, no, no, no, no, no, no,
no not at all.

Speaker 3 (45:43):
No.

Speaker 1 (45:45):
All right, let's let's move on to the main show.
It's uh, Stephanie Angele, Jacqueline Rip So everyone crazy. It's
getting crazy. So is everybody is saying like, oh my gosh,
angela happy birthday. That party last night was off the chain,
and they're like, but that after party though? What what

(46:06):
I was like, we didn't see the after What was
the after I.

Speaker 2 (46:09):
Was like, what the fuck if?

Speaker 3 (46:11):
What we Okay, what we saw was drug usage, nachos
which is quite delicious.

Speaker 2 (46:19):
Drink scrippers, parking drinking. What the fuck? Could the after
party have been?

Speaker 1 (46:25):
Bouncers? They had bouncers.

Speaker 2 (46:28):
Yeah, what could have gone on at the afterpart? I
don't know?

Speaker 1 (46:30):
And we think this party was like midday, So what
was the after party like eight o'clock? What what I mean?

Speaker 2 (46:35):
I don't know. I fear I fear what the after
party was.

Speaker 1 (46:41):
I fear what it was too.

Speaker 3 (46:43):
It was like a.

Speaker 1 (46:44):
So and the talk of dad. Angela says, I never
thought I'd spent my twenty sixth birthday. I can't believe
she's only twenty six thus she was older. I did
do Yeah, Yeah, she says, I never thought I had
spend my twenty sixth birthday in prison. And I really
think this is the tip of the iceberg for what
I'm doing to help these women, and there's some greatness coming. Now.

(47:07):
How do you think you're helping these women by participating, encouraging, Yes,
all this craziness.

Speaker 3 (47:14):
Yeah, she is a little bit de Lulu, the long
divest she's in there. Yeah, and just like Sephany, she
a little bit too comfortable in there.

Speaker 2 (47:25):
Yeah.

Speaker 3 (47:25):
She's totally forgotten the assignment, totally, I think. So you
can pull her in and say, look, bitch, do you
remember this contract that you signed. Do you remember what
it said? Do you remember what your purpose is here?
Because all we see you doing is fucking and partying
and using.

Speaker 1 (47:39):
Yeah, so what good influence are you making? Are you
encouraging them to do their classes? Are you encouraging them
to do their treatments, you know, for alcoholism and addiction? No,
so the women are all getting called for wreck. If
you want to go to wreck, you know, come out.
So I didn't know you had a choice, but they
could choose.

Speaker 2 (47:56):
Now you go. Yeah, I thought you everyone had to go.

Speaker 1 (47:59):
Yeah, even if you go out there and do what
you're going to do. So they're getting called for rec
and Angela and Gabrielle are going to stay behind so
they can you know, make out and bond, and they're
talking about how much they really like each other, and
Angelai is saying too, Gabrielle, nobody knows anything about me,
but you you know all my deepest, darkest secrets.

Speaker 2 (48:19):
When I was like, okay, they've only known each other
a month, right, like a month?

Speaker 1 (48:25):
Yeah, And I do, and I do think that what
we've said before and what we've seen some of the
other inmates say that it is You're just it's such
a concentrated amount of time together. You're twenty four to seven.
You you live together, you work together, you go to
wrecks together, you pee together, you do every single thing together.
So it is like not in the real world where

(48:45):
you have eight hours a day apart of this work
or there's no distraction, just each other. I get real
sick of somebody real quick, so.

Speaker 3 (48:54):
Girl, especially every time I see one of them in
bed and the other one climbs in the teeny tiny
bid to like.

Speaker 2 (49:01):
You know, lock legs and shit. Yeah, I'm like, I
would need room to breathe, like face. We can talk
to each other while I'm in my bed and you're
in your bed.

Speaker 1 (49:11):
Now because we can still talk it. Yeah, I agree.

