AJLT: S3 E1: And Just Like...HAT

The girls are back - well all except Nya and Che - and Carrie is settling into her ginormous 10,000 square foot Manhattan apartment. Miranda sleeps with a nun and need we say more than that? We're so excited to be back on this beat!

Episode Transcript

Speaker 1 (00:16):
Welcome everybody to Rose Pricks. This is Cecily Nobler.

Speaker 2 (00:20):
You know who.

Speaker 1 (00:21):
This is here with Stephanie Wilder Taylor who. That is
what what we're doing. We're doing our my show. We
all we get a show. Sometimes it's like it's one
for Stephanie, one for me. Like Stephanie likes what do
I like? I like the Robby Show. She wants to
do the Cosby Show, and I'm like, I don't think

(00:41):
people are going to be why.

Speaker 2 (00:42):
I don't know how people are going to follow along.

Speaker 3 (00:44):
I was with us so happy that bummed when they
were like, we're not going to show Cosby's show reruns anymore.
I was like, wait, why, how are we going to
recap it? I'm like, look, let me help. It's just
Cockroach copied some homework off the FIO.

Speaker 2 (00:58):
That's it. That's pretty much it.

Speaker 3 (01:00):
Wood Camille, Oh, Camille, wife Blair.

Speaker 2 (01:06):
Camille's is real life with.

Speaker 3 (01:08):
The fedection, the holding of Blair, of the routing and
the factsing.

Speaker 1 (01:13):
Now, that is all I can say is well Cosby
and it's the same exact thing every single time. But
point being, Stephanie really want to recap the Cosme show
and I'm like, ugh, I don't think it's the time
for that.

Speaker 2 (01:25):
I think it's and just like that is where it's at.
Here's where we are.

Speaker 3 (01:29):
They're both Listen, we can agree that they're both. They
both have their own cultural significance.

Speaker 1 (01:35):
I mean, look, let's do some macros. Let's get into
this because this is the premiere. We're right here with it.
It just happened. I saw it a couple a week ago.
You saw it a while yeah, I got to see
it early. So I'm kind of like not understanding a
lot of my notes. So I'm not sure how great
I'm gonna be here, but but I do have them.

Speaker 2 (01:55):
Let me do you want to do? Why don't you
do a macro? First? Uh, you're not gonna love my macro.
Oh it's okay, let's be honest.

Speaker 3 (02:04):
Okay, here's my macro. I don't I didn't like it.
I'm gonna have fun making fun of it. But it's
so fucking corny. Was it always this corny?

Speaker 2 (02:14):
Yes?

Speaker 3 (02:15):
Was everybody always just making puns to each other?

Speaker 2 (02:18):
Yes?

Speaker 3 (02:19):
The only one that's funny is Miranda. I like the storyline,
which we'll get to. I liked like she's actually being
funny and making fun of stuff that's real stuff to
make fun of.

Speaker 2 (02:30):
The rest of it's all. So yeah, Carrie, here's the thing,
is what I'm gonna say this.

Speaker 3 (02:37):
I feel like Carrie and Aiden like belong together at
this point, like they're both basic and corny.

Speaker 1 (02:45):
I'm gonna, well, I'm not gonna okay, I'm gonna push
back because Aiden doesn't belong with anyone on the show.
Aiden should I can't. I mean that is all right.
First Macro that you guys maybe don't know. Although I
did plug this a couple of times, I am loving it.
I am the first episode is the worst that I've
seen yet of not of the whole not of the

(03:06):
whole series, but just of this of season three of
been just like that. So this is definitely the worst one.
But I I, like I said, I think they fixed
so many things. They listened to so many of our complaints,
and they're like, Okay, it's like they got rid of
they They must have not only fired the writing staff,
like I think that they put them on they like
Share Shelley Miscabbage them. They are like undercover somewhere on

(03:29):
an island, not allowed to talk to anyone.

Speaker 2 (03:32):
That we're missing somebody from season two. You're not letting me.

Speaker 1 (03:36):
You're letting me get away with saying they Shelley miscabbage
them because I thought that was really funny.

Speaker 2 (03:42):
I'm with you on that. Yeah, I mean they are gone.

Speaker 1 (03:46):
They are gone without a trace, I think, because it's
a whole different vibe. Yes, say has gone Big Macro
note like and as though, and let me tell you,
I'm going to give you one spoiler. I'm six episodes in.
There is no mention of her them. There's no mention
of them. There has not like Chae never happened, which
is amazing to me because remember remember when the when

(04:08):
Stamford passed away, when the gentleman who played him died,
so they didn't really know what to do because they'd
already killed off Big. So okay, I guess we have
to just like he's going to just leave a note
for Anthony and move to Japan.

Speaker 2 (04:22):
And then not only was that the worst.

Speaker 1 (04:24):
Idea ever for any writer's room to ever happen, but they.

Speaker 2 (04:28):
Kept bringing it up. They could have just said that once.

Speaker 1 (04:30):
And go okay, let's just like let that die because
that was just a really bad choice. And now let's
just like move on, but no, they brought it up
all the time. However, Shay was a like full time
cast member for two seasons and like moved to la
for like their big break, and we just no conton,
no no questions, no notes.

Speaker 2 (04:52):
Y Yeah, that is very strange. It's insane. Now I
want to say something positive.

Speaker 1 (04:58):
Opening scene, they're playing yeas, they're playing only You by
yaz and so how are you not already like, oh
my god, I'm.

Speaker 3 (05:04):
In Well that was the first thing that I really liked.
I was like, ohow Alison, mm hmm is so great.
I love her same same, all right, we can agree
on that. So it starts right away. I was like, yeah,
that's really cool, except that then I start really cool problems.

Speaker 2 (05:22):
Yeah.

Speaker 1 (05:22):
Well, one of the problems is that Carrie is now
writing a postcard. They're writing each other postcards that they
don't write anything on. They just send post silent postcards.
Because Aiden, did I say, Aidan? I may have said
something else. Aiden Last. At the end of Remember Last,
Just for those who don't remember, his son Wyatt, who
is a nightmare. Another spoiler, a Nightmare crashed the truck

(05:46):
into a field on mushrooms nobody got hurt. It's just
in a field. Nothing really unless you rolled the truck.
Like it really wasn't that big of a deal.

Speaker 2 (05:53):
He did. He's like feeded mushrooms. Aiden went insane and
was like, oh, I gotta be there, Carrie. I can't.

Speaker 1 (05:59):
I can't talk to you for five years. So he
didn't just say like we should just break up for
five years. He said, we cannot really speak for five years.
I really need to focus on my family. So therefore
they write silent postcards. What, yeah, why, I don't know.
I don't know. I don't know, and I don't like it.

(06:21):
I don't like it either, and I think it's fun.
I think it's trying too hard.

Speaker 2 (06:27):
It's trying way too hard, because remember that's Carrie's thing.
Was like, oh, she just sold fashion. Remember she was
the last one to get on the internet.

Speaker 1 (06:33):
She'd have AOL, she'd send aid and she had to
get help sending an email. And Samantha's like, oh, everybody's
on the net, if for nothing else for the porn.
That was a whole episode, Oh okay, And then she
said that Samantha said that, like this is probably season
two of Sex and the City. Oh, and then Charlotte

(06:54):
was just like or maybe season three four whatever, and
then Charlotte.

Speaker 2 (06:57):
Was just like, stop sending me that porn.

Speaker 3 (06:59):
Man.

Speaker 1 (07:01):
They're just written like these giant cartoon characters right when
they always have been.

Speaker 3 (07:06):
Yeah, okay, I guess I remember. I remembered it a
little bit differently, and then I was like, did it
just get so it that kind of writing feels lazy
to me?

Speaker 2 (07:18):
Well, Carrie and Miranda were always written pretty well. We
always kind of enjoyed them because, you know, give Sarah
Jusca Parker back then, she really played it in a
way that we could kind of relate to it.

Speaker 1 (07:29):
Same with I guess Cynthia Nixon. But now Carrie as
played by Sarah Jesska Parker, it's like she forgot who
Carrie was completely. Now she's just Sarah, really really wealthy
Sarah in a really expensive townhouse that she.

Speaker 2 (07:43):
Didn't really earn, you know what I mean.

Speaker 1 (07:45):
Like it's I really think they lost the thread so
much by like she marries Big and then he dies
and then now she's just really rich.

Speaker 3 (07:53):
Yeah, she's just not fun at all, Like the character's not.

Speaker 1 (07:56):
Fun in Rod just rang a bell, did you hear
that you rang a bell, like you went into the
kitchen and then like hit his water bowl. But it
was like bing, oh, I don't know what to do
with that. I'n't to go answer that. But never had
that happen.

Speaker 2 (08:13):
But yeah, she's not fun at all, and she's playing
so old and she's she's honestly reading like seventy to me, Well,
I mean I don't really see that. I just see
do you mean like her like it looks.

Speaker 1 (08:29):
Wise, her mannerisms and just the way she's just so
frat yeah, a little bit, but also just like the
way she's conducting herself. She's just so old and rich,
and it's like she completely forgot who she was. Everybody
else is kind of well, we don't know where Samantha's,
but everybody else is kind of who they were annoying
in their own way, but like Carrie is, there's no

(08:51):
trace of her seemingly yeah, and I don't like it.
So she goes she goes to have drinks with Miranda
and Charlotte at a lesbian bar, and I'm with you
on this. I'm loving Miranda. She's back, she's dyed her
hair red again. She was like, yeah, I don't think
I want to have white hair just yet. She looks amazing,

(09:11):
and she's being kind of cute. She's being funny, she's
being funny. She's like, she is being like kind of
her old self. Yeah, they kept her sober, Yes they did.
We were worried about that because they were kind of drinking.
But she notes that she's drinking a mocktail.

