Check out this podcast replay of the SDCF Virtual Panel: Demystifying Pre-Production with Knud Adams, Maija García, and Delicia Turner Sonnenberg. This conversation focuses on the pre-production process, giving insights and a better understanding of all the things that happen between when a director signs a contract and first rehearsal. The panelists talked about what they have discovered over the years makes for the strongest pre-production process for them before rehearsals begin. Transcript available upon request. We hosted this panel in June 2024.
Knud Adams is an Obie-winning director of artful new plays, based in New York. This season, he's directing English on Broadway. His work has been featured on "Best of the Year" lists by The New York Times, New York Magazine, The New Yorker, and The Washington Post. An avid developer of new work, his world-premiere productions include: Primary Trust (Roundabout), English (Atlantic/Roundabout), Bodies They Ritual (Clubbed Thumb), Private (Mosaic), The Headlands (LCT3), Paris (Atlantic), and The Workshop (Soft Focus). Knud also directed the radio play Vapor Trail, which premiered at the Tribeca Film Festival.
Maija García is a theater director, cultural innovator and advocate for equity in the arts. She recently directed I am Betty, a world premiere hit new musical at History Theater by Cristina Luzarrága and Denise Prosek; VALOR, a Spanish golden-age play by Ana Caro; and OUR HOOD, a bi-lingual cineplay by John Leguizamo. Director of Movement for Spike Lee's Oscar award-winning Blackkklansman, CHI-RAQ and She’s Gotta Have It on Netflix, and Executive Producer of Art of Dance, a documentary film, García’s Theater Directing credits include Bill T. Jones’ FELA! World Tour; CRANE: on earth in sky by Heather Henson and Ty Defoe and Salsa Mambo Cha Cha Cha in La Habana Cuba. Regional Theater credits include original choreography for West Side Story at the Guthrie Theater; Kiss My Aztec by John Leguizamo and Tony Toccone at Berkeley Rep, and La Jolla Playhouse; Snow in Midsummer by Frances Ya-Chu Cowhig at Oregon Shakespeare Festival; Cuba Libre by Carlos Lacámara at Artists Repertory Theater (PAMTA Award); and Fats Waller Dance Party with Jason Moran and Meshell N’degeocello at Harlem Stage, SF Jazz and the Kennedy Center. Garcia founded Organic Magnetics to generate urban folklore for the future. She wrote, produced and directed Ghosts of Manhattan: 1512-2012, an interactive history and I am New York: Juan Rodriguez. Director of Education and Professional Training at Guthrie Theater, Maija served on the Tony Award Nominating Committee and is a proud member of SDC since 2008.
Delicia Turner Sonnenberg is a director, artistic leader, teacher, and mother. She is a founder and the former Artistic Director of MOXIE Theatre, which she helmed for twelve acclaimed seasons. Delicia has directed plays for the Old Globe Theatre, San Diego REP, La Jolla Playhouse, Actors Theatre of Louisville Humana Festival, Cygnet Theatre, New Village Arts, and Diversionary Theatre, among others. Delicia has directed countless workshops and staged readings of new plays for National New Play Network, Old Globe, Bay Area Playwrights Festival, San Diego REP, and Arena Stage. Delicia was twice a recipient of the Van Lier Directing Fellowship through Second Stage Theatre in New York and is an alumna of the New York Drama League’s Directors Program, as well as Theatre Communication Group’s New Generations Program.
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