The Village Vets Talk Club Culture, Relationships, and Respect

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 4 (00:13):
go ahead and share.
Hey, yeah, yeah, welcome to thevillage vids.
Like, share, subscribe, all ofthat yeah, yeah.

Speaker 3 (00:19):
Look, though, let me ask you with that, what you
playing?
That I want to keep it ridingthat, keep that up, turn it up a
little bit hey, hey, hey, hey,watch yourself, ain't riding
nothing around here.

Speaker 4 (00:28):
You said keep it right, boy, boy you, you be so
out of pocket so early in theshow, man, you won't even let me
get warmed up yeah, no, that'scrazy rooster.

Speaker 3 (00:47):
What up hell.
If you had that, I want to,would you?
Would you plan that?
I want to ask what was thechange of?
What was the change of atlantalike to now?
Why do you think the clubs inlike atlanta change like with
just those vibes now?
Me personally, I think it'sbecause niggas ain't dancing.

Speaker 4 (01:05):
No more that guy I would do is just bow.
Um, let's go around the hornfirst, because for me it's a
little bit different, because Iwas in it while it was good,
watched it start changing andthen came back into it to see
what it's become no, I'm more so.

Speaker 3 (01:23):
I mean because we wasn't even in it then.
We wasn't in it in the 2000s.

Speaker 4 (01:26):
I'm going to go ahead and tell you we wasn't, but
I'll tell you in 2010, when youwent to the club in Atlanta, it
wasn't about being in a section,it was about being on a dance
floor.
So like it was still.
Like you go in there, yougetting sweaty, dirty, walking
to that bitch, no shirt on twobeers in his hand, bouncing
around and having fun.

Speaker 3 (01:47):
That's kind of what I mean Back in the 2000 and the
2010,.
I think that was kind of theair of shit when everything
started going either super cool,futuristic all that good stuff.

Speaker 5 (01:56):
They didn't have no money to be in the VIP, did they
?

Speaker 3 (01:59):
No, I mean, folks still had money, but it was just
about being on the flow, Ibelieve.

Speaker 4 (02:03):
Hey, hey, hey hey, no , I didn't have VIP money.

Speaker 3 (02:05):
Oh, I mean of course we was kids, but I mean, that's
what I'm saying, baby, we werekids, but the party wasn't in
VIP like that back then.

Speaker 4 (02:13):
That's what I mean.
You would see some shit goingon in VIP, but you could still
get a dance around a good littletwerk around 2011, 2012.

Speaker 6 (02:28):
It started really Junior year.
Yeah, it started going awayaround like 2013.

Speaker 5 (02:33):
Yeah, they used to do it at the Northern Mountain
Club.

Speaker 6 (02:37):
You were in a different area.
You know what I'm about to say.
Up north they still dance.

Speaker 3 (02:41):
They're doing all that you go to the.

Speaker 6 (02:43):
North.
You know what I mean.
You might get that Jamaicanfeel, or what have you?
And that's all they're going todo with them.

Speaker 3 (02:49):
That's it.
They're going to wind it andhip roll it and all that.
They're going to carry it onall night.

Speaker 6 (02:52):
That's what they want to go to.
That's what they want to do.

Speaker 3 (03:10):
You already know and I know you anywhere where the
ganja at nah I don't want to goto the afro beach spot ain't
that like a bunch of like, um,good dancing and nothing.
Yeah, that's that burner boyand I remember who.
Yeah, yeah, you say yousweating now yeah, that's what
you party hard oh yeah, andthat's like I'm saying.
So do you think with with that,do you think that's like the
shift of what we see now?
I guess more so what we've seengrowing up compared to, like as

(03:32):
adults, what we see?

Speaker 6 (03:33):
I'm going to just say the music took such a left
because I guess the kids kind ofgot it, but they do TikTok
dances, so they don't reallydance in the club.
Got it, but they do tiktokdances, so they don't really
dance in the club.
But like once you moved at theat the futuristic era,
everything became about likemoney and drugs so kind of what

(03:53):
future took off, like like, like, like it was going in the
future.

Speaker 4 (03:59):
Right, pause, that's crazy.
Like like as as um, as travisporter's career died, yeah, so
did ass shaking in the clubfacts because I mean they
delivered did travis porter dieor did migo take over?
I'm not arguing like why they'reno longer alive, I'm just

(04:22):
saying like it ushered in adifferent era because even migos
, migos, they was making clubsongs but they wouldn't make an
ass-shaking song.
Right, travis porter was makingass.
Now migos made songs that theyshook ass too, like travis
porter was making an ass shakingsong direct reason for music
with the ass shakingshaking club.

Speaker 3 (04:43):
You got your I mean Hal's part of music.

Speaker 4 (04:44):
Make it rain, bitch, make it Come on.

Speaker 6 (04:49):
You got your ass-shaking songs from Travis
Porter and then you had yourfuturistic shit through like
Rich Kids and you know you cansay D4L and all them, but it was
really Rich Kids holding thewhole.

Speaker 3 (05:02):
Well, D4L, that was geek music.

Speaker 6 (05:06):
Yeah, you know, it was really rich.
That was geek music.
Yeah, we didn't know that.

Speaker 3 (05:08):
But I'm saying, even then we knew they was made for
dancing.
I feel like that was all thesame type of thing.

Speaker 6 (05:16):
Shout out to the in the club, but I get it now.

Speaker 1 (05:26):
You see what I'm saying Every time this.

Speaker 3 (05:29):
Come on now.
I'm ready to break a sweat.
It's all slavery Every time.

Speaker 4 (05:38):
Because it brings something out of me that I wish
just didn't exist.
I'm not going to let the songplay, but like here, something
out of me that I wish justdidn't exist.
That was crazy bro, I'm notgoing to let the song play, but
like here, crazy, I'm about towalk it out, I ain't going to

(06:02):
hold you, bro.
Hearing that I remember walkingit out, probably like four years
ago, five years ago, thewedding I woke up sore to hold
you, bro.
Hearing that I remember walkingout, probably four years ago,
five years ago, at a wedding, Iwoke up sore.

Speaker 6 (06:08):
Oh yeah, for sure, all that been in me, man, let me
tell you what song had us whenwe were taking our trips to
Dalton back in the day?
It was one song that we turnedup and all them Dalton boys,
boys.
They got mad one night and theywere trying to fight us.
But we was on the side of theuh, we was.

(06:29):
On the matter of fact, I drove,I drove my auntie jeep.
She had a silver jeep up there.
I drove it all the way up thereand we bumped this on the whole
way and had them girls goingcrazy.
What was it?
I don't know nothing about therich kids been over been over.

Speaker 3 (06:45):
I don't know if it.
I don't know if he just cameout of what how do you know, and

(07:22):
if you think about it, if you,if you was really just in the
car, I think the car rides whatmade the vibes even better?
But then you got to think about45 minutes.

Speaker 4 (07:30):
Yeah, yeah, you got to catch a vibe.

Speaker 3 (07:31):
That's a long-ass, that's what I'm saying, even
then thinking about how themusic is now or the atlanta vibe
is now compared to what it waswe wouldn't have been able to
cut, which we still would havecut up, but but that's got like.
We're getting like a bunch ofdowner music.

Speaker 4 (07:45):
Bro, it's too cool, yeah, and it costs too much,
right.

Speaker 3 (07:50):
Or you got to get too high.

Speaker 4 (07:52):
Yeah, like Sometimes you just don't want to be that
geeked up to do nothing and likethat's not fun.
Like I like.

Speaker 1 (08:06):
What I like.
What'd you say, nick Nah, hechoked the baby.

Speaker 4 (08:09):
That's your cello in the back, bro.
I'll stay up there, but nah likethat's really what happened was
like it became coming to theclub and being cool you know
what I'm saying Like and beingstiff, you know what I'm saying
so like that changed the wholevibe.
And then it's like your moneyis what talks for you, so you
got to spend more money at theclub to be cool.
At the club where you used tojust be, can you dance.

(08:31):
You got the conversation.
You're gonna buy a drink likeyou had, like the full array.
That's why I like going to um, Ilike going to mix clubs that
play heavily hip-hop and uh bars, because that's where the
normal people are, who are stillthere for the vibes as opposed
to there for the look.
That's why I like Tampa, whatyou mean?

(08:55):
Because you can still go to theclub and the section can be lit
, but also the dance floor islit.
I like to go places where thedance floor is still lit and
girls don't mind getting theirshoes dirty.
Niggas gonna be in theresweating too much.
Those people are there to havefun.

Speaker 3 (09:11):
What about the ones that take their shoes off in the
club and dance?

Speaker 4 (09:14):
Don't talk to me about those dirty bitches.
I don't deal with them.
What if they just want to havea good time?
They can have a great time.

Speaker 5 (09:22):
What about they want Jordans in the club AC?
How you feel about that?

Speaker 4 (09:26):
With a woman, yeah, she better be pretty and sitting
at the bar, but if she justwearing a dress and some Jordans
, nah bro, that shit ain't Y'allknow.
I lived in California where thechicks would wear dresses and
Jordans and Dirty Forests andChucks Really be on some pretty

(09:47):
girl up top makeup done and thenhad these dust busters on her
feet.
You know what I mean?
Nigga, no.

Speaker 3 (09:54):
I mean, what if they like some?
What if they really like some?
You know some Just party shoesor whatever?
She ain't want to wear herheels, or she got the time for
us.

Speaker 4 (10:02):
Well, she doesn't want to wear heels or she got
time for us.
Well, she doesn't want to talkto me?

Speaker 3 (10:06):
I'm saying, but what if she just want to have a good
time?

Speaker 4 (10:08):
But she does not want to have a good time, and that's
fine.
Her idea of a good time doesn'talign with my idea of a good
time.
Like, hey, if you're going towear some like sneakers, be in a
sneaker fit.
You know what I'm saying.
Like, if you're going to bedressed up, you dress all the
way up and you thug it out inthem heels and you don't have
them flats in your bag.
Nah, niggas, heels all night.

Speaker 3 (10:28):
How do you feel?

Speaker 4 (10:30):
I don't agree, everybody say it.

Speaker 6 (10:33):
You got to understand we in our 30s, my feet hurt.
Come on, man, man they hurt.

Speaker 4 (10:40):
But here's my thing If your feet hurt, if you know
them shoes gonna make your feethurt, don't wear them.

Speaker 3 (10:44):
I mean, what if she had on heels and she just want
to put on the forces of theGolden?

Speaker 6 (10:50):
Gooses, no man, it's some women, so fine.

Speaker 5 (10:53):
Golden.

Speaker 6 (10:54):
Gooses are different.
They wouldn't even care aboutyou saying no, and you wouldn't
either, so just shut up, you'reright, but my standard is my
standard, so what?

Speaker 3 (11:04):
you think, do you agree with that or what?
He don't give a fuck.

Speaker 5 (11:08):
Oh yeah, I really don't.

Speaker 3 (11:10):
You don't?
Well then, I mean I'm saying so.

Speaker 4 (11:14):
He don't care what a woman sees.

Speaker 5 (11:16):
That's just going to determine how I treat you.
Type shit.

Speaker 3 (11:22):
If she was shoes, that's going to turn her into a
traitor.
What if she got some 1,200dustbusters on?
1,200 dustbusters, what is it Imean?
If she got some queens on orsomething.
She just left the game.
Her shoes just dirty.
Y'all went to the club.
She just don't want to wearthem.
She just don't want to wearthem.
Heels in the club, that's allI'm going to treat her.

(11:42):
What?
Wear her heels in the club.

Speaker 5 (11:43):
That's all I'm going to treat you?

Speaker 4 (11:45):
My question is you treat her like a woman who wear
dirty shoes, she like to bedirty.
I mean, yeah, dog, unless youin a dirty shoes outfit, don't
wear no dirty shoes around me.

Speaker 3 (12:03):
Y'all tough boy.

Speaker 6 (12:07):
Y'all tough.

Speaker 3 (12:07):
It's $1,200 1200 dirty shoes out there, I forgot
what they call.
Yeah, but, and that's twoqueens, some balenciaga, I know
the ones you talking about?
You're talking about the oneswith the stars and the golden.

Speaker 6 (12:20):
How much are they worth?
600.

Speaker 3 (12:24):
That's real stupid.
You watching Frank Lucas.
What dirty shit.
Yeah, yeah, yeah, yeah.

Speaker 5 (12:31):
Yeah.

Speaker 6 (12:39):
We already done, sold enough, damn freak.

Speaker 4 (12:44):
Oh, I can't help you oh, but nah like, but back to
the.
This shit just caught that's.

Speaker 3 (12:53):
That's what I think it is, though I feel like it's
mostly like it's a mixturebetween the fact that we one we
got away from the dance and wegot away from having fun in the
club, so to like, now you is,you gotta spend like brother
bullshit.
I went to see you the other dayjust for like a day party.
Three shots cost like 65dollars and it's like I could

(13:17):
only got a bottle, a wholebottle of don julio and I was
like I'm cool with that, butyou're going to get the same
drunk.
I ain't even trying to go do allthat.
I'm one of them guys.
I ain't got to do all that tobe.
You know, have fun even then.

Speaker 6 (13:37):
So and I know how to get it in beforehand.
Come on now, I might have onein the car.

Speaker 4 (13:41):
Yeah, you feel what I'm saying on now I might have
one in the car.
Yeah, if that's yeah, you feelwhat I'm saying.
But it's not.
That's why I don't like goingto the zoo, because I remember
when we went to the zoo that onenight I bought us around the
shots.
My tab was like 95.
I was like I'm like yo, bro,this is one, this is killer soul
two.
I know two, three of my thateven want these shots.
I just bought a round for theguys.
They're not the ain't gonna runthe shot back and I'm going to

(14:04):
keep drinking Bitch.
I done spent $100 on my firstround, on my first.

Speaker 5 (14:11):
Man.
I bought shots in Vegas.
Man.
They didn't tell me the price Iwas drinking.

Speaker 4 (14:16):
That's different, that's Vegas.
That's Vegas, that's different.
I'm talking about Pazooka andKennesaw over there by LA
Fitness.

Speaker 3 (14:25):
And I'm talking about bazooka and.
Kennesaw, over there by LAFitness and I was 1942, though
42 hot taste.

Speaker 4 (14:32):
Just fine, it's smooth to Kayla, I'm not a thief
.
We split that bottle and youleft.
Talk about that ball supposedto do what happened.
He talked about that bottle of1942 that we went half on, which
I feel lame as shit saying thatout loud.
We went half on the bottle of1942.

(14:55):
He leaves my crib in California.

Speaker 6 (14:58):
Oh, y'all been counting and I drank the rest of
it, oh man ain't that.

Speaker 4 (15:02):
What the fuck was I supposed to do?
Let me see if he gonna comeback, and then we can split it.
Drink for drink, and I drank.
You don't this cover.
I ain't got to go to work, okay,no no, no, no, no, no, no, no,
no, no, no, no no no, no, no, no, no, no, no, no, no, no, no, no
, no, no, no no no no, no, no,no, no, no, no, no, no, no, no,
no, no, no, no, no, no, no no no, no, no, no, no, no, no, no no

(15:23):
no, no, no, no, no, no, no, no,no, no, no.
$200.
Here's a $200.
$42.
It's $150 to $200.

Speaker 6 (15:28):
I was about to say $150, man, when I seen it at
what you call it $150.
Big time.

Speaker 4 (15:35):
Yeah, see, the thing is, I don't buy like that.
No more for me, because Iusually share my liquor and I'm
not sharing 1942 with somebodywho's not bringing 1942.

Speaker 6 (15:49):
He's not doing it.

Speaker 4 (15:51):
Like, like, but like if I go to somebody's house I
don't really want to drink theliquor that they have, that I'm
not willing to bring over them.
I feel that what I know it'seasier that way.

Speaker 3 (16:03):
liquor that they have , that I'm not willing to bring
over, though I feel that I feelthat that's like what I know
it's easier that way what you'retrying to be I'm going tonight,
man, I, I, I don't finally grewup a little bit.
I'm trying to change it.
Why are you rubbing your legslike good, yeah, so when you're
rubbing your legs like hey thisain't that kind of part, because
it's just.
You know, it's I.
I don't start feeling, rightnow I'm drinking.

(16:24):
You know I got grown.
Now I ain't drinking so much ofthat uh brown and that you know
which.
You know I'm still a till atelly baby, but you know that
brown too.

Speaker 6 (16:33):
It's got too much sugar and it's too heavy hear me
?

Speaker 3 (16:37):
hey, I'm trying to stay warm here.
I ain't hear me?

Speaker 6 (16:38):
I'm drinking like, like a hispanic I ain't.

Speaker 3 (16:40):
Yeah me.

Speaker 6 (16:44):
I'm drinking like a Hispanic.

Speaker 4 (16:47):
Hey, hey, hey, hey, hey, not too much.

Speaker 5 (16:50):
Oh my bad.