Speaker 3 (09:26):
Right, Yeah, she says, She's like, yeah, I ran up.
I've just been standing here and I ran up a
thirty seven dollars tab on mocktails.

Speaker 2 (09:37):
But she can just pull any pussy in this in
this bar, she can't. She sees a wage.

Speaker 1 (09:41):
They're like that waitress is staring at you, and she's like,
she is, okay, I gotta all right. So before they
even get to that, they have the conversation about how
Aiden they're sending the blank postcards, and everyone's like why.
Even even Charlotte, who's like a romantic, is like what
the fuck?

Speaker 2 (09:57):
Why?

Speaker 3 (09:58):
Yeah, I can't wait to see what becomes of this,
because it really is like the Aiden shit is really annoying.

Speaker 2 (10:08):
Now I'm going to say something that I've said.

Speaker 1 (10:10):
All these years on when I've talked about sex and the
city to whoever would listen. I've argued with friends about this.
I always was like, Aiden was never like what, he's
the nice one? How can you not want?

Speaker 2 (10:21):
No, he's not.

Speaker 1 (10:22):
I promise you he's not. He really is a nightmare
and sort of always has been. And I don't care.
Just because he wears like Patuli and turquoise does not
make him like the nice guy.

Speaker 2 (10:33):
No, it makes him worse. Yeah, kinda, because he's like
a little like mad at women. He's got some stuff
that I'm just like, I just don't get it. I
don't get them together. I just don't understand.

Speaker 3 (10:45):
I'm gonna say this and we'll see if it ends
up being true.

Speaker 2 (10:49):
Okay, I could.

Speaker 3 (10:50):
Completely see Aiden being like, listen, I don't I'm not
saying I love Joe Rogan. I'm just saying some of
this stuff he says makes sense, and like he has
guests on that like look at things from both sides.

Speaker 2 (11:02):
That's interesting. I don't see that with him, but I
like that version. I like what you're painting.

Speaker 1 (11:07):
I'd rather him just be that and just so we
can just really dislike him completely, but I already do.

Speaker 2 (11:13):
It doesn't matter.

Speaker 1 (11:14):
So Miranda they're staring at this waitress whatever, and she's like, oh,
I can't tell you.

Speaker 2 (11:17):
She's way too young. She's too young.

Speaker 1 (11:19):
So that's staring a waitress at that Oh yeah, the
way it's a different person. I'm sorry, it's a different woman.
And they're like, oh, I don't know. So they're like,
all right, you got to go pull this pussy. Like
they don't say that, but that's what they want to say.

Speaker 2 (11:30):
And then they're like, we're gonna go. Yeah, you're gonna
leave you time for you to get some pussy.

Speaker 1 (11:35):
Yeah, go get that young pussy, Go get that little
tiny So it turns out it was a great Brady's
old babysitter.

Speaker 2 (11:41):
And she's like, oh yeah, I knew that.

Speaker 3 (11:44):
Yeah, I'm a lesbian now. Yeah see this part. I
was like every scene with Miranda was funny.

Speaker 2 (11:51):
Yeah. She's like, uh yeah, elephant in the room. I'm
a lesbian. Now. I've totally told you the story.

Speaker 1 (11:57):
This is crazy, but I can relate to this because
so at the Gralph's grocery that I go to, I
told you about this. There's this really there was this
cute guy that worked to the deli. He's not there anymore.
But for years, like two years, this really cute guy
always we always sort of had this bond. You'd always
be like, I like cowboys hat. But we flirted. It
was real. I'm not making up, but it was like real.

(12:18):
And then but I was thinking he was real. I
don't know what he thought, but I'm like, there's a
flirtation here with this guy. And then one day I
was like, how's your day?

Speaker 2 (12:25):
And we were.

Speaker 1 (12:26):
Always both like my day sucks, you know, we were honest.
And then one day I was like, how's your day
and he was like it's my birthday? Like, oh my god.
What He's like big two eight.

Speaker 2 (12:36):
Like you're twenty eight, you'rey.

Speaker 1 (12:39):
I do not know the difference of age. I cannot tell.
Like I said, if you're fourteen or eighty, I cannot tell.
So I've been Miranda in this moment of like, oh,
I thought, oh, okay, you're twenty eight. Oops oopsies. So
she feels bummed.

Speaker 3 (12:54):
But it was also just funny, just the way she
was like, oh, just she's just kind of awkward in
a funny way.

Speaker 2 (13:00):
I'm in the program.

Speaker 3 (13:01):
Yeah, Well, the girl goes, I'm gonna go grab a
drink and she goes, I'm I'm sober in the program.

Speaker 2 (13:08):
I'm just having a mocktail. And the girl's like, okay, cool, okay, Sia. Okay.

Speaker 1 (13:14):
So then is this where we go over to what's
her face? We're going back and forth, go go back
to the bar in a second. But I can remember with.

Speaker 3 (13:25):
She's explaining to Miranda mm hmm. And maybe Charlotte did
she had a price card from Aiden.

Speaker 1 (13:35):
Oh I had already passed all that. Yeah, I remember
they talked about it even at the bar. Okay, okay.
So yeah, so now we're with Seema Samantha two points.
Who's who's by the way, I didn't get to Seema
and never corrected it. I later when she said her name,
but I was like, we'll just call her Nia.

Speaker 2 (13:51):
I can't remember, We'll just call her whatever.

Speaker 3 (13:53):
Well, but yeah, so Nia, what I know? But there
was at Nia, remember what? Yes, there was Nia from
the last from last season of this show.

Speaker 2 (14:05):
And you're not thinking of Lisa.

Speaker 3 (14:07):
There was a Lisa, and there was a Nia who
was Nia. She was the other black woman on the show.
They had another black cast member. And now she's just
gone with no explanation.

Speaker 2 (14:16):
Oh my god, isn't that the one that was was that.

Speaker 3 (14:19):
That's the one that was single. Remember there's one that
was married and there's one that was single.

Speaker 2 (14:25):
Oh yeah, yeah. They just that she didn't get her
contract renewed. Yep, that is so weird. That's okay, that's right.

Speaker 1 (14:32):
So it's Sema and she's got her weird Now this
I'll give you is so poorly written, like the weird
director just taking a drag off a cigarette. Oh, we've
got to get the shot that guy.

Speaker 3 (14:43):
Okay, this storyline was stupid, so bad, and I'm gonna
surprise you. The one that I found really annoying was
Sema in this.

Speaker 1 (14:53):
Later you're gonna like her. She is going to pick
it up for you. But in this moment, she's getting
herself a.

Speaker 3 (14:59):
Storyline in this episode I did not. I was not
for her.

Speaker 1 (15:03):
Well, she's getting her boobs out because she's going to
do a FaceTime with her director, her London director guy
who's filming.

Speaker 3 (15:09):
Yes, who's already been an asshole to her many times.

Speaker 1 (15:12):
I don't even think he's an asshole. I think he's
just it's so poorly written. He's just like, I'm busy, darling,
I've got to get the shot.

Speaker 3 (15:20):
But they had so many things where she was like,
that's a red flag. Remember she had to keep do
you remember last season?

Speaker 2 (15:26):
Yeah, talking to.

Speaker 3 (15:27):
Him about what he was doing wrong, and like it's like, girl,
he's not for you, leave him alone, let him live.

Speaker 1 (15:35):
So then she's like, so his assistant pops on the
FaceTime and he's like sorry, So that she's like, ah,
she's all pissed off. And then can we just skip
to where she burns her she burns her hair off?

Speaker 2 (15:47):
Yes, she goes to sleep.

Speaker 3 (15:50):
Yah, she goes to sleep because she's frustrated smoking a cigarette.

Speaker 2 (15:55):
Yes. And then and then they cut two.

Speaker 3 (15:57):
Which I just thought was so cheesy, fired apart at
her house and the fire guy's like, uh, hey Missy, Like,
you're lucky your whole house didn't like burn down.

Speaker 2 (16:08):
Yeah, lucky. She's just Samantha. She's like lucky. Uh look
at my hair? Oh my god? What show is this?
What that was bad? It gets better? I promise you
it gets better.

Speaker 1 (16:19):
Because then just in this moment, this is when I
texted you, I was like, I don't want to spoil anything,
but look, so we go back to Miranda. Now there's
a kind of a different lady, who, of course because
of my facebline is I do not recognize at first.

Speaker 3 (16:30):
But she's in a bar and we need to say that.
Somebody says, somebody's so she's closing down this bar.

Speaker 2 (16:36):
Yeah, with her mocktails, which is weird.

Speaker 3 (16:39):
Somebody's on the phone with their friend and they're like, uh, nothing,
but Randa's left in this.

Speaker 1 (16:43):
Bar, and why is she closing down the bar by
herself a mocktails?

Speaker 2 (16:48):
So why is she acting so desperate?

Speaker 1 (16:50):
So let me set this, Let me set the stage
for you. We're in the writer's room, right and they're like, okay,
never speak of Chay again. We're never going to make
a mistake like that. We're fixing our wrongs. Who do
we got? Who should we get?

Speaker 2 (17:01):
Now? That could be perfect for Miranda for the premiere episode.

Speaker 1 (17:05):
So different than yeah, and that everybody loves in the
world and there's not controversial at all. Everybody's like a
huge fan. She will not be annoying in any way.
I got it, Rosie O'Donnell.

Speaker 3 (17:16):
And what was the response in the where they all
just like, oh my god, you are a fucking genius.

