Strong Songs

THE APOCALYPSE WERE:
Tony Capuano - Guitar, Lead Vocals
John Shorb - Alto Sax
Gene Meros - Tenor Sax
Greg Novik - Bass, Backing Vocals (guitar on Stormy Monday)
Oggie Hamilton - Drums, Backing Vocals

Featuring The Apocalypse playing:

• “Good Good Lovin’” and “Try Me” by James Brown
• “Hi-Heel Sneakers" by Tommy Tucker
• “The Shadow of Your Smile” by Mandel & Webster
• "I Don't Want To Cry" by Dixon/Jackson
• “Sack of Woe” by Cannonball Adderley
• “Thi...

For the Season Seven finale, Kirk takes a look at Bill Withers' enduring hit "Lean On Me." In the process, he takes a broader look at a bunch of Withers' other most famous songs to better understand how this plainspoken, seemingly ordinary guy managed to write so many extraordinary songs.

Written by: Bill Withers

Album: Still Bill, 1972

Listen/Buy via Album.Link

ALSO REFERENCED/DISCUSSED:

• “Ain’t No Sunshine” and “Grandma’s Hands” by...

Kirk answers a bunch of listener questions on topics like bluegrass guitar, the music of Blue Prince, good apps for training theory skills, Robert Fripp's "Frippertronics," a mysterious sound on a Gene Clark song, different types of music notation, and the legacy of the blues. All that, and a trio of terrific singer/songwriters stops by the studio to help answer a question about lyrics.

Come see Triple Click Live! Friday, July 11 at...

In 1981, Sting brought a demo of a song he'd been working on down to AIR Studios in Montserrat to see what his bandmates thought of it... and they wound up keeping the demo and just recording their parts on top. The result was "Every Little Thing She Does Is Magic," an unusual Police song, but an enduring hit. 

On this episode, Kirk goes deep on every aspect of Sting's exuberant yet frustrated love song, unearthing the magic that li...

The jazz standard "All The Things You Are" has been performed countless times by master jazz vocalists, 30s big bands, bebop small groups, hard-bop combos, modern deconstructionists, and even soon-to-be Kings of Pop. On this episode, Kirk takes listeners through the history of the now-famous tune, from its humble Broadway origins all the way to his recording studio in Portland, where he and some friends recorded an all-new arrangem...

Turn around... every now and then I get a little lonely and the snare is sounding small
Turn around... every now and then I get a little bit tired of listening to the sound of sleigh bells
Turn around... every now and then I get a little bit nervous that the cannons will not fire
Turn around...

...every now and then Kirk decides to take on a classic 80s power ballad, and winds up learning a thing or two about when to use castanets and ...

How should you count The Police's "Bed's Too Big Without You?" Why do so many people revere Marty Friedman's solo on Megadeth's "Tornado of Souls"? What's going on with those pauses during the Bluey theme? And what the heck is that sound on Sly and the Family Stone's "Sex Machine"? Those questions and many more on the first mailbag episode of Season Seven. 

Thanks to Nevada Jones (voice) and Scott Pemberton (guitar) for their expert...

Kirk pays a visit the musical world of The Muppets, from their Sesame Street origins in the 60s to the globe-hopping, cinematic heights of the 70s and 80s, with plenty of detours along the way.

FEATURING:

"Sesame Street Theme" by Joe Raposo, Jon Stone, and Bruce Hart

"Mah Na Mah Na" by Piero Umilliani from Sweden: Heaven and Hell

"Pinball Number Count" by Walt Kraemer and Ed Bogas, feat. The Pointer Sisters

"Rainbow Connection" by Paul ...

Kirk digs into one of the most dense and challenging records in his collection, with an analysis of "Roulette Dares (The Haunt Of)" from The Mars Volta's 2003 progressive rock opus De-Loused in the Comatorium.

Written by: Omar Rodríguez-López, Cedric Bixler-Zavala, and Jeremy Ward

Produced by: Omar Rodríguez-López & Rick Rubin

Album: De-Loused in the Comatorium, 2003

Listen/Buy via Album.Link

ALSO REFERENCED/DISCUSSED:

• Excerpts from ...