Speaker 2 (49:14):
Yeah, I don't know. Maybe that's the old lady in us.

Speaker 1 (49:18):
I know, I'm just lad. Maybe we've been married a
long time. Maybe we were just like we could. You
could be in that chair, it could be on the couch.
We don't have to be next to exactly.

Speaker 2 (49:25):
We ain't even got to talk.

Speaker 1 (49:27):
Matter of fact, last night, we got home from this
Christmas party we went to, and Dave goes, so we
always watched Saurday Night Live together every Saturday. So Dave goes,
what are we gonna do so Storday Night Live. I go,
I'm going to wash my face, put them up with jamas,
to sit in the bend, scroll on my phone till
eleven fifty, and then we're gonna start it late so
we can fast forward so we can get to weekend update.

(49:47):
He goes, all right, I'm gonna go downstairs and scroll
on my phone. I'll see you left.

Speaker 2 (49:52):
So that's so funny.

Speaker 3 (49:53):
I saw a meme I think I reposted it, and
it says when are people going to normalize?

Speaker 2 (49:58):
That? The good part about being a couple. He said,
you both could be in the same room, eat.

Speaker 3 (50:04):
On their phone, scrolling and everyone knows. I'm okay, we're
not mad at each other. We're just prospecting each other's
space and doing what we want to do.

Speaker 1 (50:12):
Yeah, yeah, I agree. Well I told him I was like,
go down stairs and do your you know whatever. Yeah,
So it was wonderful. So and they're talking head. Angelai says,
Gabrielle and I have been getting closer and sharing our
darkest secrets, and it's crazy that I'm incarcerated and genuinely

(50:32):
falling in love. But I felt bad because I feel
like I'm deceiving her and it's really hard to keep
my cover.

Speaker 3 (50:39):
I think g Gabriel's deceiving you too. Oh yeah, it's easy,
playing Angela like a fiddle.

Speaker 1 (50:46):
It's either gay for stay or she's like, let me
get in with this girl that everybody loves. So I'm
protected because she's the coolest one in here.

Speaker 2 (50:54):
I agree.

Speaker 1 (50:56):
So Stephanie says, I want to talk to angel about
having a girlfriend. So she goes over to Angel and
she's like, so on, what's going on? Like, you know,
remember we're in this program and everything, and Angelai goes,
you never.

Speaker 2 (51:12):
At the pot calling the kill the blood.

Speaker 1 (51:14):
Stephanie is such a hypocrite. She didn't even see it.

Speaker 2 (51:16):
So she goes, yes, she is.

Speaker 1 (51:18):
And Angel says to her, you never fucked anybody over
in your life, and Stephanie goes, no, never, That's why
it's not in me. It is not in my character.

Speaker 2 (51:30):
Okay, we go back two episodes, and we go back to.

Speaker 1 (51:33):
Two episodes when you fucked over Jacqueline so hard, so.

Speaker 3 (51:37):
Bad she had to leave the fucking program because of you.
Oh my god, you laughed about it.

Speaker 1 (51:44):
And you wished ill will on her as you do
on Angelais later here. Yep. So the producer asked Angela,
do you trust Stephanie And that should have been a
clue that she shouldn't. At the producer's asking you, yeah,
she goes, hm, I don't trust her as much as
I trust my one true love of my whole life. Gabrielle,
but I do trust her.

Speaker 2 (52:06):
Yeah.

Speaker 1 (52:07):
So intersperse here with these talking heads, we are seeing
Angelae and Stephanie chat and Angelae is telling Stephanie how
much she loves Gabrielle and she knows this is like
the person she's supposed to be with. She can't believe it.
She feels so hashtag blessed. She goes, I know we'll
end up together, like I know with the end of
this will be together. And Stephanie goes. Stephanie goes, you

(52:31):
don't think she's using you? And this has never occurred
to her. She was like, no, like what, We're in
love and how dare you question our love?