Speaker 1 (17:22):
You're a genius. That's who can we get her. Yeah,
let's see if we can get her. Let's get Rosie
on the line. They call them, They're like, hey, we're
calling from and just like that, we want you to
play Miranda's leedge.

Speaker 2 (17:31):
Yep, Like you don't even want to know the money problem,
You don't even you don't want us to send a
contract to your agent or anything. She's like, nope, I'll
do it. She does look really good though, I.

Speaker 3 (17:46):
Actually look good. Oh my god, the acting was so
god awful. I know you were. They like, here's why,
here's why. She was like, yeah, don't worry about sending
a contract because she was like, you want to see
me out dish And they said, no, we're good, we
get we get we get it.

Speaker 2 (18:04):
And she was like great, don't ask questions. Also, and
then they make her for no reason.

Speaker 1 (18:08):
Okay, so you find out do we find out she's
a nun here from can They say she's Canadian, like
I'm from Canada, like Winnipeg with the strongest Boston accent,
Like why not just make her from Boston. It's rosy
fucking O'Donnell I know and do anything else, like she's
not Winnipeg.

Speaker 3 (18:25):
Nuns in Boston would have been perfect.

Speaker 1 (18:28):
Yeah, like there's you know that was her thing. It's like,
I'm really tired of being in like a Boston chick.
I think here's why.

Speaker 3 (18:34):
I think they wanted to make all these New York
jokes which they're going to So she has to be
she can't be from Boston good points and wouldn't be
that touristy.

Speaker 2 (18:43):
Well, then make her from massive, make her a masshole,
make her from somewhere like way in the Massachusetts.

Speaker 1 (18:49):
Yes, it doesn't make any sense. There's no reason for that.
So then like she's at first like let's get out
of here.

Speaker 3 (18:56):
Well, I think does she find that out? Then she's like, uh, yeah,
I used to be a nun. I think she says, right,
something like that.

Speaker 2 (19:07):
Well, but here's the thing.

Speaker 3 (19:08):
Rosio O'Donnell's acting is like if chat GPT was a person.
She's just like, you are so pretty, and then Miranda goes.
Miranda is being like she can act and she's being
funny and she's like for Rando and Rosy o'donnald says, no,
for a person have a hotel.

Speaker 2 (19:28):
Room, wanna go when it gets my cat.

Speaker 1 (19:32):
Pack it over it. You know it's me from well,
I guess from Winnipeg. You know, from Winnipeg.

Speaker 2 (19:36):
It sucks go socks, Like, why are you sayingle Red songs?
You said you're from Winnipeg. I love the Love the
Slucks love Ben Affleck, Well, why are you bringing him
into this? Why you listen?

Speaker 1 (19:50):
I like Rosi O'Donnell, like, honestly, I'm just gonna say it.
I don't dislike her. I think she's fine. She's on
the good side of things usually, right.

Speaker 2 (19:59):
I think so she had troubled a lot of kids.
She adopted a lot of kids, right, adopted a couple kids.
But I do I do know someone who worked for
her and said she was pretty delightful. Yeah, is the controversy.
There was some.

Speaker 1 (20:12):
Stuff with I think she had a daughter that you know,
But like kids will say the darnedest things.

Speaker 3 (20:17):
I'm not gonna hold Rosy to like she's got troubles.
I'm saying she doesn't.

Speaker 2 (20:21):
But I just.

Speaker 3 (20:25):
I'm gonna I gotta read you what the controversy is though,
just so we don't get too far, Okay, okay, yes,
nice and struggles involve her daughter, Chelsea Bell O'Connell, who
was arrested for drug offenses and child neglect.

Speaker 2 (20:41):
It can't be O'Connell.

Speaker 4 (20:42):
It's got to be including facing, including facing charges related
to a toxic home environment where her infant son was
living amidst meth pipes and other disturbing conditions.

Speaker 2 (20:54):
And house she was doing Rosie, No, this was Rosie's daughter.

Speaker 3 (21:00):
Her oh, her daughter was arrested for drug offenses and
child neglect. I remember it also has been the target
of criticism and a long standing feud with Donald Trump.
So yeah, okay, we love her. Then that's what I'm saying.
She moved to Ireland. I have that she'd have just
made her from Ireland. She probably can't do an oilrsh.
She couldn't do it.

Speaker 2 (21:21):
She couldn't.

Speaker 1 (21:22):
Rosie can't act. So now she's just like, you want
to get out of here. And so for some reason,
Miranda's like a guy, let's go fuck. So She's like, yeah,
I gotta go. I got a hotel room. Let's go
to my hotel room. I'm like, what, listen again, I'm
supportive of this. I'm supportive of Miranda being out. I
think she's doing a whole lot better. But like, if
you're gonna try to make the Chase situation better, Rosie

(21:44):
O'donnald was not that was not it and even like
even the storyline which turns out to be kind of
funny whatever. So they go have sex and I don't
know if they do that yet because we're gonna go.

Speaker 2 (21:55):
Well, we're gonna go back to them. First we have
to wake up in bed with Lisa and her husband
been her birth.

Speaker 1 (22:01):
Who's from Hamilton. Don't forget he was he was in Hamilton.
It was George Washington. He's incredibly talented.

Speaker 2 (22:09):
That guy.

Speaker 3 (22:09):
Well he's being wasted here. I'm going to say that, yeah,
for sure. You know, storyline is like insulting.

Speaker 2 (22:18):
She has a presentation, she has a big presentation stuff.

Speaker 3 (22:20):
And present this towhear to God. Now I'm going to
use chat GPT like again. But it's like this whole
storyline was just written by chet. This is the laziest storyline,
a big.

Speaker 1 (22:32):
It's like my joke about the lawyer, It's like the
lawyers are always.

Speaker 2 (22:36):
Just like I've got get me the Menenda's file. It's
get me the Peterson file. Get it to me.

Speaker 1 (22:41):
Stat like there's some file that they're working on late.
And it's always just like like, it just doesn't even
work like that. But I got my present although they
do flush that out, they actually do. She does have
a presentation, but why is she distressed about it?

Speaker 3 (22:57):
Is a storyline that comes, yes, yes, but it's not
even that. It's like also the oh my gosh, my
husband is so important, my husband, my husband's running for comptroller.
And then we're going to have a little pushback about
it where she's like, I'm busy with my later, but
for right now, it's like, so that's your So your
husband is that stupid last season, Let's try to remember

(23:22):
what happened last season.

Speaker 2 (23:23):
I believe.

Speaker 3 (23:24):
I'm not going to say never forget last season because
I've already forgotten, of course, but I do believe that
part of the arguments was that she was not feeling
heard and respected for her own job, and he kept
being like, no, you're right, honey, I'm going to be
so supportive, and then he's not.

Speaker 1 (23:44):
Yeah, they do have issues with that because her job
is she's pitching to try to get a grant for
her documentary that she's making about like it's very vague,
just black women, that's it. It's the vague. I mean,
there's not really a they could have honed in on
that a little bit, could have. Yeah, but no, yeah,
I don't know where they're going to sell that. I
mean like it's like have and they later say that,
I don't know if that's this episode where they're just like.

Speaker 2 (24:06):
Maybe you put Michelle Obama in there, like someone a
little more present day. That happens in this one.

Speaker 1 (24:10):
Yeah, so not the worst idea, but she's you know,
it's great what she's doing, but yeah, she doesn't feel heard.
But then we cut right back to Miranda, who just
banged Rosie o'donnald again, Hey, what do we do to
make people really like the show?

Speaker 2 (24:23):
Again? Shol Miranda having very.

Speaker 3 (24:27):
Graphic sex with Rosi o'donald Well, what we oh, Well,
is that gonna happen later?

Speaker 2 (24:32):
No, but I think that it was graphic enough. There's
nothing they just wake up. They're not even touch she
just touches. Oh, Rosie was under the covers, moving around.
She wasn't you.

Speaker 3 (24:48):
Imagine you just the open the scene, you know what
they freaking should have. That's what Sex in the City
was known for. This show is on HBO. Why don't
we wake up and we just see the bottom of Miranda.

Speaker 2 (24:59):
So you'll see Believe me, you'll see it. Trust me.

Speaker 1 (25:02):
I promise, I promised. Don't don't don't put that out
into the universe, because I promise you that's coming. You're
gonna see so much more things that you never not
for Carrie, because it was never Carrie. Never Carrie, like
Sarah Jessica Parker was the only one. Well, and I
don't think Charlotte, right, I mean they meanwhile had like.

Speaker 2 (25:21):
The only Charlotte got was a real pearl necklace. That
is correct. One time she has set I mean she Yeah, no,
you are going.

Speaker 1 (25:29):
To see you're having sex with Harry. But okay, so
let me give you enough Mary kill Chay. Oh oh yeah,
that's a tough okay, god, Chay. I guess ROSI O'Donnell.
Even though she's not that bad, she's not that bad.
We love her, Roseanne.

Speaker 2 (25:47):
I knew it. I knew it.

Speaker 3 (25:50):
Oh my god, I'm gonna okay, I'm gonna f uh
Chay no for sure, Oh yeah, oh.

Speaker 2 (26:00):
Oh yeah, I'm I'm letting I'm letting ja go. I'm marrying.

Speaker 3 (26:05):
I'm marrying, uh rosy O'Donnell, And you're gonna off Rozan. Oh, yeah,
I guess that. Yeah, I guess you didn't leave a choice.
I didn't leave a choice.

Speaker 2 (26:13):
What was the other true? Yeah, what was the other choice?
Give me one?