Speaker 3 (16:53):
Let's bring it in.
Phil, what's going on?
Let's tell us what's going on.
Rooster, Tell me something good.

Speaker 5 (16:59):
Man, that shit's good man.
I had a long day at work.
Now I'm back home.

Speaker 3 (17:03):
Back in Nevada.

Speaker 4 (17:04):
How was your weekend, man?
You doing anything cool, fun?

Speaker 5 (17:12):
I ain't gonna stay out and fucking.
The sun beat me off every day.

Speaker 3 (17:16):
That's all right, Mark.

Speaker 4 (17:19):
Hell.
I hope the sun Never mind,Never mind.

Speaker 5 (17:24):
Chill Kung Fu, kenny, that's mind Chill Kung Fu Kenny
.

Speaker 1 (17:28):
New Kung Fu Kenny.

Speaker 4 (17:33):
How's your weekend D?

Speaker 6 (17:36):
I moved all weekend, had to get in the oh yeah, you
got to get up.

Speaker 5 (17:43):
You went to Grand's Day, right?

Speaker 6 (17:48):
This ain't good, tom.
I had to get out the hood, jeff, we moving on us what blow you
on?

Speaker 4 (17:59):
no, I'm, I got a townhouse, so you had to carry
that shit up steps they gotthree levels.

Speaker 6 (18:08):
I got two levels.
I got a ground level, and thenI go upstairs to my bedroom.

Speaker 3 (18:10):
Did you work this week?

Speaker 6 (18:12):
I did, I really had to.
Did you carry your bed up thesteps?
I'm buying a bedroom suit so Iain't got no bed sheet.
That shit, somebody else gonnabring up there.

Speaker 3 (18:23):
No, no, no.

Speaker 6 (18:25):
I had to bring all the stuff from my house and then
I had to carry this big asssectional me and chris griffin
shout out to chris griffinbecause you know I couldn't have
done it without the muscles,because I couldn't oh so, so
your moves didn't help you well,I they were working on their
facebook live show.

Speaker 4 (18:44):
I got it.
I know I don't, I know it, Idon't.
Well, I don't, I don't, I don'teven worry about it, don't you
worry about it?
So god, they ain't even runninga movement company.

Speaker 6 (19:15):
I just gotta get my barrel straight.

Speaker 3 (19:16):
Have you been over there?
Like you're not over yet.

Speaker 6 (19:22):
I got a sectional biggest Yo, your goddamn back.

Speaker 1 (19:25):
Daddy, that ain't what you be, motherfucker this
back ain't me.

Speaker 4 (19:31):
You know, I got on the scale this morning and
realized I want to bet.
I was supposed to be 180.
Where by the end of the month,which is 190, 195.

Speaker 3 (19:43):
No, 180.
Supposed to be 180?
Yeah, I'm 180.
What was the month which is$190?
$195?
No, $180.
Supposed to be $180?
Yeah, I'm $180.
What was the bet?
Dinner On him.

Speaker 4 (19:51):
No, you think he gonna take me to dinner.

Speaker 6 (19:54):
I'm asking, I didn't know it wasn't a bet with you.
It was a bet with somebody else.

Speaker 4 (20:00):
I'm just asking I didn't know, yeah, couldn't get
down to $180.

Speaker 3 (20:03):
And did, and I didn't know him Couldn't get down to
180 and did, and now got to takeme out to eat.
You finna, break over 180.
Yeah, at dinner.

Speaker 1 (20:12):
Hey, you finna break right over 180, buddy.

Speaker 6 (20:15):
Yeah, but yeah nah, we in the station.
I live in Grand Central Stationof Cartersville, though, ta-da.

Speaker 5 (20:28):
Ta-da and the liquor store in your neighborhood.

Speaker 4 (20:31):
Oh yeah, they're about to build a new one.

Speaker 6 (20:32):
Yeah, where you at now we just got a little coffee
shop too.

Speaker 4 (20:38):
You don't drink coffee.

Speaker 6 (20:39):
I do.

Speaker 4 (20:40):
You ain't going to the coffee shop to get it.
You don't drink it at home, no,I'm going to drink it at work
80.2.

Speaker 5 (20:44):
You ain't going to the coffee shop to get it, you
can go drink it at home.
No, I'm going to drink it atwork.
That's it you got 180.2.

Speaker 3 (20:48):
Was you supposed to get under 180?
Man, look here.
God damn it, that's crazy.

Speaker 4 (20:52):
No, look at it.
I want to make themtechnicalities there though.
Yeah, I'm well aware.

Speaker 3 (20:57):
You got to cut them.

Speaker 4 (20:57):
cuts you don't want to, to cut them knuckles open on
your way.

Speaker 3 (21:01):
No, bro, the thing is you got your.
You were supposed to stick tothe deal.
The bet was the bet.
And Rue heard it and you got$100.
I did, but that was stupid whenhe said he was going to have
ads before.
Was it before or after?

Speaker 4 (21:16):
I had ads, I just had four, not six.

Speaker 3 (21:19):
They was hey man, they was light, they wasn't even
ads, they was a little justseemed like Look at all that
good on the side right thereCome on.
You're like you just did a goodround of crunches.
Yeah, no, yeah you're right Now.

Speaker 4 (21:37):
If we would have made that bet.
The way I was looking in August, september oh, I was wearing
the medium polo custom fit shirtthen, oh my God that's what I'm
saying with them tight-assshirts to practice yeah very
true, true, well, I had.
No, I didn't have no tears, nogutting on the right there right

(21:58):
there yeah, yeah, yeah, I getto.

Speaker 6 (22:00):
Yeah, he was running with the kids, it don't matter
who the hell cares I was liftingweights every morning when you
got those little pointed boys.

Speaker 3 (22:09):
I didn't, I didn't have that.
Yeah, you did, because we allgot them here.
I got them too you ain't likeme.

Speaker 4 (22:19):
You didn't do cardio today yeah, you didn't do yoga I
do cardio every day.
Oh, that's a goddamn I don't doyoga, I don't know, I don't got
your car, got me on here I docardio.
How?

Speaker 3 (22:30):
was your weekend, man , and it was lovely, bro.
It was lovely.
I got a bunch of stuffaccomplished.
I got some moving done can youmove too?
No, no, I was getting somestuff done from one of my
buddies, candace CleaningService.
What buddy is this?
They paying, oh okay.

Speaker 1 (22:50):
A paying client Can't get a dime out of me A paying
client.

Speaker 4 (22:55):
That's why they're doing Facebook Live shows.
You are tripping.

Speaker 3 (23:00):
They end up coming and getting taken care of.
We went and done.
We got everything together, youknow.
But other than that we wasmoving good.
What about yourself?
Tell me something good, whatyou had going on over the
weekend let me see, friday Iain't do nothing.

Speaker 4 (23:17):
Saturday I went to the Moose Lodge with this
motherfucker.
Shout out to the Moose Lodge,but y'all gotta find a way to
get a square app or something upthere, cause this whole Cash.
That's not the business.
But, so, yeah, we went to theMoose Lodge.
It was pretty cool.
Oh, thank you, by the way.

Speaker 6 (23:40):
Yeah, I don't forget nothing.
My man yeah.

Speaker 3 (23:44):
Hear y'all whispering and smiling.
Yeah, I don't forget nothing,my man.
Yeah, yeah, here y'allwhispering and smiling at each
other.

Speaker 6 (23:50):
Here y'all got going on he knew I just always, you
know, he followed my eyes andthen he go.
You know how I used to playpoint guard.
I always throw a little oopyeah that's all.

Speaker 3 (23:59):
Yeah, yeah, yeah, okay, say them up.

Speaker 4 (24:05):
You know, speaking of oop, I went and played
basketball yesterday.
Shout out to Leak and what he'sdoing over there with those
girls teams that he's runningman.
He did a great event yesterdayat Cass Middle School.
It was players versus parentsand by players versus parents.
It was players versus randomass niggas and parents.
I was one of the randoms and itwas a very eye-opening

(24:25):
experience for me and I I reallywanted to like discuss it with
you all.
What's up?
Well, well, you know we get outthere, right, and you see
people that you know, right, yousee people that you know and
it's funny just to see peoplethat you haven't seen them
forever.
But the the funniest part waslike the competitive nature of

(24:50):
it because, like you know, youdon't want to get beat by the
kids, but it got to the pointthat like, like niggas who
didn't have kids out there wastrying to get playing time over
the parents and like reallywanting to beat these kids
because they didn't want to lose.
And it's like dog if you haveto put forth actual effort to
beat these kids.

(25:10):
We've got more problems we needto talk about because I mean,
it's grown ass me and playagainst like girls in middle
school, you know what I'm sayinghell, no, no, I, I hear you,
but I still I'd have been one ofthem.

Speaker 3 (25:22):
Dudes, I got a competitive nature.
If I'm getting out there andI'm already, you know, going and
trying to hoop man, I'm notgoing to get beat by, no kid.

Speaker 4 (25:31):
But V if my man's out here and wants to guard his
daughter.

Speaker 3 (25:33):
Facts.

Speaker 4 (25:34):
Okay, I get what you mean Are you begging to get in
the game, nigga?
No, because you have to go intoit with a different mindset of.
This is not competitive.
This is this is.
You know, I'm saying these arethese kids playing?
Um, these are these kidsplaying, and right, and it's fun
.
Now, when you're physically onthe court, no, it's competitive
as right.
Yeah, now you got to be on yourwhen the kids are on the court.

Speaker 3 (25:56):
But when the kid like when you're not, when you're
not on the court, man like no,bro, you like relax yeah, no, I
definitely I feel you, but I Istill say I would never try and
take away from the parent.
However, if I'm on the court,I'm not gonna let none of them
kids go get a bucket like.
I'm gonna try and block shotsand everything I'm gonna
actually so what you gonna do ifthey start killing your ass

(26:19):
that's what I'm gonna call forhelp.
Come on, get me on that doubleyou know again, I know how to
play good basketball.

Speaker 4 (26:25):
Yeah, it was middle school, but like here's the
thing.
So like in the game that theseparents were actually worried
about like winning right, me andlittle Jalen phew, yeah, we was
out there playing I was like,hey, we going to press them for
like three minutes straight, geta lead and get the hell out the
game, let the parents justcoach.

(26:47):
So we just turned up thepressure real quick.
You know, trap, bye-bye-bye,get the ball back, layups,
boom-boom and we get the hell upout of there.
Now I want to shout out Tashikareal quick, because she was a
parent out there playing and shejust strapped up full court on
one of them, little girls, andwas like really turning, turning
, turning on some Pat Bev shit.
I'm like boy, that motherfucker.

(27:09):
I'm late, tomorrow, tomorrow.

Speaker 1 (27:12):
Boy, it's all in there.

Speaker 4 (27:13):
Because, like the thing is and like no not to her
personally, but like women don'tnecessarily like play pick-up
hoops no more after they stopplaying basketball.
Getting out there like doingdefensive slides and playing
real defense when you ain't beenplaying.
Like when you don't do that boy.

Speaker 3 (27:31):
remind me of your feet, man, please.
That's up and down.
That court you crazy as hell.

Speaker 1 (27:38):
New cup, new kitty.

Speaker 4 (27:41):
Yeah, but I really had a problem with grown-ass
people out there like reallygiving a fuck when, like you,
should be able to bullshit andbeat these fucking kids was it a
close one, or was it?
I mean it's close because yougot referees making bullshit
calls.
But at some point in the gameit's like hey, this is a 14 year
old nigga, go get a bucket.

(28:02):
Yeah, she's a 13 year old girl.
You are a grown ass man.
Nigga, go get a bucket okaylike put on your back and go get
a fucking bucket.

Speaker 6 (28:12):
I feel that most of them ain't got that game.
They gotta drive to the holeanyway, what is?

Speaker 4 (28:17):
it.
Well, shit, your first stepshould be the motherfucking
sleuth for the ass.
Goddamn kid tali.
No, no, and they are Like.
His girls are actually good.
They play like a good form ofbasketball running plays,
sharing Also players who gotpit-pat and all of that stuff.
And that's why I wanted to talkabout it, because the big

(28:37):
picture is shouting out andshouting out what Talik is doing
.
Shout out to him.
He fat as hell, though, forsure.
Yeah, yeah, shout out to him.
He fat as hell though he a.

Speaker 3 (28:46):
A damn show.

Speaker 6 (28:48):
A pillow.
What he do with the kids, whathe done with his group is
amazing.

Speaker 4 (28:54):
I'm going to talk about his gut, though, because
he called me big baby the gut.
Yeah.

Speaker 6 (29:01):
From one to another.
Shout out to Lee, shout outRusso.
From one to another.

Speaker 3 (29:06):
Shout out to Lee, shout out Brewster.

Speaker 4 (29:09):
What's going on over there?
Man Looks like he got a MAGAhat on.
Is that a MAGA hat?
A MAGA hat.
Make America Great Again.

Speaker 5 (29:18):
It's a.

Speaker 4 (29:18):
Dale.

Speaker 5 (29:18):
Earnhardt Jr hat.

Speaker 4 (29:21):
Dale Earnhardt Jr.

Speaker 5 (29:23):
Yeah, that's how you gotta say it, close enough, you
know about Jr Number 8.

Speaker 4 (29:24):
Make it heavy.
They are hard junior.
Yeah, that's how you gotta sayit close enough.
You know about junior number 8,let's envy.

Speaker 3 (29:31):
Rude, let me ask you I want to ask you because I'm
coming.
I want to ask y'all the latestwhat you think about that new
Wayne album.
Have you checked it out?

Speaker 5 (29:39):
yeah, I've been listening to it when I've been
driving in the daytime, I meanit's cool.
I mean driving around in thecity is cool, so you fool with
it.
It seems like it's going tohave a lot of commercial success
, which the album should have.
Like a lot of songs seem likethey're going to be on movies

(30:00):
and TV shows and shit like that.

Speaker 4 (30:03):
All I can join with Jelly Roll and Big X to plug.

Speaker 5 (30:06):
It's a bunch of songs like we're going to be on
commercials.

Speaker 3 (30:12):
So, but I mean you think it was one to ten, you
think it was solid enough towhere it can be on that Carter
around.
It's like that one, that twoand three type vibe you going to
leave out one like that?
That's what I was just fixingup.
I said one, two and three, yeah.

Speaker 4 (30:29):
I don't even like you leaving out one and putting
three into the conversation,Because, like one and two,
that's a three.

Speaker 5 (30:36):
But you still three, the best one ain't it no no,
that's commercially yeah ain'tthat what you go for?

Speaker 4 (30:45):
well, it depends, and I think that's kind of what
this, what this album kind ofspeaks to, is wayne as an artist
, and like the can never not rap, like he raps is always good
now does he make good songs allthe time?
Nah, hey, gucci lena gucci bad,but miss me but I, I didn't

(31:08):
like the album, but I didn'thate it.
I just I don't know, bro.
It's just like way raps goodbut these songs aren't that good
and it feels it just feelsdisconnected.
But I think that's who Wayne is.

Speaker 6 (31:21):
I think, yeah, I think, he's a disconnected
artist.
I think, if we, if we, if wekeep it real about who Wayne's
been since, like the Carterthree, when he started trying
like the rock shit and he didprom queen and all that.
Trying like the rock shit andhe did prom queen and all that.
That type of sound is still apart of stuff that he wants to

(31:43):
do as an artist and like itdon't fit the mold for what we
love him for, you know what Imean, like that emo sound yeah,
yeah, like man a skater.
You know what I?

Speaker 3 (31:53):
mean that's his.
I feel like he still made around for that in his own self,
though, right.

Speaker 6 (31:59):
Yeah, but I don't think that transfers to like the
folks that really want to Like.
When we talk about the Carter,everybody's mind go to one, two,
three, all right, carter four,carter, five.
I mean, I listen to him butmaybe like once or twice Carter
won.

Speaker 5 (32:15):
Carter 5.
Carter 5.
They say, got the best songever on there.
What is it, mona Lisa?
We're hitting the K-9.
We're hitting the.

Speaker 4 (32:21):
K-9.
Yeah, that's 5.
That's 5 as far as I'm going tosay.

Speaker 6 (32:23):
Yeah, that's like the best song ever and it's ice
cold for sure.
I'm just saying that.
And even in that song in theaspect is kind of rockish, you
know what I mean.
Yeah, but I think I listened toit.
Lee asked for us to listen toit again today.
I kind of like I'm not on thefence of that shit, just bad

(32:46):
because he rapping his ass offand I'm more so concerned with
the production.

Speaker 5 (32:52):
So where y'all put it , is this better than no?

Speaker 4 (32:54):
Seedless.

Speaker 5 (32:56):
Is this better than no ceilings fuck?

Speaker 4 (32:58):
no, let me throw something at y'all right.
So Wayne made his best album tothe cash money artist right
hold on hold on that's opinionbased, but like Wayne coming in.
Right, they had manny fresh onproduction and beach right.