Speaker 2 (52:44):
This is gonna be so bad. This is bad.

Speaker 1 (52:47):
So this is funny because talking to Stephanie, goes, angel
has gone all the way with Gabrielle. I'm one hundred
percent sure, Like all the way, I was like, are
you they?

Speaker 2 (52:57):
Are you a child? Had before? All the way?

Speaker 3 (53:02):
Now she wants to be prudish and kind, you know
what I mean. It's like what happened to Thugnificent from
like two episodes ago?

Speaker 1 (53:10):
What happened to the thug that was on there licking
the whipping and being like, oh, you gotta blend in
running up the.

Speaker 3 (53:18):
Stairs for a fight that you know you really not
gotta throw a punch, but at least you were there
to see it.

Speaker 2 (53:22):
Yeah, what happened to that girl?

Speaker 1 (53:24):
Yeah yeah, And she goes, oh, they've gone all the way.
I'm a thousand print sure that she told me, And
a lot of things she would do I wouldn't do,
like have a full blown relationship in jail where you're
not gay. So no, you're not gonna have a full
blown relationship in jail. And you know their relationship is odd,

(53:44):
like they've loved each other. They love each other within
the span of a month. I mean, you don't get
to love somebody in three weeks. It's called infatuation, not love. Well,
that's true.

Speaker 3 (53:55):
Well she was preaching right here because I'm like, I
cannot disagree with her at all, And I feel like
Angelae is going to get her heart shattered.

Speaker 1 (54:07):
I think she's gonna get in trouble or arrested or something.

Speaker 2 (54:11):
She might then they can really be together, that's right.

Speaker 1 (54:15):
And then she says and Stephanie goes, this is jail.
You think somebody's gonna tell you the truth. If you do.
You're a fool. You're the biggest fool in the world.
And I wonder how that love thing is gonna work
out when Gabby finds out who Angel really is.

Speaker 2 (54:32):
That's true too.

Speaker 1 (54:33):
She smiles at the camera, like because I'm all fucking
tell her. Oh no, see, that's why, because she's so evil,
and she said all these mean things about Jackie and
like hope she hopes she is the last one standing
and hopes that Jackie gets her ass beat and all
this stuff. That's why, you know. She was like, you know,
I don't give a shit about her. I'll throw her
under the bus. I don't care today, You're a memory,

(54:55):
tomorrow your history. Whatever she said, and then she goes,
I wonder how that love thy is going to work
out when Gabby finds out who Angel really is. And
then she smiles at the camera.

Speaker 2 (55:05):
So it seems like to me, Stephanie wants to be
the top dog again.

Speaker 1 (55:09):
She thinks they're on a reality show called Survivor. That's
not what you're on, No, this is so you have
to keep this secret. Yeah yeah, I mean it literally
for safety reasons. There's not a winner. Everyone could be
the winner. So now We're in Angela cell and an
inmate named Sahar comes in. Now, I've noticed a couple

(55:33):
of times that some of these people have like folders
and things. So I'm wondering if some of them are
taking a course or these are their papers, or they've
met with a lawyer or something. So an inmate comes in.
She's got like a little folder and she goes, I
left my coffee right here. My coffee's gone, Like who
took my coffee? And they're all like, bitch, we didn't
take your coffee. We didn't touch your coffee right black

(55:55):
screen of death, says inmate. Sahar is accusing Angelai and
her cellmates of stealing her belongings. So I guess this
is not the first time that she's said, like, you
guys are stealing from me.

Speaker 3 (56:06):
I think she's a little bit of a I don't
know if it's crabdwolf or she's always your pointing yeah,
And I don't know if she's new, like she's never
been in jail before, and she didn't know, like you
don't want to, you don't like come at people like
this or whatever, and so Sahar is like, fuck you,
fuck all of you, Like.