Kirk digs into Fiona Apple's breakneck 1999 single "Fast As You Can," a cornerstone in her late 90s collaborations with Jon Brion, as well as her work with drummer Matt Chamberlain.

Written by: Fiona Apple

Produced by: Jon Brion

Album: When The Pawn..., 1999

Listen/Buy via Album.Link

ALSO REFERENCED/DISCUSSED:

• Jon Brion in Performing Songwriter Magazine, 2000
• "Criminal" by Fiona Apple from Tidal, 1996
• "Tymps (The Sick in the Head Song)...

Strong Songs Season Seven kicks off with two of the most famous songs ever recorded, from one of the biggest bands in the world. U2's "Where the Streets Have No Name" and "With or Without You" make up two-thirds of the three-song "suite" of hit singles that kicked off their 1987 album The Joshua Tree. As it turns out, the two songs have a lot to say to one another! They also have a lot to say about how U2 wrote music, and about the...

In between seasons, Kirk re-ran a bunch of old episodes and prefaced each one with a new music recommendation. He's taking those down recasts in preparation for season seven, but it seemed like a good idea to put all the music recommendations in one place. So that's what this episode is!

DISCUSSED AND RECOMMENDED:

• "The Meadow" by Nickel Creek from Celebrants, 2023
• "Chip Monkey" by Kick the Cat from Weirdo, 2002
• "Fade to Black" by H...

In light of Janis Stockhouse's unexpected death at the tail end of 2024, we're re-posting Kirk's 2019 interview with her for anyone who might want to listen to it.

Janis started teaching at North high school in Bloomington, Indiana, in the early 1980s. It was a time when "jazz education" as a concept was still a relatively new thing. She retired 38 years later, having grown the North band program into a well-known Midwest institutio...

Kirk talks with Wesley Morris and Josh Gwynn about the endless world of Stevie Wonder. Morris and Gwynn are host and producer, respectively, of the brilliant new six-part podcast series The Wonder of Stevie.

Check out Josh Gwynn's terrific pop culture podcast Back Issue, Wesley Morris's culture podcast Still Processing, and Morris' essential writing on Aretha Franklin, Jam & Lewis, Meshell Ndegeocello, and his mustache, as well as h...

A cross-post of the first episode of "The Wonder of Stevie," a new six-part podcast series from Higher Ground and Pineapple Street Studios. It's a great show - find it on Apple, Amazon, Spotify... it's a podcast, you know the deal.

Next week, we'll run a conversation between Kirk, host Wesley Morris, and producer Josh Gwynn all about what they learned making the show, and how they've come to think about Stevie and his music. In the ...

An update on what's next now that Season Six is complete, along with some book and music recommendations!

BOOK RECOMMENDATIONS

The History of Jazz by Ted Gioia, 3rd edition - 1997, revised 2021

Guitar Zero: The New Musician and the Science of Learning by Gary Marcus, 2012

MUSIC RECOMMENDATION LINKS

Steve Pardo - DOS - (also in Video Game form on Steam)

Completions - I Needed Help

Ruth Moody - Wanderer

The Onesies - The Onesies Dig With the...

In the season six finale, Kirk takes a deep dive into Bruce Springsteen's signature song, 1975's "Born to Run." It's all here: tremolo guitar riffs, glockenspiel arpeggios, endless sus chords, and a sax solo for the ages. Baby, we were born for it.

Written by: Bruce Springsteen

Produced by: Springsteen, John Landau, and Mike Appel

Album: Born to Run, 1975

Listen/Buy via Lynkify

ALSO REFERENCED/DISCUSSED:

• "Tenth Avenue Freeze Out" and...

As Season Six draws to a close, Kirk opens up the Strong Songs mailbag to answer a bunch of listener questions on topics ranging from Diablo's use of lydian to what he means when he talks about "transcribing."

REFERENCED/DISCUSSED:

• "Tristram" by Matt Uelman from Diablo, 1997
• "Blast Inc. (feat. Jorgen Munkeby)" by Haunted Shores from Viscera, 2015
• "One Down, One Up" by John Coltrane from New Thing at Newport, 1965
• "Heart of Glass" by...