(33:21):
He had good artists around himwho could make, who could make
good hooks, good, good shit,right, like they had a great
infrastructure.
All he had to do was rap, whichis what he's great at just
fucking rapping.
He doesn't have that sameecosystem around him and, like,
what made wayne what put waynein a goat conversation

(33:41):
necessarily wasn't albums.
It was what he did on mixtapes.
When he's just hopping on someshit, freestyling, you don't
need a hook, you don't neednothing, right, you can just go
in there and rap.
But now that he doesn't havethe infrastructure around him,
maybe the music doesn't resonatethe same way, because all his
brain is is just rap andeverybody around him wayne yeah

(34:03):
wayne's brain is just rap likelay verse.
But I don't, I don't, I don'tknow if his brain is make great
songs.

Speaker 6 (34:10):
I I think it's make great songs in different genres
and make it rap, because the mangot Bono on the album, he got
Jelly Roll on the album, he's.

Speaker 3 (34:22):
Wayne.
He's fans of music too.
I feel like it's just hispeople.
He just rather make musicbefore.
Maybe I'm overstepping on this.
What I did and I was thinkingto myself is the way I looked at
this album is how we or thewhole I guess um little the

(34:42):
carter shit is is how we lookedat lebron when he first came
into.
Now it's like when lebron firstcame in the league, he was the
future.
He was the killer blah blahcoming of his own.
When he won his rings, hebecame somebody.
Blah blah blah to now when hegoing out.
Of course, he's not who he waswhen he was younger.
He ain't gonna still make goand get you the 30 and you know

(35:04):
30 and 10 every night.
However, he's still gonna bethe greatest out there and I
feel like I said this album itmay not be the best first, first
, second or third one, but it'sstill wayne and I feel like
that's why this was a solid,all-around album.

Speaker 6 (35:20):
It was honestly it's the thing about this is it hurts
wayne because we just heardartists that's wayne's caliber
at his uh older and at his agemake better music.
But how they're dead.

Speaker 3 (35:34):
But they came out with 444 bro but they're,
they're people.
It's, I know before.
Shit is a being based too,because I am bro.
Shit was, it was cool, but hetelling difference, he telling
shit about him cheating and allthat yeah, and that and that
resonates not just that, though.

Speaker 6 (35:55):
You got shit where you're talking about money and
you know he's talking aboutlegacy, it it showed.

Speaker 4 (36:01):
I ain't saying wayne ain't grew, because I know he
had, and but wayne ain't neverbeen one of them artists but
they're all that shit on, butthey're making them and put it
in perspective, but they'redifferent type of artists though
, because, like jay-z, jay-z ispart of the problem in hip hop,
right, like I think Jay-Z greatlyricist, great artist, I love
Jay-Z right.
But Jay-Z also the businessmanright Makes about being a boss,

(36:24):
about money and all this othershit.
Right, wayne, his business hasbeen fucked up throughout his
entire career, but his rappinghasn't.
Wayne is like an artist.
He's a nigga who happens to berich as fuck because he raps.
Well, not a nigga who is richas fuck because he made,
necessarily great business moves, not to say that he's made bad

(36:46):
business moves.

Speaker 3 (36:47):
Can you say that, though Nikki and Drake is his?
How can you say that?

Speaker 4 (36:51):
Yeah, but like the way that the payments and money
was working around, young Moneyand what he was supposed to be
getting from Birdman wassupposed to be coming, yeah,
years later.
But it was because Wayne wasn'tabout his business.
Wayne was about being an artistlike being a great rapper.

Speaker 3 (37:09):
I feel like and I agree with you and that's what
I'm saying I feel like Young,when he was a kid, then, and
then, like I said, at thatpoint's just trying to put his
friends on the people he feellike he believes.

Speaker 4 (37:23):
But even now, like, but, like.
Look at this album right here,bro.
Like the album doesn't reallyflow.
Some of the production is man,you know what I mean.
Like it's not the level ofproduction that you would like
here on, like a nas album oreven like a jim jones album.
Listening to mine.
No but I'm speaking to artists,older artists, who are out of
their prime, who are stillputting out music.
You know what I mean?
Ain't no artist from?

Speaker 6 (37:45):
Wayne's decade on his level.
No, no, I'm not you gottacompare him to the Drake.
That's why I said Nas.

Speaker 4 (37:53):
Because Nas, you can compare them as just rappers.

Speaker 3 (37:58):
That's a fair comparison, not really, not
really, bro, not really.
Do you not see the whole rap?
The whole rap sound?
Would it look like everythingnow?

Speaker 4 (38:12):
but yes, but now that the sound has evolved, wayne is
not evolving to the sound,wayne is just making music.

Speaker 1 (38:19):
He made the sound.

Speaker 4 (38:21):
But that's why I speak to him as an artist and
not necessarily a nigga worriedabout business.
And I use Nas and Jim Jonesbecause they are older artists
who are adapting to today'ssound while still being old
niggas.
Wayne is an old nigga who wantsto rap like an old nigga
because, hey, I'm fine, I canfucking rap.
It don't matter what beat youput it on, no matter what the
hook is, nigga, I spit.

Speaker 3 (38:42):
How dare you put Jim Jones in a conversation against?
Juan, I get what you're saying.

Speaker 4 (38:47):
I'm only speaking to it from the point of how they
are building their music catalog.
Where Wayne cares about goodmusic, I mean Wayne cares about
good music, I mean Wayne caresabout rapping good rapping.
I understand Jim is trying tomake good music.
Nas is trying to make goodmusic and rap.
Well, that's the only point.
I'm not putting him in the sameNigga, nigga, Jim Jones AC.

Speaker 5 (39:09):
What.
I've been going out a lot sinceI've been up here.
Let me tell you who I ain'theard in the club Jim.

Speaker 1 (39:21):
Jones, jim Jones, tell you, I ain't heard any
clubs.

Speaker 4 (39:22):
Oh jim jones, there you go I mean, but I would hope
that you wouldn't, because Idon't want to hear that outside
either.
I want to hear it in the carbut that's kind of why it's like
.

Speaker 3 (39:34):
It's just it.

Speaker 4 (39:36):
I don't really feel like we can compare nothing to
and I get y'all saying y'alldon't like or but then you
understand, like the point thatI'm making is like wayne ain't
trying to make necessarily great, profitable music, he is just
rapping and making songs.

Speaker 6 (39:50):
That's so, that's.
That's that's what I was saying.
I think he's more so in hisartistic bag.
Yes, and he's trying to figureout and discover man autistic.
Artistic and he's trying tofigure out, like not figure out,
but he's putting out shit thathe thinks is fire and maybe some

(40:11):
shit that he thinks is going tohit later.
I don't know.

Speaker 4 (40:14):
That's what them niggas did on that Fast Book
Live too.
They put some shit out thatthey thought was going to fire,
that they thought was fired andmaybe might hit later.

Speaker 1 (40:23):
Yeah, is there.

Speaker 3 (40:25):
Is there.

Speaker 6 (40:27):
I definitely killed it.

Speaker 3 (40:32):
Just going back listening, though.
After I heard the whole thing,I listened to it twice and I
even checked out David Bush.
I listened, I read his wholething.
Why did you do that?
Because I was checking outeverybody's comments, and again
I've seen.

Speaker 6 (40:47):
I don't agree.
I mean two out of 19.

Speaker 4 (40:50):
Yeah, I was like 19 is crazy, but then again, oh,
out of everything.

Speaker 3 (40:53):
I've seen another girl that was that uh made the
comment.
She said that the album waswack too, and it's like you know
what.

Speaker 5 (41:00):
I think people just say that every time somebody
come out.

Speaker 4 (41:06):
I listened to the album before I was hearing what
people had to say.
Right, Because I wanted to hearit and I go.
I don't like a lot of thesesongs, but the nigga is rapping
and that's what I expect fromWayne, no matter what.
So as long as he's stillrapping, I'm not mad.

Speaker 6 (41:25):
Yeah, this goes back to how fast we consume music,
because you can say that I meanwe saw the same thing with Drake
and Party and they taking overthe club and that shit done got
better over time because peoplereally getting a chance to
listen, I need, I need a realchance to listen to wayne I need
a real chance to take your shot, man, it's just been sitting

(41:46):
there which I feel like, thoughthat's the same thing that is
happening now, which we're goingback to.

Speaker 3 (41:51):
What we said is like back then you didn't have, you
couldn't go get 30 differentdifferent artists that got an
album dropping the week the sameweek, you on live mixtapes and
that piff absolutely, but wasn'tnothing like wayne's new album
when he dropped, and everythingit wasn't everybody's car was
gonna have wayne's album playing, because you only had a cd

(42:11):
player.

Speaker 6 (42:11):
You didn't have the mp3 roll and and let me say this
, let me say this for the folkswho, like this shows that wayne
couldn't have done a super bowl.
That's bullshit.
But let me tell you the manthen he I mean he promoted once
around the super bowl and thenwe was waiting on it.

Speaker 4 (42:27):
Anytime you steady waiting on somebody music, that
means that man still got thepower in his hand I would say,
though, he he is a big enoughact to do the super bowl, but I
don't think it would be a goodperformance I think you know I
think no, no, I think I'm doingshit with drake and nikki, and

(42:49):
then he go with juvenile and I'mthe other folks, no, no I'm not
speaking to the songs that hecan do.
I am speaking to to Wayne, theperformer, that's all.

Speaker 3 (42:57):
Okay, I think, wayne the performer, if they would
have had the time in like thisyear in New Orleans, this would
have been perfect.

Speaker 4 (43:05):
I've seen him perform live and I've seen videos of
him performing.
Those videos are kind of on parwith what I saw.
So I'm just saying I don't knowif he's going to be a great
performer, that's all.
Yeah, I think he deserves, Ithink he has the catalog, like I
think he's qualified to do it,but I just don't know if it's

(43:25):
going to be a performance I wantto watch.

Speaker 6 (43:27):
I just I just think with production like that, he's
going to have so much assistancethat it's going to be well
thought out, well, well plannedand you know you got other
people that's going to join him,because don't nobody do the
Super Bowl by themselves.

Speaker 4 (43:40):
Now don't get me wrong.

Speaker 6 (43:41):
Not since Prince.

Speaker 4 (43:43):
I want him to do the Super Bowl and I think his album
was that, like the song withJelly Roll, the song with Big X,
to Plug the song with what'sthe old white man name, bono
Bono.
Yeah, yeah, yeah.
Like those songs and the waythey found it was him trying to
like make a hit.
It was like yeah.

Speaker 6 (44:06):
And then you got to shout him out for some of them
songs that are old to hip hop,like the Bell song.
That's like LL Cool J rockedthe Bells man and he's spitting.

Speaker 4 (44:17):
Yeah, but on that's like ll kujay rock the bills man
, yeah, but any any spitting,yeah, but can he even did?
He did the.
Uh, he did the um, the, thenori, the nori flip too, yeah,
which he already had one of them.

Speaker 3 (44:33):
No ceilings that was crazy.
But if that still go back tolike you said, though, as well
as I still feel like he wasjumping back and forth with that
at that rock star emo vibe,because he kept having, like the
, the jelly rolls and the mgksas well, coming in- yeah, you
know yeah so it's like is is hestill get tapping into that back

(44:53):
?
but you also gotta remember heis one of the reasons that rock
and roll rap by they start crosspath and how it really did, you
know what I'm saying like andit ain't no.

Speaker 6 (45:04):
I mean, jay-z kind of introduced it with the with the
black album.
I think he did black album withum, what the hell are you
waiting for link apart?
Yeah, but Wayne actually didrock music Like Proud.

Speaker 3 (45:19):
Queen was fine, but even then, though that was just
that was still his regular, itwas just already his song.

Speaker 4 (45:24):
They just added a hook on it, but JB was doing
some money shit.

Speaker 3 (45:27):
That's what I'm saying.
Wayne was actually doing therock star vibe the artist.
He want to be an artist outhere he want to really tap into
this lane type, and so I thisout here.
He want to really tap into thislane type and so I feel like
that's why again it go back tosaying is for folks to say this
album wasn't that good.
I feel like you got.
You got the whole thing ofwayne all the way around the
board hold on no nothing no done.

Speaker 6 (45:50):
Yeah, yeah, you know, stevie wanted to look in there,
stevie Wonder looking at you.

Speaker 5 (45:59):
Yeah, what, what's up Dane?

Speaker 6 (46:04):
So you on Grand Dam now man.

Speaker 5 (46:06):
I'm right around the corner.
Yeah, you hit me.
Don't hit that nigga next toyou.

Speaker 3 (46:10):
He gonna get you beat up man.
That's my side of town, you andme.
You know that's my side of townand me that's my side of town.
Well, let me ask you you beenseeing that DDG and Halo shit or
Hallie?
I don't even know Hallie yousaid Halo bits and pieces.

Speaker 6 (46:32):
I'm trying to figure out if she still got the
restraining order on DDG.

Speaker 3 (46:40):
Yep.
So it's like what's been goingon is, supposedly she got the
restraining order on him andshe's been trying to take him
out the country.
He go end up filing for amotion to say she's not stable
enough to go to take her son outof the country.
He ended up coming backbringing receipts that she wrote
uh.
She was writing text messagessaying she was gonna kill

(47:02):
herself, saying that shecouldn't take being with uh,
being with him moving on beingwith other girls.
She put a tracker in the baby'sbag and uh in ddg's car and was
following him and found out,found him at the movie theater
with another girl and a baby boyor whatever.
So he ended up posting, I guess, posting it, sending it to his

(47:25):
lawyer, whatever.
And I guess as soon as thathappened he ended up posting
another video showing his fingercut and saying that she
attacked him with a box cutter.
So I guess right now theytrying to figure out what's
going on.
I'm trying to.
I want to ask is it a woman's,is it a woman's responsibility
during, like the postpartumdramas and stuff?

(47:46):
Due to the comments?

Speaker 6 (47:50):
look, that's, that's a lot to digest.
And you know, I don't know.
I don't know necessarily whathe did either.

Speaker 3 (47:58):
I maybe what he just do cheap I mean it was a bunch
of stuff like okay they say hewas just hanging out partying.

Speaker 5 (48:04):
Good, you know being fly, you know women?
Yeah, I mean, he not with him,right?

Speaker 3 (48:16):
do you know?
You already know what's goingon with the whole DDG.

Speaker 4 (48:18):
Yeah, yeah, yeah, I'm all the way hip on that man.
It's nasty because it's realshit that's playing out over the
internet.
And then you got people like ustalking about it.
You got fans talking about it.
You got DDG fans spamming hertalking shit.

Speaker 5 (48:37):
What are they doing?
That don't go on in the blackcommunity.

Speaker 3 (48:41):
What you mean.

Speaker 5 (48:44):
What are they doing that?
Don't go on in the blackcommunity.

Speaker 4 (48:47):
Absolutely nothing.
They having relationshipproblems.
The only difference is it'splaying out in front of people.

Speaker 6 (48:53):
Yes it's playing.

Speaker 5 (48:53):
And she said In the hood, everybody in that street
know what's going on down there.

Speaker 4 (49:01):
She's saying the worst shit she can about him to
make him look bad because shemad, because they ain't together
and he can't see his kid theway he want to, and he hurt and
he probably fucked up in arelationship.
So now he playing the dirtygame to try to just be able to.

(49:23):
Only fans is free right now too, by the way oh, why you?
Know that because I went andlooked at it.
I mean I didn't subscribe but Iwent and just that's a lie, is
it something worth it?

Speaker 3 (49:37):
No, bro, for real, is it something worth it?

Speaker 4 (49:40):
I don't know, because I didn't subscribe.
If I would have subscribed, Iwould have told y'all.
Here's the problem.
I got all these burner emailsthat I made for OnlyFans and I
don't remember none of mypasswords.
That's why I didn't subscribe.
I ain't speaking on some highmoral shit or nothing.

Speaker 3 (49:57):
I just if you could have found that password, you'd
be the member.

Speaker 4 (50:02):
Yeah, I would have went and looked to see if it was
something on there I alreadyknow on the free page.
It's nothing you gotta like forher.
You gotta go to the DMs and paymoney and talk to her and she's
a popular fine whore so, likeyou know, she cost a lot of
money.
Like a nigga like me, Icouldn't go with her DMs.

Speaker 5 (50:23):
Oh man, take that bitch to Jack in the Box, She'll
be all right.

Speaker 4 (50:29):
Because, like, I'm not going to spend enough money
on OnlyFans to make that shitshake.
Now, if I was at that partywith DDG when he had the two of
them, I would have fucked.

Speaker 5 (50:40):
Right on buddy they did throw a pool party the other
day.
It was crazy.

Speaker 6 (50:48):
BJ.
Your question was what's awoman's responsibility during
postpartum?
I don't know.

Speaker 4 (50:54):
No, no, no, no.
I put that on there, right.
Right because I put that onthere?
Because, like, listen to aconversation about this shit
right was her was like her goingthrough her postpartum emotions
and like women being like super, like well, she's going through
postpartum and it's like okay,she's going through postpartum.