Speaker 1 (26:16):
Give me one with Jay, but other two other people.
I'm not even sure I wouldn't choose Cha over Aiden
at this point.

Speaker 2 (26:22):
Oh my god. Okay, that's a good one. Okay, chay,
Oh I don't. I don't even.

Speaker 3 (26:29):
Want to offer up Aiden because I don't want to
live in a world where Aiden is a good choice, right,
So okay, okay, chay, mm hmm, Rosio not Rosy o'donald.
Who's the other one with San Roseanne or John Goodman?

Speaker 2 (26:45):
Oh? Well, I mean I definitely married John Goodman.

Speaker 1 (26:49):
Oh that's tough, though, God, I'm gonna off both, Jane.
I'm not gonna Ohna.

Speaker 2 (26:56):
In the game now.

Speaker 1 (26:58):
I can't Okay, I can't even I wrote here what
kind of something?

Speaker 2 (27:02):
I don't know what I wrote?

Speaker 3 (27:03):
But okay, so basically, so we have to go. This
is the non sex scene though. Oh but Rosie O'Donnell
is doing more chat GPT and she's just like you
are amazing. I never orgasm was electric. I haven't felt
that in so long. I never dreamed my first time
could be so good. Miranda, first time with a woman, no,

(27:24):
first time with anyone I was.

Speaker 1 (27:26):
She's like, yeah, I am a nun. She's a nun
and a virgin. She's still a nun. And she's like
on a break. She says, Okay, we're going to find
out she's on a break. I mean, I don't remember,
but I think she's still a nun like.

Speaker 3 (27:37):
She said she was yet. But later in the episode,
she's going to say, I am married to God. Don't
get too attached to her, don't worry. Okay, good, not
gonna okay, So non virgin and so Miranda's like, what
that's crazy.

Speaker 2 (27:49):
Okay.

Speaker 3 (27:50):
So then Charlotte and Lisa, because we've just gotten rid
of we've totally gotten rid of Naya, and I'm sorry,
but after we finished our recap, you can go look
up the fact that Naya featured very prominently in the life.

Speaker 1 (28:04):
As she lived next door, because remember they wanted to
be they were like party, yeah.

Speaker 2 (28:11):
No, it ended up sucking her over.

Speaker 1 (28:14):
Yes, I'm honestly not remembering it, but yes, okay, So
they're upset. Charlotte is insufferable this entire episode. She is
so over the top, so always just so ridiculous. So
this lady is upset about that her dog is off
leash and like hurt her dog. Yes, and oh my god,
it's almost not even worth talking about. It's so stupid.

Speaker 3 (28:34):
And Charlotte goes, that's crazy my dog, my sweet baby angel. Well,
I said, it reminded me a little bit bit of you,
because just the way she's like, sweet.

Speaker 2 (28:42):
Baby angel, dog would never hurt anybody.

Speaker 1 (28:46):
But yeah, but it's that's her whole story. Well yeah,
kind of. So that's when is that she tells Harry
and the kids, so.

Speaker 3 (28:54):
Yes, and then then we're really trying to do this
like woke thing again, sorry to use woke, like I
am woke, but I don't like It's like we got
rid of Chay, but now we still have to have
this fucking can. I don't rock rock like like believe women.

Speaker 2 (29:13):
Yeah, I thought that was kind of funny.

Speaker 3 (29:15):
I actually I'm gonna push back because there's something like
these vegans gott into some fisticut, remember the whole thing.

Speaker 1 (29:20):
Tell me about fisticuts. And then I kind of didn't
hate I'm liking rock. I feel like I don't have
an issue at all that they have sort of a
non binary kit, and I like, I don't think.

Speaker 2 (29:31):
They're pushing it too hard. I can't believe I'm saying,
but I actually really had no issue.

Speaker 1 (29:36):
Meanwhile, Rose, the older child, is kind of the difficult child,
all sassy, walks in yells at Rock immediately, not being
super likable. Right, but you know, a teenager, I get it.

Speaker 3 (29:48):
So Rock is trying to is like holding this Sheian box,
and then Lily comes in and then Rock's like, oh,
maybe you shouldn't order so much fast fashion. Yeah, I
mean it is a maybe you should watch your socks
because you're polluting my environment.

Speaker 2 (30:07):
Right, it's just the I'm sorry, it's the worst writing.

Speaker 1 (30:09):
It's not good writing. And then just one we think
that's bad. Oh, it's important to know now that Rose
is in love. She plays piano for the ballet at
their school, and she's in love with one of the
ballet dancers, like the lead guy.

Speaker 2 (30:22):
Right, there's a lot of kind of side eyes.

Speaker 1 (30:24):
There's going to be some conversations like really, that guy's
into you though, So that's going to come back up.
But first Carrie and Seema have to have quickly have
ice cream and discuss how she lit her hair on fire,
which they didn't lead with, right, right, So you think
that'd be like the first thing you'd say.

Speaker 3 (30:42):
Also, I wrote, I wrote, Carrie's wearing something on her
head that we reade to do some fashion police riffing on.
Although although my dictation into my phone put roofing on,
my dictation into my phone to do my notes does
not understand anything I say. It is so it changes

(31:03):
things that would just seem intuitive into into craziness. Why
would I say we need to roof on it.

Speaker 2 (31:11):
I kind of like that. I like roofie. Let's roofy
the hat, you know, I mean it's the what is
it even a hat? What is it like? It's like
it's it's like they're fun.

Speaker 1 (31:21):
I just wrote, they're kind of they're fucking with us, right,
They're just mad at us. They're mad at us with
these things like there it's outrageous and I can't I
can't handle it.

Speaker 3 (31:33):
And then they're happening maybe you know how she was
saying that she'd ordered some material for her shades. Also,
I just don't like really super crazy rich carry It's.

Speaker 2 (31:45):
Just no, that's what I said before. I hate it nothing.
I don't know what to do with all my money.

Speaker 3 (31:52):
Girls, I know, and the money, then have them to
fucking charity.

Speaker 2 (31:55):
Carry That's what I wrote. That's exactly what I wrote.
And also do something in your fucking life.

Speaker 3 (32:01):
She's just laying around in her giant house writing two
sentences on her laptop.

Speaker 2 (32:07):
No like no morning.

Speaker 1 (32:08):
She's just awful, like it's it's really it's bad. So
but I promise you it gets better. So Seema's telling her.
She's like, I demanded my boyfriend flying to New York.
And Carrie doesn't get anything anymore. She used to be
that was her whole thing. And she's like, oh, I
don't know if you can do that. Shut up, Carrie.
It's like, well, I need her to, like, you know,
I mean, I need him to like show that he

(32:29):
cares about me.

Speaker 2 (32:30):
I kind of understand.

Speaker 1 (32:31):
But she's very demanding, which I don't think that she
in any way denies this is Yeah, I just read again.
This hat is like an inside joke and we're like
on the outside, well, I've.

Speaker 3 (32:42):
Seen a lot of pictures of it, like on Reddit.
Nobody likes it. But I was like, what are they doing?

Speaker 2 (32:48):
Yeah, they're just trying to fuck with us a little bit.

Speaker 3 (32:49):
So she's like Carrie, every everything is about everybody's in
on the fact that Carrie is going to wait five
years for Aiden, right, so everybody's kind of mad at
her about this, right, you know. And Seema's like, except,
I'm just so insecure. I wish I could be as
secure as you. You're gonna wait five year.

Speaker 2 (33:07):
See, she's gonna be sixty in real life when that happens,
and then but she's gonna read like she's eighty if
she keeps going in this direction height. But also, here's
the thing, the whole premise of waiting five years for
a guy when you're like, let's say she's fifty five,
so she's gonna wait five years the whole rest of
her fifties. And she's like, okay, cool, cool, right, Like what,

(33:32):
oh my god, it's so fucking.

Speaker 3 (33:34):
I don't understand how you hang a whole premle. Don't worry,
don't worry, I mean I actuald Okay. So, so now
Lisa's pitching some women documentary and they're all excited. Okay,
now I have a problem with this scene. I'm gonna
just give you all my problems Okay. So she's pitching
the documentary or she whatever she's she's in there talking

(33:56):
about the documentary and they're all excited, but one of
them is like, well, I have a thought for you.
Then her phone rings and she answers it and it's Herbert.
It's her husband, and she's like, oh, this must be
an emergency. No, it's not an emergency. And it isn't
an emergency, and why are you answering your phone? This
is so anti feminism. First of all, her husband's annoying

(34:21):
and has not learned any lessons, which we were supposed
to learn from season one, and there's no like she
never really gets irritated about.

Speaker 2 (34:28):
It, but he has no respect.

Speaker 3 (34:30):
For her and that what she's doing, and he's like
so she walks out into the hallway. She's like, oh,
I'm sorry just a minute. So she goes in the
hallway and he's like, Ohm, I cool, and she's like,
are you looking kidding me right now? Like I'm in
the middle of my presentation.

Speaker 2 (34:46):
I'm going to push back.

Speaker 1 (34:47):
Okay, I'm push back because here's the thing. He didn't know,
Like he didn't remember exactly what she should He wouldn't
he didn't want to answer.

Speaker 2 (34:54):
Yeah, but why did you answer? He goes, oh, I
didn't know. It is still going, oh yeah, yeah.

Speaker 1 (35:00):
He's thinking it's over and he's calling and he's feeling insecure.

Speaker 2 (35:03):
I think he's delightful. I like him. I can't take it. No,
I like it. I don't like him.

Speaker 3 (35:10):
Get last season, he was he was a sex pest.
She was trying to get ready to do things and
he'd be like, no, come on, let's just fuck.

