Season 2 Ep 5 - 2 Middle Aged Men Watch 90s Era Jim Belushi Films #1 - Traces of Red - The After Movie Diner Podcast

Episode Transcript
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(00:13):
Yes, that's right, back bypopular demand, well that by a deafening
silence that we took to be areasonable demand that you're all just too polite
to make. It's the inevitably nonsensical, yet hopefully enjoyable After Movie Diner Season
two. That's right. The firstthree hundred and fifty three episodes were just

(00:36):
season one that is just mad.Like all good sequels, in season two,
you can expect us to ramp upthe action, core expletives, gratuitous
mentions of donald, pleasance, andof course the requisite nudity. So when
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(01:03):
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they do not need to be consuming. So, without further dribbling, please

(01:49):
put down your Lennon Meringues, silenceyour bowels, and rub two nearby dogs
together for the one the only thankgoodness, because any more of him and
we'd have to start a call JohnCross. So tell everybody, uh,
we are live and it's sham ballack. Feel free Matt to share it to

(02:10):
Facebook or whatever you want to do. Yeah, I'm gonna my wife as
well. I did. Yeah,I just let her know that. Yeah.
So if this works, it willbe the greatest achievement that all of
podcasting has ever achieved. Now forpeople who don't know, uh, to
my well, to my right,it might be to everyone else's left.

(02:32):
I don't know, uh is MattPorier or Matt Poria or Matt Poor?
Yeah right, just yeah, Ibelieve the way it was pronounced one time
at a work. Yeah, Ithink the one that the one that I
knew when I knew it was myname, So I was I was getting
winning a backpack at this like thing. It's like a online like zoom thing

(02:52):
for one of the services we useand the woman's like, Matt the and
I was like, oh that's me. I won the backpack. She John
Travolta, indeeda Menzel's your name.That's fantastic and yeah, and now just
saying so and so and zone soin Syria, menge all right, did

(03:17):
John Travolta just have a stroke?But no, but no so uh yeah,
so Matt Pier from director video Connoisseur. Uh and again that doesn't work.
You're actually that side director video Connoisseurfigured out he's been writing that blog
and doing that podcast for decades now, right, Matt, what got so

(03:40):
that the part that the site Istarted in oh seven, I took a
hiatus for a period the podcast wasactually starting. You and Mo were the
ones who I just want to check. You said you were on hiatus,
not that you sorry that you tooka hiatus, right, not that you
took a high yena. But no, no, no, take a hyena

(04:01):
from anyway. No, I'm veryvery good. But when it comes to
animals, I leave animals alone,let them do their thing, and especially
hyenas, but in general, youknow, ahead and either one yes,
no, yeah, any medium hyenasor yeah, any any any level.
Yeah, we don't discriminate. I'msee exactly all right, so carry on,

(04:27):
Matt, Yes, you know that'sright. So the podcast, right,
yeah, I started with twenty memberand it was like twenty fourteen.
You and MO came to me becauseI've been on on Drunk on VHS.
We talked about frauding and homo hobobutt flutes, hobo butt flots. Yeah.
Sorry, yeah, so all kindsof interesting topics that we'd had on
their check. Check those podcasts out. They are still available on the aftermovie

(04:50):
Dina website aftermovie Dina dot com.Anyway, Oh, I also realize it's
funny. We have to scrolling thingalong the bottom that says, ask us
questions about nineties aera Jim Belushi.But I can't see Oh when can I
see the comments? Yes? Oh, we can't see the comments now I
think, okay, yes, sosomeone posted up now I can see it

(05:13):
comment. We're still trying to figthis out. Yeah, but that's one
of the exciting things because it's privatechair okay, right, yeah, yeah,
that's good, so people can comments. So do ask us questions about
nineties area Jim Belushi. Now soanyway, so that was Matt. That's
who he is and that's why he'sthere, and it's wonderful. If you
don't know this is you know,I've been doing this now almost fourteen year,

(05:38):
thirteen years, so you can tellI've just I've got it down.
You know when they say, youknow you have to do ten thousand hours
or something. Well, if anyoneremembers how long my episodes used to be,
that's only about five episodes. SoI did ten thousand hours very quickly.
But even so over thirteen years andover almost one hundred and fifty episodes

(06:00):
and uh, you know, lotsof blogs and everything else you think i'd
be, you know, quicker ofoff, the off, the trot you
know, I find back off,the back off, Yeah, the trot
off. This is the thing withpodcasting I've noticed for myself, like when

(06:23):
I go in and start talking,some of the stuff that that comes out
of my mouth, that's just likethese things that it's like where where did
I come up with that? Andthe thing the thing that always blows my
mind is like I'll go in knowinglike certain dates, names, things like
that. There was one that waskind of a little infamous for me when
I first started doing some solo episodes, and I did. I was doing
the Fast and Furious movies, andI spent an entire episode that I recorded

(06:46):
referring to Paul Walker as Scott Walker. I don't still don't know where that
and that that's been in my headfor years. I don't know where he
became Scott Walker, but that's nowwhat he is, right exactly. I
had to do like an opening andbe like, listen to everybody, just
to give you a headstep. I'mgoing to be calling him Scott Walker the
entire podcast, just before you youwant to send me an email and say,
hey, you know he's Scott Youknow, I know I did it?

(07:09):
Are you Thomas Walker? We knowright right? Yeah? Anyway,
And so Matt and I have beentalking about collaborating more, doing more podcasts,
having Matt on his guests more,etcetera, etcetera. And one of
the things that I came out ofthose conversations was the idea of us doing

(07:34):
a live stream which would also becomea podcast where we watched nineties, where
we watched nineties Jim Belushi tells usand commented on them, you know,
and then making a podcast out ofthat and so on, and I thought

(07:55):
of this idea of two middle agedmen watched nineties Jim Belushi movies on ironically,
and that's what we're going to bedoing, which we happen to think
is hands down the greatest idea fora podcast the world has ever seen,
because you know, there's been somecrime podcasts, and people are like people

(08:16):
have written whole films and then actedthem out over several you know, episodes
or a podcast. You've got podcastswhere comedians interview other comedians, and then
other podcasts where other comedians interview othercomedians, and then another podcast where three
comedians interview one sometimes more than onecomedian, and then there's that one where

(08:39):
the angry comedian interviews other comedians.Then there's that one where the guy thinks
he's a comedian but can't be acomedian because he's also an mm A fighter
and he's inexplicably popular considering what ashiny dome twappy is, but everyone loves
him and he interviews comedians, soit's it's it's yeah, that's that's Those

(09:03):
are the podcasts available, and that'sa wide and varied mix. I think
we can all agree that that's awide and varied mix. But uh,
but we thought, no one's everdone two middle aged men watching nineties era
Jim Belushi movies. No one's everdone that. In fact, Matt,

(09:24):
it might be said that we arethe only people who have ever even said
that sentence words in that order.It's amazing because I think one of the
reasons why nobody would ever think ofit is because, well, you know,
post according to Jim Jim Belushi,people forget that there was a pre
according to Jim Jim Belushi, whichwould be nineties Jim Belushi. So right,