(51:20):
But you used certain words, likeyou use words to where you
would end yourself you want meto trust you with our child
outside of the country, where wedisrupt our normal schedule,
where our child's schedule isgoing to be disrupted.
Yeah, you're recording a movie,which means you're going to be
fucking recording a movie allthis time, not with our child.
Child's going to be with thenanny.

(51:41):
Like, do I know that you'reokay, you probably are, but
because you're trying to keep meaway from my child in a way
that I'm not comfortable with.
No, so like when I when I saythe postpartum shit.
Right, because I've dealt withpostpartum.
Like I dealt with a woman goingthrough postpartum, right, and
I'm not going to get into thedetails of it, but I lived
through it and there aremistakes that I made because I

(52:02):
did not conceptualize that shewas going through postpartum.
Right, you've dealt with it,you're about to deal with it.

Speaker 5 (52:11):
Ask me that question.

Speaker 3 (52:12):
And, being a real one , I made them.

Speaker 4 (52:17):
Ask and, being a real one, I made them.
We're not talking to you aboutthis because you haven't dealt
with it, motherfucker.

Speaker 3 (52:20):
So yeah, no, I definitely.

Speaker 6 (52:21):
I talked to one of my doctor friends and I would tell
them everything that was goingon.
And you know, just Driekerbeing pregnant, we getting ready
to have a baby, and she was,like you know, once postpartum
hit.
Don't expect for her to beherself.
All you can do is reallysupport.

Speaker 4 (52:40):
Would your doctor friend, a man or a woman, a
woman, see, see, no, but here'shere.
So, like postpartum, I believein it.
I believe it's real, I believeit makes a woman act in a way
that she would not normally actright.

(53:00):
But I also think it's yourresponsibility as a woman to be
honest with yourself and withyour partner, with what
postpartum is doing to you, whatyou feel is different, to help
your partner be supportive,because if you wilding on me
because you're dealing withpostpartum rage but I don't know

(53:24):
that you're dealing withpostpartum rage and you ain't
communicating or being open tothe fact that you're dealing
with postpartum rage, I'll getyou wilding.
You know I'm saying and I'mgonna respond to your wilding
like you wild and not like youare wilding'.
You know what I'm saying andI'm gonna respond to your
wildin' like you wildin', notlike you are wildin' because you
no longer have control ofyourself.

Speaker 3 (53:41):
No, I definitely agree with that, for sure.

Speaker 6 (53:44):
Will you pass me a beer when I say let me get a
hell?

Speaker 4 (53:46):
yeah, I mean, yeah, I was waiting on you to ask for
one.

Speaker 5 (53:52):
You ready for me to see a whippy's ass?
You give me a hell.
Yeah, hold on.
You ready for another one?
One more, one more.

Speaker 3 (53:59):
I'm going to hold off .
That is a lot of beer what?

Speaker 4 (54:07):
Oh yeah, russo, you can't see it over here, but we
got our beer bucket right, sowhen a nigga needs, it.

Speaker 5 (54:16):
I ain't got no Corona .

Speaker 4 (54:18):
Because I'm a nigga.
I drink real beer.
What Drink?
No fucking Corona.
I'll be honest with you.
I'll be honest with you Niggaswho drink Coronas don't drink
beer.
What?
Because?
Corona beer drinkers aren'treal beer drinkers.
Corona is not like a beerthat's good enough for niggas to

(54:42):
order it at its price point.

Speaker 5 (54:45):
It's served at the beer section in the store.
How the hell is that a beer?

Speaker 4 (54:48):
No, no, no, no, no.
I say you're not a beer drinker, because like, say, corona is
like Mexican Budweiser, right,like, if we're being honest,
like it's not a good Mexicanbeer.

Speaker 5 (55:00):
It's not.
It's better than Dos Equis.

Speaker 4 (55:03):
Sure, if you say so.
But like it's not a goodMexican beer, right, but niggas
will like, order a bunch ofCorona, but Corona costs two
more dollars than Budweiser.
Like back in the day Corona wasseven and Budweiser was five,
niggas drank Coronas.
Put their little bitch ass limein it, push it down.
You don't drink beer.

Speaker 3 (55:24):
I feel like that's opinion-based as well.

Speaker 4 (55:27):
Dean used to be a beer drinker.

Speaker 6 (55:30):
You try everything.
Back in the day I used to drinkYingling in the club.
That's because I couldn't standfor no damn Corona or Modelo or
no light beer period.
Now, as I got older, I got awayfrom that because it's just too
heavy and I had to go for alighter option.
But I feel what he's saying,because if you really want to go

(55:51):
to the bar and you're going todrink beer, you're going to
drink an IPA or you gonna drinksomething that's awesome IPA.

Speaker 3 (55:58):
Sweet ass shit.
We gonna drink beer.

Speaker 4 (56:02):
I'm talking about beer drinkers.

Speaker 5 (56:04):
I ain't gonna lie, but I went through.
When them Bud Light Platinumcame out, I used to go crazy no
Bud Light.
Platinum malt liquor that shitgave me a headache, that shit
gave me a headache.

Speaker 3 (56:14):
That shit gave me a headache, you dizzy.
You drank two of them, but youlaid hot.
What was that?

Speaker 5 (56:15):
$2,000?
.
That shit gave me a headache.

Speaker 4 (56:17):

Speaker 3 (56:17):
I ain't drinking that shit, you dizzy.
You drank two of them, but youlaid hot.
You hear me?
Hell no.

Speaker 4 (56:24):
I don't want to play with that one.

Speaker 3 (56:25):
Nah, yeah.

Speaker 4 (56:26):
I didn't fuck with the Platinum, but like I'm
telling y'all you tripping.

Speaker 5 (56:36):
No, I'm a beer drinker, I think I know what I'm
talking about.
It's a picture somewhere.
It's a picture, so you feel.

Speaker 3 (56:40):
So you feel you're a good american drinker because
you drink bud.

Speaker 4 (56:43):
No, no, no it's because, like I drink beer, I
like beer, so I drink differentbeers.
So like and I understand peoplewho don't drink beer, who don't
really drink, like who drink-corona.

Speaker 5 (56:56):
Americans drink beer.

Speaker 4 (56:57):
I think germans really drink I'm not saying I'm
not saying we're the best beerdrinkers, but I'm telling you
like when you run across some atthe spot and they and they and
they order a bucket of coronas.
That's the only beer they drink.
Those don't drink beer.
They're gonna have to piss.

Speaker 3 (57:15):
That's all I hear when I hear about like like got
a piece real.

Speaker 4 (57:18):
I drink nickelode ultra now because I like the
taste of beer and I know thisain't as heavy as normal beer,
right like I'm not drinking thisto get drunk, yeah it's gonna
help, it's gonna help, but Ilike the taste, but the liquor
is gonna take him over, boy mypop.

Speaker 3 (57:37):
That's what he gonna.
He gonna get the well now hedrank heavy liquor.

Speaker 4 (57:41):
That yingling shit, yingling, yeah, yeah see and
that's the thing v right like Idon't I don't, I don't want like
a big stomach, uh-huh, and youknow me like I'm, I'm skinny,
I'm a skinny leg.
Nigga, I'm going to have a gutlike a big gut.
If I'm drinking heavy beerevery day, he want to say so,

(58:09):
but you ain't see me, bro, whenI'm 180, nigga, I ain't got a
heavy gut.

Speaker 5 (58:13):
I'm looking at you right now.
When you just got up and was inthe camera, I almost said
something I didn't say that, hey, I didn't.

Speaker 4 (58:21):
Hey, I didn't say, I didn't say I'm goddamn in my, in
my real form, but nigga, Iain't got no heavy gut like mr
proud hey sticky, watch yourselfwhat you call that All right,
sticky, be careful.

Speaker 3 (58:40):
Uh-oh, oh shit, I ain't like man, but nah, for
real, I really was trying tothink we just skipped the
Ant-Man topic, by the way.
Okay, I can come back to that,but I was really just thinking
about was Halle, is she wrong?
I feel like she definitelystill she, diddy.
He got enough money to where hecan definitely take that to

(59:04):
court and really get her pushingfrom taking that boy across the
field.

Speaker 6 (59:08):
Let's get this understood.
What's that?
She got more money.
That's a little mermaid.

Speaker 3 (59:13):
No, that's that.

Speaker 5 (59:17):
He ain't got that money, whoa, but don't you do
that.

Speaker 3 (59:19):
He got stream of money.
Now he got enough.

Speaker 5 (59:22):
She's just going to get residuals for the rest of
her life.

Speaker 4 (59:26):
He has enough money.
He has enough money to fighther.
That's what I'm saying butthat's the thing.

Speaker 5 (59:34):
He definitely got no money to fight now.

Speaker 4 (59:36):
It's the public perception, right?
She's a little mermaid.
She came down to Beyonce.
She seems to be this innocentchick.
She's not a sister.
People don't realize that,these innocent acting chicks.
Their fans don't know them, andyou know what I'm saying?
We all got girls and had girlsthat we've been close to and all
that shit, right?

(59:56):
Uh-huh.

Speaker 5 (59:57):
I say please correct yourself oh yeah.
My brother.

Speaker 4 (01:00:02):
I forgot Ru, you know , you know we ain't them, we
different.
My brother, you ain't who butthe point is right, dick, drive
this car, come on Dick.
But like like you don't knowhow crazy a girl is until she a
girl.

(01:00:22):
So like people be trying todefend bitches based on excuse
me, ladies depend, based on howthey carry themselves on social
media and shit.
But it's like yo shorty's afucking nutcase.
Like yo shorty, be wild andlike, when my, when my assistant
texts me about work, who isthat?
Like you know, I'm saying areyou a fan of her because her
work is great?

Speaker 3 (01:00:43):
it's not she she wrong, bro, and I'm, and the
thing is I don't give a damnwhat perception we got over.
She can be the little mermaid,but even then the little mermaid
she even when.
When you show shit now onsocial media and you show you
unstable.
There's no way you should beable to because that man was
saying the same thing.
If DDG was saying he gonna killhimself because she with

(01:01:07):
another man, he gonna pop up onher when she go on a movie date
or whatever, if he go do thatain't no way he gonna win no
case saying he need his son, heneed to take full custody of his
son.

Speaker 4 (01:01:19):
He's unstable if that's amazing, but and that's a
problem because he's a man,because society has this
perception that men don't knowhow to parent and and I'll tell
you, dog, a man who wants to bea parent, oh, dog, shit's on

(01:01:40):
women who want to be parents andI'm not.
Yeah, I'm saying that as a manand it's not specific to anybody
, right, it is more so.
Men tend to look at the bigpicture and don't get caught up
into the moments, right, justthe way our brains are wired.
And a lot of times dealing witha child, you need to look at

(01:02:00):
the big picture and how youmanage that child.
Right, some things can be cuteand funny, but you know big
picture, that's bad behavior.
You know what I mean, thanks.
So, like, some things could belike annoying, as like when the
is crying, when you trying to dosomething, but you just know
your child's hungry.
There's no need to be upset,mad.

(01:02:21):
The child does not know how tospeak, so the child can.
The child can only cry toexpress anything, right, and you
understand that.
So you go to a.
Okay, diaper's good, you don'tneed to change it.
You haven't ate, you don't needto burp, oh, you're hungry.
See, you're hungry.
See, if you're hungry becauseyou just woke up from a nap,
right?
So I know you don't need to goback, you don't need to go to
sleep, right, but that's from myexperience and conversations

(01:02:45):
I've had.
It's typically a man brain,right?
No, that makes sense, butthat's not necessarily a woman
brain.
And a woman brain who's alsogoing through postpartum, who
then gets to be the primaryperson who makes decisions for a
kid if the relationship doesn'twork out, the person who seemed
to be more responsible.
But it's like hold on, you wantme to accept that this person
is out of their mind and doesthings.

(01:03:07):
That isn't okay.
But because she's going throughpostpartum, it's okay.
But at the same time, she hasthe same same mind to make the
best decisions for the kid.
Two and two ain't making folk.

Speaker 6 (01:03:19):
That's right.
That's the only way I look atit, you on point, you on point,
I see yeah.

Speaker 3 (01:03:34):
Shut the fuck up.

Speaker 4 (01:03:35):
Sorry, frank, but again I just think that's that
goes to our, the way our societyhas been taught to think about
shit.
Right, like cause I ain'tshitting on women, like women
make good decisions, I mean likethey can raise their kids.
But then don't tell me that yousaid some wild shit because
you're postpartum.
Wild shit because you'repostpartum.

(01:03:55):
And then I say, well, hey,you're not in the right mind
today to make all the decisions,or most of the decisions for a
child, decisions for a child byyourself, right?
And then say, yes, I can.
Well then you can shut the fuckup and manage your postpartum
when you're dealing with me, notwith me, also not while you're
dealing with the kid.
Don't pick and choose.

Speaker 3 (01:04:12):
Yeah, don't pick and choose when you're doing your
postpartum, and that's the realpostpartum conversation.
I get it.

Speaker 4 (01:04:17):
Your postpartum can be.
Why you spazzing out, that'sfine, that's fine.
But when you spaz that on themotherfucking kid right, that's
postpartum too.
And whatever I do with thatpostpartum instance, no, that's
child abuse.
It should be able to go intothe same bucket of postpartum
when you're dealing with me,because it's postpartum.

Speaker 3 (01:04:40):
But see, and that's why I say what Ru just said
that's going to be the onlydifference.
Now it's going to take awayfrom that, and now it's going to
be classified as child abuseinstead of that the law don't
give a damn about no postpartum.

Speaker 5 (01:04:53):
You feel what I'm saying.

Speaker 3 (01:04:57):
You feel what I'm saying.
That's.
The only difference is now,instead of it, looking at this
lady going through something andshe talking to you and the kids
crazy, but now let somethingelse happen like that.
Now, that's child abuse.

Speaker 4 (01:05:06):
But the crazy thing is her leash is so much longer
on what she's allowed to doversus what she could use
against you.
And I'm again, let me just putthis and I'm not.
I'm again, let me just put thisout.
I'm not speaking to my reallife.
Me and my baby mama, we good, Ijust got to say that, Like I'm.
I'm speaking generally Damn, Ihated Dean left, but me, Nah, he

(01:05:36):
went to go pee.
Yeah, yeah, yeah.
Dean's flip what?
What is a hoe Like?
Because I was sitting herehaving a conversation the other
day.

Speaker 5 (01:05:49):
You want me to tell you what a hoe is.

Speaker 4 (01:05:51):
We're trying to describe what a hoe is because,
especially from the maleperspective, but we want to make
general that applies to men andwomen.
What is a hoe?
Because, especially from themale perspective, we want to
make general that applies to menand women.
What is a hoe?
What's up Rue?
What you got?
Yeah, literally.

Speaker 5 (01:06:04):
It's a nickname for hooker.
First two letters nigga Hoe,that's what you are, hooker.

Speaker 3 (01:06:09):
Where do you classify a hooker, though?

Speaker 5 (01:06:13):
What you mean.
I was like.

Speaker 3 (01:06:15):
Dean, the question is we ask.

Speaker 5 (01:06:17):
You pay for a service , whatever service you like.
That's what it is.

Speaker 3 (01:06:22):
Say it one more time wait, dean, I'm going to get
back on.
What'd you say?
That is tough.
What'd you say, rue?

Speaker 5 (01:06:31):
A hoe is a hooker, A woman that you know.
Exchange service for cash.
What most?
Of these hoes are, but when youcall them that they got a
problem a woman it.
You know.
Exchange service for cash, butI'm saying so what do you like?

Speaker 3 (01:06:44):
what is that?
What you call it like?
Is that somebody just taking,taking money for, for the pussy?

Speaker 5 (01:06:50):
you may miss that he on Rook.

Speaker 4 (01:06:51):
You may have missed that.
He said pussy.
Pussy.
That refers to boys who thinkthey have a pussy.

Speaker 3 (01:07:02):
Badussy is the most of them man.

Speaker 4 (01:07:04):
Badussy is stinking pussy.

Speaker 5 (01:07:06):
Yeah, Bernie Mac said badussy Bernie.

Speaker 3 (01:07:09):
Mac says everything.

Speaker 5 (01:07:10):
Yeah but, no.

Speaker 3 (01:07:12):
He said it's everything.

Speaker 5 (01:07:13):
But when you say pussy, just pussy, no, badussy P
said baby what?

Speaker 4 (01:07:15):
But when you say bussy, just bussy, no, but this
is bussy, that's boy butt.

Speaker 3 (01:07:21):
That's y'all being sick.

Speaker 4 (01:07:23):
No, no, that, no, yeah.
When somebody is messing with atrans in a community where
people don't mess with trans,they call that bussy.

Speaker 3 (01:07:34):
I don't know if that's socially acceptable but
they call it bussy.
I don't know if that's sociallyacceptable, but they call it
bussy.
My fault Rue Is that what youcall somebody that's taking a
bussy.