Speaker 2 (35:18):
Come on, and.

Speaker 3 (35:19):
She's like, the fuck, I'm getting ready to go to
the fucking and he's like, don't you remember.

Speaker 2 (35:26):
Now, I'm kind of wanting to have sex with her.

Speaker 3 (35:29):
And she'd be like, oh my god, I'm trying to like,
I have these tickets to the fucking met Ball, I'm
in my outfit and he's.

Speaker 2 (35:36):
Like, but I'm going to get you. I just like
him because he's George Washington. And he's like, I think
if you I'm just gonna go down on you.

Speaker 3 (35:45):
She's like, all right, all right, give me have fine.
I don't like him, I don't like the relationship. I
don't get it.

Speaker 1 (35:55):
Well, then we're gonna cut to Carrie having rich people
problems with her alarm system that you I was so
mad about that, and you're like, remember that was a
waiting last where that happens though, So she goes back
in after she's on the phone with him, and she
walks back into the room with the women and.

Speaker 3 (36:11):
She's like, okay, guys, what was your note? You guys
had an idea for me? And they're like, oh my god,
you're doing all of these like super cool like black
women that are like the first in their field. What
about hear us out let us finish Michelle Obama?

Speaker 5 (36:28):
Right?

Speaker 2 (36:28):
She's like, oh no, how am I gonna give Michelle Obama? Yeah?

Speaker 1 (36:34):
Right, okay, so then we're gonna come back to that
Carrie Carrie's alarm system.

Speaker 2 (36:38):
She's so rich, that's all. It's just like how alarm?

Speaker 3 (36:41):
It's like the Big Her house is like ten thousand
square feet yeah, in Manhattan.

Speaker 1 (36:47):
Right, because Big was like some sort of billionaire, which
never was really explained because Fance bro just Foinyance Banks.
Remember she her sheer condo like they got your her
apartment went condo, And so she's like, you can buy
it out or you can leave. So she goes to
Big and she's like, how do I how did you
make money? And he's like, what is your question exactly?

(37:11):
What are you asking me? And she's like, she's like,
how do you have it?

Speaker 2 (37:14):
Yeah?

Speaker 1 (37:14):
He's like, bro, just like bye bye sell, you know
that's how it's written. Just bye bye sale sell, bye
bye bye bye. And she's like, how do I do that?
He's like, what do you need? Do you need money?
I can give you down payment money and she's like
I won't. Remember that was a story and she's like so,
and she takes the check and she's gonna take it,

(37:35):
but her friends are like, don't, don't, don't. So Miranda's like,
I'll give you the money. Don't take BIG's money, don't
don't be like beholden the hem whatever. And she's like,
I don't know. It's easier from Big. And then she
looks at Charlotte. Remember that's a whole storyline because Charlotte.
Charlotte's rich as fuck because of her husband, and she
won't give her the money and she's like, you should
give me the money and she's like whatever, So she
finally does. Anyway, it's just funny to me now.

Speaker 3 (37:58):
Yeah, was in the actual Sex in the City. Yes,
it was a whole thing, Like I remember that. I
must have watched the last suits.

Speaker 1 (38:06):
It was a whole thing because she had she and
Trey had divorced and she still had the huge or
had we're separated and she had the huge diamond ring
and she's like, why don't you sell the ring and
give me the money for the down payment? And Charlotte's like,
that is not that's none of your business. I had
to do that, and I didn't even really know who
I sided with at the time. I mean, how probably

(38:28):
more Charlotte in a weird way, even though I'm always
Carrie in that because it's.

Speaker 3 (38:34):
A lame to be like, just take it from big
money because you you're rich. Also, just take it from
big that's the one you're fucking. He's nothing to him.
Like maybe she doesn't want to sell the wedding ring
to the man she like loved. Yeah, and it's also
not it's also not cool to like owe your friend's money,
Like maybe she doesn't want to have to have her
friend owing her money and she.

Speaker 1 (38:55):
Paid her back because that was part of the thing.
She's like, it'll be alone. I promise I'll pay it back.
They never show that they should. She should give her
a house now it's so rich.

Speaker 3 (39:04):
Yeah, h so she's upset about Yeah, the alarm is
going off.

Speaker 2 (39:09):
She's really upset.

Speaker 3 (39:11):
She's like she and this is the the like the
true meaning of like rich people problems. Yeah, first world problem.
She's like, ah, I can't get this stupid alarm to
go off, and it's like takeing ringing through my whole
ginormous house.

Speaker 1 (39:27):
Right, And she's a little condescending with like the security people.
She's like, please don't send the cops. But like what
she's running around calling, she's called, she calls does she
call Aidan here?

Speaker 2 (39:38):
Or no? No, I'm sorry Carrie and Aiden. That's what
it is. That's her code.

Speaker 1 (39:43):
That's and I just wrote she's so fucking dependent that
her code to her security thing for the alarm system
is Carrie and Aiden. I mean, I really want to
throw up. So then she falls for some reason. And
then this is a little bit of a callback to
Sex and the City because she has Miranda come over.
Do you remember this callback in one episode where she's

(40:04):
fighting with Aiden. Ironically they're living in their shitty like
studio apartment. Miranda falls. You'll appreciate this. Miranda falls and
she calls Carrie and she's like, come over. I fell
and I literally can't move. I'm on the bathroom floor
and Carrie is like ah, and so she hangs up
with her and she's like, I got a deadline, and
Aidan's like, fuck, I'll go. So she sends Aidan and

(40:26):
Miranda's like naked, she's got the bathtub, She's in a towel.

Speaker 2 (40:29):
So this is a little bit of a callback, and
she gets mad about that.

Speaker 1 (40:32):
She's kind of mad. She's like, don't send your boyfriend.
Although to be fair, carry could she sends somebody. Most
people don't even answer the phone, right, so like you
got somebody to lift you up.

Speaker 2 (40:42):
She couldn't have done that, right.

Speaker 1 (40:43):
So now Miranda comes over and for no need, she's
like I'm fine, I'm all right.

Speaker 3 (40:48):
I think I've broken my pinky. But now Miranda okay.
So now Miranda's kind of funny. She's like, oh my god,
I got a text from the nun and then she's
like can I go? Yeah, nun Harry goes it would
be a holy ghost, which was so corny. Yeah, but
luckily Miranda doesn't is not in charge of any of

(41:09):
like the corny joke. She's like, oh my god, she
wants to take me to tavern on the Green.

Speaker 2 (41:14):
That was funny. So it's like she's very she's really
thinks that's so special in New York.

Speaker 3 (41:19):
Whatever. It's cute and Carrie's being They're like, oh god,
I know. And this felt like actual girlfriends where you'd
be like, oh no, oh my.

Speaker 2 (41:27):
God, it gross.

Speaker 1 (41:28):
Yes, Chardy had to ache because it was like, that
was the best sex I've ever had.

Speaker 3 (41:32):
But I was a virgin, yes, completely, a verg of
the things you don't want to hear, right, So I
was a nun. I'm a nun virgin anyway. So now
back to Lisa and Herbert. I just wrote I do
not like this couple. Lisa has to throw Herbert a
party for his campaign because his campaign manager keeps asking

(41:53):
her to. Oh my gosh, life is so hard. I'm
trying to reach my documentary, but I have to have
a party for my husban been because he's running for
city comptroller.

Speaker 2 (42:03):
So many weird things are happening. These people be less likable. Also,
her kid is playing with her doll. God forbid.

Speaker 3 (42:09):
She's like, that's the fancy doll. No, that's the expense.
That's a collector's item. Yeah, take that away from the food.
I'm I'm cooking Chinese dinner. Then her son comes in.
This is the son that was like wanting to have
sex with his girlfriend. I thought that was a Brady.

Speaker 1 (42:25):
That was Miranda's son, right, Well, he did have sex
with his girlfriend in the house.

Speaker 2 (42:29):
This was Lisa's kid.

Speaker 3 (42:30):
Remember, he was he had a girlfriend and the Lisa
did not like the girlfriend.

Speaker 2 (42:35):
And she was like in.

Speaker 3 (42:36):
Their closet looking at her purse or whatever, and she
was like, oh, hell no, she was terrible. To're having sex.
And then Herbert was like, well, you know whatever, they're
having sex. But flex I showed him everything there is
to know sex.

Speaker 2 (42:50):
Pest.

Speaker 1 (42:52):
Yeah, he comes in and he's like I kind of
really just don't want to eat. I was thinking maybe
I take my food up, and she's like, you will not.
This poor kid is like, okay, what else? My god,
we are just now halfway through okay.

Speaker 2 (43:03):
And he's like eighteen.

Speaker 3 (43:05):
This kid is I feel like he's already out of
high school. And she's like, you will not be having
I am And he's like, I don't really.

Speaker 2 (43:14):
Want Chinese food.

Speaker 3 (43:15):
You will shut your mouth right sh mouth making food.
I am cooking Chinese food from scratch. I'm throwing a
party for my husband who is running for comptroller. I'm
also the best dressed. I go to the met gala
and I'm pitching a documentary about black women.

Speaker 1 (43:32):
Killing it, all right, just killing it. But then, okay,
so you're dealing with that, and you're like, I'm not
loving this. But then all of a sudden, Anthony appears
and he's singing like it's a musical, there's music behind it.
All of a sudden it becomes a show that I
didn't understand. I was like, he's singing and he's walking
and there's actual music. Yeah, what the hell? He's with

(43:53):
his very young boyfriend. You know that they work at
the l whatever hot bread, dough, dough dix, whatever it's called.
And then he comes in and then all of a sudden,
he stops singing and he's like, where's that add.