(09:46):
the fact that people already forgot thatthat Jim Belushi existed means that most
people forgot that there would even bea Jim Belushi, a nineties Jim Belushi
to talk about. Right. Andyet you would think, Matt, in
this day and age of the uhwhat it multiverse, and and this situation
where people can just go back intime or go forward in time, or

(10:09):
be alive again when they were deador whatever, all this stuff is now
possible, you would think that therewould have been someone who would have tried
to go back and realize that therewas a pre according to Jim Jim Belushi.
I love the idea of an appointedJim multi verse for Jim Belushi.
According to Jim, Jim Belushi meetslike Royce and like gay related Jim Belushi,

(10:33):
and like you know, all ofthese others. You can imagine,
like Royce is about to like jumpout of a helicopter and take a train,
and he looks behind him, andaccording to Jim, just sat on
a chair eating nachos and his wifeto cook ifa or whatever, and probably
Royce looks at him, you're gonnahelp me? He probably belches and makes

(10:58):
some derogatory comment about the cat.That would continue such a fascinating multiverse because
you would have, you know,genre hopping character actor as a leading man,
semi comics, semi hard ass ninetiesJim Belushi playing in all sorts of

(11:18):
different puns, in all sorts ofdifferent genres. You know, he was
not afraid to jump from action tosci fi to comedy to movies with dogs
that are kind of everything. Andeven as we're going to find out tonight,
nineties erotic thrillers, Yes that's right, Ladies and Gems nineties three.

(11:43):
According to Jem, Jem Belushi said, you know what I can do anything
right. I was in a Braxisand I was in Royce, I was
in Real Men, and I wasin K nine Pi. I not even
the original Canine Pi, which Istill love, by the way, still

(12:09):
a good movie. Canine trilogy.It's an It's an undiscovered gem of a
trilogy. More people need to bedown with the continuation of the Duly story.
We needed it. We needed it, Matt. I think you know
we needed it. And the factthat we got three count them three,
that's as many as Lord of theRings got. And so I think we

(12:31):
know which one's better. You cannine kne nine one one and can nine
pi. Boom, there we go, it writes itself, thank you there
was. I mean, how Blueshididn't win an Oscar For the scenes where
he was chasing the dog around tryingto fetch like was it a computer chip?
Out of right species? And thedog part jokes that he was acting

(12:54):
alongside Night Yeah, and and andthe thing is right is the dog does
and even get an oscar? Right, dog jumped to building map, jumped
a building, just the building map. Where's his oscar? No? Because
Oscar is so human hashtag oscar isso human. You know what I mean?

(13:18):
What about the dogs? What aboutthe dogs map If you ever notice
ashtag oscar is so human, it'sjust dogs. I think you know.
When it comes to movies, right, animals, computers, and ninjas are
the only things that can be magicin action films. Yes, a computer
can do anything. It can't youknow, anything we need to and until

(13:39):
it can't, right, un tillsuddenly there's a reason for the plot for
it to not be able to doit. Ninjas, right, Ninjas are
magic. They can disappear, theycan teleport, they can walk on water.
And then animals right like dogs cansuper jump, they can act like
humans. They can they can theycan talk sometimes like they do all kinds
of amazing things. They can gothrough car washes and make this all going.

(14:00):
Isn't that cute when really it's sortof animal abuse exactly hashtag oscar associated.
I'm just saying, Matt, Yeah, you know what I mean.
What about tote right going with thewind? To know what A talks about
that performance quiet brooding atmospheric picking upon all the cues. Every ever talks

(14:24):
about that little dog, that littlewhite beauty acting its little pulls out.
When I was a kid, Isaw a performance like a local like theater
performancing for our school, and Totowas played by a pound puppy. Do
you remember those those the pound puppieslike it? I mean, I think

(14:45):
I know what you mean? Wasit a tough joy? It was like
a stuffed dog, and it hadlike a heart on its back, right
right, yeah, and Allen it'sback it had a heart that said Pepe
for pound puppy. And I thinkthey came in like these boxes that look
like traveling crazy. Idea was supposedto be like you adopting the dog,
would take this teddy exactly, asif having a teddy man wasn't responsibility enough.

(15:07):
I don't have to make it legal, right exactly? You are taking
this dog home, right, gotto live? Right? If it doesn't
right, right's gonna happen. Well. And of course it helped all the
shelter dogs that somebody wasn't adopting anactual dog, but they were getting a
pet, and they were getting astuffed animal. So exactly hashtag oscar so
you know, rather than stuffed whereis the oscar for stuffed dogs plays in

(15:33):
your local area? That did yousay in a place I was a kid.
Yeah, I want to say itwas like a kid. Like I
want to say, like they cameto my school and like performed in like
the gym floor or something. Youknow, like wait a minute, it
was one of those kinds of thingslike your school. They were doing a
version of K nine. No no, no, no, Wizard of Oz.
Wizard of Oz Knine would have beenamazing. That would have been amazing

(15:54):
if they just got some kind oflike schlubby kind of guy with a Chicago
accent who's kind of holding to justshow up and drink beers and you know,
have a this German shepherd run aroundand barket people. I know,
but I tell you what every Ialways wanted the car in Canine. That
is a again overlooked cinematic vehicle,you know what I mean, The Ghostbusters

(16:18):
van and Mystery Mystery Machine and allthat stuff. Don't get me wrong,
great vehicles, all of them,every single one a classic vehicle. But
pre according to Jim Jim Belushi's Carin Canine. I think it's a winner.
Anyway. Anyway, So tonight,Matt, as I as I teed

(16:40):
up earlier, you know, Blushcan just do whatever he wants and apparently
what he wanted to do this particularoccasion in the year of our Lord nineteen
ninety two. And by our Lord, I mean whatever lord and master you
serve for example, so Satan,but actually I don't. I wouldn't want

(17:02):
to belong to his club. There'sentirely too many, too much heat and
red and anyway, no, sorry, the year of nineteen ninety two doesn't
need to have to be of ourLord. I don't know why I went
there, but anyway, scratch thescraps. Edit pointed, well, because
that's the expression, or that's theexpression, and it's it's it sounds great.
Who there are people like Hunters Thompsonthat would say it that way,

(17:25):
and it just sounds so much itsounds fun to say it that way.
And so when I say it,I sound like some doggy old Church of
England priest speaking to four people ina cold, brittle church. After those
four people have just murdered an alreadydirgy hymn. They've just they've taken that
noise matt. Even even if someproperly this hymn would be the least rousing

(17:52):
and the least entertaining musical event whatever, so you made you get four total
death octigenari and see really you've you'vecaptured something there, Yeah, to find
You know, if if if Britain, if BBC TV shows depicted the church
going experience like that, brit Boxwould go under, like nobody in America

(18:14):
would buy it, they would nobodywould build that ch is like, oh
that's yes, Like everyone's still bearingtheir coats and scarves because the churches were
built in like twelve eighty three andno one's thought. Listen, I get
it. You want to keep itlike authentic the way it was, but
put some installation into the love ofsweet cheeks. Put some installation in this,