Speaker 4 (01:07:42):
If you're into bussy, that's okay.

Speaker 3 (01:07:45):
Shout out to them two Rue is not.

Speaker 4 (01:07:49):
It's okay for them.
It may not be okay for you.
It's okay for them.
It's the law of the land, y'allwalking a.

Speaker 6 (01:07:56):
It's okay for them.
Just, you know we, it's the lawof the land.
Yeah, yeah, yeah, y'all walkinga tightrope today.

Speaker 4 (01:07:59):
Yeah, I know I'm trying to get us off of the
motherfuckers.

Speaker 3 (01:08:02):
No, we can talk about it no, no no.
Everybody, stick what you wantto stick.

Speaker 4 (01:08:08):
Yes, yes, stick what you want to stick and get stuck
by who you want to get stuck bythis show's good man.

Speaker 5 (01:08:16):
see what I'm saying.
That shit boy.

Speaker 3 (01:08:18):
This show's good Pride month too.
Shout out y'all, man, it is.

Speaker 6 (01:08:22):
Pride month, the most important month of the year.
It is Black man mental healthmonth as well.

Speaker 3 (01:08:27):
As well.

Speaker 6 (01:08:28):
And that takes us back to the problem.

Speaker 3 (01:08:29):
Fuck that too.
He gets crazy.
That's why I say y'all getscared.
What's up with you?

Speaker 6 (01:08:40):
We ain't got time to have no mental problems, that's
for sure.
That's rude man like what areyou talking about?
Hold on.

Speaker 4 (01:08:45):
Hold on Ru hey, go ahead and say it Ru.
Yeah, you done took ussomewhere.
We want to go Pause.

Speaker 5 (01:08:50):
We ain't got time to have no mental problems.
Man, that's how I look at it.
Why not?
You see where I'm living at?
Man, that shit costs.

Speaker 3 (01:09:03):
You saying these bills gotta get paid regardless.

Speaker 5 (01:09:05):
Man what the fuck they gonna come.
Look, I got a bill today Venmofor a jacane.
It's gonna keep coming.
That's crazy you gonna pay it.
I don't give a fuck about that.
That's crazy.
You gonna pay it.
I don't give a fuck about that.
That's crazy, because I ain'ttalking.
I'm talking about bills andthey gonna keep coming nigga.

Speaker 4 (01:09:23):
Yeah, and they gotta keep paying them to maintain
their lifestyle.

Speaker 6 (01:09:26):
Yup, yup, they ain't gonna stop.

Speaker 4 (01:09:29):
I mean they ain't gonna stop going on Facebook
Live without microphones andcausing a podcast.
They ain't gonna just get upthere and say, hey, what should
we talk about?
We just want to go live.
We don't know what to talkabout, but if you tell us we'll
talk about it.
Yeah, I know.

Speaker 6 (01:09:51):
Yeah, boy, it's funny .
Hey man, Do you want to?

Speaker 4 (01:09:55):
No, I want to know what a hoe is.

Speaker 6 (01:09:57):
I really don't know what a hooker is At this point
in my life, I don't know.
It evolved over time.

Speaker 5 (01:10:06):
When you go in there with that cash, you finna get
somebody that is straight a hook.

Speaker 6 (01:10:13):
At this point.
Yeah, that's about what it is,but you know, I mean mean we
used to call folks hoes for forless back in the day you know
what I mean?
Well, they actually hosed,though they wasn't, they were
just curious.

Speaker 4 (01:10:25):
But even then though, oh no, they was hosed, no I'm
not gonna call no, no, nobodyshe was curious for how many
bodies she could collect.

Speaker 6 (01:10:34):
Yeah, she's a whore, no, I'm saying, though, like you
got to think about being young,Think about how curious you was
freak man, All right and whatyou were trying to do.
Once you discover, you knowwhat?

Speaker 4 (01:10:44):
If somebody called me a whore, I wouldn't be
disrespected, I wouldn't feelbad.
Call me a hoe, I feeldisrespected.

Speaker 5 (01:10:50):
First of all, you shouldn't take no disrespect to
somebody calling you a hoe.

Speaker 4 (01:10:55):
No, no, no, don't call me a hoe, you call me a
whore.

Speaker 5 (01:10:59):
That refers to a woman.

Speaker 4 (01:11:02):
Nah, if you a whore, you're classy, I'm made of
tomato.
Whores are classier than hoes.
You think so.

Speaker 3 (01:11:10):
I like sweats.
A hoe could be, honestly, bro,being realistic.
A hoe can be a bunch ofdifferent things.
Realistically, because again,that's I mean realistically.
If you say you keep saying thatlike monetary reasons, hell,
that's your girlfriend and sheyou paying for her for the most
part too.

(01:11:30):
I don't.
I'm not calling it your girl,your hoe, and I ain't saying
nobody.
I'm just saying he ain't got.
No, if you, if you did, thoughI'm just saying if you did and
you got.
Or if somebody, if you justkicking it with her, if it's
somebody, you vibing or whatever, if that's your little shit and
you, whatever, you gonna spendsome money on her.

Speaker 6 (01:11:45):
I just I look back at what how Terrence Howard was
calling them women, hoes andhustling flow.

Speaker 3 (01:11:52):
And.

Speaker 6 (01:11:53):
I always tie it together.
So hoe to me is prostitution?

Speaker 5 (01:11:57):
Bruh, that's what it is.

Speaker 4 (01:12:00):
But that's why I brought it up at the topic right
, because there is not aconsensus on what niggas refer
to as a hoe.
Because I don't necessarilyrefer.
Prostitutes are hoes, but youcan be a hoe and not be a
prostitute.

Speaker 3 (01:12:14):
If you think about it since y'all brought that up,
it's been niggas back in the 70s.
Movies Like niggas is yourwhole-fledged girlfriend.
He say, hey, don't talk to myhoe.
Hey, you chill with my bitch.
Woo-woo-woo.
It's like the same thing.
I feel like you know it can betwo of the same thing.
Well, at that point, watchSuperfly.

Speaker 4 (01:12:32):
I'm going to tell y'all, y'all can't kick it with
no woman who I put a title on.
Oh bitch girl friend.

Speaker 3 (01:12:47):
What you mean.
Again, let me ask you.
That's why I'm asking If it's agirl that you call your hoe as
my friends y'all can't.

Speaker 4 (01:12:56):
She can kick it with, the dudes can't get with y'all.

Speaker 3 (01:12:58):
No.
That's not fair, though,because, again, if we got the
right amount of money, and she'syour hoe.
If y'all said it's monetaryreason, if it's monetary and we
got the right check.

Speaker 4 (01:13:09):
I'm telling you, I'm telling you for me so you get
tender.

Speaker 3 (01:13:13):
Yes, I love my hoe.

Speaker 4 (01:13:15):
I get tender like bro , I get it.
I love my hoe, I get it.
I get tender Like bro.
I'm not like a lot of men whoget on podcasts and lie about
how they deal.
No, if I call you my hoe, Imean I like you.
I mean I don't want to knownothing.
You're doing, anything you'redoing.
You can't do it with them.

(01:13:35):
You too, you, you too.
New York nigga, yeah not whatwhich that's why I said I'm
selfish, yeah, I'm selfish, yeahanybody being selfish is more
so.

Speaker 3 (01:13:46):
That's why I say you got two different areas, we got
two different answers.
So again it's like your wholecan be me personally, I hope can
be anything, can be yourgirlfriend, it can be anything.
It can be your girlfriend, itcan be your side, it can be your
main, it can be your buffed out.

Speaker 4 (01:14:00):
It can be your whatever.
If you call her anything, I'mnot touching her.

Speaker 3 (01:14:06):
Tomato, tomato, no, no, no.

Speaker 4 (01:14:09):
I'm saying if you give her any title, I ain't
saying if you've touched her, Iwon't touch her Because, well, I
wouldn't saying if you'vetouched her, I won't touch her
Because, phil, I wouldn't havesex in Cartersville, but if you
give her a name, I'm nottouching her.
Respect, I mean, I definitelyunderstand, but I'm saying

(01:14:30):
that's me and that's my personalcode.
Any of y'all niggas give a girla nothing.
That's my.
What'd you say?
That's my.

Speaker 2 (01:14:38):
Respect.
Call any of y'all niggas.
Give a girl a nothing that's myuh, what'd you say?

Speaker 4 (01:14:40):
that's my respect.
Now, if you say that's my oldword, that's different.

Speaker 3 (01:14:43):
I was just finna come back and ask that, so again,
but you know it's low but again,what if it's if you, if she
yours, you gonna always havesome type of love.
For that's how I look at it,I'm kinda like going through the
names right now you're going toalways have some type of love
for that's how I look at it.

Speaker 4 (01:14:58):
I'm kind of going through the names right now.
Little shit.
No, no, no I'm thinking aboutactual people on your roster
that you claim.
I can't think of one that Iwould touch Just off of our
friendship, I get it, but againyou can't.
Now he got some shit he donehit.

(01:15:19):
I hit him because he didn't getmy name.

Speaker 3 (01:15:26):
I'm going to tell you this.
My thing is.
I'm going to tell you Don't putme in this shit.

Speaker 4 (01:15:31):
I'm talking about years ago, bro.
I ain't talking about nothing.
I know what you're talkingabout.

Speaker 3 (01:15:36):
Even then I'm thinking is, if you go through
your whole index and this people, that again you know she.
She probably wasn't your girl,but you knew this.
There's some beat down righthere and this whatever, but you
know this mind right here,camera I want to throw some
names out off camera and seewhat y'all say Okay, there are

(01:15:59):
names.

Speaker 4 (01:16:00):
I'm telling you, I'm approaching this conversation
from names, thinking about bothof y'all motherfuckers sitting
right here, not him.

Speaker 3 (01:16:10):
Why not him?
Put him in the fuckingconversation.

Speaker 4 (01:16:12):
No no, no, fuck him.
Fuck him yeah like he don't, hedon't give nobody he only give
his girl a name yeah, let me saythat let me say that.

Speaker 6 (01:16:24):
Let me say this that's.

Speaker 3 (01:16:26):
Yeah, I'm telling you he doing all that cool.
No, no, no, no, no, no, no, no,no no no, no, no no me dj.

Speaker 4 (01:16:51):
I'm stubborn when she ain't I I know all of that, but
like, but, like.
I'm going off words.
There's a reason why I'm likethis.
Don't get me wrong, that's whatI'm saying yeah, no, I'm not.

Speaker 5 (01:17:06):
Took a long time to get like that.
A lot, of, a lot of a lot ofyelling domestic.

Speaker 3 (01:17:10):
You've got anything yeah sleep.

Speaker 5 (01:17:12):
Now.
It's that mixed trash.

Speaker 3 (01:17:14):
I told you about long time and the crew and the
thoughts.

Speaker 6 (01:17:23):
Let me say this though I'm talking too much, I
know let me say this when itcomes to shit like that, we
really do make it hard onourselves because we done, done
a lot and I don't give a damnwhat nobody say Me Trevor Shaw,

(01:17:47):
vijay Canty, ac Lee, adrianRodgers it's hard, it's hard, it
get hard to find a better fivelocally.
That's done what we done.
And I ain't just talking aboutwomen, but I'm just saying like
in our day, huh.

Speaker 3 (01:18:04):
I was here when, I was well, boy, Tough boy.
I was here when I was well boy.

Speaker 4 (01:18:11):
Nah, it ain't.
Nah, you think about it, butlocally it ain't much today.

Speaker 6 (01:18:16):
I'm talking about every.
I'm talking about every.
I'm talking about every part ofBartow County, though, god damn
, I'm talking about every part,from Emerson to Kingston, to
Harley, to D'Arcyville,cairnsville, every part of
Bartow, and then and then wewent, then we went north came

(01:18:43):
back south then and me and wewent over there to Floyd Floyd
County for a minute.
You know, let me stop.
Let me stop talking.
Call me another.
Sadly, you take one with mehere.
Bring back too many memories.

Speaker 1 (01:19:04):
At times I hate it here.

Speaker 4 (01:19:06):
No, I ain't gonna hold you, though.
Dean and Shaw have me in placeswhere I'm like Hosea and then
we get to and it's like I don'tknow the hoes here and they
quality Like the quantity is low.

(01:19:28):
I know the quantity is low.
How am I in here?
And the quality is full.

Speaker 3 (01:19:35):
You're saying the ratio is like 3 to 1, 2 to 1?
.

Speaker 4 (01:19:37):
It ain't about the numbers.
It's about what the numberslook like.
I don't care what the ratio is,I care about what they look
like, because if they look right, I like me.
If they don't look right, itcould be 50 to 1 women, 50 women

(01:19:58):
to 1 man.
If they ugly as fuck, I don'tcare, I'm not talking to them.
See, I'm not nice to ugly women.
I don't talk to them.

Speaker 3 (01:20:09):
Boy, you slapped up.
I'm not pouring it for you, youpour your own.

Speaker 6 (01:20:13):
But, nah bro, like he got to pee.

Speaker 4 (01:20:20):
You got to take your headphones off before you go to
the bathroom.

Speaker 5 (01:20:23):
Where you going OJ.

Speaker 4 (01:20:26):
He going to get some juice.

Speaker 5 (01:20:28):
Where you going, OJ Simpson.

Speaker 4 (01:20:30):
Shout out to BK the Juice.

Speaker 6 (01:20:32):
Oh, man.
Well, we used to do some backin the day.

Speaker 4 (01:20:37):
Yeah, no, I really hate y'all got something with me
.
No, bring that back over.
Or the third not junior, youjunior.
My bad, you got to wear 33.

Speaker 5 (01:20:56):
November 25th Junior junior nigga.

Speaker 4 (01:20:57):
There we go.
I hope he come on the 18th.
I hope he come a week early.
He might come a week early.
Yeah, no, I hope he come on the18th.

Speaker 5 (01:21:05):
You got to get up to New York before he come because
you done when he came.
Yeah, I was just telling BJthat you got a son, so you gonna
wanna be, you gonna wanna.

Speaker 6 (01:21:15):
Yeah, he go wherever I go.

Speaker 5 (01:21:17):
That's our trivia.
I get it, nigga.
You enjoy it.

Speaker 4 (01:21:21):
Bro, it don't matter son or daughter, bro, you gonna
wanna bring your kid with you.

Speaker 5 (01:21:27):
Nah, I ain't gonna lie.
If I got a little girl, I ain'tgonna be having her around me.
You stay at the house with yourmama, nah, but I ain't gonna be
having nothing around me.

Speaker 4 (01:21:33):
You stay at the house with your mama, nah, but I
ain't gonna hold you, bro, like,because there's another part of
it that is crazy, because Iremember going to the gym and
shit for shit.
Right, I'm bringing load justbecause I want my nigga with me.

Speaker 5 (01:21:50):
Yeah, yeah, I get what you're doing.
I get what you're doing AZ, butI'm sexy, so you know that.

Speaker 4 (01:21:59):
He's not going to be born on this day.

Speaker 6 (01:22:04):
He might come early.
He might come early.
The boy head big as hell.
I got some new pictures.
I'll send them to y'all.
I'll put them in the group tape.

Speaker 4 (01:22:11):
Boy.
Nah, he told me about it, Bro.
Some new pictures, I'll sendthem to y'all.
I'll put them in the group tape.
He told me about it.
I can hear the excitement inhis voice.
I was just like damn, I wasjust like dang, bro.
I miss that excitement of theleading up to the kid being born
.

Speaker 3 (01:22:28):
She have all the fun now, nigga.

Speaker 5 (01:22:32):
Damn boy, Y'all niggas.
I'm the last one out of thecrew.

Speaker 6 (01:22:36):
You said it All my homeboys got baby mamas.
I had to move to New York.

Speaker 5 (01:22:40):
What the fuck I need to be down there, for I'm
sitting there chilling by myself.
Everybody I called everybody,I'm like man, man.

Speaker 3 (01:22:51):
Gucci felt again.

Speaker 5 (01:22:52):
Yeah, my baby mama yeah, yeah, yeah, bj got his
daughter over there.
Mean everybody, oh, don't beplaying the radio with nobody.

Speaker 4 (01:23:09):
I tell you what boy and what is it.
I can't even make fun of niggasfor doing Facebook lives and we
got pictures falling off thewall.

Speaker 5 (01:23:19):
Nah, you Does that.
Say ass man behind you.

Speaker 6 (01:23:21):
Yeah, oh God, what in New?

Speaker 4 (01:23:25):
York State tag.
Nah, bro, it's a Seinfeld joke.
I know you don't watch thatshow.

Speaker 5 (01:23:30):
Nigga.
Why you always say that, nigga?
I watch Seinfeld.
Seinfeld and Roseanne wasactually my two favorite shows.

Speaker 4 (01:23:36):
I don't even know why you asked me about Ask man?
Because you should know thatKramer had the tag on accident
because they fucked his tag upat the tag office.