Speaker 2 (44:06):
What is that? I don't know? But also why is
she so mad about it? I don't know. None of
it made sense none.

Speaker 3 (44:14):
If she hasn't told anybody that he's left for five
years and he's completely left alone.

Speaker 2 (44:19):
And she gets so mad.

Speaker 1 (44:21):
So then it's like Charlotte's not coming, Har's not coming,
Jar's not coming because whatever she's got, she's got issues
with the dog. Because the kids coming, they're like, yeah,
my mom's not coming.

Speaker 3 (44:30):
But now they are not even really that nice. I
just want to say this, these kids are kind of assholes.
And don't forget. I keep saying don't forget, but you
know they were real assholes last season two?

Speaker 2 (44:43):
Oh for sure? Yeah, no, for sure, her mind spoiled?

Speaker 3 (44:47):
Lily was you hated her last season?

Speaker 2 (44:49):
She was so crazy? Is the name Rose? Isn't it Rose?

Speaker 3 (44:52):
And Rock?

Speaker 2 (44:54):
So Lily Lily is there? It's Rose. There's no Rose.
There was a Rose. Did Rose become Rose became Rock?

Speaker 3 (45:04):
Well? Then okay, and Rose became Rock. But Lily is
the other. Lily is the daughter.

Speaker 2 (45:08):
That's right.

Speaker 1 (45:10):
I wrote Roses in Love with the Ballet Dancer, But
you're probably right it's Lily.

Speaker 2 (45:14):
Okay. Are you sure? I'm one hundred percent sure trust
me on this. Okay?

Speaker 1 (45:18):
But then that was kind of funny when the Ballet
Dancer comes out and and Anthony's like, I've seen him
on Grinder, which is going to come back around?

Speaker 2 (45:28):
Oh it is?

Speaker 1 (45:29):
They were like okay, well, yeah, that's the one. That's
the one Lily's in love with. Okay, So I thought
that that was.

Speaker 3 (45:35):
And I'm sure about Ballet Dancer, Yeah, because I thought
I thought that Anthony was like hey, because he was
staring at him.

Speaker 2 (45:46):
I thought he was like, hey, this isn't Grinder.

Speaker 1 (45:49):
Oh I thought he was saying he saw him on Grinder.
But it doesn't matter, and it's very possible that he did. Okay,
So I fell in this moment afterwards that only Anthony
was asking the old questions you know, of Carrie, which
was pissing her off, like what the fuck? He basically
he's like, what the fuck?

Speaker 2 (46:06):
What are you doing?

Speaker 1 (46:07):
Like are you working? Are you writing? Like where's Carrie? Basically,
and she's all pissed off.

Speaker 3 (46:14):
Yeah okay, which then he's gonna have to apologize for
later whichever, No reason I shouldn't have to apologize for,
like asking a question.

Speaker 1 (46:24):
It's a real mad Before we get to that, really quick,
it goes to Charlotte sees the Dog.

Speaker 2 (46:30):
I mean, it's such a dumb, such a dumb storyline. Yeah,
it's really a waste of time.

Speaker 1 (46:36):
But we don't even have to well we didn't even
have to what if we just cut what if we
make our own show and we cut Charlotte out until
until she's earned way back in do that she will.

Speaker 2 (46:49):
Well you never know if any of the ship's going
to come back though.

Speaker 1 (46:51):
So well, so yeah, okay, so the dumb dog.

Speaker 3 (46:55):
Very sitcom me. Let's just look if you if you're
not watching it and you just want to hear our caps,
just know that it is like so so sickcommy. Charlotte
goes into a doggy daycare because now she's getting a
bad reputation because the lady had complained about her dog
being like a menace. So she goes into the and
the lady who complained about her the Karen, Yes, her

(47:20):
dog is at the doggy daycare right, and Charlotte is
so upset because the guy's like, Nope, I can't take
your dog because so now she's like kind of been canceled.

Speaker 1 (47:30):
Which makes no sense, Like how would that guy? What
if she has a picture of her None of that
made sense, It's none of it is completely sick commy.

Speaker 2 (47:37):
Yeah, super sick.

Speaker 1 (47:39):
I just wrote how would they know who cares? So
then okay, so Anthony is like comes back to that, like,
are you crazy? Carrie is all mad. Yeah, it's like
what she lay off Anthony so did whatever. So she's
all sad. She goes back to her place. She asks
the cat, Oh yeah, she's now okay. Carrie's never had
a pet in her life.

Speaker 2 (47:59):
She's not real.

Speaker 1 (48:00):
And when Aiden had a dog, Pete back in the day,
she was awful with Pete. She lost them a bunch
of times. When Pete got sick, she never cared.

Speaker 2 (48:07):
He ate her shoe.

Speaker 1 (48:08):
She was like, really, I understand being mad about that,
but she had no feelings for this dog that was
her boyfriend's dog and she never mentioned having And then
now she has this was that Chase cat, like she
had to take somebody's cat.

Speaker 2 (48:21):
Yeah, okay, my god. So that's just are you sure whatever?
Who cares?

Speaker 1 (48:26):
Now she has this cat that she's just skulking around with.
Takes out her magic a ball, which is my thing.
You know, that's my thing. I asked the magic a
ball questions.

Speaker 3 (48:35):
Also, you don't shake a magic a ball and a
lot of people do it. You're not supposed to. It
breaks it, he makes all these bubbles in it. You're
just you can't teet.

Speaker 2 (48:43):
It over right.

Speaker 1 (48:45):
I use a virtual one sometimes when I can't make
a decision. I there's an online one that I use
for real. I totally use the Magic eight ball. But okay,
so then, okay, oh my god, this is this is
the part that I already told you about. Yes, and
I'm sorry that we have to, but just buckle up,
sit down, stand up. She's sitting in bed and Aiden

(49:06):
calls and he's wasted. Yeah, and he's in a field
in a truck, just wasted. And I don't know if
it I mean, like, is he never been drunk because
he's not playing it.

Speaker 2 (49:14):
But he's like, okay, I can't slow about carry field.
I minutage to.

Speaker 3 (49:21):
Feel jaking the beer. And Carrie's like, carry you in
a field? And Aiden goes, why, I get it? Why why?

Speaker 2 (49:33):
So he's making a pun about Wyatt kid.

Speaker 1 (49:35):
But he's so worried about the did mushrooms that he
had to not talk to carry for five years. And
here he is calling her for phone sex and she's like, well,
this is confusing.

Speaker 2 (49:43):
Yeah.

Speaker 3 (49:43):
She's like, oh, so it's funning out, like we're joking
about it now, right. She's like, okay, So she's a
little confused. I can't wants to fall and have phone sex.
He starts like fucking around. Then he hits the horn
by accident, scares himself so much that he shits himself. Now,
I want you to take a break. It's like, take
a break, pan. It's a little cary and and at

(50:04):
this point.

Speaker 2 (50:04):
We should just make Aiden's voice Steve, yeah, car carry
I ship myself. Do you still want to have full
sex or what? Yeah? That's aid. Now he's just so drunk.

Speaker 1 (50:16):
She's like, I guess, I mean not really like I
don't even think I wanted to at all.

Speaker 2 (50:21):
Yeah, but first before that, he's just like, are you
touching yourself?

Speaker 3 (50:26):
Like I touched you, touch my Riyes, touch you, I'm
your vagina, put your fingers on your.

Speaker 2 (50:33):
Vagina, put him inside yourself. Ew. No.

Speaker 1 (50:37):
She tries to do it at first until he ships himself,
and then she's like kind of loses the mood. Right,
so she does the thing that we've probably all done. Okay,
let's let me ask you this. Why are they not facetiming?
Are they not face starting this day and age?

Speaker 2 (50:52):
This day and age? She did because it's aid, and
he probably still he's surprised. He doesn't have a fucking.

Speaker 1 (50:56):
Rotary phone, right, they go to my rotary phone because
I'm just cool like that cat.

Speaker 3 (51:00):
You know me just made this rotary phone at an
old church. Okay, all right, out of a church. I
took parts from the foundation of a church.

Speaker 2 (51:13):
And I made this old rotary phone.

Speaker 3 (51:14):
It's not even it's not connected to nothing, because I
don't believe in anything like that.

Speaker 2 (51:19):
He's just the most fucking annoying.

Speaker 1 (51:21):
And so she's just like she does the thing even
though there for no reason, they're not in real FaceTime,
and she's like, I'm gonna just pretend.

Speaker 2 (51:28):
Yeah, and it's not like the show.

Speaker 3 (51:31):
Doesn't have face time because four scenes ago, Seema she
was gonna have phone sex with her guy, was gonna
have actual video sex with her guy.

Speaker 2 (51:39):
And then okay, remember because she was and like.

Speaker 1 (51:42):
A net yes for no reason, something that never would
wear a boostie. But now so you're having to hear
aiden have like pretty graphic sex. Nor he's like, uh,
he's like making the craziest sounds. So she has to
have the ac at this point because he just shipped himself.
I mean, this is just disgusting. And so then he

(52:04):
like doesn't.

Speaker 3 (52:07):
He's like, did you come, Carrie, And then she's like yeah,
uh huh mm hmmm, which I mean that's the only
time I was like I can relate to carry this moment.
Oh oh so so then the nun okay, oh yeah,

(52:27):
Miranda call. Imagine being on the phone with eight and
he's just like, oh.

Speaker 6 (52:33):
Oh, I can't and then he's like hold on. He's like,
he's like, hold on, Carrie.

Speaker 3 (52:44):
I want to take the semen and I want to
I want to make it into an ointment.