(18:38):
you know, one thousand year oldbuilding. Right, Oh, I
don't know. Get the church tocough up some of it's ill gotten loot
and built some new churches because Iknow you. I know people love going
into old churches, and I getit. But once you've been in the
one, trust me on this,because I've been into thousands, literally thousands

(19:00):
map It's why I look AIGs,that's why I look aged, and why
I will never ever go to heavenif one exists, but which it doesn't,
by the way, really anyway,so yes, everyone had to wear
coats and scars because they didn't insulatethe damn thing. They should build new

(19:21):
churches or insulate the old ones.Either way, depict it correctly, BBC.
Or I'm coming for you and I'mgoing to rescind my license fee that
I don't have to pay anymore becauseI'm coming to you live tonight from the
wilds of Connecticut. Matt is allthe way, Matt Our, correspondent in

(19:42):
Philadelphia, PA. What's it likeon the streets of Philly tonight, Matt.
It's actually quiet for a change,but you know that can change very
quickly. So what I tell youwhat once everyone in Philly starts to watch
this show, because Philly a veryit's a very like town, pride city,

(20:04):
lots of patriotism, but just forPhilly. And I mean, it
comes from Philly, and why notbe proud of it, be proud of
aware you from it? And alsoalso colonial and further Philly, there's no
like, there's no pride in precolonial Philly either, just like there was
no pride in in post court,no post nineties Jim Belushi or according to

(20:30):
Jim Jim Belushi, there's no pridein that Matt nineties Jim Belushi, We're
all over that ship like a ratagain. I don't know that. I
have no idea what I mean,But anyway, tonight, Matt, as
I said, four, Blushi cando anything. He's doing nineties erotic thriller.
He's seen Michael Douglas. He's seenthe wringled, testicular face of Michael

(20:56):
Douglas Mountain, the shiny beauty ofa young Sharon Stone, and he's gone,
I want some of them apples.How do you get me some of
that nineties erotic thriller money. He'sseen sweaty Baldwin mount a beautiful, shiny

(21:18):
face, Sharon Stone in Sliver,I want some of He's seen just a
reference. He's seen Bob Hoskins andBrettistati and shattered with condom full of condemned
ham faced Tom Barrenger, that's right, I'm pulling you out for having a

(21:42):
face that looks like a condemn meathas been packed into a condom. And
it's it's amazing that he has beenable to manage a career like that.
I mean, there's a baringer careerout there that is what you know.
I mean the Big Chill. Igot it. I understood the Big chill,

(22:03):
but kind of after the big chill, what how why? And he
but he's been he I mean we'retalking about Blush and all the roles he
got in the nineties, like Barranger'sagent. He must just show up with
a big chill card and say thisis what you're getting and everybody's like,
okay, give me that. Andthen then he gets up there and like
you said, he's like like youknow, like like distressed him in a

(22:23):
in a condom or whatever, youknow, like like that's like this pay
for this is the big chill.Like I like, I like this stressed,
I said, you can definitely whatI liked about that, right being
mom, you could you could seelike fancy restaurants and York that becoming the
trend, you know, like thishappens very distressed. Slice Well, Tom

(22:48):
Barranger took the hat and plainly shovedit into a condom. It's very distressed
having put it. Does Ham havefailings? I don't want to be eating
ham if it has fail Anyway,this is a whole other thing, but
I don't want to be eating hamif Ham has feelings. The tagline of
this first inaugural episode of middle agedman watching nineties Eero Jim Belushi films are

(23:12):
ironically tonight, Matt. I thinkwe've we've built it up enough. It's
Traces of Red, the nineteen ninetytwo thriller that is described on Jubi,
where it is currently streaming. Adetective on the case of a serial killer
in Florida starts to question his relationshipsand the killers ties to him in this
erotic thriller. It's not, bythe way, it's not very erotic anyway.

(23:37):
And I'm glad about that, Matt, because the last thing. Can
you imagine if it was actually rotand I just sat like awkwardly, like
what's going on? Like if itwas blue was the warmest color level of
eroticism, like unnecessary sily pornographic forlike thirty three minutes with just Belushi and

(24:03):
Lorraine Bracco, and we'd we'd haveto just sit there. I didn't realize
that was gonna happen. I feeluncomfortable now. I haven't. I haven't
seen this yet, so it verywell could have been that, and you
could have set me up and beenlike, well, you want to trace
as a Red man? Here yougo. You wanted to see the light

(24:29):
bouncing off's forehead, the seeding hairline, and his ass at the same time
as him and Lorraine Bracco had anunnecessarily long sexy in which furniture was destroyed
and fruit was rubbed at each other. It got really it got deep,

(24:51):
Matt. You know, like thescene in Real Men where he takes the
waitress home and then suddenly she's likean insane dominatrix. It was like that,
but more Jack. It was likeit was Art of Dying where Wings
Houser as a sex scene with KathleenKidmop is like milk and food and everything,
and he's like milk, yes,apparently behind the scenes with that.

(25:11):
Have you ever seen that movie?I've ever seen that one that I've not
seen? Wings, how's having anywayin milk? Okay? Art of Dying?
Yeah, be prepared for that.Apparently, like he really wanted hit
like a close up on his ass, and according to Kathleen Kidman, he
was like forcing like the makeup womanto like put foundation or something on his
ass so it would look good inthe scenes, and there's just milk everywhere,

(25:33):
and it was just absolutely disgusting.But the fact that he wanted it
to be that disgusting makes it evenworse. So yeah, be ready,
though I would not eat any distressedhand before watching Art of Dying if you
watched that movie, because it willit might get sick. Wings hows demanding
that a pull woman powder up hisbutt. That's why we love him.

(25:55):
That's why we love him, nojudgments, No, we love we love
the all right, we are watchingTraces of Red, and we better get
on with it because bloody long film, because thirty five minutes of it mat
it's just flat out blush porn,like like like Last Tango in Pairs kind

(26:17):
of like that's that's where it starts, right, It starts with Last Tango
and then builds up to like necromanceor something. All right, so here
we go, then Traces of Redon two B. We'll pause it occasionally
and make comments or whatever, butyeah, enjoy this film with us,
please. It's already brilliant, thatSamuel Goldwin. It's just as nice as

(26:53):
like a good restaurant video or acannon or something. Look at that name
above the title. That's what areyour always wanted Belushian Bracco, the couple
you always suspected. You didn't needTony Goldwin. No relation or related to,
very related, very related, Yes, nepotism. Americans love films that

(27:22):
begin with guns. Yet has beenshot? Oh voice, I mean here
about it on the news, butyou won't get the truth nothings what it
seems here. That's right. Itbegins with Belushi's dad me, no wife,

(27:48):
no kids, no regrets, justone nine millimeter bullet launched in my
chest. Nice saxophone. Someone goesit's an erotic drill, and they're better
be saxophone. And so the directorwas like, fucking put it over the
beginning with Gertie having been shot inthe chest. Basically, this was the

(28:14):
sixth sense before the sixth sense therest of the movie. Matt, he's
a ghost. It is the potteryscene with Lorraine Brocko. Yeah, Damn
Dixon casts at this, so yeah, so yeah, so it's gonna be
quality cost sure, let's do that. See I lied, he's trying to
go. It's all in flashbacks onand there is a perpetual saxophone on the

(28:38):
santrack the whole film. Oh Grahamreml look at that. He's he's famous.
This is already the greatest live streamfay that's never happened. It's not

(29:02):
well, we're not on switch rightnow because I can't I'm not paying for
it, but we are. Well, this is the best live YouTube.
I mean, this is just thegreatest thing map that's ever happened in uh
the history. He isn't Jim Pidock. I think I think Jim Pidock is
someone I gotta look because but it'sone of those names that you feel like
you remember Palm Beach where everyone hasthree lines public, private, and secret.