Speaker 5 (01:23:44):
They thought he was somebody else.

Speaker 4 (01:23:46):
I mean yeah, yeah yeah, yeah, you got a real side.

Speaker 5 (01:23:51):
I'd rather you get the Jordan Gray's that he wear
than that boy's shit, I get it,bro.

Speaker 4 (01:23:56):
Everybody's not a Seinfeld fan.

Speaker 5 (01:23:58):
No, I'm talking about .
I'd rather you get the Jordanshe wore.
That's what I like to do.

Speaker 4 (01:24:02):
Oh yeah yeah.
See you talking about shit thatdon't matter.
I'm talking about the comediccontent of the show.
Damn.

Speaker 5 (01:24:09):
The shoes we made, dude.
That's what made them there,what made me watch them.

Speaker 6 (01:24:13):
Nah I think they're jokes?
Yeah, part of it.

Speaker 4 (01:24:15):
You know jokes like that over there, yeah yeah, hey,
let me ask you what is 2Heel,2heel.
Yeah, it kind of goes into this, that being alone shit.

Speaker 3 (01:24:29):
Yeah.

Speaker 5 (01:24:29):
Oh then let's break it, I'm too lonely.

Speaker 4 (01:24:34):
You know you yeah, oh , let's break it.
You know, you know, two yearsdo we heal?
I tell the opposite of two hill, oh, we can go there first and
then come back.
Yeah, I'm gonna, I'm gonna tiemy all in together.
But like, like the whole two,like the opposite of two hill is
getting on facebook, live andtalking without a microphone,
like, like, like, get atherapist if you need to talk to
somebody, you want to be hurt,live and talking without a
microphone.

(01:24:54):
Like, get a therapist if youneed to talk to somebody and you
want to be heard.

Speaker 5 (01:25:00):
But no, Don't put my nigga in the middle of this.

Speaker 4 (01:25:06):
Yeah, I mean, it wouldn't just be your nigga, it
would be both of your niggas.
You know, they set up shop overthere.

Speaker 5 (01:25:13):
They go on facebook live too, without microphones I
mean no man, I'm going to newyork anyways I live here, I'm
just having fun I stay up there.

Speaker 3 (01:25:21):
You see what I'm saying.

Speaker 4 (01:25:23):
I say right the on teller, but now, like brother,
right how many days.

Speaker 5 (01:25:31):
What's the?

Speaker 4 (01:25:31):
21, 21, 21, my fault, 21, yeah, 21 shit but you know
like how, like I say to heal,because people might be talking
about shit and they be focusedon like they feelings and all of
this stuff, and I think yourfeelings are important, but like
reality actually.

Speaker 5 (01:25:51):
I mean they're not, but I mean they're important,
but like reality actuallymatters to you.

Speaker 4 (01:25:55):
I mean they're not, but I mean they're important to
you.
But like I think we get socaught up on feelings, like we
get so caught up on feelings andstuff that we don't actually
like view the world and viewlife for what it is.
So like I think, like we've gotto a place in America where
we've become such an advancedsociety that we start caring
about shit that don't matterwhen you say that, break that

(01:26:16):
down a little bit like bro, youthink about like we got all
these fucking months right tomake people feel included.
The fact that you have a monthmeans absolutely nothing.
We've had black history monthforever.
Black rights ain't gettingbetter in america.

Speaker 5 (01:26:33):
You know what I'm saying oh, and it don't look and
it's never gonna get better.

Speaker 4 (01:26:38):
But niggas is just and it's the shortest one yeah,
but hey, hey, hey, but we got amonth, right, you know what I'm
saying.
But like, so, I look at it likethat.
And we're talking about blackmen's mental health awareness
month, right, but we're alsotalking about pride month, and
you mix these two monthstogether, bro.
What if you a black man, a gayblack man, right, and you're

(01:26:59):
trying to figure out oh, this ismy month, I need to identify
with somebody and like, blackmental health community doesn't
support your gayness, right, butthen, like the LGBTQ plus
community and all the othereverything that goes along with
that, right, like no disrespect.
I just don't know all that shit.

(01:27:19):
Right, them niggas don'tembrace you properly as a black
person.
So now you still feel ostracized, even in a month where both of
your biggest causes are beingincluded, right, and us caring
about shit like that?
Like who gives a fuck about themonth?
Right, let's care about everyday.
Like, like, black history monthshould be every day.
If black history is relevanttoday, we should insert that

(01:27:42):
into american history.
Right, like my nigga, if weneed to focus on black men's
mental health in fucking aprilor september, we should focus on
that shit.
Right, like niggas shouldn't bemistreated because of the way
they choose to live their life,as long as their life doesn't
affect you so like?

Speaker 6 (01:28:00):
is that a result of the country trying to be
somewhat too here, or is it justthe country being as
progressive as possible, eventhough that's not really the
country we live in?
But that's the agenda, that'swhat's being pushed it's fake
progressive shit, right it's?

Speaker 4 (01:28:23):
hey, include me in the conversation and that makes
me happy, but I don'tnecessarily get the results of
the conversation.

Speaker 6 (01:28:31):
You know what I'm saying you know, I would say and
I ain't just defending, but I'msaying that you gotta get the
results of the conversation.
Well, you know I would say, andI ain't just defending, but I'm
saying that you got to be apart of the conversation to get
the results.
So I think it's all juststepping stones.
Now I don't know what eachgroup need, I wouldn't dare try
to act like that, but I thinkthat you know you get these

(01:28:53):
starting points.
You know, like it ain't noBlack History Month without.
I mean, if Black History Weekdoesn't get started, it's not a
Black History Month, and weprobably don't get to June where
it's Black Music Month.
And you know what I mean.
Like I'm just saying that.

Speaker 4 (01:29:11):
But I'm saying like, don't give me a month, integrate
me into history as I exist,right, like it's really weird
being in high school sitting ina fucking history class and all
of a sudden in February, we talkabout all the black shit that's
happened in America, but it'san American history class and
we're not talking to itchronologically.

Speaker 6 (01:29:31):
Right well, but you gotta understand that the opps
don't want no black history inschools period, at least not the
truth.
So I mean, what's the truth?
I'll be on here all day.
But, I'm just saying that youcan't, you kinda gotta take what
you can get.

Speaker 1 (01:29:50):
Oh, oh you gotta take what you can get.

Speaker 6 (01:29:52):
Oh, oh what, nothing, nothing you gotta, you gotta,
you gotta take what you can getand then maximize whatever that
is.
And I, I think I don't, I don'tshift the gears and I don't
know if we don't know.

Speaker 4 (01:30:06):
You're good, you're good.
I want to hear what rube got tosay about us becoming a society
that's so accepting ofeverything and it takes us away
from the stuff that's like mostimportant.
He's so funny I don't eventhink I should have asked him

(01:30:30):
this question.

Speaker 1 (01:30:32):
I mean, but like.

Speaker 4 (01:30:34):
I care about his perspective.
Look here, man.

Speaker 5 (01:30:37):
The white man said look here, you can work here and
make money.
That's all I need, and I'm cool, all that other shit.

Speaker 3 (01:30:45):
He said don't try and go off in the company.
Don't try and do all that othershit.
Bro, just come to work, be ontime and take care.

Speaker 5 (01:30:55):
You know I'm the last name to be on time.
I was like this morning theycame and called me like hey,
where you at.

Speaker 3 (01:31:06):
Holy shit.

Speaker 4 (01:31:08):
Hey, but you know the crazy shit about that.
Is that like?
Is that like?
That's an importantconversation?
I have right.
What's that?
A nigga who, like, may be latefor work, but are you actually
late for work because ofproduction?

(01:31:29):
Are you late for work becauseof time?

Speaker 3 (01:31:34):
Yeah and no, because, again, if you late, if you got
a certain time to make it andyou don't show up at that time,
yes it's late.
If you one of the top producersand you still show up late, but
you got donuts and coffee inhand and you got a real reason,

(01:31:55):
then that can make a little bit,I guess.

Speaker 6 (01:31:57):
Hell nah because I can be late 2-3 hours in my job.
But I got a plan and a fuckingschedule so tight that I can
push all that shit out and getwhat I need done in 5 hours.

Speaker 3 (01:32:08):
See, that's rushing though Again, and the thing is
you can.

Speaker 4 (01:32:11):
Does it matter if it's done by the end of the day?

Speaker 6 (01:32:14):
Or it may not matter if it's all done by the end of
the day, what you showing us,rufus?

Speaker 5 (01:32:19):
That's the production chart we got sent this morning.
They said, oh, they said, teamwe doing bad.
If it weren't for Adrian andthe other two, we would be last
place.

Speaker 4 (01:32:29):
But that's the point that I'm making right Because.
I know that he may do somethings his own way right, but
he's making production.
Get the fuck out of my face.

Speaker 3 (01:32:44):
But that's also if you own that business.
Again, if you got to clock inat a certain time, you can't say
that you can't.

Speaker 5 (01:32:51):
I'm in the field, so I ain't got no.

Speaker 4 (01:32:53):
Yeah, no, no, no.
Yeah, you're right, you can'tsay that, but I should be
allowed to say that because atthe same time, you you hired me
to do a certain job and thatjob's not built on my hours here
, it's really built on myproduction through my hours,
because if my production ain'tthere and I'm making my hours,

(01:33:14):
you still going to fire me.

Speaker 3 (01:33:15):
But I'm saying yeah, true story.

Speaker 4 (01:33:16):
So like, if I'm making my production or if I'm
exceeding my production, hey,nigga, don't talk to me about my
hours, I know what I'm doing.
It may not be your way, but Igot to figure it out.

Speaker 6 (01:33:28):
And then you know you can't be too good too fast in
certain industries, especiallywhen you got a boss that's
overseeing and you got folksthat's on your same level that's
willing to snitch and do allthis other shit.
You can't do too much too early, otherwise they're going to

(01:33:49):
point you out as the problem,even though you're getting
everything done.
They're going to be like nah,he wasn't here for two hours.
He missed his meeting.
Yada yada yada Balls, he ain'tworking.
They're going to try to equatethat to he's not working.
Production-wise, it's done hey.

Speaker 5 (01:34:09):
Balls, he ain't working.

Speaker 4 (01:34:11):
Hey, can we address the elephant in the room?
Talk Niggas talking shit.

Speaker 5 (01:34:18):
Oh God, he's still on that.

Speaker 6 (01:34:21):
Hit him with the chopper.

Speaker 5 (01:34:22):
No, she have love.

Speaker 4 (01:34:27):
No, no, no, no, no, no, no.
You don't live here, You'll beOK, they ain't going to see you.

Speaker 5 (01:34:33):
No, no, I ain't about that.
Like shit how long we been over.
I'm just sitting here sober.

Speaker 3 (01:34:40):
Hour and 35.

Speaker 4 (01:34:41):
Oh damn, I hate that you sober man.
I hate that for you.

Speaker 5 (01:34:45):
Me too.
That's why I was late thismorning.
God almighty.

Speaker 4 (01:34:49):
It ain't no more time it ain't no more time for most
obvious hit with Rude before.

Speaker 3 (01:34:53):
We said that other one, the Ant-Man, that's dead.

Speaker 4 (01:34:56):
Yeah, we can do that later.

Speaker 6 (01:34:59):
Sexy Red.
We can wait on that.

Speaker 4 (01:35:01):
I mean that shit is quick and easy.
They said he fucked Sexy Red.
He didn't.
That's lame as fuck.

Speaker 6 (01:35:07):
He said he didn't.
He be like hey bud.

Speaker 5 (01:35:10):
We can really kill right here and catch a fade.

Speaker 3 (01:35:14):
I don't know, did he Again?
I didn't hear him say he did.
He'd be like, hey, bud, we canreally kill right here and catch
a fade.

Speaker 4 (01:35:18):
I don't know Again, I didn't hear him say he did.
Oh no, I heard it.

Speaker 6 (01:35:20):
He said he slept with her.
I heard that he fell asleepwith her, but he played it like.

Speaker 3 (01:35:26):
You know what I mean, oh so he just fell asleep in
the bed with the chick On aplane.
Oh man, please, I get that, butthen she technically did sleep
with the motherfucker.
That's my deception.
Shit, that's my deception.

Speaker 4 (01:35:43):
That's all it is.
But it's corny to create thatperception, because this is like
no, you lying to your dick.
He said he did it for cloutyeah he did say that Y'all don't
know what y'all doing.

Speaker 5 (01:35:54):
He said he did it for clout?
Yeah, he did say that.

Speaker 3 (01:35:58):
Y'all talking about him, real good saying he's
stupid.

Speaker 5 (01:36:04):
Nah, he just sold 100 scooty bikes, just like that.

Speaker 3 (01:36:09):
You hear me Shit.
They all through Californiaright now.
The beta tore him up with allthem scooty bikes.
Yeah.

Speaker 6 (01:36:18):
He can't sell them glasses though them glasses that
don't break.
Yeah, he saw they don't break.
He got the.

Speaker 5 (01:36:24):
Rayburn suitor in the head boss.

Speaker 3 (01:36:28):
I like them I don't get me a pair.
Because he said I promise youthey don't break.
But he went up.
I said but ray j is one of thetop guys.
Everybody's talking aboutcharleston ray j, he is like the

(01:36:49):
top tier guy he's been going by.

Speaker 5 (01:36:52):
He said I don't like the way you're doing that, homie
, like if you want to go outhere and catch a fight we could
do that I had a hundred lambosoutside ready for man, listen.
He said I told, he said I toldyou.
He said don't touch me, guesswhat I did I touched that hey,

(01:37:12):
still by far the greatestbreakfast club interview ever.

Speaker 6 (01:37:15):
Yeah though.

Speaker 3 (01:37:17):
Well, no, it's not a birdman birdman.

Speaker 6 (01:37:20):
Birdman, too short man that day went on.

Speaker 3 (01:37:24):
That's what made him.

Speaker 5 (01:37:25):
They cut the whole show and bird love like the
whole show at the end,especially when he said
especially when he said thaty'all finished or y'all done
come on, I ain't gonna say it nomore, yeah he said I'm pulling
up on you with some respect onmy name.

Speaker 3 (01:37:42):
Yeah, yeah yo charlamagne what up my jim?

Speaker 5 (01:37:48):
what up, what up what ?

Speaker 1 (01:37:48):
happened?
Are we live?
No, no, no, no, no, no.
We live, yeah, okay, so I ain'tgoing to curse, all right, so I
ain't going to curse and excusemy language, but you know what
I'm saying Be whoever you wantto be, love whoever you want to
love.
That's right.
I didn't mean it like that.
I just meant when you want todisrespect me and the money team

(01:38:15):
we just made 350.
Respect me.

Speaker 6 (01:38:20):
I'm going to smack you up.

Speaker 1 (01:38:21):
Niggas saying wait, jacob beat up.
I'm shocked, my nigga.
So you punched Fab in the faceone time.
You hey.
All I'm saying is, if you got afab number, tell that nigga to
send a picture of his face rightnow.

Speaker 2 (01:38:35):
Okay, ray J, let me ask you.
So this is what happened,Because you didn't like what he
was saying on Twitter Likemaking jokes.

Speaker 1 (01:38:45):
I play piano on that motherfucking piano every day
with my big bro, nigga.
We grew up together, so if youthink I just came over there and
sang a song, you got memotherfucking twisted.
I'm always over there, nigga.
Remember, we on air.

Speaker 2 (01:39:03):
Ray.
We on air Ray Can't curse you,I'm sorry.
I'm sorry, Anthony.

Speaker 3 (01:39:07):
I'm sorry, I'm sorry, I'm sorry.
Are we live?
Yeah, yeah, are we live.

Speaker 1 (01:39:10):
Yeah.

Speaker 3 (01:39:12):
Are we live?

Speaker 1 (01:39:13):
He's running from me right now.
I had 100 fools outside of Moonright now.
He never left the club.
He was scared up in there.
He tried to call the police.
So when you hit him, what didhe do, Ray?
Nothing.
He fell back.
Because he's a sucker.
Because he's a sucker.
He didn't hit you back, checkthis out, no disrespect.
Shout out to my big bro, diddy,because he tried to really be

(01:39:36):
like look, they was just goingin on you and you know it was
all fun and games.
Shout out to Kevin Hart,because you know he a comedian.
But Fab ain't no comedian.
My homie saved his life when hewas in LA.
His life was threatened by myother dudes and my other homie
saved his life.
So how dare you even speakdisrespectful to me?
You know what I'm saying andthat's just what it was.

(01:39:59):
So when I seen him, I was withFloyd and 50.
And he tried to say don't touchme, and I touched that nigga.

Speaker 6 (01:40:10):
Hey damn Birdman, that's the one.

Speaker 4 (01:40:18):
I mean the show took off after that roof right here.
You know that Facebook livemight take off too.
You know they keep talkingabout.

Speaker 6 (01:40:27):
Us know what was said .

