Sheldrake on Shakespeare
Episodes
May 24, 2024
In an unprecedented second episode on a play, Sheldrake examines the linguistic DNA of Hamlet and finds three rhetorical techniques that perform what Shakespeare is also doing with the big ideas in this play: Hendiadys, Metonymy and Synecdoche. Podcasting on Shakespeare is a profound pleasure but, if you would like to buy me a coffee, […]
Mark as Played
May 10, 2024
In an episode dedicated to a great Shakespearean, Mr John Branston, Sheldrake drifts slightly from the one-play-one-idea tagline to focus on one character in this play: Queen Margaret. After her long march through the Henry VI plays, how does she wrest some control of the audience’s perspective from Richard and, in the end, does it […]
Mark as Played
Few people in the world will have spent as many hours working on the delivery and performance of Shakespeare as Robert Price. After a career as an actor, he was the Senior Voice Tutor at RADA 2007-15 and a voice tutor at LAMDA for many years. He therefore has huge experience with and a rare […]
Mark as Played
May 30, 2023
In the first of two episodes on this mightiest of plays, Sheldrake compares the plot of Shakespeare’s Hamlet with its sources, uncovering a tremendous amount of ‘literary upcycling’ but also a profound and imaginative tribute to the power of theatre at the play’s core. First preview of Sheldrake on Shakespeare: Live! THIS FRIDAY 2nd June, […]
Mark as Played
April 23, 2023
In his return to the airwaves, Sheldrake considers the extraordinary popularity of A Midsummer Night’s Dream and concludes that it is the dark matter in the middle of this festive comedy sandwich that makes the play such a satisfying experience overall. iTunes Amazon Sheldrake on Shakespeare Live! London previews: Etcetera Theatre 2nd June Rosemary Branch […]
Mark as Played
February 24, 2019
Henry V: one of the most patriotic characters and plays in all of literature, surely? Not so, says Sheldrake. Henry V and his world are thoroughly morally ambiguous. Also available on iTunes: http://tinyurl.com/ndhzfxm
Mark as Played
July 13, 2015
How did people learn to act in the Renaissance? Did the texts themselves co-operate in teaching newish actors how to do certain things? Sheldrake thinks so.
Mark as Played
June 15, 2015
What to say about Henry IV Part 1? In the first of three main episodes, each of which will tackle one play in this Henriad, Sheldrake explores a play about history and personality, focussing on Prince Henry and his rival for glory Harry Hotspur. Also available on iTunes: http://tinyurl.com/ndhzfxm
Mark as Played
June 1, 2015
He claims no monopoly on wisdom in this area, but as an academic year draws to a close and the long vacation heaves into view, Sheldrake reflects on his experiences of teaching Shakespeare. Also available on iTunes: http://tinyurl.com/ndhzfxm
Mark as Played
We associate Shakespeare with humanity, warmth, generosity and kindness when he writes about people who have made a wrong decision. Even Richard III at the beginning of his play tells us what a dreadful life he’s had until now. Troilus and Cressida is different. Shakespeare is merciless with his characters and shows the Trojan War […]
Mark as Played
May 4, 2015
Thanks to a couple of nearby anniversaries, we are hearing more than ever not only what great theatre Shakespeare is, but also what a positive influence he is. By and large, this is true. But the commemorative coin has another side, which is Shakespeare’s repeated mobilisation by fascists, racists and regimes we despise. Firstly, this […]
Mark as Played
April 20, 2015
The Tempest is a difficult play to nail down. It is also the most reinterpreted and adapted of Shakespeare’s plays. In this episode, Sheldrake pursues three themes – Love, Power and Art – and examines how they have been reinterpreted over the centuries. Also available on iTunes: http://tinyurl.com/ndhzfxm
Mark as Played
April 6, 2015
Ben Jonson. Rival or friend of Shakespeare? Grumpy old bore or stout moralist? In a typical cop-out, Sheldrake thinks both caricatures are true. Jonson is an awkward playwright at the best of times, but his plays are well worth the seeing. Sheldrake gives you his personal top three. Also available on iTunes: http://tinyurl.com/ndhzfxm
Mark as Played
March 23, 2015
We seem to spend much of our lives asking whether things are worth it. Are they worth the money, the time, the effort? Are we getting value for money? Is something worth it? And everybody in The Merchant of Venice seems to be asking that kind of question too. Venice itself seems to be all […]
Mark as Played
March 9, 2015
A few weeks ago I was lucky enough to be leading a seminar at RADA on Measure for Measure. In preparing for that seminar I found myself disagreeing with much of what I said in my own podcast episode on the play. So here I rebut and refute many of my earlier claims. One of […]
Mark as Played
February 23, 2015
It’s difficult to know what, and particularly who, to talk about in Othello. Iago is a distraction, Othello likes to inflate his own sense of himself, whilst Desdemona can seem even less than she is. Which is odd, because the characters too find themselves not quite knowing how to interpret what they see in front […]
Mark as Played
February 9, 2015
Falstaff will exceed the bounds of whatever box you try to put him in, a truth I found out for myself in the last Short Sheldrake on Shakespeare. I return to complete some unfinished business on this occasion, finishing off some remarks about why Falstaff is so popular in the Henry IV plays and giving […]
Mark as Played
January 26, 2015
Twelfth Night seems to be everyone’s favourite Shakespeare play. Why is this the case? Could it be something to do with the fact that it is a play about playing? This play is a hymn to the pleasure and virtue of playing and play wins over anti-play, though of course the real motto is that […]
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January 12, 2015
Sir John Falstaff is a river who has burst his banks. He has taken on a life beyond Shakespeare’s plays and become a myth in his own right. Anybody who has a thirst for life is described as Falstaffian, he has had operas written for him, actors at the mature height of their comic powers […]
Mark as Played
December 15, 2014
King Lear is a work of obvious genius, so what to say about it in fifteen minutes that can illuminate it? Using the historical idea of service, and the relationship between service and – believe it or not – love, we can get a handle on all sorts of relationships in the play. And Sheldrake […]
Mark as Played
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