Speaker 5 (52:47):
But I can put on my on my church. Would
a tinturetrure to put to put to make it to
make the wood smoother. So this like this old this
old chair I made for you, Carrie, but I need
the ointment of my semen.

Speaker 2 (53:04):
Oh my god. He's like yeah, I know. He's like,
oh shiny wood.

Speaker 3 (53:14):
She's like, oh god, this is it's a laminate. It's
a laminate. What let's make it glasses.

Speaker 2 (53:20):
Carry I'm gonna use the semen from the best phone
sex we've ever had. Did you call me carry? Yes?

Speaker 3 (53:26):
Aiden, it's whyet right there? Whyat It just shows white
like popping up looking and he's like, Dad, like why
I thought you were asleep?

Speaker 2 (53:34):
Why it was in the flatbed of the truck. Oh
my god, Oh my god. And so then why.

Speaker 3 (53:46):
It's like, I'm so high right now, Dad, and he's like, oh,
I'm on mushrooms.

Speaker 2 (53:49):
Man, I'm tripping out and it's a bad trip. And
he's like, Carrie, I gotta go handle this mushroom trip.
And then he tried to like, Lady, I'm shaming out.

Speaker 1 (53:58):
He's like, it was five years, but I got my
shaman slice, so I have to I have to take
why through these shaman trips.

Speaker 2 (54:07):
You gotta make them good trips carried. And why it's
like put your put your penis away.

Speaker 3 (54:12):
First off, I'm even though I'm this high, I know
that your penis is out.

Speaker 2 (54:18):
It's so funny.

Speaker 3 (54:22):
Why it's like, Dad, take me into a facility.

Speaker 2 (54:26):
I want to go to treatment. I can't. I'm traumatized.
He's like, I'm too drunk right now, and I do whyatt.

Speaker 3 (54:33):
I don't mean to be inappropriate, but can you go
get go get daddy like.

Speaker 2 (54:37):
A little bottle. I gotta making a chair for Carrie.
Oh my god, that's so good. I've been roasting at me.

Speaker 1 (54:47):
Okay, So then Miranda calls and she wants to say,
like this is when she's like, the nun wants me
to meet her in Central Park to ride a carousel,
which was kind of funny.

Speaker 2 (55:00):
Very fun Still better than Chay, Yeah, still better than cha.
Still take that.

Speaker 1 (55:04):
That was funny and that was just a quick moment.
And then she's like, I faked an orgasm, but that
may happen later. I'm not sure that happens later.

Speaker 3 (55:10):
So then Robbie I think that's his name, comes over
to Sima's house because she's demanded that he fly in
from Egypt. Right, it comes to me a huge thing
of flowers. He's in the middle of a movie. Right,
Just keep that in mind if you haven't watched, keep
in mind that he's in the middle of a movie
and he flew from Egypt because she was like, I

(55:31):
really need to see you.

Speaker 2 (55:33):
Brings her flowers.

Speaker 3 (55:35):
Then they have sex. Then he has the audacity to
be dressed in the morning and she's like, what are
you doing? Why are you dressed? And he's like, oh, well,
because you know, I'm on Egypt time. But hey, like
I made reservations at some restaurant I can't pronounce. It's
like super fancy and she's like, oh, because she's because

(55:57):
she is Samantha.

Speaker 2 (55:58):
Oh oh oh, but Dobby Doby, is it like Egypt?
Is it anything like that?

Speaker 1 (56:05):
He has to go location scouting. He's like, yeah, first,
I got to do a little bit of work though,
right and mad right, Uh, you have to work. So
he wants her to come though, which.

Speaker 2 (56:16):
I will argue to anyone.

Speaker 3 (56:19):
I know you're not arguing with me, but I don't
think he did anything that wrong.

Speaker 2 (56:23):
Like she's being so ridiculous. He flew from Egypt.

Speaker 3 (56:28):
He wants to spend time with her, but he's like,
I have to go just look at this location. So
she's like fine, she gets in the car. Now there's
like five people in the car. You're in like a van,
and there's a woman in the back. And then he's like,
what's who's got fragrance on? And the woman in the
backs like it's not me. She's like, I haven't worn

(56:48):
fragrance in five years, which reminds me of at my
guy tocologist's office, and I can get another doctor's office.
They're very crazy about like you're not allowed to wear
scented deodorant, Yeah, fragrance, Like I guess some of these
doctors are like sensitive.

Speaker 1 (57:04):
I went to a wedding like that this woman. I
know that the couple is still married. So as many
years ago I really liked I was friends with the guy.
We were all friends with him, but we didn't really
like her. I'm just gonna say it. I can say
it twenty years later, right, Yeah, And she had a
thing on the wedding invitation which was very fancy, but
it was like the four Seasons or something. It's said
on the invitation, no deonnorant or perfumes please, bride is allergic.

(57:25):
She was the most annoying person I saw, truly, she's
up there. Yeah, I hate saying that he's not going
to listen to this, right ah no?

Speaker 3 (57:33):
Oh, so like it's me, which I don't know if
that's supposed to be like a mic drop, like I'll
I call the shots here, I'll wear fragrance whatever. Right,
So then we see a quick uh so Charlotte and
Lisa are walking down.

Speaker 2 (57:49):
The street, of course, like you do all day.

Speaker 3 (57:52):
And Lisa is like, you should maybe give that woman's
dog an MRI, like you know whatever, pay for it,
right and then and then I have I thought they
were walking but maybe they're in her house. Yeah, because
then the dog walking tries to eat the American girl doll.

Speaker 1 (58:10):
Oh yeah, they were in her house. You're right, Yeah,
it goes with them like maybe it's not a perfect dog.
What a great storyline, weren't.

Speaker 2 (58:17):
So back to Sema.

Speaker 3 (58:18):
Seema's getting really annoyed because now they're on a peer
uh doing a location scout stuff.

Speaker 1 (58:24):
Hold on one second, I'm so sorry he's gone into
a corner. I got to get him out really quick
because he's like.

Speaker 3 (58:29):
So as I was saying, Seema is with the director
guy and there they're on the pier and she's getting
so unreasonably I think mad.

Speaker 2 (58:39):
Yeah, yes, it reminded me.

Speaker 1 (58:42):
Okay, she's mad that he's working right, right, And remember
my joke with my friend about Sissy Spasic and the
movie JFK, where she's so mad at Kevin Costner, who's
a detective trying to solve the JFK murder, and she's like,
you're gonna work. You're going to try to solve a
murder on easta day. And it's just like how every

(59:03):
bad wife is written in these movies, especially by like
Oliver Stone or somebody like that, Like yes, because she
and she also had a slight whisp like.

Speaker 3 (59:10):
Eat the Sunday trying to solve a murder of a president.

Speaker 2 (59:15):
That's what it reminds me of. And it's just like Girol.

Speaker 1 (59:18):
Even Samantha wouldn't like Samantha was the opposite of that.

Speaker 2 (59:21):
She wanted like someone really driven.

Speaker 3 (59:23):
And why wouldn't you just be like this is I'm
not saying you you know you're gonna be like a
tourist and go, my god, this is the coolest thing
I've ever seen.

Speaker 2 (59:30):
You're making exactly.

Speaker 3 (59:33):
Why wouldn't you be like, oh my god, you flew
all the way back from Egypt for me. The least
I could do is go with you?

Speaker 2 (59:39):
Yeah, like cool?

Speaker 3 (59:41):
Yes, and he and he to his to defend him more.
He's like, isn't this like pretty cool? Like look at
this like view and stuff, and she's like, uh so
she just calls Carrie to complain like a bach right,
that's what I have is or maybe or does she

(01:00:05):
break up with them first?

Speaker 1 (01:00:06):
I don't remember. I think not yet, because then we
go over back to Charlotte. She runs into the dog
Lady and she's like, Okay, I'll pay the bill whatever,
and then all of a sudden, another dog that looks
like it like it runs up.

Speaker 2 (01:00:17):
It warn't rant, it was the wrong dog.

Speaker 3 (01:00:20):
It was the most it was the most sitcommst sitcom
scene I've ever seen.

Speaker 2 (01:00:26):
I know, for no reason. It didn't fit with the
rest of the show. Really no, it didn't.

Speaker 3 (01:00:30):
It's like they needed to find something for her that's
just not real, right, not like a real storyline with
like real people, right.

Speaker 2 (01:00:39):
I just thought it was so stupid.

Speaker 1 (01:00:41):
So this then they go back to the director and
he's found this beautiful shot, like it's like, Okay, this
is it, this weird apocalyptic thing we're looking for. Cool
take a minute, yeah, and go good job everybody, Like
this is really cool now. Instead, she's like, I deserve
more than this. Goodbye. I'm sure you have exactly what
she said. But she's she's done.

Speaker 3 (01:01:00):
She's out something about like the end of his movie, like.

Speaker 2 (01:01:04):
And he's so excited.

Speaker 3 (01:01:05):
He's like, wouldn't this be so cool for like then
the heroes of our movie it's like their last whatever.
And she's like, yeah, well it's like Abu Jabi like
life imitates art right, because we're done and it's just
dressed like that.

Speaker 1 (01:01:19):
Why is she can dress like that to go like
location scouting for to just put on some jeans.

Speaker 2 (01:01:24):
Girl, you have to wear pants suit to everything.

Speaker 1 (01:01:26):
Yes, it's so much and it's I know, it's old
school and I know Carri that's the big thing about
the characters. And Carrie is always in dire or whatever.
But it's getting tired, like it just is ridiculous. All
these just impossible like demands, I know. So she breaks
up bye bye. So then Carrie goes to get drinks

(01:01:46):
with Charlotte and Miranda again I have.