Speaker 5 (01:40:31):
Fucking group.
We all know what was said.

Speaker 4 (01:40:34):
Yeah, let's see what we got, yeah, B what was said
about us that we should address?
You know niggas talking totheir phones on.

Speaker 3 (01:40:43):
Facebook.
We know.
Y'all keep jumping on that.
Y'all keep jumping on that.
I mean I was gonna let y'alllead the way on that.
I wasn't saying you got, I wasgoing to let y'all lead the way
on that.

Speaker 4 (01:40:53):
I wasn't saying you got to Lead the way, Lee.

Speaker 3 (01:40:55):
I was going to let y'all lead the way, I didn't
hear all the fucking shit.

Speaker 6 (01:41:01):
Lee.
Hold on, lee.
I don't want to hear thatversion of you right now.
I want you to pop it.
All right, I want you to pop it, boy, that's crazy.

Speaker 4 (01:41:13):
I don't know what you want from me yeah nah, Nah, nah
nah.
I need you to.
Oh, you need that shit, I needit earlier.
Yeah, I need that.
Oh, hold on, what am I song?

Speaker 6 (01:41:23):
Touch that nigga, whatever it takes to get your
mind right.

Speaker 3 (01:41:27):
Come on, son.
That nigga said don't touchthat nigga.

Speaker 6 (01:41:37):
So I touched that, touch that, so I touched it, the
commission, you guys know whyyou're doing this, he's the leo
de janeiro.

Speaker 4 (01:41:56):
Charlie baltimore I was very slim ain't nobody care
about y'all to call the baby meyou know, I just I just put this
on in the background, rightbecause I have questions, right
because I have questions.

Speaker 3 (01:42:13):
I have a lot of questions you know what are we
doing?

Speaker 6 (01:42:19):
hey, biggie, biggie, let my name taste like ass when
you speak it.

Speaker 4 (01:42:26):
I don't want my name to taste like ass when you speak
it.
I don't, because you know a lotof nigg of they don't.
They might eat ass, but theywon't talk about it, so like now
my name is to be ass.
I want my name to be ass.
I want you to be proud of mewhen you talk about this.
I want you to be proud ofyourself when you talk about

(01:42:48):
that yeah, you asked me how I'msupposed to you, you know, talk
about topics and all thisnonsense.
You know, I don't know.
I didn't see it.
I was told to me.
I, it's the internet, we havethem for me.
He won't be the light going tothis whole manic mode.
I, I, I can't do it right now.

(01:43:10):
It's okay.
It's okay, I can't do it rightnow I got to answer this call.

Speaker 5 (01:43:13):
I'm at it.
I'm in charge of the movie.
All right, then We'll call you.

Speaker 6 (01:43:17):
We know who it is.

Speaker 5 (01:43:19):
You don't.
You don't, I do.
Because I don't know who it isthat's it Wines.

Speaker 4 (01:43:27):
Oh, you ain't gone yet.

Speaker 5 (01:43:29):
You gone?
Yeah, yeah, I said, I don'teven know, I just met her.
Let me try, all right.

Speaker 3 (01:43:33):
Let me see it on camera, all right, but no, but
no, but no.

Speaker 4 (01:43:39):
But here's the thing, right, I'm like joking about
this shit because I'm having fun, because it's fun to me, right,
but it's fun to me until it'sfun, like until the fun is over,
right?
Like when I was playing in thatstupid ass grown folks versus
kids games.
We can't shout talik.
That was a great event.
You know what I'm saying?

(01:43:59):
I ain't calling it stupid causeyou did it.
I'm talking about the niggaswho actually care.
That's stupid, right, but itbecomes about like nigga, if you
care, nigga, that becomesstupid.
Because if you want to talkabout me, talk about me, right?
If you want to talk about us,talk about us.
Don't tweet and delete.
Don't post and delete.
Don't do a facebook live anddelete.

(01:44:21):
You know, don't call it apodcast.
If you ain't got no microphones, you ain't got no topics, you
just on there.
You just like, like.
You know you're doing afacebook live.
You're doing a charleston white, you're doing a crash.
You're doing like hey, hey,charleston White, you're doing a
crash.
You're doing like, hey, hey,look here.
I don't have a therapist.
I don't have people in my lifewho I can like, talk to and get

(01:44:41):
my shit off to.
So you know what?
Let me get it off to thestrangers on Facebook.
And now I've been there.
I've been there.
You talk about a nigga whostarted a podcast because I felt
like I didn't have an outlet,right, I was afraid to go to
therapy.
So I would like just do thepodcast and get my shit off.
That's, that's me getting drunkas fuck, no shirt on, come home

(01:45:01):
from the bar, plug in the micand just do a fucking pod, right
that?
That that was me back then,right.
But see, you know about thattwo-heeled shit.
I went and like tried to findsome healing, right, and it and
it goes into like hey, you wantto do a podcast, you want to
talk about shit, but we alsowant to get our feelings off,
because we do want to have afree place to express ourselves.

(01:45:25):
But see, we do this thing calledpre-production and, like,
before we do pre-production, Iused to do this thing called,
like, podcast consultations.
Right, if you want to learn howto like craft your show, put it
together, I can help you.
If you need a studio, if youneed microphones, I know you

(01:45:45):
don't need space to do the show,like I, you know you got plenty
of space.
I respect that.
But, like, if you needequipment to like, do a podcast
and not do a facebook live, ohman, you can come on.
You can come, bro, you can comediss me in my studio, rent the
spot, type shit.
Yeah, you gotta rent it, yeah,but but you come diss me and

(01:46:07):
then as soon as y'all leave out,we'll come right back in and
we'll dish out right back.
Bro, we can, like, we can gothis for this just to drive our
shows up.
Bro, like I'm all about that.
That's great, because if we eateverybody's, you know, I'm
saying the village right becausewe, the village vets, because
what niggas don't realize is,yeah, the podcast is fun, the

(01:46:29):
podcast is cool.
But, like, we also want tointeract with our village and
our village is the ville, right,and we call ourselves the vets
because we've been here, wewashed up, we done seen
everything.
We done seen everything wethink we need to see, and our
parents done told us everythingthat we haven't seen, right.
But the most important thingthat you see when you see us

(01:46:50):
right is you see microphones,right.
You know, we used to hold them.
We don't hold them no more.
They hold themselves.
Right.
You see headphones, you hear.
You look at that board up there, they can't see that board.
Right, there's topics up there.

(01:47:11):
We don't ask our guests fortopics, right, because, see, we
go live on facebook when we doour show, but we are not a
facebook live show, right, like,we do the facebook live because
we want the most interaction.
We want people to listen to usand that's a great platform in
which to do it.
Can, can you shout out ourmediums, our mediums?

(01:47:33):
I'm soft right now.
I don't know that.
No mediums.

Speaker 3 (01:47:36):
That's crazy, you missed it.
Our platforms, our platforms.

Speaker 4 (01:47:42):
Our platforms is, and these platforms will be
changing soon, but you can findall of us.
You can find all of our stuffon all of my personal platforms,
because that's where it getsposted.
You can find us on the ac, leeand parley pete part podcast
feed.
I know they don't like that.
We're gonna get our own feed.
So this is good, yeah, but it'son ac and parley pete um
youtube, uh, but yeah, we'rehere and, but, most importantly,

(01:48:05):
we're here on may's road onmondays and we're gonna talk,
right, but it's gonna be a, aguided conversation.
It's gonna be a conversationthat we built throughout the
week.
It's going to take work, it'sgoing to take effort.
We're just not going to getdrunk and get in front of a
microphone and just talk.

Speaker 3 (01:48:22):
So you're saying you're doing production and all
that.

Speaker 4 (01:48:24):
Yeah, yeah, yeah, no, yeah.
And here's the thing I willproduce the podcast that diss us
, but I us.
Yeah, Bro, I will write ourdisses for them.

Speaker 6 (01:48:32):
You said it's not a podcast because they ain't got a
microphone.

Speaker 4 (01:48:35):
Oh yeah, but no, but if I produce it, they'll come
here with microphones and asoundboard and we'll give them
all custom sounds here.
They won't even have to listento Kung Fu Kenny.
They get their own shit.
You know what I'm saying,saying they can get a fuck the
village vets.
You know I'm saying I'll do thedrop form.

(01:48:56):
They can record a studio andthen it can become a podcast,
and then we can have a podcastbeef facts, facts.
Facts that sound good but onFacebook live I'm not alive, I'm
dead.
To that man, I'm asleep, Idon't know.
But in saying all of that, hey,shout out to y'all over there,
man.
Hey, we could y' shout out toy'all over there, man, y'all
keep doing y'all Facebook Livesand we can do a mashup.

(01:49:18):
We can't do a podcast mashupbecause y'all haven't podcast
yet, but when y'all become apodcast, we can do a podcast
mashup.
We can do a Facebook Live,because I fuck with y'all.
Here's the thing I like themover there.
I just don't like them tryingto produce our show and they're

(01:49:40):
not on our show.
Just produce your show.
Just produce your show and keepit moving and kick it, and when
we kick it, just make sure wecool, because it's just the
internet, bro, this ain't real,this ain't real nah, I ain't got
no real problems I got internetproblems gotta make sure, and

(01:50:02):
make sure you also.

Speaker 3 (01:50:03):
You always keep everything in line to where.
Like you said, you want to keepeverything a through z.
You don't want to start jumpingoff topics and start doing A, b
, c, 1, 2, 3.
You know all the other stuffthat don't make sense after a
while.

Speaker 4 (01:50:18):
Well, you know, because I told you, if we really
wanted war, I was just going totake all their Facebook lives
and we was going to write theirtopics up here and just do their
topics better than them.
That's what I wanted to do.
I mean that, just out and justdo their topics better than them
, that's what I, that like,that's what's petty man, I mean
that's what I was thinking about.
But, but I, but I like them andI and I and I want them to keep

(01:50:41):
doing better numbers than us,just in case they get to talking
too crazy, because they dobetter numbers.
Us.
Yeah, y'all are way more popularthan us and shout out to y'all,
bro, keep it up but that's,don't you do that.
No, no, no, no, no page it up,see, but that's don't you
fucking do that.
No, no, no, no, no page.
Yeah, I'm with you, but butthey do better numbers than us
and, like I told him the otherday, and I'll tell you the way

(01:51:03):
this, this platform, works, wecan go live on y'all's pages.
Y'all just have to put yourinformation in.
I'm not stopping you becausey'all know I don't care about
the numbers, I care about theshow.
I want the numbers, but I mostimportantly care about the show,
which is why I ignore commentsand don't talk to People
watching the show.

Speaker 6 (01:51:22):
I don't care about the comments.

Speaker 4 (01:51:24):
I care about, like having a great conversation With
my friends and making peopleWant to be a part of that
conversation, but, moreimportantly, inspiring them To
have their own conversations sothey can speak to their world
and people can listen to them.
I want to empower people toknow that they have a voice,
because we all have voices.
Now.
All voices need to be heard oneverything, but some voices

(01:51:48):
should go on Facebook Live andthey should speak to their
people, because I think theyhave great voices.

Speaker 3 (01:51:53):
And they actually got to make it make sense when they
talk A lot of times which,again, liquor is usually
involved in a bunch of baddecisions.

Speaker 4 (01:52:05):
You got herpes.

Speaker 3 (01:52:07):
What the fuck Would you say that?

Speaker 4 (01:52:09):
on camera?
Well, because I was just goingto pour my shot in his glass.
But if he had herpes I wasn'tgoing to touch it.
I know he doesn't have herpes.
So he was going to say no, andI was just going to drink out of
the shot glass and nobody wouldhave cared, but y'all just made
it awkward.

Speaker 3 (01:52:21):
It was insane that you even said it.
What the fuck I'm pouring it,excuse me.
I'm not pouring you shit, letme keep cooking.
I done forgot Y'all keeptalking about tequila.

Speaker 4 (01:52:37):
You was talking about the niggas who go on Facebook
live and talk about it.

Speaker 6 (01:52:41):
Let me tell you this I wasn't aware of anybody saying
anything.
You was probably over therewhen they recorded it.
I wasn't there, I was moving.

Speaker 4 (01:52:54):
But let's just oh yeah, they were supposed to be
moving.
They became part of Facebooklives.
I'm sorry.

Speaker 6 (01:53:01):
I fuck with y'all, though.
We just gonna keep it a bookthat I ain't gonna lie.
A lot of folks can't talkbetter than we talk.

Speaker 4 (01:53:12):
I don't think anybody can talk better than me, and I
know you believe that.

Speaker 6 (01:53:14):
But I'm just saying can't talk better than we talk.
I don't think anybody can talkbetter than me.
And I know you believe that,but I'm just saying that it's a
lot of years that we've beendoing this and, lee, you did it
on your own for a while, I didit on my own for a while, me and
Vijay did it together atcertain points.

Speaker 4 (01:53:33):
Vijay did it on his own.
Hey, boy Kenny after dark.
Yeah, he did it on his ownKenny after dark.

Speaker 6 (01:53:39):
I always say we got to implement that somehow, some
way.
And Vijay, he don't be tryingto hear that Really, don't.

Speaker 3 (01:53:46):
You know I'm with you .
I said we can get it rolling.
We just got to make it.

Speaker 4 (01:53:50):
We could throw a candy after dark party like some
slow jam.

Speaker 3 (01:53:54):
I would want to do that, but I would want to do it
my way to where it would reallymake sense, to where the vibes
can really be.

Speaker 4 (01:54:01):
Well, you know you okay with lot lizards in the
background.

Speaker 6 (01:54:04):
But look, maybe I shouldn't say this on live, but
we probably should do a candyafter dark post show.

Speaker 3 (01:54:12):
No, we should.

Speaker 6 (01:54:12):
And then you promote, like the post show, and then
you promote the next week andthen they watch and then we go
on and do candy after dark thatnight on Snap.

Speaker 4 (01:54:21):
He's got to bring it so fast, so big, because he
could do the whole Snap show.
Bro, we'll set the iPad rightthere.
He could still do it as a podtoo, and he still gets the audio
quality.
He could be playing all of hissongs into the soundboard so it
sounds good and like you putthat shit on, like actual, like
itunes and shit, they're notgonna flag your music yeah yeah,
and I got some shit for candyafter dark we might get, which

(01:54:43):
we said was gonna start.

Speaker 3 (01:54:44):
I said like two months ago we was gonna get it
started.
Who's gonna start on my dog?
But I, I really I want to keepit still like a solo show, but I
want to bring my buddies on andI want to make sure we can all
have like a real interview typeof not even interview vibe but,
like I'm still a podcast, catchup, chill, good drinking, good
chilling.

Speaker 4 (01:55:03):
Definitely a podcast, not a Facebook live show.
You're insane, absolutely, Imean everybody gets their own
microphone, they talk to thesame mic and everybody looking
at the camera Check the comments.
You know Microphone ain'ttalking to the same mic and
everybody looking at the camerato check the comments.
I fuck with them, though.
I really do.
I don't want to be misconstrued.
I do fuck with them.

Speaker 6 (01:55:24):
I don't like downplaying anything we do.
I let them know that too.
I guess y'all will tell me whenwe get out of here, but I still
don't know exactly what theysaid.
But at the end of the day it'sthis Don't try to knock what

(01:55:45):
we're doing to big yourself up.
Nah because that shit ain'tgoing to work.
That ain't authentic.
Only real music lasts all theother bullshit gone today.
Well, here today, gone tomorrow, all right, so it's the same,
it's the same thing.
So I, like I said, I don't knowwhat they said, but um, no,

(01:56:07):
we're not gonna do that.
It's the fact that they said it.
It's the fact they said it.
Um, and on top of it, Iunderstand that we getting
better with time, boy, and thebest of the village vets ain't
even seen.
Now we consider ourselves vetsbecause we 30 plus but we ain't

(01:56:27):
old, alright.
So there's some shit that needsto be done.
We can do it and we not.
I'm not going to downplay whoVijay is around here.
I'm not going to play who I amaround here.
Downplay who I am around here,or who Adam Christopher is

(01:56:48):
around here.

Speaker 4 (01:56:49):
But also don't downplay the niggas.

Speaker 6 (01:56:51):
Or Trevor Shaw, or.

Speaker 4 (01:56:53):
Adrian Rogers, but also don't downplay the niggas
or Trevor Shaw or Aiden Rodgers.
But also don't downplay theniggas who go on Facebook Live,
because I think like no, theydeserve to like talk shit, right
.
Like I want to hear them talkshit.
I love it, right.
I just want them talking to amicrophone and not feel like a
fucking computer.

Speaker 6 (01:57:10):
No, yeah, and I think , and I'm, I'm, I'm just getting
my my shit off now, but, uh,some of y'all don't forgot, um,
who we, who we are, and it'sbecause that we not out like we
used to.
You might catch us, you know,and we, we, we, we chilling more

(01:57:31):
than turning up how we used todo it, but some things don't
change.
I don't know more, but I can,and very much so, very much so,
and it's better and it's better.
It's really crazy how muchbetter it is, um, I'm saying
that to say this when you'retalking about the village vets,

(01:57:51):
let's go back to bird man, let'sput, put, put just a tad of
respect on, because a lot ofy'all, y'all, y'all, childhood
ain't the same without us.