Speaker 1 (56:26):
I know you took it, and I don't care if
you like me, cut your hands and don't come near
me or my fucking stuff. And I think this is
sort of a language barrier, like she's saying, like, cut
your hands off because you stole for me, right yeah,
and she's like, fucking loud asse loud asses and low lives,
get out of my life. I'm not joining in with
this low life shit.

Speaker 2 (56:47):
Oh so ok, did she forget where she was?

Speaker 1 (56:52):
So MG goes, get moved, get moved them, because nobody
here is a low life. We all have lives, so
we're not low lives. So sahar just goes off, and
MJ goes, you're an ugly person, so you need to
stop with this and accusing us of stealing, and so
her tells Angel because angels like you need to like
quit accusing Angel raiding Gabrielle's hair, and so Angel just

(57:15):
kind of goes, hey, look, you got to quit accusing
us the stealing and stuff and like quit calling his
low lives. And Sahara tells the Angel, you should decide
if you're a man or a woman.

Speaker 2 (57:27):
Oh no, no fighting words right there, like oh shit, And.

Speaker 1 (57:33):
Then there's lots of like fuck you, shut up your
ugly So Sahar starts to walk off out and Angel goes, Lord,
have mercy on you, like bless you and like and
she's doing like that right, So the talking head Angel
goes in the I twenty one. We are family and
we feel very protective of each other.

Speaker 2 (57:54):
She's too far and she's too deep in. She's too
deep in.

Speaker 1 (57:57):
So now we get an im in the moment with
her right outside the door of the production's talking to her,
and she says, like, I've already told all of them.
I don't want them to talk to me at all.
But they're hypocrites and they steal. And Angel and her
girlfriend are and they're having sex, like I hear the
sex sounds and the sex everything, and I turned to
give them privacy. But she doesn't appreciate anyone who respects

(58:20):
her because she doesn't respect herself. So now we see
Angel in her talking head. She goes, I don't like
to be disrespected, and I had to stand up for myself.
All right, Oh, all this over a coffee, All this over, well,
I think it's Sahara just comes in and calls them
low lives and says, you steal and they're all like,
you're new in here. Shut the fuck up.

Speaker 2 (58:41):
Well, about half the bitches in there, they're in there
because they still why are you in there? Sahara, Yeah,
I'd like to know me.

Speaker 1 (58:50):
So, so Sahara walks back in there and Angel goes,
you should just shut the fuck up, and they're just
kind of going back and forth. You should shut the
fuck up now, bubbah blah blah, and then Angel starts
making fun of her accent. Oh you're stealing our stuff?
Oh do do do? I was like, oh no, this is.

Speaker 3 (59:06):
Bad between the man woman now the accent is this
is now it's going too deep?

Speaker 1 (59:12):
Yeah, because Angels, because as the hoar is going like,
fuck you when you steal our stuff, Angel starts going
like making fun of her accent.

Speaker 2 (59:19):
So now I'll turn a little bit homophobic and a
little bit racist. Yes, this is not good. So and
I was kind of disappointed in Angel.

Speaker 1 (59:27):
I was very disappointed at her because at this point
she said pretty good, like keeping the pretty cool.

Speaker 2 (59:32):
Yeah. Yeah.

Speaker 1 (59:33):
So then the horror says, oh, this is bits right here,
and she goes off and lays hands on her. She
like goes at her, and that girl MJ kind of
pulls her off, and she does get a she does
get a swing in at her.

Speaker 2 (59:45):
She does. Yeah, I couldn't.

Speaker 3 (59:48):
I couldn't believe she did that neither. I was really surprised.
I'm like, she's too far in now. But she thinks
she is a real prisoner at this point, like, why
are you fighting?

Speaker 1 (01:00:02):
Why are you fighting this this woman who's way older
than you and kind of frail and obviously is from
another Yeah, get crazy. You're making fun of her accent
and you know, I mean I would.

Speaker 3 (01:00:14):
Have spent ageably be like, look, I know your coffee
is missing, but here, take my coffee.