(29:33):
I mean, listen to that,Lucy just milking every drop of Marlow
esque detective dude. Jim Piddock isthe guy from all the Christopher guest movies.
No, yes, this guy.Oh I got it. Oh I've
gotta look. Yeah, let me, I didn't he wrote this. Wow,

(29:59):
So the guy who's like the onewho's like the like in in a
Mighty Wind. He was the husband. He's got the train set downstairs and
yeah, this is the first thinghe wrote this, dude, he wrote
this. Uh tooth Ferry the Rocksfilm twoth Ferry two. There's a tooth

(30:22):
Fairry two. It's a video,it's a directive. Oh, it's got
it's got Larry the Cable Guy.Yeah, yeah, you gotta have Larry
the Cable Guy. So that that'sthe pedigree of this movie, Matt,
which we're gonna carry on with rightnow. Yeah, and he wrote Silk
Stockings episodes, so he must havea thing with West Palm Beach in the
world. I hope they played thesaxophone all night. Yeah. Yeah.

(30:51):
What's hilarious is nothing looks good rightthere, Like the blond hair doesn't suit
her, the rad lipstick doesn't suither, doesn't she's worrying suits Yeah.
Also her voice, like her voiceis very adr in this movie. Yeah,
it becomes it becomes annoying. Okay, Well there's the dad from Boy

(31:11):
Meets World. Yeah, so gethim here too, classic Blushi. Look
at that. That's gonna be astart off attend for bad nineties ties.
And that is Belushi was never belowor above for either one. You look
at it, Yeah, wearing abad nineties times and we learn that as

(31:32):
we go through his nineties. Yeah, he he did the whole nineties thing
up. I mean, oh right, yeah, he was the king of
the nineties. Yeah, like that. I wouldn't be surprised we had jeans
on with that suit, probably forthe state show looking good hard? Look?

(31:52):
Would you vote for this man?Yeah? Why not for me?
You large credibility there, And Ithink this whole movie is damn shop,
A pricey joint like this. Youexpected to be treated with just a little

(32:13):
bit of different. This is yourproblem here. What's the hard she's stepping
in to defend the woman? Yeah, his brother once for man. I
don't need some stupid bimbo holy causinga disturbance. Sir, sir, why
don't you just sit down and relax? All right? Flash in the badge,
get a flash the bad and beman. All right, leave the
girl thirty percent? All right?You are such I love this badge.

(32:39):
I love that they go. Howdo we make people think Belushi is just
a no nonsense popper? And thewriter Jim I said, when well,
a guy's being a bit of addictto a waitress and he, you know,
goes and breaks it up like what. You could see that scene being

(33:00):
performed by Eugene Levy in a ChristopherGuest movie and we'd be laughing about it.
Well, Belushi is such a comedicgenius, even under his hard nineties
action detective Kassa Belushi is not abovedoing a little bit of comedy in that.
So it's okay, that right,exactly, Yeah, take me wherever,

(33:25):
that's fine. Percent tip you canget me, you can, you
know exactly, Yeah, cops,cops in nineties movies had a lot of
money and lived in really nice places. Yes, he's in My Happy Cop
and he lives in this like Idon't I don't remember if rob Sti's and

(33:45):
Mitzi Capture had apartments like these insilk stockings. I don't excuse me,
how do I work this? Let'sbe pretend. I don't want to recommend.
Why is this movie trying to drivehome how young she is? Let
her know how to operate a recordplay. He doesn't have to swoop in

(34:07):
a white knight and brown. She'sgrabbing that ugly tie right now. That's
just what we came here from.That. Don't spoil it, Nightwing.
It's very hard to find. Doyou think that'll be a clue? Matt?
The perfume is English and hard tofind and every fairly distinguishable from every

(34:30):
other perfume, so he could usethat later as a clue. I think
that when the when the Folly Artisthad to do the flow on this film.
They ended up getting a woman tothe sucker a rubbers like, I

(34:54):
don't think kissing sounds like that?No, no, when a woman believe
that now? But angry? Imean, why would guy based on every
other movie Tony Goodwin, Godwin Godwin? I think god Tony Godwin is in.
You don't understand do we think he'sa good guy or be nothing new?

(35:24):
He can't be a heel right,he's never but yeah, it's just
something about Godwin's face that you justgo evil. Everybody after the crazy evil
like that guy. This movie Mapis cost impectively well yeah, yeah,

(35:45):
impactively Well yeah, yeah, it'sit's there. There's nobody who's against type
except for Lorra and Broco. She'sthe only one doesn't make any sense.
Well, I mean she makes senseas a brunette as a problem. I'm
just like, what's happening there?Because yeah, I can't stop seeing it
as a horrible wig. Yeah,and then I go, what's the just

(36:05):
what's the choice? Says the choice? While she's the FM fatas she has
to be blund Yeah. I wonderdid they maybe think they had like Ellen
Barkin for The Wall and then shedropped out because she found out she was
gonna be with Blushi. And yeah, I don't know. I think Ellen
Barkin would have done that. Yeah, you might be right, so maybe
she didn't get offered it. Butyeah, Belushi, locket, I got

(36:30):
a second, Hang a second,Belushi. I mean this time, it's
not the dogs that are Bucket.I love that Ellen Bucket. And everyone's
like, is it a punch him? Right? Oh, there's a little
police brutality if you left the courtwhiles understand, didn't you snatch the shot?