Speaker 3 (01:01:49):
Let me see so yes, no, no, not yet. So
we're at the Red Rooster where Lisa's thrown a party
for Herbert. She's kind of mad, She's like big mad.
So it's the big campaign party that well, she's fed
up because she has her own life too, and everybody
wants her to do stuff. Remember, so, for no real

(01:02:11):
reason except that they're making a TV show, Carrie has
to meet up with Charlotte and Miranda at Herbert's party.
Controller Like why would that be? Why would she invite
her three girlfriends to copure her husband's comptroller party with
like other comptroll like city people.

Speaker 2 (01:02:31):
Doesn't mean it's nice.

Speaker 3 (01:02:33):
It makes no sense, but whatever. So they're sitting there
and then Carrie's like, you guys, Aiden called and we
had phone sex. But then we stopped halfway and you guys,
I faked phone sex and now I felt this honest.
That was the most honest thing between us.

Speaker 2 (01:02:49):
Guys.

Speaker 3 (01:02:51):
We were so honest about our sexuality.

Speaker 2 (01:02:55):
What the fuck? Right? Right? That was annoying to you too? Right?

Speaker 1 (01:03:00):
Yes, it was ridiculous. It was yes, yes, the whole
thing isn't. Yes completely.

Speaker 2 (01:03:06):
So is this when Anthony for some reason comes in
and he's like, I'm gay. Why did he yell that?

Speaker 3 (01:03:12):
Okay, so let's see, yeah, mar okay. So yeah, Anthony
shows up. Well, it's time for Herbert to make a speech.

Speaker 2 (01:03:21):
He's always making.

Speaker 1 (01:03:22):
Speeches, yeah, because he's running for office.

Speaker 2 (01:03:26):
So she shows up for no reason.

Speaker 3 (01:03:28):
Why would why would she invite her girlfriends and their friends? Like, hey, Joe, worry,
it's a plus whatever, just bring all, bring everybody everyone
in the cast, yeah, to the to the party. So
then he shows up, he's like, I'm sorry, I was
way too hard on you.

Speaker 2 (01:03:44):
What No, you weren't.

Speaker 3 (01:03:46):
And she's like that's okay. Whatever. Anyway, So then the
campaign manager. Okay, So then there's this like a cappella
group to show that he can sing, because he can't.
It's amazing because he was in Hamilton, so I used him.
Well here right, I believe Yeah, so shows up and

(01:04:08):
then the this is where the manager. The campaign manager
is like a cappella group not cool? And now she
kind of loses her mind. She's like shut up, like
you know, and he's like, whoa, Okay, why are you
getting so spicy basically, and she's like, I'm trying to
be a parent and run the PTA and shop a

(01:04:29):
documentary and I can't do it at all.

Speaker 2 (01:04:32):
Right, She's right, she's upset, Yeah, she said. So.

Speaker 3 (01:04:37):
Back at the group of the people, Anthony and Carrie, Miranda,
they're talking and Miranda gets another text from the nun. Okay,
and she's like this was very funny. She's like, oh
my god, this nun is in love with me? Or
maybe are they back at Carrie's house? I no, no,

(01:05:01):
there's still the party. They're still party. She's like, oh
my god, this nun is in love with me. She
wants me to meet her. She just got out of
Wicked and she wants me the meter at the eminem store.

Speaker 2 (01:05:11):
At Times Square, at Old Times Square. It was amazing.

Speaker 3 (01:05:15):
Can you imagine if somebody like was like, I'm in
Times Square, meet me by King Kong.

Speaker 1 (01:05:22):
Yeah, I can't imagine. I know people that do that.
They'll come here and be like, you want to do
like the Hollywood you want to do like a TMC tour.
I'm like, I do not, and I won't. But she's like, okay,
fuck it, okay, I'll just do this.

Speaker 3 (01:05:33):
I think she's going to kind of break up with her.

Speaker 2 (01:05:35):
Right right kind of, but she goes in. It's like
kind of nightmarish.

Speaker 3 (01:05:39):
It's so she's standing in Times Square by King Kong,
who's like a guy dressed up in a giant King
Kong outfit that takes.

Speaker 2 (01:05:46):
Pictures with you.

Speaker 3 (01:05:48):
And I told you about when I went to New
York and got caught by the one of those characters
and they make you take a picture. They grab you
and they shove you in a picture, and then they
just get in front of you and take the picture
and then they go okay, that's that's twenty five dollars,
and you're like what, so then you have to avoid them. Oh,
one of them, I tried. I was like, well, will

(01:06:09):
you take five dollars? And they're like no, it's twenty
five dollars. And I was like, well, you're just gonna
have to take five. I was with LB and she
was mortified, and I was like, well, then stay the
fuck away from these characters. It's highway robbery. Okay, So
you don't have to pay them anything, you don't have
to do shit, just be like fuck off. That's how
you next time you go to New York. Okay, somebody
pulls that shit with you, just tell them to fuck off.

Speaker 2 (01:06:31):
Yeah, I promise. So then, so.

Speaker 3 (01:06:34):
The nun so Rosie O'Donnell is like is like wearing
a wicked shirt, and she hands Miranda some Eminem's and
she's like, I got them like special, you know, M
and M like for Mary and Miranda, but Marianza, Heyrianza.

Speaker 2 (01:06:52):
And she's like, oh god, I mean it's so sweet
but also so sad, and she goes, hey.

Speaker 3 (01:06:58):
You want to spend the night, and Miranda's like, oh
my god, listen, we need to talk, like right, please, don't.
I know you're like newly on your journey or whatever,
but like I don't want you to leave. God, for me,
and she's like, oh, goad, no, I would never.

Speaker 2 (01:07:14):
I'm married to that. That's gonna leave.

Speaker 1 (01:07:15):
God, I'm a Red Sox fan from Boston in my cap.

Speaker 3 (01:07:21):
And then she's like, I have been changed for good.

Speaker 2 (01:07:27):
They had to get Wicked in. They had to like
find a way. Oh my god, you're right, because you know,
you know who writes the show.

Speaker 1 (01:07:33):
I mean like, yeah, they got it in. They got
it in. I didn't totally hate at that moment. I
thought that was like the most interesting storyline.

Speaker 2 (01:07:41):
Oh so all of that funny.

Speaker 3 (01:07:42):
Because Miranda's just like oh, She's like yeah, that's from Wicked.

Speaker 2 (01:07:45):
And Miranda's like, yeah, I figured, yeah that was kind
of that was kind of sweet. Yeah.

Speaker 1 (01:07:50):
But then just when you think you're out, just you're like,
all right, credits have got to come soon, right, right,
all of a sudden, Carrie's like, you know what, now
I'm in the mood. You know what I wasn't able
to do before, But now I'm gonna call and try
to have a phone sex with him. She calls Aiden
on the old timey phone yep, and he's like She's like, She's.

Speaker 2 (01:08:06):
Like, hey, now what are you doing.

Speaker 3 (01:08:09):
She's like, hey, I want to be honest with you,
like the other night, like I wasn't actually masturbating, but
now I'm gonna do it.

Speaker 1 (01:08:16):
Now, I'm ready in my hands. She's putting her hands
like down and then he's.

Speaker 2 (01:08:19):
Like, oh no, it's not a good time, Carrie. And
then you look at hands over and his weird fourteen
year old son Wyatt is sleeping in the bed with him.
Now let us I do not even know how to
unpack that. I don't understand why he would be there
at all, Like why is whyite there? And why is
aiden such a dick to keys? Just like no, bye,

(01:08:40):
now he's not a great like see ya what I
just was like what the fuck? And then the alarm
goes off again because you know rich, right rich?

Speaker 3 (01:08:51):
And she goes and she's like, h can't sleep. Let
me get my laptop and do something. She's like, you
know what, I need to find my old self again.
I haven't been writing a long time because I don't
need to do anything ever again.

Speaker 1 (01:09:02):
Because I have so much money, I think I'm gonna
start writing again. Let me find myself. And then I
just wrote what happened to her podcast that has never
been mentioned again. I guess they shut down. Remember they
shut it down.

Speaker 3 (01:09:14):
Yes, now she's going to be a writer again. Oh yeah,
she's not gonna write much. She's gonna write. She's going
to write. She didn't know what she was getting herself,
got herself into.

Speaker 2 (01:09:24):
That's what she's like. Dust off, she blows dust off
the old apple. Yeah, I mean yeah, that's where we end.
And that line, and just like that, the show comes
to an end. Now I'm going to tell you, and
I'll just say this one more time.

Speaker 1 (01:09:39):
It does get better, and I know there will be
still times that we can trust me, we'll still hate
watch a little bit.

Speaker 2 (01:09:45):
But I promise you you're going to actually enjoy it.
I promise.

Speaker 3 (01:09:48):
I believe you. I believe I'm in I'm watching it.
I mean, just for the phone sex alone.

Speaker 2 (01:09:54):
Fun, it's fun. Carrie. Did you come? All right?

Speaker 1 (01:10:02):
Everybody right? Thank you for being here. We miss Steve,
we miss Chay a little bit at this point. Yes,
we miss you all.

Speaker 2 (01:10:11):
Thank you that. Thanks for and follow along. We'll be
doing this every week.

Speaker 1 (01:10:14):
Yep, along with the Valley and all other kinds of
stuff and Hollywood cringe and you know what we're doing.

Speaker 2 (01:10:19):
We're doing all the things.

Speaker 3 (01:10:21):
Uh.

Speaker 2 (01:10:21):
Yeah, so we'll see you like Monday, Tuesday soon Nos.
Nice bye bye a