Speaker 1 (01:00:19):
I would expect that too. Yeah. So she's like she's yelling,
She's like, call me bitch again. I'll fuck you up.
I'll fuck you up. And she's yelling at her. They
pull her off. We see as there the melee is happening.
We see like the cameras are watching the whole thing. Yeah,
and talking head Stephanie for her to forget who she
was in the midst of what we're doing. It was

(01:00:42):
very shocking Stephanie three episodes there, like basically shooting up
heroin shut up.

Speaker 3 (01:00:48):
I think Stephanie thinks like they're gonna give her a
good edit, and we're only gonna see the good Stefan Knobbish.

Speaker 2 (01:00:54):
They showed it all, we have seen it all. Okay,
you want to be miss Goody two shoes.

Speaker 1 (01:01:01):
She goes in the midst of what we're doing here
was shocking. It's preposterous and ridiculous. What are you doing.
You are here to do a job and now you're
fighting people. Girl. Five episodes ago, you were running up
to join a fly too.

Speaker 3 (01:01:15):
Yeah, like where you could have set your ass down. No,
You're like, I gotta be with my pod.

Speaker 2 (01:01:19):
We're family. We it well, I think she has it.
Looks like Big Swollen's not there anymore.

Speaker 1 (01:01:26):
We haven't seen swallowing a couple of episodes or tea
and shift them off somewhere else.

Speaker 3 (01:01:30):
Maybe they've been shipped out, and I think she's just
a lost a little puppy right now.

Speaker 1 (01:01:34):
Yeah. Yeah, So the TUKA head Angela goes, yeah, this
place has turned to rub off on me. You know,
I've I got in that moment so into being an inmate.
I felt a shift and I had to check myself
and remind myself I'm a participant in this program here
and right now. Gabrielle is the only thing that keeps

(01:01:55):
me at ease, and I love her, I care for her,
and I think Gabrielle has a lot of strength, and
I think in her life she's just been influenced by
people on the outside, by her friends and bad influences.
Like she's doing the whole. I can change her.

Speaker 2 (01:02:12):
Yeah, she wants to be Captain Sava Hoo.

Speaker 1 (01:02:14):
She's Captain Saba Hoo. We've all been there, We've always been.
I will change that man, he will change for me.

Speaker 3 (01:02:21):
Yeah, we all have.

Speaker 2 (01:02:25):
So we're all guilty of it.

Speaker 1 (01:02:26):
We're all guilty of it, but we wasn't in jail. No,
in a closed environment, we could get in our car
and leave. So in the Talk of Head, Stephanie says,
Gabrielle and angel have built a strong relationship, but we're
in jail. So when it's over, what's next? Will it
spark back again? Is she using you? What will she

(01:02:48):
say when she finds out who you are? Smiles at
the camera again.

Speaker 3 (01:02:54):
I feel like if Gabrielle found out that Angelaie was
part of the program, she would totally black mane Angela.

Speaker 1 (01:03:01):
I think so too. And then she's gonna try to
black mel Stephanie.

Speaker 2 (01:03:05):
Yeah, because I don't trust Gabrielle at all.

Speaker 1 (01:03:08):
Don't either. I mean, she's cute, but okay.

Speaker 2 (01:03:10):
That's all that's and she uses that cuteness to get
what she wants.

Speaker 1 (01:03:14):
Yes, so so we're talking head. Angela goes, yeah, Gabrielle
and I, I mean, yeah, we've said I love you,
we have. I know it's real. We have found each
other in the darkest place, in the lowest time. So
imagine how our lives could be On the outside. Other
people will watch it and envy it, and they will want,

(01:03:36):
are you what are you talking about?

Speaker 2 (01:03:38):
Real? She on the outside world, Gabrielle is fucking men.

Speaker 1 (01:03:44):
Yes, and you think people are watching this and going, God,
you know what I envy. I envy the love of
these two people. I wish that's the love I could have.
That's what she thinks. She thinks she's in the.