(36:52):
Oh my god? Oh outside ofme my lawyer? Oh shit,
that's why I was just asked.I was my father's John as all send
him this palm, man, h, I don't believe this. You have
the right fucking palms? It does? He look like a poem? You
know what this looks like the kindof person you might write a poem and

(37:14):
then pretend for someone who clearly didn'twrite the poem wrote the poem. Evil
dude in the white pants. Hewrote the poem clearly because he's evil.
He's in white pants, and he'sso clearly going, I think it's this
guy over here, but we knowit's you. Because you're evil as all
fuck. And he's like, no, I know, but we've got to
drag this out to one hour fortyminutes because Pindot demands every single word he

(37:38):
wrote, has written. What plusyou have? Belushi wanted to extend things
with the love scenes and like showingwomen how to use record players and stuffs.
Teaches Angineus set up to teach itto use record players. And you

(37:58):
say a lot a tucked in shirt. So that's one thing that thing from
the nineties we did, okay gettingrid of was a tucked in shirt.
I I have a bit of apunch myself and I feel it. I
feel so much better not having atuck. Yeah. I'm anti tuck too.
Yeah yeah yeah. For so manythings that the nineties were great about,

(38:22):
this was one that we we coulddo without. For sure. I
got two cops, both in jeans, both in bad ties, both deciding
different ways to lead on a copcar. That's why I come from the
nineties, man, Yes, yeah, all well, stuff happens behind them.
It's like like like you know,dealing with dead bodies and all these

(38:45):
other kinds of things. You know, look it up and then surely we
can't both stuck there with our handson our hand from it. And then
Goldwin was like, I think Icould make it one because I gotta have
one hand on my hand, theother one on the roof of the car.
You genius. He is that manof producing credit splinting into the mid

(39:14):
ladies and gentlemen, I give youthe nineties. So for people who are
trying to keep up. Sorry,Blue, she has obviously been framed for
the murder. You're saying, thepoet and the murderer of the same person.
I love that. This guy,by the way casting impact, he

(39:38):
is incredible. I want this guyto have his own film. This guy
shouldn't have his own film to getme a million movies maybe with this guy
in the Yeah, but this guybeing able to not only know the difference
in tight writers stuff, but alsoto have charts and charts and charts of
lipstick colors, because that's a thingthat someone goes, oh, well,

(40:01):
there's only so many lipstick colors.If we find the lipstick, we might
know who the murder is. ThrowNo, that's not how that worked.
We waste the thousands of cause aboardaboard, bad idea, bad idea,
whatever, is the Belushi driving theother guy's car now? Is he's only

(40:21):
Slushi has taken over the scary blight. That's why this guy hates him,
because why the way? What awho are I'm on to drive my own
car like whatever has happened the whitetennis shoes, I've got it. Yeah,
that's oh, this trumpet is justdriving its beautiful. Yeah, I'm

(40:47):
making up Gibberis Now. It's hilariousthat they were like, ship, we
can't get Sharon Stone, we can'tget this other blond actress, we can't
get whatever Ellen bark Right, Someonein the room with married What if Bracco
and they went, wait somewhere Braccodied her hair blonde, and every single

(41:10):
man in the room stopped and thoughtabout it for a secure and fine one
of let's that's exactly what's whatever?I don't know if I can pull this
one off, This one might lookgood at my opan, those cups are
either married or running around some outmy experience. Her voice works really well

(41:40):
as the wife in Good Fellas oras the as the therapist on The Sopranos,
but as the film fatale like shejust says she's no, like Linda
Fiorentino. You know she's right.Yeah, even Linda Fiorentina would die,
blond hair would be Yeah, theycouldn't get her. She was doing the
last deduction. I guess we're gonnahear some classic gym talking his way out

(42:01):
of trouble. Just a surprise forit, just between you and me,
okay, and a great lady,mister school catch the Bears game. I'll
see you later. A Maide islike, I am buying your ship for
a second, but she's like,I could care less. I can't stay
there either. Oh weeks. She'snot going up to bron Gracco and Talim.

(42:27):
She's also not buying Belushi's bush.Yeah. Not buying Belushi's bullshit is
now my now favorite favorite sections.Belushi's hair is perfectly quiet. Yeah,
I mean look in the window.His hair must be hand sprayed into a

(42:52):
fine crown. Yeah. People,now we're back to two again. What
was it that I did in thelast thirty seconds? Like, damn it
got a focus group, got afocus group? What was the word I
said? What did I do wrong? You know the Brocco, the Broco
jokes, the Loreen Broco jokes.We what it was. We had two
Loreen Brocko fans come in and thenthey found out we were killing her and

(43:13):
they're like, Okay, this wasnot the podcast I was listening. I
know, I thought this was twoman. I appreciate Broco's g D.
She's sultry, Yes, that wasthat was? That was Linda Fiorentino at
her best right there? Oh no, she was. She was very Who
was woman in The Blade Runner?Who's uh young young? Yeah, she's

(43:38):
very shun young. Yeah, anothername we could have gotten in this but
apparently yeah, come on, whywas Sean Young? Right now? Yeah?
She was like, I'm not actingwith Beluci under any circumstances. Oh
the other do you know the other? I rocktics? Really he did one
other one thing? And you knowwho's leading lady was? Oh? It
was was Sean Young? Right?Was? No? No, which one
was? What was the other one? In the Hamilton Old Linda Hamilton's that's

(44:00):
right, Separate lives, right right. Linda Hamilton shows that she can be
both boring and boring, but inslightly sexy dress. Well right, the
New and Eternal Blue. She feelsuncomfortable in church. She Mark of this

(44:23):
movie needs make Foster. We canalso make the point that it needs Nico
Mastro my period. I couldn't sayso as a director that Yeah, can
you imagine this is a Uko Masterracasjoint. Yes, those things that would
have had is it a blue shewould have had wings Houser, which again
I'm not I'm not afraid. Yeah, that would have been interesting. Wings

(44:45):
would have Wings would have worn thehell out of those ties like he would.
Yeah. Mark McDonald is saying thatthis movie needs make right. That's
what's making me think of the NicoMasters when he said that Nico Masterracas,
Yeah, that because I he didreally well with He used her a lot.
I think he really liked her.You see, I think blue in
this movie and putting his hair onlike a Lego person. Yes, Sarah,

(45:08):
Like you know what I mean?Behind it just looks like Lego,
you know what I mean? Yes, like that perfect profile, Like yeah,
like it's like it's too angular,right do we say he is too
angular? He says tush movie critics. I like how she's playing the whole

(45:37):
pop like she's drunk the entire Iknow exactly. I loved it. Doesn't
sounds very good, fellas you likehere It's like I love you know the
friends they were just they were theywere smacking their kids and they were talking
about guys going to jail and Icouldn't believe it. You know, it
was great for good fellas. Youknow, had just a little bit too

(45:59):
much to rezipan. How did youdie? Confused as to why I'm here?
No, okay, skinny, RogerMoore is about to tell him what's
going on. Old Bordon had amassive heart attack watching a Red Sox get
oh, I'll do it. Helengot her money the old fashioned way,

(46:21):
okay, from New England. Iknow, I get it. Those Red
Sox they kill you every time.Back they really killed it. I don't
know what plot point that was,but Pock must have been a Red Sox
fan himself. I guess yeah,he knew, he knew what it was
like. I'd like to thank allof you for digging deep into your pocket,

(46:42):
like to thank everybody for all thewhiskey. The promise you Palm Beach
County won't be the same. Iwas at the back doing Let's dance.
I've just had ten gummies before theywere even invented. Thirty if before they

(47:04):
were invented like off the recent youknow, the thing with Bill Murray because
Wes Anderson didn't put him in AsteroidCity. Why did you stop putting Bill
Murray movies? Let's start putting JimBelushi, Yes, in movies, Jim
Belushi in a Jeeneen style performance.I would love it if he even goes

(47:30):
back in like West Anderson went backin Lucas in Belushi for Bill Murray and
all of the movies, just likethe way you know, looking okay?
Can you imagine that though Everyway's adsa movie, but instead of Bill Murray,
it's just a good that's right.Oh, Traces of Red is revealed

(47:57):
to be a clue. Guess whichwas right? Oh? Women use it
thinks crouching that's what it's called onthe other soundtrack and parentheses and honesty in

(48:22):
practice. I love the sound practice. But can you imagine if Mondo what
is it Mundo Records or whatever orwhax something? What what is it?
I can't I don't know all theones. But anyway, the new people
who put stuff out on like filmsoundtracks, but they do like a big

(48:45):
retro version of it. You dowe need a retro version of the Devil's
rain. Oh yeah, like somerandom sam You're like, yeah, okay,
but then we need the soundtracks.That kind of thing this movie.
And they think they think happen tosomebody else. It is Graham Revel,
right, doesn't he have fans?I think he has fans. Graham Revel,

(49:07):
he has big motorized fans to keephimself. We're willing to play gas.
She said, don't move, honey, don't move on me. Let
me do everything. See you cantell now that he's fractured because the helmet
hair is going on. You don'tknow how other in other movies stay.