Speaker 4 (01:58:03):
Okay, I like in at chris edwards house.
I'll go over there for a weekstraight and kick it just a
gentleman?
Yeah, no, but I'm saying likenot like, just to get back in
shape historically, historically, y'all, y'all, y'all y'all
don't have a big name.

Speaker 6 (01:58:25):
All three of y'all stop playing with my name.
Hang on, say it no more.

Speaker 2 (01:58:29):
Put some respect on my name historically let me,
when y'all say my name, put somerespect on it name Historically
when y'all saying my name putsome respect on it.

Speaker 6 (01:58:36):
Hold on, lee.
Historically y'all was therewhen we threw BJ threw a
graduation party Friday afterone Saturday.
Both of them had over probably300 folks there.
Both of them One at Cafe Soul,one at the Frontier, okay.
We set the precedent on what itwas for y'all to have to know

(01:59:01):
how to party, to have somewhereto go.
We did this shit consistentlythroughout the years, even when
we came home from college.
Y'all was pulling up, y'all waspulling up.
Asked me where we was at.
Y'all knew y'all was going toget a little me Y'all was
pulling up.
Talk to me, ask me where we wasat.
Talk to me Because y'all knewy'all was going to get a little
bit of liquor and you coulddance and you could be yourself
and get out your mama house Talkto me.
Put some respect on that shit.

Speaker 4 (01:59:22):
Hey, let them know who Big Bro is.

Speaker 6 (01:59:27):
I'm just saying.

Speaker 4 (01:59:28):
No, talk to me, I just saying.
I'm just saying a lot of.
Some niggas was too young tocome to our party, so they don't
even really understand whatniggas was doing.

Speaker 3 (01:59:37):
You can't never forget about a little brother.
Now, we ain't never gonnaforget about I want to put
little brother more.

Speaker 4 (01:59:45):
I'll fuck with little brother, right, yeah, but
sometimes, little brother, I'vegot to remember that they little
brun them right.
Spank this baby, yeah.

Speaker 6 (01:59:55):
And again when I say spank that baby right here, blue
mike yeah, I'm, but I ain'tjust talking to who you talking
to earlier.
No, no, I'm talking about a lotof folks but I'm talking to
everybody, like, like, literally.
When I say like blue, I'mtalking to a lot of folks, and
I'm dead serious Because I'm 33,and I don't really play no

(02:00:17):
games at this point in my life.

Speaker 4 (02:00:18):
Because here's the real shit.
There's some motherfuckerswhose names you don't want to
call, whose names I will callbut I won't call.
But I want to call, and youknow who I'm talking about.
Because the album release, wepushed it back.
We pushed it back to the winner, right?
Like, like, like.
Like.
People sometimes forget, whenyou're no longer moving in the

(02:00:44):
spaces that you once moved in,that what you did in that space
opened up the lane for them tobe who they are.
And you didn't do it for them.
You don't want to be who theyare, and you didn't do it for
them.
You don't want to pat on theback.
But hey, motherfucker, if youthink you're going to kick me in
my ass, just remember and thenI see some of y'all play the

(02:01:06):
role so good and I don't saynothing.

Speaker 6 (02:01:08):
But you'll show up at the Cigar Ball on October 12th
like it's your birthday, becauseyou know that it's your
birthday, because you know thatit's a Todd Dean party.
Okay, don't be no fools, it cango a lot of ways.
I'm better now.
I've changed.

Speaker 4 (02:01:27):
And the one way is if they get aggressive they're
going to jail.
Oh yeah, that needs to be putout there, because we pop on our
shit, right, don't touch me.
They get aggressive, they'regoing to jail.
Oh yeah, that needs to be putout there because, like we, we
pop on our shit, right.
We also let niggas know don'ttouch me you're not.

Speaker 6 (02:01:38):
No, don't work, hold on, I'm gonna let them know
because I, because I know folks.
All right, I know folks.
You put your hands on me, guesswhere you're going?
Okay, because I understand, Idon't care what you done.
Heard about me, I'm connected.
Yeah, so you're going.

(02:01:59):
All right, now I'm sure going.

Speaker 4 (02:02:02):
Hey, but we do got to end the show.

Speaker 6 (02:02:05):
Yeah, and we should end it on a higher note than
that, though.

Speaker 4 (02:02:08):
Yeah, we got to show some positive vibes and I'm
looking at what we got up there.
I don't see nothing positive.
I'm thinking about how muchmoney these high school coaches
make.
That ain't positive, and we cantalk about that later yeah, but
we're talking about um.

Speaker 6 (02:02:30):
Oh, did we talk about that already?

Speaker 3 (02:02:32):
We talked about the Atlanta one.

Speaker 4 (02:02:35):
The Atlanta club scene.

Speaker 3 (02:02:36):
yeah, we hit that already, but I can't give us one
last one.

Speaker 4 (02:02:40):
Hey, mind you on the Atlanta club scene.
There's somebody from theAtlanta club scene that I want
to talk to you about before weleave.

Speaker 3 (02:02:46):
Okay, I do got one more.
Oh shit, wrong phone.

Speaker 4 (02:02:52):
I know on your Instagram you got some shit in
there.

Speaker 3 (02:02:54):
I got my shit loaded up but I just ended up grabbing
the wrong one.
All right If you had to sayhave y'all seen that?
Well, you said we want to goout on a positive note is I want
to give a shout out and aprayer before.
I don't know if it's on a highnote for the most part, but a

(02:03:15):
high note and a prayer for theguys or the people that's going
through that extra stuff that'sgoing on in California with the
ISIS mess and all that crazystuff.
Yeah, one of the guys that gotI guess it was a teacher.
They was doing the graduationsover there the other day and I'm
waking up, yeah, I'm just goingto readjust your mic when you
get done talking.
For the most part it was a guythat was having graduation the

(02:03:39):
other day.

Speaker 4 (02:03:40):
It's off, turned off.
Motherfucker, I can't hear youTalk.
Can you hear him in theheadphone?

Speaker 2 (02:03:48):
I can hear him now.
Yeah, it's short and core,don't worry about it All now,
yeah, yo, yo, yo, I think it'sshort.

Speaker 4 (02:03:53):
It's short and core, don't worry about it.
Yo, yo All right, cool.

Speaker 3 (02:03:56):
Well, pretty much they were just talking about
that.
Did you see that the littlestuff that was going on in
California?
The ICE they came ininterrupted a graduation for the
fifth graders.
Parents was taking off runningblah blah.
I'm not blah blah, excuse me,but taking off running, didn't
get to see their kids graduate.
To me, for the most part,terrible situation.

(02:04:17):
It does suck.
Yes, praying for the wholefamily, praying for everybody
involved, praying for everything, and we hope the best from the
village vets.
We hope we get all that takencare of.

Speaker 6 (02:04:31):
yeah, man, you know I feel for them folks and I truly
hate what's going on, and Imean this is a lesson for us all
to make sure that we know inthe future that we need to vote

(02:04:58):
for somebody that's moreprogressive.
I ain't putting it all on whothey voted for, I'm not going to
do that.
This is not a political issue,it's a humanity issue, right?
So human beings need to bebetter, because there ain't no
way that, you know, you gotfolks that's been here for a
certain amount of time and theyneed to be forced out of their

(02:05:20):
homes and pushed to anothercountry, but that's, that's just
the reality we live in.
But, like I said, it's not apolitical issue.
It's humanity and we got, wegot, we got to, we got to fix
that, but um, yeah, no, I'llspeak on it just a tad.

Speaker 4 (02:05:38):
Right, because it's it's an issue that actually hits
home for me, right, like mydaughter's mother's parents came
to america, walked to Americafrom Central America looking for
a better life, and they wereable to find that better life

(02:06:03):
and they assimilated intoAmerican culture.
They found jobs, receivededucation and they did the
things the way that Amotherfucker would say you
should come to America as animmigrant.
Right, they did it right.
And through meeting them, youmeet family members, you meet

(02:06:28):
all these people and youunderstand that you know what A
lot of these motherfuckersactually want to come here and
do it.
Right, because they just wantto be In a country where they
can do what they want to do.
Like they just want to livetheir life Like they ain't
trying to bother nobody, likethey ain't trying to like Be
tycoons, motherfuckers, tryingto go to work and make a good,

(02:06:50):
honest wage.
Right, and Learning thesepeople, getting to know them,
totally changed how I look atthe whole immigration thing.
Right, because you don't knowuntil you know.
But when you start meeting thepeople they're talking about,
who are coming from X, y, zcountry, and you realize that

(02:07:14):
these are people who are arecontributing to our american
life because they just want tobe here.
When you hear the narrative, youjust go well, that's not true
of a good portion of thosepeople, right, right.
So what's going on in LA, Ithink, is disgusting.

(02:07:35):
People are protesting, ice,doing what they're doing.
Ice, if they're following thelaw, do what you do Because you
have a job to do.
As a person who was once in themilitary and they got a job to
do when it came to certain stuff, it didn't matter what my
feelings were.
I had to do my job because Itook an oath.
Right, and at the same time,you can be on the other side of

(02:08:00):
that doing your job and realizethat those people are just
trying to do what's best forthem themselves.
Now, they may hurt somebodywhile helping themselves
different conversation but theirintent is not to hurt anybody.
So, like when we have theseconversations about, like

(02:08:21):
immigration shit, when you hearit, like the national shit,
especially the, theright-leaning national shit,
right, and and y'all talkingsomebody who politically is
right-leaning but not a trumpsupporter, right, because what
he's doing is not conservative,moderately progressive politics,

(02:08:41):
right, it's just nasty and Iunderstand that I could be the
anomaly because, bro, I know myin-laws, I know what they did,
you know what I'm saying.
I see what they have, what theywork for, who they are today in
american society and, like Ihave now stayed away from that

(02:09:08):
conversation because it comesfrom people who aren't connected
to it.
Yeah, and if you're notconnected to it and you're
having a conversation, I thinkwe should actually close that on
basketball, by the way, becausewe didn't talk about the finals
.
But, like I, I I think that ifyou're not connected to it and
you don't understand it, don'tcome on here shitting on these

(02:09:30):
people, because a lot of thesepeople are good people who just
want a place to live, a job togo to and a safer place to live
their life.
Because, again, I go back to myin-laws and not going deep into
their story, but there was acivil war going on in El
Salvador when they left and theycame here right, you know what
I mean.
They just wanted a safe placeto build a family and raise kids

(02:09:51):
and they did that, and they didit the right way.
Like they are the americandream immigrants who came here
figured america out.
Tell you, what boy?
Is that a house, if y'all wantto come and get him.
But I'm saying, like, like,they did it the right way and
it's working out for him.

(02:10:12):
So, like, like, when people likestart shitting on immigrants,
bro, I can't fuck with it,because I know real deal
immigrants and these are peoplethat I love, who I've had like
intimate conversations withabout their journey to America,
why they came to America, but Ialso know them for who they are
and like they're good people andI don't give a fuck if you're
American, I don't give a fuck.
If you American, I don't give afuck if you South American, I

(02:10:32):
don't give a fuck if you CentralAmerican, african, whatever the
fuck you are.
If you're a good person, youdeserve to be treated like a
good person, that's real.

Speaker 6 (02:10:40):
That's right.

Speaker 3 (02:10:41):
And I feel like on the wrap up tonight I'm going to
ask before we close it out Dean, okay, say Indiana.

Speaker 6 (02:10:49):
I ain't going to lie, I'm going my heart.
I ain't going with logic.
I ain't going to that.
I want Indiana to win me on therebounds every game.

Speaker 3 (02:10:58):
but I like Miles.

Speaker 6 (02:11:17):
Don't bet on his rebounds.

Speaker 4 (02:11:18):
man, I'm going to stick beside him.

Speaker 6 (02:11:20):
No, I stopped I stopped.
But yeah, and I think they gotthe.
They're the only ones that got.

Speaker 1 (02:11:27):
What the hell, what the hell.

Speaker 6 (02:11:32):
I think they're the only team that really got the
ability to beat OKC this year,just because of how they play.

Speaker 4 (02:11:41):
Lakers could have beat them.

Speaker 6 (02:11:44):
Yeah, I think so, but you know, we didn't get that?

Speaker 4 (02:11:47):
We won't get to see that.

Speaker 3 (02:11:49):
Yeah, no, they didn't make it though we definitely
won't get to see that shit.

Speaker 4 (02:11:52):
That's the beauty of matchups making fights.
What the hell, lee?
Right, because I didn't make it, though you definitely won't
get to see that shit.

Speaker 6 (02:11:54):
That's the beauty of matchups, making fights.
What the hell, lee?
Right, because I mean Ant-Man,whatever, but I got Ant-Man and
I mean not Ant but Halliburton.
And man, I'm hoping they pullit out.
I say if they go one-on-one inIndiana it's over with.

Speaker 3 (02:12:16):
So you got Indiana in six or seven.

Speaker 6 (02:12:18):
Seven.
It's going to go the hard way.

Speaker 3 (02:12:21):
So it's going back to they're going to win in OKC.

Speaker 4 (02:12:24):
Wise For sure, if I'm taking Indiana, I'm going to
take Indiana in six.
What the hell, leburton?

Speaker 3 (02:12:30):
That's what I was going to say in six.

Speaker 1 (02:12:31):
maybe I don't think they're going to win both at
home.

Speaker 3 (02:12:34):
That's tough.

Speaker 4 (02:12:36):
But I'm saying that's the only way they can win.
They got to win at home.

Speaker 6 (02:12:40):
I don't think they can win two in a row.
I'm just saying, though, allthey got to do is keep it close,
and then you know, if they keepit close, they'll do something
to go in overtime or hit afucking game winner.
The boy, the boy.
Four for four, I mean five,five highly burden on on game
winning shots.
This is supposed to be five forfive.

(02:13:02):
I mean, we ain't never seennothing like this.

Speaker 3 (02:13:04):
What the hell he Burton.
So let me ask you what you,what you, where you going, who
you leaning toward?

Speaker 4 (02:13:10):
so since, uh, okay, not okay, since indiana won game
one, I still got okay c and sixokay um.
I don't I'm not rooting forokay c, I'm just saying for me
watching basketball, I thinkokay c is better, but I I want
to take this time to shit on thenba.
These teams should have been ontv a bit more often.

(02:13:33):
I agree because, like this wasmy first year without league
pass, so I wasn't watchingbasketball, I wasn't watching
everybody every week, and then Iwatch okc, I watch um indiana,
the playoffs, and I go theseniggas playing good basketball.

(02:13:55):
I ain't saying they've beenplaying good basketball all year
, but the way they're playingbasketball, bro, this is good
basketball.
The way that the league is setup is like I say, lebron could
have beat OKC.
Okc has a better team than theLakers, right, like if you go
player for player, okc has moregood players, but what the

(02:14:17):
lakers can do with their greatplayers is slow the game down
and beat them yeah and okcdidn't run into a team that has
two guys who can slow the gamedown and beat them, which is why
they're where they're at.
And then you look at themagainst indiana, which is why
they're where they're at.
And then you look at themagainst Indiana.
Halliburton can't just slow thegame down and beat them.
Uh, goddamn, uh, uh.

(02:14:39):
What's his name?
Siakam?
He just can't slow the gamedown and beat them.
They can beat them in a game,but they just can't just have
court.
Let's sludge it up and getbuckets.
So like, and get buckets.
So like.
That's why it's just such aweird finals for me.
But I wanted to go seven, but Ijust see OKC winning it in six.

(02:15:03):
I think Indiana wins tomorrowor whenever the next game is.
I don't even know when the fuckthe next game is.
That's how bad this finals isyeah, two day win.
I'm going to watch the game.
Is that's how bad this fightwas.
Yeah, tuesday win.
I'm going to watch the game,but I think, okay, see, I think
Indiana wins that game and theydon't win it anymore.

Speaker 6 (02:15:23):
It's closed up.
I got one more shout-out.
Shout-out to D.
Happy birthday girl whoMontgomery.

Speaker 3 (02:15:29):
Darian Lyons Shout-out to D.
Oh, happy birthday, Darian.
Dr D, I'm going to call him.
What the hell?

Speaker 6 (02:15:35):
y'all Before we get on.
I'm going to call him man inthe live first.

Speaker 3 (02:15:45):
Hey man, we out, we out next week the best baby
let's get it.

Speaker 4 (02:15:51):
Get a mic for you.

Speaker 3 (02:15:53):
I still love y'all, what the hell.

Speaker 4 (02:15:56):
I still fuck with.
I know, you know my prostatebad you need to pee, you can go
to my bathroom, I'm straight out.
Yeah, I'm like.

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