Speaker 2 (01:03:56):
Night for sharing a prison bunk.

Speaker 1 (01:03:59):
That no putting up towel for some oral now come on, yes, yes,
we twelve people.

Speaker 2 (01:04:08):
Of the people.

Speaker 3 (01:04:08):
Yes, yes, yeah, that is exactly what we want on Angelais,
thank you for the inspiration.

Speaker 2 (01:04:14):
Now I know what I've been missing all my life.

Speaker 1 (01:04:18):
So the producer, I know it now. The producer goes,
you know, you're an undercover person in here. But Gabrielle
doesn't know that, So what's that?

Speaker 2 (01:04:27):
Like?

Speaker 1 (01:04:27):
How's that like? I think the Ducks's trying to figure
out if she's squealed.

Speaker 2 (01:04:30):
I do too.

Speaker 1 (01:04:32):
She just laughs and goes, how do you know she
doesn't know? I don't know?

Speaker 2 (01:04:38):
And she laughs and she goes no, and they.

Speaker 1 (01:04:40):
Go does she know? And she goes no, maybe, maybe not.

Speaker 3 (01:04:45):
I was so annoyed with her when she did that.
Me too, Like this like it's not a serious matter
at all. It's pretty fucking.

Speaker 1 (01:04:51):
Serious, pretty dangerous.

Speaker 2 (01:04:53):
Yeah.

Speaker 1 (01:04:55):
So next time on we see Stephanie and Angelaie talking
and she says, I think Angelai tells Stephanie, I have
to tell you something because the talking has Stephanie goes,
can you be that dumb to fall in love with
an inmate? That is the dumbest thing you can do.
But then we see then we see Angelai meeting with

(01:05:18):
the colonel, still in her still in her prison garb,
not in her autsie clothes, and he says, you just
said forget about it. Now I'm gonna do what I'm
gonna do and you don't understand the consequences of your
actions and what's actually going on here. So I think
they just told her, you think so. I think they
just pulled her with no warning. I think she joked

(01:05:40):
to production that she told and then I think she
told Stephanie that she told her, and I think they
pulled her out and left Stephanie in. And now what
I think is gonna happen is Gabrielle's gonna tell Stephanie
I know you're in too. Oh, so give me twelve
pieces a commissary or whatever.

Speaker 2 (01:05:57):
This is bad.

Speaker 1 (01:05:59):
So then there's talking head and Angela says, what Gabrielle
and I have is real, and I know we'll end
up together and I'll have no regrets about this experience. Girl,
Come on, please stop. So she thinks she's going to
get out of the program and she's going to visit
her on the weekends and they're going to end up
on love after lock Up and end up together.

Speaker 2 (01:06:20):
Gabrielle will have a new girlfriend the next day.

Speaker 1 (01:06:22):
The next day.

Speaker 2 (01:06:24):
Yeah, So then we see alangnant the fourth day.

Speaker 1 (01:06:29):
Yeah, we see Alan talking to some guy. I'm not
sure which guy it is, and Alan is like, hey,
can you get some good stuff from me? And Alan
is like, my time is limited here, so I'm trying
to get some meth before I go Like, he's trying
to see how it completely works, so the product gets
into his hand.

Speaker 2 (01:06:50):
Okay, be careful, Alan.

Speaker 1 (01:06:51):
The last scene we see is Gabrielle. It's in their
cell and Gabrielle is sitting and Stefan is standing and
Gabrielle tells Stephanie everything that we know is not the truth,
and then talking he has, Stephanie goes, I'm in a
lot of danger and somebody's gonna end up dead in
this pod. So I think Gabrielle tell Stephanie I know

(01:07:16):
about you before she got pulled. She told me, And
so you're gonna give me ten pieces a commissary or
I'm telling everybody and you've got ten minutes to do it.
That's what I think happens.