(49:29):
It depends on how much double theyhave as to have like fractured and at
the reft they are in this movie, it's whether Belushi's hand moves or not.
And it's not moving. Everything isgreat because it slowly begins to unravel.
So does Belushi's psyche, and anythingcan happen. In the third act
of Friends, Tonight Your middle agedMan watch nineties era Jim Belushi comes.

(49:54):
This does have great like Noirrish,Floridian, sweating tective kind of locations,
but they are all filmed like amad child making a sofa. Well,
it's interesting with the casting changes becausethe biggest one is the Ray and Brocco,

(50:14):
Right, but it seems like everybodyelse like like you know, like
like our lieutenant and this guy thatyou know, they're all perfect for there.
It's like, you know, likethe guy who is like analyzing typefaces,
Gloria Ward. Now the guy whois analyzing typefaces Clarious Right, some

(50:36):
slack huh, Steve Handles, KeyWest. Do I have any kind of
choice? Yeah? You could doit my way, or you could do
it my way. That check,that check on Jim Blushi's character names can
only be called one syllable post confused. You know what, Well, she's

(51:02):
angrily ripping the lettuce. You wantto bruise the lettuce by being angry with
it? Don't don't salad angry saladangry? I love you. I love
you. Don't bruise the lettuce whileI'm gone. Don't don't salad angry.

(51:28):
You made angry salad again, didn'tyou. I can feel it in this
ravish angry. The whole thing's bruised. It tastes like that, the anger
that would have been a great openingce right where it's like you know where
he's like telling the waitress off,like, you know, I pay so

(51:51):
much money for this and you're bruisedby salad. This is you know,
your cook's back there, your prepcooks angrily making salads and I'm paying all
this money. You know. She'slike, come on, man, you
were a thirty percent tip. Sheangrily made that sound. The angress made
sound of that. I always lovea good tense love scene on the chaise

(52:16):
lounge. The actor was like,I need a shase long and I need
one now, and were like,that's too much of a demand. Listen,
Belushi won't go on unless we geta shaise long. I can't shoot
the scene with a sofa because thefact is gonna cover everything. I need

(52:37):
a shase lounge to be able toget it in right and definitely bring the
sacks off in this back anything Goldenlike acting so cool, I'm acting I

(53:00):
get to touch He's like, I'mso glad Stephen Webber turned this role down
here. I so bad that myfather owns. The student said, if
you get any of those movies whereI get to touch a woman, please
put me in those movies. Andhe's like, is it all right?
If you're the villain, it's evenbetter. I find the villains because I

(53:23):
scream evil. Where he could affordto play villains all the time because his
dad owns a company. Doesn't haveto worry about being type cast because you
know he can. He can alwaysfind work. He's like, Dad any
more those movie touching movies. He'slike, you've been here already. Yeah,

(53:43):
all right, you're gonna do butyou're gonna have to wear this old
ready Jane jacket in the scene herDad, that's even outdated the eighties.
Listen, I'm telling you this ishow it's gonna work if you're gonna do
this, all right, Dad,all right? Then he wiped his hand.
He just had across the lips,and I was like, I wonder

(54:04):
if he also thought he was gonnabe Rebecca or de Morna in that scene
as well. And he's like,well, actually, it's gonna be the
Wayne Brocco. Now what this wholemovie was just to make Gone Gone With
happy exactly. Goldman's like, Idon't want to be the lead. I
want to be the villains. Iwant Jim Belushi to be the lead.
And Sammy Goldman was like, no, not, He's like that, it's

(54:29):
Belushi or nothing. She told methat Michael and Morgan had something going a
while ago, you know about thatBelushi about and he's so befuddled right now.
He looks like a cat. That'slike. Look at framing with the
woman and the child in the middle, right in the middle, and then

(54:52):
the two of them the sides.Yeah, it's where's Anderson framing. I'm
telling you where Anderson got a lotof ideas. He was inspired to be
a filmmaker watching this movie. Hewas, Yeah, he was, how
do I get away with making anentire movie where I don't have to move
the camera? Yeah, you're justhaving in single side. He saw this
and he's like, I've got tocall the Wilson Brothers right now. Make

(55:14):
bottle rocket. And he was like, yeah, I love everything that sacks
off with it. Look what andgo with me here it was mother's barking
on a keyboard. What if it'sthe same things on a keyboard? Yeah,
I'll have you pronounce his name,you know, no Mark but yeah,
yeah, no from Devo right forthe Devo guy Mark, Mother's about

(55:36):
Yeah, you know this stuff righthere. I'm like so like like the
drone shot and modern movies has killedthis we're just like, get over yourself.
Even though this was a you know, a helicopter, it took a
lot more work. And but it'slike there's so much drone shot now in
movies that it's like I see somethinglike this and I instantly cringe a little
bit, and I'm like, youknow, I like it because it was

(55:57):
so clearly taken from a TV episodeof like Ragon PI or Miami. Well,
Miami Voss is the obvious one,but I think, you know,
probably from like a murder she wrotewhere she goes on holiday to Florida,
you know, like it's that kindof thing or something. Hello, Okay,
the writer's writer. So along withbraining, you also go yourself apart

(56:24):
in it. It's so easy.Norton looking mothers. Yeah, this is
I'll be kind of by Ed Nortonwould like now play with most seriousness.
I'm not sure everyone. Ed Norton'son the set. We're going to be
incredibly serious. Trouble on his shoulder, pidoc is that guy? Do you

(56:47):
know where I might find him?Is gonna take Goldman down? Social train
set used to go just some DowntonessCatholic church every Sunday. It's down on
Mateo. You might want to trythere tomorrow. I tell me, look,
Lucky Day. Is he wearing Goldwin'swhite pants from the earlier scene.
I think so, because they're probablyit's going to turn out to be like

(57:09):
Jewel Murderers, the White Pants Gang. This guy. They're just introducing this
right now because we haven't kept upwith the plot matter. Now. We
don't know who this guy is.I don't want to see Goldwin's old face,
Oh jus sucking stuff over? Okay, I'm showing me Goldman's. Oh

(57:32):
faith, I would not go overmore than a glass. Why are we
watching this, Blushi? Why didyou allow this to happen on film?
Shot? Yep? This is unpleasantin the extreme. Yep. Oh,
then we've got our Wes Anderson shotafter. This is actually more Katherine Bigelow.
I think this is very Katherine Bigelow. Here. This is Mark.