Speaker 2 (01:07:26):
I think so too.

Speaker 1 (01:07:27):
I do. Oh it's getting good. I'm so nervous. Okay,
So this is episode ten. We have two more regular
episodes and then thirteen and fourteen or thirteen is like
the reunion, and then fourteen is the six months later,
and then we've got a brand new season of Love,
Dury and Lockup. We've when they switched it, it hit
it just right for us. So for that, I'm grateful.

Speaker 2 (01:07:52):
Man. I can't leave her down to like the last
two episodes.

Speaker 1 (01:07:55):
The last two real episodes. We've got two more ago.
I'm excited.

Speaker 2 (01:07:58):
I think some shit is really gonna go down.

Speaker 1 (01:08:01):
I do too, So let me look at my calendar. Okay,
so this episode is coming out on the fifteenth, So
the twenty second and the twenty ninth of our next
two episodes. Okay, I'm just making sure it don't fall
like too too close to Christmas because I want to
make sure. I want to make sure everybody's watching right exactly.

(01:08:21):
You guys, if you've been watching all along with us,
stick with us, And I'm just gonna leave you with
an image.

Speaker 2 (01:08:30):
If you guys ship the Nightmares of Maid.

Speaker 1 (01:08:33):
If you guys, don't think that you're missing something, if
you haven't seen this guy, and guys, we barely even
saw him. They did this to his own purpose. Sorry, Ron, No,
there was.

Speaker 2 (01:08:46):
No reason for him to be on this episode. None.
He offered nothing.

Speaker 1 (01:08:51):
He just did as dirty with that.

Speaker 2 (01:08:52):
But you know, everybody needs a little crankster gangster. And
they're like, my name is rap it out.

Speaker 1 (01:08:57):
They call me the crankster gangster. I've done meth from
Oregon to California, did Georgia and.

Speaker 2 (01:09:02):
That's all he said. That's all he said. He gave
us no clues how the myth got in nothing.

Speaker 1 (01:09:10):
We don't know why he's there. I don't know. He's like,
you need all my commissary that I've bought for two weeks.
Take it. You're gonna let me get high for two days? Done.
I don't need food.

Speaker 3 (01:09:19):
Yeah, long as long as I've got care it sticks
on the side, give me little extra cares off your plate.

Speaker 1 (01:09:31):
God, that's so fucking funny. Okay, guys said it's it.
Make sure you're following Keisha on social media the liber
Lines with Keisha. Make sure you're following me at Pink
Shade Pod. I've got a lot of good posts up
about the ninety day Tails party that I attended. Very
fun event. And make sure you listen to Chris's podcast

(01:09:52):
Vanity Farrell. Last week I was on. This week, Kisha
will be on. I'm also going to be this week
on crime Scene. Se and crime Scene is a podcast
talking about The Merchants of Joy, which was a documentary
on Prime about like the Christmas tree racket in New
York City and how what like selling Christmas trees in

(01:10:16):
New York City. So you know where we are, You
go to like a Christmas tree lot and you get
your tree. Yeah, think about the logistics in New York City.
There's only like a very certain number of spaces. And
these people who have been doing it for like thirty years,
and the people that come in town that literally sell
these trees for like three weeks and they like sleep
out the Christmas tree lot and don't shower, and it's

(01:10:36):
very interesting. It's interesting and how much money they make
and that short amount of time. This last the whole year.
And I gave it like a I gave it like
a C plus. But if you want like kind of
a light hearted documentary anyway, we talk about that. But
then we talk about other things too, because the documentary
is that great. Anyway, I'm on Crime Scene this week.

(01:10:58):
That's it. Everybody, make sure you're fa following guys, and
I will see you tomorrow for t LC Tuesday with Kimberly.

Speaker 2 (01:11:05):
Okay, night, h

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1074 - 60 Days In (s4e10) "The Inmate Who Loved Me" with Keisha

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