(57:54):
Mark McDonald says, what kind ofquestions like, fuck, if this the
greatest live stream on YouTube that hasever been attempted? If this hasn't proved
you? Yeah, why God?Why? Then? I don't know what
to tell you right here? Everyline and and not to maybe give it

(58:19):
away too much but when we're finishedwith all the nineties, We're finished with
all the nineties, Belushi, We'regonna move on to according to Jim,
and it's just gonna be according toJim episodes to Jim the fdcast, we
can do it over. It's gotthrough every season. Are we smelling to
make sure she's got the perfume?Is that what it is? At this

(58:42):
moment? It could work, butit's still a terrible life. Really,
what kind of perfume is it?It's called night Wing. Steve gave it
to me. Why does it smellnight perfume? It came back from the
beginning like I said it would,because it's stuck out like a fucking salt

(59:02):
checkouts perfume? Why what check?I want Walter coning to a series check
checkout? You know, if youintroduced check perfume in first scene, you

(59:24):
must use at end of movie Nightwing. I'm Nightwing? Did you see he
did it? Apparent? Really?I saw on Twitter he was advertising.
He's like, come see me whileI'm still alive. That was when he
was advertising. Yeah, he's definitelygiven up, just given up. He's
like, just whatever I need todo to get out of here. With

(59:46):
a little bit of money and dignity. Yeah, I'm sorry, cunning,
I think that ship has sailed me. It's Nightwing. Who does that?
Like a contract? Seen playing?What is that that's playing while he's contrapur
soon is definitely what's playing. Let'sjust go with that matter because I don't

(01:00:07):
know what that is. I don'teven know, but it sounds like it's
just like an instrument that popped intomy head. Yeah. Full three ratio
really lends itself to Belushi films.You know, he's best in a s
If this was widescreen, it wouldbe Belushi madness, especially when he's talking
on a rotary phone like that's justyeah, he meet me. It's Stevie

(01:00:30):
Bees because you're evil. No,yeah, it's good yeah, no,
no good no. No. Infact, that's how they used to advertise
it on the local corvision. It'snever good news, never good news.

(01:00:51):
You might as well stay home becauseit's never going to marry When you come
on down to see and watch upfor the marlin on the wall, they'll
get stepped by cuss out of himwith the marlin behind him there, Yes,
squeeze, what is nineties suit jacket? Yeah, Polo shot punching me

(01:01:15):
so evil. Yeah, I wantto get that marlin and insert it into
him. And it's it's a Polo'sdesign specifically to not be buttoned right,
like it's meant to not be you. If he buttons that up, it
doesn't look properly. So they designedit so it would be unbucked. Woman,
you can't button up the Goldwin.That's what we're learning. By the
way, we just found out Belushi'scharacter abused by his father. Yeah,

(01:01:39):
not her, not by the mom, who should have been pushed in the
water. You know why it hadto be the father, not the mother,
because if it was the mother thatyou would have had to push her
in the water. The twist isthat has been a ghost the whole time.
I don't know. I think heand Blacko we're going to do it.

(01:02:00):
Pottery seen here in a minute.Here it is here, it is.
Well, I know how to usethe record player because I'm old,
but I don't know how to usethe printer. Didn't Belushi go looking at
stuff in his h in his bedroom? Yeah, yes, oh yeah,

(01:02:21):
blush, you would know it wasn'thim if why would he be looking at
Yeah, you know what I mean, yeah, yeah, and the letters.
He's got the letters. That's onelevel too much. I feel like,
yeah, Belushi is the killer andBelushi's a ghost. Thank you the
nineties. I love how he Goldwincan't open a letter the way that Belushi

(01:02:44):
does. They a plumb of justlike the side rips long. Belushi can
only is the only one that lapopen a right, Yeah, Goldwin,
there's another one of the rules you'regonna be in this movie. Sun.
You can't open a letter in acool way. You've got to like haphazardly
the thing open an end. You'vegot to open a letter like a man
distressed, like call back check offsHam Classic Tonight, Todd PBS, Walter

(01:03:15):
Koenick reads check He's got my wife, God damn it, the wife that
I cheated on with Lorraine Brack.Somehow they expected to care about this wife
that even I the apparent now heroof the film might be the guy who

(01:03:36):
we all thought was guilty for mostof the films. Everyone has to like
me now. They all have tolike me up. They've sat to watching
me wear fucking tucked in polo shirtslike a hat indiot. They're gonna like
me now, you're gonna do theTexas switcheroo with the old Blushi. Yeah.
I don't accept it, Goldwin.I don't accept it one thing,

(01:03:59):
so do fo. Anyway, let'slean on some cars some more. I
think that's if we're gonna wrap thisthing up, We've got to lean on
some cars. How many hours doyou want me to lean on this car?
Is this to pay me back forthe fact that you've stolen my husband?
Like a retreat? Yeah, almosta pirate shirt, Like it's almost

(01:04:30):
that was a good thrash death there. I like that. Yeah, he
thrashed that one. Well, there'sno shimmy there anything. He just not
whipped it back. Like he literallystood up off that shop and was like,
got it in one. Yeah.The guy was like, no,
we weren't. We weren't rowing.No, you get one. I bet

(01:04:56):
you thought I was going to bea hero or something. I don't know
what I thought I was. Oh, oh, the irony of my McDonald's
says, this screenplay doesn't make sense, like did he deliberately do things that
made the view suspecause of his becausegood shop not even a moment for the

(01:05:20):
view of the turn to feet.Yeah, that was quick. That was
just boom. Yeah, did Jacqueland Steve cared about my reputation? And
there's and there's oh is Blushi alivein there? Oh that would be amazing
Carrie style. He opens it upand it's like she does like a big

(01:05:41):
gas like and I to be inthere. It's traces of red too,
the cyborg cereal color. She's bondand wearing red lipstick. You thought it
was over and I was the badguy. Yes, come on in,

(01:06:05):
okay, And that that that buzzerwas also the teller that she's wrong and
letting this guy in. Like agame show. We've got a double twist,
ladies and gentlemen, Oh, okay, cobble twist. Okay, And
she's playing a tape player. Helushe yea Lorraine Bracco day. Hi,

(01:06:30):
he's really the killer. His brotherwas the killer. Yeah, so have
you would you like a drink?Sure? Sure, la, Honestly I
put nothing past the screen right atthis point, that's Jim Pittock keep talking

(01:06:54):
about. Yes, he was theguy's fairy fairy. Yes, if you
seen the best in show, he'sthe announcer with Fred Willard. I know,
I'm so sorry, thought Jack.Yes, sorry about Jack. It
was all a set up. Iturn it off. Why did you need

(01:07:16):
to fake a funeral in order getyour brother who we all knew was evil
to begin with? The show?Did you? Because you and he's a
journey to Basically at this point thefilms, the writer was like, how

(01:07:36):
do I make it so that aman gold the bad guy? Bel she's
a bad guy? Then the brothers? How do I do? This is
what this goes down screenwriting history isthe Pinnock Maneuver trilogy of reveals. When

(01:07:56):
you're in a screenwriting school, thePinnock method, Right, they discuss the
Pittock method. All lifetime movie screenwritershave to understand the Pittick method before they
can write, you know, you'requite lying. So guy who was on

(01:08:19):
a kid's TV show come down tome the killer? Yeah you didn't see
that coming, did you? Ilove Also that Belue she waits till this,
yes, because it's a movie.So she's not gonna be traumatized,
right, She's not. There's gonnahave no trauma after the fact, right,
Yeah, this is not gonna behorrible at all for her. I

(01:08:43):
mean that was just he could havecome into any point of right, Yeah,
movies don't seem to think there's anythingas PTSD. So there's yeah,
what are you talking about? Youkilled Jack? Did Ivan? What?

(01:09:04):
Yes? What is the saxophone?That the Yeah there it is, okay,
where is the saxophone? Moment?My little girl complained that the saxophone
should have gone yeah, go onya as he goes through the door.
What was the whole point of that? Can anyone explain it to me?

(01:09:26):
If they knew the brother was badlypeople? Right? Right? How could
my brother want to frame me?How could you want me dead? You
killed three women? That's right.Pinnock did write a lot of silk sucking
episode after that. Yes, theywere whole. I've done anything for you.
I knew what it was like.I knew what she did. Michael

(01:09:48):
Hawks, could you do it?I would have got you a deep dish
pizza. Oh, the Pinnock methods. It's always going to end with a
senator's death. Senator. He couldbe running for math all I know,

(01:10:10):
right well there it was like statesenator or something. Yeah, he was
running for shone earlier. I know. The moment that door opened and Belushi
was revealed is when we needed thatsaxophone playing there, put up again,
leaning blowing up. Yep, God, you can brain this drama into a

(01:10:30):
cup o yeah, and then sellit as an energy drink. How did
they They were just like, butthey realized there was no way we could
do We We've done the leaning overthe car thing too much. So let's
do a porch or like a youknow, death leading there and not further
up where it's coming away from therail. That's not that's not very safe
though. I would get that localcouncil on that. That would have been

(01:10:56):
a true Piock twist. If Goldwyndied, if he if if the if
it felt like and he died.No, I don't remember what Goldwin's character
name was, but Goldwin, youknow, he's like reaching for it.
And then Belushi like looked at thecamera and went scribbling do I was evil
all along? And then ran away. Oh there's separate lives that's on here

(01:11:16):
too. I guess there are you. Oh so Ladies and Jones, Separate
lives will be coming up. SoI know, really only a couple of
people watched this, But what dideveryone think? Is this something that you
would routine the watch? And ifit isn't do we care? Would we

(01:11:42):
do it anyway? Did you enjoyit? Man? I loved it.
This was a lot of fun.I think you know this, this setup
is great. I mean, Idon't know, you know, again,
you know, if we have tofigure out what the if if we can
do it for free on this service, you know, continue that. You
know. I don't understand why theycan't charge you monthly, Like I don't
understand like why you know, wellthey would, they could charge us monthly,
but it would be an extra sixtydollars. Oh right, Okay,

(01:12:05):
I see you're saying, oh,okay, that makes it okay. But
yeah, I mean I think thisis I mean, these Blushi movies feel
like they're just a you know,fountain of you know, Jimdetic movies.
I don't not Jim Pinnock movies,Jim Belushi movie. I mean, can
we just talk about Belushi's had somany layers in that film, and he

(01:12:26):
just peeled each one off expertly,like he was peeling onion off a deep
dish piece. Yes, I meanthe voiceover it was. I mean,
because the voiceover piece, I thinkit was almost like he didn't want the
Chicago accent, but then sometimes hewanted it and and it just kind of
like you said, it was likea deep dish pizza, but like like
an UNO's in a shopping center,not in Chicago, like in just some

(01:12:48):
suburban shopping center shopping center. Iagree, Yeah, I agree. Well,
that was Choices of Red. I'mglad you sat through it. I
didn't know whether we were good tolike just like occasionally stop it and talk
about the movie, or whether we'regoing to talk all the way through it.
We ended up talking it all theway through it. I hope that
was fine for you. I feellike otherwise we would have been pausing it

(01:13:13):
every thirty seconds, and you know, we'd still be watching this movie four
hours from now. So but anyway, I hope people enjoyed that. We'll
definitely do it again because I enjoyedit. But maybe at gains legs at
some point, who knows. Yeah, anyway, that's it from middle aged
man watching nineties era Jim Belushi filmsand ironically, Matt tell everyone where they

(01:13:40):
can find you, and then we'regoing to pop off Yes, DTV condos,
sword up, blogspot dot com.That's where pretty much everything is.
Books my newest one is Bainbridge.It's a a novella about a detective cop
on the edge in the early ninetiesnamed Bainbridge, John Bainbridge. You hit
that on Amazon paper back in kindle, and it's where my other novels are

(01:14:01):
as well, so yeah, youcan check me out on there. Yes,
I owned them all and I reallyshould have had them so I could
have held them up on that shovingin it back. The one here,
Yeah, check it out. Verythin, it's only only about eighty pages,
so it's a novella. So yeah, you can quick and easy read
three dollars on on on kindle,six ninety nine on on on paperback.

(01:14:27):
Excellent. That's wonderful. I don'thave any other than people should buy my
albums, but I've been saying thatfor thirteen years and it's only Matt and
a couple of other people to doanymore, which I'm very grateful for.
But you know, come on,someone else buy it. Uh yeah,
so we will come back with separatelies at some point soon. Mark,

(01:14:48):
No, we loved you rabbling on. Thank you, thank you. It's
fantastic for joining Mark McDonald are justsaying thumbness and guys, sorry for rabbling
on so much. No, notat all. We liked it. We
encourage in reaction. But with that, thank you so much, Matt.
We'll talk to you soon. Andmessenger, have a good week. And

(01:15:09):
this has been me, and thishas been Matt, and this has been
middle agemen watch nineties era Jim Belushifilms, I ironically, and one day
we'll work out how to end ashow by everybody. Oh, we are
two middle agemen watching nineties era JimBelushi films, two middle agemen watching nineties

(01:15:36):
era Jim Belushi films, two middleage men watching nineties era Jim Blushi films,
and you can watch along with those. Oh yeah, you've been watching
along with us. Oh yeah,Or maybe you've been listening somewhere where it's

(01:16:00):
listening. You just got the podcastversion. You've not seen the film,
but you have listened along with us. Oh dear, you have spent your
time. We just finish already

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Season 2 Ep 5 - 2 Middle Aged Men Watch 90s Era Jim Belushi Films #1 - Traces of Red

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Season 2 Ep 5 - 2 Middle Aged Men Watch 90s Era Jim Belushi Films #1 - Traces of Red